Townhouse: The Property From the London Residence of a Lady of Title

TOWNHOUSE

PROPERTY FROM THE LONDON RESIDENCE OF A LADY OF TITLE FRIDAY 14 JANUARY 2022

ALSO SELLING THIS WEEK:

JEWELLERY, WATCHES & SILVER SATURDAY 15 JANUARY 9.30AM (425 LOTS)

COUNTRY HOUSE SATURDAY 15 JANUARY 9.30AM (539 LOTS)

TOWNHOUSE:

PROPERTY FROM THE LONDON RESIDENCE OF A LADY OF TITLE FRIDAY 14 JANUARY 2022 AT 9.30AM AUCTION The Auction Centre, Leyburn North Yorkshire DL8 5SG

VIEWING Tuesday 11 January 10.00am to 4.00pm Wednesday 12 January 10.00am to 4.00pm Thursday 13 January 10.00am to 4.00pm Morning of Sale from 8.00am

Live bidding is available on this sale by registering at www.tennants.co.uk All lots illustrated online at www.tennants.co.uk

CONTACT Telephone: 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk

FRONT COVER Lot 113

Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results.

Twenty-seven specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace.

Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major disciplines, making it one of the UK’s busiest salerooms.

YOUR AUCTIONEERS AND SALE CONTACTS

Jeremy Pattison Auctions Director Furniture

Jane Tennant Director

Jeffrey Lassaline Head of Sale, Silver & Objects of Vertu

Charlotte Conboy British, European & Sporting Art

Andrew Parker Glass, Ceramics, Asian & Works of Art

Diane Sinnott BA (Hons) MRICS, 20th Century Design

Dominic Somerville-Brown Adam Wasdell, Books & Manuscripts Wostep, MBHI Clocks & Barometers

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Francesca Young Modern & Contemporary Art

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A Lalique Roses, Frosted and Clear Glass Square Coupe, wheel engraved Lalique France, 24.5cm square

A Louis-Philippe Style Ormolu-Mounted Mahogany Gueridon, late 19th century, with frieze drawer and candle-slide, 40cm by 27cm by 72cm

See Félix Marcilhac No.10-407, page 312, model created 18 April 1939

£150-250

£70-100

5

2 A Shell Photograph Frame, circa 1900, of shaped rectangular form, applied with various shells, 15cm high; A Similar Larger Picture Frame, of rectangular form, 28cm high; A Similar Rectangular Box; An Oval Box; Two Cylindrical Pots; and A Shell Montage (7)

£100-150

3 A Victorian Silver-Gilt Inkstand, by Charles Stuart Harris, London, 1878, in the form of a James I silver spice-box, shell-shaped and on four cast shell feet, the hinged cover fluted and chased with a dolphin, the interior fitted with two silver-gilt mounted glass ink-bottles, engraved with a coat-of-arms, 13.5cm wide, weight of silver 12oz 15dwt, 397gr Provenance: with Garrard

£400-600

A Royal Worcester Porcelain Group of The Winner, circa 1970, modelled by Doris Lindner, as a grey racehorse with jockey up wearing HM The Queen’s colours, printed mark on black, 26cm high, the wooden stand with presentation plaque

£150-250

6 A French Louis XV Style Kingwood, Crossbanded and Parquetry Decorated Foldover Writing Table, late 19th century, the rectangular top enclosing a leather writing surface above a shaped apron and slender cabriole legs with gilt-metal mounts terminating with sabots, 90cm by 53cm by 77cm

£400-600

7 A Mahogany Quarter Chiming Longcase Clock, swan neck pediment, trunk with blind fretwork canted corners, inside trunk door with an applied plaque inscribed “Percy Webster clockmaker 45 Londoun Road St John’s Wood and at 37 GT Portland St”, base with applied presentation plaque, brass dial with silvered chapter ring, dial centre with an arched silvered plaque inscribed Thomas Humber, London, seconds dial, arched with moonphase aperture, triple weight driven movement with an anchor escapement and chiming on a nest of eight bells and striking the hours on a gong, case and dial are late 18th century and the movement is late 19th century, 234cm high

£800-1,200

8 A Pair of Late 19th Century French Beech-Framed Chairs, upholstered in close-nailed brown suede with moulded back supports and serpentine seat rails, on cabriole legs joined by a flattened H stretcher, 49cm by 45cm by 90cm and two other chairs (4)

£80-120 3

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2 (part)

56 1

140

2 (part)

3

5 4

6 8 (part)

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9 Beardsley (Aubrey, illustrator). The Birth, Life and Acts of King Arthur, of his Noble Knights of the Round Table, their Marvellous Enquests and Adventures, the Achieving of the San Greal and in the End Le Morte Darthur with the Dolourous Death and Departing out of this World of them all. The Text as written by Sir Thomas Malory and imprinted by William Caxton at Westminster the Year MCCCCLXXXV and now spelled in modern style. With an Introduction by Professor Rhys, London: Dent, 1893-4. 3 volumes, 4to, bound in 1895 by R. Riviere and Son in blue crushed morocco, elaborate Art Nouveau floral decoration gilt to spines and front covers, publisher’s device gilt to rear covers, top edges gilt, others untrimmed, xc 290, [4] 291-664, [5] 665-990 [2], photogravure frontispieces to volumes 1 and 3, 18 woodcut plates (including frontispiece to volume 2; 4 double-page), woodcut text-illustrations, decorative borders, chapter-headings and tailpieces throughout, colophone leaf, original wrappers bound in at rear, offsetting from plates, volume 3 partly unopened (qty: 3) First Beardsley edition, superior issue printed on Dutch handmade paper, number 30 of 300 copies thus.

£2,000-3,000

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All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

10 Jacobs (Joseph). English Fairy Tales. Illustrated by John D. Batten, London: David Nutt, 1890. Large 8vo, bound in 1898 by Riviere & Son in light brown crushed morocco, spine and covers gilt overall with olive-branch devices, top edge gilt, others untrimmed, additional pictorial title-page, half-title, 8 wood-engraved plates (including a duplicate of the frontispiece), advertisement leaf, pictorial colophon leaf, wood-engraved headpieces and vignettes throughout, paper covering from original boards and spine bound in at rear, very small abrasion to foot of rear joint (qty: 1) First edition, deluxe issue, number 33 of 80 copies printed on Japanese vellum and signed by the author, illustrator and publisher on the limitation page, this copy with a laid-in autograph letter signed from the illustrator.

£200-300

11 Jacobs (Joseph). More English Fairy Tales. Illustrated by John D. Batten, London: David Nutt, 1894. Large 8vo, bound in 1894 by Riviere & Son in light brown crushed morocco, spine and covers gilt overall with olive-branch devices, top edge gilt, others untrimmed, additional pictorial title-page (printed in blue), half-title, 16 wood-engraved plates (including a duplicate of each plate), pictorial colophon leaf (printed in blue), wood-engraved vignettes throughout, paper spine and front panel from the original boards and dust jacket bound in at rear, bump to head of rear board (qty: 1)

10

First edition, deluxe issue, number 22 of 160 copies printed on Japanese vellum and signed by the author, illustrator and publisher on the limitation page.

£120-250

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12 Jacobs (Joseph). Indian Fairy Tales. Illustrated by John D. Batten, London: David Nutt, 1892.

Large 8vo, bound in 1898 by Riviere & Son in light brown crushed morocco, spine and covers gilt overall with olive-branch devices, top edge gilt, others untrimmed, additional pictorial title-page (printed in pink), half-title, 18 wood-engraved plates (including a duplicate of each plate), pictorial colophon leaf (printed in pink), wood-engraved headpieces, vignettes and initials throughout, paper spine and front panel apparently from the original boards bound in at rear (qty: 1) First edition, deluxe issue, number 22 of 160 copies printed on Japanese vellum and signed by the author and illustrator on the limitation page.

£150-250 12

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13 Vogel (Lucien, editor). Gazette du Bon Ton. Arts, modes et frivolités.

1912-13, Tome I […] 1913, Tome II […] 1914, Tome I, Paris: Librairie centrale des beaux-arts, 1912-4. 18 monthly numbers in 3 volumes, 4to, contemporary vellum, decorative titles gilt to spines and front covers, all edges untrimmed, 181 colour pochoir plates by George Barbier and others (10 to each number in volumes 1-2; numbered 1-61 in volume 3, without number 43, but with an additional plate numbered 15 between 23-4; many folding), similar illustrations throughout the text, each number in volume 3 with initial advertisement leaf and title-page printed on thick card (the latter possibly from the original wrappers), offsetting from a few plates, collation of the text not established and the lot sold as a periodical (qty: 3)

£700-1,000

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14 Dobson (Austin). Eighteenth Century Vignettes. [First and] Second Series, London: Chatto & Windus, 1892-4. 2 volumes, 4to, bound in 1895 by R. Riviere and Son in red crushed morocco, Art Nouveau leaf sprays gilt to spines, covers and turn-ins, 23 plates (many photogravures on india paper, mounted), half-title to volume 2, original vellum spines bound in at rear, a few small white marks to lower fore corner of volume 1 front cover (qty: 2) First editions, deluxe issues, respectively numbers 19 and 15 of 250 and 200 ‘specially illustrated large-paper’ copies, the first series additionally signed by Dobson on the limitation leaf.

£150-250

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15

17

15

17

Thomson (Hugh, illustrator). The Ballad of Beau Brocade and Other Poems of the XVIII Century, by Austin Dobson, London: Kegan Paul, Trench, Trübner & Co. Ltd., 1892. 4to, bound in 1893 by Riviere & Son in tan crushed morocco, spine gilt in compartments, covers gilt with elaborate outer frames enclosing central Pegasus vignettes, gilt inner dentelles incorporating a Vitruvian scroll, top edge gilt, others untrimmed, woodcut additional title-page, half-title, 26 etched plates on japon, etched vignettes, headpieces and initials throughout (all on india paper, mounted), original cloth covers and spine bound in at rear (qty: 1)

Thomson (Hugh, illustrator). Coridon’s Song and Other Verses. From Various Sources. With … an Introduction by Austin Dobson, London: Macmillan and Co., 1894. Large 8vo, bound in 1895 by Riviere & Son in mid-brown crushed morocco, spine richly gilt in compartments, French fillet border gilt to covers, gilt inner dentelles incorporating a Vitruvian scroll, top edge gilt, others untrimmed, half-title, frontispiece, full-page illustrations throughout (counted in the pagination), occasional offsetting, sections of the original cloth covers and dust jackets for the large-paper and ordinary-paper editions bound in at rear (qty: 1)

First edition, large-paper issue, number 10 of 450 copies signed by Dobson on the limitation page, this copy additionally signed by the artist on the title-page.

First edition, large-paper issue, one of 152 copies, this copy signed by the artist on the title-page.

£100-200

£100-200

16

18

16

18

Thomson (Hugh, illustrator). The Vicar of Wakefield by Oliver Goldsmith. With a Preface by Austin Dobson, London: Macmillan & Co, 1890. Large 8vo, bound in 1892 by Riviere & Son in tan crushed morocco, spine gilt in compartments, covers gilt with elaborate outer frames enclosing central arabesques, gilt inner dentelles incorporating a Vitruvian scroll, top edge gilt, others untrimmed, half-title, frontispiece, illustrations throughout, original cloth covers and dust jacket bound in at rear (qty: 1)

Thomson (Hugh, illustrator). Cranford, by Mrs. Gaskell. With a Preface by Anne Thackeray Ritchie, London: Macmillan and Co., 1891.

Large 8vo, bound in 1892 by Riviere & Son in tan crushed morocco, spine gilt in compartments, covers gilt with elaborate outer frames enclosing central arabesques, gilt inner dentelles incorporating a Vitruvian scroll, top edge gilt, others untrimmed, half-title, original cloth covers and dust jacket bound in at rear (qty: 1)

First edition thus, large-paper issue, this copy signed by the artist on the title-page.

First edition thus, large-paper issue, this copy signed by the artist on the title-page.

£150-250

£150-250

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19

21

Rackham (Arthur, illustrator). Undine. By De La Motte Fouqué. Adapted from the German by W. L. Courtney, London: William Heinemann, 1909. 4to, original pictorial vellum, 15 tipped-in colour plates, silk ties, top edge gilt, others untrimmed, binding marked, spine abraded, plate 5 tissue-guard creased, plate 6 (p. 24) incorrectly bound with duplicate tissue-guard for plate 9 (p. 40), browning to text-leaf adjacent to each plate, Dulac (Edmond, illustrator). Stories from the Arabian Nights. Retold by Laurence Housman, London: Hodder and Stoughton, 1907. 4to, original decorative vellum gilt, top edge gilt, others untrimmed, 48 tipped-in colour plates (of 50: lacking frontispiece and plate 43), rear tie perished, Du Maurier (George). Trilby. A Novel, New York: Harper & Brothers Publishers, 1895. Large 8vo, original decorative vellum gilt, top edge gilt, others untrimmed, photogravure portrait frontispiece, plate and tailpieces by the author printed in red, Thomson (Hugh). The School for Scandal by Richard Brinsley Sheridan, London: Hodder and Stoughton, 4to, original pictorial vellum richly gilt with additional decoration in gilt, top edge gilt, others untrimmed, 22 tipped-in colour plates (of 25: lacking the plates facing pp. facing pp. 18, 48 and 140), ties perished (qty: 4)

Cruikshank (George, & John Leech, illustrator).

The Ingoldsby Legends, 1st edition, London: Richard Bentley, 1840-7. 3 volumes, 8vo, later 19th-century blue-green crushed morocco gilt by Riviere & Son, top edges gilt, others untrimmed, half-titles, title-paged in red and black, 17 etched plates, 2 engraved portraits, original cloth covers and spines bound in, scrape to volume 3 front board, Leech (John, illustrator). The Comic English Grammar, 1st edition, London: Richard Bentley, 1840. 8vo, later 19th-century tan calf gilt by Riviere and Son, half-title, etched frontispiece in two states (coloured and uncoloured), original cloth covers and spine bound in, ibid. The Comic Latin Grammar, 1st edition, London: Charles Tilt, 1840. 8vo, later 19th-century tan calf gilt by Riviere and Son, 8 etched plates including frontispiece, no half-title (not called for by register), original cloth covers and spine bound in, ibid. The Comic History of England [and:] The Comic History of Rome, London: Bradbury, Agnew, & Co. c.1880.

2 volumes, 8vo, contemporary tan calf gilt, 20 hand-coloured etched plates, title-pages in red and black, England bound without half-title, the text of each work not fully collated (qty: 7)

Rackham: first edition thus, deluxe issue, number 270 of 1000 copies signed by the artist.

Dulac: first edition thus, deluxe issue, number 6 of 350 copies signed by the artist.

Du Maurier: limited edition, number 600 of 600 copies.

Thomson: first edition thus, deluxe issue, number 67 of 350 copies signed by the artist.

£100-200

20 Shakespeare (William). A Midsummer Night’s Dream by William Shakespeare.

Illustrated by Robert Anning Bell. Edited with an Introduction by Israel Gollancz, London: J. M. Dent & Co., 1895. 4to, original white buckram over bevelled boards, title and Art Nouveau decoration gilt to front, top edge gilt, others untrimmed, with an additional suite of 12 wood-engravings on india paper, mounted (comprising duplicates of the frontispiece, title-page, 9 plates and the tailpiece; requisite number unknown), partly unopened, tear to duplicate plate facing p. 31, Wyndham (Richard). A Book of Towers and Other Buildings of Southern Europe.

A Series of Dry-Points. With an Introduction and Brief descriptions by Sacheverell Sitwell, London: Frederick Etchells & Hugh Macdonald, 1928. Folio, original yellow half vellum, edges untrimmed, half-title, engraved additional title-page, 24 engraved plates, with original slipcase (sunned and worn), Lawrence (John). John Clare. The Shepherd’s Calendar, London: Paradine, 1978.

4to, original quarter cloth, top edge gilt, others untrimmed, 13 tipped-in woodcut headpieces, laid-in tissue-guards, original slipcase, Krutch (Joseph Wood). Edgar Allan Poe. A Study in Genius, New York: Alfred A. Knopf, 1926. 8vo, original vellum-backed patterned boards, edges untrimmed, 12 halftone photograph plates, unopened, Thomson (Hugh, illustrator). The Chase by William Somerville. Reprinted from the Original Edition of 1735, with a Memoir of the Author, London: George Redway, 1896. 4to, original quarter vellum, top edge gilt, others untrimmed, printed on japon, and one other (Arthur Rackham, A Midsummer Night’s Dream, 1st edition, 2nd impression, 1911, browned, frontispiece tissue-guard loose, not collated) (qty: 6) Shakespeare: first edition thus, deluxe issue, number 4 of 50 copies on hand-made paper.

Wyndham: first edition, number 325 of 350 copies only, printed on Zanders hand-made paper.

Lawrence: first edition thus, number 218 of 400 copies (numbered 101-500) signed by the artist and printer.

Krutch: first edition, number 111 of 140 copies on Borzoi rag paper signed by the author, from the total edition of 150 copies.

£150-250

22 Sheridan (Richard Brinsley). The Rivals, a Comedy. As it is acted at the Theatre-Royal in Covent-Garden, London: for John Wilkie, 1775. 8vo in half-sheets, later half calf, half-title, errata leaf (dramatis personae verso), erroneous catchword ‘Epi-‘ on last page as issued, inscribed ‘From the author’ on the half-title and with ‘Finis’ written in a similar hand to foot of the last page, wear to extremities, ibid. The Critic, or a Tragedy Rehearsed. A Dramatic Piece in Three Acts as it is performed at the Theatre Royal in Drury Lane, London: T. Becket, 1781. 8vo, bound c.1900 in tan calf gilt by Riviere & Son, edges untrimmed, engraved title-page, advertisement leaf (not mentioned in ESTC), Goldsmith (Oliver). The Citizen of the World; or Letters from a Chinese Philosopher, residing in London, to his Friends in the East, 1st edition, London: printed for the author; and sold by J. Newbery [and others], 1762. 2 volumes, 12mo, contemporary sprinkled tan calf, no half-titles (unknown if issued), engraved bookplates (Jno Tempest), early ownership inscriptions to title-pages, volume 2 with another setting of the title-page (imprint: for J. Newbery) bound in position of signature M8 (final leaf of index, but the index apparently complete), minor wear to extremities, Zimmerman (Johann). Solitude considered with Respect to its Influence upon the Mind and the Heart, 2nd edition in English, London: C. Dilly, 1792. 8vo, contemporary mottled calf, gilt spine, engraved frontispiece after Singleton (qty: 4) ESTC T45136 (Sheridan, The Rivals), probably T761 (Sheridan, The Critic: this copy with catchword ‘neer’ on p. 9 and pressmark ‘3’ on p. 52 as in ESTC record, which is for a variant of the sixth edition), T146033 (Goldsmith), T137213 (Zimmermann).

£100-200

£100-200

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[Lamb, Charles]. Elia [and:] The Last Essays of Elia, London: Taylor and Hessey [-Edward Moxon], 1823-33. 2 works, 8vo, uncut in original boards, pp. [4] 341 [1], xii 283 [1], 6 + 4 pp. advertisements to rear, Elia front board detached, Last Essays inscribed ‘from the author’ on the front free endpaper, and with a laid-in newspaper clipping headed ‘Conclusion of the Hazlitt sale’ and mentioning ‘Charles Lamb’s Elia, 1823, and Last Essays of Elia, 1833, first editions, original boards, uncut, 28l.’, each housed in a custom blue crushed morocco slipcase with envelope flap, made in 1894 by Riviere & Son (qty: 2)

Tennyson (Alfred, Lord). Poems, in Two Volumes; The Princess; Maud, and other Poems; Idylls of the King; Enoch Arden, 1st editions, London: Edward Moxon, 1842-47-55-59-64. 5 works in 6 volumes, 8vo, all in later 19th-century red or green crushed morocco gilt by Riviere & Son, top edges gilt, others untrimmed, Poems and Idylls of the King with half-titles, Maud with advertisement leaf, The Princess and Maud each with original cloth covers and spine bound in, together with [Richard Herne Shepherd], Tennysoniana, 2nd edition (‘revised and enlarged’), London: William Pickering and Co., 1879, small 4to, contemporary green crushed morocco gilt by De Coverly, top edge gilt, others untrimmed, printed on thick paper (qty: 7)

£150-200

24 Disraeli (Benjamin, Earl of Beaconsfield). Novels and Tales.

Hughenden Edition, London: Longmans, Green, and Co., 1882.

11 volumes, 8vo, contemporary maroon half calf, Montaigne (Michel de). Essays of Montaigne. Translated by Charles Cotton … Edited by William Carew Hazlitt, London: privately printed for the Navarre Society Limited, 1923. 5 volumes, large 8vo, contemporary blue half morocco, gilt spines, Shakespeare (William). Dramatic Works. The Text of the First Edition, number 422 of 550 copies only, Edinburgh: William Paterson, 1883.

8 volumes, 8vo, contemporary half morocco, etched plates, and 5 uniformly bound works by Oliver Wendell Holmes, the lot not collated and sold as fine bindings (qty: 27)

£150-250

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£200-300

26 Tennyson (Alfred, Lord). A collection of works, 19th century, all in original cloth, and including Poems, 3rd edition, 1846 (2 volumes); The Princess, 3rd edition, 1850; Maud, 1st edition, 1855 (Maud wear to head of spine, front inner hinge tender, front free endpaper excised); Poems, 7th edition; 1851, Enoch Arden, 1st edition, 1864; The Works, 1884 (7 volumes, original blue cloth with elaborate overall gilt decoration of acorns and oak leaves, printed on handmade paper, edges untrimmed), and 17 others, early editions of Swinburne and Tennyson (many Swinburne volumes unopened), the lot not collated and sold as seen (qty: 30)

£70-100

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Bindings. Collection of fine bindings, including: Mottley (John Lothrop). The Rise of the Dutch Republic; History of the United Netherlands; The Life and Death of John van Barnevelt, London: various publishers, 1856-74. 3 works in 9 volumes, 8vo, uniform near-contemporary crushed tan half morocco by S. Kaufmann, Whiston (William). The Works of Flavius Josephus, London: Chatto & Windus, c.1880. 2 volumes, 8vo, contemporary blue half calf, Gibbon (Edward). The Decline and Fall of the Roman Empire, London: Frederick Warne & Co., c.1880. 3 volumes, 8vo, contemporary blue half calf, and 8 others, history, 19th-century, finely bound, including 5 works by W. H. Prescott (Ferdinand and Isabella; Philip the Second; Charles the Fifth; The Conquest of Mexico; The Conquest of Peru); Charles Knight, A History of England, 8 volumes, and similar, the lot not collated and sold as a set of fine bindings (qty: 39)

Bindings. Collection of leather bindings, including: The Book of Days. A Miscellany of Popular Antiquities in Connection with the Calendar. Edited by R. Chambers, London: W. & R. Chambers, 1881. 2 volumes, 4to, contemporary red half morocco gilt, The Lives of the Engineers … By Samuel Smiles … Sixth Thousand, London: John Murray, 1862. 3 volumes, 8vo, contemporary maroon morocco prize-binding with royal arms and lettering ‘Royal Military College, presented for attention to and progress in the study of mathematics’ gilt to front covers, all edges gilt, prize plates dated 1866 and addressed to Albert E. W. Goldsmid to front pastedowns, volume 1 inscribed by the author ‘with great admiration for Major Goldsmid’s proficiency as a mathematician, Samuel Smiles, 30 Jany 1885’, The Life of the Moselle, from its Source in the Vosges Mountains to its Junction with the Rhine at Coblence. By Octavius Rooke, London: L. Booth, 1858. 8vo, contemporary red calf gilt, all edges gilt, inscribed ‘To Albert E. W. Goldsmid, for progress in German, G. F. Allfree, Romanoff House, Xmas 1861’, The Works of the Rev. George Crabbe, London: John Murray, 1823. 8 volumes, 12mo, contemporary blue half sheep, and others including various French literature, variable condition (qty: 69) Albert E. W. Goldsmid (1846-1904) was a British army officer remembered as the founder of the Jewish Lads’ Brigade (now the Jewish Lads’ and Girls’ Brigade).

£200-300

28 Bindings. Other Men’s Flowers. An Anthology of Poetry Compiled by A. P. Wavell, London: Jonathan Cape, 1968, contemporary light blue calf by Bayntun; Memoirs of Samuel Pepys, London: Frederick Warne and Co., c.1880, contemporary blue half morocco by Mudie; The Collected Works of Dante Gabriel Rossetti, London: Ellis and Elvey, 1890, 2 volumes, contemporary olive-brown crushed morocco gilt for John Bumpus; The Complete Works of Robert Burns, Edinburgh: William P. Nimmo, c.1880, contemporary tan half calf, and 21 others similar, mainly 19th-century editions of English literature in fine leather bindings, all 8vo (qty: 26)

£200-300

£200-300

30 Reid (Stuart J., editor). The Prime Ministers of Queen Victoria [series-title], London: Sampson Low, Marston & Company, 1890-3. 9 works, 8vo, original quarter japon, top edges gilt, others untrimmed, photogravure portrait frontispieces (mounted), partly unopened (qty: 9) First editions, deluxe issues, each work number 57 of 250 copies. A complete set, comprising: Sir Robert Peel; The Earl of Derby; The Earl of Aberdeen; Lord Salisbury; Lord Melbourne; Lord Beaconsfield; Lord Palmerston; Lord John Russell; William Ewart Gladstone.

£100-150

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33

French poetry. Oeuvres poétiques de Paul Verlaine […] Charles Baudelaire […] Arthur Rimbaud, Paris: Imprimerie nationale, 1967-8; 1971; 1972. 3 works, respectively in 4, 3 and 2 volumes, 4to, all in original red morocco, top edges gilt, others untrimmed, colour lithographic plates by Jean-Pierre Tertre, Tritsch, Rena Tzolakis, and others, together with: Petrarca (Francesca). Canzoniere … Texto critic, saggio introduttivo e nota finale di Gianfranco Contini, number 405 of 470 copies, [Paris]: Alberto Tallone, 1974. Folio, original wrappers, glassine dust jacket, custom orange morocco slipcase and chemise (qty: 10)

Greene (Graham). A group of first editions, 1948-88, comprising The Heart of the Matter, A Burnt-Out Case, A Sense of Reality, The Comedians, May We Borrow Your Husband, Travels with my Aunt, The Honorary Consul, The Human Factor, Monsignor Quixote, The Tenth Men, and The Captain and the Enemy, all in original cloth with the dust jacket (except The Heart of the Matter, without jacket), jackets in variable condition (qty: 11)

Limited editions, respectively one of 3300 copies on vélin filigrané Vercors des papeteries Barjon de Moirans (Verlaine), one of 3330 copies on vélin Daguerre (Baudelaire and Rimbaud), and one of 470 copies on handmade paper (Petrarca).

Johnston (Reginald F.). Twilight in the Forbidden City, 1st edition, London: Victor Gollancz Ltd, 1934. 8vo, original cloth, dust jacket (some loss), halftone photographic plates and tables (several folding), Miyamori (Asatoro). An Anthology of Haiku Ancient and Modern, 1st edition, Tokyo: Maruzen Company Ltd, 1932. 8vo, original cloth, plates (many in colour), rear inner hinge cracked and tender, Graetz (Heinrich von). History of the Jews, 1st edition in English, London: David Nutt, 1891-2. 5 volumes, 8vo, original cloth, Temple (Sir Richard). Palestine Illustrated, London: W. H. Allen & Co., 1888. Folio, original cloth, chromolithographic plates, Doré (Gustave, illustrator). Spain, by the Baron Ch. D’Avillier.

Translated by J. Thomson, London: Bickers & Son, 1881. Folio, original blue decorative cloth gilt (qty: 9)

£70-100

32 Rostand (Edmond). Cyrano de Bergerac, 1st edition, Paris: Charpentier et Fasquelle, 1898. 8vo, bound in 1898 by Riviere and Son in red crushed morocco, Art Nouveau leaf-spray devices gilt to spine and covers, top edge gilt, others untrimmed, original wrappers bound in at rear, together with 9 others (not collated, including: Mortimer, Twenty Great Horses, 1967, 4to, contemporary orange morocco gilt for Asprey; Crankshaw, The Habsburgs, 1st edition, 1971, 4to, contemporary red half morocco gilt for Asprey; William Watson, Wordsworth’s Grave and Other Poems, London: T. Fisher Unwin, 1890, printed on japon, number 24 of 30 copies signed by the publisher and author) (qty: 9)

£50-100

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£50-100

£100-200

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Japanese Art. One Hundred Masterpieces of Japanese Pictorial Art, selected by Members of the Faculty of the Tokyo Fine Art School, Tokyo: The Shimbi Shoin, Ltd., 1913-09. 2 volumes, large folio, original printed boards, rush chemises (wear to extremities), 100 collotype plates (many in colour, mounted; many folding) (qty: 2)

Quilter (Harry). Preferences in Art, Life, and Literature, 1st edition, number 169 of 280 copies signed by the author, London: Swan Sonnenschein, 1892. 4to, original vellum gilt, top edge gilt, others untrimmed, plates, Gibb (William). Naval and Military Trophies and Personal Relics of British Heroes.

A Series of Water Colour Drawings, the Descriptive Notes by Richard R. Holmes, London: John C. Nimmo, 1896. Large 4to, original red pictorial cloth gilt, chromolithographic plates, Vierge (Daniel, illustrator). Pablo de Segovia. The Spanish Sharper. Translated from the Original of Francisco de Quevedo-Villegas, London: by Unwin Brothers at the Gresham Press for T. Fisher Unwin, 1892. Large 4to, original vellum, top edge gilt, others untrimmed, wood-engraved plates, McEvoy (Ambose). The Work of Ambrose McEvoy. [Born August 12th, 1878].

Compiled by Wigs, 1st edition, number 404 of 1500 copies only, London: Colour Magazine, 1923. 4to, original cloth-backed boards, Herkomer (Hubert). Etching and Mezzotint Engraving. Lectures delivered at Oxford, 1st edition, London: Macmillan and Co, 1892. 4to, original cloth, and 7 others similar, 4to and folio, the lot not fully collated and sold as seen (qty: 12)

£200-300

36 Picart (Bernard). The Ceremonies and Religious Customs of the Various Nations of the Known World …

Vol. I [only]. Containing the Ceremonies of the Jews, and the Roman Catholicks … Faithfully translated into English, by a Gentleman, some time since of St. John’s College in Oxford, London: William Jackson for Claude Du Bosc, 1733. Folio, contemporary calf (rebacked and relined), half-title, title-page in red and black with engraved vignette, engraved dedication leaf, plates, headpieces and initials, full collation not established (qty: 1) ESTC T137604.

£50-80

£300-500

38 Hobson (R. L.). The Wares of the Ming Dynasty, London: Benn Brothers, Limited, 1923. 4to, original brown pigskin, top edge gilt, others untrimmed, all plates as called for, wear to head of spine, rear inner hinge cracked, tips rubbed (qty: 1) First edition, number 249 of 256 copies on English hand-made paper, bound in pigskin, signed by the author, and with an extra colour plate; there were also 27 copies on Japanese vellum, a first trade impression of 1500 copies, and a second of 500 copies.

£100-200

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39

40

41

Gogh (Vincent van). The Letters. The Complete Illustrated and Annotated Edition.

Edited by Leon Jansen, Hans Luijten and Nienke Bakker, London: Thames & Hudson, 2009. 6 volumes, 4to, original boards, dust jackets, housed in single slipcase as issued, ibid. Paintings [and:] Drawings. [Catalogue of the concurrent exhibitions at the Rijksmuseum in Amsterdam and Otterlo, 1990], [Milan]: Arnoldo Monadori, 1990.

2 volumes, 4to, original cloth, dust jackets, slipcase, Jaffé (Michael). The Devonshire Collection of Italian Drawings, London: Phaidon Press Limite, 1994. 4 volumes, 4to, original cloth, dust jackets, slipcase, Landolt (Hanspeter, editor). 100 Master Drawings of the 15th and 16th Centuries from the Basle Print Room, Basle: Swiss Bank Corporation, 1972. 4to, original japon-backed orange paper boards, slipcase (qty: 4)

Holbein (Hans, the younger). Portraits of Illustrious Personages of the Court of Henry VIII. Reproduced in Imitation of the Original Drawings in the Collection of Her Majesty. With a Short Historical Introduction

by Richard R. Holmes, London: Franz Hanfstaengl, c.1900. Folio, original half vellum, printed on Japanese paper, edges untrimmed, Cole (Timothy). Old Dutch and Fleming Masters.

Engraved by Timothy Cole, with Critical Notes by John C. Van Dyke and Comments by the Engraver, number 2 of 45 copies printed on handmade paper and signed by the printer, New York: The Century Co., 1895.

Folio, original quarter vellum, engraved plates on india paper (mounted), Conway (Sir Martin, editor). Catalogue of the Loan Exhibition of Flemish and Belgian Art, Burlington House, London, 1927, 1st edition, number 810 of 1000 copies only, London: Country Life Ltd, 1927.

4to, original wrappers, slipcase, edges untrimmed, Rubens (Peter Paul). Musée du Louvre. Galerie de Rubens, Paris: Gustave Guérin, c.1900. Large folio, original red quarter morocco, engraved plates on india paper (mounted), and one other on Flemish art (qty: 5)

Art reference. A collection of Christie’s and Sotheby’s auction catalogues, annual reviews and other publications (qty: 6 boxes)

£100-200

£50-100

42 Cartier & Fabergé. Two boxes of Cartier, Fabergé and other decorative arts reference (qty: 2 boxes)

£50-100

£100-200

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44

Flemish School (17th century) Figures haymaking in a landscape with windmills Travellers in a river landscape Oil on copper, 16cm by 20cm (2)

French School (18th century) Portrait of a refined gentleman standing, wearing a long overcoat and a tricorn hat Indistinctly inscribed, pencil, 14.5cm by 9.5cm

£500-800

£60-90

45 An Early 20th Century Figured Walnut and Green Painted Free-Standing Dwarf Bookcase, with moulded top and arched mouldings, the base with a long drawer, on bracket feet, 38cm by 22cm by 106.5cm

£120-180

46 A Victorian Papier-Mâché Oval Tray, mid 19th century, decorated with summer flowers within a gilded border, the verso stamped Benham & Sons, 19 Wigmore Street, London, 61cm by 49cm, on a later tubular brass stand, 49cm high; A 20th Century Tubular Brass Folding Paper/Magazine Stand, with three pivoting tiers, the uprights surmounted by scrolled finials and terminating in pad feet, 33cm wide, 77cm high (2)

£150-200

47 A Victorian Cast Iron Hallstand, in the manner of Coalbrookdale, 3rd quarter 19th century, with scroll cast openwork supporting an arched mirror plate, the base with a rope border above two removable drip trays and a moulded scrolled base, 68cm by 35cm by 190cm

£400-600

48 A Pair of Child’s Leather and Wooden Clogs, 19th century, with steel shoes and brass buckles, 15cm long

£60-80 44

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49

49

50

A George IV Rosewood Foldover Card Table, 2nd quarter 19th century, the hinged lid enclosing a brown baize-lined interior, the moulded and scrolled frieze on a column support, carved socle and circular base with carved paw feet and recessed castors, 90.5cm by 45cm by 76cm

A Miniature Rosewood Cabinet on Stand, in William & Mary style, the cavetto cornice over two panelled doors enclosing a cupboard within an arrangement of twelve drawers, the base with frieze drawer, on turned legs tied by shaped peripheral stretchers and bun feet, 31cm high

£200-300

Provenance: With Dudley Poplak, London 1971 (£220)

£500-800

51 A Scandinavian Metal Bound Elm Bucket, 19th century, of cylindrical form with T bar handle, 33cm

£80-120

52 A Bronze Bell, in Byzantine style, cast with bands of beasts and foliage and inscribed VOCEM MEAM AVDE QUI ME GANGIT, with loop handle, 17cm high

£150-250

53 A Giltwood and Glazed Display Cabinet, early 20th century, the moulded frame and mirrored back enclosing three adjustable shelves, on a base with slender cabriole legs joined by a flattened stretcher, 92cm by 29cm by 170.5cm

£200-300 50

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54 A Chinese Celadon and Russet Jade Horse, Ming Dynasty, worked recumbent on its side, 6cm long, on a later hardwood stand

£700-1,000

54

55 A Chinese Pale Celadon Jade Carving, Qing Dynasty, 18th century, as two gourds issuing from a branch, 5.7cm long

£500-800

55

56 A Chinese Spinach Jade Model of a Horse, in Tang style, with saddle and cloth, one foreleg raised, on a plinth base, 21cm long Provenance: With P C Lu Works of Art, Hong Kong, October 1977

£500-700

56

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60 57

57

60

A Chinese Sancai Porcelain Peacock Group, Kangxi period, the bird perched on rockwork applied with foliage, 15.5cm high

A Chinese Sancai Porcelain Figure of a Horse, Kangxi, standing four-square wearing full tack, 10.5cm long; and A Similar Horse, 10.5cm long (2)

£400-600

£250-350

58

61

58

61

A Chinese Sancai Glazed Porcelain Figure Group, Kangxi, as a scholar on horseback, picked out in coloured glazes, 16cm high

A Chinese Porcelain Ewer, Kangxi, of fluted hexagonal form with scroll spout, painted in famille verte enamels with panels of foliage, 17.5cm high

£250-350

59 A Chinese Sancai Porcelain Oval Dish, Kangxi, decorated with stripes, 12.5cm wide

£70-100

£100-150

62 A Chinese Sancai Porcelain Water Dropper, Kangxi, modelled as a boy sitting on a recumbent water buffalo, 9cm long

£80-120

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66

63

63

66

A Chinse Porcelain Figure of a Warrior, Kangxi, standing wearing armour, a box in his right hand, painted in famille verte enamels and gilt, 21cm high, on later wooden base

A Chinese Porcelain Figure Group, 19th century, as a female immortal sitting on a horse playing a pipa, the whole picked out in famille rose enamels, 23cm high

£400-600

£200-300

64

67

64

67

A Chinese Porcelain Figure of a Dignitary, Qianlong, sitting wearing purple robes, a scroll in his left hand, on a separate chair base, 21cm high

A Chinese Porcelain Figure of a Seated Dignitary, 19th century, wearing purple robes, holding a scroll in his right hand, on a marbled seat, 23cm high

£300-500

£300-500

65

68

A Chinese Porcelain Figure of a Maiden, Qianlong, standing wearing floral decorated robes beside a bonsai tree on a rockwork table, on a green washed oval base, 16.5cm high

A Chinese Porcelain Figure on an Immortal, Kangxi period, as a seated bearded figure, decorated in famille verte enamels, 12cm high

£150-250

£150-250 www.tennants.co.uk

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69 71

69

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A Pair of Chinese Green Glazed Porcelain Water Droppers, Kangxi, modelled as recumbent deer, 9cm long, on later wooden bases

A Chinese Sancai Porcelain Water Dropper and Cover, Kangxi, modelled as a water buffalo standing four-square, 13.5cm long

Provenance: With John Sparks Ltd.

£300-500

£200-300

70

72

70

72

A Chinese Soapstone Figure of Guanyin, Qing Dynasty, 18th century, carved seated with hair up, holding a scroll and beads, 18.5cm high

A Chinese Soapstone Figure of a Man, Qing Dynasty, probably 18th century, recumbent with hair braids, his hat on his back, on a plinth base, 19cm long

£400-600

£300-500

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73 A Chinese Porcelain Bowl, early 19th century, painted in famille rose enamels and gilt with an Emperor and attendants, the interior with a band of foliage, 14cm diameter

£100-150

74 A Chinese Porcelain Bottle Vase, Kangxi, painted in famille verte enamels with auspicious objects below foliate and scroll borders, 11cm high

£60-80

75 A Chinese Porcelain Tea Bowl, Kangxi, painted in famille verte enamels with auspicious objects and mythical beasts on tables within ogee panels, painted mark in blue, 7cm high

£80-120 76

76 A Chinese Porcelain Bottle Vase, 19th century, of globular form with cylindrical neck, painted in famille rose enamels with butterflies amongst flower sprigs, 37cm high

£700-1,000

77 A Chinese Porcelain Bowl, Kangxi, painted in famille verte enamels with flowering branches in asymmetrical panels, on a green ground with flowerheads within formal borders, the interior with a basket of flowers, printed mark in underglaze blue, 19.5cm diameter

£150-250 77

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80 A Chinese Porcelain Bowl, Kangxi, of conical form, painted in famille verte enamels with a mountainous river landscape, 22.5cm diameter

£150-250

81 A Chinese Porcelain Bowl, Kangxi, of circular form with everted rim, painted in famille verte enamels with leaf shaped panels of birds in branches on a ground of butterflies, 21cm diameter

£150-250 78

82

78

79

A Pair of Chinese Porcelain Small Dishes, Kangxi, of fluted circular form, painted in famille verte enamels with dragons chasing the flaming pearl and with auspicious objects, 11cm diameter

A Pair of Chinese Porcelain Plates, Kangxi, of fluted circular form, painted in famille verte enamels with peacocks amongst foliage and rockwork within foliate scroll borders, hare mark in underglaze blue, 22cm diameter

£200-300

£200-300

A Pair of Cantonese Porcelain Cache Pots and Stands, early 19th century, of flared hexagonal form, printed in famille rose enamels wit figures in gardens and interior within foliate borders, 15.5cm wide

£400-600

83 A Chinese Porcelain Circular Dish, Kangxi, painted in famille verte enamels with a central foliate roundel within six lappet shaped panels and a foliate scroll border, 39cm diameter

£200-300

79

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84

87

84

87

A Set of Three Chinese Porcelain Fan Shaped Sweetmeat Dishes, Kangxi, painted in famille verte enamels with dragons chasing the flaming pearl within foliate and scroll borders, 21cm wide

A Chinese Porcelain Circular Box and Cover, Kangxi, painted in famille verte enamels with an immortal riding a kylin in landscape and with bands of iron red, cracked ice and prunus, 10cm diameter

£300-500

£200-300

85 88

85

88

A Chinese Wucai Porcelain Pen Box, Kangxi, of rounded rectangular form with three circular and one rounded rectangular aperture, painted with dragons chasing the flaming pearl on a yellow ground, 22cm wide

A Chinese Porcelain Model of a Boat, Kangxi, of shaped rectangular form with central cabin, painted in famille verte enamels with masks and scrolling foliage, 12.5cm long

£200-300

86 A Chinese Green Glazed Porcelain Ewer, 19th century, of ovoid form with flared neck and scrolled spout, 10.5cm high

£200-300

89 A Chinese Porcelain Vase, Kangxi, of fluted oval section baluster form, painted in famille verte enamels with panels of foliage, 15cm high

£150-250

£100-150

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90

93

90

93

A Chinese Porcelain Libation Cup, Kangxi period, of oval form with applied dragon handle, painted in famille verte enamels with figures in a fenced garden, 12.5cm wide

A Chinese Sancai Glazed Porcelain Vase, Kangxi, of square section baluster form, moulded with lion mask and ring handles and with chrysanthemum and rockwork in baskets, 11.5cm high

£300-500

£200-300

94

91

91

94

A Chinese Porcelain Ewer, Kangxi, of fluted hexagonal form with scroll spout, painted in famille verte enamels with panels of foliage, 17.5cm high

A Pair of Chinese Sancai Porcelain Hexagonal Dishes, Kangxi, each painted with four horses in a fenced garden within a foliate border, 13cm wide

£100-150

£150-250

92

95

A Chinese Porcelain Bowl, Kangxi, of fluted circular form, painted in famille verte enamels with auspicious objects in panels alternating with panels of foliage and landscape, the interior with a maiden sitting in a fenced garden, 19cm diameter

A Chinese Porcelain Saucer, 17th century, painted in underglaze blue with lotus, bears six character reign mark, 14.5cm diameter; A Similar Saucer, painted in iron red with Shou characters and foliage, 13.5cm diameter; A Chinese Porcelain Plate, Kangxi, painted in famille verte enamels with a phoenix and auspicious objects within a floral foliate border, 21.5cm diameter; and A Similar Plate, painted with a basket of flowers within a pierced foliate and scroll borer, 21.5cm diameter (4)

£100-150

£120-180

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96 A Chinese Porcelain Kendi, Kangxi, of traditional form, painted in famille verte enamels with bands of flowering peony, lotus, chrysanthemum and prunus, painted feather mark in underglaze blue, 22cm high

£500-700

96

97 A Chinese Turquoise Glazed Brush Rest, Kangxi, of crescent form with five points above a kylin and carp, 11.5cm wide, on later hardwood stand

£150-250

97

98 A Chinese Yellow Ground Porcelain Hexagonal Bowl, Kangxi, painted in famille verte enamels with panels of fruit, foliage and rockwork, 17cm wide, on later hardwood stand; and A Similar Hexagonal Dish, painted with foliage and auspicious objects, 12cm wide (2)

£300-500 98

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102

99

99

102

A Chinese Porcelain Vase, Kangxi, of fluted oval baluster form with twin scroll handles, painted in famille verte enamels with panels of beasts in landscape within diaper borders, 27cm high

A Pair of Imari Porcelain Bottle Vases, circa 1700, typically painted with flowering tendrils below a broad blue and gilt border, 25cm high

£100-150

£100-150

103 100

100

103

A Chinee Porcelain Kettle and Cover, Kangxi, of bell shape with overhead handle, painted in famille verte enamels with panels of insects amongst flowering branches, 16.5cm high

A Pair of Chinese Porcelain Sweetmeat Dishes, Kangxi, of square form, painted in famille verte enamels with auspicious emblems within cracked ice and prunus borders, 11.5cm wide

£150-250

£100-150

101

104

A Chinese Gilt Metal Mounted Hardwood and Cloisonné Desk Stand, 19th century, of rounded rectangular form with twin loop handles and three lidded compartments about a central taper holder and three dishes, decorated with Shou characters, 32cm wide; and A Pair of Cinnabar Lacquer Boxes and Covers (3)

A Japanese Porcelain Figure of a Recumbent Cat, early 20th century, modelled asleep wearing a green and orange ribbon and with gilt markings, 23cm wide; and A Set of Seven Chinese Earthenware Crescent Shaped Hors d’Oeuvres Dishes, painted with flowers, 12cm wide (8)

£300-500

£80-120

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108 105

105

108

A Chinese Porcelain Cylindrical Box, Kangxi, with mask handles, painted in famille verte enamels with three bands of horses within reeded borders, 19cm high

A Chinese Sancai Porcelain Figure of Buddha, Kangxi, modelled sitting in a pavilion, 6cm wide; and A Similar Barrel, moulded with florets, 6.5cm long (2)

£200-300

£150-250

106

109

106

109

A Chinese Porcelain Tea Bowl and Saucer, Kangxi, of fluted form, painted in famille verte enamels with alternating panels of foliage and diaperwork centred by florets, painted marks in blue; and A Chinese Porcelain Bowl, 17th/18th century, of flared circular form, painted in underglaze blue with stylised foliage on a diaper ground, 16cm diameter (3)

A Chinese Sancai Porcelain Leaf Dish, Kangxi, naturalistically modelled and incised with flowering branches picked out in coloured glazes, 13cm long

£100-150

£100-150

107 A Chinese Porcelain Tea Bowl and Saucer, Yongzheng/Qianlong, of quatrefoil form, painted in famille rose enamels with scattered flower sprigs within a scrolling leaf border; and A Similar Miniature Tea Bowl and Saucer, painted in famille rose enamels with an angel amongst scattered flower sprigs (4)

£200-300 www.tennants.co.uk

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110 John Watson Nichol (1856-1926) “On Guard” Signed and dated 1878, oil on canvas, 58cm by 38.5cm

£500-800

111 Gustavo Simoni (1845-1926) Italian The Sentinel Signed, inscribed ROMA, and dated (18)73, watercolour, 36cm by 25.5cm

£250-400

112 A Lalique Cannes Octopus, Frosted and Clear Glass Cigar Ashtray, wheel engraved Lalique France, 20cm diameter

£70-100

113 A Regency Simulated Marble, Rosewood and Parcel-Gilt Painted Cabinet, early 19th century, with scrolled cornice and panelled cupboards fitted with pleated ivory silk above acanthus scrolled and lyre-end supports, the base with confirming pleated silk doors between pilaster supports, on turnip feet, 110cm by 54cm by 219cm

£1,000-1,500 110

114 A Regency Style Ebonised and Parcel-Gilt Music Stand, late 19th century, with lyre-shaped adjustable stand above a spiral turned support with acanthus leaf socle and three splayed legs, minimum height 124cm

£200-300

115 A Minton Parian Figure of Lady Godiva, 1864, after the model by John Thomas, riding a horse on a moulded cobbled plinth, impressed marks, 41.5cm high After the original model by John Thomas was shown at the Royal Academy in 1861, Minton purchased the rights to reproduce it in parian, exhibiting their version at the London International Exhibition in 1862. For a similar example see Atterbury (Paul) The Parian Phenomenon, pg.81.

£600-800

116 A George IV Rosewood Card Table, 2nd quarter 19th century, of attractive proportions, the rectangular hinged top enclosing a green baize-lined interior, on an octagonal tapering support with moulded socle, quadripartite base and bun feet with castors, 48cm by 35cm by 73cm

£180-250

117

111

30

A Victorian Papier-Mâché Tray, 19th century, of scalloped oval form, decorated with flowers, on later simulated bamboo base (fixed), 81cm by 66cm by 50cm

£100-150

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113

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114 112

118

118

116

118

121

118

121

A Pair of George III Silver Goblets, by John Carter, London, 1772, each with tapering bowl and on spreading foot, the bowl and foot each chased wit husk swags, the foot with gadrooned rim, engraved with a crest, 15.5cm high,14oz 9dwt, 449gr (2)

A George III Silver Teapot and Stand, Maker’s Mark SW, London, 1774, the teapot with fluted sides and a central band, with openwork ivory-insulated handle, the hinged cover with figural finial, the stand conforming and on three ball and claw feet, the teapot 20.5cm wide over handle, the stand 17.5cm diameter, total gross weight 24oz 4dwt, 753gr (2)

£600-800

£500-800

119

119 A George I Silver Porringer, by Timothy Ley, London, 1717, cylindrical and with two scroll handles, the lower body with spiral-fluting, one side with a foliage cartouche engraved with initials, with a corded band near the rim, 8.7cm high, 5oz 15dwt, 179gr

£300-500

120 An Elizabeth II Silver Salver, by Garrard, Sheffield, 1995, shaped circular and on four ball and claw feet, with beaded border, engraved with the coat-of-arms of Goodwood races and the inscription ‘Westminster Taxi Insurance Gordon Stakes 1996’, in cardboard box, 31cm diameter, 27oz 17dwt, 866gr

£500-800 32

122

122 An Elizabeth II Silver Model of a Cavalry Officer, Marked Indistinctly, Probably Birmingham, 1996, Retailed by Carrington at Mappin and Webb, Regent Street, London, realistically modelled, on associated wood base with an applied plaque engraved ‘2nd June 1996 From the Guards Polo Club’, filled, 26.5cm high including base

£150-250

123 No lot All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

127

124

124

127

A Victorian Silver Rose-Bowl, by William Hutton and Sons, London, 1897, tapering and on spreading foot, the lower body with spiral-fluting and a band of chased foliage and flowers, one side with a cartouche engraved with a crest, the rim engraved with an inscription, 21.5cm, 17oz 10dwt, 544gr

A Victorian Silver Rose-Bowl, by William Hutton and Sons, London, 1896, tapering and on spreading foot, the lower body with spiral-fluting and a band of chased foliage and flowers, 26cm diameter, 28oz 12dwt, 890gr

£500-800

£300-500

125

128

125

128

A George VI Silver Cigarette-Box, by E. Silver and Co., London, Dated 1951, oblong and with engine turned decoration, the interior wood-lined, the inside of the hinged cover engraved with an inscription, 23cm wide

An Elizabeth II Silver Cigarette-Box, by Asprey, London, 1965, oblong and on four stepped feet, the hinged cover engine-turned, wood-lined, 18cm wide

£150-250

126 An Elizabeth II Silver Telescopic-Candlestick, by Asprey, Birmingham, 1997, on reeded domed base, with plain tapering stem and with detachable nozzle, filled, in cardboard box, 17cm telescoping to 25.5cm high

£70-100

£120-180

129 Two George VI or Elizabeth II Silver Cigarette-Boxes, by E. and N. Speak, Birmingham, One 1948 and One 1969, each differing oblong, the hinged covers with differing engine-turning, the cover of one engraved with initials and on the front with an inscription, Together With: An Italian Silver Cigarette-Box, oblong and with engine-turned cover, engraved inside with facsimile signatures, 17cm wide and smaller (3)

£150-250

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130 A South-Staffordshire Enamel Scent Bottle and Stopper, circa 1760, of flattened pear shape with dolphin finial, painted with park landscapes in panels on a pink, yellow, green and gilt ground, 9.5cm high

£600-800

130

131 A South Staffordshire Enamel Etui, circa 1770, of moulded flattened baluster form, painted with baskets of fruit and birds in panels on a yellow ground with white diaper, containing a bodkin, tweezers and scissors, 11cm long

£500-700

131

132

132

A South Staffordshire Gilt Metal Mounted and Enamel Scent Bottle, circa 1760, of flattened pear shape, painted with river landscapes in panels on a pink, yellow and green ground, the stopper with dolphin finial, 9.5cm high

£200-300

133 South Staffordshire Enamel Patch Box, circa 1800, of oval form, painted with Jenny’s Return within a white enamel beaded border on a blue ground, 14.5cm long

£100-150

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134

137

134

137

A South Staffordshire Enamel Snuff-Box, circa 1770, painted with a river landscape and with raised panels of animals in landscape, 6.5cm wide

A South Staffordshire Enamel Snuff Box, circa 1770, of rectangular form, gilt with stars on a blue ground with white dotted lattice, 6.5cm wide

£300-500

£150-250

135

138

135

138

A South Staffordshire Enamel Snuff Box, circa 1770, of oval form, the central lozenge panel painted with a flowerhead and set with cut steel beads on an orange lattice ground painted with flowers, 5.5cm wide

A South Staffordshire Enamel Snuff Box, circa 1770, of rectangular form, painted with panels of flowers and foliate and ribbon bands on a green ground highlighted in gilt, 7.5cm wide

£200-300

136 A South Staffordshire Enamel Mounted Tortoiseshell Snuff Box, circa 1770, of oval form, the hinged cover painted with an Italianate harbour scene, 8.5cm wide

£150-250

139 A South Staffordshire Enamel Patch Box, circa 1765, of circular form, painted with a lake before a country house and with flowersprays in panels on a blue ground with white scrolls and dots, 5cm diameter

£150-250

£100-150

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140

140 A South Staffordshire Enamel and Gilt Metal Casket, circa 1760, painted with landscapes in moulded panels on a pink ground highlighted in gilt, the interior fitted for two canisters, 14.5cm wide

£300-500

141 A South Staffordshire Enamel Snuff Box, 19th century, of circular form, painted with flowers on a foliate and ribbon ground, 15cm diameter; and An Enamel Snuff Box, 19th century, decorated with landscape on a yellow ground with flowers, 4.5cm diameter (2)

£40-60

142 A South Staffordshire Enamel Scent Bottle Case, circa 1780, of oval section rectangular form, painted in green and gilt with wavy lines, containing a glass bottle, 5.5cm long

£40-60

144

144

A South Staffordshire Enamel Scent Bottle Case, circa 1780, of oval section rectangular form, painted with flowersprays on a blue ground, 5.5cm high

A South Staffordshire Enamel Etui, circa 1760, of flattened baluster form, painted with figures in classical landscapes on a pale blue ground with white diaper, containing two gilt metal bodkins, a needle case, a penknife, steel scissors and an ivory aide-memoire, 11cm long

£50-70

£600-800

143

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145 (part)

145

147

149

Portman Upholstery: A Mid 20th Century Three-Seater Sofa, covered in red and blue pattern fabric, with squab cushions, on tapering legs with castors, the underside labelled Portman Upholstery WF Atkins Ltd London W1, 210cm by 86cm by 80cm; and A Matching Feather-Filled Footstool, on castors, 55cm by 55cm by 40cm (2)

A Pair of Delft Vases, early 20th century, of baluster form, decorated in blue with canal scenes, 28cm high, mounted as lamp bases; and A Milchglas Lamp Base, 23cm high, fitted for electricity (3)

A Victorian Papier-Mâché Tray, mid 19th century, of scalloped oval form, decorated with flowers, fixed to a later green painted base with square tapering legs, 78cm by 59cm by 55cm

£150-250

148

£80-120

150

Portman Upholstery: A Mid 20th Century Footstool, upholstered in cream chenille with silk fringed tassel, on square tapering legs with castors, 110cm by 80cm

A Pair of Tapestry Cushions, in 18th century style, of oval form, worked with flowersprays within tasselled borders, 38cm by 27cm; and A Similar Rectangular Cushion, 34cm by 26cm (3)

£100-150

£100-150

146

£100-150

I Clark after H Alken The Hunter Coloured reproduction, together with two further examples including “Partridge Shooting” and “Grouse Shooting” contained in verre eglomise frames, together with a later print of the North West prospect of the University and town of Cambridge in 1743, three coloured engravings depicting notable locations in Paris and a set of 4 later prints of hot air ballooning subject matter in the 18th century style, a collection, various sizes

£70-100

151 Attributed to Henry Thomas Alken (1785-1851) The Final Stretch Pencil and watercolour heightened with white, together with two further examples of a similar subject by the same hand, (oval) 32.5cm by 50cm and 47cm dia. respectively (3)

£400-600

151 (part)

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152 A Gilt Metal Verge Consular Cased Pocket Watch, signed Rix, late 18th century, single fusee movement with balance cock foot signed Rix and numbered 51, scroll pierced movement plates, five-arm steel balance, diamond endstone, white enamel dial with Roman and Arabic numerals, seconds dial, beetle and poker hands, red glass set bezel, engraved to the borders, glazed back cover with a red glass set bezel, 75mm wide, with attached tassel

£500-800 152

153 A South Staffordshire Enamel Cased Tape Measure, circa 1775, in the form of a drum with green and pink stripes, containing a tape measure, 1.5cm high

£80-120 153

154 A South Staffordshire Enamel Locket, circa 1770, in the form of a fob watch with moveable metal hands, painted in raised white enamels with a vase of fruit and flowers within dotted borders on a blue ground, 4cm wide, on a metal chatelaine with fob

£200-300

155 A South Staffordshire Enamel Box, circa 1770, in the form of a pocket watch case, printed in black with a lady on horseback clearing a fence, the reverse with turquoise ground, 4cm diameter; and A Similar Fob, in the form of a pocket watch, the reverse painted with a bird in flight, 2.5cm diameter, both on gilt metal suspension chain with small fob seal (2)

154

£100-150

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159 A South Staffordshire Enamel Pill Box, circa 1780, of circular form, printed with My love is pure And will endure within scrolls, box with turquoise ground, 3cm diameter

£80-120 156

160 A South Staffordshire Enamel Scent Bottle Case, circa 1780, of domed rectangular form, inscribed Esteem the Giver/Sweets to the Sweet in panels on a pink ground with rosettes, 5.5cm long

£80-120

161

156 A South Staffordshire Enamel Etui, circa 1770, painted with fruit in landscape on a pink ground highlighted in blue, 10cm long

£200-300

A South Staffordshire Enamel Counter Tray, circa 1770, of oval form, painted with playing cards within a pierced border painted with flowersprays, 10.5cm wide

£40-60

157 A South Staffordshire Enamel Scent Bottle Case, circa 1770, of domed rectangular form, decorated with diagonal bands of blue and gilt bosses and green leaves, with glass scent bottle, 5.5cm long

£80-120

158 A South Staffordshire Enamel String Box and Cover, circa 1770, of drum form, painted with flower sprigs in panels on a blue ground with white diaper, 5.5cm high

£200-300

162 A South Staffordshire Enamel Scent Bottle Case, circa 1780, of domed rectangular form, painted in purple monochrome with classical maidens and ornament in lemon yellow panels inscribed MON AMITIE, TOUT LE DEUX, GAGE DE, JE VOUX SOUHAITE on a pink ground gilt with stars and torches, containing a glass bottle, 6cm

£70-100

163 A South Staffordshire Enamel Scent Bottle Case, circa 1780, of domed rectangular form, painted in purple monochrome with classical maidens and ornament in lemon yellow panels inscribed MON AMITIE, TOUT LE DEUX, GAGE DE, JE VOUX SOUHAITE on a pink ground gilt with stars and torches, containing a glass bottle, 6cm

£70-100

164 A South Staffordshire Enamel Scent Bottle Case, circa 1770, of domed rectangular form, painted with a lady and gentleman in pastoral landscapes and with flower sprigs in panels on a yellow ground with black stars, 6.5cm; and Another Similar, painted in white with paterae on a purple ground, 6.5cm (2)

£80-120

158

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165

168

165

168

A South Staffordshire Enamel Bonbonniere, circa 1770, moulded and decorated as a walnut, 5cm long

A South Staffordshire Enamel Nutmeg Grater, circa 1770, of egg form, painted with landscapes in panels on a blue ground with white diaper, steel grater, 4cm long

£150-250

£300-500

166

169

166

169

A South Staffordshire Enamel Box and Cover, circa 1780, of acorn form, moulded and painted with flowers on a sea-green, 5.5cm long; and A Similar Smaller Example, with flowers and ribbons on a sea-green ground, 4.5cm long (2)

A South Staffordshire Enamel Bonbonniere, circa 1770, of fluted acorn form, painted with rose sprigs in panels on a pink ground with white foliate scrolls, 6cm long

£80-120

167 A South Staffordshire Enamel Plaque, circa 1770, of circular form, printed with A pledge of Love on a scroll ground, 4.5cm diameter, mounted in a later snuff box; A Similar Patch Box, printed A Present from London with scroll and swag borders, base with yellow ground, 4cm diameter; A Similar Patch Box, early 19th century, of oval form, inscribed Hail gentle Peace to Britain’s shore O dwell with us nor leave us more, base with blue ground, 14cm diameter; and A Similar Pill Box, early 19th century, of circular form, inscribed I will not CHANGE Till Death, 13cm diameter (4)

£200-300

170 A South Staffordshire Enamel Scent Bottle Case, circa 1770, of domed rectangular form, painted in pink monochrome with flowers on grey panels within gilt cartouche on a green dotted ground gilt with scrolls, 6.5cm high

£70-100

£80-120

www.tennants.co.uk

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171

173

171

175

An English Enamel Snuff Box, probably Battersea, circa 1755, of circular form, printed en grisaille with a lady and chinoiserie servant with a cat in a classical landscape, base with turquoise ground, 7cm diameter

A South Staffordshire Enamel Snuff Box, circa 1770, of oval form, printed and overpainted with a gentleman serenading a lady with a flute and painted with flowersprays, 8cm long

£300-500

172

£150-250

176

A South Staffordshire Enamel Snuff Box, circa 1800, of oval form, transfer printed and overpainted with MISS/GRANDMA, the box with pink ground, 5cm long

A South Staffordshire Enamel Patch-Box, circa 1780, printed with a courting couple and inscribed My Love I’ll Treat With Kisses Sweet, box with blue ground, 4cm wide; and A Similar Patch Box, Let Virtue be your Guide, box with pink ground, 4cm wide (2)

£150-250

£100-150

173

177

A South Staffordshire Enamel Patch Box, circa 1770, of oval form, printed and overpainted with A London Gift Westminster Bridge, box with yellow ground, 5.5cm wide; and A Similar Box, printed and overpainted with The Queen’s House Greenwich, box with blue ground, 5.5cm wide (2)

A South Staffordshire Enamel Snuff Box, circa 1770, of oval form, the central lozenge panel painted with a flowerhead and set with cut steel beads on an orange lattice ground painted with flowers, 5.5cm wide

£200-300

174 A South Staffordshire Enamel Patch Box, circa 1790, of oval form, printed and overpainted with an altar inscribed Esteem the Giver within a white beaded border on a pink ground, 15.5cm wide

£150-250

178 An Unusual South Staffordshire Enamel Box and Cover, circa 1770, of rectangular form, the hinged cover moulded, pierced and painted with a basket of flowers, 5.5cm long

£200-300

£150-250

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179 182

179

182

A South Staffordshire Enamel Snuff Box, circa 1770, of rectangular form, painted with a bird and fruit on a blue and white diaper ground, 5.5cm wide

An English Enamel Snuff-Box, possibly Battersea, circa 1755, of oval form, printed en grisaille with a family travelling on a donkey and with figures in rural landscapes, 8cm wide

£200-300

£150-250

180 183

180

183

A South Staffordshire Enamel Patch Box, circa 1770, of rectangular form, painted in puce monochrome with classical buildings in landscape, the inside inscribed Fidelle et Secret, 5.5cm wide

A South Staffordshire Enamel Snuff Box, circa 1765, of oval form, painted with a village scene and with flowersprays on a gilt lattice, the interior inscribed L’Amour & L’Gloire, 14.5cm diameter

£150-250

181

£200-300

184

A South Staffordshire Enamel Snuff Box, circa 1770, printed and overpainted with a couple before a chapel and with flowersprays, 16cm wide

A South Staffordshire Enamel Snuff-Box, circa 1770, of rectangular form, painted with figures on a bridge and in a boat in a park landscape and with landscape vignettes on a pink ground, 8cm wide

£200-300

£200-300

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185

185

188

A Late George III Mahogany and Satinwood Banded Bowfront Sideboard, early 19th century, the long frieze drawer above an arched apron flanked by two deep drawers, one as a lead-lined cellaret, on square tapering legs with spade feet, 198cm by 75cm by 95cm

A George III Mahogany Night Table, late 18th century, with galleried oval top above a candle slide, on square tapering legs with block feet joined by a cross-stretcher, 37cm by 28cm by 69cm (repairs); and A George III Oak Tripod Tale, late 18th century, the circular dished top on a turned vasi-form support with three cabriole legs, 44cm by 60cm (2)

£250-350

186

£100-150

An Edwardian Satinwood and Polychrome Painted Breakfront Side Cabinet, early 20th century, with three frieze drawers decorated with ribbons and flowerbells, each fitted with Hobbs & Co brass locks, seven glazed doors below enclosing adjustable shelves, 203cm by 46cm by 107cm

189 French School (19th century): A Pair of White Marble Figures of Cupid and a Young Girl, he holding a quiver of arrows, she holding a flaming heart, on circular stands and square plinths, 57cm high

£500-700

£300-500

187 

190

Maurice Ghiglion-Green (1913-1989) Wedding day in a French town Signed, oil on board, 58cm by 71cm

A Pair of Turned Wood Lamp Bases, 20th century, 34cm high, fitted for electricity; A Similar Pair of Brass Lamp Bases, 29cm high; A Pair of Pink Glazed Earthenware Hexagonal Baluster Lamp Bases, 37cm high, fitted for electricity; and A Pair of Brown Glazed Earthenware Baluster Lamp Bases, 42cm high, fitted for electricity (8)

£300-500

£100-150

191 A Pair of Glass Table Lustres, mid 19th century, with campana sockets, circular drip pans, cut baluster stems and stepped circular bases, hung with two rows of spear drops, 27cm high

£150-250

192 A Roman Glass Unguentarium, possibly 2nd/3rd century AD, 14.5cm high; and A Terracotta Cup, of cushioned circular form, with loop handle, 11.5cm wide (2)

£100-150

187 44

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187

190 (part)

189

189

190 (part)

186 352 (part) 188

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193

193

195

A Set of Nine Lalique Bambou Frosted and Clear Glass Port Glasses, engraved Lalique France, 10cm high

A René Lalique Lotus Clear and Black Stained Glass Goblet, engraved R Lalique France, 7.5cm high

See Félix Marcilhac No.3768, page 808, model created 8 May 1930

See Félix Marcilhac No.3406, page 769, model created 1922

£200-300

£50-80

194

196

A Set of Three Lalique Hagueneau Clear Glass Water Glasses, engraved Lalique France, 20.8cm high

A Set of Three Lalique Guebwiller Frosted and Clear Glass Water Glasses, engraved Lalique France, 14.2cm high

See Félix Marcilhac No.5021, page 829, model created 1924

See Félix Marcilhac No.5016, page 828, model created 1926

£50-80

£50-80

196 46

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197 A Wemyss Pottery Tyg, early 20th century, of cylindrical form with three loop handles, painted with pink roses within dentil borders, printed and impressed marks, 24cm high

£200-300

197

198 A Wemyss Pottery Mug, early 20th century, of cylindrical form with strap handle, painted with black cockerels, impressed mark and printed T Goode retailer’s mark, 14.5cm high

£50-70

198

199 A Wemyss Pottery Honeycomb Box, Cover and Stand, early 20th century, of rectangular form, painted with bees and skeps in landscape, painted marks and retailers mark, 19.5cm wide

£150-250

199

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200

200

201

An Edward VII Silver Tray, by The Alexander Clark Manufacturing Co., Sheffield, 1902, shaped oblong and with shell and foliage heightened gadrooned rim, with two foliage cast handles, 70.5cm wide, 104oz 4dwt, 3,240gr

A Four-Piece French Silver Tea and Coffee-Service, by Champenois, The Sugar-Bowl by Flament et Fils, Paris, Circa 1900, each piece pear-shaped and on four scroll feet, the lower bodies chased with rocaille, comprising: a coffee-pot; a teapot, each with ivory insulated handle, the hinged covers with cast shell finial; a sugar-bowl and cover, the cover with cast shell finial and a cream-jug, 31cm diameter, 27oz 17dwt, 866gr (4)

£1,200-1,800

£700-1,000

201

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205

202

202

205

Pair of Elizabeth II Silver Salvers, by Wakely and Wheeler, London, 1964, each shaped circular and on four ball and claw feet, with gadrooned rim, 26cm diameter, 37oz 1dwt, 1,152gr (2)

A Pair of Elizabeth II Silver Sauceboats, by Garrard and Co., Sheffield, 1953 and 1954, each fluted oval and on conforming foot, the foot and rim each with gadrooned rim, with quilted handle, 21.5cm wide, 24oz 15dwt, 770gr (2)

£600-800

£500-800

203 A Pair of German Silver Models of Woodcock, by Neresheimer, Hanau, With English Import Marks for London, 1966, each realistically modelled with wings extended, one foot detached, 19cm wide over wings, 14oz 10dwt, 452gr (2)

206

£250-350

£150-250

204

207

A George V Silver Table-Bell, by H. G. Hicklenton and S. A. Phillips, London, 1935, with reeded rim and with baluster finial, 9cm high, 4oz 12dwt, 143gr

A Continental Silver Model of a Woodcock or Curlew, Probably German, With English Import Marks For Israel Freeman and Son Ltd., London, 1964, realistically modelled, 7.6cm high, 3oz 7dwt, 104gr

£120-180

A Pair of Elizabeth II Silver Models of Pheasants, by Edward Barnard and Sons Ltd., London, 1963, realistically modelled, 14.5cm long and slightly smaller, 8oz 16dwt, 274gr (2)

£70-100

203

206 www.tennants.co.uk 49

208 A Worcester Porcelain Sucrier and Cover, circa 1775, painted in kakiemon style with the Rich Queens pattern in panels on a blue scale ground, seal mark in underglaze blue, 13cm high

£150-250

208

209 A Chelsea Porcelain Oval Dish, circa 1760, painted with fruiting branches and with butterflies within a green line rim, brown anchor mark, 26.5cm wide; and A Creamware Oval Stand, circa 1800, painted with named botanical specimens within a pierced scrolled border highlighted in green and gilt, inscribed in red, 31.5cm wide (2)

£100-150

209

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210

213

210

213

A George V Silver Second-Course Dish, by S. J. Phillips, London, 1914, shaped circular and with shell and foliage heightened gadrooned border, engraved with a crest, 30.5cm diameter, 24oz 7dwt, 757gr

A Spanish Silver Salver, Maker’s Mark Indistinct, 20th Century, shaped circular and on four ball and claw feet, with shell and foliage cast border and engraved with foliage, 31.5cm diameter, 23oz 9dwt, 729gr

£400-600

£300-500

211

214

211

214

A Cased Set of Six George V Silver and Tortoiseshell Place-Card Holders, by Asprey, Five Birmingham, 1913 and One London, 1913, each on oblong base supporting, the back with pique inlaid tortoiseshell back within foliage tied reeded border, in fitted leather covered case, the case 15.5cm wide (6)

A German Silver-Gilt Brandy-Bowl, by Neresheimer, Hanau, Circa 1900, in the 17th century Dutch style, lobed oval and on conforming foot, with grotesque capped scroll handles, 21cm long, 9oz 11dwt, 297gr

£250-350

212 A French Silver Plate Water-Jug, by Puiforcat, Paris, Late 20th Century, baluster and on spreading foot, with scroll handle, engraved ‘Grand Prix de Lyon Le Progres 1996’, in original cardboard box, 19cm high

£120-180

215 A Spanish Silver Dish, Maker’s Mark ME, A Vase Between, Further Stamped ‘La Onza de Oro’, Second Half 20th Century, oblong and with a foliage rim, engraved ‘Ninette’, 19.5cm wide, 5oz 10dwt, 171gr

£70-100

£60-80 www.tennants.co.uk 51

218 English School (mid 19th century) Thomas Lee, Luisa Lee, Harriet Ellen Lee, eldest daughter of Thomas in her 3rd year, Charles William Lee, eldest son of the above and TL Lee, all of Winchester With inscribed label verso, silhouette with some highlights in gilt, together with a further silhouette of a gentleman standing in a landscape and two further bust length silhouettes of gentleman in profile, 27.5cm by 26cm, 19cm by 12.5cm and 5.5cm dia. (oval) respectively (4)

£60-80

219 British School (19th century) Portrait of Helen Olympia, Lady Littler, daughter of Captain Stewart, bust length, wearing a white dress and her hair in ringlets Watercolour on ivory, together with a further miniature depicting Captain Stewart, head and shoulders in military uniform, 5cm dia. by 3cm dia (oval) & 3cm dia (oval) respectively

£80-120

220 A Pair of 1950s Hand-Blown Barovier & Toso Murano Venetian Blackamoor Figures, holding cornucopia form bud vases, unmarked, male 28.5cm, female 28cm

£50-80 216

221 A Pair of “Book Binding” Waste Paper Bins, the green and buff morocco gilt tooled with classical ornament and inscribed COOK’S VOYAGES, 20.5cm high

£200-300

216

222

A Regency Style Simulated Rosewood and Parcel Gilt Chevret Table, with moulded carrying handle, gallery back support and three drawers above an integral stand with wavy shaped apron, on square tapering legs joined by an X stretcher, 43cm by 23cm by 92cm

A Late Victorian Polished Steel Octagonal Coal Box, in George III style, the domed cover with panelled finial over a tapering body with ring handles and beaded decoration, on bun feet, 53cm high

£100-150

217 An Elizabeth II Silver Cigarette-Box, by Padgett and Braham Ltd., London, 1996, oblong with hinged and slightly domed cover, the front engraved with an inscription, wood-lined, 20.5cm wide

£120-180

52

£200-300

223 A Set of Brass and Steel Fire Irons, in 18th century style, with fluted vase finials, comprising a shovel, poker, brush and pair of tongs, together with a spark guard applied with flowerheads

£100-150

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

220

220

219

218 (part)

219

218 (part)

217

314 (part)

216

223

223

221 222

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224 A Murano Bianco Nero Glass Horse’s Head, by Archimede Seguso, on a black rectangular base, signed Archimede Seguso MURANO 9 Apr 1979, 25.5cm high

£200-300

224

225 A George III Mahogany Tripod Table, circa 1780, the circular one-piece top on a baluster and part spiral turned support with three cabriole legs, 72cm by 70cm

£180-250

225

226 A Murano Bianco Nero Glass Elephant, by Archimede Seguso, stood with raised trunk, signed on front right foot Archimede Seguso MURANO 7 Apr 1979, 25cm high

£200-300

226 54

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227 A Set of Six Elizabeth II Silver Ashtrays, by C. F. Hancock and Co., London, 1965, each plain circular, 9.3cm diameter, 13oz 12dwt, 424gr (6)

£150-250

228 A Set of Six Elizabeth II Silver Vases and Six Ashtrays, by A. T. Cannon Ltd., Birmingham, 1970, One Vase 1968, each plain tapering and on spreading foot, the ashtrays plain circular, each with milled rim, Together With: Six Silver Matchbox Covers, each engine-turned oblong, the vases 5.7cm high, total weight of silver 12oz 7dwt, 384gr (18)

£200-300

229 Two Elizabeth II Silver Dishes, One by Nayler Brothers, London, 1964, The Other by E. Silver and Co., Sheffield, 1952, each oblong and on collet foot, each engraved with initials ‘S.M&Co’ underneath, one further dated ‘1852-1952’, 13.5cm wide, 5oz 17dwt, 177gr (2)

£100-150 227

230 A Set of Four Elizabeth II Silver Dishes, by Suckling Ltd., Birmingham, 1961, each shell-shaped and on three ball feet, 10cm long; Together With: An Elizabeth II Silver Bowl, by Wakely and Wheeler, London, 1963, Retailed by Hancock, plain tapering and on spreading foot, the bowl 9cm diameter, total weight 10oz 3dwt, 316gr (5)

£150-250

231 A Set of Six Elizabeth II Silver Ashtrays, by Harrods Ltd., Birmingham, 1962, each plain circular, 8cm diameter, 11oz 19dwt, 372gr (6)

£120-180

232 An Elizabeth II Silver Pin-Tray, by Joseph Gloster Ltd., Birmingham, 1961, oblong, engraved with an inscription and facsimile signatures and dated 28 October 1963, 20.5cm wide, 4oz 19dwt, 155gr

234 Four Various Silver Dishes, Two Stamped ‘950 Sterling’, One Stamped ‘J Tavara 925’ and one by Walker and Hall, Sheffield, 1910, the first two tapering leaf-shaped and with loop handle, the second square and with hammered finish, the centre set with a commemorative medal the last heart-shaped and with angular handle, 19cm wide and smaller, 8oz 13dwt, 269gr (4)

£70-100

235 A Pair of Spanish Silver Dishes, by Lopez, 20th Century, shell-shaped and on two ball and two branch feet; Together With: A Similar Pair and a Single Example, 10.5cm wide, total weight 7oz 14dwt, 239gr (5)

£100-150

£80-120

233 A Set of Four Elizabeth II Silver Dishes, by Stephen J. Rose, London, 1962, each fluted circular, 12.5cm diameter, 15oz 7dwt, 477gr (4)

£200-300

233

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241

236

241

245

A Matched Set of Four Glass Ships’ Decanters and Three Stoppers, 19th century, with bull’s eye knops and triple ring necks, 28cm high

A Set of Six Bohemian Gilt Glass Fingers Bowls, late 19th century, of flared panel form, gilt with figures and buildings in landscape, 13cm diameter

£150-200

£100-150

237

242

A Guards’ Polo Club Commemorative Glass Bowl, dated 1993, on a circular foot, 22cm diameter, boxed; A Similar Glass Bottle Cooler, dated 1994, 15.5cm high; A Pair of British American Tobacco Commemorative Whisky Tumblers; and Another Whisky Tumbler (5)

A Pair of Glass Miniature Decanters and Stoppers, 19th century, of double ring neck mallet form with bands of slice cutting, 13cm high

A Daum Clear Glass Bowl, signed Daum Nancy France, 30cm wide; A Scandinavian Clear Glass Rectangular Vase, engraved with a galleon in full sail with sea birds, indistinctly signed and 5/0-1048, 17.5cm high; A Scandinavian Clear Glass Circular Dish, unmarked, 10.5cm diameter; and Three Strombergshyttan Clear Glass Rectangular Dishes, signed Strombergshyttan and 1438, 10cm wide (6)

£80-120

£60-90

A Glass Carafe, late 19th/20th century, of mallet form, 31cm high

£80-120

238 A Pair of Triple-Ring Neck Mallet Decanters and Stoppers, 19th century, with bands of reeded and fluted cutting, 26cm high

£100-150

239 A Set of Seven Glass Finger Bowls, late 19th century, of ovoid form, engraved with swags, 12.5cm diameter; and A Similar Plain Example, 12.5cm diameter (8)

£80-120

240 A Set of Five Glass Rinsers, mid 19th century, of ovoid form, with a band of diamond cutting above basal prunts, 14cm wide

£100-150

243 A Set of Twelve Webb Cranberry Flashed Wine Glasses, early 20th century, the thistle shaped bowls cut with scrolls and diaper over a gadroon border on baluster stem, one with etched mark, 14cm high

£70-100

246 A Cut Glass Wine Jug, early 19th century, with strap handle and dentil lip over a fluted cylindrical body, 26cm high

£80-120

247

£60-80

248 A Pair of Glass Small Campana Vases and Covers, 19th century, cut with bands of prunts, 10.5cm high

£80-120

244 Two George III Silver-Gilt Mounted Cut-Glass Condiment Vases, The Silver-Gilt Mounts

by Thomas Daniell, London, Circa 1800, the facetted tapering and on square base, the covers rising to differing faceted finals, the silver-gilt mounts with beaded border and engraved with foliage, 18.5cm high and smaller (2)

£100-150

249 A Glass Tumbler, early 19th century, engraved with swags over basal cutting, 12cm high; and A Similar Wine Glass, of conical form, later inscribed in diamond point JH Bryant Soundwall 15 Nov 1887, on a lemon-squeezer base, 14cm high (2)

£70-100

243 56

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250 (part)

250

251

A Haveland & Co Limoges Dinner Service, circa 1900, painted in red and gilt with a coronet within moulded, scroll and gilt line borders, printed marks, comprising: 7 large shaped rectangular serving platters 2 smaller shaped rectangular serving platters 8 circular dishes 58 plates

A Mintons Earthenware Dinner Service, 20th century, with gilt, dental and pendant borders, printed marks and marks for Mortlock’s, comprising: 45 dinner plates 9 soup plates

£200-300

£500-700

251 (part)

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252 A Pair of Decanters and Stoppers, early 19th century, of baluster form, cut with stylised flowers and swags within panelled borders on square bases, 36.5cm high

£150-200

253 A Victorian Glass Decanter and Stopper, of lobed oval form, engraved with flowering branches, 20cm high; A Matching Cylindrical Beaker, 15.5cm high; and A Baccarat Dyonisos Decanter and Stopper, 36.5cm high (3)

£100-150

252

254 A Glass Rummer, early 19th century, the ovoid bowl engraved with an armorial, the reverse with initials, hung with swags within foliate borders, 18.5cm high

£150-250

254

255 A Pair of Regency Glass Vases and Covers, of ovoid form, the domed covers with minaret finals, cut with panels of geometric motifs, on square plinths, 32cm high

£200-300

256 A Set of Eight Glass Rinsers, early 19th century, of bucket form with two spouts, cut with a geometric band over a panelled base, 9.5cm high

£150-200

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257

260

257

260

A Glass Rummer, early 19th century, the ovoid bowl engraved with initials on a geometric band above basal cutting, on a waisted stem and stepped circular foot, 17.5cm high

A Wine Glass, circa 1760, the drawn trumpet bowl on an opaque twist stem and circular foot, 19cm high; and A Glass Wine Funnel, late 18th century, with wrythen fluted bowl, 12.5cm long (2)

£100-150

£100-150

261

258

258

261

A Lieges Trailed Openwork Basket, 19th century, of flared circular form with loop handles, 18.5cm wide; and A Similar Basket, of flared circular form, 16.5cm diameter (2)

A Pair of Lieges Trailed Glass Openwork Baskets, 19th century, of oval form with wrythen loop handles, 25cm wide

£100-150

259

£100-150

262

A Pair of Regency Glass Scent Flasks and Stoppers, of baluster form, with allover facet cutting, on foliate feet, 21cm high

A Set of Four Bohemian Glass Scent Bottles and Stoppers, 19th century, of panelled globular form with tall necks, gilt with figures and animals in landscape within line borders, 17cm high

£150-250

£150-250

60

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264 (part)

263

266

A Spode Copeland’s China Dessert Service, early 20th century, decorated in 18th century style with fruit, flowers and insects within turquoise borders, printed marks, comprising: tall comport low comport kidney-shape dish shell-shape dish square-shape dish 14 plates

A Pair of Limoges Porcelain Fish Dishes, 20th century, of fluted oval form, decorated with fish, seaweed and insects, printed marks, 53cm wide; and Three Modern Ashtrays (5)

£200-300

A Set of Six Royal Worcester Porcelain Cabinet Cups and Saucers, 1917, gilt with roundels within white beaded blue borders, printed marks in puce, in a black morocco case

264

£200-300

£70-100

267 A Creamware Navette Shaped Basket and Stand, late 18th/early 19th century, of typical form, picked out in manganese, 26cm long

£70-100

268

A Webb Glass Table Suite, 20th century, engraved with foliage over gadrooned bands, comprising: 1 decanter and stopper 2 ewers 31 glasses in sizes 14 bowls 1 plate

£300-500

265 A French Faience Spice Box and Cover, in 18th century style, of trefoil form on paw feet, painted with an armorial and figures in landscape, 13cm wide; A Similar Inkwell and Cover, of shaped rectangular form, 9cm wide; A Similar Club Shaped Dish; and An Italian Earthenware Ashtray (4)

267

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269

269

270

A George IV Old Sheffield Plate Four-Piece Tea and CoffeeService, Apparently Unmarked, Circa 1820, each piece melon-fluted and on four anthemion feet, comprising: a coffee-pot; a teapot, each with ivory insulated handles, the hinged covers with melon and foliage finials; a sugar-bowl and a cream-jug, the coffee-pot 19cm high (4)

A William IV Old Sheffield Plate Tray, Maker’s Mark a Hand, Probably for J. Watson and Son, Sheffield, Circa 1830, shaped oblong and with foliage and shell heightened gadrooned border, with two foliage decorated handles, engraved with a crest and later with another crest, 76cm long

£100-150

£150-250

270 62

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271

274

271

274

An Edward VII Silver Mustard-Pot, by Henry Stratford Ltd., London, 1906, in the George III-style, oval and with angular scroll handle, the hinged cover with shell thumbpiece, with blue glass liner, 10cm long, 3oz 12dwt, 111gr

A George V Silver Mustard-Pot, by Charles Stuart Harris, London, 1917, Britannia Standard, octagonal and on spreading conforming base, with angular handle and clear glass liners, the hinged cover with baluster finial, 9.5cm high, weight of silver 4oz 6dwt, 134gr

£70-100

£70-100

272

275

272

275

A Set of Three Edward VII Silver Pepperettes, by S. J. Phillips, London, 1901, each of lighthouse-form and on spreading base, the bayonet-mounted covers with cut-card decoration and baluster finials; Together With: A Pair of Edward VII Silver Pepperettes, by Stokes and Ireland Ltd., Chester, 1907, each octagonal, 10.5cm high and smaller, total weight 8oz 14dwt, 270gr (5)

An Elizabeth II Silver Condiment-Set, by C. F. Hancock and Co., London, 1965, comprising: four drum-shaped mustard-pots; three salt-cellars and a pair of pepperettes, Together With: a Russian silver salt-cellar; a pair of Elizabeth II silver pepper-mills and a pair of silver plate pepper-mills, 19cm wide over wings, 14oz 10dwt, 452gr (14)

£120-180

273

£500-800

276

A Collection of Silver, including: a pierced pedestal dish; a small trophy cup; a pair of George III silver pepperettes and two further pepperettes, the pedestal dish 9.5cm high, weight of silver 9oz 13dwt, 300gr

A collection of silver, including: a continental cigarette-box, the hinged cover with a print of a stag; an octagonal sugar-bowl; an ashtray; four various dishes; a quaich, engraved with an inscription and a menu-holder in the form of an owl, eyes lacking, the cigarette-box 13cm wide, weighable silver 14oz 17dwt, 461gr (qty)

£100-150

£150-250

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277 William Boissevain (b.1927) Australian “The Swannee in Flood” Signed and dated (19)77, oil on board, 89.5cm by 120cm Provenance: Purchased directly from the artist 10/03/1978, Western Australia

£800-1,200

277

278 William Boissevain (b.1927) Australian “Two men and a dog” Signed and dated (19)78, oil on board, 89cm by 107.5cm Provenance: Purchased directly from the artist 10/03/1978, Western Australia

£500-800

278

279

280

A Regency Mahogany and Ebony Strung Bowfront Chest of Drawers, early 19th century, of two short over three long graduated drawers, on splayed bracket feet, 114cm by 55cm by 113cm

A Pair of Regency Simulated-Bamboo, Ebonised and Rush-Seated Dining Chairs, early 19th century, 35cm by 34cm by 85cm; Two George III Style Mahogany LadderBack Dining Chairs, with carved and pierced splats, both upholstered in floral fabric, on square moulded forelegs, 58cm by 51cm by 95cm (4)

£150-250

£80-120

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278

8

277

279

8

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282 A Joined Oak Chest, late 17th century, the later hinged lid enclosing a vacant interior above three arched and carved panels between applied pilasters, 124cm by 50cm by 71cm

£150-250

283 An Edwardian Mahogany Oval Galleried Tray, inlaid with oval shell patera and brass carrying handles, 75cm by 51cm, on a later stand with square tapering legs

£70-100

284 A George I Walnut, Feather-Banded and Crossbanded Straight Front Chest on Stand, early 18th century, the quarter-veneered top with burr walnut crossbanding above two short and three long graduated drawers, on a stand (reduced in height) with a long frieze drawer and arched apron with later bun feet, 94.5cm by 56cm by 115cm

£400-600

285 Norman Adams Ltd: A George III Mahogany and Ebony Strung Occasional Table, early 19th century, of canted rectangular form, on waisted square legs joined by a platform, the base labelled Antique Furniture from Norman Adams Ltd, 8-10 Hans Road, London SW3, 48cm by 35.5cm by 70cm

£120-180 281

281 Ray Austin Crooke (1922-2015) Australian “Island girl seated” Signed, mixed media, 46.5cm by 32.5cm Provenance: Purchased from Holdsworth Galleries Limited, Woollahra, New South Wales, Australia, 10/03/1978

286 A 20th Century Arab Presentation Jambiya, with silver coloured metal filigree decorated hilt and scabbard, lace belt and fittings, in a glazed ebonised presentation case, the mount set with a plaque, case dimensions 59cm by 69cm by 8cm.

£100-150

£250-450

282

66

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284

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287

292

297

A 20th Century Pagoda Shaped Free-Standing Tented Wardrobe, after an original design by John Fowler, covered in duck-egg blue foliage-pattern fabric, with hinged canopy ogee top above a plyboard shelf suspending a pine hanging rail above a hinged door with close-nailed interior, on a pine base, 224cm high

A Japanese Cloisonne Enamel Box and Cover, early 20th century, of cylindrical form, decorated with leaf scrolls on a yellow ground, 8.5cm high; A Gilt Metal Mounted Shell Box and Cover, 10cm long; Various Mother-of-Pearl Coasters; A Pair of Chrome Plated Cowrie Shell Boxes; and Various Items of Treen (qty)

A Brown Morocco-Covered Box, early 20th century, the hinged cover set with a panel of frolicking putti within gilt tooled borders, marked in gilt A LA MARQUISE DE SEVIGNE CHOCOLAT DE ROYAT PARIS, 37cm wide

£300-500

£70-100

298

288

293

A Set of Three Brass Jardinières, late 19th century, of wrythen fluted ovoid form, 21.5cm diameter; A Similar Smaller Pair, 28cm diameter; and A Pair of Brass Twin-Handled Bottle Coasters, 13.5cm diameter (7)

French School (19th century): Miniature Bust Portrait of a Girl, with ringleted hair, on ivory, oval, 6cm by 5cm, in gilt metal frame, the reverse with lock of hair, in a leather carrying case; A Miniature Portrait, of a young lady in profile with her hair up and a white shawl, 8.5cm by 7cm; and A Wooden Easel (3)

£80-120

289 A Reproduction Toleware Jardinière, in Regency style, of cylindrical form, decorated in gilt with stars on a black ground, 17cm high; A Similar Pair of Bottle Coasters, 11cm high; Two Oval Jardinières, 34cm and 30cm wide; A Pair of Lacquer Coasters, 14cm wide; and A Similar Jardinière, 29cm wide (8)

£150-250

294 A Leather-Cased Travelling Bezique Set, 20th century, containing two packs of cards and two bezique markers; A Similar Travelling Backgammon Set and A Quantity of Gaming-Related Items and Other Items (qty)

£100-150

£70-100

290

295

A Chantilly Lace and Mother-of-Pearl Fan, 18th century, with foliate and scroll decoration, 36cm long, in a box labelled 16 passage des Panoramas … Paris

A Shagreen Photograph Frame, 1920s, of canted rectangular form, 19cm high; A Shagreen and Onyx Ashtray, 19.5cm diameter; An Onyx Presentation Desk Stand; Two Boxes and Covers; An Ashtray; and Two Lighters (8)

£100-150

291 A Pair of Rectangular Boxes and Hinged Covers, labelled MOUCHOIRS and GANTS on a printed calico ground, 33cm wide; Two Smaller Boxes, labelled VOILETTES and DENTELLES, 19cm wide; and A Bulk of Matching Material (5)

£100-150

£100-150

A Bronze Paperweight, early 20th century, in the form of a recumbent dog on a faux book titled ALFRED THE GREAT and with gilt-tooled decoration on a red morocco ground, 18cm long; and A Box and Cover, in the form of a quarto leather-bound book titled HOUNDS AND DOGS (2)

£70-100

299 A Gilt Metal Desk Set, 20th century, comprising a stapler in the form of a grasshopper, a pencil sharpener surmounted by a mouse, four clips, a note frame and pen, four various glass paperweights, a white metal mounted horn inkpot, a chrome sellotape dispenser, three Limoges Chantilly sprig boxes and covers, a Staffordshire enamel box, a faux ivory box and cover, a glass dish, four lacquer wine cups, a chrome circular box, a desk blotter, ten polished stone pebbles, two trench art ashtray (qty)

£150-250

300 A Gold Painted Bronze Inkwell, early 20th century, in the form of a young boy feeding a dog in a kennel on a rusticated ground, 18cm wide

£80-120

296 An Oak Stationery Rack, circa 1900, with serpentine topped compartments, 30cm wide; and A Velvet Lined Magazine Rack, 31cm wide (2)

£70-100

£80-120

301 Chinese School (19th century): A Fan Painting, depicting two ducks amongst bamboo and with calligraphy, seal mark in red, 55cm by 26cm, framed and glazed; and A Similar Fan Painting, depicting pine trees, 47cm by 23cm, framed and glazed (2)

£100-150

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277

287

302

305

302

305

A Victorian Silver Sauceboat, by Edward Barnard and Sons Ltd., London, 1896, in the George III style, oval and on three shell-capped pad feet, with leaf-capped scroll handle, 17cm wide, 9oz 8dwt, 293gr

An Edward VII Silver Sauceboat, by George Nathan and Ridley Hayes, Chester, 1901, in the George III style, oval and on three foliage-capped paw feet, with leaf-capped scroll handle and everted rim, 19.5cm wide, 8oz 14dwt, 271gr

£120-180

£120-180

303

306

303

306

A George III Silver Cream-Jug, Maker’s Mark ?R, London, 1769, spiral-fluted and on similarly decorated foot, with beaded scroll handle, the spout engraved with initials, 12.5cm high, 4oz 2dwt, 127gr

An Edward VII Silver Sauceboat, by Sebastian Garrard, London, 1907, In the George III style, oval and on three shell-capped pad feet, with leaf-capped scroll handle and everted rim, 20.3cm wide, 9oz 19dwt, 309gr

£70-100

304 A Pair of Silver Plate Asparagus-Dishes and Grilles, by Roberts and Belk, 20th Century, each oval and with gadrooned rim and integral scroll handle, the detachable grilles each with scroll terminals; Together With: a graduating set of Jersey milk-jugs, the asparagus-dishes 36.5cm wide (5)

£150-250

307 A Pair of Victorian Silver Salt-Cellars, by Thomas Parker, London, 1876, each oval and on ball and claw feet, with beaded border and blue glass liner, 8.5cm wide, 6oz 1dwt, 188gr (2)

£100-150

£100-150

70

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308

311

308

311

An Irish Silver Salver, by T. Weir and Sons, Dublin, 1990, octagonal and in fitted case, the salver 21.5cm diameter, 10oz 17dwt, 338gr

A Victorian Silver Plate Soup-Plate, by Elkington, Mason and Co., 1857, shaped circular and with gadrooned rim, engraved with a baron’s coronet, 25cm diameter

£120-180

£60-80

309

312

309

312

An Elizabeth II Silver Coffee-Pot and Hot-Milk-Jug, by C. J. Vander, London, 1964, each tapering cylindrical and with wood handles, the hinged covers with baluster finials, 14.5cm high, total gross weight 18oz 14dwt, 582gr (2)

A George V Silver Coffee-Pot, by Carrington and Co., London, 1915, tapering octagonal and with scroll spout and ebonised wood handle, the hinged cover with baluster finial, 25.5cm high, gross weight 31oz 5dwt, 968gr

£250-350

£500-800

310

313

A Pair of Victorian/Edward VII Silver Toastracks and a Pair of George V Silver Toastracks, The First Pair by Heath and Middleton, London, 1897 and 1902, The Second Pair by S. W. Smith and Co., Birmingham, 1926, each with five bars and an overhead loop handle; Together With: two further five-bar toastracks, 11.5cm wide and smaller, 12oz 17dwt, 400gr (6)

An Elizabeth II Silver Dish, by Christopher Nigel Lawrence, London, 1995, circular, the rim textured, the centre set with an oval plaque depicting Britannia, 13.7cm diameter, 4oz 11dwt, 142gr

£100-150

£200-300 www.tennants.co.uk 71

314 (part)

314

318

A pair of black and white engravings depicting Queen Victoria and Prince Albert, contained in decorative tondo frames with cushion and crown finials, together with a photograph of Queen Mary taken at a visit on Thursday August 7th 1924 to South Stoneham salmon pool and then Townhall Park, two head and shoulders photographs depicting the Czar and Czarina, a black and white reproduction of Helen Olympia Stewart, daughter of Lady Colebrook and later Lady Littler, various sizes (6)

A George III Design Mahogany Open Armchair, the moulded frame and pierced back support with later outswept arms, the close-nailed serpentine overstuffed seat upholstered in red and cream geometric fabric, on fluted tapering legs, 60cm by 51cm by 93cm; and A Victorian Mahogany Hepplewhite Style Dining Chair, covered in worn cream fabric, with moulded frame, pierced splat and overstuffed seat, on turned and fluted forelegs, 60cm by 46cm by 96cm (2)

£60-80

£150-200

315

319

After Raoul Dufy (1877-1953) Still life of Gladioli and other flowers Coloured print, together with a further coloured print by the same artist featuring a bouquet of red roses, with Rev L Gilding (after Swan) set of 8 coloured prints of various floral subject matter, two 19th century coloured prints depicting the Great Crowned Pigeon, another and two further later floral prints depicting “Alcea Syraca” and another in the 16th century style, a collection, various sizes

A Collection of Assorted Dunhill Items, including: various lighters; pens and other items; Together With: a copy of Alfred Dunhill One Hundred Years and More, number 82 from a limited edition of 100, leather bound and with outer cardboard box (qty)

£70-100

316 A 20th Century Cream and Green Painted Double Pedestal Desk, the moulded top above a blind fret carved frieze and drawers above a Greek Key pattern kneehole flanked by six drawers and canted pilaster supports, on bracket feet, 136cm by 63cm by 77cm

£400-600

317 A Clichy Miniature Spaced Concentric Millefiori Paperweight, circa 1850, the central purple and white can within a row of pink canes and an outer row of green and white canes, 5cm diameter; and A Glass Paperweight, centred by a red flower, 7cm diameter (2)

£100-150

72

£100-150

320 A Collection of Assorted Cartier Accessories, including various pouches, leather-covered booklets; a leather cased set of guide books, two writing implements and other items (qty)

£60-80

321 A Collection of Assorted Jewellery and Other Boxes, mostly leather-covered, including ones labelled for Harvey and Gore; Asprey; Boucheron; Hancocks and others (qty)

£70-100

322 Four Cartier Boxes, each variously oblong shaped, with gilt-tooled red leather exteriors, the inside of two labelled Cartier and tow labelled Must de Cartier, 15cm wide and smaller (4)

£60-80

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

315

314 (part)

293 292

318 (part)

280 (part)

316

298

325 A Cased Set of Six George VI Silver Lobster-Picks, by Asprey and Co. Ltd., Sheffield, 1938, each of typical plain form, engraved with initials, in fitted red leather covered case, the case 21.5cm wide, the picks 20.3cm long, 6oz 12dwt, 206gr (6)

£120-180

326 A Louis XV Gold-Mounted Green Glass Scent-Bottle, Marked With Saint-Esprit Mark, Possibly the Décharge of Charles Cordier, Paris 1722-1726, the dark green glass bottle compressed tapering and with faceted sides, with reeded foot and neck mount, the neck with a suspension loop, the stopper with scroll finial and suspension chain, 11.4cm high

£200-300

327 A Pair of George III Silver Grape-Scissors, by Thomas Phipps, Edward Robinson and James Phipps, London, 1814, the handles cast with fruiting grapevines, with ring handles, 15cm long, 2oz 13dwt, 82gr

£150-250

328 An Elizabeth II Silver Paper-Knife, by Mappin and Webb, London, 1966, tapering, the terminal cast on each side with initials ‘CR’ and dated 1816; Together With: a silver plate rule and a silver plate paper-knife, the handle incorporating a magnifying glass, each stamped ‘Germany’, 25.2cm long, weight of silver 2oz 19dwt, 91gr (3)

£70-100

329 323

A George III or George IV Silver Child’s Whistle and Rattle, Marks Indistinct, Possibly by Joseph Willmore, Birmingham, Circa 1820, of typical form, overall decorated with flowers and foliage suspending six bells, two further bells lacking and with coral teether, with suspension loop, 12cm long

£150-250

323 A Pair of Louis XV Silver Egg-Cups, Maker’s Mark D?S, Paris, 1774, each openwork, the sides formed as foliage and flower swags below a reeded rim, on three hoof fee and with slightly domed base with baluster finial, the bases engraved with initials ‘N*D*P’; Together With: a pair of Elizabeth II Silver Eggs, by S. J. Phillips, London, 1998 and a pair of Victorian Silver Egg-Spoons, by George Adams, London, 1855, King’s pattern, in fitted red leather covered case, the case 19.5cm wide, weight of silver 9oz 1dwt, 281gr (6) Provenance: With S. J. Philips, London, circa 1998.

£500-800

324 An Elizabeth II Silver Paper-Knife, by Stuart Devlin, London, 1977, with tapering blade. the terminal set with a medal celebrating the Silver Jubilee of Queen Elizabeth, in fitted case, the case 21cm long, weight of silver 2oz 6dwt, 71gr

330 A Pair of Victorian Silver Spoons, by Gilbert Marks, Dated 1898, the finial of each cast with differing foliage and flowers, with overall hammered finish, 22.5cm long and slightly smaller, 7oz 3dwt, 222gr (2)

£250-350

331 A Set of Six Silver-Gilt Teaspoons and a Pair of Sugar-Nips, Apparently Unmarked, in the George II style, each cased as foliage, the teaspoons with a vacant cartouche, the nips with ring handles, 12.5cm long, 6oz, 187gr (7)

£120-180

£70-100

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324

325

326

327

329

333 (part)

330 328 331

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332

337

A Cartier Gilt and Enamel Fountain Pen and Pencil, Stamped Panthère de Cartier, and dated 1990, Numbered 022712 and 023325, each part-fluted and enamelled with stars, in fitted Cartier case and with a further case, the cases each 20.5cm long

A Continental Parcel-Gilt Silver Cigarette-Case, With English Import Marks for Fortnum and Mason Ltd., London, 1938, oblong and with parcel-gilt engine-turned and ray decoration with blue stone thumbpiece, engraved inside with an inscription, 8cm wide, 3oz 4dwt, 99gr

£70-100

£70-100

333 A Cartier Lighter, Numbered 19680, simulating stone, in fitted Must de Cartier case, Together With: a further Cartier lighter, with a matted finish and gilt band, the case 10.2cm (2)

£70-100

338 A Brass Propelling Pencil, In the Manner of Sampson Mordan and Co., Probably Late 19th Century, modelled as a skeleton key, with suspension loop, 10cm extended, 6cm closed

£70-100

334 An Elizabeth II Gold Commemorative Medal, by Tower Mint Ltd., London, 1988, 22ct, Number 64 from a Limited Edition of 100, Designed by Raphael D Maklouf, celebrating the twenty-fifth anniversary of the Royal National Theatre, 1963-1988, the front struck with a view of the Royal National Theatre, the reverse stuck with a portrait bust of Queen Elizabeth, in fitted case, the case 8cm square, the medal 2oz, 61.6gr

339

£2,500-3,500

340

335 An Elizabeth II Silver Cigarette-Case, by Alfred Dunhill and Sons, Birmingham, 1954, oblong and engine-turned, the hinged cover applied with gilt initials, engraved inside with a presentation inscription, 8cm wide, 3oz 13dwt, 114gr

£80-120

336

Three Montblanc Writing Implements, comprising: a Meisterstück fountain-pen, with black resin body and gilt-mounts, numbered YI172749, the body engraved with initials ‘JK’; a fluted gilt-metal fountain-pen and a similar mechanical-pencil (3)

£70-100

A Cased Set of Eleven Elizabeth II Silver and Enamel CocktailSticks, by Garrard, Birmingham, 1961, the terminal of each enamelled with a face card, the King of clubs lacking, in fitted case, Together With: a cased set of silver and enamel pencils, stamped ‘Sterling’, each with engine turned decoration and enamelled with one of the suits from a deck of playing cards and a quantity of cocktail sticks, variously formed as gold-clubs or with animal terminals, in associated case

£100-150

An Italian Silver Minaudiere and Cigarette-Case, Stamped G. Ciardetti, Florence, Mid 20th Century, each oblong and with incised lines and with gilt-thumbpiece engraved with initials ‘NM’, the minaudiere with integral lipstick holder, opens to reveal a compact and a mirror in the hinged cover, in fitted grey carrying case and with a further gold-coloured carrying case, the minaudiere 8cm wide (2)

£100-150

341 An Elizabeth II Silver Notepad and Pencil, by Asprey, The Notepad London, 1962, The Pencil Birmingham, 1960, each with engine-turned decoration, engraved inside the cover of the notepad with an inscription, the notepad 12.5cm long (2)

£70-100

341

76

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332

335

334

336

338 333 (part)

337 339 www.tennants.co.uk 77

344 A George V Silver-Gilt Cup and an Elizabeth II Silver-Gilt Cover, The Cup

by Pairpoint Brothers, London, 1914, The Cover by C. J. Vander, London, 1956, in the George III style, tapering and on spreading foot, the lower body lobed, the rim with a band of fruiting grapevines on a matted ground, with two scroll handles, the detachable cover part-fluted and with foliage finial, on mahogany finish base, 23.5cm high including base, 16oz 12dwt, 517gr

£250-350 342

345 A Pair of Parcel-Gilt Plated Ashtrays, Retailed by Hermès, Paris, 20th Century, each modelled as a horseshoe and with engine-turned base, 12.6cm diameter (2)

342 A Five-Piece Ottoman Silver-Mounted Japanese Porcelain Writing-Set and Tray, The Porcelain Edo Period, The Mounts with Tuğra and Sah Mark, Probably Those of Abdulmejid I, Mid 19th Century, the body each painted in underglaze blue with differing flowers and foliage, the plain silver mounts probably later, each with flower finial on the hinged cover, with beaded border and on rim base with three scrolling legs, comprising: three ink-bottles, a pounce pot and a small water vessel with leaf-capped scroll handle, the tray kidney-shaped and with moulded border, the bottles 10.7cm high and smaller, the tray 28.8cm wide, 10oz 19dwt, 341gr (6)

£700-1,000

343 An Italian Cup, by Miracoli, Milan, 20th Century, Stamped ‘750’, tapering and with two scroll handles, on onyx base, the base applied with a gold plaque engraved with an inscription, the cup 22.5cm high, weight excluding base 12oz 17dwt, 399gr

£10,000-15,000

£70-100

346 Two Elizabeth II Silver-Mounted Horseshoes, the Mounts Birmingham, 1956 and London, 1964, the first engraved ‘Yes Tor Fontwell Park 6 Feb 1956’, the second engraved ‘Ovaltine Manchester Handicap Osier Doncaster 24-10-64’, 14.8cm diameter and smaller; Together With: two silver plate mounted horseshoes, one engraved ‘Farley Star Hyde Part Stakes Epsom April 22nd 1959’, the other engraved ‘Yes Tor 6th Fontwell Park Warwick 10th March 1956’ (4)

£100-150

347 A Collection of Silver and Silver plate, comprising: a silver sugar-caster, possibly Austro-Hungarian, 20th century; an Italian silver tapering beaker, 20th century; a silver square dish set with a 1909 Philippine one peso coin and a silver plate photograph-frame, engraved for the Thirsk races, the frame 23.5cm high (4)

£70-100

348 An Early 20th Century Oak and Brass Revolving Magazine Rack, with three wirework dividers and moulded oak base pivoting on three tubular legs with claw feet, 35cm by 15cm by 81cm

£70-100

349 Five 20th Century Folding Tables, two painted red, two painted as simulated verde antico and another as leopard print, 49.5cm by 34.5cm by 57cm 343

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344

£70-100

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354 (part)

350

353

A Louis XVI Style Cream and Green Painted Bedstead, 20th century, recovered in brown suede with fluted and acanthus carved pilasters, takes a 3’6” mattress, 122cm by 127cm by 207cm

351

A 19th Century Mahogany Washstand, the three-quarter gallery above brass carrying handles, on slender tapering legs joined by shelf, 52cm by 39cm by 91cm; and A Set of Mahogany Two-Tier Hanging Shelves, the sides with brass carrying handles, the base with a long frieze drawer with ivory escutcheon, 52cm by 17cm by 52cm (2)

A 20th Century Walnut Petit Commode, in Louis XV style, the modern cream veined serpentine marble top above a pull-out brushing slide with two drawers below, on cabriole legs with capped feet, 62cm by 40cm by 72cm

£70-100

354

£150-250

British School (20th century) “Onegin Act 1” Indistinctly initialled and dated 1972 mixed media, together with a companion drawing by the same hand “Olga Act 2” a later 20th century watercolour study of two young boys seaside fishing, a mixed media study depicting figures in a French town, a pastel signed Drabbell dated 2000 depicting the 14th Marquis Woburn (Golf course), a satirical cartoon, a black and white reproduction of another satirical cartoon taken from the Evening Standard, May 8th 1979 “I knew we should never had allowed then to see the original” and a further original cartoon from the Daily Mail 15th May 1970 “No, Sir, this is a poll to ask where you’ll emigrate if he gets back in”, a collection, various sizes

£150-250

352 A Set of Three 19th Century White-Painted Chairs, in Louis XVI style, recovered in brown cotton, the moulded and ribbon-twist frames with padded back supports and overstuffed bowed seats, on fluted forelegs, 53cm by 43cm by 88.5cm; An Armchair, upholstered to match, with heart-shaped back support, padded arms and overstuffed seat, 63cm by 52cm by 88cm; and A Similar Footstool, upholstered to match, with turned and fluted legs, 50cm by 30cm by 18cm (5)

£150-250

£60-80

355 A Set of Four Gilt Metal Lanterns, early 20th century, of square form with faux bamboo moulding, 29cm high

£150-250

356 A Pair of Victorian Silver-Mounted Cut-Glass Candlesticks, by Horton and Allday, Birmingham, 1893, each on shaped circular base, the base and rim each with openwork foliage scroll silver-mounts, with later electrical mounts to convert to bedside lamps, the candlesticks 17.5cm high (2) 351

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£70-100

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

353 (part)

315 (part)

352

359

357 A Walnut and Feather-Banded Cabinet on Stand, the moulded cornice above two cupboard doors enclosing a fitted interior of drawers, the associated base with four long drawers, on bracket feet, 107cm by 53cm by 186cm

£400-600

358 A Victorian Mahogany Bowfront Chest of Drawers, mid 19th century, of two short over four long drawers with turned knob handles and turned feet, 112cm by 56cm by 141cm

£150-250

359 A Pair of Chinese Export Lacquer Boxes and Covers, early 19th century, of lobed asymmetrical form, gilt with fruiting vine on a lattice ground within foliate borders, 13cm wide

£200-300 357

360  Raoul Millais (1901-1999) Harnessed horses pulling a carriage Signed in pencil, brown chalk, 28.5cm by 28cm

£120-180

361 An Ivory Strung Tortoiseshell Dressing Table Box and Cover, early 19th century, of rectangular form, 8cm wide; A Tortoiseshell Playing Card Case, 9cm wide; A Circular Box and Cover; Four Various Clothes’ Brushes; and A Hand Mirror (8)

£100-150

360

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All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

359

315 (part)

358

280 (part)

362

362 365 (part)

362

364

A Late Victorian Rosewood and Marquetry Inlaid Patent Writing Table, circa 1890, the twin-flap top enclosing a fitted and rising interior inscribed THE ECLIPSE BRANDS PATENT, NO.7254 AND 27871, the frieze with inlaid foliage, on square tapering legs and castors, 58.5cm by 61cm by 78cm

A Lacquered Papier-Mâché Jardiniere, in 18th century style, gilt with floral bosses on a turquoise ground, 21cm high; A Similar Gold Ground Example, 21cm high; Four Various Waste Paper Bins; A Pair of Lacquer Place Mats; and Three Toleware Small Trays (qty)

£700-1,000

363 A Mahogany and Boxwood Strung Harlequin Writing Table, the superstructure with two oval cupboard doors enclosing small drawers and pigeon holes, the base with hinged writing surface enclosing a green baize-lined interior, the sides with two small drawers all above a long frieze drawer, on square tapering legs, 81cm by 59cm by 131cm

£70-100

365 Curtains: two pairs of interlined curtains with triple pinch pleat heading, with overall sylised floral design on a natural linen ground, each curtain approximately 240cm drop by 220cm wide at base (a/f); two pairs and a further pair of interlined curtains with triple pinch pleat heading, the two pairs with blue and brown flowers, foliage and branches on an ivory coloured ground with a pair of tie backs, each curtain approximately 230cm drop by 180cm wide at base (a/f), the other pair with stylised foliage and acorns on a ivory coloured ground, with tie backs, each curtain approximately 230cm drop by 170cm wide at base (a/f); Together With: a 20th century Aubusson style needlework rug with central floral motif and ice blue borders, 195cm by 120cm (qty)

£100-200

£250-350

362 (open)

300

365 (part)

364 (part)

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366 A Regency Mahogany, Tulipwood Banded and Ebony Strung Clothes Press, early 19th century, the moulded cupboard doors with oval panels enclosing four pine-lined trays (one missing), the base of two short over two long drawers, shaped apron on splayed bracket feet, 131cm by 59cm by 200cm

£400-600

367 A 20th Century French Walnut and QuarterVeneered Serpentine Shape Bedside Cabinet, the hinged lid enclosing a rectangular bevelled glass plate and divided interior above a single drawer, on slender cabriole legs joined by a shelf, 55cm by 40cm by 73cm; and A Similar Example, 54cm by 39cm by 73cm (2)

£120-180

368 A Set of Three Spanish Silver-Mounted CutGlass Dressing-Table Jars, Maker’s Mark a Cup, 20th Century, the detachable covers each chased with foliage, with plain cut-glass bodies, 14cm high and smaller (3)

£70-100

369 An Edwardian Satinwood Lady’s Dressing Table, early 20th century, the hinged lid enclosing a bevelled glass mirror and fitted interior with four cut-glass scent bottles and a fitted tray of ivory dressing table pieces, above pull-out brushing slide with a drawer below fitted with a cut-glass mixing bowl, on splayed tapering legs joined by a stretcher, 26cm by 25cm by 80cm 366

£200-300

370 A Minton Pottery Foot Bath, 1865, of cushioned oval form with twin loop handles, printed and overpainted with scattered pink roses within gilt line borders, impressed marks, 51cm wide

£150-250

371 A Set of Four Shell-Encrusted Frames, late 19th/early 20th century, of circular form, applied with bands of various shells, the domed glass enclosing shipping scenes, 27cm diameter; A Similar Pair of Five-Point Star Frames, 23cm wide; A Pair of Four-Point Star Frames, 22cm wide; A Circular Frame, 15cm diameter; A Rectangular Frame, 18cm high; and A Horseshoe Frame, 19cm high (11)

£300-500

END OF SALE 367

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All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

ABOUT TENNANTS

UNIQUE FACILITIES Tennants is the only auctioneers in the UK with the capability to exhibit single items and collections to the public months head of sale.

Museum-quality display galleries were built in 2014 to provide ever-changing displays of highlights from the saleroom.

The Company has a long history of handling outstanding private collections and estate sales of all sizes.

Notable private collection sales have included: An American Collector - from Virginia The P Lamaison Van Heenvliet Collection of Arms and Armour - from Holland Modern Life in Print - from the estate of Edith Laurence The El-Shamy Wine Collection An Attic Sale: The Final Instalment of the Collections of the late Stanley J Seeger The Historical Collection of Natural History and Taxidermy from Hodnet Hall

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NON-SELLING EXHIBITIONS AND EVENTS Tennants hosts a busy and varied programme of exhibitions and events, which not only support and enhance the auction programme but provide a diverse cultural experience for visitors and the local community.

Frequently working in association with museums, private collectors and educational establishments, highlights of the non-selling exhibition programme include curated displays of treasures from The Bowes Museum and fine art exhibitions including 350 Years of British Art and Light & Shadow, which showcased major loaned works from over twenty museums and numerous private collections. The applied arts have been celebrated with exhibitions dedicated to William Morris, antique quilts and the furniture and furnishings of Robert ‘Mouseman’ Thompson. Northern Art is championed too, with frequent selling exhibitions. Recent highlights have included Norman Cornish: Bishop’s Close Street and Sally Arnup: Life in Bronze, both of which were staged in conjunction with the artists’ estates.

CONTACT US To discuss consigning single items or collections please contact us on 01969 623780 enquiry@tennants-ltd.co.uk

www.tennants.co.uk 89

BUYERS’ INFORMATION Buyer’s Premium A Buyer’s Premium of 22% of the Hammer Price, plus VAT, is payable on each lot.

Condition Reports We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. We accept no liability for the opinions expressed in any Condition Report.

Caveat Emptor The principle of caveat emptor applies to the sale of all goods sold at auction by us. Furthermore, we have no control over the condition of any item offered for sale.

Additional Images Requests for additional images of items in the sale can made up to 48 hours before the Day of Sale.

Online Bidding We offer an online bidding service via our own platform - Tennants Live Bidding at www.tennants.co.uk. Items purchased via this platform will be subject to an additional 1.5% commission charge plus VAT at the prevailing rate. We also offer online bidding via www.the-saleroom.com for prospective buyers who cannot attend the sale. Items bought via this platform will be subject to an additional 4.95% commission charge plus VAT. By completing registration on www.the-saleroom.com and providing your credit/bank card details and unless alternative arrangements are agreed with us, you; (a) authorise Tennants, if they so wish, to charge the credit/bank card given in part of full payment, including all fees, for items successfully purchased in the auction via www.the-saleroom.com; and (b) confirm that you are authorised to provide these credit/bank details to Tennants through www.the-saleroom.com and agree that Tennants are entitled to permit the shipping of the goods to the card holder and card holder address provided in fulfilment of the sale.

We do not accept any liability for any losses, however arising, as a result of a prospective buyer’s use of www.the-saleroom.com. Use of www.the-saleroom.com is subject to separate terms and conditions which do not form part of these conditions.

Telephone Bidding Requests for telephone bidding must be registered at least one hour prior to the close of the View Day. We will not accept requests on the Day of Sale. Telephone Lines are booked on a first-come, first-served basis and are subject to a minimum lot value of £500 for Fine Art Sales and £200 for all other sales.

Absentee Bidding Whilst reasonable endeavours will be made to execute absentee bidding up to the Day of Sale, Tennants will not be liable for any default or neglect in connection with this service. All such arrangements therefore are made entirely at the Prospective Buyer’s risk.

VAT Value added tax or any equivalent tax chargeable in the UK or elsewhere.

Agency We act as agents for the Seller, whose details remain confidential. If you buy at auction your contract is with the Seller, not us.

Export/CITES Regulations If a printed book is found on collation to lack any text-leaves or illustrations, Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/ selling.

Certain species are also subject to CITES regulations when exporting/importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or may be obtained from: The Animal and Plant Health Agency Centre for International Trade Horizon House Deanery Road Bristol BL1 5AH wildlife.licensing@apha.gsi.gov.uk 0117 372 3700 Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

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Method of Payment Payment is accepted online via our website.

Card payments where the card holder is not present will only be accepted for transactions up to £500.

Payment can be made and purchases collected during the auction.

All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale.

Collection All purchases must be collected from our Leyburn offices, unless stated otherwise, within seven days of the Sale (Monday to Friday 8.30am to 5.00pm).

Despatch/Delivery Buyers may appoint their own shippers or use one of our preferred suppliers for all UK deliveries and international shipping. Their contact details are as follows: Bradleys Antique Packing Services Ltd 01325 281332 info@antiquepacking.co.uk Carrs Carriers Ltd 01423 297088 01913 077024 carrscarriersltd@gmail.com Mailboxes Etc 0113 242 8715 info@mbeleedscity.co.uk

In-House Shipping For certain lots, we offer a packing and shipping service up to a total value of £5,000 (inclusive of buyer’s premium, VAT and any other associated charges). Prices start from £20 depending on the size and destination. Please note, we are unable to post items of a fragile nature. Items are fully insured and can be tracked from dispatch to delivery.

To obtain a quote for packing and shipping, please email shipping@tennants-ltd.co.uk or call 01969 623780. You will need to have paid your invoice in full, including delivery, before items are dispatched.

For full Terms of Business please refer to www.tennants.co.uk

2022 AUCTION DATES Saturday 8 January

Saturday 26 February

Antiques & Interiors

20th Century Design

Friday 14 January

Saturday 26 February

Townhouse

Modern & Contemporary Art

Saturday 15 January

Friday 4 March

Country House

Stamps & Postcards

Saturday 15 January

Friday 11 March

Jewellery, Watches & Silver Friday 28 January

Antiques & Interiors Wednesday 2 February

Scientific & Musical Instruments, Cameras & Tools Saturday 12 February

Antiques & Interiors Friday 18 & Saturday 19 March

Spring Sale Saturday 19 March

British, European & Sporting Pictures Saturday 19 March

Antiques & Interiors

Jewellery, Watches & Silver

Saturday 12 February

Wednesday 23 March

Costume & Textiles

Militaria & Ethnographica

Wednesday 16 February

Friday 25 March

Coins & Banknotes

Antiques & Interiors

Friday 25 February

Wednesday 30 March

Antiques & Interiors

Books, Maps & Manuscripts

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