Modern & Contemporary Art - 15 June

MODERN & CONTEMPORARY ART

SATURDAY 15 JUNE 2024

ALSO SELLING TODAY:

20TH CENTURY DESIGN

SATURDAY 15 JUNE 2024

9.30AM

MODERN & CONTEMPORARY ART

SATURDAY 15 JUNE 2024 AT 9.30AM

AUCTION

The Auction Centre, Leyburn Nor th Yorkshire DL8 5SG

VIEWING

Thursday 13 June 10.00am to 4.00pm Friday 14 June 10.00am to 4.00pm Morning of Sale from 8.00am

Live bidding is available on this sale by registering at www.tennants.co.uk All lots illustrated online at www.tennants.co.uk

CONTACT

Telephone: 01969 623780 enquir y@tennants-ltd.co.uk www.tennants.co.uk

FRONT & BACK COVER Lot 550

MODERN & CONTEMPORARY ART DEPARTMENT

In line with rising interest with this area of visual culture, Tennants offer a wide range of examples by ar tists and movements from the 20th centur y through to the present day.

Yorkshire Pictures and Northern Art

Tennants is the leading auction house in the Nor th of England representing and promoting high calibre and varied examples from this genre of ar tists. The impor tance of our local consigners and collectors, as well as those works sourced and sold from fur ther afield, is testament to the notable reputation held by the Depar tment.

The Picture Depar tment is proud to have successfully represented many impor tant living ar tists and ar tists’ estates from the Nor th, including Norman Cornish, Peter Brook, John Ridgewell, Marie Walker Last, Karl Torok, Sally Arnup and Raymond Booth, to name but a few, and we continue to build new and lasting relationships with numerous living ar tists and estates.

YOUR SPECIALISTS

Francesca Young Modern & Contemporary Art Specialist

Charlotte Conboy Consultant

Alice Milverton Picture Cataloguer

Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results.

Twenty-seven specialist depar tments offer an outstanding range of depth and exper tise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace. Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major discipliners, making it one of the UK’s busiest salerooms.

500 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“Landscape with Farm Buildings”

Signed, with the blindstamp for the Fine Ar t Trade Guild, a colour reproduction, 42.5cm by 52cm

£1,000-1,500

501 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“The Pond”

Signed, with the blindstamp for the Fine Ar t Trade Guild, a colour reproduction, 45.5cm by 58cm

£800-1,200

502 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“Station Approach”

Signed, with the blindstamp for the Fine Ar t Trade Guild, a colour reproduction, 43cm by 52cm

£1,200-1,800

503 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“Level Crossing”

Signed, published in 1973 by Patrick Seale Prints Ltd, a colour reproduction, 44cm by 55cm

Provenance: Penny Far thing, York

£1,500-2,500

504 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“The Pond”

Signed, with the blindstamp for the Fine Ar t Trade Guild, a colour reproduction, 45.5cm by 58cm (unframed)

£1,000-1,500

505 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“Great Ancoats Street”

Signed and numbered 767/850, with the Henr y Donn blindstamp, a black and white reproduction, 29cm by 38.5cm

£800-1,200

506 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“The Reference Library”

Signed, with the blindstamp for the Fine Ar t Trade Guild, a black and white reproduction, 26.5cm by 36cm

Provenance: J Hilliard and Sons, Bolton

£800-1,200

507

507 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“St Simon’s Church”

Signed and numbered 128/300, a black and white reproduction, 40cm by 29.5cm

£700-1,000

508

508 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

‘’Street Scene’’

Signed, with the blindstamp for the Fine Ar t Trade Guild, a colour reproduction, 27.5cm by 21.5cm

£1,000-1,500

506

509 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“Mrs Swindell’s Picture”

Signed, with the blindstamp for the Fine Ar t Trade Guild, a colour reproduction, 43cm by 32cm (unframed)

£2,000-3,000

510 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“Our Town”

Signed and numbered 442/850, a colour reproduction, 44cm by 62cm (unframed)

£2,000-3,000

509

511 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“People Standing About”

Signed, with the blindstamp for the Fine Ar t Trade Guild, a colour reproduction, 33.5cm by 51.5cm

£1,000-1,500

512 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“The Meeting Point”

Signed, with the blindstamp for the Fine Ar t Trade Guild, a colour reproduction, 49cm by 72cm

£1,200-1,800

513 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“The Noticeboard”

Signed, with the blindstamp for the Fine Ar t Trade Guild, a colour reproduction, 43.5cm by 52cm (unframed)

£1,500-2,000

513

512

511

514 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“The Contraption”

Signed, with the blindstamp for the Fine Ar t Trade Guild, a colour reproduction, 34.5cm by 31cm

£3,000-5,000

515 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“Berwick-on-Tweed”

Signed, with the blindstamp for the Fine Ar t Trade Guild, a colour reproduction, 55.5cm by 43.5cm

£4,000-6,000 515

516 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“Going to the Match”

Signed, with the blindstamp for the Fine Ar t Trade Guild, a colour reproduction, 56.5cm by 70.5cm

£25,000-35,000

516

517 ✓

David Bates (20th Century)

“Tilery, Stoke on Trent’’ (1952)

Oil on canvas, with a fur ther nude study to reverse, 50cm by 53cm (unframed)

Provenance: The Tibb Lane Galler y, Manchester £250-400

518 ✓

Roger Hampson (1925-1996)

‘’The Old British Queen’, Jubilee Year” Signed, inscribed verso, oil on board, 14.5cm by 19.5cm

Provenance: A gift from the ar tist £250-400

Over the course of his career, Tom McGuinness created an extraordinar y and highly personal ar tistic record of the life of a miner in the Nor th East.

Born into the pover ty-stricken community of Witton Park, which was still feeling the effects of the closure of the nearby smelting works at the end of the 19th centur y, McGuinness showed an early talent for drawing. Leaving school in 1940, he held several odd jobs before being conscripted into the mines as a Bevin Boy, to help bolster a shor tfall in the coal industr y left by an aging and dwindling workforce. Throughout the course of his 39 years in the mines, McGuinness worked in many of County Durham’s collieries, and whilst it provided a stable income for him and his family, the ever-looming extremes of mining – the backbreaking work, the constant threat of injur y and death, the harsh conditions – sparked a creative urge in him. The mines proved a power ful inspiration, and he turned his experiences into an impor tant body of ar t.

With the encouragement of his family and his collier y training officer, who spotted him drawing on the side of coal tubs, he enrolled in Darlington School of Ar t in 1944, but all the while continued to educate himself by studying human anatomy and visiting galleries and exhibitions in his own time. In 1948, however, he joined the Spennymoor Settlement – a miners’ education and recreation organisation – and came into the circle of writer Sid Chaplin, ar tist Norman Cornish and Bill Farrell, the Settlement’s director Farrell was an exponent of experiential ar t, and encouraged McGuinness to paint what he knew, which was mining.

A fine draughtsman, McGuinness gradually began to find his unique ar tistic voice by distor ting imager y to power ful emotive effect. Line, tone, colour and composition were exaggerated and twisted to greater express what it felt like to be in the mines. The figures are quite literally shaped by the mines; they become hunch-backed, rounded like the tunnels, their legs skinny and bowed to echo the arching props, whilst unnatural perspectives leave the viewer feeling off-balance and at the mercy of the sloping, twisting, coffin-like spaces, claustrophobic and vulnerable. Vibrant, almost surreal glazed colours heighten the unear thly, almost nightmare quality of his work. McGuinness lived this world ever y day, filling sketchbooks in brief breaks underground; he was a par ticipant in his ar t not merely an obser ver

In 1958, his work was first shown in London at the offices of the Coal Industr y Social Welfare Organisation, and in 1969 he was par t of a collaborative exhibition at The Stone Galler y, Newcastle with Norman Cornish and Josef Herman, who painted the Welsh coalfields. Working in par tnership with an agent, Lord Hirshfield, he secured his first solo London exhibition at the John Whibley Galler y, Cork Street in 1972 and went on to be the star of a BBC Omnibus documentar y. By the time of his death in 2006, McGuinness had held over 50 solo exhibitions, with his work held in public and private collections throughout the world. Despite being made redundant in the early 1980s, McGuinness remained dedicated to por traying the world of the miner and the changing face of the mining communities as the collieries gradually shut down. Today, his work remains a visceral reminder of the lives of generations of men and women in the Nor th East.

Lots 519-522 form par t of a Private Collection. The vendor ’s father, Sidney Lockey, was at Witton Park School with Tom McGuinness and the two remained great friends throughout their lives. Lockey often visited Tom's studio to watch him paint.

Tom McGuinness (1926-2006)

Tom McGuinness in his studio Photograph kindly provided by the family of the Sidney Lockey

519 ✓

Tom McGuinness (1926-2006)

“Pipe Men”

Signed and dated (19)65, mixed media, 32.5cm by 45.5cm

This work is a preparator y drawing for the oil painting of the same name (see lot 520).

£700-1,000

520 ✓

Tom McGuinness (1926-2006)

“Pipe Men”

Signed and dated (19)65, oil on board, 65cm by 90.5cm

£2,500-4,000

519

521 ✓

Tom McGuinness (1926-2006)

“Miner at Seam”

Signed and dated (19)69, mixed media, 8cm by 25cm £300-500

522 ✓

Tom McGuinness (1926-2006)

“Miner Working at Coal Face”

Signed and dated (19)69, mixed media, 17cm by 18cm £400-600

521

523 ✓

After Sir John ‘Kyffin’ Williams (1918-2006) Welsh

“Farmer Below Snowdonia”

Signed and numbered 101/250, lithograph, 60cm by 60cm

£300-500

524 ✓

Peter Predergast (1946-2007) Welsh “Astudiaeth Ar Gyfer Nant Ffrancon (Study for Nant Ffrancon)”

Signed, charcoal, 88cm by 130cm

£700-900

525 ✓

Peter Predergast (1946-2007) Welsh

“Life Drawing: Gwen”

Stamped with the Studio Estate Stamp, pencil, 17cm by 23cm

£150-200

524

523

527 ✓

Mackenzie Thorpe (b.1956)

“Off Down the Pub” Signed, pastel, 62cm by 42cm

£1,000-1,500

526 ✓

Mackenzie Thorpe (b.1956)

“Breakfast”

Signed, pastel, 38cm by 46cm

Provenance: Ar thaus, Richmond

£800-1,200

528 ✓

Mackenzie Thorpe (b.1956)

“High Pertemkin” Initialled, pastel, 65cm by 42cm

£1,000-1,500

Alexander Millar (b.1960) Scottish

“Carry Me Home”

Signed, oil on board, 39.5cm by 29.5cm

£2,000-3,000

530 ✓

Stuart Walton (b.1933)

“Back Alley, Hunslet, Leeds”

Signed and dated (19)72, inscribed verso, pencil, 41.5cm by 25cm

£250-400

£200-300 531 530

531 ✓

Stuart Walton (b.1933)

“Lansdown Mount, Beeston, Leeds”

Signed and dated (19)72, inscribed verso, pencil, 24cm by 16.5cm

532 ✓

Stuart Walton (b.1933)

‘’Postergate Hull’’

Signed and dated (19)73, oil on board, 45.5cm by 45.5cm

£400-600

533 ✓

Stuart Walton (b.1933)

Continental town

Signed and dated (19)80, oil on board, 43cm by 57cm

£400-600

534 ✓

Stuart Walton (b.1933)

Cat sitting on a window ledge

Signed and dated (19)90, oil on board, 60cm by 34.5cm

£600-900

533

Lots 535-541 form part of the McCay Private Collection

“In 1971 I graduated from Boston University School of Fine Ar ts and it was around the same time, my parents travels brought them to Jerusalem were they met Harold Riley and Hannelore, his first wife. The two couples became life-long friends ver y quickly.

My mother spoke about me to Harold and he made the suggestion that I come to England to live for a year with his family and study painting. I lived for the first few months in the main house with the Rileys, including the famous boxer dog Bonzo (see lot 535) and quickly became a par t of the family. When renovations were finished on the house that would become his studio in Salford, I moved there.

At that time, Harold was working on the por trait of Prince Phillip. I was thrilled watching the progression of the work. It was during this time that I decided to focus on the ar t of watercolour painting.

I travelled with the Riley family often, spending time in their Derbyshire house, sometimes driving up to the Lake District or other places of note nearby. We also made a trip all together to Malta.

I had the pleasure and for tune of meeting a great array of people that Harold knew, ranging from ver y well-known celebrities to the local ice cream vendors with whom Harold enjoyed sharing soccer news. Always enter taining and varied, living with the Riley family was a ver y happy time in my life - the dream of a lifetime!”

Dierdre McCay

May 2024

Lots 535 to 541

These lots has been imported from outside the United Kingdom under the Temporary Admission Scheme. VAT will be charged at 20% on the hammer price and 20% on the buyer ’s premium.

535 ✓

Harold Riley DL, DLitt, FRCS, DFA, ATC (1934-2023)

"Bonzo", the beloved Riley family Boxer

Inscribed and dedicated “for Stephen” pen and ink, 50cm by 30cm (unframed)

Stephen was the vendor ’s late father

£300-500

536 ✓

Harold Riley DL, DLitt, FRCS, DFA, ATC (1934-2023)

“Kate in Trafalgar Square”

Signed and dated (19)70, inscribed and dedicated “for Stephen” pen and ink, 50cm by 30cm (unframed)

Kate born in 1969 is the ar tist’s first daughter

Stephen was the vendor ’s late father

£250-400

537 ✓

Harold Riley DL, DLitt, FRCS, DFA, ATC (1934-2023) “St Bartholomew”

Mixed media, 23cm by 13cm (unframed)

Sold together with a letter from the ar tist dated 31st July 1968 authenticating the piece.

£200-300

538 ✓

Harold Riley DL, DLitt, FRCS, DFA, ATC (1934-2023) Hillside

Watercolour, together with a fur ther village scene watercolour by the same hand, 16.5cm by 24cm (2) (unframed)

£300-500

539 ✓

Harold Riley DL, DLitt, FRCS, DFA, ATC (1934-2023) Landscape with figures Pastel, 23cm by 27.5cm (unframed)

£300-500

538

539

537

540 ✓

Harold Riley DL, DLitt, FRCS, DFA, ATC (1934-2023)

“Istanbul” (1971)

Inscribed and dedicated “To our dearest Steve and Jocelyn with our love always Harry and Hannelore Istanbul October 1971”, a sketchbook containing thir ty mixed media studies of views of Istanbul and its inhabitants, 31cm by 50cm

When the vendor ’s family were living in Istanbul, the Riley family came to stay with them in October of 1971. At the end of their trip Harold gifted them with this sketchbook.

£10,000-15,000

541 ✓ Harold Riley DL, DLitt, FRCS, DFA, ATC (19342023)

“Florida” (1974)

A sketchbook containing thir teen mixed media studies, 14cm by 24cm

After the death of his wife Hannelore in 1973, Riley and Kate, his daughter, went out to Florida to say with the vendor's parents to find comfor t and suppor t. At the end of his stay he gifted them with this sketchbook as a thank you present.

Sold together with a letter from Harold Riley to Steve and Jocelyn (the vendor ’s parents).

£5,000-7,000

542

No Lot

543 ✓

Frank Martin (1921-2005)

“Louise Brooks”

Signed, inscribed and numbered 86/100, etching, 41cm by 29cm (unframed)

£300-500

545

Christian Bérard ‘Bebè’ (1902-1949) French

Studies of figures in repose

Signed in pencil, ink and crayon, together with two fur ther figurative studies by the same hand and another pencil sketch indistinctly signed and dated (19)57, depicting a goat before an alpine landscape, 25cm by 20cm, 25.5cm by 16cm, 29cm by 20cm respectively (4)

£300-500

544

Christian Bérard ‘Bebè’ (1902-1949) French

“Josephine Baker”

Inscribed in pencil, ink, together with a fur ther extensively inscribed monochromatic sketch depicting showtime, fans and bracelets, 25cm by 18cm and 32cm by 27cm respectively (2)

£400-600

544 543

546

Raoul Dufy (1877-1953) French

Textile design with stripes and pink flowers

Mixed media, 55cm by 50cm

£400-600

547 ✓

Paul Nash (1889-1946) “Das Rheingold” (1925)

Woodblock print, together with three fur ther woodblock prints from the Wagner “Ring Cycle”“Die Walküre”“Siegfried” and “Götterdämmerung” each 7.5cm by 9cm (4)

£400-600

546

548 ✓

John Nash CBE, RA (1893-1977)

Wooded landscape

Signed, pencil and crayon squared up for transfer with annotations, 35cm by 25cm

Provenance: Abbott & Holder Ltd, London

£800-1,200

549 ✓

Edward Bawden CBE RA (1903-1989)

“Life in an English Village”

Sixteen lithographs from the 1949 Penguin Books publication, each 9.5cm by 15cm (framed as two, each with four double-sided)

This series of lithographs depict Bawden’s home village of Great Bardfield.

£400-600

548

In 1954 a young Hockney, much enthused by star ting at Bradford College of Ar t the previous year, drew and painted scenes of ever yday life around his home in Bradford. Thus it was subjects close to his hear t that he chose for his first tentative steps into printmaking, which resulted in his early lithographs: “Self Portrait” “Fish and Chip Shop” (depicting The Sea Catch, Eccleshill, Bradford), and the present “Woman with a Sewing Machine”, for which his own mother, Laura, modelled.

Loosely based on the front room in his family home, Hockney depicts his mother seated with hands clasped and looking calmly at the viewer, behind a hand-operated sewing machine amongst a riot of pattern and colour. Comprising six coloured inks (red, yellow, blue, green, pink and black), Hockney adds complexity with sur face pattern rather than depth of space. The intricate checked blue, white and muted green fire surround frames the red and yellow block of his mother ’s blouse, whilst the yellow and red wallpaper offsets the black sewing machine. The design is unified by detailed and precise drawing.

The image reflects the exuberance of the ar tist aged just 17, filled with possibilities and the joy of being allowed to spend his days at college exploring the world of ar t. Learning about great ar tists that came before him, he was perhaps inspired by the likes of Edouard Vuillard, who produced intimate domestic scenes, filled with pattern and texture, that featured his mother, a seamstress.

This lithograph was once owned by Bradford-born ar tist David George Fawcett, with whom Hockney was at school both at Bradford Grammar School and at Bradford College of Ar t. Fawcett went on to gain his teaching diploma at Birmingham Regional College of Ar t before moving to Kent where he taught at Deal Grammar School and Folkestone and Dover Ar t Colleges. Hockney and Fawcett shared a studio for a time in Kent, and Hockney was best man for Fawcett at his wedding. Fawcett worked in an impressionistic style, and exhibited at the Paris Salon and the Royal Academy, but sadly died in a plane crash in 1973.

In a play, David Hockney (second right) and David Fawcett (far left) Photograph cour tesy of the vendor

David Hockney (R), Tom Brown (M), David Fawcett (L) Photograph cour tesy of the vendor

550 ✓

David Hockney OM, CH, RA (b.1937)

“Woman with a Sewing Machine” (1954)

Lithograph in colours, 23cm by 37.5cm

Provenance: The Estate of David George Fawcett ATD, FRSA (1935-1973)

Thence by descent

£10,000-15,000 550

551 ✓ David Oxtoby (b.1938)

“Happy Island”

Signed, pencil, 38cm by 28cm

Provenance: The Estate of David George Fawcett ATD, FRSA (1935-1973) Thence by descent

£200-300

552 ✓

Henry Moore OM, CH, RBA, RBS (1898-1986)

“Eight Sculptural Ideas Girl Writing”

Signed and dated (19)73, numbered 27/65, lithograph, 42cm by 52cm

Provenance: Berkeley Square Galler y, London

£500-700

553 ✓

Henry Moore OM, CH, RBA, RBS (1898-1986)

“Mother and Child VI” (1983)

Signed, inscribed and numbered 59/65, etching and aquatint, 27cm by 21cm

Provenance: Berkeley Square Galler y, London

£600-800

554 ✓

Henry Moore OM, CH, RBA, RBS (1898-1986)

“Mother and Child XIV” (1983)

Signed, inscribed and numbered 60/65, etching and aquatint, 26cm by 21cm

Provenance: Berkeley Square Galler y, London

£700-1,000

552

554

553

555 ✓

Charles Neville Bertram (1908-1999)

Abstract

Initialled, painted wood, 33cm high

£100-200

556 ✓

William Black (Contemporary)

“A Summer Day”

Signed, inscribed and dated (19)69, ink and wash, 27.5cm by 19cm

£100-150

557 ✓

William Black (Contemporary)

Abstract form

Signed and dated (19)68, patinated copper alloy, 45cm high

£200-300

556

558 ✓

William Black (Contemporary) “Reflecting”

Signed, inscribed and dated (19)68, oil on board, 31cm by 32.5cm

£200-300

559 ✓

William Black (Contemporary) “Dockyard”

Signed, inscribed and dated (19)69, mixed media on board, 33.5cm by 42cm

£200-300

558

561 ✓

David Blackburn (1939-2016)

“Aerial Landscape California” (1984)

Signed and dated, pastel, 38cm 31cm

£400-600

560 ✓

Norman Adams RA (1927-2005)

‘’Mist and Rain on North Harris”

Initialled and dated (19)79, inscribed, mixed media, 23.5cm by 26.5cm

£250-400

562 ✓

David Blackburn (1939-2016)

“Hang Glider and Landscape” (1987)

Signed and dated, pastel, 39cm by 34cm

£400-600

563 ✓

David Blackburn (1939-2016)

“Crane Sea” (1988)

Signed and dated, pastel, 40cm by 35cm

£400-600

565 ✓

David Blackburn (1939-2016)

“Red Tree Study” (1987)

Signed and dated, pastel, 39cm by 34cm

£500-700

564 ✓

David Blackburn (1939-2016)

“Central Australia Collage” (1984)

Signed and dated, pastel and collage, 42cm by 37cm

£400-600

566 ✓

David Blackburn (1939-2016)

“A Modern Landscape” (1990)

Signed and dated, pastel, 35cm by 42cm

£400-600

567 ✓

David Blackburn (1939-2016)

“Incident over the fire” (1993)

Signed and dated, pastel and collage, 43cm by 37cm

£400-600

568 ✓

David Blackburn (1939-2016)

“Landscape of the Leaf” (1998)

Signed, pastel, 45cm by 38cm

£300-500

569 ✓

Norman Ackroyd CBE, RA (b.1938)

“The Atlantic from High Island”

Signed and dated (20)03, inscribed and numbered 74/90, etching and aquatint, 21cm by 33.5cm

£250-400

570 ✓

Delmar Harmood Banner (1896-1983)

“Ingleborough”

Signed, inscribed and dated 1942-46, watercolour, 37cm by 54cm

£250-400

571 ✓

Anne Isabella Brooke (1916-2002)

“Wensleydale from near Spennithorne”

Signed oil on canvas, 34.5cm by 54cm

Exhibited: Royal Academy Summer Exhibition, London, 1963, no. 2

Sold together with a letter from the ar tist to the original purchaser, dated 6th May 1963

£2,000-3,000

572 ✓

John Ridgewell ARCA (1937-2004)

North East coastal town

Oil on canvas, circa 1966, 85.5cm by 111cm

Provenance: Austen Hayes Galler y, York

£700-1,000

573 ✓

Piers Browne (b.1949)

“September Evening from Scarth Nick, Wensleydale”

Signed and dated (19)80, inscribed verso, oil on board, 29cm by 36.5cm

£200-300

574 ✓

Brian Alderman (b.1954)

‘’When Winter Comes’’

Signed, oil on gesso board, 48.5cm by 68.5cm

Provenance: Bur tersett Galler y, Wensleydale

£300-500

573

572

575 ✓

Brian Alderman (b.1954)

‘’Bleak Outlook, Very Cold Day!”

Signed, oil on gesso board, 29cm by 38.5cm

Provenance: Bur tersett Galler y, Wensleydale

£300-500

576

Jonathan Armigel Wade (b.1960)

“The Border Collie”

Signed, inscribed verso and numbered 2417 with the ar tist’s numbering system, oil on board, 45cm by 72cm

£1,000-1,500

577 ✓

Pam Carter, PA, PAI (1952-2022)

“Snowbound”

Signed, oil on canvas, 43.5cm by 52.5cm

£600-800

577

576

575

578 ✓

Alfred Francis Stockham ARCA, RWA (1933-2020)

“Red Sail”

Signed, inscribed verso and dated (19)95, oil on board, 14cm by 19cm

£300-500

579

Simon Palmer (b.1956)

“Sandy Flat Plantations”

Signed, mixed media, 72cm by 61.5cm

Exhibited: Por tland Galler y, London, “Recent Paintings” 2023, no. 27

£3,000-5,000

578

579

580

Simon Palmer (b.1956)

“From Cocked Hall Farm”

Signed, mixed media, 78.5cm by 66.5cm

Exhibited: Por tland Galler y, London, “Recent Paintings” 2023, no. 29

£3,000-5,000 580

581 ✓

Donald Hamilton Fraser RA (1929-2009)

Early Morning Jetty

Signed, acr ylic on paper, 40cm by 40cm

£4,000-6,000

£4,000-6,000

582 ✓

Donald Hamilton Fraser RA (1929-2009)

Spinnaker in full sail

Signed, mixed media, 54cm by 39.5cm

Lots 583-618 are the first installment of works from the Estate of Pat Maclaurin (1933-2022)

Pat was born in New Zealand and studied at the Canterbur y School of Ar t. For some years her children’s needs and those of her husband’s medical practice forced a career break, but in 1973 the family moved to south west London and Pat was able to resume and develop her par ticular interests in figurative and por trait painting.

Initially, she got her hand and eye back in at Richmond Adult College, under the tutelage and friendship of Cecil H Bir twhistle (1910-1990), and was soon exhibiting at the local Richmond Ar t Society. During the 1980s, with both her daughters dancing in professional companies, Pat developed a real flair for capturing dancing figures (see lots 590 and 591), and held solo exhibitions at Sadler ’s Wells Theatre, Lyric Theatre in Hammersmith, and at Richmond Antiquar y. She also began a lifelong close friendship with fellow ar tist Salliann Putman (b.1937).

During the 1990s and 2000s Pat regularly exhibited at the following exhibitions, winning prizes at the Pastel Society and Royal Institute of Oil Painters: Royal Academy Summer Exhibitions, Royal Society of Por trait Painters, New English Ar t Club, Pastel Society, Royal Institute of Oil Painters and Society of Women Ar tists

The par ticipation in these exhibitions led to Pat’s friendships with ar tists including Diana Armfield (b.1920) and Bernard Dunstan (1920-2017) and Mar y Jackson (b.1946) (see lots 606-607) and her husband Tom Coates (1941-2023) (see lots 595-605), who became a par ticular friend and mentor. A special highlight of these years was a group painting trip to Egypt in 1993, led by Tom Coates (see lots 604-605). The subsequent ver y successful group exhibition was held the following year at the Mall Galleries.

During these years Pat attended many shor t courses, travelling regularly to places like Holt and Devon and working under ar tists like Peter Brown (b.1967) (see lots 608 -609). She was also inspired by her regular trips to southern France where her daughter Gilly had a house. For a shor t period in the early (19)90s Pat reduced her signature to her initials WPM, but by about the mid 90s she rever ted to Maclaurin to sign off her works. Her works were selling through the following commercial galleries: Llewellyn Alexander Galler y, Wykeham Galler y, Stockbridge, Oliver Swann Galler y, Hyde Park Galler y, Whibley Galley, Wor thing, Barnes Galler y and Russell Galler y.

In her later years Pat was encouraged in her work by Jason Bowyer until his untimely death in 2019 and by a group of friends led by Salliann Putman. She continued to visit Diana Armfield at her studio in Kew until the last few months of her life.

583 ✓

Pat Maclaurin (1933-2022)

Sunrise Oil on board, 11cm by 16cm

This work has been verified by the ar tist’s daughter £100-150

584 ✓

Pat Maclaurin (1933-2022)

“Camargue Ponies”

Signed, pastel, 25cm by 48cm £80-120

585 ✓

Pat Maclaurin (1933-2022)

“Bull Run in Soubes”

Signed, pastel, 38cm by 28cm

£150-250

586 ✓

Pat Maclaurin (1933-2022)

“Sailing School near Chamonix’’

Signed, oil on board, 22.5cm by 33.5cm

£100-150

587 ✓

Pat Maclaurin (1933-2022)

Blossom

Signed, oil on board, 29.5cm by 29cm

£100-150

586

585

589 ✓

Pat Maclaurin (1933-2022)

“The Little Brass Jug”

Signed, oil on board, 14cm by 19.5cm

£100-200

588 ✓

Pat Maclaurin (1933-2022)

Geranium

Signed, oil on board, 22cm by 19cm

£100-200

591 ✓

Pat Maclaurin (1933-2022)

“The Snow Queen, Saddlers Wells Royal Ballet”

Signed, pastel, 44cm by 46.5cm

£120-180

590 ✓

Pat Maclaurin (1933-2022)

“Helping Hand”

Signed, oil on board, 23.5cm by 26cm

£150-200

588

589

590

591

592 ✓

Pat Maclaurin (1933-2022)

“The Guilders Workshop”z

Signed, pastel, 41cm by 58cm

£120-180

593 ✓

Pat Maclaurin (1933-2022)

“On the Bed”

Signed, oil on board, 25cm by 30cm

Exhibited: Ar t For Youth, London

£120-180

594 ✓

Pat Maclaurin (1933-2022)

Crouching nude

Signed, mixed media, 16.5cm by 19cm

£70-100

593

592

Tom Coates NEAC (1941-2023)

During his education and career, Tom Coates won many prizes and scholarships as well as exhibiting widely in London and beyond. He was past president of RBA and PS, and a member of NEAC, RP and RWS. Using a variety of different tools and working in watercolour, oil and pastel, he had a loose and spontaneous technique driven by instinct.

595 ✓

Tom Coates NEAC (1941-2023)

“Ironing Room”

Initialled, pastel, 17.5cm by 24.5cm

Exhibited: Medical Ar t Society 72nd Exhibition, London

£100-150

596 ✓

Tom Coates NEAC (1941-2023)

“Waters Over the Molo”

Initialled, oil on board, 17cm by 19cm

Exhibited: New Grafton Galler y, London, 4.3.93, no. 33

£300-500

597 ✓

Tom Coates NEAC (1941-2023)

Figures in St Mark’s Square, Venice

Initialled, oil on board, 12cm by 17cm

£200-400

597

596

595

598 ✓

Tom Coates NEAC (1941-2023)

“Art Supplies”

Initialled, oil on board, 24.5cm by 29.5cm

£300-500

600 ✓

Tom Coates NEAC (1941-2023)

“During Rehearsals at the Lexington Philharmonic”

Initialled, inscribed verso, oil on board, 29cm by 24cm

£250-400

599 ✓

Tom Coates NEAC (1941-2023)

“Artist at the River, Bretenaux”

Initialled, oil on board, 19cm by 19.5cm

£200-300

601 ✓

Tom Coates NEAC (1941-2023)

Flamenco Evening

Initialled, oil on board, 26.5cm by 32cm

£400-600

602 ✓

Tom Coates NEAC (1941-2023)

Artist in a studio

Initialled, oil on board, 19cm by 24cm

£300-500

604 ✓

Tom Coates NEAC (1941-2023)

“The Fruit Seller, Egypt” Initialled, inscribed verso, watercolour, 45cm by 39.5cm

£200-300

603 ✓

Tom Coates NEAC (1941-2023)

An artist painting an elderly lady Initialled, oil on canvas, 60cm by 90cm

£400-600

605 ✓

Tom Coates NEAC (1941-2023) Egypt (1993) Initialled, oil on canvas, 39cm by 49cm

£300-500

606 ✓

Mary Jackson RWS, NEAC (b.1946)

Lady reading on a beach

Signed, watercolour, 16cm by 25cm

£100-150

608 ✓

607 606 609 608

Peter Brown NEAC (b,1967)

“The Archway, Somerset House”

Signed and dated (20)06, pencil, 45cm by 25cm

£200-300

607 ✓

Mary Jackson RWS, NEAC (b.1946)

“Anemones in my Garden”

Signed, oil on board, 33cm by 15cm

Exhibited: The Russell Galler y, London, April 2007

£150-250

609 ✓

Peter Brown NEAC (b,1967)

Hallway

Signed and dated (19)98, oil on board, 30.5cm by 20.5cm

£150-200

610 ✓

Ken Howard OBE, RA, RBA, NEAC (1932-2022)

Figures on a continental street

Signed, watercolour, 23cm by 13cm

£300-600

611 ✓

Ken Howard OBE, RA, RBA, NEAC (1932-2022)

Sail boats in a harbour

Signed, oil on canvas, 29.5cm by 24cm

Provenance: Ackermann & Johnson, London

£1,500-2,500

612 ✓

Fred Cuming RA (1930-2022)

“Bathers Arachon III”

Signed, inscribed verso, oil on board, 11.5cm by 42cm

£1,000-1,500

Richard Pikesley RWS, PPNEAC (b.1951)

Richard Pikesley regularly contributes to mixed exhibitions both in the UK and overseas and has also written a book on landscape painting in a series edited by Ken Howard. He has said that painting for him is always an ongoing conversation between his eye and hand, and that he sees the world “in paint”.

613 ✓

Richard Pikesley RWS, PPNEAC (b.1951)

“Against the Light, Weymouth”

Signed, inscribed verso, oil on board, 24.5cm by 60cm

£400-600

614 ✓

Richard Pikesley RWS, PPNEAC (b.1951)

“Paddling, Lyme Regis”

Signed, oil on board, 12cm by 39cm

£200-300

615 ✓

Richard Pikesley RWS, PPNEAC (b.1951)

“Evening Conversation, Venice”

Signed, inscribed verso, oil on board, 12cm by 29cm

Provenance: Alresford Galler y, Hampshire

£300-500

615

614

613

616 ✓

Richard Pikesley RWS, PPNEAC (b.1951)

“Salute and Vaporetto Stop”

Signed, oil on board, 22cm by 29cm

Provenance: New Grafton Galler y, London

£250-400

617 ✓

Richard Pikesley RWS, PPNEAC (b.1951)

“Rain at Hengistbury”

Signed, oil on board, 12cm by 29cm

£200-300

618 ✓

John Blockley RI, PPPS, RWA, NEAC (1921-2002)

Landscape

Watercolour, together with another, 10cm by 19cm (2) (unframed)

£100-200

619 ✓

Charlie Mackesy (b.1962)

Beach Fun

Signed and dated (19)87, watercolour, 24.5cm by 34cm

£700-1,000

620 ✓

Charlie Mackesy (b.1962)

Sunbather

Signed, watercolour, 16,5cm by 18.5cm

£400-600

621 ✓

Charlie Mackesy (b.1962)

Beach tennis

Signed and dated (19)87, watercolour, 24cm by 34cm

£800-1,200

619

622 ✓

Sydney Harpley RA (1927-1992)

“Girl on a Swing” (1978)

Signed and numbered 1/6, bronze on a slate base, 180cm high

Literature: “Royal Academy Illustrated”, London, 1978, p. 61

Exhibited: Royal Academy, Summer Exhibition, London,1978, no 981, won the Visitor ’s Prize

Born in London in 1927, Sydney Harpley was a British sculptor known for his depictions of the solitar y female form. Following National Ser vice, he studied sculpture at Hammersmith School of Ar t from 1950-1953, before fur thering his studies at the Royal College of Ar t under sculptor John Skeaping until 1956. During this time, he exhibited in the Young Contemporaries and the Summer Exhibition at the Royal Academy, the beginning of his long career exhibiting nationally and internationally. He was made a Royal Academician in 1981.

Since his early days at ar t college, it was the female form which intrigued Harpley the most as a sculptor, heavily influenced by Edgar Degas. Throughout his career he returned again and again to the solitar y female, be it in the guise of a dancer, an acrobat or a girl on a swing. His bronzes can be found in many collections worldwide.

£10,000-15,000

623 ✓

Joash Woodrow (1926-2006)

“Woman with a Striped Neck” c.1970 Oil on sackcloth, 106cm by 72cm

Provenance: 108 Fine Ar t, Harrogate

Literature: “Joash Woodrow Portraits” 108 Fine Ar t Harrogate, in association with the Joash Woodrow Association, p. 135

£3,000-5,000

623

624 ✓

Philip Naviasky (1894-1983)

Portrait of a young girl, head and shoulders, wearing a blue shirt

Signed, oil on board, 51cm by 40.5cm (unframed)

£400-600

625 ✓

Philip Naviasky (1894-1983)

“Jeannette”

Signed, oil on board, 45cm by 36cm

Exhibited: Yorkshire Ar tist’s Exhibition, 1949, no. 39A

£700-1,000

626 ✓

Philip Naviasky (1894-1983)

‘’A Jug of Spring Flowers’’

Signed, oil on board, 50cm by 39cm

£400-600

627 ✓

Peter Kuhfeld (b.1952)

Still life of assorted glass and silverware on a wooden table

Signed, oil on canvas, 57cm by 126cm

£400-600

628 ✓

Marcel Dyf (1899-1985)

“Summer’s Beauty”

Signed, oil on canvas, 54cm by 45cm

Provenance: E Stacy-Marks Ltd, Eastbourne

£3,000-5,000

628

627

629 ✓

Antoine Blanchard (1910-1988) French

“Notre Dame from the Place Saint Michel, Paris” Signed, inscribed and stamped verso with the ar tist’s inventor y number AB26, 31.5cm by 45cm

Provenance: Christie’s, London, “19th Century European Pictures” 13th September 2006, lot 67

£1,500-2,500

629

630 ✓

Sir William Russell Flint RA, PRWS (1880-1969) Scottish “Le buffet d’eau, Versailles”

Signed, watercolour, 54.5cm by 38cm

£800-1,200

631 ✓

Sir William Russell Flint RA, PRWS (1880-1969) Scottish “The Terrace, Versailles” Signed, watercolour, 54cm by 38cm

Exhibited: Sir William Russell Flint Exhibition, Royal Academy of Ar ts, London, 1962, no. 23

£1,000-1,500

632 ✓

David Shepherd CBE, FRSA, FGRA (1931-2017)

The Curio Shop

Signed and dated (19)55, oil on canvas, 29.5cm by 39.5cm

£1,000-2,000

633 ✓

David Shepherd CBE, FRSA, FGRA (1931-2017)

Thatched Cottages

Signed and dated (19)55, oil on canvas, 40cm by 50cm

£1,000-2,000

634 ✓

David Shepherd CBE, FRSA, FGRA (1931-2017)

Shepherd Street, Mayfair

Signed, oil on canvas, 45cm by 34.5cm

£2,000-3,000

635 ✓

David Shepherd CBE, FRSA, FGRA (1931-2017)

Bat Eared Fox (1991)

Signed, oil on board, 10.5cm by 15.5cm

Provenance: The Tr yon Galler y Ltd, London

£3,000-5,000

✓

Elephant Signed and dated (20)02, oil on canvas, 14cm by 14cm

£4,000-6,000

636

David Shepherd CBE, FRSA, FGRA (1931-2017)

636

637

Attributed to Theresia van der Pant (1924-2013) Dutch Lion Bronze, 15cm high

£300-500

638 ✓

Theresia van der Pant (1924-2013) Dutch “Phoenix” (1987) Bronze, 50cm high

Literature: “Theresia van der Pant Sculptress” by Beeldhauser, 1989, Amsterdam, p.50, no.105

Sold together a copy of the above catalogue

£400-600

638

637

639 ✓

Theresia van der Pant (1924-2013) Dutch “Fish III” (1988)

Bronze, 42.5cm long

Literature: “Theresia van der Pant Sculptress” by Beeldhauser, 1989, Amsterdam, p.25, no.109 £200-300

640

Darren Yeadon (b.1970) “Big Fish”

Signed, Carrara marble, 44cm high £500-700

641

Darren Yeadon (b.1970)

“Little Fish”

Signed, Carrara marble, 23cm high

£300-500

642

Darren Yeadon (b.1970) “Ammonite”

Signed, Bianco marble, 15cm high

£250-400

✓

Sir Quentin Blake CH, CBE, FRSL, FCSD, RDI (b.1932)

“Fish” 2021

Signed, pen, ink and watercolour, 29cm by 28cm (unframed)

Provenance: Hastings Contemporar y

Sold together with the original receipt £800-1,200

643

644 ✓

Mark Hearld (b.1974)

The artist’s dog

Signed and dated (20)12, numbered 58/75, linocut, 55cm by 54cm

Provenance: York Open Studios

£150-250

645 ✓

Mark Hearld (b.1974) “Pisanello’s Hare”

Signed and dated (20)08, ar tist’s proof, lithograph, 54cm by 74cm

Provenance: York Open Studios

£200-300

646 ✓

Sarah Raphael Balme (Contemporary)

Groombridge Place

Signed, oil on board, 39cm by 49cm

This painting was inspired by the 1982 film “The Draughtsman’s Contract”

£300-500

647 ✓

Sarah Raphael Balme (Contemporary)

The artist’s daughter seated on a green couch with her dog

Initialled, oil on board, 31cm by 45.5cm

£250-400

648 ✓

Sarah Raphael Balme (Contemporary)

The General and his dog

Signed, oil on board, 24cm by 24cm

£250-400

648

647

646

649 ✓

Sarah Raphael Balme (Contemporary)

The artist’s dog seated in a red gilt chair

Signed, oil on board, 21.5cm by 21.5cm

£200-300

650 ✓

Sarah Raphael Balme (Contemporary)

The artist’s dog

Initialled, oil on canvas laid onto board, 28.5cm by 41cm

£200-300

651

651 ✓

Ronald Brooks Kitaj (1932 - 2007)

“Truman in the White House” (1966)

Signed and numbered 68/70, screenprint, 59cm by 82cm

£200-300

652 ✓

Trevor Winkfield (b.1944)

‘’Lamp’’

Signed, inscribed and dated (19)75 verso, acr ylic on board, 61cm by 28cm (unframed)

Provenance: This work was gifted to the vendor in 1985, the vendor ’s parents are related to the ar tist.

£250-400

653 ✓

Arthur Mitson (20th Century)

“Shadow of War”

Signed, inscribed verso and dated 1940, mixed media, together with an abstract collage by Mario Huber t Armengol (1909-1995), 28cm by 35.5cm and 18cm by 24cm respectively (2)

£150-200

653

652

654 ✓

Edward Rogers (1911-1994)

Abstract Still Life

Signed and dated 14/8/1951, mixed media, 21.5cm by 12.3cm

£200-300

655 ✓

Alexander Mackenzie (1923-2002)

“Red Serpentine”

Signed verso, inscribed and dated 1961, oil on board, 49cm by 23.5cm

Provenance: Directly from the ar tist and thence by descent

£2,000-3,000

✓

Tom Wood (b.1955)

A wren before a greenhouse

Initialled, mixed media, 27.5cm by 18.5cm

Provenance: Lottie Inch Galler y, York

£120-180

656 ✓

Anthony Whishaw RA (b.1930)

“Painting King and Queen”

Signed and dated (19)84/5, acr ylic and collage on paper, 55cm by 75cm

Exhibited: “Exhibition of Works by Anthony Whishaw ARA” Royal Academy, London, 16th September14th October 1987

Sold together with the original invoice, a copy of Anthony Whishaw “Recent Paintings 1986-1990”, London, Anthony Whishaw “Paintings and Works of Paper 1986-1992”, Bristol and various invitations

£250-400

658 ✓

Desmond Morris FLS (b.1921)

Abstract

Initialled and dated (20)01, gouache, 29.5cm by 21cm

£600-800

656

657

658

657

659 ✓

Dame Elisabeth Frink CH, RA (British 1930-1993) ‘’The Merchant’s Tale’’ (1972)

Signed, inscribed and numbered 25/50, etching from “The Canterbury Tales II”, 78.5cm by 57cm

£200-300 659

660

660 ✓

After Salvador Dali (1904-1989) Spanish “Dulcinée”

Signed and numbered 138/145, lithograph, 60cm by 42.5cm

Provenance: The Mark Galler y, June 1972

The Estate of David George Fawcett ATD, FRSA (1935-1973)

Thence by descent

£300-500

661 ✓

Victor Vasarely (1906-1997) Hungarian/French

“Parmenide” (1979)

Signed and numbered 78/90, screenprint, 73.5cm by 53cm

£400-600

663 ✓

John Hoyland (1934-2011)

Untitled

Signed and dated 1993, acr ylic on paper, 96cm by 76.5cm

£1,500-2,500

662 ✓

Sandra Blow RA (1925-2006) “Crystal Glazing”

Signed, inscribed and number 8/175, screenprint, 65.5cm by 63cm

£300-500

664 ✓

Alan Davie (1920-2014) Scottish “To a Celtic Spirit II”

Signed and dated 2001, inscribed publisher ’s proof 1/3, screenprint, 56.5cm by 80cm

£200-300

665 ✓

Anthony Frost (b.1951) “Neon Burn”

Signed and inscribed verso, acr ylic and collage on canvas, 15.5cm by 18.5cm

£300-500

664

666 ✓

Sir Eduardo Paolozzi CBE, RA (1924-2005)

Study for Camera 1980

Bronze, from an edition of 3, 6cm by 27cm

Camera was installed outside the European Patent Office in Munich in May 1980

£1,000-1,500

667 ✓

Billy Childish (b.1959)

“Sailish Fisherman” (2020)

Initialled and dated (20)20, numbered 62/75, lithograph and screenprint, 88cm by 72cm

£700-1,000

668

Bob Dylan (b.1941) American “Golden Gate Bridge” (2023)

Signed and numbered 36/295, giclee print from “The Beaten Path” 49cm by 65cm

Sold together with the Washington Green Fine Ar t cer tificate of authenticity

£800-1,200

669

Bob Dylan (b.1941) American “Train at Sunset” (2023)

Signed and numbered 36/295, giclee print from “The Beaten Path” 49cm by 65.5cm

Provenance: Sold together with the Washington Green Fine Ar t cer tificate of authenticity

£800-1,200

670

Bob Dylan (b.1941) American “Pink Motel” (2023)

Signed and numbered 36/295, giclee print from “The Beaten Path” 49cm by 65.5cm

Provenance: Sold together with the Washington Green Fine Ar t cer tificate of authenticity

£700-1,000

668

671

Bob Dylan (b.1941) American “Terminal Bar” (2023)

Signed and number 253/295, giclee print from “The Beaten Path” 49cm by 66cm

Sold together with the Washington Green Fine Ar t cer tificate of authenticity

£700-1,000

672

Bob Dylan (b.1941) American “Hideaway Woman” (2023)

Signed and number 184/295, giclee print from “Deep Focus”, 101cm by 79cm

Sold together with the Washington Fine Ar t Green cer tificate of authenticity

£1,000-1,500

673 ✓

Johnny Depp (b.1963) American

Signed and numbered 2084, silkscreen, 81cm by 79cm

Sold together with the Washington Green Fine Ar t cer tificate of authenticity

£1,000-1,500

“Five”

673

674 ✓

Nina Saunders (Contemporary)

“Tea With Andy”

Signed and dated 2019, numbered 2/10, screenprint, 114cm by 150cm

This print is taken from an original photograph commissioned by The Sunday Times, depicting Andy Warhol at the Ritz Hotel in London, in the mid 1970s

£300-500

675

Bradley Theodore (b.1990) American “Eternal Queen” (Cobalt Blue) (2022)

Signed, etching and six layers of relief printing, from an edition of 50, 83.5cm by 80cm

£500-700

674

676

676 ✓

Damien Hirst (b.1965)

“Theodora H10-3” (Empresses) (2022)

Signed and numbered to label, laminated giclee print on aluminium composite, screen printed with glitter, 100cm by 100cm

Provenance: Heni Editions, London

£800-1,200

677 ✓

Sir Michael Craig-Martin CBE, RA (b.1941) Irish

“Domesticated Nature, Fruit” (2022)

Signed and dated verso, from an edition of 35, screenprint, 84cm by 71cm

Provenance: Cristea Rober ts Galler y, London

£500-700

678 ✓

Sir Michael Craig-Martin CBE, RA (b.1941) Irish

“Domesticated Nature, Vegetables” (2022)

Signed and dated verso, from an edition of 35, screenprint, 84cm by 71cm

Provenance: Cristea Rober ts Galler y, London

£500-700

677

678

679

Faile (est 1999) American “Hits and Crashes” (2007)

Stamped verso and dated Oct 16 2007, numbered 49/90, screenprint, 72cm by 50cm

£200-300

680 ✓

Dolk (b.1979) Norwegian “Vandel”

Signed and numbered 129/300, screenprint, 65cm by 64.5cm (unframed)

Provenance: Hand Made Posters, Denmark £800-1,200

679

681 ✓

Banksy (b.1974)

“Soup Cans” (2006)

Offset lithograph in colours, 84cm by 60cm (unframed)

Provenance: Pictures on Walls, London

£700-1,000

682 ✓

Tracey Emin CBE, RA (b.1963)

“Go Forward”

Signed and dated 2013, inscribed and numbered 125/200, etching, 37cm by 35cm

Provenance: Royal Academy Summer Exhibition, London

£500-700

681

683 ✓

Bob & Roberta Smith (b.1963)

“Interview”

Signed, inscribed and numbered 3/50, screenprint, 77cm by 59cm

Provenance: Royal Academy Summer Exhibition, London

£100-150

Si

“100%

China plate, with ar tist’s seal printed to base, produced for York Ar t

£150-250

“100%

China plate, with ar tist’s seal printed to base, produced for York Ar t Galler y, 22cm (dia)

£150-250

684 ✓

Sir Grayson Perry CBE, RA, Hon FRIBA (b.1960)

ART PLATE”

Galler y, 22cm (dia)

685 ✓

r Grayson Perry CBE, RA, Hon FRIBA (b.1960)

ART PLATE”

685

684

683

Signed and numbered 8/90, photoengraving and embossing, 29cm by 40cm

Provenance: Yorkshire Sculpture Park, Wakefield £300-500

686 ✓ Jaume Plensa (b.1955) Spanish

“Dreaming”

686

687 ✓

David Shrigley OBE (b.1968)

“He Will Only Eat Squid Ink Pasta”

Offset lithographic poster, together with a fur ther three examples by the same hand, to include “Fish Says...”, “Some of My Best Friends Are Pigs...” and “I Will Not Fight...”, 80cm by 60cm (4) (unframed)

£200-300

688 ✓

David Shrigley OBE (b.1968)

“Life Is Very Good...”

Offset lithographic poster, together with a fur ther three examples by the same hand, to include “I Did Not Ask To Be A Bird”, “Sorry For Being Annoying” and “People Expect So Much From Me”, 80cm by 60cm (4) (unframed)

£200-300

687

689 ✓

The Connor Brothers (b.1968)

“Those We Call Insane” (2018)

Signed, signed to label verso, hand painted vintage paperback with silkscreen, edition of 2 plus 2 ar tist’s proofs, #2/2, 27cm by 20.5cm

£400-600

690 ✓

The Connor Brothers (b.1968)

“Some People Bring Happiness” (2018)

Signed, signed to label verso, hand painted vintage paperback with silkscreen, edition of 2 plus 2 ar tist’s proofs, #2/2, 27cm by 20.5cm

£400-600

691 ✓

The Connor Brothers (b.1968)

“It Never Got Weird Enough For Me” (2018)

Signed, signed to label verso, hand painted vintage paperback with silkscreen, edition of 2 plus 2 ar tist’s proofs, A/P 1/2, 27cm by 20.5cm

£400-600

690 (par t)

691

689 (par t)

692 ✓

The Connor Brothers (b.1968)

“Fiction is a Lie” (2018)

Signed, signed to label verso, hand painted vintage paperback with silkscreen, edition of 2 plus 2 ar tist’s proofs, A/P 1/2, 27cm by 20.5cm

£400-600

693 ✓

The Connor Brothers (b.1968)

“Why Fit In When You Were Born To Stand Out?”

Signed and dated (20)19, A/P, giclee and silkscreen, 41cm by 25.5cm

£400-600

693

692

694

Yoshitomo Nara (b.1959) Japanese “Drumming Girls 123” (2020)

PVC, each encased in the original box with the cer tificate of authenticity, 15cm high (3)

£200-300

£150-250 694

695 ✓

Tim Fishlock (b.1973)

“Supremely Fucking Bored”

Signed and numbered 4/15, silkscreen, 59cm by 59cm

SATURDAY 13 JULY 2024

Sir Alfred Munnings KCVO, PRA, RI (1878-1959)

"Lord Astor on shooting stick with horses"

Signed (twice), indistinctly inscribed verso, oil on board, 30cm by 50cm

£80,000-100,000

Alice Milverton alice.milver ton@tennants-ltd.co.uk 019669 623780 www.tennants.co.uk For fur ther information please contact:

BUYERS’ INFORMATION

Buyer ’s Premium

A Buyer ’s Premium of 24% on the first £999,999 of the Hammer Price and 22% on the amount thereafter, plus VAT, is payable on each lot.

Condition Reports

We are happy to provide Condition Repor ts to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. A Condition Repor t is an honest expression of our opinion, not a statement of fact and is provided as a ser vice to the Seller. We accept no liability for the opinions expressed in any Condition Repor t.

Caveat Emptor

The principle of caveat emptor applies to the sale of all goods sold at auction by us. Fur thermore, we have no control over the condition of any item offered for sale.

Additional Images

Requests for additional images of items in the sale can made up to 48 hours before the Day of Sale.

Online Bidding

We offer an online bidding ser vice via our own platform - Tennants Live Bidding at www.tennants.co.uk. Items purchased via this platform will be subject to an additional 1.5% commission charge plus VAT at the prevailing rate. We also offer online bidding via www.the-saleroom.com for prospective buyers who cannot attend the sale. Items bought via this platform will be subject to an additional 4.95% commission charge plus VAT.

By completing registration on www.the-saleroom.com and providing your credit/bank card details and unless alternative arrangements are agreed with us, you;

(a) authorise Tennants, if they so wish, to charge the credit/bank card given in par t of full payment, including all fees, for items successfully purchased in the auction via www.the-saleroom.com; and

(b) confirm that you are authorised to provide these credit/bank details to Tennants through www.the-saleroom.com and agree that Tennants are entitled to permit the shipping of the goods to the card holder and card holder address provided in fulfilment of the sale.

We do not accept any liability for any losses, however arising, as a result of a prospective buyer ’s use of www.the-saleroom.com. Use of www.the-saleroom.com is subject to separate terms and conditions which do not form par t of these conditions.

Telephone Bidding

Requests for telephone bidding must be registered at least one hour prior to the close of the View Day. We will not accept requests on the Day of Sale. Telephone Lines are booked on a first-come, first-ser ved basis and are subject to a minimum lot value of £500 for Fine Ar t Sales and £200 for all other sales.

Absentee Bidding

Whilst reasonable endeavours will be made to execute absentee bidding up to the Day of Sale, Tennants will not be liable for any default or neglect in connection with this ser vice. All such arrangements therefore are made entirely at the Prospective Buyer ’s risk.

VAT

Value added tax or any equivalent tax chargeable in the UK or elsewhere.

AML Due Diligence

We conduct appropriate Due Diligence checks to comply with current Anti Money Laundering regulations for any buyer exceeding the threshold of £6,000. We reser ve the right to withhold the purchased lots until such checks have been completed.

Agency

We act as agents for the Seller, whose details remain confidential. If you buy at auction your contract is with the Seller, not us.

Picture Descriptions

The forename(s) (or asterisks where not known) and surname of the ar tist indicates, in our opinion, a work by the ar tist named.

The initials of the forename(s) and the surname of the ar tist indicates in our opinion a work of the period of the ar tist which may be wholly or in par t his work.

The following terms apply in our determination of a picture description:

(a) “Attributed to” - is in our opinion probably a work by the ar tist.

(b) “Studio of” - is in our opinion a work from the studio of the ar tist which may or may not have been executed under his direction

(c) “Circle of” - is in our opinion a work of the period of the ar tist executed under his immediate influence.

(d) “Follower of” - is in our opinion a work by a painter working in the ar tist’s style, contemporar y or nearly contemporar y, but not necessarily his pupil.

(e) “Manner of” - is in our opinion a work in a style related to that of the ar tist, but of a later date.

(f) “School accompanied by the name of a place or countr y and a date” - means that in our opinion the picture was executed at that time and in that location; e.g. Flemish School, 17th centur y.

(g) “After ” - an ar tist is in our opinion a copy of any date after a work by that ar tist.

(h) “Signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription” - are from the hand of the ar tist.

(i) “Bears signature and/or dated and or inscription means that in our opinion the ar tist’s name and/or date and/or inscription” - have been added by another hand.

(j) All references to signature, inscriptions and dates refer to the present state of the work.

(k) Dimensions are given height before width and do not include the frame

(l) Pictures are framed unless other wise stated.

Droit de Suite/ Artists’ Resale Rights

All items in this catalogue that are marked with “✓” are potentially qualifying items, and the royalty charge (set out below) will apply if the Hammer Price is more than the UK sterling equivalent of £1,000. The royalty charge will be added to purchase invoices, and must be paid before items can be cleared. All royalty charges are paid to either the Design and Artists Copyright Society (“DACS”) or the Artists’ Collecting Society (“ACS”) by the auctioneers, and no handling costs or additional fees with respect to these changes will be retained by the auctioneer

From 14 Februar y 2006 United Kingdom ar t market professionals (which includes auctioneers) are required to collect a royalty payment for all works of ar t that have been produced by living ar tists, and those who have died within the last 70 years. This payment is calculated on qualifying works of ar t which are sold for a Hammer Price of more than a £1,000

The royalty charge for qualifying items which achieve a Hammer Price of more than the UK sterling equivalent of £1,000 is as follows:

Up to £50,000 – 4%

£50,000.01 to £200,000 – 3%

£200,000.01 to £350,000 – 1%

£350,000.01 to £500,000 – 0.5%

Exceeding £500,000 – 0.25%

For fur ther information please visit www.dacs.org.uk or www.ar tistscollectingsociety.org. There is no VAT payable on this royalty charge.

Method of Payment

Payment is accepted online via our website.

Card payments where the card holder is not present will only be accepted for transactions up to £500.

Payment can be made and purchases collected during the auction

All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale.

Collection

All purchases must be collected from our Leyburn offices, unless stated other wise, within seven days of the Sale (Monday to Friday 8.30am to 5.00pm).

Despatch/Delivery

Buyers may appoint their own shippers or use one of our preferred suppliers for all UK deliveries and international shipping. Their contact details are as follows:

Bradleys Antique Packing Ser vices Ltd 01325 281332 info@antiquepacking.co.uk

Carrs Carriers Ltd 01423 297088 01913 077024 07958 023028 carrscarriersltd@gmail.com

Mailboxes Etc 0113 242 8715 info@mbeleedscity.co.uk

In-House Shipping

For cer tain lots, we offer a packing and shipping ser vice up to a total value of £5,000 (inclusive of buyer ’s premium, VAT and any other associated charges). Prices star t from £25 depending on the size and destination. Please note, we are unable to post items of a fragile nature. Items are fully insured and can be tracked from dispatch to deliver y.

To obtain a quote for packing and shipping, please email shipping@tennants-ltd.co.uk or call 01969 623780. You will need to have paid your invoice in full, including deliver y, before items are dispatched.

For full Terms of Business please refer to www.tennants.co.uk

NEXT MODERN & CONTEMPORARY ART SALE

5 OCTOBER 2024

2024 AUCTION DATES

Wednesday 5 June

Stamps & Postal History

Friday 7 June

Antiques & Interiors including Designer Fashion

Saturday 15 June

20th Century Design

Modern & Contemporary Art

Friday 21 June

Antiques & Interiors including Beswick & Border Fine Arts

Wednesday 26 June

Militaria & Ethnographica

Friday 5 July

Antiques & Interiors

Saturday 13 July

Summer Sale

British, European & Sporting Art

Fine Jewellery, Watches & Silver

Summer Transport

Friday 19 July

Antiques & Interiors

Wednesday 24 July

Toys & Models, Sporting & Fishing

The Auction Centre, Leyburn North Yorkshire DL8 5SG 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk