20th Century Design

20TH CENTURY DESIGN

SATURDAY 28 FEBRUARY 2026

ALSO SELLING TODAY:

MODERN & CONTEMPORARY ART

SATURDAY 28 FEBRUARY 2026 9.30AM

SATURDAY 28 FEBRUARY 2026 AT 9.30AM

AUCTION

The Auction Centre, Leyburn North Yorkshire DL8 5SG

VIEWING

Thursday 26 February 10.00am to 4.00pm Friday 27 February 10.00am to 4.00pm Morning of Sale from 8.00am

Live bidding is available on this sale by registering at www.tennants.co.uk All lots illustrated online at www.tennants.co.uk

CONTACT

Telephone: 01969 623780

enquiry@tennants-ltd.co.uk www.tennants.co.uk

FRONT Lot 33 BACK COVER Lot 289

20TH CENTURY DESIGN DEPARTMENT

Encompassing studio ceramics, ceramics, glass, metalwork, sculpture, furniture and furnishings from all the major design movements in the applied arts from 1860 to the present day. Periods of collecting include Arts & Crafts, Aesthetic Movement, Art Nouveau, Ar t Deco, Modernist, Post-War Design and Contemporary Design amongst others, through designers such as William Morris, Martin Brothers, William Moorcroft, Christopher Dresser, Liberty & Co, Lucie Rie, William De Morgan, Ferdinand Preiss, René Lalique, Émile Gallé, Archibald Knox and the Cotswold School. Mouseman and Yorkshire Critters

MOUSEMAN AND THE YORKSHIRE CRITTERS

Tennants is widely regarded as the leading auction house in the Arts & Crafts oak furniture and furnishings of Robert ‘Mouseman’ Thompson. In 2016 Tennants staged the first ever exhibition of Robert ‘Mouseman’ Thompson outside Kilburn in conjunction with his descendants. The Yorkshire Critters comprise over forty furniture makers working in the tradition of Robert ‘Mouseman’ Thompson, many of whom trained in his Kilburn workshop. Increasingly popular, the most well-known of them include Stan ‘Woodpeckerman’ Dodds, Wilf ‘Squirrelman’ Hutchinson and Colin ‘Beaverman’ Almack.

Numerous important private collections of Mouseman have been sold at Tennants over the years, including the Library from Leeds Girls’ High School, the Boardroom from Grattans in Bradford, the contents of St Hilda’s Priory in Whitby, and property from Marco-Pierre White’s Rudloe Arms Hotel in Wiltshire.

YOUR SPECIALIST

Diane Sinnott is both the specialist in charge of the 20th Century Design Department and an experienced General Valuer. Since joining Tennants in 2002, Diane has been responsible for a number of high-profile sales, including the Robert ‘Mouseman’ Thompson Library at Leeds Girls’ High School, the Michael Webb Collection of Studio Ceramics, and the G. Kenneth Whitehead Deer Collection. Diane is considered to be one of the country’s most knowledgeable Robert ‘Mouseman’ Thompson and Yorkshire Critters specialists.

Diane began working in the auction business in 1996 having graduated from the Southampton Institute with a BA (Hons) in Fine Arts Valuation. She is a qualified Member of the Royal Institute of Chartered Surveyors in Chattels, and regularly gives talks on Robert ‘Mouseman’ Thompson and 20th Century Design. Diane has a particular interest and expertise in Arts & Crafts oak furniture, and is a member of the Decorative Arts Society and the Society for the Protection of Ancient Buildings (SPAB).

Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results. Twenty-nine specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace. Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major disciplines, making it one of the UK’s busiest salerooms.

Diane Sinnott BA (Hons) MRICS

1

William Moorcroft (1872-1945): An Early Red Persian Pattern Chalice Vase, in shades of pink, green painted signature and impressed MOORCROFT

BURSLEM ENGLAND 135, 16cm high

£700-1,000

2

William Moorcroft (1872-1945) for James Macintyre: A Florian Ware Yellow Poppy Pattern Vase, circa 1902, in tones of yellow and blue, green painted signature W.Moorcroft and des, brown printed factory marks and red painted M1485, 25cm high

£400-600

4

3

William Moorcroft (1872-1945) for James Macintyre: A Florian Ware Lilac Pattern Vase, circa 1903, in tones of blues, mauve and yellow/green on a blue ground, green painted signature and des, brown printed factory marks and brown painted M1915, 10cm high

£300-400

William Moorcroft (1872-1945) for James Macintyre: A Revived Cornflower or Brown Chrysanthemum Pattern Match Striker, circa 1912-13, green painted W.M monogram, black printed Queens, brown printed factory marks, red painted marks, impressed 260, 7.5cm high (restored)

£150-250

William Moorcroft (1872-1945) for James Macintyre: A Rose Garland Pattern Vase, circa 1907, on a white ground, brown printed factory marks, impressed 286, green painted signature and M2837/2, 15cm high

£70-100

William Moorcroft (1872-1945): A Hazeldene Landscape Pattern Vase, green painted signature and des, 19.5cm high

£800-1,200

William Moorcroft (1872-1945): A Moonlit Blue Landscape Pattern Vase, painted with trees, impressed MOORCROFT MADE IN ENGLAND and blue painted monogram, 12.5cm high

£350-450

William Moorcroft (1872-1945): A Claremont Toadstool Pattern Vase, blue painted monogram, impressed MOORCROFT MADE IN ENGLAND, 7.5cm high

£600-900

9

William Moorcroft (1872-1945): A Late Claremont Toadstool Pattern Vase, on a matt white ground, brown painted signature, impressed factory marks, 32.5cm high

£300-500

10

William Moorcroft (1872-1945): A Miniature Claremont Pattern Pepper Pot, circa 1914, faint impressed factory marks, 6.5cm high

£100-150

11

William Moorcroft (1872-1945): A Big Poppy Pattern Trumpet Vase, circa 1925, on a dark blue ground, impressed MADE IN ENGLAND MOORCROFT, blue painted monogram, 15cm high

£120-180

12

William Moorcroft (1872-1945): A Pansy Pattern Vase, circa 1913-16, in purple, yellow and green on a white ground, impressed MOORCROFT

BURSLEM M22, green painted monogram, 9.5cm high

£100-150

13

William Moorcroft (1872-1945): A Waving Corn Pattern Plate, on a pale green ground, impressed marks POTTER TO H.M THE QUEEN MADE IN ENGLAND and facsimile signature, green painted signature, 26cm diameter

£70-100

14

William Moorcroft (1872-1945): A Pair of Waving Corn Pattern Squat Candlesticks, on a matt blue and ivory ground, impressed marks POTTER TO H.M THE QUEEN MADE IN ENGLAND and facsimile signature, blue painted monogram, 8.5cm high

£150-250

William Moorcroft (1872-1945): A Pansy Pattern Vase, circa 1930s, on a dark blue ground, impressed MOORCROFT MADE IN ENGLAND and 55, green painted signature, 24.5cm high

£150-250

William Moorcroft (1872-1945): A Pansy Pattern Vase, circa 1930s, on a dark blue ground, impressed MOORCROFT MADE IN ENGLAND, blue painted monogram, 18.5cm high

William Moorcroft (1872-1945): A Wisteria Pattern Vase, on a dark blue ground, impressed MOORCROFT MADE IN ENGLAND, blue painted monogram, 18.5cm high (2)

£100-150

17

16 (part)

William Moorcroft (1872-1945): A Pansy Pattern Bowl, circa 1930s, on a dark blue ground, impressed MOORCROFT MADE IN ENGLAND, blue painted monogram, 21cm diameter

£100-150

William Moorcroft (1872-1945): A Pansy Pattern Bowl, circa 1930s, on a dark blue ground, impressed MOORCROFT MADE IN ENGLAND, blue painted monogram, 21cm diameter

William Moorcroft (1872-1945): A Pansy Pattern Cake Plate, circa 1930s, on a dark blue ground, impressed MOORCROFT MADE IN ENGLAND, blue painted monogram, 21.5cm diameter with chrome handle

William Moorcroft (1872-1945): A Pansy Pattern Tray, circa 1930s, on a dark blue ground, impressed MOORCROFT ENGLAND, 27cm wide (restored) (3)

£100-150

19

William Moorcroft (British, 1872-1945): A Flambé Leaf and Berry Pattern Vase, impressed MADE IN ENGLAND POTTER TO H.M THE QUEEN, blue painted monogram and impressed facsimile signature, 24cm high

£300-400

20

William Moorcroft (British, 1872-1945): A Flambé Big Poppy Pattern Vase, impressed MADE IN ENGLAND MOORCROFT, 9cm high

£200-300

21

William Moorcroft (British, 1872-1945): A Flambé Wisteria Pattern Vase, impressed MADE IN ENGLAND, blue painted monogram, 10.5cm high

£200-300

22

William Moorcroft (British, 1872-1945) and Walter Moorcroft (1917-2002): A Flambé Orchid Pattern Vase, impressed MADE IN ENGLAND MOORCROFT, 9cm high

Two Others (3)

£250-350

William Moorcroft (1872-1945): A Flambé Leaf and Grape Pattern Dish Plate, impressed facsimile signature and POTTER TO H.M THE QUEEN, blue painted monogram, 22cm diameter

£100-150

24

William Moorcroft (1872-1945): A Flambé Leaf and Grape Pattern Dish, impressed facsimile signature and POTTER TO H.M THE QUEEN, blue painted monogram, 18.5cm diameter

£100-150

William Moorcroft (1872-1945): A Pomegranate Pattern Baluster Vase, on a blue ground, green painted signature and impressed MOORCROFT BURSLEM ENGLAND M46, 31.5cm high

£300-500

£300-400 26

William Moorcroft (1872-1945): A Pair of Pomegranate Pattern Squat Vases, on blue grounds, blue painted monogram, impressed MOORCROFT MADE IN ENGLAND 32, 8cm high

£100-150

A Moorcroft Pottery Carp Pattern Twin-Handled Vase, designed by Sally Tuffin, painted by Mary Etheridge, introduced in 1990, expanded in 1991, impressed factory marks, bell date code for 1991, painted J Moorcroft S.T.DES, 33cm high

A Modern Moorcroft Isabella Pattern Vase, designed by Sian Leeper, impressed factory marks, signed Sian Leeper and numbered 132/250, 25cm high

A Modern Moorcroft Simeon Red Pattern Ginger Jar and Cover, designed by Philip Gibson, impressed factory marks, 15.5cm high (2)

£150-250

A Modern Moorcroft Panda Family Pattern Vase, 2010, designed by Marie Penkethman, impressed factory marks, painted Marie Penkethman 134, 15cm high

A Modern Moorcroft Moonlit Badgers Pattern Vase, 2016, designed by Vicky Lovatt, impressed factory marks, painted Vicky Lovatt 1/50, stamped RSPB, 19cm high (2)

£150-200 28

A Modern Moorcroft Lily Pattern Vase, designed by Kerry Goowin, impressed factory marks, signed Kerri Goodwin and numbered 13, 16cm high

A Modern Moorcroft Prairie Summer Pattern Vase, designed by Rachel Bishop, impressed factory marks, 20.5cm high (2)

£100-150

A Modern Moorcroft Anna Lily Pattern Twin-Handled Vase, designed by Nicola Slaney, impressed factory marks, 26cm high

A Modern Moorcroft Anna Lily Pattern Squat Vase, designed by Nicola Slaney, impressed factory marks, 11cm high (2)

£100-150

Christopher Dresser for Linthorpe Pottery: A Charger, shape No.658, moulded with leaves, covered in a green glaze, impressed factory marks

LINTHORPE Chr Dresser HT 658, 33cm diameter

£100-150

A Suffragette Pottery Bowl, possibly by Frederick Hurten Rhead, painted in green Votes For Women. Stone Walls do not a Prison make., decorated with violets, painted M and monogram FRL, 19cm diameter, 7cm high Belonged to Cicely Mabel Ashby Kilby (1898-1977)

£200-400

Richard Joyce (1873-1931) for Pilkington’s Royal Lancastrian Pottery Vase, 1915, painted in gold lustre with four scaly fish swimming amongst waterweed, on a pale pink/yellow lustre ground, impressed factory mark, painted artist cipher and fish date code, 11cm high

£300-500

A Large Hancock & Sons Morrisware Vase, designed by George Cartlidge, model no.C28-1, tubeline decorated with bell flowers and foliage in shades of purple, green and blue on a mottled ochre/green ground, unmarked, 35.5cm high (restored)

Literature Tony Johnson The Morris Ware, Tiles & Art of George Cartlidge, private press, page 101 catalogue number 269 for this design in another colour-way.

£100-150

A Royal Doulton Chinese Jade School of Fish, printed factory mark, incised 632 impressed 1.5.31 6 J painted Chinese Jade HN Noke, 14.5cm high

£400-600 36

Two Mintons Ltd Secessionist Earthenware Vases, circa 1907, tubelined with repeating patterns in tones of green on a red ground, one incised 3334, both printed mark MINTONS LTD No.1, 24.5cm high

A Mintons Ltd Secessionist Earthenware Vase, circa 1907, tubelined with repeating patterns in tones of green on a red ground, printed mark MINTONS LTD No.30, 12.5cm high (3)

£100-150

Hannah Bolton Barlow (1851-1916): A Royal Doulton Lambeth Stoneware Vase, incised with goats, on a buff ground, impressed factory marks, incised HBB, 15.5cm high

£100-150

A Pair of Royal Doulton Stoneware Vases, circa 1910, decorated with stylised foliage, impressed factory marks, 23.5cm

A Royal Doulton Stoneware Vase, circa 1930, by Florrie Jones, decorated with stylised foliage, impressed factory marks and incised F.J, 27cm high (3)

£80-120

A Royal Doulton Figure The Mask, HN656, designed by L.Harradine, modelled as a female in a blue and purple costume, impressed 11.26, black painted The Mask Potted by Doulton & Co. HN656, green printed factory mark, 17cm high

£400-600

A Royal Doulton Miniature Figure One of The Forty, HN423, designed by Harry Tittensor, in yellow and purple, indistinct impressed numbers 299, green printed Doulton

7.5cm high

£150-200

Louis Wain (1860-1939) for Max Emanuel & Company:

The Lucky Futurist Cat and His Meow Meow Notes, design registered 18.5.1914, painted green and yellow with black, red and blue detailing, impressed and painted marks REG No 637134, printed MADE IN ENGLAND and trident mark, painted Louis Wain 13cm high

£1,000-1,500

Louis Wain (1860-1939) for Max Emanuel & Company: The Lucky Black Cat, design registered 12.6.1914, painted black, green and red with grinning expression, impressed and painted marks Rd No 638313 MADE IN ENGLAND and trident mark, painted Louis Wain

13.5cm high

£1,000-1,500

Louis Wain (1860-1939) for Max Emanuel & Company: The Lucky Haw Haw Cat, design registered 12.6.1914, painted blue head and green body, red and black detailing, painted marks Rd No 638317 MADE IN ENGLAND and trident mark, painted Louis Wain 13.5cm high

£600-900

A Royal Worcester Sabrina Ware Vase, by James Southall, painted with swans on a blue ground, printed factory marks and date coded for 1906, shape no. 2195, incised 183/106, 20.5cm high

£200-300

Ron Birks for Clarice Cliff: A Grotesque Wall Mask, circa 1930, the moulded form glazed in green, Bizarre mark and indistinct signature to right cheek, 27cm long

Ron Birks was the son of Lawerence Birks, who worked at Mintons with Louis Marc Solon. He worked briefly at Mintons before moving to Wilkinson where he studied modelling and hand painting as an apprentice under Clarice Cliff.

It is common thinking that these ‘Grotesque Masks’ were modelled by Ron himself with Clarice’s supervision. These masks have been left off the factory shape sheets (although one apparently does appear in a 1929 advertising poster) and went unrecorded until the 1980’s when they were announced as an official design in the Clarice Cliff Collector’s Club review and newsletter ‘The Bizarre Affair.’ Since then a few masks have come to be known some of which have come on to the market in a variety of designs and patterns. Fifteen are known and eight of these are in one collection. It is believed that they were in production from around 1929 to at least 1936.

£1,000-1,500

Clarice Cliff - Floral Bouquet: A Rectangular Plaque, circa 1934, relief moulded with cascading flowers and foliage, in blues, browns and red, Bizarre mark, 41.5cm long

£100-150

Five Art Deco Beswick Napkin Rings, model no.284, face mask of a young woman, painted in various colour ways, painted marks

8205/8011 M.B, 7.5cm high

£80-120

A Wedgwood Lustre Daventry Bowl, circa 1920s, pattern Z5418, Chinese garden bridge leading to a pagoda-roofed house to interior, gilt Portland Vase mark, 20.5cm diameter

£100-150

A Royal Dux Figure of a Bather, circa 1930s, modelled as nude female wearing a blue hat, seated on a stool, draped with a blue and gilt towel, applied pink triangle mark to base and impressed 2996, 37cm high

£150-250

51 ✓

Thomas Bohle (Austrian, b.1958):

A Double-Walled Stoneware Vessel, circa 2019, mossy green glaze, impressed TB mark, 9cm diameter, 12cm high

Thomas Bohle (Austrian, b.1958):

A Double-Walled Stoneware Vessel, circa 2019, mossy green and blue glaze, impressed TB mark, 10.5cm diameter, 7.5cm high (2)

£200-300

53 ✓

Barbara Cass (Wolstencroft) (19211992): A Stoneware Sculptural Jug, cream and iron glaze, painted marks BC YORK, 21.5cm high

Micki Schloessingk (b.1949): A Stoneware Faceted Vase, circa 1988, salt glazed, impressed M mark, 15cm high

Maggie White (b.1945): A Stoneware Bottle Vase, circa 1992, bronze glaze, impressed MW mark, 21.5cm high

Emily Myers (b.1965): A Stoneware Vessel, curved form, barium glaze, impressed mark, 14.5cm high (4)

£120-180

52 ✓

Michael Ambrose Cardew (1901-1983): A Wenford Bridge Pottery Stoneware Bowl, with iron and cobalt decoration on a pale ground, impressed MC and Wenford Bridge Pottery seals, 14cm diameter, 5.5cm high

£100-150

Peter Chatwin (1945-2018) and Pamela Martin (b.1949): Four Pairs of Wood Veneered Earrings, various colours and shapes, unmarked, disc earrings 5.5cm diameter

£80-120

55 ✓

Derek Clarkson (1928-2013): A Miniature Porcelain Bottle, covered in copper red glaze, impressed DC and date marks for 1989, 7cm high

Seven Other Miniatures (8)

£150-250

56 ✓

Derek Clarkson (19282013): A Porcelain Bottle, covered in celadon glaze with cobalt blue grey and iron brush decoration and gold burnishing bands, impressed DC and date marks for 1989, 14cm high

Six Other Pieces (7)

£150-250

57 ✓

Derek Clarkson (1928-2013): A Porcelain Bottle, covered in titanium glaze, impressed DC and date marks for 1989, 18cm high

Derek Clarkson (1928-2013): A Stoneware Bottle, cut sides, covered in tenmoku glaze, impressed DC, 17cm high

Derek Clarkson (1928-2013): A Porcelain Bottle, wax resist decoration, impressed DC and date marks for 1988, 15.5cm high (3)

£100-150

58 ✓

Derek Clarkson (1928-2013): A Stoneware Bottle, cut sides, covered in celadon glaze with cobalt blue grey and iron brush decoration and gold burnishing bands, impressed DC and date marks for 1987, 19cm high

Derek Clarkson (1928-2013): A Stoneware Bottle, covered in celadon glaze with copper red decoration, impressed DC, 21cm high (2)

£100-150

59 ✓

Derek Clarkson (1928-2013): A Porcelain Dish, covered in crystalline glaze, impressed DC and date marks for 1990, labelled 33F, 23cm diameter

Derek Clarkson (1928-2013): A Stoneware Bowl, wax resist decoration, impressed DC, 22.5cm diameter

John Wheeldon (b.1950): A Black Stoneware Bowl, lustre geometric patterns to well, impressed W, 19cm diameter

A Studio Pottery Stoneware Tankard, tenmoku glaze, unmarked, 11.5cm high (4)

£120-180

61 ✓

Christine Cummings (b.1969): A Raku Pottery

Standing Sow, monogrammed CC and dated Sept 2000, 38cm long

Christine Cummings (b.1969): A Raku Pottery

Floor Scratching Sow, monogrammed CC and dated Nov 97, 37cm long (2)

£300-500

60 ✓

Attributed to Waistel Cooper (1921-2003): A Stoneware Vase, incised and painted with a band of abstract leaves in oxide glaze, unmarked, 31cm wide, 16cm high

£100-200

63 ✓

Jane Hamlyn (b.1940): A Stoneware Salt and Pepper Pot, salt glazed, impressed potters mark, 8.5cm high

David Morris: A Stoneware Jug, white glaze with blue floral decoration, impressed potters mark, 14.5cm high

Robin Welch (1936-2019): A Tall Stoneware Mug, decorated with bands of polychrome glaze, impressed mark, 18.5cm

A Muchelney Pottery Stoneware Jug, oatmeal glaze, impressed mark, 17cm high

A Yelland Manor Pottery Stoneware Vase, tenmoku glaze, impressed Y, 11cm high

A Studio Pottery Stoneware Oil Pot, tenmoku glaze, impressed mark, 8cm high (7)

£80-120

62 ✓

Robert Fournier (1915-2008); Three Stoneware Vases, various glazes, impressed RF mark, 13cm, 25cm and 28.5cm high

Laurence McGowan (b.1942): A Maiolica Style Stoneware Plate, decorated with pheasants, painted McG and year mark 1987, 30.5cm diameter

Russell Anthony Collins (b.1942): A Stoneware Dish, oatmeal glaze with iron decoration, impressed RC mark, 34.5cm diameter

Russell Anthony Collins (b.1942): A Stoneware Lamp, with iron decoration, unmarked, 15.5cm high excluding fitments (damaged) (6)

£100-150

64 ✓

Jane Hamlyn (b.1940): Two Salt Glazed Mugs, each impressed JH mark, 9cm high

David Cohen: Two Stoneware Mugs, one impressed DC mark, 9cm and 9.5cm high and A Trio of Bowls

A Leach Pottery Stoneware Mug, with scroll handle covered in a tenmoku glaze, impressed Leach Pottery mark, 12cm high (chip to rim)

Hugh West (b.1950): A Raku Footed Bowl, blue glaze, impressed HW seal mark, 9.5cm high (9)

£80-120

66 ✓

Tony Laverick (b.1961): A Bisque Porcelain Bowl, thrown and turned, with glazed inclusions, painted TL potter’s mark and dated 06, 25.5cm diameter, 16.5cm high

A Schott Zwiesel Chora Glass Vase, topas, labelled and stencilled marks, 28.5cm high (2)

£70-100

65 ✓

Tony Ladd (Contemporary): A Cast Portland Stone Dust Barn Owl, perched on a slope, unmarked, 38cm high

£80-120

67 ✓

Janet Leach (1918-1997) at Leach Pottery: A Stoneware Bowl, speckled dolomite glaze, impressed JL and Leach Pottery marks, 13.5cm diameter, 8cm high

Trevor Corser (1938-2015): A Jar and Cover, covered in grey glaze decorated with a repeated impressed flower pattern, impressed TC and filled Pottery marks, 28cm high (2)

£150-250

Anders Bruno Liljefors (1923-1970): for Gustavsberg Studio: A Porcelain Vase, circa 1950, decorated with a repeating pattern, painted ABL, black painted G with hand symbol, impressed factory mark GUSTAVSBERG with anchor, 10.5cm high

Wilhelm Kåge established the Gustavsberg Studio in 1942, which would become the creative hub of the factory. The high-quality artworks were marked with the Gustavsberg studio hand in different colours. Kåge mainly added the studio hand in brown. Other artists used blue, black, yellow and red colours.

£100-150

69 ✓

Allan Manham (Contemporary): A Black Stoneware Vessel, circa 2010, with an admixture of white porcelain, incised AM, 16cm high

Allan Manham (Contemporary): A Black Stoneware Vessel, circa 2010, with an admixture of white porcelain, incised AM, 9cm high (2)

Purchased from Gallery Nine, Bath.

£100-150

70 ✓

Ivan Martin (1913-1979) and Kay Martin (1913-2001) for Cricklade Pottery: A Stoneware Teapot, white glaze with brush work, impressed KM and pottery marks, 13.5cm high

Sidney Tustin (born Winchcombe 1913-2005) for Winchcombe Pottery: A Slipware Jug, covered in galena glaze with incised decoration, impressed ST and Winchcombe Pottery marks, 16cm high

Ray (Alfred Raymond) Finch (1914-2012) for Winchcombe Pottery: Two Slipware Mugs, decorated with fish and bubbles, one impressed RF and Winchcombe Pottery mark, 10.5cm and 10cm

Patrick George Groom (born Winchcombe 19322022) for Winchcombe Pottery: An Earthenware Jug, painted decoration, impressed PG and Winchcombe Pottery marks, 14cm high (5)

£80-120

71 ✓

Michael (Mike) McGowen (b.1956) In this Mirage Lived Dreams, black stain on Parian Porcelain, on a rectangular black Lakeland slate base, 38cm high

Provenance: Purchased from Walker Galleries, Harrogate, North Yorkshire. 14 December 2018. The title comes from a part line of a poem by W.H.Auden.

“My inspiration comes from the clay itself. My influence is the landscape as it evolves under the power of nature’s forces- tectonic plate movement; ocean currents and corresponding weather patterns; wind and rain; frost and ice; and time and tides. I strive for an economy of Intervention in my work in which I use only porcelain for its fineness and purity.” Potfest 2024.

£150-250

✓

Marcus O’Mahony (b.1952): A Stoneware Vase, circa 2014, wood-fired, impressed MO mark, 21.5cm high

Matthew Blakely (b.1965): A Porcelain Shinto Jar, circa 1997, impressed MB mark, 22.5cm high

Reuben Hutchings (Contemporary): A Stoneware Vase, circa 1999, impressed rh mark, 28cm high

Les Cole (b.1943): A Porcelain Bowl, circa 2000, incised with a landscape, impressed LC mark, 11cm high (4)

£100-150

73

Bernard Rooke (b.1938): A Tall Stoneware Sculptural Totem Floor Lamp, circa 1960s/70s, in seven sections, dry matt surfaces with blue enamel details, 74.5cm high

£300-400

76 ✓

Duncan Ross (b.1943): A Burnished Terra-sigillata Earthenware Vessel, with resist and inlay decoration, incised DR mark, 12.5cm high

£200-300

74 ✓

Duncan Ross (b.1943): A Burnished Terrasigillata Earthenware Vessel, with resist and inlay decoration, incised DR mark, 15cm high

£200-300

75 ✓

Duncan Ross (b.1943): A Burnished Terra-sigillata Earthenware Vessel, 2013, with resist and inlay decoration, incised DR mark, labelled W2 420, 14cm high

Purchased at Ceramic Arts London, stand 56, 12th April 2013.

£200-300

77 ✓

Duncan Ross (b.1943): A Burnished Terra-sigillata Earthenware Vessel, 2013, with resist and inlay decoration, incised DR mark, labelled X2, 11.5cm high

Purchased at Ceramic Arts London, stand 56, 12th April 2013.

Duncan Ross (b.1943): A Burnished Terra-sigillata Earthenware Vessel, with resist and inlay decoration, incised DR mark, 9.5cm high

Duncan Ross (b.1943): A Burnished Terra-sigillata Earthenware Vessel, with resist and inlay decoration, incised DR mark, 12cm high on a stand (3)

£200-300

78 ✓

Duncan Ross (b.1943): A Burnished Terrasigillata Earthenware Vessel, with resist and inlay decoration, incised DR mark, 14cm high

Duncan Ross (b.1943): A Burnished Terrasigillata Earthenware Vessel, with resist and inlay decoration, incised DR mark, 12.5cm high (2)

£180-250

79 ✓

David T Sharp (1932-1993) for Rye Pottery: Owl, A Pottery Plaque, in blue, yellow, green, red and brown, signed D T SHARP, labelled verso OWL By D Sharp 15 gns/D T SHARP 62 CHURCH STREET 12 Gns, painted D T SHARP 63, 38cm by 42cm

£100-150

81 ✓

Geoffrey Swindell (b.1945): Three Porcelain Seed Pots, various glazes, incised S mark, 11cm and 13cm high

£150-250

80 ✓

Ilona Sulikova (born 1949): Black Triangles, A Raku Coiled Vessel, geometric repeating pattern, round bodied, with short neck, unmarked, 30cm high

£100-150

82 ✓

Angela Verdon (b.1949): A Bone China Sculptural Form, with contrasting heavily textured and smooth surfaces, painted AV mark and dated 2006, 17cm

Provenance: Purchased from Rufford Craft Centre. £120-180

83 ✓

Charles Vyse (1882-1971): A Stoneware Vase, tenmoku glaze, incised CV 1928, 18cm high

£100-150

84 ✓

Alan Wallwork (1931-2019): A Pebble Stoneware Vase, pitted surface and pale pink glaze, incised W, 21cm high

£100-150

Winchcombe Pottery: An Earthenware Jug, with white slip-trailed decoration over a black slip, impressed WP, 20cm high

Winchcombe Pottery: An Earthenware Press-Moulded Earthenware Dish, slip-trailed decoration, unmarked, 24cm wide (2)

£80-120

86 ✓

Rosemary Wren (1922-2013) for Oxshott Pottery: A Stoneware Sculpture of a Recumbent Horse, painted by Peter Crotty, impressed Wren mark and Crotty’s painted mark, length 25cm (restored ear)

£80-120

A Japanese Studio Pottery Stoneware Twin-Handled Vase, with green ash glaze, impressed flower heads, signed, 18.5cm high in a tomobako box

George Wilson (1924-2004): A Stoneware Bowl, green ash glaze with kaki rim, painted GW, 14cm diameter

A Studio Pottery Stoneware Vase, green ash glaze, incised WM, 11cm

Five Other Pieces (8)

£80-120

87 ✓

A Candlestick, slip and coloured glaze, earthenware, impressed PY mark, 29cm high

£70-100

Whitefriars - Geoffrey Baxter: A Textured Range Cello Glass Vase, in cinnamon, pattern 9675, 1967-1970 catalogues, labelled 9675, 17.5cm high

£150-200

Whitefriars - Geoffrey Baxter: A Textured Range Concentric Rectangles or TV Glass Vase, in tangerine, pattern 9677, 1967-1970 catalogues, 17.5cm high

£150-200

Paul Young (b.1961) (1991- Station Pottery, Shenton Lane, Stenton, Warwickshire):

René Lalique (French, 1860-1945): A Blue Stained and Opalescent Espalion Glass Vase, model 996, designed 1927, engraved R. Lalique France No. 996, 18cm high

René Lalique (French, 1860-1945):

A Blue Stained, Clear and Frosted Glass Oursin Vase, model 10-888, designed 1935, moulded sea urchin, stencil mark R LALIQUE, 19cm high (damaged) (2)

£300-500

A Lalique Cactus Frosted and Black Enamel Glass Scent Bottle and Stopper, engraved R Lalique France, 12.5cm high

A Lalique Cactus Frosted and Black

Enamel Glass Scent Bottle and Stopper, engraved Cristal LALIQUE France, 10.5cm high

A Lalique Cactus Frosted and Black Enamel Glass Box and Cover, etched LALIQUE FRANCE, 11cm diameter (3)

£100-150

René Lalique (French, 1860-1945): A Frosted Glass Le Parisien Atomiser, of cylindrical form, moulded with nude female figures and garlands, moulded mark R LALIQUE MADE IN FRANCE, with metal fittings stamped LE PARISIEN BREVETE S.G.D.G MADE IN FRANCE, 16cm high (damaged)

René Lalique (French, 1860-1945): An Opalescent and Clear Glass Quatre Flacons Box Cover, moulded R LALIQUE, 14cm diameter (lacking base)

A Lalique Honfleur Clear and Frosted Plate, engraved LALIQUE FRANCE, 15cm diameter (3)

£100-150

René Lalique (French, 1860-1945): An Opalescent and Clear Glass Coquilles Bowl, wheel cut mark R LALIQUE FRANCE, engraved No.3202, 18.5cm diameter

£80-120

René Lalique (French, 1860-1945): A Pair of Rosheim Clear Glass Candlesticks, model 2106, tapering round tiers, on a square base, stencil mark R LALIQUE and R LALIQUE FRANCE, 7.5cm high (one chipped)

£70-100

A Christallerie de Pantin Cameo Glass Vase, circa 1910, acid etched with a landscape scene, depicting a turreted building, trees, mountains and the sea, in purple on an amber/yellow ground, signed de Vez, 16cm high

Charles Camille Trutié de Varreux (1872-1942) married into the Monod family, founders of Cristallerie de Pantin, and became the factory’s artistic director in 1907.

£200-300

An Art Nouveau Loetz Green Iridescent Glass and Silver Mounted Vase, circa 1900, with applied heraldic devises, 23.5cm high

£200-300

Edward Hald (1883-1980) For Orrefors “Fiskgraal” Glass Vase, with internal decoration of fish swimming amidst seaweed, cased in clear glass, engraved ORREFORS Sweden Graal 24770 Edward Hald, 14cm high

£200-300

Otto Brauer (1911-1984) for Holmegaard: A Gulvase, red colourway with opaque white glass interior overlay, unmarked, 51cm high

£100-150

100

Oiva Toikka (1931-2019) For Iittala: A Studio Glass Bird, iridescent, signed O.Toikka Nuutajärvi, 16cm long

£100-150

102

Alessandro Barbaro for Murano: A Grazing Horse, gold leaf inclusions, on a black plinth base, signed A Barbaro Murano, 17.5cm high

£100-150

101

Pavel Hlava (Czechoslovakian, 1924-2003): Abstract Glass Sculpture, 2002, yellow, red and frosted, blown, cut, polished and laminated, indistinct signature and year date, 44m wide, 30cm high

£700-1,000

103

Attributed Martin Götze (1865-1928): An Art Deco Bronze Figure, of a dancing female nude, playing with her hair, raised on a cast bronze base, unmarked, 68cm high

£400-600

104

105

Giuseppe Leonardi (Leonardene Company):

An Art Deco Bronze Girl in a Hoop Figure, modelled as a kneeling nude, on a rectangular base, indistinctly stamped in the cast GL, 28.5cm high

(The plaster version of this figure bears the registration number 804864 for 1935)

£1,000-1,500

Attributed to Abel-René Philippe (French, 1898-1978): A Bronze Figure, modelled as a crouching nude woman, signed in the cast, 19cm high

£400-600 104

106

Josef Lorenzl (Austrian, 1892-1950):

An Ivory and Bronze Figure, circa 1925, modelled as a young woman wearing a Pierrot costume, stood on one leg with arms outstretched, on a green onyx base, unmarked, 20.5cm high

With Non-Transferable Standard Ivory Exemption Declaration Number

AEV97C12

£400-600

107

After Josef Lorenzl (1892-1950):

A Patinated Spelter Figure, modelled as a dancing nude, standing on one leg with arms outstretched, unmarked, on an onyx base, 22.5cm high

£80-120

108

Stefan Dakon (1904-1992):

An Art Deco Bronze Figure, circa 1925, modelled as a female dancer, on tip-toes, holding her pleated skirt, on an onyx base, signed in the cast DAKON, 24cm high

£250-350

109

Alcide Mathieux (1906-1992):

A Carved and Stained Lime Figure, modelled as a nude female, arms bent, on tiptoes, on a ball, on a stepped marble base, signed A MATHIEUX, 45cm high

£200-300

110

After Julien Causse: A Bronze Figure, modelled as a nude with long hair, left arm raised, signed in the cast TRAVER CIRE PERDUE, on a circular marble base, 39.5cm high

£150-250

112

Archibald Knox (1864-1933) for Liberty & Co.: A Cymric Silver Spoon, planished finish, maker’s mark L & Co CYMRIC, Birmingham 1901, 17cm long

£200-300

111

Charles Robert Ashbee (1863-1942): An Arts & Crafts Silver Bowl, 1900, repoussé leaf design within a beaded border, hallmarked London 1900, maker’s mark CRA, 12.25cm diameter, 3.5cm high, 2oz 12dwt, 80gr

Provenance:

The Peartree Collection, London.

£300-500

113

Liberty & Co., London: An Arts & Crafts Silver Mustard Pot, planished finish, hinged cover, cast with four heart motifs, on four feet, maker’s mark L&Co and CYMRIC, Birmingham 1902, 7cm high

£200-300

A Liberty & Co. Tudric Pewter and Enamelled Table Cigarette Box, of rectangular form, mounted with enamelled panel to cover of sailing boats at sunset, stud decoration to sides, cedar lined with a single division, stamped to base 078, 21cm wide, 13.5cm deep, 7cm high

£250-350

115

Archibald Knox (1864-1933) for Liberty & Co., A Pewter Floating Bowl, Model No.0230, cast in low relief with foliate roundel design, on three loop feet, stamped TUDRIC 0230, 27cm diameter

£150-250

117

An Arts & Crafts Pewter and Glass Panel, depicting a peacock with blue and green glass mounted feathers, 46.5cm by 42cm in an oak frame

£70-100

116

Archibald Knox (1864-1933) for Liberty & Co., A Pewter Inkwell, Model No.0141, embossed with stylised Celtic motifs, stamped TUDRIC 0141, 15.5cm square, 8.5cm high

£100-150

118

An Arts & Crafts W.A.S Benson Brass and Copper Oil Lamp, having a circular reservoir, on a turned stem and four flattened angular legs, marked HINKS & SON’S PATENT and WAS BENSON, with a cranberry glass shade, 42.5cm high

£150-250

120

119

An Arts & Crafts Brass and Stained Glass Fire Screen, the panel centred with a roundel depicting a kingfisher and butterfly, surrounded by foliate squares within coloured geometric borders, 81.5cm high

£70-100

A Scottish Glasgow School Arts & Crafts Brass Wall Mirror, circa 1900, the rectangular frame repousse decorated with intertwined tendrils and set with a blue Ruskin roundel, 58cm by 84cm

£600-900

122

121

Scottish School Copper Mantel Clock, circa 1900, the domed and projecting cornice above a rectangular case with riveted panels, enclosing a circular enamelled dial, hammered all over, 26.5cm wide,14cm deep, 15cm high

£200-300

The Cornish Hand Wrought Metal Company Ltd (Hayle Copper) Charger, No.907, repoussé decorated with stylised dolphins, unmarked, 58cm diameter

Illustrated in the Cornish Hand Wrought Metal Company catalogue, 1903, page 21. Original cost 27/6.

Cornish Hand Wrought Metal wares were not marked or stamped. In 1908 the Cornish Hand Wrought Metal Company was acquired by local firm James and Frederick Pool.

£200-300

123

Henry Howell & Co., YZ Bird Novelty Clock, circa 1920-30s, modelled with rootwood feathers on a macassar ebony body and feet, Bakelite beak and tail, body fitted with a clock, stamped YZ TRADE MARK MADE IN ENGLAND to base, 24cm high

£200-300

124

A Vyners of Sheffield Stainless Steel Teapot and Hot Water Jug, designed by the Marquis of Queensbury, lift up lid, stamped, teapot 10cm high hot water jug 12cm high

Three Vyners of Sheffield Stainless Mugs, designed by the Marquis of Queensbury, stamped, 12cm high

An Old Hall Stainless Steel Childs Mug, designed by Robert Welch, decorated with bears stamped, 6cm high

A Robert Welch Stanton Four Piece Child’s Set, designed by Robert Welch, bright finish, (boxed)

£70-100

125

A Pair of Jugendstil WMF (Wurttembergische Metallwarenfabrik) Silver Plated and Glass Claret Jugs, model 190, with tapering dark green glass body, the mounts cast with maidens and stylised whiplash decoration, stamped WMF EP as I/O, 41cm high (damage to one hinge)

£300-400

123

124

126

A Jugendstil WMF (Wurttembergische Metallwarenfabrik):

A Silver Plated Visiting Card Tray, No.246, cast with a winged maiden stroking a dove, with two flowering lily pads, on a cast base, stamped W.M.F. B OX, cast 246, 30cm wide, 21cm high

£300-400

127

A Jugendstil WMF (Wurttembergische Metallwarenfabrik):

A Silver Plated Visiting Card Tray, No.246, cast with a winged maiden stroking a dove, with two flowering lily pads, on a cast base, stamped W.M.F. EP I/O OX, cast 246, 30cm wide, 21cm high (repaired)

£100-150

128

A Jugendstil WMF (Wurttembergische Metallwarenfabrik):

A Silver Plated Visiting Card Tray, No.231, cast with the profile of a maiden and flowers, stamped W.M.F. E.P as, 32cm diameter

£70-100

£100-150 127

130

A Jugendstil WMF (Wurttembergische Metallwarenfabrik):

A Silver Plated Visiting Card Tray, No.252, cast with a maiden pressing grapes into a ewer, stamped W.M.F. E.P I/0 OX d, cast 252, 29cm wide

£100-150

129

A Jugendstil WMF (Wurttembergische Metallwarenfabrik):

A Silver Plated Inkstand, No. 331, the well with hinged lid flanked by a tray, cast in relief with a nude, flowers and whiplash decoration, stamped B WMF OX a and cast 331, 30.5cm

131

A Jugendstil WMF (Wurttembergische Metallwarenfabrik):

A Silver Plated Figural Fruit Stand, Model No.214, with cut glass bowl, mounted with a girl carrying a basket, on a cast domed base with three feet, 32cm high (worn)

A Jugendstil WMF (Wurttembergische Metallwarenfabrik):

A Silver Plated Fruit Stand, cast with whiplash and foliate decoration, on a cast base, stamped W.M.F. OX, 20.5cm high

A Jugendstil WMF (Wurttembergische Metallwarenfabrik):

A Silver Plated and Glass Biscuit Barrel, cast with cherries and leaves decoration, on four feet, stamped W.M.F. I/O, 19cm high (3)

£100-150

132

Charles Perron: An Art Nouveau Pewter Tray, cast with two musical nude maidens in waves, signed Ch Perron in the metal, 38cm wide

An Austrian Pewter Charger, cast with the heads of two horses, the border with stylised decoration and stirrup, riding crop and horseshoe, cast stamp to verso, 38cm diameter (2)

£70-100

133

A Jugendstil WMF (Wurttembergische Metallwarenfabrik): A Silver Plated Toilet Table Tray, No.196, cast with two figures kissing, cast 196, 28cm wide

A Jugendstil WMF (Wurttembergische Metallwarenfabrik): A Silver Plated Octagonal Toilet Table Tray, No.190, cast with the profile of a maiden, stamped E.P, 23.5cm wide (2)

£70-100

134

A Jugendstil WMF (Wurttembergische Metallwarenfabrik):

A Silver Plated Inkstand, No.267, cast with two butterflies, green glass bottle, stamped B WMF OX, 18.5cm wide

£70-100

135

A Jugendstil WMF (Wurttembergische Metallwarenfabrik): A Pair of Silver Plated Flower Vases, Model No.234, with cut glass liners, stamped in the cast A234, 17.5cm high

An Art Nouveau French Bronze Plaque “LE NID”, after Jean-Baptiste Daniel-Dupuis, cast as a maiden discovering a bird’s nest, signed DANIEL DUPUIS and titled in cast, 13cm by 7.5cm in a stained mahogany easel frame

An Art Nouveau Bronze Dish, whiplash form, unmarked, 12.5cm wide

A Silver Plated Desk Stand, cast with scrolls and foliate decoration, with a white pottery ink well, unmarked, 19cm wide (5)

£100-150

136

A Pair of German Jugendstil Copper and Brass Cantilever Candlesticks, by Carl Deffner Esslingen, circa 1900, each with a copper sphere, the scroll stem on two scroll legs with feet, stamped P, 23cm long

£150-250

137

John Henry Dearle (1895-1932) For Morris & Co.

An Unrecorded Stained, Painted and Leaded Glass Window Light Oliver Cromwell, standing figure, in green robes over dark blue coat, left hand resting on sword hilt, right hand holding a book, flowering leaf and flower quarries, leaf borders, 62cm wide, 142cm high

Two Oliver Cromwell windows are listed in Sewter (A.C) Stained Glass of William Morris and His Circle, Yale University Press,1975, not a complete list and occasionally windows escaped being noted. This example is identical to the example at Emmanuel Congregational Church.

Emmanuel Congregational Church, Trumpton Street, Cambridge 1906

3.Oliver Cromwell (HD), in green robes over dark blue coat, L hand resting on sword-hilt, R hand holding book; inscribed: “Oliver Cromwell, Sid: Suss: Coll: 1599-1658” glass painter Stokes. Plymouth Central Library, Plymouth, Devon 1927 4th: Cromwell and Wolsey (HD), from Henry VIII, glass painter Seeley.

£1,000-1,500

A Full Size Cartoon of A Stained Glass Window Design, depicting Jesus Christ with a child, in pencil, charcoal, black ink, wash, on paper, 192cm by 64cm in an oak frame

Full size cartoons were used by glassmakers to determine the leading, glass size and final shape of the window.

Anon

A Design for A Stained Glass Window, depicting the figure of Simeon holding the infant Jesus, ink and watercolour, paper backed on linen, 174cm by 52cm image 168.5c by 46cm

Anon

I WAS SICK AND YE VISITED ME

A Design for A Stained Glass Window, depicting a biblical scene Matthew 25:36 Corporal Works of Mercy, ink and watercolour, on paper, 230.5cm by 76cm image 230.5cm by 61cm (3)

£300-500

140

Arthur Sanderson Morris & Co Fruit Weave Fabric, 1990s, ivory/teal colourway, 139cm wide 11 meters in length

Arthur Sanderson Morris & Co Fruit Weave Fabric, 1990s, ivory/teal colourway, 139cm wide 6 meters in length (two rolls of fabric)

£200-400

141

Seven Rolls of Vintage Sanderson Morris & Co. Indian Wallpaper, unopened in original cellophane, Batch No.BC1, Pattern No. WM7311/5, each 10.05 metres long, 51.5cm wide (pre-2000)

£100-150

139

Louis Davis (1860-1941): To him that overcometh and the Paradise of GOD: A Pair of Designs for Stained Glass Windows, 1911/12, for Holy Trinity, St Andrews, Scotland, pencil with grey wash outlines, label on reverse inscribed Louis Davis Exhibition March - April 1971 No 13 and No 14, 223cm by 62cm frame 240cm by 79cm

The Hunter Memorial Chapel, which has a set of four windows illustrating ‘Scenes from the Life of Christ’ by Louis Davis, 1911/12. Across the four outer lights are the words “To him that overcometh will I give to eat of the Tree of Life which is in the midst of the Paradise of God”.

£600-900

142

Seventeen Rolls of Vintage Sanderson Morris & Co. Acorn Wallpaper, opened, mixed batches/pattern shop rolls, to include Batch No.CB1, Pattern No. WM7422/1, Batch No.AB1, Pattern No. WM7422/1 and Batch No.DB1, Pattern No. WM7422/1, each 10.05 metres long, 51.5cm wide (pre-2000)

£200-300

143

Twenty-One Rolls of Vintage Sanderson Morris & Co. Willow Broughs and Willow Bough Minor Wallpaper, five unopened, sixteen opened, mixed colourways/batches/pattern shop rolls, to include Batch No.BP1, Pattern No. WR7676/2, Batch No.BZZ2, Pattern No. WM7614/1, five unopened 10.05 metres long, 51.5cm wide (pre-2000)

£200-300

144

145

Glasgow School: A Pair of Arts & Crafts Brass Wall Sconces, circa 1900, attributed to Margaret Macdonald (1865-1933) and Francis Macdonald (1873-1921) of oval form, the hand beaten embossed centre surrounded by a laurel wreath tied with a bow, enclosed with roundels with textured ground, each mounted with a suspension arm, hanging three sconces, on a mahogany back, unmarked, 37.5cm wide, 56cm high

The 1901 Glasgow International Exhibition pamphlet shows a laurel wreath, symbolising victory, which was a theme in the city during that time.

Purchased by the vendor in 1990 at the Glasgow Arts Club.

£2,500-3,500 144

A Large Arts & Crafts Brass and Steel Six-Branch Ceiling Electrolier, circa 1900, three swept curvilinear twisted arms, each with two branches, upward facing electric bulb holders, cylindrical opaque shades, stamped with an anchor, 110cm wide, 122cm (4ft) high on chains

A Similar Smaller Arts & Crafts Brass and Steel Four-Branch Ceiling Electrolier, circa 1900, four swept curvilinear twisted arms, each with upward facing electric bulb holders, cylindrical opaque shades, 75cm wide, 107cm high on chains (2)

£1,000-1,500

145

147

Claus Bonderup (1943-2022) and Torsten Thorup (b.1944) for Fog & Morup: A Semi Pendant Lamp, chrome plated, 47cm diameter in original box

£80-120

148

After Charles Rennie Mackintosh: A Floor Lamp, modern, stained dome above an inlaid box, on five teak square section supports joined with blocks, on a teak circular base, base stencilled LAMP NO. 19, 150cm high excluding fitting, with stencilled shade

The original floor lamp was designed by Charles Rennie Mackintosh and made by Alex Martin in 1905 for The Hill House, Helensburgh.

£200-300

146

Friedrich Adler (1878-1942) for Osiris: A Table Lamp, circa 1900, in the form of a garfish, polished pewter, blown glass shade, stamped OSIRIS 750, 35.5cm high

£1,000-1,500

149

An Arts & Crafts Oak and Copper Sideboard, circa 1900, the top with overhanging cornice above an inset copper panel with stylised flowerheads and flowing stems decoration, above a shelf, enclosed by spindles, the base with three drawers, over a central drawer enclosed by cupboards with applied carved stylised floral decoration, copper strap hinges, with an open recess to the centre, on a shaped plinth base, 183cm (6ft) wide, 63cm deep, 174.5cm high

£300-500

150

An Arts & Crafts Oak Fireplace

Surround, circa 1900, inlaid with pewter and two floral panels, central bevel edged mirror, unmarked, 150cm wide, 183cm (6ft) high, internal 95cm wide, 96cm high

£250-350

151

An Arts & Crafts Oak Occasional Table, circa 1900, in the style of C F A Voysey, the square top on splayed and tapered square section legs united by a low shelf and apron above pierced with heart motifs, 61cm (2ft) square, 62cm high

£70-100

152

Stanley Webb Davies (1894-1978) of Windermere: An Arts & Crafts

Panelled English Oak Desk, 1956, the rectangular top above a central drawer enclosed by two banks of three drawers with ebony handles, on eight octagonal legs, carved SWD cartouche with date 1956, craftsman monogram for Ernest John Oldcorn (1894-1968) and Sidney Allan Johnston

145cm wide, 75cm deep, 77cm high

Provenance: Commissioned by Stephen Bright Darbishire (19131988) doctor and amateur racing motor-cyclist and Louisa Isabel Darbishire (1911-2000)

£1,500-2,500

153

Stanley Webb Davies (1894-1978) of Windermere: An Arts & Crafts English Oak Desk Chair, 1956, curved top rail and arms, panelled splat, drop-in upholstered seat, on four chamfered legs joined by rails, carved SWD cartouche with date 1956, craftsman monogram for Ernest John Oldcorn (1894-1968)

94cm high

Provenance: Commissioned by Stephen Bright Darbishire (1913-1988) amateur racing motorcyclist and Louisa Isabel Darbishire (1911-2000)

£400-600

154

Stanley Webb Davies (18941978) of Windermere: An Arts & Crafts Chestnut Wardrobe, 1949, two doors with ebony handles, carved edgings around door panels, the interior fitted with hanging rail and two fixed shelves and four open drawers, mirror to inside door, carved SWD cartouche with date 1949, craftsman monogram for James Cleasby Dent (1920-2003) and Fred Ellison (1919-2002) 109cm wide, 55cm deep, 180cm high

Provenance: Commissioned by Benjamin Stuart Rowe Esq (1908-1954), Hawesmead, West Crescent, Windermere. Wardrobe No.1423 (with interior as 1361 including inside mirror

£106.0.0)

£1,500-2,000

155

Stanley Webb Davies (1894-1978) of Windermere: An Arts & Crafts Chestnut Dressing Table, 1949, with fixed rectangular mirror, exposed construction, three drawers above two long drawers, with ebony handles, chip carving to the edges, carved SWD cartouche and dated 1949, craftsman monogram for James Cleasby Dent (1920-2003) 104cm wide, 46.5cm deep, 162.5cm high

Provenance: Commissioned by Benjamin Stuart Rowe Esq (19081954), Hawesmead, West Crescent, Windermere.

Dressing Table No.1422

£65.0.0

£1,000-1,500

156

Stanley Webb Davies (1894-1978) of Windermere: An Arts & Crafts Chestnut Dressing Table Stool, 1949, drop-in upholstered seat, on four square section legs with chip carving, joined by a H stretcher, unmarked, 45.5cm wide, 30.5cm deep, 40cm high

Provenance: Commissioned by Benjamin Stuart Rowe Esq (19081954), Hawesmead, West Crescent, Windermere.

Dressing Table Stool

£10.0.0

£300-500

158

157

Stanley Webb Davies (1894-1978) of Windermere: An Arts & Crafts Chestnut Chest of Drawers, 1949, exposed construction, with three drawers each with two ebony handles, carved SWD cartouche and dated 1949, craftsman monogram for Brian Braithwaite, 79cm wide, 47cm deep, 83cm high

Provenance: Commissioned by Benjamin Stuart Rowe Esq (1908-1954), Hawesmead, West Crescent, Windermere. Chest of Drawers No.1424

£42.0.0

£800-1,200

Stanley Webb Davies (1894-1978) of Windermere: An Arts & Crafts Chestnut Pedestal Cupboard, 1949, raised upstand, exposed construction, open compartment above a door with ebony handle, interior shelf, carved edges, carved SWD cartouche and dated 1949, craftsman monogram for James Cleasby Dent (1920-2003), 41cm wide, 35cm deep, 78cm high

Provenance: Commissioned by Benjamin Stuart Rowe Esq (1908-1954), Hawesmead, West Crescent, Windermere.

Pedestal Cupboard

£300-500

£29.0.0

159

Stanley Webb Davies (1894-1978) of Windermere: An Arts & Crafts Chestnut Single 3ft Bedstead, 1949, with iron side rails, carved SWD cartouche and craftsman monogram Richard (Dick) Cloudsdale (1908-1991) headboard 109cm high footboard 68cm high

Provenance: Commissioned by Benjamin Stuart Rowe Esq (1908-1954), Hawesmead, West Crescent, Windermere.

Single Bed, Design No.574, £25.0.0

£300-500

161

Stanley Webb Davies (1894-1978) of Windermere: An Arts & Crafts Chestnut Mirror, 1953, carved edgings, bevelled glass plate, carved SWD cartouche and dated 1953, craftsman monogram for James Cleasby Dent (1920-2003) 29.5cm wide, 47cm high

Provenance: Commissioned by Benjamin Stuart Rowe Esq (19081954), Hawesmead, West Crescent, Windermere. £250-350

162

A Thonet Stained Bentwood Side Table, design attributed to Josef Hoffmann, circular top on swept legs, each flanked by two balls at the rim, unmarked, 47.5cm diameter 54cm high £200-300

160

Provenance: Commissioned by Benjamin Stuart Rowe Esq (1908-1954), Hawesmead, West Crescent, Windermere. Single Bed, Design No.574, £25.0.0 £300-500 163

A 1920’s/30’s Heal’s Oak Tallboy, raised upstand above three drawers over two cupboard doors, turned handles, on four square section feet, with circular ivorine disc HEAL’S TOTTENHAM COURT ROAD LONDON W.I, 61cm wide, 49cm deep, 107.5cm high

£600-900

164

An Art Deco Limed Oak Side Table, with two drawers and drop handles, above a carved frieze, on tapering octagonal legs joined by a shaped stretcher, stamped 3/3618, 91.5cm wide, 48cm deep, 85cm high

£300-400

166

165

An Art Deco Inlaid Oak Cupboard, circa 1925, with inlaid upstand, above two doors with floral marquetry panels and repeating pattern borders in mixed woods, ivory and mother-of-pearl, enclosing three shelves, on four octagonal feet, unmarked, 85.5cm wide, 47cm deep, 135cm high

Purchased at Liberty, stock No.181/15.

With Non-Transferable Standard Ivory Exemption Declaration Number 9QUXCNZ2

£200-300

An Art Deco Walnut and Rosewood Desk, the front crossbanded with rosewood, the back fitted with a pen tray and a slopping top inset with leather, with hinged panel inset with leather, unmarked, 72cm wide, 29cm deep, 86cm high

The vendor’s father was the Managing Director of Warring & Gillows and brought the desk home from a store room. Always known in the family as the Cunard White Star Line RMS Queen Mary Desk.

£200-300

167

An Arts & Crafts Oak 6ft Refectory Table, designed by Arthur Basil Reynolds (1903-1960) of Reynolds of Ludlow, the four plank rectangular top, on four chamfered square section legs joined by a stretcher, labelled made by REYNOLDS OF LUDLOW England, 182.5cm by 84cm, 73cm high

Arthur Reynolds exhibited in 1951 at the Festival of Britain Exhibition in the House and Garden Pavilion. The firm supplied retailers such as Heals.

£200-300

168

An Art Deco Chrome and Walnut Floor Lamp, with chrome square section support, on a walnut veneered square base, unmarked, 149cm high excluding fitments (later shade)

£70-100

169

An Art Deco Chrome and Glass Cocktail Trolley, two tier, tubular construction on three legs, casters stamped Olgryp, 73cm high

£70-100

170

Attributed to Audoux-Minet Co: A French Beech Lounge Sofa, 1950s/60s, designed by Adrien Audoux and Frida Minet, turned beech frame and handwoven abaca rope seat and back, unmarked 158cm wide, 76cm deep, 81cm high, seat height 36cm

£300-500

171

Hans Jørgensen Wegner (Danish, 1914-2007) for Carl Hansen & Søn, Odense Denmark: A 1950’s CH23 Chair, the tablet curved back with cruciform inlays, with double woven seats, terminating on flared back legs

76cm high

£100-150

172

Peter Hvidt (1916-1986) and Orla Mølgaard-Nielsen (1907-1993) for Søborg Møbelfabrik: A Set of Five (4+1) Teak Dining Chairs, circa early 1960s, model 316 and 317, each with a swept backrest, with woven paper cord seats, on tapering cylindrical legs, angled stretchers, armchair 77.5cm high chairs 75cm high

£400-600

173

Peter Hvidt & Orla Mølgaard Nielsen for France & Daverkosen: A Modular Teak Occasional Table, model no. fd 523, originally designed in 1952, with brassplated tube steel legs, labelled france & daverkosen danmark, 65.5cm wide, 44cm high

£100-150

174

A 1960s Danish Oval Teak Wall Mirror, tear drop form, unmarked, 125cm by 40cm

A Mid-Century Vanson Furniture Teak Drop-Leaf Drinks Trolley, with lower tier, on cylindrical supports and castors, unmarked, 82cm long (leaves up) 67cm wide, 69cm high

A Mid-Century Formica and Metal Table, probably made by Chalford Glos Arnold Designs Ltd, the top with a fruit and vegetable design, with black edge to side, on four black metal legs joined by a support, unmarked, 106cm wide, 68cm deep, 76.5cm high (3)

£100-150

172

173

174

176

175

Arne Vodder (1926-2009) for Sibast: A Teak Rocking Chair, concave top bar rail over a stick back, upswept arms, upholstered orange fabric seat, on chamfered rockers, labelled SIBAST FURNITURE MADE IN DENMARK and DANISH FURNITURE MAKERS CONTROL, 96cm high

£200-300

Pieter De Bruyne (1931-1987) for AL Meubel: A Teak Extending Dining Table, on four square section chrome legs, 159cm wide (275cm fully extended) 87cm deep, 75.5cm high with two extensions each 58cm wide

£200-300

177

178

Nils Jonsson (1927-2017) for Troeds: A Trio Teak Sideboard, circa 1960, with two sliding doors enclosing four drawers, top drawer fitted for cutlery with removable tray, with recessed handles, stamped TROEDS MODEL TRIO DESIGN NILS

JONSSON MADE IN SWEDEN, 190cm long, 42.5cm deep, 80.5cm high

The Trio sideboard is from the Bjärnum range.

£200-300

A 1960s Mid-Century Swedish Alberts Tibro Teak and Afrormosia Coffee Table, shaped rectangular top on four tapering circular legs, stamped ALBERTS TIBRO MADE IN SWEDEN 22.04.64, 55cm wide, 135cm long, 45cm high

£70-100

179

A Mid-Century Teak Extending Dining Table, on turned tapering legs, unmarked, 110cm wide (closed) 110cm deep, 72.5cm high

A Set of Five Mid-Century Teak Dining Chairs, shaped bar backs, upholstered seats, on tapering circular legs, unmarked, 77cm high (6)

£150-250

181

Three Vitra Aluminium Group Office Chairs, designed by Charles and Ray Eames, Model No.EA108, the sling backs and seats upholstered in brown fabric, polished aluminium frames on four point bases and black plastic pad feet, cast 938-138 and paper label AUFTRAG/CLIENT/CUSTOMER POS

32903 41.89 002 41236103 MONTAGE-L: 1

EA 108 ALU-S vitra, 58cm wide, 50cm deep, 83cm high seat

height 47cm

Three Vitra Aluminium Group Office Chairs, designed by Charles and Ray Eames, Model No.EA116, the sling backs and seats upholstered in brown fabric, polished aluminium frames on four point bases and black plastic pad feet, cast 938-139 and paper

label AUFTRAG/CLIENT/CUSTOMER POS

86321 48.86 001 41236303 MONTAGE-L: 1

EA 116 ALU-S vitra, 62cm wide, 50cm deep, 90cm high seat

height 43cm (6)

£350-450

180

A Mid-Century Egg Lounge Chair, after a design by Arne Jacobsen, black vinyl upholstery, with pad seat, on a cast aluminium swivel base with black plastic sabots, unmarked, 71cm wide, 104cm high

£200-300

182

Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988): for Herman Miller: A Table, the laminate Rosewood top on a twin black painted and chrome support on four legs, labelled herman miller, 108cm deep, 183cm (6ft) wide, 72.5cm high

Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988) for Herman Miller: Two Soft Pad Group EA216 Arm Chairs, upholstered in tan leather, swivel bases, aluminium frames, cast HERMAN MILLER PAT NO 3041109.3024068, 89cm high

Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988) for Herman Miller: Two Soft Pad Group EA208 Arm Chairs, upholstered in tan leather, swivel bases, aluminium frames, 85cm high

Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988) for Herman Miller: Four Soft Pad Group EA208 Arm Chairs, upholstered in camel brown leather, swivel bases, aluminium frames, each labelled herman miller, 85cm high (9)

£1,500-2,500

183

Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988) for Herman Miller: A Compact Sofa, first created in 1940s as a built-in sofa, in 1954 as a freestanding version, slab seat and folding backrest, upholstered in cream leather, supported on a chromed steel frame, labelled, 180cm wide, 87cm high, seat 42cm high

£150-250

184

After Charles and Ray Eames: A Santos Palisander Lounge Chair and Ottoman, with black padded upholstered covers, on a cast steel and aluminium swivel base, chair 80cm deep, 89cm wide, 80cm high

ottoman 64cm by 57cm, 44cm high (2)

£500-600

186

After Charles and Ray Eames: A Santos Palisander Lounge Chair and Ottoman, with black padded upholstered covers, on a cast steel and aluminium swivel base, chair 88cm by 80cm, 84cm high ottoman 65cm by 60cm, 42cm high (2)

£300-500

185

After Charles and Ray Eames: A Santos Palisander Lounge Chair and Ottoman, with black padded upholstered covers, on a cast steel and aluminium swivel base, chair 80cm deep, 89cm wide, 80cm high ottoman 64cm by 57cm, 44cm high (2)

£500-600

187

Two Christie Tyler Aeroplane Lounge Chairs, ribbed stitched upholstery, on painted bent hollow aluminium frames, tilting platform mechanism, unmarked, 64cm wide, 82cm high

£200-400

184

188

A Scandinavian Red Lacquered Bookcase, Table and Four Chairs, Bookcase, the upper section with six shelves (two fixed and four adjustable) the base with two drawers over two cupboards each having an adjustable shelf, unmarked, 130cm wide, 40cm deep, 188cm high

Table, rectangular top, two ends with Nordic fret cut decoration, on four square section legs, unmarked, 130cm wide, 78cm deep, 72cm high

Four Chairs, Nordic fret cut backs, on four square section legs joined by side rails, unmarked, 75cm high

Purchased from Heals in the 1970s.

£200-400

189

A 1970s Swivel and Rocking Chair, upholstered in deep pink and yellow stripped fabric, two back cushions and a seat swab cushion, on a four-point aluminium base, unmarked, 91cm high

£200-300

190

An Odd Knutsen Luna Chair for John Lewis, cream upholstery on a laminated frame, 1988 fire label, 70cm wide, 72.5cm high (originally designed in the 1970s, re-issued in 1990 for John Lewis) £80-120

191

Ronald Jeanson for Zilio: A Pair of Mazy Beech Plywood Chairs, with pierced maze backs, upholstered tan vinyl seats, unmarked, 66cm wide, 50cm deep, 79cm high

£100-200

192

A Mid-Century Danish Cado Dining Table, designed by Paul Cadovius, hand painted by Susanne Fjeldsøe Mygge, on brushed aluminium conical support, labelled CADO MADE IN DENMARK 7511130, top signed Mygge, 139cm diameter, 70cm high

£100-150

193

Gunther Hoffstead for Uniflex International Furniture: A Mid-Century Teak Dressing Table, with triple mirrors, central drawer enclosed by two banks of three drawers with recessed handles, on bent supports, labelled, 162cm wide, 50cm deep, 120.5cm high

Gunther Hoffstead for Uniflex International Furniture: A Mid-Century Teak Chest of Drawers, with six drawers with recessed handles, on bent supports, labelled, 131cm wide, 50cm deep, 71cm high (2)

£150-250

192

191 193

194

A Mid-Century A.H.Mcintosh, Scotland Teak Wall Unit, circa 1970s, the upper section with sliding glass doors, open shelves and a drop-down cocktail compartment with a fitted interior, the lower section with three drawers, one lined in red felt with dividers, and two cupboards, all with brass pulls, labelled Mc A.H.McINTOSH & CO LTD KIRKCALDY SCOTLAND, 180cm wide, 42cm deep, 170cm high

£70-100

195

A Set of Eight Cattelan Italia Dining Chairs, circa 2008, fully covered in red fabric, zips to legs, black sliders, printed cattelan italia, 84cm high

£250-350

196

Lucinda Leech (King Street, Jericho, Oxford): An Ash Sideboard, circa 2000, with six square section supports between shaped rectangular top and base, enclosing three cupboards with adjustable shelves, unmarked, 120cm wide, 52cm deep, 87cm high £100-150

194

195

197

Eight Varier (Stokke) Date Chairs, designed by Olav Eldøy in 2003, upholstered soft shell in white (4) and purple (4), on chrome supports, stitched labels, 95cm high

£500-800

198

A Fritz Hansen Superellipse Table, 2010, designed by Piet Hein (19051996) and Bruno Mathsson (1907-1988), the superelliptical laminate white top with aluminium edging, raised on chrome supports, labelled SUPERELLIPSE Piet Hein and REPUBLIC OF Fritz Hansen

60000034986 and REPUBLIC OF Fritz Hansen

www.FRITZHANSEN.COM DESIGN: PIET HEIN & BRUNO MATHSSON MADE IN DENMARK 2010, 150cm long, 100cm wide, 72cm high and two extra extensions each 50cm wide

The Superellipse table was inspired by the designer Piet Hein’s solution to a traffic problem at Sergels Torg in Stockholm: a super elliptical roundabout.

£200-300

199

Tadek Beutlich (Polish, 1922-2011): Loom Woven Wall Hanging, 1960s, camel hair, wool, jute and burnt wood, 74cm wide, 140cm high

£200-300

201

A 20th Century American Hooked Rug, abstract pattern in multicolours, on a black ground, with a grey and green border, 90cm by 158cm

£200-300

200

A Ramses Wissa Wassef Tapestry Wall Hanging, depicting birds in palm trees, dated 1990 in bottom right corner,, labelled Ecole RAMSES WISSA WASSEF Cette tapisserie est une oeuvre d’art originale, realisee directement sur le metier, sans carton. Un exemplaire unique. pa Eleve de l’ecole Ramses Wissa Wassef sous la direction de Sophie Habib Gorgi, 91cm wide, 136cm high (including fringe)

£200-300

202

A 20th Century American Hooked Rug, repeat abstract pattern in multicolours, within a brown border, 99cm by 109cm

£150-200

203

A Tibetan Rug, circa 1990, the terracotta ground with three white grille squares, 197cm diameter

£60-90

204

A Turkish Hand Knotted Wool Runner, after The Fintona, giant hemlock pattern in salmon pink and green, on a cream ground, 327cm by 90cm

The original Fintona was a Donegal carpet possibly designed by the Silver Studio and woven for Liberty’s, circa 1902.

£300-500

206

Kashmiri Handmade Chainstitch Wool Rug, flowers within a honeycomb pattern, on a cream ground, made by Kashmir Paradise, Benaulim, South Goa, hand dyed, on a cotton canvas back, 120cm by 174cm

£80-120

205

Kashmiri Handmade Chainstitch Wool Rug, with butterflies and flowers on a cream ground, made by Kashmir Paradise, Benaulim, South Goa, hand dyed, on a cotton canvas back, 178cm by 120cm

Kashmiri Handmade Chainstitch Wool Rug, with butterflies and flowers on a cream ground, made by Kashmir Paradise, Benaulim, South Goa, hand dyed, on a cotton canvas back, 90cm by 144cm (2)

£100-150

207

Kashmiri Handmade Chainstitch Wool Rug, with flowers and foliage on a light blue ground, made by Kashmir Paradise, Benaulim, South Goa, hand dyed, on a cotton canvas back, 91cm by 147cm

£70-100

i208

Robert Mouseman Thompson (1876-1955): An English Oak Mantel Clock, 1930’s, the adzed circular case with chip carving, set with a clock face with later battery movement, with carved mouse trademark, 31cm wide, 4.5cm deep, 15cm high

£2,000-3,000

Robert Mouseman Thompson (1876-1955): A Pair of English Oak Bookends, each carved C.I.B and 1945, one with recessed carved mouse trademark, 15.5cm high

£400-600 210

Robert Mouseman Thompson (1876-1955): An English Oak Open

Backed 4ft Bookcase, dual depth ends, with a raised upstand carved 19 E.V.G 46, above a fixed shelf, over two adjustable shelves, the base with an open compartment, with carved mouse trademark, 101cm wide, 25.5cm deep, 122cm (4ft) high

Given as a wedding present by George Weightman to Violet (19202012) and Eric Goodwill (1919-2011). George and Eric used to ride motor bikes together.

£2,000-3,000

209

211

Robert Mouseman Thompson (1876-1955): An English Oak Fender/Curb, 1940’s, of plain rectangular form with moulded top edge, with carved mouse trademark, external 89.5cm wide, 38.5cm deep, internal 72.5cm wide, 30cm deep

Given by George Weightman to Violet Goodwill (1920-2012) and Eric Goodwin (1919-2011)

£200-300

212

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Tallboy, adzed top, above two cupboard doors with wrought iron hinges and latch, above two short over two graduated long drawers, with turned handles, on four block feet, with recessed carved mouse trademark, 85cm wide, 49.5cm deep, 124cm high

£2,000-3,000

213

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak 7ft Refectory Dining Table, dowelled adzed four plank top, on two octagonal legs joined by a rounded floor stretcher, with carved mouse trademark, 214cm by 90.5cm, 73cm high

£2,000-3,000

214

Workshop of Robert Mouseman Thompson (Kilburn): A Set of Eight English Oak Panel Back Dining Chairs, leather upholstered seats, on octagonal front legs joined by rush rails, each with carved mouse trademark, 85cm high

£1,800-2,500

215

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak 6ft Refectory Dining Table, dowelled adzed three plank top, on two octagonal legs joined by a floor stretcher, with carved mouse trademark, 183cm by 74.5cm, 72.5cm high

£1,000-1,500

216

Workshop of Robert Mouseman Thompson (Kilburn): Six English Oak Panel Back Chairs, solid seats, on square section legs, joined by plain rails, each inscribed D.D. JANE R HARKER 1961-8, DD GAYE MOSENTHAL 1967, D.D. FIONA C MACFARLANE AND JUDITH ANN TAYLOR 1960-1967, and D.D. JANE KIRBY 1963-1969, D.D. J. & S. THOMPSON 1953. 1959., D.D. MARY.GILLIAN AND JENNIFER WALL 1943, 1965, 1966., each with recessed carved mouse trademark, 86cm high

£600-900

215

216

218

Workshop of Robert Mouseman Thompson (Kilburn): A Set of Four English Oak Lattice Back Dining Chairs, 2000, tan leather seats, on two octagonal front legs, each with carved mouse trademark, dated 17/10/00, 84cm high

£1,500-2,000

217

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak 5ft Refectory Dining Table, post 1970s, adzed four plank top, on two octagonal legs joined by a chamfered floor stretcher, with carved mouse trademark 152.5cm (5ft) wide, 86cm deep, 72cm high

£1,000-1,500

219

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Lattice Back Arm Chair, tan leather upholstered seat, on octagonal front legs joined by a set back rush rail, with carved mouse trademark, 89.5cm high

£500-800

220

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Chair, slatted back, solid seats, on square section legs, with recessed carved mouse trademark, 90.5cm high

£300-500

221

Workshop of Robert Mouseman Thompson (Kilburn): An Oak Open Bookcase, solid ends, with two adjustable shelves, plinth base, with carved recessed mouse trademark, 109cm wide, 30cm deep, 101cm high (later back) £500-800

222

Workshop of Robert Mouseman Thompson (Kilburn): An Oak Cupboard, solid ends, two sliding doors, one end with three adjustable shelves, the other with adjustable shelf and rack compartments, plinth base, with carved recessed mouse trademark, 152.5cm (5ft) wide, 42.5cm deep, 100.5cm high

£400-600

221 222

220

223

Workshop of Robert Mouseman

Thompson (Kilburn): An English Oak Standard Lamp, octagonal column and base, with carved mouse trademark, 139cm high

£500-700

225

Workshop of Robert Mouseman

Thompson (Kilburn): An English Oak Table Lamp, octagonal column and square base, with carved mouse trademark, 30cm high

£200-300

224

Workshop of Robert Mouseman

Thompson (Kilburn): An English Oak Standard Lamp, octagonal column and base, with carved mouse trademark, 138.5cm high

£300-500

226

Workshop of Robert Mouseman

Thompson (Kilburn): An English Oak Table Lamp, octagonal column on a square base, with carved mouse trademark, 25.5cm high

£150-250

227

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Panelled 3ft Single Divan Headboard, with penny moulded top, with carved mouse trademark, 91.5cm wide, 94.5cm high

£300-500

228

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Panelled 3ft Single Divan Headboard, with penny moulded top, with carved mouse trademark, 91.5cm wide, 94.5cm high

£300-500

227

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Octagonal Coffee Table, the adzed top, on a cruciform base, with carved mouse trademark

55cm diameter, 47cm high

£500-800

229

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Stand Mirror, the rectangular mirror pivots between two octagonal supports on a low level frame, with carved mouse trademark, 42cm wide, 16cm, 47cm high

£600-900

231

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Octagonal Coffee Table, the adzed top, on a cruciform base, with carved mouse trademark, 47.5cm high

£400-600

233

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak 3ft Refectory Coffee Table, the adzed rectangular top on two octagonal legs joined by a floor stretcher, with carved mouse trademark, 91.5cm wide, 38cm deep, 44cm high

£300-500

232

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Nest of Three Tables, adzed rectangular tops, on four octagonal legs, joined by rails, each with carved mouse trademark, largest 61cm (2ft) wide, 37.5cm deep, 47cm high

£600-900

235

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Double Dish Top Stool, with nailed and adzed top on four octagonal legs joined by stretchers, with recessed carved mouse trademark, 82cm by 36cm, 41cm high

£400-600

234

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Double Dish Top Stool, with nailed and adzed top on four octagonal legs joined by stretchers, with carved mouse trademark, 82.5cm by 36cm, 41cm high

£600-900

236

Robert Mouseman Thompson (1876-1955): An English Oak Stool, on four octagonal legs, joined by stretchers, with carved mouse trademark

41cm by 27cm, 36cm high

Originally a dish top stool, but got damaged and George Weightman replaced the top.

Given by George Weightman to Violet Goodwill (1920-2012).

£400-600

238

237

Robert Mouseman Thompson (1876-1955): An English Burr Oak Dish Top Stool, with nailed top, on four octagonal legs, joined by stretchers, with carved mouse trademark 40cm by 26cm, 37.5cm high (damaged)

£400-600

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Dish Top Stool, the adzed rectangular nailed top, on four octagonal legs, joined by stretchers, with carved mouse trademark, 40cm wide, 27cm deep, 39cm high

£300-500

239

Robert Mouseman Thompson (1876-1955): An English Oak Dish Top Stool, with nailed top, on four octagonal legs, joined by stretchers, with carved mouse trademark 41cm by 28cm, 37cm high (damaged)

£250-350

240

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Dish Top Stool, the adzed rectangular nailed top, on four octagonal legs, joined by stretchers, with carved mouse trademark, 40cm wide, 27.5cm deep, 38.5cm high

£250-350

241

Robert Mouseman Thompson (1876-1955):

An English Oak Stool, circa 1930s, strap leather top, on four octagonal legs joined by stretchers, pop marks to legs, with carved mouse trademark 34cm wide, 26.5cm deep 34cm high

£300-500

242

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Dressing Table Stool, 1998, with upholstered leather seat, on four octagonal legs joined by stretchers, with carved mouse trademark, 3cm wide, 31.5cm deep, 45.5cm high (dated 23/5/98)

£300-500

240

241

242

243

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Cow Stool, post 1970, the kidney shaped seat on three octagonal legs, with carved mouse trademark on the seat, 46cm high (loose joints)

£150-200

245

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Cow Stool, post 1970, the kidney shaped seat on three octagonal legs, with carved mouse trademark on the seat, 44.5cm high (loose joints)

£150-200

244

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Cow Stool, post 1970, the kidney shaped seat on three octagonal legs, with carved mouse trademark on the seat, 45cm high (loose joints)

£150-200

246

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Kidney Shaped Calf Stool, on three octagonal legs, with carved mouse trademark, 36cm high

£150-250

Robert Mouseman Thompson (1876-1955): An English Oak Circular Bowl, with carved mouse trademark to the exterior, 18cm diameter

£400-600

249

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Fruit Bowl, with carved mouse trademark to the interior, 28.5cm diameter

£100-150

248

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Fruit Bowl, with carved mouse trademark to the interior, 28.5cm diameter

£200-300

250

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Nut Dish, with carved mouse trademark to the exterior, 15.5cm diameter

£70-100

251

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Nut Dish, with carved mouse trademark to the exterior, 15cm diameter

£70-100

252

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Nut Dish, with carved mouse trademark to the exterior, 15.5cm diameter

£70-100

253

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Nut Dish, with carved mouse trademark to the exterior, 15cm diameter

£70-100

254

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Nut Dish, with carved mouse trademark to the exterior, 14.5cm diameter

£70-100

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Bread Board, of octagonal form, with carved mouse trademark, 30.5cm wide

£100-150

257

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Kidney Tea Tray, with carved mouse trademark handles 48cm wide

£200-300

256

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Bread Board, of octagonal form, with carved mouse trademark, 30.5cm across

£100-150

258

Workshop of Robert Mouseman Thompson

£70-100

An English Oak

259

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Teapot Sand/Small Chopping Board, with carved mouse trademark, 19cm wide

£70-100

(Kilburn):

Teapot Stand/Small Chopping Board, with carved mouse trademark, 19cm wide

260

Robert Mouseman Thompson (1876-1955): An English Oak Cheese Board, of standard form, with carved mouse trademark on the board, 38cm wide

Cheese boards were first produced in the 1930’s. Early examples were produced with the mouse carved at right angles to the handle and positioned on the board itself. In the 1960’s the mouse began to appear carved on the handle.

£150-250

261

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Cheese Board, post 1960, of standard form, with carved mouse trademark on handle, 39cm

£150-250

262

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Cheese Board, post 1960, of standard form, with carved mouse trademark on handle, 40cm

£100-150

263

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Cheese Board, post 1960, of standard form, with carved mouse trademark on handle, 39.5cm

£100-150

265

Robert Mouseman Thompson (1876-1955): An English Oak Ashtray, of standard rectangular form, with carved mouse trademark, 10cm wide

£100-120 264

Robert Mouseman Thompson (1876-1955): An English Oak Horse Hoof Ashtray, with carved mouse trademark 12cm wide

£70-100

266

Workshop of Robert Mouseman Thompson (Kilburn): Two English Oak Ashtrays, of standard rectangular form, each with carved mouse trademark, 10cm and 10.5cm wide

£120-180

267

Workshop of Robert Mouseman Thompson (Kilburn): Two English Oak Ashtrays, of standard rectangular form, each with carved mouse trademark, 10cm wide

£120-180

268

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Ashtray, of standard rectangular form, with carved mouse trademark, 10.5cm

£70-100

270

269

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Letter Rack, with recessed carved mouse trademark, 15.5cm wide, 5cm high

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Table Lighter, of octagonal form, with carved mouse trademark, 5cm high (lacking fitment) (2)

£100-150

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Letter Rack, three-tiered, with carved mouse trademark, 33cm wide, 13cm deep, 21cm high £250-350

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Book Trough, with carved mouse trademark, 45.5cm wide

£200-300

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Book Trough, with carved mouse trademark, 45.5cm wide

£150-250

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Book Trough, with carved mouse trademark, 45.5cm wide

£150-200

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Book Trough, with carved mouse trademark, 46.5cm wide

£150-250

275

Workshop of Robert Mouseman Thompson (Kilburn): A Pair of English Oak Single Mouse Bookends, each with carved mouse trademark, 15cm high

£150-250

276

Workshop of Robert Mouseman Thompson (Kilburn): A Pair of English Oak Single Mouse Bookends, each with carved mouse trademark, 15cm high

£150-250

277

Workshop of Robert Mouseman Thompson (Kilburn): A Pair of English Oak Single Mouse Bookends, each with carved mouse trademark, 15cm high

£150-200

278

Workshop of Robert Mouseman Thompson (Kilburn): Six English Oak Napkin Rings, of standard octagonal form, each with carved mouse trademark, 5cm

£300-400

279

280

Workshop of Robert Mouseman Thompson (Kilburn): Three English Oak Napkin Rings, of standard octagonal form, each with carved mouse trademark, 4.5cm and 5cm

£150-200

Workshop of Robert Mouseman Thompson (Kilburn): Four English Oak Napkin Rings, of standard octagonal form, each with carved mouse trademark, 4.5cm wide

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Ashtray, of standard rectangular form, with carved mouse trademark, 10cm (5)

£150-200

281

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Gavel and Block, the gavel with octagonal handle and head, with carved mouse trademark, circular block gavel 18.5cm long, block 9.5cm diameter (associated block)

£300-500

279 (part)

280

282

Workshop of Robert Mouseman Thompson (Kilburn): Two English Oak Lattice Panels, each with carved mouse trademark, 14cm wide, 23.5cm high

£300-500

283

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Octagonal Wall Clock, the octagonal frame with German Barigo battery movement, with carved mouse trademark, 19cm wide

£250-350

284

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Barometer, the octagonal frame mounted with a twin Diaphragm Doppledose movement, with carved mouse trademark, 21.5cm wide

£250-350

286

Workshop of Robert Mouseman Thompson (Kilburn): A Carved English Oak Pheasant, in a running pose, with carved mouse trademark, 48cm long

£3,000-5,000

285

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Anthropomorphic Mouse, wearing an apron, carved THE MOUSEMAN OF KILBURN, 28cm high

Purchased approx. 20 years ago direct from Kilburn.

£6,000-9,000

287

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Fox, by Stan Dodds (1928-2012) in a seated pose, on an oval base, with carved mouse trademark, 24.5cm long, 17cm high

£3,000-4,000

288

Woodpeckerman: Stan Dodds (1928-2012): A Carved English Oak Mare and Foal Group, on a tooled base with recessed caved woodpecker trademark, 29cm long, 20cm high

Provenance: From the Estate of Stan Dodds given to a family member (niece).

£3,000-5,000

289

Stan Dodds (1928-2012): A Carved English Oak Circus Elephant, seated on a drum with raised trunk and front legs, unmarked, 24cm high

Exhibited: The Yorkshire Critters, Tennant’s 17th May 2022 to 15th June 2022 on loan from the Dodds family, then sold to the current owner.

£3,000-4,000

290

Woodpeckerman: Stan Dodds (1928-2012): A Carved English Oak Sparrow Hawk, perched on a tooled base, with carved woodpecker trademark, 26.5cm high

£3,500-4,500

289

291

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Owl, carved as a standing owl holding a mouse in its talon on a rock work base, 32cm high

£2,000-3,000

292

Woodpeckerman: Stan Dodds (1928-2012): A Carved English Oak and Painted Badger, black and white painted head and legs, with left front leg raised, with recessed carved woodpecker trademark, 17.5cm long

Provenance: From the Estate of Stan Dodds given to a family member (niece).

£1,000-1,500

293

Workshop of Robert Mouseman Thompson (Kilburn):

A Pair of English Oak Triple Mice Bookends, each carved with three mice and tooled 17cm high

£2,000-3,000

294

Workshop of Robert Mouseman Thompson (Kilburn): A Pair of Carved English Oak Red Squirrel Bookends, both sitting up on their haunches eating an acorn, each with carved mouse trademark, 20.5cm high

£3,000-4,000

295

Robert Mouseman Thompson (1876-1955): An English Oak Mouse on a Wheel Truckle, the mouse carved on it’s haunches on a circular cheese truckle with a wedge missing and nibbled, 8cm high

Tennant’s sold a similar example 19th June 2021 Lot 1048. £500-800

296

Workshop of Robert Mouseman Thompson (Kilburn): A Carved English Oak Yorkshire Rose, post 1980s, with carved mouse trademark, 17cm wide

£500-800

298

Woodpeckerman: Stan Dodds (1928-2012): A Large English Oak Leaf Dish, with recessed carved woodpecker trademark, 44cm long

Provenance: From the Estate of Stan Dodds given to a family member (niece).

£500-800

297

Woodpeckerman: Stan Dodds (1928-2012): A Large English Oak Leaf Dish, with carved woodpecker trademark, 44cm long

Provenance: From the Estate of Stan Dodds given to a family member (niece).

£500-800

299

Rabbitman: Stan Dodds (1928-2012): An English Oak Book Trough, shaped ends, with carved rabbit trademark, 42.5cm wide

Provenance: From the Estate of Stan Dodds given to a family member (niece). £200-300

300

Woodpeckerman: A Stan Dodds (1928-2012): An English Oak Book Trough, with shaped ends, with carved woodpecker trademark, 43cm wide

Provenance: From the Estate of Stan Dodds given to a family member (niece).

£200-300

301

Acorn Industries: George James Grainger (1910-1995) and Son (Brandsby): A Set of Eight (6+2) Mahogany Dining Chairs, the top rail above four rails, upholstered drop-in seats, on tapering front legs, each with recessed carved acorn trademark, armchairs 88cm high, chairs 89cm high

£150-250

302

Acorn Industries: George James Grainger (1910-1995) and Son (Brandsby): An Oak Refectory Coffee Table, the adzed rectangular top on a pegged trestle base, with recessed carved acorn trademark, 76cm wide, 40cm deep, 44.5cm high

£100-150

303

Acorn Industries: George James Grainger (1910-1995) and Son (Brandsby): An Oak Ashtray, of standard rectangular form, with carved acorn trademark, 10cm

Yorkshire School: An English Oak Ashtray, of standard rectangular form, with carved ivy leaf trademark, 11.5cm

Yorkshire School: An English Oak Ashtray, mounted with an aluminium racing plate, unmarked, 11.5cm (3)

£120-180

305

304

Beaverman: Colin Almack (1930-1996) (Suttonunder-Whitestonecliffe): An English Oak Panelled Sideboard, 1970s, adzed top over two cupboard doors enclosed four drawers (top drawer fitted for cutlery) with carved rose handles, on four square section feet, with recessed carved beaver trademark, 180.5cm wide, 46.5cm deep, 84.5cm high

£500-800

Beaverman: Colin Almack (1930-1996) (Sutton-underWhitestonecliffe): An English Oak 6ft Refectory Dining Table, 1970s, four plank top, on a pegged trestle base, with carved beaver trademark, 182.5cm wide, 85.5cm deep, 74.5cm high

£300-500

306

Beaverman: Colin Almack (1930-1996) (Sutton-underWhitestonecliffe): An English Oak Panelled Blanket Chest, 1970s, rectangular hinged top, on four feet, with recessed carved beaver trademark, 93cm wide, 50.5cm deep, 61cm (2ft) high

£300-500

307

Cat and Mouseman: Lyndon Hammell (1954-2015) (Harmby): An English Oak Panelled Linen/Pantry Cupboard, the single door with wrought-iron drop handle and hinges, four fixed shelves, two hanging rails to one side, on a plinth base, with recessed cat and mouse trademark, 70cm wide, 27cm deep, 167cm high

£300-500

308

Eagleman: Albert J Jeffray (19372013) (Sessay): An English Oak Smoking Chair, with panelled back, shaped arm rests, cow hide cushions, with recessed carved eagle trademark, 94.5cm high

£400-600

310

309

Eagleman: Albert J Jeffray (1937-2013) (Sessay): An English Oak Smoking Chair, with panelled back, shaped arm rests, cow hide cushions, with recessed carved eagle trademark, 94.5cm high

£400-600

Eagleman: Albert J Jeffray (1937-2013) (Sessay): An English Oak Horseshoe Ashtray, with carved eagle trademark, 13cm wide, 8cm high

£100-150

312

Fox Furniture (Langthorpe, Boroughbridge): An English Oak Sideboard, 1972, with raised upstand, adzed top, above three drawers (one fitted for cutlery) enclosing a cupboard door, with carved rose handles, on four octagonal feet, with carved seated fox trademark, 124.5cm wide, 49cm deep, 80cm high

The Little Wooden Fox of Langthorpe Ltd. Trading as The Fox Furniture Company and Aldborough Crafts Ltd.

£500-800

311

Fishman: Derek Slater (b.1945) (Woodcarvers of Crayke, Easingwold): An Oak Spinning Chair, the back with pierced heart motif, shaped seat, on three octagonal legs, with recessed carved fish trademark, 87.5cm high

£70-100

313

Fox Furniture (Langthorpe, Boroughbridge): An English Oak Hanging Corner Cupboard, 1972, the panelled door, enclosing three fixed shelves, with carved rose handle, with recessed carved seated fox trademark, 72cm wide, 39cm deep, 86.5cm high, with hanging bracket

£200-300

314

Fox Furniture (Langthorpe, Boroughbridge): An English Oak Panelled Piano Stool/Work Box, 1972, with upholstered hinged seat, on four octagonal legs, with carved seated fox trademark, 42cm wide, 34cm deep, 51cm high

£100-150

316

315

Foxman: A.D.Craven (Langthorpe, Boroughbridge): An English Oak Side Table, adzed top, above two drawers with rose handles, on four octagonal legs joined by a H stretcher, with carved seated fox trademark, 78.5cm wide, 42.5cm, 72.5cm high

£200-300

Foxman: A.D.Craven (Langthorpe, Boroughbridge): An English Oak Stool, upholstered tapestry seat, on four octagonal legs joined by rails, with carved seated fox trademark, 42cm wide, 34cm deep, 42.5cm high

£80-120

318

317

Knightman Family: Old Mill Furniture (Balk): An Oak Armchair, Yorkshire rose back, upholstered leather seat, on octagonal front legs, with recessed carved knight trademark, 86cm high

£100-150

Mothman: An English Oak Stool, the adzed seat with carved chequered edge, on four tapering square section legs, with carved moth trademark, 39cm wide, 26cm deep, 46.5cm high

£200-300

319

Rabbitman: Peter Heap (1945-2022) (Wetwang): An English Oak 5’ Welsh Dresser, the upper section with two plate rack shelves, the base with three drawers with turned knob handles above two cupboard doors with wrought iron hinges and latches, on block feet, with carved rabbit trademark, 153cm wide, 46cm deep, 177.5cm high

£800-1,200

320

Rabbitman: Peter Heap (1945-2022) (Wetwang): An English Oak Serving Table, with raised upstand, rectangular adzed top above two drawers, with turned knob handles, above a shelf, on four chamfered square section legs, with carved rabbit trademark, 112cm wide, 45cm deep, 86cm high

£600-900

321

Rabbitman: Peter Heap (1945-2022) (Wetwang): An Oak 5ft Refectory Table, three plank dowelled top, on two octagonal legs joined by a chamfered floor stretcher, with carved rabbit trademark, 152cm wide, 85cm deep, 73cm high

£400-600

322

Rabbitman: Peter Heap (1945-2022) (Wetwang): A Set of Five (4+1) English Oak Panel Back Dining Chairs, upholstered seats, on two octagonal front legs joined by rails, each with carved rabbit trademark, armchair 90.5cm high, chairs 84.5cm high

£500-800

323

Rabbitman: Peter Heap (1945-2022) (Wetwang): An English Oak Hanging Corner Cupboard, with panelled door enclosing two fixed shelves, wrought iron hinges and latch, with carved rabbit trademark, 67cm wide, 46cm deep, 95.5cm high

£200-300

324

Rabbitman: Peter Heap (19452022) (Wetwang): An English Oak Stool/Coffee Table, with solid adzed top, on four octagonal legs joined by rails, with carved rabbit trademark

48.5cm wide, 32.5cm deep, 43cm high

£100-150

325

Sidney (Sid) Pollard (1914-1994) (Thirsk): A Set of Four English Oak Panel Back Dining Chairs, leather seats, on octagonal front legs, unmarked, 84cm high

£250-350

326

Sidney (Sid) Pollard (1914-1994) (Thirsk): Four Oak Panel Back Dining Chairs, drop-in seats, ply bottoms, on two octagonal front legs, unmarked, 85.5cm high

£200-300

328

Attributed to Sidney (Sid) Pollard (1914-1994) (Thirsk):

327

Attributed to Sidney (Sid) Pollard (1914-1994) (Thirsk): An English Oak Drop Leaf Coffee Table, adzed top, on four octagonal legs joined by rails, unmarked, 62cm wide, 61cm deep, 48cm high

£100-150

An English Oak Drop Leaf Coffee Table, adzed top, on four octagonal legs joined by rails, unmarked, 62cm wide, 61cm deep, 48.5cm high

£100-150

329

Squirrelman: Wilfred Hutchinson (1936-2013) and Trevor Hutchinson (b.1960) (Husthwaite):

An English Oak 5ft Refectory Table, adzed three plank top, on two octagonal legs joined by a floor stretcher, with carved squirrel trademark, 152.5cmwide, 86cm deep, 73cm high

£400-600

330

Squirrelman: Wilfred Hutchinson (1936-2013) and Trevor Hutchinson (b.1960) (Husthwaite):

A Set of Six Dining Chairs, each with carved Yorkshire Rose backs, tan leather upholstered seats, on octagonal front legs, each with carved squirrel trademark, 86cm high

£600-900

Squirrelman: Wilfred Hutchinson (1936-2013) and Trevor Hutchinson (b.1960) (Husthwaite): A Pair of English Oak Napkin Rings, of standard octagonal form, each with carved squirrel trademark, 5cm wide

£70-100

331

Squirrelman: Trevor Hutchinson (b.1960) (Husthwaite): An English Oak Carved Squirrel, breaking a nut, carved TH 2019, 10.5cm high

£150-250 334

333

Unicornman: Geoff M Gell & J A Dixon (Coxwold Cabinet Makers): An Oak Two Section Open Bookcase, smooth top, with four adjustable shelves, with carved unicorn trademark, 152.5cm (5ft) wide, 29cm deep, 92cm (3ft) high

Coxwold Cabinet Makers, The Old Farmhouse Workshop, Coxwold, York, YO61 4AA

£200-300

Wren Cabinet Makers: Bob Hunter (Thirlby): A Stained Oak Mantel Shelf, flat top and adzed edge, with recessed carved wren, 147cm wide, 17cm deep, 4.5cm high

£150-250

Yorkshire School/Kilburn Workshop: An Oak Piano/Box Stool, circa 1920s/30s, with upholstered drop-in seat, above penny moulding, on four octagonal legs with pop marks, joined by stretchers, unmarked, 42cm wide, 33cm deep, 49cm high

£200-400

Yorkshire School: An English Oak Dish Top Stool, with nailed top, on four octagonal legs, joined by stretchers, unmarked, 40cm wide, 27cm deep, 37cm high (cracked seat)

£200-300 337

An English Oak Stool, the seat carved with the Yorkshire rose, on four chamfered square section legs, labelled Judith Pearson woodcrafts 39 The Shambles York, 35cm wide, 27.5cm deep, 30cm high

A.S. Harrison and Peter R Pearson (general woodturner) are also listed at 39 The Shambles, York.

£60-90 338

An Oak Bowl, the well carved with the Yorkshire rose, labelled YORKSHIRE GUILD OF CRAFTSMEN, 37cm diameter

£70-100

Auction Notes

BUYERS’ INFORMATION

Buyer’s Premium

A Buyer’s Premium of 24% on the first £999,999 of the Hammer Price and 22% on the amount thereafter, plus VAT, is payable on each lot.

Condition Reports

We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. We accept no liability for the opinions expressed in any Condition Report.

Caveat Emptor

The principle of caveat emptor applies to the sale of all goods sold at auction by us. Furthermore, we have no control over the condition of any item offered for sale.

Additional Images

Requests for additional images of items in the sale can be made up to 48 hours before the Day of Sale.

Online Bidding

We offer an online bidding service via our own platform - Tennants Live Bidding at www.tennants.co.uk. Items purchased via this platform will be subject to an additional 1.5% commission charge plus VAT at the prevailing rate. We also offer online bidding via www.the-saleroom.com for prospective buyers who cannot attend the sale. Items bought via this platform will be subject to an additional 4.95% commission charge plus VAT.

By completing registration on www.the-saleroom.com and providing your credit/bank card details and unless alternative arrangements are agreed with us, you;

(a) authorise Tennants, if they so wish, to charge the credit/bank card given in part of full payment, including all fees, for items successfully purchased in the auction via www.the-saleroom.com; and

(b) confirm that you are authorised to provide these credit/bank details to Tennants through www.the-saleroom.com and agree that Tennants are entitled to permit the shipping of the goods to the card holder and card holder address provided in fulfilment of the sale.

We do not accept any liability for any losses, however arising, as a result of a prospective buyer’s use of www.the-saleroom.com. Use of www.the-saleroom.com is subject to separate terms and conditions which do not form part of these conditions.

Telephone Bidding

Requests for telephone bidding must be registered at least one hour prior to the close of the View Day. We will not accept requests on the Day of Sale. Telephone Lines are booked on a first-come, first-served basis and are subject to a minimum lot value of £500 for Fine Art Sales and £200 for all other sales.

Absentee Bidding

Whilst reasonable endeavours will be made to execute absentee bidding up to the Day of Sale, Tennants will not be liable for any default or neglect in connection with this service. All such arrangements therefore are made entirely at the Prospective Buyer’s risk.

VAT

Value added tax or any equivalent tax chargeable in the UK or elsewhere.

AML Due Diligence

We conduct appropriate Due Diligence checks to comply with current Anti Money Laundering regulations for any buyer exceeding the threshold of £6,000. We reserve the right to withhold the purchased lots until such checks have been completed.

Agency

We act as agents for the Seller, whose details remain confidential. If you buy at auction your contract is with the Seller, not us.

Export/CITES Regulations

Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Certain species are also subject to CITES regulations when exporting/importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or may be obtained from:

The Animal and Plant Health Agency Centre for International Trade Horizon House Deanery Road Bristol BL1 5AH wildlife.licensing@apha.gsi.gov.uk 0117 372 3700

Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

Droit de Suite/ Artists’ Resale Rights

All items in this catalogue that are marked with “✓” are potentially qualifying items, and the royalty charge (set out below) will apply if the Hammer Price is more than £1,000. The royalty charge will be added to purchase invoices and must be paid before items can be cleared. All royalty charges are paid to either the Design and Artists Copyright Society (“DACS”) or the Artists’ Collecting Society (“ACS”) by the auctioneers, and no handling costs or additional fees with respect to these changes will be retained by the auctioneer.

From 14 February 2006 United Kingdom art market professionals (which includes auctioneers) are required to collect a royalty payment for all works of art that have been produced by living artists, and those who have died within the last 70 years. This payment is calculated on qualifying works of art which are sold for a Hammer Price of more than £1,000.

The royalty charge for qualifying items which achieve a Hammer Price of more than the UK sterling equivalent of £1,000 is as follows:

Up to £50,000 – 4%

£50,000.01 to £200,000 – 3%

£200,000.01 to £350,000 – 1%

£350,000.01 to £500,000 – 0.5%

Exceeding £500,000 – 0.25%

For further information please visit www.dacs.org.uk or www.artistscollectingsociety.org. There is no VAT payable on this royalty charge.

Post 1950 Furniture

Some furniture offered in the sale (as applicable) was not originally intended for use in a private home and will be sold under the category “works of art”. It is possible that some furniture does not comply with the Furniture and Furnishings (Fire)(Safety) Regulations 1989 and, for this reason, should not be used in a private home or re-upholstered. We do not provide any warranty or guarantee as to the safety of such furniture or the compliance with the Furniture and Furnishings (Fire) (Safety) Regulations 1989.

Furniture

Made from Brazilian Rosewood (Dalbergia Negra)

To comply with CITES Regulations on post-1947 Brazilian Rosewood furniture, all items have non-transferable Article 10 certificates. Brazilian Rosewood (Dalbergia Negra) is also subject to regulations when exporting and importing.

CITIES Regulations are given on www.ukcities.gov.uk or may be obtained from:

The Animal and Plant Health Agency Centre for International Trade Horizon House

Deanery Road

Bristol BL1 5AH Wildlife.licensing@apha.gsi.gov.uk 0117 372 3700

Method of Payment

Payment is accepted online via our website.

Card payments where the card holder is not present will only be accepted for transactions up to £500.

Payment can be made and purchases collected during the auction. All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale.

Collection

All purchases must be collected from our Leyburn offices, unless stated otherwise, within seven days of the Sale (Monday to Friday 8.30am to 5.00pm).

Despatch/Delivery

Buyers may appoint their own shippers or use one of our preferred suppliers for all UK deliveries and international shipping. Their contact details are as follows:

Bradleys Antique Packing Services Ltd 01325 281332 info@antiquepacking.co.uk

Carrs Carriers Ltd 01423 297088 01913 077024 07958 023028 carrscarriersltd@gmail.com

Mailboxes Etc 0113 242 8715 info@mbeleedscity.co.uk

In-House Shipping

For certain lots, we offer a packing and shipping service up to a total value of £5,000 (inclusive of buyer’s premium, VAT and any other associated charges). Prices start from £25 depending on the size and destination. Please note, we are unable to post items of a fragile nature. Items are fully insured and can be tracked from dispatch to delivery.

To obtain a quote for packing and shipping, please email shipping@tennants-ltd.co.uk or call 01969 623780. You will need to have paid your invoice in full, including delivery, before items are dispatched.

For full Terms of Business please refer to www.tennants.co.uk

NEXT 20TH CENTURY DESIGN SALE

SATURDAY 13 JUNE 2026

2026 AUCTION DATES

Friday 13 February

Antiques & Interiors, including a section of Silver Fashion, Costume & Textiles

Friday 27 February

Antiques & Interiors

Saturday 28 February

Modern & Contemporary Art

20th Century Design

Friday 6 March

Stamps, Postcards & Postal History

Friday 13 March

Asian Art

Saturday 14 March

Spring Sale

British, European & Sporting Art

Fine Jewellery, Watches & Silver

Wednesday 18 March

Militaria & Ethnographica

Friday 20 March

Antiques & Interiors, including a section of Silver