W. Tu c ke r
17 September — 01 November 2026
W. Tu c ke r O f fe r in gs
MAYA FRODEMAN GALLERY
O f fe r in gs Marking W. Tucker’s continued exploration of clay as
the completed work becomes something shared. “Once
an extension of his longstanding drawing and painting
a piece is completed, it becomes ‘an offering’—nothing
practice, Offerings brings together a playful cast of loosely
grand, simply a small gesture from me to the viewer,”
formed figures, animals, vessels, and objects that move
he writes. In Offerings, these gestures invite curiosity,
freely between the recognizable and the unexpected.
humor, introspection, and wonder, offering viewers an opportunity to engage with the work on their own terms.
For more than thirty years, Tucker has worked primarily with his non-dominant left hand, a choice that has become
W. Tucker was born in 1959 in Goldsboro, North Carolina. He
central to his process. Working this way allows him to
graduated from NYU with a BA in drama in 1982, later moving
relinquish control and avoid overthinking, leaving room for
to Los Angeles to pursue an acting career. While living with
spontaneity, imperfection, and discovery. His approach to
friends in the fabled art-centric Laurel Canyon neighborhood
clay is much the same: he begins without a fixed idea of
of Los Angeles, he discovered a drafting table, large pads of
what a piece should become, responding to the material
drawing paper, and sets of oil and chalk pastels left in the
as it develops. Rather than striving for conventional
house by a previous tenant. Drawing and painting became a
ceramic forms, Tucker uses clay to bring the characters
happy respite from the “frantic dismay” of auditioning. About
and marks of his two-dimensional work into physical space.
three years into the practice, a solo exhibition dropped into his lap, and a visual artist was born. Tucker’s work has
The resulting works balance a childlike directness with
been represented in the US by galleries in California, Texas,
a more sophisticated awareness. Tucker is drawn to the
Washington, and Wyoming. He also works with Galleri
simplicity and honesty of a child’s drawing, and is happiest
Hedenius in Stockholm, Sweden and has had his work shown
when his work retains something rough, unfinished, or
in various galleries in Switzerland. Tucker’s work has been
unexpected. Visible supports, irregular forms, and open
published in New American Paintings, a juried show in print.
spaces are embraced rather than corrected, allowing the
For the 2012-13 season Tucker was awarded Austin Critics
process of making to remain present in the finished object.
Table Award for “Best Installation” as well as “Artist of the Year” for his installation at Texas State University. Tucker
For Tucker, the act of making is deeply personal, but
2
lives and works in Austin, Texas with his lovely wife Sylvia.
this connected to that that connected to this , 2025 Ceramic 8 1/2 x 16 x 1 1/16 inches
4
they makin’ lemondade , 2024 Ceramic 14 3/4 x 9 3/4 x 1 1/12 inches
6
the mending bird (at times its actions were a contradiction) , 2025 Ceramic 11 3/8 x 11 1/4 x 7/8 inches
8
the pink cup , 2025 Ceramic 12 1/2 x 9 1/2 x 1/4 inches
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3 bird heads - they weren’t sure whether they were waiting for a sign or if they were the sign (#1) , 2025 Ceramic 4 3/8 x 15 1/4 x 3/4 inches
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too serious to be serious , 2025 Ceramic 7 1/4 x 5 1/4 x 5 1/4 inches
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the protectors of , 2025 Ceramic 6 3/4 x 6 3/4 x 6 3/4 inches
16
he had it in his head - smile more worry less , 2025 Ceramic 6 1/2 x 6 x 6 1/4 inches
18
always a boy, always his ship , 2025 Ceramic 10 1/4 x 10 1/2 x 1/2 inches
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he embraced this so called falling , 2025 Ceramic 9 1/4 x 10 1/2 x 1 3/4 inches
22
the down the up the up the down , 2025 Ceramic 9 1/2 x 10 3/8 x 15/16 inches
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stunned, at the beauty & the pain , 2025 Ceramic 5 1/2 x 2 1/4 x 4 1/2 inches
26
the saving birds, 2025 Ceramic 7 1/4 x 4 3/4 x 4 inches
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I felt safe in the wilderness , 2025 Ceramic 7 7/8 x 4 5/8 x 4 5/8 inches
30
white tank , 2025 Ceramic 4 x 5 7/8 x 1 inches
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the train moved with her , 2025 Ceramic 4 1/8 x 9 1/4 x 1 5/8 inches
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the secret of the secret ship , 2025 Ceramic 5 3/4 x 5 7/8 x 1 5/8 inches
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the red twins , 2025 Ceramic 4 x 3 1/8 x 1 3/4 inches
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a still ship, taking a pause (heading no where) , 2025 Ceramic 4 3/16 x 6 x 2 3/16 inches
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strange? curious? yes. and very loving , 2025 Ceramic 4 1/2 x 7 7/8 x 2 1/8 inches
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they & the bird floated , 2025 Ceramic 3 3/4 x 8 1/8 x 1 3/4 inches
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little train - finding the power in what it has , 2026 Ceramic 3 1/16 x 5 1/4 x 1 7/8 inches
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bowing to what comes, again & again , 2025 Ceramic 6 3/8 x 4 7/8 x 4 7/8 inches
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blue boy, ready not to fight , 2025 Ceramic 6 1/16 x 5 1/4 x 3 1/2 inches
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attempting to gently work through their anger , 2025 Ceramic 6 1/4 x 3 1/4 x 4 inches
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Zero (note; after lobby boy in the grand budapest hotel) , 2025 Ceramic 7 x 2 3/8 x 2 1/4 inches
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he was truly magic , 2025 Ceramic 6 1/2 x 3 1/8 x 3 3/4 inches
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2 bird heads on red with tiny sun , 2025 Ceramic 3 5/16 x 11 1/2 x 15/16 inches
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red cat hat , 2025 Ceramic 7 1/4 x 9 1/8 x 1/2 inches
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speaking the truth , 2025 Ceramic 8 1/8 x 8 3/8 x 5/8 inches
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the open space before the thought , 2025 Ceramic 5 11/16 x 4 5/8 x 1 1/4 inches
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the troubled cat , 2025 Ceramic 2 3/4 x 3 x 1/4 inches
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with the birds help, he’d try , 2025 Ceramic 9 11/16 x 6 1/2 x 1/4 inches
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so serious, and not , 2025 Ceramic 4 1/8 x 8 x 2 5/8 inches
70
oh happy day , 2025 Ceramic 4 3/8 x 3 7/8 x 2 1/8 inches
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motor bike in yellow , 2025 Ceramic 3 3/8 x 5 3/8 x 1 1/8 inches
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a ship of everything & nothing , 2025 Ceramic 5 x 6 3/4 x 1 3/8 inches
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a black bird flying in a white sky, 2025 Ceramic 3 9/16 x 11 3/8 x 3/4 inches
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the pals that stick with you (the ones that make the effort), 2025 Ceramic 8 1/2 x 8 3/4 x 3/4 inches
80
we are consciousness, 2025 Ceramic 8 1/4 x 2 3/4 x 2 3/4 inches
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they celebrate their home, 2025 Ceramic 6 3/8 x 2 3/4 x 2 3/4 inches
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they carried the rabbit, 2025 Ceramic 4 1/8 x 4 3/4 x 1 1/4 inches
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seven more heads (pieces of a whole), 2025 Ceramic 3 7/8 x 5 1/2 x 5 1/2 inches
88
nature heals (if we let it), 2025 Ceramic 6 1/2 x 4 1/8 x 4 1/8 inches
90
little red topped train, 2025 Ceramic 3 7/8 x 4 1/4 x 1 3/4 inches
92
four pieces of me / attempting to work it out, 2025 Ceramic 3 3/4 x 5 1/2 x 5 1/2 inches
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again & again, bowing to what is, 2025 Ceramic 6 1/4 x 6 1/2 x 5/8 inches
96
he was attempting to only box when absolutely necessary, 2025 Ceramic 7 1/2 x 7 3/8 x 1 1/2 inches
98
it’s your life Charlie Brown, 2025 Ceramic 9 3/8 x 3 5/8 x 1/8 inches
100
to pause (only they could do it for themselves), 2025 Ceramic 4 1/2 x 6 1/2 x 2 inches
102
1 + 5 more birds, 2025 Ceramic 2 1/2 x 4 3/4 x 2 3/8 inches
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the seven rabbits (at night), 2025 Ceramic 2 7/8 x 4 1/2 x 4 1/2 inches
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shiny black car, 2025 Ceramic 1 x 5 3/4 x 4 1/2 inches
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I still don’t know anything (about anything), 2025 Ceramic 5 5/8 x 4 x 4 inches
110
falling falling (and getting back up - putting the pieces back together again), 2025 Ceramic 3 x 6 x 4 3/8 inches
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(they felt) barely seen, 2025 Ceramic 4 5/8 x 3 5/8 x 3 inches
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chicken little , 2025 Ceramic 6 7/8 x 7 1/4 x 1 1/8 inches
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facing, accepting - again & again & again , 2025 Ceramic 6 3/4 x 6 5/16 x 3/16 inches
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the quiet in the not so subtle chaos, 2025 Ceramic 3 1/2 x 4 7/8 x 4 1/4 inches
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the best tiny house - with two birds, 2025 Ceramic 3 x 3 1/8 x 2 1/2 inches
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minding the gap, 2025 Ceramic 2 11/6 x 2 x 1 7/8 inches
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a house to many, 2025 Ceramic 3 3/4 x 3 3/8 x 1 13/16 inches
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the voice on the shoulder (which will win), 2025 Ceramic 5 1/2 x 5 5/16 x 1/2 inches
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whose life ..., 2025 Ceramic 3 x 3 1/8 x 4 inches
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the mob’s car, 2025 Ceramic 1 3/8 x 6 3/8 x 1 3/8 inches
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something like a truck (for you & me), 2025 Ceramic 1 11/16 x 5 1/4 x 1/4 inches
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mustard top, 2025 Ceramic 4 1/8 x 3 1/8 x 1 3/4 inches
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accepting what is, 2025 Ceramic 3 7/8 x 4 1/4 x 5/16 inches
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black cloud below black ship, 2025 Ceramic 4 3/4 x 4 1/2 x 1 5/16 inches
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sweetness , 2025 Ceramic 4 9/16 x 3 1/4 x 3/16 inches
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the yellow cap - their connection to the universe, 2025 Ceramic 4 1/2 x 4 9/16 x 3/8 inches
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they’d look at you hoping for connection, 2025 Ceramic 4 1/2 x 3 5/16 x 3/16 inches
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the two sides of something, 2025 Ceramic 2 3/4 x 4 x 3 inches
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I like this one (a good car), 2025 Ceramic 1 3/4 x 3 1/2 x 3 1/4 inches
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almost (whole), 2025 Ceramic 2 5/8 x 4 1/2 x 1 1/4 inches
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a ship for what?, 2025 Ceramic 2 1/8 x 3 5/8 x 1 inches
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it takes all shapes & sizes, 2025 Ceramic 1 1/8 x 4 1/4 x 1 1/4 inches
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another self portrait, 2025 Ceramic 5 5/16 x 3 x 3/16 inches
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they were looking for the cat, 2025 Ceramic 2 11/16 x 4 15/16 x 4 15/16 inches
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a car with a bit of a spirit, 2025 Ceramic 2 1/2 x 4 1/2 x 2 inches
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a bird I found, 2025 Ceramic 2 1/4 x 3 3/4 x 7/16 inches
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oh to be tender, 2025 Ceramic 2 3/4 x 3 1/8 x 3/16 inches
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patience, 2025 Ceramic 2 1/4 x 2 7/8 x 1/4 inches
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the size a tank should be (#4), 2025 Ceramic 1 1/4 x 2 5/8 x 1 inches
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the carry all, 2025 Ceramic 1 1/8 x 2 5/8 x 1 inches
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two white sails, 2025 Ceramic 2 3/4 x 5 1/8 x 1 inches
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the little yellow ship, 2025 Ceramic 2 5/8 x 3 1/8 x 1 3/4 inches
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ebony & ivory, 2025 Ceramic 1 1/2 x 3 5/16 x 1 3/8 inches
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carryall (#2) , 2025 Ceramic 1 3/4 x 3 3/8 x 1 7/16 inches
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the brown animal (in the train), 2025 Ceramic 1 3/4 x 2 1/4 x 1 1/8 inches
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one sail, 2025 Ceramic 2 x 2 3/8 x 1 1/4 inches
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bird head of yellow, 2025 Ceramic 1 3/8 x 1 7/8 x 1 1/4 inches
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a special one, 2025 Ceramic 3 3/8 x 3 1/2 x 3/8 inches
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white headed snake, 2025 Ceramic 2 x 4 x 3/8 inches
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tiny, tiny carry all, 2025 Ceramic 1 x 1 1/4 x 3/4 inches
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speckled ship, 2025 Ceramic 2 1/2 x 2 5/8 x 1 1/2 inches
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a boat with white sail, 2025 Ceramic 4 3/8 x 2 7/8 x 1 1/2 inches
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a simple shape, 2025 Ceramic 1 1/8 x 1 1/2 x 15/16 inches
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animal in snow, 2025 Ceramic 2 7/8 x 2 11/16 x 3/16 inches
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not blue, but slightly pensive, 2025 Ceramic 2 3/4 x 2 1/16 x 1/8 inches
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peaceful is as peaceful does, 2025 Ceramic 2 1/2 x 1 7/8 x 1/4 inches
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piece of a train, 2025 Ceramic 1 3/4 x 3 3/8 x 1/8 inches
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redish duck squared, 2025 Ceramic 1 5/16 x 2 7/16 x 1/4 inches
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pink eared elephant, 2025 Ceramic 2 1/4 x 2 7/8 x 7/16 inches
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the light blue ship, to bring some quiet, 2025 Ceramic 3 x 3 1/8 x 3/8 inches
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a slightly sporty one, 2025 Ceramic 7/8 x 2 1/2 x 13/16 inches
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maybe a gray fox, 2025 Ceramic 1 9/16 x 3 3/8 x 1/4 inches
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a sad whale, 2025 Ceramic 1 5/8 x 2 1/8 x 1/8 inches
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a happy fellow, 2025 Ceramic 2 7/16 x 2 1/2 x 3/8 inches
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a something with antlers, 2025 Ceramic 1 3/4 x 2 3/4 x 5/16 inches
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cat cat cat, 2025 Ceramic 2 3/16 x 2 1/2 x 3/8 inches
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he was going places, 2025 Ceramic 1 7/8 x 1 1/2 x 1 1/4 inches
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living in a state of awe (although at times it presented as shock and fear), 2025 Ceramic 2 1/4 x 2 x 7/16 inches
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one car above the other, 2025 Ceramic 1 5/8 x 1 3/4 x 5/16 inches
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Mr. Happy-ish, 2025 Ceramic 2 3/4 x 2 1/16 x 5/8 inches
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stepping through the confusion, 2025 Ceramic 1 15/16 x 1 5/8 x 3/16 inches
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suprise, suprise, 2025 Ceramic 1 15/16 x 1 5/8 x 3/16 inches
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the happy mask, 2025 Ceramic 3 1/16 x 1 15/16 x 3/16 inches
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tiny red bear with blue, 2025 Ceramic 2 3/16 x 2 1/8 x 3/8 inches
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a sweet ride - a tad broken, 2025 Ceramic 1 1/4 x 2 1/8 x 1 inches
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house alone with blue cloud, 2025 Ceramic 2 x 1 7/8 x 1/4 inches
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suprise they said and she was - suprised that is, 2025 Ceramic 1 3/4 x 1 1/4 x 3/16 inches
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three sails, not up, 2025 Ceramic 1 7/16 x 1 9/16 x 1/4 inches
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for a sunday drive, 2025 Ceramic 3/4 x 1 1/2 x 5/8 inches
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almost whole / and two holes, 2025 Ceramic 4 1/2 x 4 7/8 x 3/4 inches
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A r t is t St a t e me n t In my space I kneel, my work area in front of me and my
The process of creating the artwork is something I am
supplies around me. I often say a few short mantras, and
compelled to do for myself.
then I work.
I pick material to work on – book cover, old
it becomes “an offering” – nothing grand, simply a small
chalkboard, found paper - and start to make marks with
gesture from me to the viewer. An offering, by definition, is
no preconceived idea of what should be on the surface.
an act of contribution, a sacrifice. For me these “offerings”
The marks may be simple lines or circles leading to a body
are a formal presentation primarily functioning to express
of an animal, a person, a house – all of this evolves into a
gratitude to the viewer and devotion to my practice.
story. Adding, and at times removing, moving toward what
There seems to be an interplay and a balance between
is essential. A consistent and primary aspect of my work
the childlike elements of the work and a slightly more
for more than thirty years now has been the use of my non-
sophisticated (grownup) aspect to the pieces.
I am
dominant hand.
happy
might
Working with my left hand, has allowed
when
the
work
Once a piece is completed,
approaches
what
one
me to use what I discovered over time to be a true or more
see in a child’s drawing – a simplicity, an honesty and
authentic voice and has offered a freedom from overthinking
an opening to the opportunity for being in touch with
the work. It is a voice that allows as opposed to restricts.
one’s feelings … joy, melancholy, sadness, peace …. My hope is that the work may offer a bridge to the viewer
I began to work with clay in 2023.
I didn’t approach
to experience their own sense of curiosity and wonder.
ceramics to learn to create classic shapes and forms, I used the medium as an extension of my previous work. I
While writing this statement, I took some moments to
was uncertain how this would translate, but I think the
review the pieces that would be in this show. Along with
medium has allowed me to take the characters in my
wanting to be sure I was continuing to tell the truth about
work “off the page” out of a 2-dimensional realm, and into
the work, I also think I was looking for a throughline in the
3-dimensional forms. Working in clay forces me to use
pieces. What I saw in the work was a sweet back and forth
my right hand for some of the more delicate painting of
– from the child to the adult and the adult to the child.
underglazes.
Happily, my right hand remains under the
There seems to be an interplay and a balance between
gentle guidance of my more free, loose self – my left hand.
the childlike elements of the work and a slightly more sophisticated (ie. grownup) aspect of the pieces, - W. Tucker
another self portrait, (detail), Ceramic
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W. TUCKER EDUCATION 1982
BA, Drama, New York University, New York, NY
SOLO EXHIBITIONS 2026
2025
2024
2023 2022
2021 2020
2018 2017 2016
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Upcoming October – Conduit Gallery, Dallas, TX “offerings”, Maya Frodeman Gallery, Jackson Hole, WY “I made these things for you”, grayDuck Gallery, Austin TX “this I found”, Galleri Hedenius, Stockholm, Sweden “forever, and no time at all”, Koelsch Gallery, Houston, TX, (June) “compassion” said the rabbit, Conduit Gallery, Dallas, TX “standing / facing”, Tayloe Piggott Gallery, Jackson, WY “we’re all just walking each other home”, Galleri Hedenius, Stockholm, Sweden “be still”, Koelsch Gallery, Houston, TX “a cloud floats in, a ship passes by”, Big Medium, Austin, TX “in the middle of all this nonsense”, Conduit Gallery, Dallas, TX “wish you were here / and you are”, Koelsch Gallery, Houston, TX “heads in the mountains”, Tayloe Piggott Gallery, Jackson, WY “I am this big / I am this small”, Conduit Gallery, Dallas, TX “all that matters is the getting back up”, Koelsch Haus, Houston, TX “the captain asked for a show of hands”, Grey
2015 2014 2013
2012
2010
2008
2007
2003 2001
Duck Gallery, Austin, TX “a quiet moment”, Koelsch Haus (formally Koelsch Gallery), Houston, TX “box, boxing, boxed”, Conduit Gallery, Dallas, TX “the day before, and the day before that”, Koelsch Gallery, Houston, TX “the sound of a house”, Koelsch Gallery, Houston, TX “if I knew I’d tell you”, Conduit Gallery, Dallas, TX “remix”, Blackbox, Austin, TX “to stand in a boat that floats”, School of Art and Design, Texas State University San Marcos, TX “how to draw”, Conduit Gallery, Dallas, TX “books on a table, lines on a wall”, Koelsch Gallery, Houston, TX “fragile”, Conduit Gallery, Dallas, TX Koelsch Gallery, Houston, TX “Lost & Found”, Conduit Gallery, Dallas, TX “with tiny arms he flew”, The Fallout Gallery, Las Vegas, NV “Recent Work”, RiskPress Gallery, Los Angeles, CA Contentfree Gallery, Seattle, WA
2022
2021 2020 2019 2018 2018 2017
2015 2014
2013
GROUP EXHIBITIONS 2026 2025 2024
2023
“Petites”, Maya Frodeman Gallery, Jackson Hole, WY Outsider Art Fair, New York, with Koelsch Gallery, Houston, TX “once more with feeling”, Big Medium, Austin, TX Curated by Coka Trevino & Shea Little Outsider Art Fair, New York, with Koelsch Gallery, Houston, TX Outsider Art Fair, New
2012 2011
York, with Koelsch Gallery, Houston, TX “Outsider Art Group Exhibition”, Koelsch Gallery, Houston, TX “MASS + 1 Part 2”, MASS Gallery, Austin, TX Outsider Art Fair, New York, with Koelsch Gallery, Houston, TX “Through the winter”, Conduit Gallery, Dallas, TX Outsider Art Fair, New York, with Koelsch Gallery, Houston, TX Outsider Art Fair, New York, with Koelsch Gallery, Houston, TX Outsider Art Fair, New York, with Koelsch Gallery, Houston, TX “Photo/Montage 12 x 12”, grayDuck Gallery, Austin, TX “ears of Buddha”, Koelsch Haus, Houston, TX “Sculp-chur”, Dimension Gallery, Austin, TX “Cowboy”, Feast Gallery, Fayetteville, AR “Way Kool”, Koelsch Haus (formally Koelsch Gallery), Houston, TX 20th Anniversary Celebration, Koelsch Gallery, Houston, TX Longitude/Latitude, Conduit Gallery, Dallas, TX Advanced Young Artist / Artist-Mentor Program, Art Museum of Austin / Arthouse at the Jones Center “treat yourself ….”, Koelsch Gallery, Houston, TX “lights, camera, action”, Koelsch Gallery, Houston, TX “from outside, in floats a music box”, Conduit Gallery, Dallas, TX “America As We Feel It”, Koelsch Gallery, Houston, TX “The Object Of Desire”,
2010
2009
2008
dberman gallery, Wimberely, TX “78701 -> 78676”, dberman gallery, Wimberely, TX “10th Anniversary Group Show”, dberman gallery, Austin, TX “It’s a group thing”, Koelsch Gallery, Houston, TX Museo de Arte Moderno, Trujillo, Peru – through G Gallery, Houston, TX People’s Gallery Exhibition at Austin City Hall, Austin, TX “Quinceanera! show”, Koelsch Gallery, Houston, TX “Winter (group) Show”, Thomas Paul Fine Art, Los Angeles, CA “zoo of eight”, Koelsch Gallery, Houston, TX “Summer Group Show”, Thomas Paul Fine Art, Los Angeles, CA “drawn (not quartered)”, dberman gallery, Austin, TX “Second Stories”, 2-person exhibit, Thomas Paul Fine Art, Los Angeles, CA “five x seven”, Arthouse at the Jones Center, Austin, TX “THE BIG SHOW”, Silas Marder Gallery, Bridgehampton, NY “The Story Lies Within”, 4-person exhibit, Koelsch Gallery, Houston, TX People’s Gallery Exhibition at Austin City Hall, Austin, TX Los Angeles Art Show, Los Angeles Convention Center, through Thomas Paul Fine Art, Los Angeles, CA “what is my line?”, 4-person exhibit, McMurtrey Gallery, Houston, TX, (Courtesy of
2007
2004 1999
1996
1995 1994
1992
Koelsch Gallery, Houston, TX) Contemporary Art Dealers of Dallas (Art Fair), through Conduit Gallery, Dallas, TX flow fair, Miami Invitational, Miami, FL, through Koelsch Gallery, Houston, TX “Pushing The Envelope, A Drawing Show”, Williams Tower Gallery, Houston, TX “animales”, 4-person exhibit, Koelsch Gallery, Houston, TX “Self Portraits”, Riskpress Gallery, Los Angeles, CA Sarpa Studio, Culver City, CA “The Art Salon”, 3-perosn exhibit, 14614 Addison, Sherman Oaks, CA Bergamont Station / Writer’s Bootcamp, Santa Monica, CA “Tribal Industrial”, Ivy Substation, Los Angeles, CA Keller Galerie, 2-person exhibit, Zurich, Switzerland BR Art Galerie, 2-person exhibit, Bern, Switzerland Galerie Sprungbratt, 2-person exhibit, Niederglatt, Switzerland Susan Whitney Gallery, Seattle, WA “Group Show”, Liz Blackman Gallery, October, Los Angeles, CA “Group Show”, Liz Blackman Gallery, July, Los Angeles, CA “Art Los Angeles”, Los Angeles Convention Center, through Liz Blackman Gallery, Los Angeles, CA “Works on Paper”, Santa Monica Civic Center, through Liz Blackman Gallery, Los Angeles, CA Lipsett Gallery, National Institute of Health, Bethesda, MD “In Search of the Contemporary Figurative”,
1991
2-person exhibit, Setting The Stage Gallery, Alexandria, VA Outside-In Gallery, November, Los Angeles, CA Setting The Stage Gallery, Alexandria, VA Outside-In Gallery, October, Los Angeles, CA Studio Raid, Los Angeles, CA “Summer Group Exhibition”, Studio Raid, Los Angeles, CA “Winter Group Exhibition”, Studio Raid, Los Angeles, CA
PUBLICATIONS / AWARDS 2012-2013 Austin Critics Table Award Work of Art: Installation (tie) W. Tucker: “to stand in a boat that floats”, Texas State University Galleries Beili Lui: “Amass”, Texas State University Galleries Artist of the Year: W. Tucker, “to stand in a boat that floats”, Texas State University Galleries 2012 New American Paintings, No. 102, West Issue / Juror: Bill Arning, Director – Contemporary Arts Museum, Houston, Texas 2006 New American Paintings, Volume 67, Juror: Tumelo Mosaka, Assistant Curator of Contemporary Art, Brooklyn Museum, Brooklyn, NY RESIDENCY 2008 1991
Fountainhead Residency, Miami, FL Dorland Mountain Arts Colony, Artist’s Residency, Temecula, CA
MAYA FRODEMAN GALLERY 66 SOUTH GLENWOOD STREET JACKSON HOLE, WYOMING TEL 307 733 0555
This catalog complements W. Tucker’s exhibition Offerings Maya Frodeman Gallery 17 September - 01 November 2026
Images courtesy of the artist © W. Tucker
© 2026 All Rights Reserved
the light blue ship, to bring some quiet, (detail), Ceramic
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MAYA FRODEMAN GALLERY