Abstract
Architectural images often include elements that are not designed by the architect but that are crucial to how the image is received, such as people, furniture, plants, and cars. But furniture, being the agent in program configurations, can not only confirm spatial functions by specifying the interactions with bodies, it can also conceptually stage infinite action possibilities in a space. Based on the premise that furniture has the potential to evoke new spatial possibilities beyond the original spatial typologies, this thesis experiments with a tably apartment in three contexts — interior, architectural, and urban — to challenge the traditional role of furniture and its relationship to architecture.
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