001
Edward Fields / History
Edward Fields History
The Glass House, the Lever House, the White House. Philip Johnson, Frank Lloyd Wright, Eero Saarinen, Frank Gehry. Besides their iconic status, these projects and individuals have something special in common: Edward Fields Carpet Makers. Each of these buildings features custom Edward Fields carpets specified by their designers. Edward Fields’s custom designs, it seems, are often present at high points on the American architectural landscape. Edward Fields the man was many things: entrepreneur, visionary, family man, dandy. He was born in Brooklyn, New York, in 1912, the second of five children in a family that fostered creativity and ambition. Edward, not only built a thriving business in difficult circumstances, he elevated carpet-making to an art form. His childhood, spent mostly upstate, came to an abrupt end with the sudden death of his father in 1929. It was the Depression and Edward was forced to move back to New York and go to work. As fate would have it, the uncle who took in young Edward was in the carpet business. Edward learned all he could in a short time, then struck out on his own. He married his sweetheart, Eleanor, and the couple spent their honeymoon setting up a modest showroom space in Manhattan. It was 1935 and Edward Fields Carpet Makers was officially in business, its founder all of 23 years old. 00
00
Though Fields would go on to revolutionize the carpet business, his affair with the industry was decidedly not love at first sight. Although successful — by the mid1940s, Edward Fields had become one of the foremost wholesale carpet-supply houses in New York — Fields himself was bored with the ordinary broadloom he sold. Carpeting was not considered a design element. Instead, it was merely functional: people opted for wall-to-wall carpet to protect their wooden floors. While Fields often found the carpet business tedious, he positively relished the opportunity to work on custom projects. He sought opportunities to work on special commissions for interior designers and architects. This was the work that challenged and inspired him, and eventually enabled him to envision a new model for his company. To become a luxury custom house, Fields saw that he would need absolute control over design, manufacturing, and sales. For this new product, he would need a new tool that would place each fiber in a carpet with the precision of a painter applying paint to canvas. In the mid-1930s, along with his younger brother, Elliot, a talented machinist, Fields developed a tool that forever changed their rug and carpet production: the Magic Needle. The Magic Needle would come to
Edward Fields / History
Edward Fields History
The Glass House, the Lever House, the White House. Philip Johnson, Frank Lloyd Wright, Eero Saarinen, Frank Gehry. Besides their iconic status, these projects and individuals have something special in common: Edward Fields Carpet Makers. Each of these buildings features custom Edward Fields carpets specified by their designers. Edward Fields’s custom designs, it seems, are often present at high points on the American architectural landscape. Edward Fields the man was many things: entrepreneur, visionary, family man, dandy. He was born in Brooklyn, New York, in 1912, the second of five children in a family that fostered creativity and ambition. Edward, not only built a thriving business in difficult circumstances, he elevated carpet-making to an art form. His childhood, spent mostly upstate, came to an abrupt end with the sudden death of his father in 1929. It was the Depression and Edward was forced to move back to New York and go to work. As fate would have it, the uncle who took in young Edward was in the carpet business. Edward learned all he could in a short time, then struck out on his own. He married his sweetheart, Eleanor, and the couple spent their honeymoon setting up a modest showroom space in Manhattan. It was 1935 and Edward Fields Carpet Makers was officially in business, its founder all of 23 years old. 00
00
Though Fields would go on to revolutionize the carpet business, his affair with the industry was decidedly not love at first sight. Although successful — by the mid1940s, Edward Fields had become one of the foremost wholesale carpet-supply houses in New York — Fields himself was bored with the ordinary broadloom he sold. Carpeting was not considered a design element. Instead, it was merely functional: people opted for wall-to-wall carpet to protect their wooden floors. While Fields often found the carpet business tedious, he positively relished the opportunity to work on custom projects. He sought opportunities to work on special commissions for interior designers and architects. This was the work that challenged and inspired him, and eventually enabled him to envision a new model for his company. To become a luxury custom house, Fields saw that he would need absolute control over design, manufacturing, and sales. For this new product, he would need a new tool that would place each fiber in a carpet with the precision of a painter applying paint to canvas. In the mid-1930s, along with his younger brother, Elliot, a talented machinist, Fields developed a tool that forever changed their rug and carpet production: the Magic Needle. The Magic Needle would come to
Edward Fields / History
define the company’s signature hand-tufting texture. The tufting gun employed today is almost identical to the brothers’ original invention. With craftspeople wielding the Magic Needle with ever-increasing skill, Fields turned his attention to the next element that would come to distinguish the brand: design. He sought out the country’s finest artistic talent to articulate a contemporary yet timeless style, otherwise known as the Edwards Fields aesthetic. By now, it was the 1950s, the golden age of American design, and there was no shortage of designers to consider. One such talent was Raymond Loewy, widely
Top. Edward Fields with the Magic Needle Bottom. Elliott Fields, Edward’s brother, opened an Edward Fields showroom in Beverly Hills in 1962
considered the ‘Father of Industrial Design,’ who was responsible for the design of such iconic objects as the curvy glass Coca-Cola bottle, the Lucky Strike cigarette logo, and several models of Studebaker cars. A seemingly unlikely match for carpet design, Loewy’s rugs were an immediate success and remain among the best-loved in the archive. Textile designer Marion Dorn was another collaborator — one who even served the company intermittently as creative director — as were Burt Groedel, Adolph Gottlieb, Van Day Truex, and Robert Motherwell. Fields’s hard work was paying off; custom rugs and carpets were catching on. Just as the company’s momentum was on the rise, it received an unexpected boost: The pre-finished hardwood floor was invented and introduced in apartment buildings across New York City. Pre-waxed, durable, and requiring minimum maintenance, it freed designers from the tyranny of protective wall-to-wall. Seeing a golden opportunity, Fields was soon touting his rugs as ‘Art for the Fifth Wall.’ Carpet-as-art became an accepted concept in the design community. Designers came to think of rugs as opportunities for creative expression rather than simply necessary floor coverings. To nurture this most welcome trend, Fields took a cue from the fashion world and formulated collections, cohesive suites of designs intended to inspire his clients. The company’s first-ever rug collection, designed by Loewy and introduced at Lord & Taylor in 1952, was a hit. It was upon this occasion that Fields coined the term ‘area rug’, which was immediately absorbed into the vernacular. Encouraged by its success in New York, the company began to expand nationally. In 1955, an Edward Fields showroom opened in Chicago; in 1962, another launched in Beverly Hills, California. Outposts in Miami, Dallas, Houston, and San Francisco followed over the next two decades. Edward Fields enabled designers to offer their clients something truly unique, and market after market welcomed the company with open arms. Much of the company’s most cherished lore came out of the Beverly Hills showroom. Brothers Edward and Elliott, who ran the showroom, threw legendary cocktail parties there. The company’s individualistic approach was a perfect fit with the star mentality: The same Hollywood starlets who demanded couture gowns were now lining up for bespoke carpets. Soon, Edward Fields’s handmade carpets were installed in the homes of Charlton Heston, Mary Tyler Moore, Dionne Warwick, and Johnny Mathis. Today that celebrity tradition continues: Steven Spielberg, Robin Williams, and Madonna have all commissioned Edward Fields rugs for their residences.
00
Edward Fields / History
Edward Fields factory, Flushing, Queens, 1955
Hollywood royalty eventually extended to actual royalty and heads of state. In 1956, Fields famously created a carpet for Grace Kelly, the newly crowned Princess of Monaco, as a wedding present. Employing red and white, the official colors of the principality, it also featured a searing blue matched precisely to the princess’s eyes. In 1960, working with First Lady Jacqueline Kennedy’s interior designer, Fields began a relationship with the White House that continues to this day. By now, Fields had become a recognized figure in national design circles. In 1978, he was named Honorary Fellow of the American Society of Interior Designers; he was also a member of the board of the Fashion Institute of Technology. As Edward Fields the company thrived, Edward Fields the man enjoyed the spotlight with an easy grace and a deep sense of personal fulfillment. This happy period would prove too short. On April 17, 1979, at 66, Fields died from a heart attack. The design community lost one of its greatest innovators and bon vivants but, thankfully, Fields had lived long enough to enjoy his success and sense the impact of his life’s work. While Edward Fields Carpet Makers had always been closely identified with the larger-than-life character of its founder, Fields had taken care to mentor a strong 00
team, made up of relatives and staff so loyal they were like family, to carry on the business. Under the stewardship of Edward’s son, Jack, who became president in 1980, the company continued to flourish. That same year a new, larger factory — what the elder Fields had referred to as his ‘dream factory’ — opened in Queens, New York, expanding capacity, streamlining production, and allowing the company to make its move into the commercial market. As Wall Street boomed, CEOs became celebrities and suddenly their offices had to look as good as their homes. Edward Fields was designing wall-to-wall carpet and area rugs for corporate and retail clients that included IBM, Merck, General Electric, Merrill Lynch, and Louis Vuitton. Commissions for top executives led to private jobs for their residences and pleasure craft; custom carpet orders for luxury homes, private jets, and yachts were also on the rise. Edward Fields’s ascendance in these new markets would sustain the company over the next decades. As a vibrant independent company in an industry of major corporate players, Edward Fields had long been an attractive target for acquisition. Fields himself had never entertained such offers, but in 2005 Jack received an inquiry that piqued his curiosity. It came from a Chinese rug company called Tai Ping. Tai Ping, which
Edward Fields / History
define the company’s signature hand-tufting texture. The tufting gun employed today is almost identical to the brothers’ original invention. With craftspeople wielding the Magic Needle with ever-increasing skill, Fields turned his attention to the next element that would come to distinguish the brand: design. He sought out the country’s finest artistic talent to articulate a contemporary yet timeless style, otherwise known as the Edwards Fields aesthetic. By now, it was the 1950s, the golden age of American design, and there was no shortage of designers to consider. One such talent was Raymond Loewy, widely
Top. Edward Fields with the Magic Needle Bottom. Elliott Fields, Edward’s brother, opened an Edward Fields showroom in Beverly Hills in 1962
considered the ‘Father of Industrial Design,’ who was responsible for the design of such iconic objects as the curvy glass Coca-Cola bottle, the Lucky Strike cigarette logo, and several models of Studebaker cars. A seemingly unlikely match for carpet design, Loewy’s rugs were an immediate success and remain among the best-loved in the archive. Textile designer Marion Dorn was another collaborator — one who even served the company intermittently as creative director — as were Burt Groedel, Adolph Gottlieb, Van Day Truex, and Robert Motherwell. Fields’s hard work was paying off; custom rugs and carpets were catching on. Just as the company’s momentum was on the rise, it received an unexpected boost: The pre-finished hardwood floor was invented and introduced in apartment buildings across New York City. Pre-waxed, durable, and requiring minimum maintenance, it freed designers from the tyranny of protective wall-to-wall. Seeing a golden opportunity, Fields was soon touting his rugs as ‘Art for the Fifth Wall.’ Carpet-as-art became an accepted concept in the design community. Designers came to think of rugs as opportunities for creative expression rather than simply necessary floor coverings. To nurture this most welcome trend, Fields took a cue from the fashion world and formulated collections, cohesive suites of designs intended to inspire his clients. The company’s first-ever rug collection, designed by Loewy and introduced at Lord & Taylor in 1952, was a hit. It was upon this occasion that Fields coined the term ‘area rug’, which was immediately absorbed into the vernacular. Encouraged by its success in New York, the company began to expand nationally. In 1955, an Edward Fields showroom opened in Chicago; in 1962, another launched in Beverly Hills, California. Outposts in Miami, Dallas, Houston, and San Francisco followed over the next two decades. Edward Fields enabled designers to offer their clients something truly unique, and market after market welcomed the company with open arms. Much of the company’s most cherished lore came out of the Beverly Hills showroom. Brothers Edward and Elliott, who ran the showroom, threw legendary cocktail parties there. The company’s individualistic approach was a perfect fit with the star mentality: The same Hollywood starlets who demanded couture gowns were now lining up for bespoke carpets. Soon, Edward Fields’s handmade carpets were installed in the homes of Charlton Heston, Mary Tyler Moore, Dionne Warwick, and Johnny Mathis. Today that celebrity tradition continues: Steven Spielberg, Robin Williams, and Madonna have all commissioned Edward Fields rugs for their residences.
00
Edward Fields / History
Edward Fields factory, Flushing, Queens, 1955
Hollywood royalty eventually extended to actual royalty and heads of state. In 1956, Fields famously created a carpet for Grace Kelly, the newly crowned Princess of Monaco, as a wedding present. Employing red and white, the official colors of the principality, it also featured a searing blue matched precisely to the princess’s eyes. In 1960, working with First Lady Jacqueline Kennedy’s interior designer, Fields began a relationship with the White House that continues to this day. By now, Fields had become a recognized figure in national design circles. In 1978, he was named Honorary Fellow of the American Society of Interior Designers; he was also a member of the board of the Fashion Institute of Technology. As Edward Fields the company thrived, Edward Fields the man enjoyed the spotlight with an easy grace and a deep sense of personal fulfillment. This happy period would prove too short. On April 17, 1979, at 66, Fields died from a heart attack. The design community lost one of its greatest innovators and bon vivants but, thankfully, Fields had lived long enough to enjoy his success and sense the impact of his life’s work. While Edward Fields Carpet Makers had always been closely identified with the larger-than-life character of its founder, Fields had taken care to mentor a strong 00
team, made up of relatives and staff so loyal they were like family, to carry on the business. Under the stewardship of Edward’s son, Jack, who became president in 1980, the company continued to flourish. That same year a new, larger factory — what the elder Fields had referred to as his ‘dream factory’ — opened in Queens, New York, expanding capacity, streamlining production, and allowing the company to make its move into the commercial market. As Wall Street boomed, CEOs became celebrities and suddenly their offices had to look as good as their homes. Edward Fields was designing wall-to-wall carpet and area rugs for corporate and retail clients that included IBM, Merck, General Electric, Merrill Lynch, and Louis Vuitton. Commissions for top executives led to private jobs for their residences and pleasure craft; custom carpet orders for luxury homes, private jets, and yachts were also on the rise. Edward Fields’s ascendance in these new markets would sustain the company over the next decades. As a vibrant independent company in an industry of major corporate players, Edward Fields had long been an attractive target for acquisition. Fields himself had never entertained such offers, but in 2005 Jack received an inquiry that piqued his curiosity. It came from a Chinese rug company called Tai Ping. Tai Ping, which
Edward Fields / History
Edward Fields / Design & Manufacturing
Custom carpet by Edward Fields for Lever House, New York (Skidmore, Owings & Merrill; 1952)
means ‘Great Peace,’ had already been manufacturing some Edward Fields carpets, and Jack had developed faith in the quality of its production and the integrity of its leadership. In 2005, he agreed to sell Edward Fields to Tai Ping. From the start, Tai Ping saw Edward Fields for the gem that it was — a trailblazer and a classic American design brand. It was committed to not only preserving that legacy, but also expanding Edward Fields’s reach in the contemporary market. As a luxury company trying to gain a foothold in the U.S, Tai Ping saw in Edward Fields a case study from which to learn and a platform from which to grow. Gaining access to Edward Fields’s extensive design archive, Tai Ping designers were in awe at the richness of their inheritance. For a company new to the U.S, uncovering a history peppered with iconic American names — clients such as Astor, Rockefeller, and Kennedy; collaborators including Philip Johnson and Frank Lloyd Wright — was overwhelming. Old designs were updated and revived; new designs were created based on the Edward Fields sensibility. Edward Fields’s artists and salespeople, many of whom had been with the company for decades, guided Tai Ping staff through the archives and the brand’s best business practices, sharing company stories and keeping the Edward Fields culture alive. 00
Meanwhile, Edward Fields factory workers were teaching the artisans at Tai Ping factories in Nanhai, China how to use the Magic Needle. It took months before these skilled craftspeople were able to create rugs with textures rich enough to bear the Edward Fields name. But once they did, they were indistinguishable from those once made in Queens. And so another wave of expansion began in 2007. The new Edward Fields Carpet Makers Manhattan showroom, a stunning 4,200 square-feet space, opened just a block away from Edward and Eleanor’s original shop. In 2008, Edward Fields Studios (embedded in Tai Ping showrooms) opened in San Francisco, Los Angeles, Chicago, and Dallas. Loyal Edward Fields clients are now joined by younger designers first discovering the brand. The company’s artists — who still work one-on-one with clients and design primarily in watercolor — have never been busier. The showroom is emerging once again as the salon it had been in Fields’s time, a site of creative collaboration where designers come to be inspired. Seventy-five years later, his vision is still vibrant: Edward Fields Carpet Makers creates bespoke carpets to the highest standards and remains perfectly calibrated to its era. It is the quintessential contemporary design company.
Design & Manufacturing A Bespoke Process
Every Edward Fields product is bespoke. The term ‘bespoke’ came into regular usage in the shops of England’s finest tailors, perhaps even as far back as the 17th century. A bespoke suit is completely custom, made to the highest couture standards to one’s specific measurements. Today, bespoke is synonymous with luxury. In the design market, the term implies art and craft, an expression of personal style that ranges from the idiosyncratic to the sublime. Like the English tailor’s workshop, Edward Fields Carpet Makers has a reverence for the handmade, the integrity of a craft passed from master to apprentice, and the conviction that even the most beautiful item becomes more special when it fits like a glove. Any Edward Fields carpet design, whether based on an edition or simply dreamed up by the client, is custom — custom in a way that few manufactured products are now. When Edward Fields established his company in 1935, he made a commitment to a bespoke product and service, and the company honors that promise to this day. An Edward Fields rug is a one-of-a-kind work of art born from the collaboration of client, artist, and craftsperson. Each one is the result of a creative journey documented through watercolors, renderings, handdrawn patterns, hand-dyed fibers, and carpet samples. 00
The client is always at the center of the rug-making process: Every decision from design through manufacturing to installation is made based upon his or her specifications. Each design begins with a consultation between the client and an artist at the Studio. Some clients come with visual cues — a sketch, a photo, a fabric swatch — and let the design develop from there. Inspiration is also in bountiful supply at the Edward Fields Studio, an inviting workshop full of books and objets in addition to, of course, a breathtaking array of samples and full-scale rugs from the editions, which often provide the springboard to a personalized color scheme, size, pattern, or fiber choice. Once the design of the rug or carpet emerges, colors are assigned. Clients find hundreds of poms — monochromatic bundles of yarn in a range of hues — at the Studio, and thousands more colors are possible through the custom dye process. Working with the artist, a client considers dozens of shades within each color family, observing how a color’s quality shifts depending on fiber type; for example, the same color may appear rich and saturated in delicate silk and understated in dull silk. Edward Fields designs are rendered first in watercolor. These exquisite paintings, which capture the essence of a design with more nuance and soul than any computer graphic can, are still regularly produced in the
Edward Fields / History
Edward Fields / Design & Manufacturing
Custom carpet by Edward Fields for Lever House, New York (Skidmore, Owings & Merrill; 1952)
means ‘Great Peace,’ had already been manufacturing some Edward Fields carpets, and Jack had developed faith in the quality of its production and the integrity of its leadership. In 2005, he agreed to sell Edward Fields to Tai Ping. From the start, Tai Ping saw Edward Fields for the gem that it was — a trailblazer and a classic American design brand. It was committed to not only preserving that legacy, but also expanding Edward Fields’s reach in the contemporary market. As a luxury company trying to gain a foothold in the U.S, Tai Ping saw in Edward Fields a case study from which to learn and a platform from which to grow. Gaining access to Edward Fields’s extensive design archive, Tai Ping designers were in awe at the richness of their inheritance. For a company new to the U.S, uncovering a history peppered with iconic American names — clients such as Astor, Rockefeller, and Kennedy; collaborators including Philip Johnson and Frank Lloyd Wright — was overwhelming. Old designs were updated and revived; new designs were created based on the Edward Fields sensibility. Edward Fields’s artists and salespeople, many of whom had been with the company for decades, guided Tai Ping staff through the archives and the brand’s best business practices, sharing company stories and keeping the Edward Fields culture alive. 00
Meanwhile, Edward Fields factory workers were teaching the artisans at Tai Ping factories in Nanhai, China how to use the Magic Needle. It took months before these skilled craftspeople were able to create rugs with textures rich enough to bear the Edward Fields name. But once they did, they were indistinguishable from those once made in Queens. And so another wave of expansion began in 2007. The new Edward Fields Carpet Makers Manhattan showroom, a stunning 4,200 square-feet space, opened just a block away from Edward and Eleanor’s original shop. In 2008, Edward Fields Studios (embedded in Tai Ping showrooms) opened in San Francisco, Los Angeles, Chicago, and Dallas. Loyal Edward Fields clients are now joined by younger designers first discovering the brand. The company’s artists — who still work one-on-one with clients and design primarily in watercolor — have never been busier. The showroom is emerging once again as the salon it had been in Fields’s time, a site of creative collaboration where designers come to be inspired. Seventy-five years later, his vision is still vibrant: Edward Fields Carpet Makers creates bespoke carpets to the highest standards and remains perfectly calibrated to its era. It is the quintessential contemporary design company.
Design & Manufacturing A Bespoke Process
Every Edward Fields product is bespoke. The term ‘bespoke’ came into regular usage in the shops of England’s finest tailors, perhaps even as far back as the 17th century. A bespoke suit is completely custom, made to the highest couture standards to one’s specific measurements. Today, bespoke is synonymous with luxury. In the design market, the term implies art and craft, an expression of personal style that ranges from the idiosyncratic to the sublime. Like the English tailor’s workshop, Edward Fields Carpet Makers has a reverence for the handmade, the integrity of a craft passed from master to apprentice, and the conviction that even the most beautiful item becomes more special when it fits like a glove. Any Edward Fields carpet design, whether based on an edition or simply dreamed up by the client, is custom — custom in a way that few manufactured products are now. When Edward Fields established his company in 1935, he made a commitment to a bespoke product and service, and the company honors that promise to this day. An Edward Fields rug is a one-of-a-kind work of art born from the collaboration of client, artist, and craftsperson. Each one is the result of a creative journey documented through watercolors, renderings, handdrawn patterns, hand-dyed fibers, and carpet samples. 00
The client is always at the center of the rug-making process: Every decision from design through manufacturing to installation is made based upon his or her specifications. Each design begins with a consultation between the client and an artist at the Studio. Some clients come with visual cues — a sketch, a photo, a fabric swatch — and let the design develop from there. Inspiration is also in bountiful supply at the Edward Fields Studio, an inviting workshop full of books and objets in addition to, of course, a breathtaking array of samples and full-scale rugs from the editions, which often provide the springboard to a personalized color scheme, size, pattern, or fiber choice. Once the design of the rug or carpet emerges, colors are assigned. Clients find hundreds of poms — monochromatic bundles of yarn in a range of hues — at the Studio, and thousands more colors are possible through the custom dye process. Working with the artist, a client considers dozens of shades within each color family, observing how a color’s quality shifts depending on fiber type; for example, the same color may appear rich and saturated in delicate silk and understated in dull silk. Edward Fields designs are rendered first in watercolor. These exquisite paintings, which capture the essence of a design with more nuance and soul than any computer graphic can, are still regularly produced in the
Edward Fields / Design & Manufacturing
Edward Fields / Design & Manufacturing
Patterns are transferred to the canvas before hand-tufting begins
Edward Fields craftsperson at work
Twisting, part of the yarn-making process
A carpet is carved by hand with special shears
00
Edward Fields Studio, becoming an indispensable guide at the factory and, once the carpet is complete, yet another unique addition to the design archive. From here, the baton is passed to the craftspeople. A stroll through the factory reveals carpets at every phase of production, starting with the raw material: 100 percent New Zealand wool, pure silk, raw jute. Through the carding, spinning, and twisting process, snowy masses of raw wool are teased into yarns, ready to be dyed. Pigments in colors more numerous than any rainbow are blended to attain the precise shade specified by the client and the Edward Fields artist. Before tufting can begin, the pattern must be mapped out — quite literally. Craftspeople meticulously transfer a life-size sketch of the design to a rug or carpet’s underlying canvas. This sketch becomes the trail that guides the tufters to the completion of the project, a process that often takes weeks. 00
As the two-dimensional vision becomes a threedimensional work of art, the commission comes to life on the loom. Using an iteration of Fields’s own invention, the Magic Needle, hand-tufting goes on today much as it did when he opened his first factory decades ago. Tufting is a craft in which workers must be thoroughly trained — a senior Edward Fields craftsperson has spent years honing his or her skills. Much care is taken to ensure that the quality of hand-tufting is always signature Edward Fields: generous, rich, obsessively executed, with the obvious touch of the hand that makes each creation so distinct. When the carpet is complete, it is shipped to its final location — be it a private residence, a flagship store, a corporate suite, or a boutique hotel — and carefully installed. Wherever art, luxury, and contemporary style are understood and valued, an Edward Fields product is likely to be found.
Edward Fields / Design & Manufacturing
Edward Fields / Design & Manufacturing
Patterns are transferred to the canvas before hand-tufting begins
Edward Fields craftsperson at work
Twisting, part of the yarn-making process
A carpet is carved by hand with special shears
00
Edward Fields Studio, becoming an indispensable guide at the factory and, once the carpet is complete, yet another unique addition to the design archive. From here, the baton is passed to the craftspeople. A stroll through the factory reveals carpets at every phase of production, starting with the raw material: 100 percent New Zealand wool, pure silk, raw jute. Through the carding, spinning, and twisting process, snowy masses of raw wool are teased into yarns, ready to be dyed. Pigments in colors more numerous than any rainbow are blended to attain the precise shade specified by the client and the Edward Fields artist. Before tufting can begin, the pattern must be mapped out — quite literally. Craftspeople meticulously transfer a life-size sketch of the design to a rug or carpet’s underlying canvas. This sketch becomes the trail that guides the tufters to the completion of the project, a process that often takes weeks. 00
As the two-dimensional vision becomes a threedimensional work of art, the commission comes to life on the loom. Using an iteration of Fields’s own invention, the Magic Needle, hand-tufting goes on today much as it did when he opened his first factory decades ago. Tufting is a craft in which workers must be thoroughly trained — a senior Edward Fields craftsperson has spent years honing his or her skills. Much care is taken to ensure that the quality of hand-tufting is always signature Edward Fields: generous, rich, obsessively executed, with the obvious touch of the hand that makes each creation so distinct. When the carpet is complete, it is shipped to its final location — be it a private residence, a flagship store, a corporate suite, or a boutique hotel — and carefully installed. Wherever art, luxury, and contemporary style are understood and valued, an Edward Fields product is likely to be found.
Edward Fields / Design & Manufacturing
Hand-tufting using the Magic Needle
Edward Fields / The Editions
The Editions
A carpet, mid-way through the hand-tufting process
Hand-carving — a process through which a carpet’s fibers are sculpted to create a unique surface texture — is a hallmark of Edward Fields
010
Edition. The word implies artistry, rarity, value. It’s what Edward Fields Carpet Makers calls each of its collections, as they embody those qualities quintessentially. The Edward Fields Studio introduces one major edition a year. (Smaller editions are released seasonally; bespoke design is constant.) This catalog features the editions released from 2007-2008: Archive, Ambassade, and Textures. These editions are chapters in a story of the company that began in 1935 with its establishment on the American design scene and progresses to the present, with Edward Fields standing for contemporary elegance, glamour, and sophistication.
011
Edward Fields / Design & Manufacturing
Hand-tufting using the Magic Needle
Edward Fields / The Editions
The Editions
A carpet, mid-way through the hand-tufting process
Hand-carving — a process through which a carpet’s fibers are sculpted to create a unique surface texture — is a hallmark of Edward Fields
010
Edition. The word implies artistry, rarity, value. It’s what Edward Fields Carpet Makers calls each of its collections, as they embody those qualities quintessentially. The Edward Fields Studio introduces one major edition a year. (Smaller editions are released seasonally; bespoke design is constant.) This catalog features the editions released from 2007-2008: Archive, Ambassade, and Textures. These editions are chapters in a story of the company that began in 1935 with its establishment on the American design scene and progresses to the present, with Edward Fields standing for contemporary elegance, glamour, and sophistication.
011
The Ambassade Edition
The Ambassade Edition
Ambassade is a contemporary interpretation of the Art Deco style that emerged in France. The edition takes inspiration from the furniture designs by Émile-Jacques Ruhlmann and Jules Leleu, the elaborate ironwork of Edgar Brandt, and the couture of Paul Poiret, as well as jewelry and timepieces from Cartier and Baccarat. The edition comprises 27 designs. There are geometrics, animal prints, and op-art spirals — all Deco trademarks. Some of the florals in the edition are inspired by stunning vintage fabrics. As is typical of Edward Fields, many of these designs are finished with a frame. One of the most modern features of the Ambassade Edition is the variation and juxtaposition of fibers within it. The edition employs New Zealand wool, jute, and several qualities of silk, and combines them with varying pile heights and contrasting tufting techniques. Texture is fundamental to design; ultimately, Ambassade is distinguished by its integration of the visual and the tactile, the synchronicity of touch and sight.
012
013
The Ambassade Edition
The Ambassade Edition
Ambassade is a contemporary interpretation of the Art Deco style that emerged in France. The edition takes inspiration from the furniture designs by Émile-Jacques Ruhlmann and Jules Leleu, the elaborate ironwork of Edgar Brandt, and the couture of Paul Poiret, as well as jewelry and timepieces from Cartier and Baccarat. The edition comprises 27 designs. There are geometrics, animal prints, and op-art spirals — all Deco trademarks. Some of the florals in the edition are inspired by stunning vintage fabrics. As is typical of Edward Fields, many of these designs are finished with a frame. One of the most modern features of the Ambassade Edition is the variation and juxtaposition of fibers within it. The edition employs New Zealand wool, jute, and several qualities of silk, and combines them with varying pile heights and contrasting tufting techniques. Texture is fundamental to design; ultimately, Ambassade is distinguished by its integration of the visual and the tactile, the synchronicity of touch and sight.
012
013
The Ambassade Edition / Futurist Geometry
Futurist Geometry
The Ambassade Edition / Futurist Geometry
Horizon I
Liberte I Detail
Detail
014
Product No. EF AMD11ON
Product No. EF AMD15ON
Content 81% Dull Silk, 19% Jute
Content 81% Dull Silk, 19% Wool
No. of Colors 2
No. of Colors 3
Size 2 × 2' Sample
Size 2 × 2' Sample
015
The Ambassade Edition / Futurist Geometry
Futurist Geometry
The Ambassade Edition / Futurist Geometry
Horizon I
Liberte I Detail
Detail
014
Product No. EF AMD11ON
Product No. EF AMD15ON
Content 81% Dull Silk, 19% Jute
Content 81% Dull Silk, 19% Wool
No. of Colors 2
No. of Colors 3
Size 2 × 2' Sample
Size 2 × 2' Sample
015
The Ambassade Edition / Futurist Geometry
Oceanic I
The Ambassade Edition / Futurist Geometry
Olympic I
Pavillon I Detail
Detail
Detail
Product No. EF AMD19ON
Product No. EF AMD22ON
Content 81% Dull Silk, 19% Wool
Content 80% Wool, 20% Silk
No. of Colors 2
No. of Colors 5
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AMD20ON Content 84% Dull Silk, 16% Natural Wool
No. of Colors 2 Size 2 × 2' Sample
016
017
The Ambassade Edition / Futurist Geometry
Oceanic I
The Ambassade Edition / Futurist Geometry
Olympic I
Pavillon I Detail
Detail
Detail
Product No. EF AMD19ON
Product No. EF AMD22ON
Content 81% Dull Silk, 19% Wool
Content 80% Wool, 20% Silk
No. of Colors 2
No. of Colors 5
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AMD20ON Content 84% Dull Silk, 16% Natural Wool
No. of Colors 2 Size 2 × 2' Sample
016
017
The Ambassade Edition / Futurist Geometry
The Ambassade Edition / Futurist Geometry
Concorde I
Concorde I
Concorde II Detail
Detail
Product No. EF AMD03ON
Product No. EF AMD04ON
Content 53% Silk , 47% Wool
Content 85% Wool, 15% Jute
No. of Colors 3
No. of Colors 2
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AMD03ON Content 52.5% Silk, 47.5% Wool No. of Colors 3 Size 8 × 10' Rug
018
019
The Ambassade Edition / Futurist Geometry
The Ambassade Edition / Futurist Geometry
Concorde I
Concorde I
Concorde II Detail
Detail
Product No. EF AMD03ON
Product No. EF AMD04ON
Content 53% Silk , 47% Wool
Content 85% Wool, 15% Jute
No. of Colors 3
No. of Colors 2
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AMD03ON Content 52.5% Silk, 47.5% Wool No. of Colors 3 Size 8 × 10' Rug
018
019
Concorde I, Ambassade Edition
020
021
Concorde I, Ambassade Edition
020
021
The Ambassade Edition / Rhythmic Spirals
Rhythmic Spirals
The Ambassade Edition / Rhythmic Spirals
Normandie I Detail
Detail
Product No. EF AMD18ON Content 73% Wool, 27% Silk No. of Colors 5 Size 2 × 2' Sample
022
023
The Ambassade Edition / Rhythmic Spirals
Rhythmic Spirals
The Ambassade Edition / Rhythmic Spirals
Normandie I Detail
Detail
Product No. EF AMD18ON Content 73% Wool, 27% Silk No. of Colors 5 Size 2 × 2' Sample
022
023
The Ambassade Edition / Rhythmic Spirals
The Ambassade Edition / Rhythmic Spirals
Orsay I
Orsay I Detail
Detail
Product No. EF AMD21ON Content 52% Silk, 48% Wool No. of Colors 2 Size 2 × 2' Sample
Product No. EF AMD21ON Content 52% Silk, 48% Wool No. of Colors 2 Size 8 × 10' Rug
024
025
The Ambassade Edition / Rhythmic Spirals
The Ambassade Edition / Rhythmic Spirals
Orsay I
Orsay I Detail
Detail
Product No. EF AMD21ON Content 52% Silk, 48% Wool No. of Colors 2 Size 2 × 2' Sample
Product No. EF AMD21ON Content 52% Silk, 48% Wool No. of Colors 2 Size 8 × 10' Rug
024
025
The Ambassade Edition / Rhythmic Spirals
The Ambassade Edition / Rhythmic Spirals
Lucien I
Lucien I Detail
Product No. EF AMD16ON Content 92% Wool, 8% Silk No. of Colors 3 Size 2 × 2' Sample
Product No. EF AMD16ON Content 91% Wool, 9% Silk No. of Colors 3 Size 8 × 10' Rug
026
027
The Ambassade Edition / Rhythmic Spirals
The Ambassade Edition / Rhythmic Spirals
Lucien I
Lucien I Detail
Product No. EF AMD16ON Content 92% Wool, 8% Silk No. of Colors 3 Size 2 × 2' Sample
Product No. EF AMD16ON Content 91% Wool, 9% Silk No. of Colors 3 Size 8 × 10' Rug
026
027
The Ambassade Edition / Rhythmic Spirals
The Ambassade Edition / Rhythmic Spirals
Delamarre I
Delamarre I Detail
Detail
Product No. EF AMD05ON Content 60% Wool, 40% Silk No. of Colors 5 Size 2 × 2' Sample
Product No. EF AMD05ON Content 53% Wool, 47% Silk No. of Colors 5 Size 8 × 10' Rug
028
029
The Ambassade Edition / Rhythmic Spirals
The Ambassade Edition / Rhythmic Spirals
Delamarre I
Delamarre I Detail
Detail
Product No. EF AMD05ON Content 60% Wool, 40% Silk No. of Colors 5 Size 2 × 2' Sample
Product No. EF AMD05ON Content 53% Wool, 47% Silk No. of Colors 5 Size 8 × 10' Rug
028
029
The Ambassade Edition / Stylized Flora
Stylized Flora
The Ambassade Edition / Stylized Flora
Sonia I
Sonia II Detail
Detail
030
Product No.
EF AMD29ON
Product No. EF AMD30ON
Content
100% Wool
Content 55% Wool, 45% Silk
No. of Colors 4
No. of Colors 5
Size 2 × 2' Sample
Size 2 × 2' Sample
031
The Ambassade Edition / Stylized Flora
Stylized Flora
The Ambassade Edition / Stylized Flora
Sonia I
Sonia II Detail
Detail
030
Product No.
EF AMD29ON
Product No. EF AMD30ON
Content
100% Wool
Content 55% Wool, 45% Silk
No. of Colors 4
No. of Colors 5
Size 2 × 2' Sample
Size 2 × 2' Sample
031
The Ambassade Edition / Stylized Flora
The Ambassade Edition / Stylized Flora
Eileen I
Eileen I Detail
Detail
Product No. EF AMD07ON Content 60% Dull Silk, 40% Wool No. of Colors 3 Size 2 × 2' Sample
Product No. EF AMD07ON Content 56% Dull Silk, 44% Wool No. of Colors 3 Size 8 × 10' Rug
032
033
The Ambassade Edition / Stylized Flora
The Ambassade Edition / Stylized Flora
Eileen I
Eileen I Detail
Detail
Product No. EF AMD07ON Content 60% Dull Silk, 40% Wool No. of Colors 3 Size 2 × 2' Sample
Product No. EF AMD07ON Content 56% Dull Silk, 44% Wool No. of Colors 3 Size 8 × 10' Rug
032
033
The Ambassade Edition / Stylized Flora
Geraldine I
The Ambassade Edition / Stylized Flora
Jeanneret I
Jeanneret I Detail
Detail
Product No. EF AMD10ON
Product No. EF AMD12ON
Content
Content 59% Dull Silk, 41% Wool
100% Wool
No. of Colors 4
No. of Colors 4
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AMD12ON Content 57% Dull Silk, 43% Wool No. of Colors 4 Size 8 × 10' Rug
034
035
The Ambassade Edition / Stylized Flora
Geraldine I
The Ambassade Edition / Stylized Flora
Jeanneret I
Jeanneret I Detail
Detail
Product No. EF AMD10ON
Product No. EF AMD12ON
Content
Content 59% Dull Silk, 41% Wool
100% Wool
No. of Colors 4
No. of Colors 4
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AMD12ON Content 57% Dull Silk, 43% Wool No. of Colors 4 Size 8 × 10' Rug
034
035
Renée II, Ambassade Edition
036
037
Renée II, Ambassade Edition
036
037
The Ambassade Edition / Stylized Flora
Cassandre I
The Ambassade Edition / Stylized Flora
Renée I
Detail
Renée II
Product No. EF AMD24ON Content 56% Dull Silk, 44% Wool No. of Colors 5 Size 2 × 2' Sample
Renée II
Product No. EF AMD01ON Content
100% Wool
No. of Colors 1 Size 2 × 2' Sample
Product No. EF AMD25ON Content 56% Dull Silk, 44% Wool
Product No. EF AMD25ON
No. of Colors 4
Content 53% Wool, 47% Dull Silk
Size 2 × 2' Sample
No. of Colors 4 Size 8 × 10' Rug
038
039
The Ambassade Edition / Stylized Flora
Cassandre I
The Ambassade Edition / Stylized Flora
Renée I
Detail
Renée II
Product No. EF AMD24ON Content 56% Dull Silk, 44% Wool No. of Colors 5 Size 2 × 2' Sample
Renée II
Product No. EF AMD01ON Content
100% Wool
No. of Colors 1 Size 2 × 2' Sample
Product No. EF AMD25ON Content 56% Dull Silk, 44% Wool
Product No. EF AMD25ON
No. of Colors 4
Content 53% Wool, 47% Dull Silk
Size 2 × 2' Sample
No. of Colors 4 Size 8 × 10' Rug
038
039
The Ambassade Edition / Abstract Safari
Abstract Safari
The Ambassade Edition / Abstract Safari
Chimere I
Falling Water I
Product No. EF AMD02ON
Product No. EF AMD09ON
Content 65% Wool, 35% Dull Silk
Content 65% Wool, 20% Silk,
No. of Colors 3
15% Jute
Size 2 × 2' Sample
No. of Colors 3 Size 2 × 2' Sample
Lhasa I Detail
Product No. EF AMD14ON Content 66% Wool, 34% Silk No. of Colors 3 Size 2 × 2' Sample
040
041
The Ambassade Edition / Abstract Safari
Abstract Safari
The Ambassade Edition / Abstract Safari
Chimere I
Falling Water I
Product No. EF AMD02ON
Product No. EF AMD09ON
Content 65% Wool, 35% Dull Silk
Content 65% Wool, 20% Silk,
No. of Colors 3
15% Jute
Size 2 × 2' Sample
No. of Colors 3 Size 2 × 2' Sample
Lhasa I Detail
Product No. EF AMD14ON Content 66% Wool, 34% Silk No. of Colors 3 Size 2 × 2' Sample
040
041
The Ambassade Edition / Abstract Safari
The Ambassade Edition / Abstract Safari
Esplanade I
Esplanade I Detail
Detail
Product No. EF AMD08ON Content 62% Wool, 38% Jute No. of Colors 4 Size 2 × 2' Sample
Product No. EF AMD08ON Content 56% Wool, 44% Jute No. of Colors 4 Size 8 × 10' Rug
042
043
The Ambassade Edition / Abstract Safari
The Ambassade Edition / Abstract Safari
Esplanade I
Esplanade I Detail
Detail
Product No. EF AMD08ON Content 62% Wool, 38% Jute No. of Colors 4 Size 2 × 2' Sample
Product No. EF AMD08ON Content 56% Wool, 44% Jute No. of Colors 4 Size 8 × 10' Rug
042
043
The Ambassade Edition / Abstract Safari
The Ambassade Edition / Abstract Safari
Kasimir I
Kasimir I Detail
Product No. EF AMD13ON Content 50% Wool, 50% Delicate Silk
No. of Colors 4 Size 2 × 2' Sample
Product No. EF AMD13ON Content 50% Wool, 50% Delicate Silk No. of Colors 4 Size 8 × 10' Sample
044
045
The Ambassade Edition / Abstract Safari
The Ambassade Edition / Abstract Safari
Kasimir I
Kasimir I Detail
Product No. EF AMD13ON Content 50% Wool, 50% Delicate Silk
No. of Colors 4 Size 2 × 2' Sample
Product No. EF AMD13ON Content 50% Wool, 50% Delicate Silk No. of Colors 4 Size 8 × 10' Sample
044
045
Kasimir I, Ambassade Edition
046
047
Kasimir I, Ambassade Edition
046
047
The Ambassade Edition / Modernist Borders
Modernist Borders
The Ambassade Edition / Modernist Borders
Raoul I
Salon I
Product No. EF AMD23ON Content 69% Wool, 31% Silk No. of Colors 2 Size 2 × 2' Sample
Product No. EF AMD28ON Content 76% Wool, 24% Dull Silk No. of Colors 5 Size 2 × 2' Sample
048
049
The Ambassade Edition / Modernist Borders
Modernist Borders
The Ambassade Edition / Modernist Borders
Raoul I
Salon I
Product No. EF AMD23ON Content 69% Wool, 31% Silk No. of Colors 2 Size 2 × 2' Sample
Product No. EF AMD28ON Content 76% Wool, 24% Dull Silk No. of Colors 5 Size 2 × 2' Sample
048
049
Roulette I, Ambassade Edition
050
051
Roulette I, Ambassade Edition
050
051
The Ambassade Edition / Modernist Borders
Modernist Borders
The Ambassade Edition / Modernist Borders
Raoul I
Salon I
Product No. EF AMD23ON Content 69% Wool, 31% Silk No. of Colors 2 Size 2 × 2' Sample
Product No. EF AMD28ON Content 76% Wool, 24% Dull Silk No. of Colors 5 Size 2 × 2' Sample
048
049
The Ambassade Edition / Modernist Borders
Modernist Borders
The Ambassade Edition / Modernist Borders
Raoul I
Salon I
Product No. EF AMD23ON Content 69% Wool, 31% Silk No. of Colors 2 Size 2 × 2' Sample
Product No. EF AMD28ON Content 76% Wool, 24% Dull Silk No. of Colors 5 Size 2 × 2' Sample
048
049
The Ambassade Edition / Modernist Borders
The Ambassade Edition / Modernist Borders
Roulette I
Roulette I Detail
Detail
Product No. EF AMD27ON Content 58.5% Delicate Silk, 41.5% Jute
No. of Colors 2 Size 2 × 2' Sample
Product No. EF AMD27ON Content 63% Delicate Silk, 37% Jute
No. of Colors 2 Size 2 × 2' Sample
052
053
The Ambassade Edition / Modernist Borders
The Ambassade Edition / Modernist Borders
Roulette I
Roulette I Detail
Detail
Product No. EF AMD27ON Content 58.5% Delicate Silk, 41.5% Jute
No. of Colors 2 Size 2 × 2' Sample
Product No. EF AMD27ON Content 63% Delicate Silk, 37% Jute
No. of Colors 2 Size 2 × 2' Sample
052
053
The Archive Edition
The Archive Edition
The Archive Edition is the result of a 2006 expedition into Edward Fields’s past. At first, the word ‘archive’ seemed a rather lofty name for the dozens of cartons discovered tucked away at the factory in Queens, New York. Within those boxes, however, was nothing less than a treasure trove of inspiration. Over the decades, Edward Fields artists had documented the development of every custom design. Thousands of watercolors, photographs, press clippings, and yarn samples were recovered. As the Edward Fields artists sifted through the findings — pulling old sketches; rendering new ones; reviving colors, patterns, and textures employed by the designers before the — the company’s past came to life as never before. The result, a suite of some 40 designs, was aptly called the Archive Edition. Updated and re-colored, the designs of this edition showcase many Edward Fields hallmarks, among them mastery of texture and color, facility with artistic abstraction, and unparalleled handtufting. The Archive Edition includes some of Edward Fields’s most recognizable and best-loved patterns including retro geometrics, lyrical abstract patterns, and riotous florals. The Archive Edition is, in essence, a visual history of the brand itself.
054
055
The Archive Edition
The Archive Edition
The Archive Edition is the result of a 2006 expedition into Edward Fields’s past. At first, the word ‘archive’ seemed a rather lofty name for the dozens of cartons discovered tucked away at the factory in Queens, New York. Within those boxes, however, was nothing less than a treasure trove of inspiration. Over the decades, Edward Fields artists had documented the development of every custom design. Thousands of watercolors, photographs, press clippings, and yarn samples were recovered. As the Edward Fields artists sifted through the findings — pulling old sketches; rendering new ones; reviving colors, patterns, and textures employed by the designers before the — the company’s past came to life as never before. The result, a suite of some 40 designs, was aptly called the Archive Edition. Updated and re-colored, the designs of this edition showcase many Edward Fields hallmarks, among them mastery of texture and color, facility with artistic abstraction, and unparalleled handtufting. The Archive Edition includes some of Edward Fields’s most recognizable and best-loved patterns including retro geometrics, lyrical abstract patterns, and riotous florals. The Archive Edition is, in essence, a visual history of the brand itself.
054
055
The Archive Edition / Free Forms
Free Forms
The Archive Edition / Free Forms
Meanderings I
Meanderings II Detail
Product No. EF AEF13ON Content 67& Wool, 33% Dull Silk No. of Colors 4 Size 2 × 2' Sample
Product No. EF AEF14ON Content 67% Wool, 33% Dull Silk No. of Colors 4 Size 2 × 2' Sample
056
057
The Archive Edition / Free Forms
Free Forms
The Archive Edition / Free Forms
Meanderings I
Meanderings II Detail
Product No. EF AEF13ON Content 67& Wool, 33% Dull Silk No. of Colors 4 Size 2 × 2' Sample
Product No. EF AEF14ON Content 67% Wool, 33% Dull Silk No. of Colors 4 Size 2 × 2' Sample
056
057
The Archive Edition / Free Forms
The Archive Edition / Free Forms
Ebb Tide I
Ebb Tide I
Ebb Tide II Detail
Detail
Product No. EF AEF07ON
Product No. EF AEF08ON
Content
Content
No. of Colors 4
Size 2 × 2' Sample
Size 2 × 2' Sample
100% Wool
No. of Colors 4 Size 8 × 10' Sample
058
100% Wool
No. of Colors 4
Product No. EF AEF07ON Content
100% Wool
059
The Archive Edition / Free Forms
The Archive Edition / Free Forms
Ebb Tide I
Ebb Tide I
Ebb Tide II Detail
Detail
Product No. EF AEF07ON
Product No. EF AEF08ON
Content
Content
No. of Colors 4
Size 2 × 2' Sample
Size 2 × 2' Sample
100% Wool
No. of Colors 4 Size 8 × 10' Sample
058
100% Wool
No. of Colors 4
Product No. EF AEF07ON Content
100% Wool
059
Ebb Tide I, Archive Edition
060
061
Ebb Tide I, Archive Edition
060
061
The Archive Edition / Free Forms
Cloud Cover I
The Archive Edition / Free Forms
Cloud Cover II
Cloud Cover II Detail
Product No. EF AEF01ON Content 50% Wool, 50% Dull Silk No. of Colors 2 Size 2 × 2' Sample
Product No. EF AEF02ON Content 50% Wool, 50% Dull Silk No. of Colors 2 Size 2 × 2' Sample
Product No. EF AEF02ON Content 50% Wool, 50% Dull Silk No. of Colors 2 Size 8 × 10' Rug
062
063
The Archive Edition / Free Forms
Cloud Cover I
The Archive Edition / Free Forms
Cloud Cover II
Cloud Cover II Detail
Product No. EF AEF01ON Content 50% Wool, 50% Dull Silk No. of Colors 2 Size 2 × 2' Sample
Product No. EF AEF02ON Content 50% Wool, 50% Dull Silk No. of Colors 2 Size 2 × 2' Sample
Product No. EF AEF02ON Content 50% Wool, 50% Dull Silk No. of Colors 2 Size 8 × 10' Rug
062
063
The Archive Edition / Free Forms
The Archive Edition / Free Forms
The Deep II
The Deep I
The Deep II
Detail
Product No. EF AEF03ON Content
100% Wool
No. of Colors 8 Size 2 × 2' Sample
Product No. EF AEF04ON Content
100% Wool
No. of Colors 8 Size 2 × 2' Sample
Product No. EF AEF04ON Content
100% Wool
No. of Colors 8 Size 8 × 10' Rug
064
065
The Archive Edition / Free Forms
The Archive Edition / Free Forms
The Deep II
The Deep I
The Deep II
Detail
Product No. EF AEF03ON Content
100% Wool
No. of Colors 8 Size 2 × 2' Sample
Product No. EF AEF04ON Content
100% Wool
No. of Colors 8 Size 2 × 2' Sample
Product No. EF AEF04ON Content
100% Wool
No. of Colors 8 Size 8 × 10' Rug
064
065
The Deep II, Archive Edition
066
067
The Deep II, Archive Edition
066
067
The Archive Edition / Free Forms
Heavenly I
The Archive Edition / Free Forms
Heavenly II
Heavenly I Detail
Detail
Detail
Product No. EF AEF09ON Content
100% Wool
No. of Colors 4 Size 2 × 2' Sample
Product No. EF AEF10ON Content
100% Wool
No. of Colors 4
Product No. EF AEF09ON
Size 2 × 2' Sample
Content
100% Wool
No. of Colors 4 Size 8 × 10' Rug
068
069
The Archive Edition / Free Forms
Heavenly I
The Archive Edition / Free Forms
Heavenly II
Heavenly I Detail
Detail
Detail
Product No. EF AEF09ON Content
100% Wool
No. of Colors 4 Size 2 × 2' Sample
Product No. EF AEF10ON Content
100% Wool
No. of Colors 4
Product No. EF AEF09ON
Size 2 × 2' Sample
Content
100% Wool
No. of Colors 4 Size 8 × 10' Rug
068
069
The Archive Edition / Free Forms
Silent Mist I
The Archive Edition / Free Forms
Silent Mist II
Silent Mist II Detail
Detail
Product No. EF AEF17ON
Product No. EF AEF18ON
Content
Content
100% Wool
100% Wool
No. of Colors 6
No. of Colors 6
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AEF18ON Content
100% Wool
No. of Colors 6 Size 8 × 10' Rug
070
071
The Archive Edition / Free Forms
Silent Mist I
The Archive Edition / Free Forms
Silent Mist II
Silent Mist II Detail
Detail
Product No. EF AEF17ON
Product No. EF AEF18ON
Content
Content
100% Wool
100% Wool
No. of Colors 6
No. of Colors 6
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AEF18ON Content
100% Wool
No. of Colors 6 Size 8 × 10' Rug
070
071
The Archive Edition / Free Forms
Lago Vecchio I
The Archive Edition / Free Forms
Lago Vecchio II
Lago Vecchio II Detail
Detail
Detail
Product No. EF AEF11ON Content
100% Wool
No. of Colors 4 Size 2 × 2' Sample
Product No. EF AEF12ON Content
100% Wool
No. of Colors 4
Product No. EF AEF12ON
Size 2 × 2' Sample
Content
100% Wool
No. of Colors 4 Size 8 × 10' Rug
072
073
The Archive Edition / Free Forms
Lago Vecchio I
The Archive Edition / Free Forms
Lago Vecchio II
Lago Vecchio II Detail
Detail
Detail
Product No. EF AEF11ON Content
100% Wool
No. of Colors 4 Size 2 × 2' Sample
Product No. EF AEF12ON Content
100% Wool
No. of Colors 4
Product No. EF AEF12ON
Size 2 × 2' Sample
Content
100% Wool
No. of Colors 4 Size 8 × 10' Rug
072
073
The Archive Edition / Free Forms
The Archive Edition / Free Forms
Terra III
Terra I
Terra II Detail
Product No. EF AEF19ON Content
100% Wool
No. of Colors 5 Size 2 × 2' Sample
Product No. EF AEF20ON Content
100% Wool
No. of Colors 5 Size 2 × 2' Sample
Product No. EF AEF21ON Content 69% Wool, 31% Silk No. of Colors 5 Size 8 × 10' Rug
074
075
The Archive Edition / Free Forms
The Archive Edition / Free Forms
Terra III
Terra I
Terra II Detail
Product No. EF AEF19ON Content
100% Wool
No. of Colors 5 Size 2 × 2' Sample
Product No. EF AEF20ON Content
100% Wool
No. of Colors 5 Size 2 × 2' Sample
Product No. EF AEF21ON Content 69% Wool, 31% Silk No. of Colors 5 Size 8 × 10' Rug
074
075
Terra (custom order), Archive Edition
076
077
Terra (custom order), Archive Edition
076
077
The Archive Edition / Geometrics
Geometrics
The Archive Edition / Geometrics
Cavalcade I
Cavalcade II Detail
Product No. EF AEG02ON Content
100% Wool
No. of Colors 3 Size 2 × 2' Sample
Product No. EF AEG01ON Content
100% Wool
No. of Colors 3 Size 2 × 2' Sample
078
079
The Archive Edition / Geometrics
Geometrics
The Archive Edition / Geometrics
Cavalcade I
Cavalcade II Detail
Product No. EF AEG02ON Content
100% Wool
No. of Colors 3 Size 2 × 2' Sample
Product No. EF AEG01ON Content
100% Wool
No. of Colors 3 Size 2 × 2' Sample
078
079
The Archive Edition / Geometrics
The Archive Edition / Geometrics
Embassy Court II
Embassy Court I
Embassy Court II
Detail
Product No. EF AEG06ON Content
100% Wool
No. of Colors 1 Size 2 × 2' Sample
Product No. EF AEG05ON Content
100% Wool
No. of Colors 1 Size 2 × 2' Sample
Product No. EF AEG06ON Content
100% Wool
No. of Colors 1 Size 8 × 10' Rug
080
081
The Archive Edition / Geometrics
The Archive Edition / Geometrics
Embassy Court II
Embassy Court I
Embassy Court II
Detail
Product No. EF AEG06ON Content
100% Wool
No. of Colors 1 Size 2 × 2' Sample
Product No. EF AEG05ON Content
100% Wool
No. of Colors 1 Size 2 × 2' Sample
Product No. EF AEG06ON Content
100% Wool
No. of Colors 1 Size 8 × 10' Rug
080
081
Embassy Court II, Archive Edition
082
083
Embassy Court II, Archive Edition
082
083
The Archive Edition / Geometrics
Picnic Blanket I
The Archive Edition / Geometrics
Picnic Blanket II
Picnic Blanket I Detail
Detail
Product No. EF AEG10ON
Product No. EF AEG11ON
Content
Content
100% Wool
100% Wool
No. of Colors 8
No. of Colors 8
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AEG10ON Content
100% Wool
No. of Colors 8 Size 8 × 10' Rug
084
085
The Archive Edition / Geometrics
Picnic Blanket I
The Archive Edition / Geometrics
Picnic Blanket II
Picnic Blanket I Detail
Detail
Product No. EF AEG10ON
Product No. EF AEG11ON
Content
Content
100% Wool
100% Wool
No. of Colors 8
No. of Colors 8
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AEG10ON Content
100% Wool
No. of Colors 8 Size 8 × 10' Rug
084
085
The Archive Edition / Geometrics
The Archive Edition / Geometrics
Shoji III
Shoji I
Shoji II Detail
Detail
Product No. EF AEG12ON
Product No. EF AEG13ON
Content
Content
100% Wool
No. of Colors 10
No. of Colors 10
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AEG14ON Content 85% Wool, 15% Silk No. of Colors 10 Size 8 × 10' Rug
086
100% Wool
087
The Archive Edition / Geometrics
The Archive Edition / Geometrics
Shoji III
Shoji I
Shoji II Detail
Detail
Product No. EF AEG12ON
Product No. EF AEG13ON
Content
Content
100% Wool
No. of Colors 10
No. of Colors 10
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AEG14ON Content 85% Wool, 15% Silk No. of Colors 10 Size 8 × 10' Rug
086
100% Wool
087
The Archive Edition / Geometrics
Checks & Balances I
The Archive Edition / Borders
Checks & Balances II
Borders Detail
Detail
Detail
Product No. EF AEG03ON Content
100% Wool
No. of Colors 2 Size 2 × 2' Sample
Product No. EF AEG04ON Content
100% Wool
No. of Colors 2 Size 2 × 2' Sample
088
089
The Archive Edition / Geometrics
Checks & Balances I
The Archive Edition / Borders
Checks & Balances II
Borders Detail
Detail
Detail
Product No. EF AEG03ON Content
100% Wool
No. of Colors 2 Size 2 × 2' Sample
Product No. EF AEG04ON Content
100% Wool
No. of Colors 2 Size 2 × 2' Sample
088
089
The Archive Edition / Borders
Bangkok Border I
The Archive Edition / Borders
Bangkok Border II
Key Largo I
Key Largo II
Detail
Detail
Detail
Product No. EF AEB05ON Content 79% Wool, 21% Dull Slik No. of Colors 3 Size 2 × 2' Sample
Product No. EF AEB01ON
Product No. EF AEB02ON
Content 60% Dull Silk, 40% Wool
Content 60% Dull Silk, 40% Wool
No. of Colors 3
No. of Colors 3
Size 2 × 2' Sample
Size 2 × 2' Sample
Detail
Product No. EF AEB04ON Content 79% Wool, 21% Dull Silk No. of Colors 3 Size 2 × 2' Sample
090
091
The Archive Edition / Borders
Bangkok Border I
The Archive Edition / Borders
Bangkok Border II
Key Largo I
Key Largo II
Detail
Detail
Detail
Product No. EF AEB05ON Content 79% Wool, 21% Dull Slik No. of Colors 3 Size 2 × 2' Sample
Product No. EF AEB01ON
Product No. EF AEB02ON
Content 60% Dull Silk, 40% Wool
Content 60% Dull Silk, 40% Wool
No. of Colors 3
No. of Colors 3
Size 2 × 2' Sample
Size 2 × 2' Sample
Detail
Product No. EF AEB04ON Content 79% Wool, 21% Dull Silk No. of Colors 3 Size 2 × 2' Sample
090
091
The Archive Edition / Borders
The Archive Edition / Traditionals
Frontenac I
Traditionals Detail
Detail
Product No. EF AEB03ON Content
100% Wool
No. of Colors 6 Size 2 × 2' Sample
092
093
The Archive Edition / Borders
The Archive Edition / Traditionals
Frontenac I
Traditionals Detail
Detail
Product No. EF AEB03ON Content
100% Wool
No. of Colors 6 Size 2 × 2' Sample
092
093
The Archive Edition / Traditionals
Ambert
The Archive Edition / Traditionals
Ardennes I
Ardennes III
Product No. EF AET01ON
Product No. EF AET02ON
Content 51% Dull Silk, 49% Wool
Content
No. of Colors 2
No. of Colors 2
Size 2 × 2' Sample
Size 2 × 2' Sample
100% Wool
Ardennes II
Product No. EF AET03ON Content 52% Wool, 48% Silk
Product No. EF AET20ON
No. of Colors 2
Content 52% Wool, 48% Silk
Size 2 × 2' Sample
No. of Colors 2 Size 8 × 10' Rug
094
095
The Archive Edition / Traditionals
Ambert
The Archive Edition / Traditionals
Ardennes I
Ardennes III
Product No. EF AET01ON
Product No. EF AET02ON
Content 51% Dull Silk, 49% Wool
Content
No. of Colors 2
No. of Colors 2
Size 2 × 2' Sample
Size 2 × 2' Sample
100% Wool
Ardennes II
Product No. EF AET03ON Content 52% Wool, 48% Silk
Product No. EF AET20ON
No. of Colors 2
Content 52% Wool, 48% Silk
Size 2 × 2' Sample
No. of Colors 2 Size 8 × 10' Rug
094
095
The Archive Edition / Traditionals
Beaufort I
The Archive Edition / Traditionals
Beaufort II
Classico I
Classico II
Detail
Detail
Detail
Detail
Product No. EF AET06ON Content
100% Wool
No. of Colors 2 Size 2 × 2' Sample
Product No. EF AET04ON
Product No. EF AET05ON
Content 68% Wool, 32% Dull Silk
Content 68% Wool, 32% Dull Silk
No. of Colors 2
No. of Colors 2
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AET07ON Content 63% Wool, 37% Dull Silk No. of Colors 2 Size 2 × 2' Sample
096
097
The Archive Edition / Traditionals
Beaufort I
The Archive Edition / Traditionals
Beaufort II
Classico I
Classico II
Detail
Detail
Detail
Detail
Product No. EF AET06ON Content
100% Wool
No. of Colors 2 Size 2 × 2' Sample
Product No. EF AET04ON
Product No. EF AET05ON
Content 68% Wool, 32% Dull Silk
Content 68% Wool, 32% Dull Silk
No. of Colors 2
No. of Colors 2
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AET07ON Content 63% Wool, 37% Dull Silk No. of Colors 2 Size 2 × 2' Sample
096
097
The Archive Edition / Traditionals
Morgana I
The Archive Edition / Traditionals
Morgana II
Morgana I Detail
Product No. EF AET15ON
Product No. EF AET16ON
Content
Content
100% Wool
100% Wool
No. of Colors 12
No. of Colors 12
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AET15ON Content
100% Wool
No. of Colors 12 Size 8 × 10' Rug
098
099
The Archive Edition / Traditionals
Morgana I
The Archive Edition / Traditionals
Morgana II
Morgana I Detail
Product No. EF AET15ON
Product No. EF AET16ON
Content
Content
100% Wool
100% Wool
No. of Colors 12
No. of Colors 12
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AET15ON Content
100% Wool
No. of Colors 12 Size 8 × 10' Rug
098
099
The Archive Edition / Traditionals
Grand Palais I
The Archive Edition / Traditionals
Vanessa I
Vanessa I Detail
Detail
Detail
Product No. EF AET19ON Content 94% Wool, 6% Dull Silk No. of Colors 13 Size 2 × 2' Sample
Product No. EF AET09ON Content
100% Wool
No. of Colors 15
Product No. EF AET19ON
Size 2 × 2' Sample
Content 92% Wool, 8% Wool No. of Colors 13 Size 2 × 2' Sample
100
101
The Archive Edition / Traditionals
Grand Palais I
The Archive Edition / Traditionals
Vanessa I
Vanessa I Detail
Detail
Detail
Product No. EF AET19ON Content 94% Wool, 6% Dull Silk No. of Colors 13 Size 2 × 2' Sample
Product No. EF AET09ON Content
100% Wool
No. of Colors 15
Product No. EF AET19ON
Size 2 × 2' Sample
Content 92% Wool, 8% Wool No. of Colors 13 Size 2 × 2' Sample
100
101
The Archive Edition / Florals
The Archive Edition / Florals
All Fall Down I
Florals
Blissful Garden I
Product No. EF AEL01ON
Product No. EF AEL02ON
Content
Content
100% Wool
100% Wool
No. of Colors 17
No. of Colors 12
Size 2 × 2' Sample
Size 2 × 2' Sample
Blissful Garden II
Product No. EF AEL03ON Content 81% Wool, 19% Silk No. of Colors 12 Size 2 × 2' Sample
102
103
The Archive Edition / Florals
The Archive Edition / Florals
All Fall Down I
Florals
Blissful Garden I
Product No. EF AEL01ON
Product No. EF AEL02ON
Content
Content
100% Wool
100% Wool
No. of Colors 17
No. of Colors 12
Size 2 × 2' Sample
Size 2 × 2' Sample
Blissful Garden II
Product No. EF AEL03ON Content 81% Wool, 19% Silk No. of Colors 12 Size 2 × 2' Sample
102
103
The Archive Edition / Florals
The Archive Edition / Florals
Field & Garden I
Field & Garden I
Field & Garden II
Detail
Product No. EF AEL05ON
Product No. EF AEL06ON
Content
Content
No. of Colors 17
Size 2 × 2' Sample
Size 2 × 2' Sample
100% Wool
No. of Colors 17 Size 8 × 10' Rug
104
100% Wool
No. of Colors 17
Product No. EF AEL05ON Content
100% Wool
105
The Archive Edition / Florals
The Archive Edition / Florals
Field & Garden I
Field & Garden I
Field & Garden II
Detail
Product No. EF AEL05ON
Product No. EF AEL06ON
Content
Content
No. of Colors 17
Size 2 × 2' Sample
Size 2 × 2' Sample
100% Wool
No. of Colors 17 Size 8 × 10' Rug
104
100% Wool
No. of Colors 17
Product No. EF AEL05ON Content
100% Wool
105
Field & Garden I, Archive Edition
106
107
Field & Garden I, Archive Edition
106
107
The Archive Edition / Florals
Olivia I
The Archive Edition / Florals
Olivia II
Leaf Shadows I
Leaf Shadows II Detail
Detail
Product No. EF AEL10ON
Detail
Content 84% Wool, 16% Silk No. of Colors 3 Size 2 × 2' Sample
Product No. EF AEL09ON
Product No. EF AEL07ON
Product No. EF AEL08ON
Content 84% Wool, 16% Silk
Content 72% Wool, 28% Dull Silk
Content 72% Wool, 28% Dull Silk
No. of Colors 3
No. of Colors 5
No. of Colors 5
Size 2 × 2' Sample
Size 2 × 2' Sample
Size 2 × 2' Sample
108
109
The Archive Edition / Florals
Olivia I
The Archive Edition / Florals
Olivia II
Leaf Shadows I
Leaf Shadows II Detail
Detail
Product No. EF AEL10ON
Detail
Content 84% Wool, 16% Silk No. of Colors 3 Size 2 × 2' Sample
Product No. EF AEL09ON
Product No. EF AEL07ON
Product No. EF AEL08ON
Content 84% Wool, 16% Silk
Content 72% Wool, 28% Dull Silk
Content 72% Wool, 28% Dull Silk
No. of Colors 3
No. of Colors 5
No. of Colors 5
Size 2 × 2' Sample
Size 2 × 2' Sample
Size 2 × 2' Sample
108
109
The Archive Edition / Florals
Sunflowers I
The Archive Edition / Florals
Sunflowers II
Sunflowers II Detail
Detail
Product No. EF AEL12ON
Product No. EF AEL13ON
Content
Content 60% Dull Silk, 40% Wool
100% Wool
No. of Colors 6
No. of Colors 6
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AEL13ON Content 93% Wool, 7% Dull Silk No. of Colors 6 Size 8 × 10' Rug
110
111
The Archive Edition / Florals
Sunflowers I
The Archive Edition / Florals
Sunflowers II
Sunflowers II Detail
Detail
Product No. EF AEL12ON
Product No. EF AEL13ON
Content
Content 60% Dull Silk, 40% Wool
100% Wool
No. of Colors 6
No. of Colors 6
Size 2 × 2' Sample
Size 2 × 2' Sample
Product No. EF AEL13ON Content 93% Wool, 7% Dull Silk No. of Colors 6 Size 8 × 10' Rug
110
111
The Textures Edition
The Textures Edition
Perhaps the most characteristically ‘Edward Fields’ edition of them all, the Textures Edition is an exploration of how tufting technique and fiber choice influence design. An Edward Fields rug can be immediately identified by its signature yarn count, pile height, and opulent tufting. Many of the company’s most enduring and popular patterns comprise Textures, which includes both designs inspired by the archive and custom commissions. This edition is constantly expanding.
112
113
The Textures Edition
The Textures Edition
Perhaps the most characteristically ‘Edward Fields’ edition of them all, the Textures Edition is an exploration of how tufting technique and fiber choice influence design. An Edward Fields rug can be immediately identified by its signature yarn count, pile height, and opulent tufting. Many of the company’s most enduring and popular patterns comprise Textures, which includes both designs inspired by the archive and custom commissions. This edition is constantly expanding.
112
113
The Textures Edition / Handmade / Loop
The Textures Edition / Handmade / Loop
Dot Com
Loop
Houndstooth
Product No. EF X0803ON
Product No. EF X0804ON
Content
Content
100% Wool
100% Wool
No. of Colors 2
No. of Colors 2
Size
Size
1 × 1' Sample
1 × 1' Sample
Hudson
Product No. EF X0805ON Content
100% Wool
No. of Colors 3 Size
114
115
1 × 1' Sample
The Textures Edition / Handmade / Loop
The Textures Edition / Handmade / Loop
Dot Com
Loop
Houndstooth
Product No. EF X0803ON
Product No. EF X0804ON
Content
Content
100% Wool
100% Wool
No. of Colors 2
No. of Colors 2
Size
Size
1 × 1' Sample
1 × 1' Sample
Hudson
Product No. EF X0805ON Content
100% Wool
No. of Colors 3 Size
114
115
1 × 1' Sample
The Textures Edition / Handmade / Loop
The Textures Edition / Handmade / Loop
Rhapsody
Morocco
Rikela
Oxford
Product No. EF AEX06ON Content 91% Wool, 9% Silk No. of Colors 2 Size
116
1 × 1' Sample
Product No. EF AEX08ON
Product No. EF AEX09ON
Product No. EF X0809ON
Content 91% Wool, 9% Silk
Content
Content
No. of Colors 4
No. of Colors 3
No. of Colors 3
Size
Size
Size
1 × 1' Sample
117
100% Wool 1 × 1' Sample
100% Wool 1 × 1' Sample
The Textures Edition / Handmade / Loop
The Textures Edition / Handmade / Loop
Rhapsody
Morocco
Rikela
Oxford
Product No. EF AEX06ON Content 91% Wool, 9% Silk No. of Colors 2 Size
116
1 × 1' Sample
Product No. EF AEX08ON
Product No. EF AEX09ON
Product No. EF X0809ON
Content 91% Wool, 9% Silk
Content
Content
No. of Colors 4
No. of Colors 3
No. of Colors 3
Size
Size
Size
1 × 1' Sample
117
100% Wool 1 × 1' Sample
100% Wool 1 × 1' Sample
Rikela (custom order), Textures Edition
118
119
Rikela (custom order), Textures Edition
118
119
The Textures Edition / Handmade / Loop
Tapisweave Stria
The Textures Edition / Handmade / Cut & Loop
Cut & Loop
Product No. EF AEX15ON Content 91% Wool, 9% Silk No. of Colors 3 Size
120
1 × 1' Sample
121
The Textures Edition / Handmade / Loop
Tapisweave Stria
The Textures Edition / Handmade / Cut & Loop
Cut & Loop
Product No. EF AEX15ON Content 91% Wool, 9% Silk No. of Colors 3 Size
120
1 × 1' Sample
121
The Textures Edition / Handmade / Cut & Loop
The Textures Edition / Handmade / Cut & Loop
Atelier
Dreamweaver
Bellevue
Kingspoint
Product No. EF AEX01ON Content 52% Wool, 48% Silk No. of Colors 2 Size
1 × 1' Sample
Cordova
Product No. EF X0801ON
Product No. EF X0804ON
Product No. EF X0806ON
Content
Content
Content
100% Wool
100% Wool
100% Wool
No. of Colors 1
No. of Colors 1
No. of Colors 1
Size
Size
Size
1 × 1' Sample
Product No. EF X0802ON Content 71% Dull Silk, 29% Wool No. of Colors 2 Size
122
1 × 1' Sample
123
1 × 1' Sample
1 × 1' Sample
The Textures Edition / Handmade / Cut & Loop
The Textures Edition / Handmade / Cut & Loop
Atelier
Dreamweaver
Bellevue
Kingspoint
Product No. EF AEX01ON Content 52% Wool, 48% Silk No. of Colors 2 Size
1 × 1' Sample
Cordova
Product No. EF X0801ON
Product No. EF X0804ON
Product No. EF X0806ON
Content
Content
Content
100% Wool
100% Wool
100% Wool
No. of Colors 1
No. of Colors 1
No. of Colors 1
Size
Size
Size
1 × 1' Sample
Product No. EF X0802ON Content 71% Dull Silk, 29% Wool No. of Colors 2 Size
122
1 × 1' Sample
123
1 × 1' Sample
1 × 1' Sample
The Textures Edition / Handmade / Cut & Loop
The Textures Edition / Handmade / Cut & Loop
Luminare
Lincoln
Sandstorm
Special Twintex
Product No. EF X0807ON
Product No. EF X0808ON
Product No. EF X0813ON
Content 65% Wool, 35% Wool
Content 60% Wool, 40% Silk
Content 69% Silk, 31% Wool
No. of Colors 2
No. of Colors 2
No. of Colors 2
Size
Size
Size
1 × 1' Sample
1 × 1' Sample
Pinpoint
Product No. EF X0812ON Content
100% Wool
No. of Colors 1 Size
Product No. EF X0811ON Content
100% Wool
No. of Colors 1 Size
124
1 × 1' Sample
125
1 × 1' Sample
1 × 1' Sample
The Textures Edition / Handmade / Cut & Loop
The Textures Edition / Handmade / Cut & Loop
Luminare
Lincoln
Sandstorm
Special Twintex
Product No. EF X0807ON
Product No. EF X0808ON
Product No. EF X0813ON
Content 65% Wool, 35% Wool
Content 60% Wool, 40% Silk
Content 69% Silk, 31% Wool
No. of Colors 2
No. of Colors 2
No. of Colors 2
Size
Size
Size
1 × 1' Sample
1 × 1' Sample
Pinpoint
Product No. EF X0812ON Content
100% Wool
No. of Colors 1 Size
Product No. EF X0811ON Content
100% Wool
No. of Colors 1 Size
124
1 × 1' Sample
125
1 × 1' Sample
1 × 1' Sample
Edward Fields / Locations
Locations
New York Edward Fields Flagship Showroom 150 East 58th Street 11th Floor New York, NY 10155 Tel. (212) 310-0400 Chicago Edward Fields Studio 222 Merchandise Mart Suite 635 Chicago, IL 60654 Tel. (312) 644-0400
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127
Dallas Edward Fields Studio 1025 N. Stemmons Freeway Suite 310 Dallas, TX 75207 Tel. (214) 741-4215
Los Angeles Edward Fields Studio 8687 Melrose Avenue Suite B400 Los Angeles, CA 90069 Tel. (310) 652-3058
Miami Edward Fields Studio 1855 Griffin Road Dania Beach, FL 33004 Tel. (954) 923-4888
San Francisco Edward Fields Studio 111 Rhode Island Street Suite 11 San Francisco, CA 94103 Tel. (415) 431-4373
Houston Edward Fields Studio 5120 Woodway Suite 113 Houston, TX 77056 Tel. (713) 877-8432
Edward Fields / Locations
Locations
New York Edward Fields Flagship Showroom 150 East 58th Street 11th Floor New York, NY 10155 Tel. (212) 310-0400 Chicago Edward Fields Studio 222 Merchandise Mart Suite 635 Chicago, IL 60654 Tel. (312) 644-0400
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127
Dallas Edward Fields Studio 1025 N. Stemmons Freeway Suite 310 Dallas, TX 75207 Tel. (214) 741-4215
Los Angeles Edward Fields Studio 8687 Melrose Avenue Suite B400 Los Angeles, CA 90069 Tel. (310) 652-3058
Miami Edward Fields Studio 1855 Griffin Road Dania Beach, FL 33004 Tel. (954) 923-4888
San Francisco Edward Fields Studio 111 Rhode Island Street Suite 11 San Francisco, CA 94103 Tel. (415) 431-4373
Houston Edward Fields Studio 5120 Woodway Suite 113 Houston, TX 77056 Tel. (713) 877-8432
Credits Photography Julius Shulman, Cody House Andrew Bordwin, Manhattan Apartment Lee Mawdsley, Edward Fields Factory Matthew Mendenhall, Edward Fields Product Writer Jessica Olshen Graphic Design Spin, London The designs in this catalog are the property of Edward Fields Carpet Makers and may not be reproduced, copied or sold by any other party without permission. All rights reserved worldwide.