On the Lake Program

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PRESENTS

BY

Reza de Wet DIRECTED BY

Stephen Cross ASSOCIATE DIRECTOR

Andrea Leigh-Smith CHOREOGRAPHY BY

Andrea Leigh-Smith with members of the company of On the Lake: Andrea Baker, Diane Cervelli, Emily Edwards, Willow Funkhouser, Mieke Moll, and Brina Rosen SCENIC DESIGNER

COSTUME DESIGNER

LIGHTING DESIGNER

SOUND DESIGNER

Jonathan Hayes

Garvin Hastings

Andrew "Andy" S. LiDestri

Kevin O’Connor

STAGE MANAGER

Jackson Norman CHAIR, DEPARTMENT OF DRAMA

Ralph Zito On the Lake premiered at the Grahamstown Festival in 2001. It was staged at the Stella Adler Drama School, New York, in February 2010. It was produced in Guernsey in Feb, 2013.

October 9 - 11, 2020

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CAST (in order of appearance)

Arkadina..................................................Francesca Panzara Mother..............................................Valeria Maria Johnson Polina......................................................Summer Ainsworth Masha..........................................Phoebe Rose Black-Toby Nina..............................................................................Ella Leh

D A N C E C O M PA N Y Andrea Baker, Diane Cervelli, Emily Edwards, Willow Funkhouser, Mieke Moll

UNDERSTUDIES Andrea Baker (Nina), Diane Cervelli (Arkadina), Emily Edwards (Masha), Willow Funkhouser (Polina) Mieke Moll (Mother)

SWING Brina Rosen

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ADDITIONAL CREDITS Assistant Director: Charlie Towle Assistant to the Choreographer: Brina Rosen Assistant Scenic Designer: Samantha Olszewski Assistant Costume Designer: Addie Livingston Assistant Stage Managers: Rebecca Voss, Emma Yehle Casting Associates: Julia Catalano, Marilyn Wechsler Dance Captain: Mieke Moll

SETTING Russia, 1910, Summer, a decaying country house on a lake

On the Lake will be performed without an intermission.

SPECIAL THANKS We wish to thank the Department of Drama, the production team, and especially Dianna Angell, for their unstoppable support of this show. These are very difficult times for the theater, and we are grateful that the Storch Theater is lighting up, when so many theaters around the world are currently dark.

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D I R E CTO R ' S N OT E S

ON THE LAKE, A TRAGI-COMIC DREAM PLAY AT THE END OF ANTON CHEKHOV’S PLAY, The Seagull, on a windswept, rainy night a young woman named Nina visits the lakefront estate of a young man - Kostia. They have known one another since childhood, and he has fallen deeply in love with her. That night, she tells him she cannot return his love. Although fond of him, she remains desperately in love with his mother’s lover, Trigorin. Impulsively, she embraces Kostia, and runs out into the night. Heartbroken and abandoned, Kostia commits suicide.

On the Lake picks up this tragic story eight months later. Nina is an actress with a theater company touring the small provincial towns of Russia when she learns of Kostia’s death.

Although deeply saddened by the news, and

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burdened with a heavy sense of duty and obligation, she hesitates in her decision to return to pay her respects to his family and friends.

She is struggling with many unhappy memories and regrets; and with many entangling and unresolved relationships. One evening, unsettled and uncertain, she boards the train with the rest of the theater company, and as the wheels spin along the tracks, she drops off to sleep…

“I’m so tired, I travelled all night…

I don’t know if I’m asleep or awake.”

“I’m so tired, I travelled all night…I don’t know if I’m asleep or awake.”

– Nina, from On the Lake

comes and reconciles the dreamer with reality, which however painful it might be, is a joy compared to the agony of dreaming.” - August Strindberg, preface to A Dream Play

“Anything can happen; everything is possible and probable. On a slight groundwork of reality, imagination spins and weaves new patterns made up of memories, experiences, absurdities and improvisations. But, a single consciousness rules them all - that of the dreamer. For them there are no secrets, no inconsistencies, no laws. And, because a dream is usually painful, a tone of melancholy permeates the rambling narrative.

Sleep, the liberator, often feels like torture, but when the torment is at its worst the moment of awakening

– NINA, FROM ON THE LAKE

“Nina is able to engage in a process of self-fashioning which illustrates her development into a woman who takes charge of her own identity. She stops seeing herself through patriarchal eyes and embarks on a creative journey of recreating herself…” – Daniel Botha Standler – Stephen Cross

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CAST Summer Ainsworth (Polina) is a senior acting major from Los Angeles, CA. She is extremely lucky to be a part of this production and thanks the cast, crew, and creative team for the endless support and creativity.

Diane Cervelli (Dancer, u/s Arkadina) is thrilled to be making her mainstage debut. Past credits include the Syracuse Stage Bank of America Children’s Tour, Suzette Who Set to Sea (Swing), and the Department of Drama student project Start From Hello (Alex). She would like to thank her family and friends for their endless support, and the entire cast, crew, and creative team of On the Lake for such a collaborative and fulfilling process. She hopes you enjoy the show!

Andrea Baker (Dancer, u/s Nina) is a junior musical theater major from Columbia, MO and is thrilled to be a part of this incredible company. Some of her favorite past credits include The Secret in the Wings (Andrea), Little Women (Jo), and The Little Mermaid (Ursula). She’d like to thank her loving parents for their constant support, Andrea Leigh-Smith, Stephen Cross, and the production team for allowing the whole cast to have a voice in this process, and the inspiring group of women that have made this show what it is.

Emily Edwards (Dancer, u/s Masha) is a junior musical theater major from San Antonio, Texas.

She is excited to make her mainstage debut! She was last seen in Getting Out (sophomore projects) and Rocky Horror (Black Box Players). Favorite credits include Evita (Evita), Mary Poppins (Jane), and 25th Annual Putnam County Spelling Bee (Director). She would like to thank her friends, family, cast, team, and her four cats. She dedicates her performance to Karen Mentor, for her endless support and to her Papa for making her dreams come true.

Phoebe Rose BlackToby (Masha) is a senior acting major from Chicago, IL. This is her Department of Drama mainstage debut. She was recently seen in Blood At the Root (Black Box Players), Twelfth Night (Shakespeare’s Globe) and Skin of Our Teeth (sophomore projects).

Phoebe thanks her mom and dad for their love and support. RIP RBG.

Willow Funkhouser (Dancer, u/s Polina) is extremely proud to be performing in her first mainstage production at the Department of Drama! Willow is pursuing a BS in Drama 8

CAST with an Acting track. She was most recently seen dancing in Syracuse University’s Danceworks showcase last spring. Some of her favorite previous credits include Rosalind in As You Like It and Little Sally in Urinetown. She is so grateful to her amazing parents, friends, and the entire company for inspiring her to continue this work during such a difficult time. Black Lives Matter.

Drama, Ella has been seen as Vanda in Venus in Fur (independent student project), Rosalie in The Children’s Hour (studio project), and Emily in The Our Town Project (sophomore project), as well as Trixie in Black Box Players’ Rocky Horror Picture Show. For Victor.

Mieke Moll (Dancer, Dance Captain, u/s Mother) is a senior musical theater major from Grand Rapids, MI. She is so excited to be a part of this production. Her past Department of Drama credits include Judy in A Chorus Line (mainstage) and Mrs. Antrobus in The Skin of Our Teeth (sophomore project). Favorite past credits include Sister Act, Ragtime, and Mary Poppins. Mieke would like to thank all of the strong women in her life, especially her Mom and Grandma for their endless support.

Finally, thank you to Andrea and Stephen for this meaningful opportunity.

Valeria Maria Johnson (Mother) is a senior musical theater major from San Jose, CA and is thrilled to be making her mainstage debut in this magnificent production of On the Lake.

In the Department of Drama, she has been seen as Man in Sic (Black Box Players) and Sabina in The Skin of Our Teeth (sophomore projects). Regionally she has been seen as Heather MacNamera in Heathers the Musical (Gatehouse Theatre), Maria in West Side Story and Esmerelda in The Hunchback of Norte Dame (Montgomery Theatre). She is also the recipient of the Brian Alfred King Award in acting. Major thanks to Steve and Andrea, the company, creative team, her family, and friends. She is happy to join this team and make art that inspires during this time. Enjoy the show!

Francesca Panzara (Arkadina) is overjoyed to be back on the Department of Drama mainstage in On the Lake. Francesca is a senior musical theater major from Winchester, MA. She was previously seen on the mainstage in The Crucible (Sarah Good). Other recent credits include the regional premiere of Kinky Boots (Ensemble/Milan Stage Manager), the world premiere of

Ella Leh (Nina) is a senior acting major from Louisville, CO. She is thrilled to make her mainstage debut as part of such a resilient and inventive team. At the Department of 9

CAST Brina Rosen (Swing, Assistant to the Choreographer) is a junior musical theater major from Baltimore, MD. At the Department of Drama Brina has been seen as Ruby in Getting Out (studio project). Favorite previous credits include, Lady of The Lake in Spamalot (Summer Dinner Theater) and Kate/Lilli in Kiss Me, Kate (Carver Center). Brina thanks her director and choreographer for this opportunity to continue creating theater in COVID times.

Unicorn Girl (Emma/Unicorn Girl), and Revolt. She Said. Revolt Again.

(Woman 3/Grandma) at Hangar Theatre; as well as West Side Story (Barrington Stage Company: u/s Graziella). She spent this past summer developing and performing in her own virtual cabaret, Today I Choose Joy, which can still be viewed on her website, Facebook, and YouTube. Francesca is incredibly grateful for the love and support of her family and friends (especially her parents) to pursue her dreams. www.francescapanzara.com; @francescapanzara (IG).

A R T I S T I C S TA F F Jonathan Hayes (Scenic Designer) is a Department of Drama alumni with a concentration in lighting and scenic design. Hailing from Fairfax County, VA, he is thrilled to be working on his second mainstage project at the Department of Drama with On the Lake, especially given the obstacles presented by COVID-19. Previous productions at the Department of Drama include lighting design for The Crucible, as well as a variety of scenic, lighting, and projections assistant positions.

Outside of the Department of Drama, Jonathan designed scenery for Black Box Player’s production of Much Ado About Nothing, and assisted Alex Koziara with lighting on Peter Pan at The Oncenter in downtown Syracuse. In addition, Jonathan has worked on a plethora of Syracuse Stage produc-

tions as a student props artisan in the prop shop. He hopes you enjoy our production of On the Lake!

Garvin Hastings (Costume Designer) is a 2020 graduate of the Syracuse University Department of Drama from Nashville, TN. Department of Drama credits include The Crucible directed by Geri Clark. They are now a first year graduate student at NYU Tisch studying costume design for stage and film.

Andrew “Andy” S. LiDestri (Lighting Designer) graduated from Syracuse University with a BFA in theater design and technology with a concentration in lighting design in May of 2017. He is originally from Stratford, CT but has made Syra-

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A R T I S T I C S TA F F cuse, NY his home. This is his fifth mainstage design for the Department of Drama. Some previous Department of Drama design credits include, Crazy for You (lighting designer), Berlin to Broadway with Kurt Weill: A Musical Voyage (lighting designer) and We Are Proud to Present . . . (lighting designer). He has spent a number of years working as the master electrician and as a regular electrician for The Rev Theatre Company (formally the Finger Lakes Music Theatre Festival at the MerryGo-Round Playhouse) in Auburn, NY. He currently is the lead lightning technician in the Entertainment department at Turning Stone Resort Casino in Verona, NY. You can find more of his work at andylidestri.com and @_andestri on Instagram

Setzuan, and Translations, as well as Miss Electricity for the Syracuse Stage/SU Drama Children’s Tour.

Kevin has also worked as the A1 position, controlling the audio console/ live mixing most of the musicals in recent years for both Syracuse Stage and SU Department of Drama including Disney’s Beauty and The Beast, The Last Five Years, Elf the Musical, Little Shop of Horrors, Next to Normal, The Wizard of Oz, Ring of Fire, Berlin to Broadway, Mary Poppins, Nine, The Spitfire Grill, Peter Pan, Kiss Me Kate, Avenue Q, Hairspray, Parade, Spring Awakening, Seussical, Violet, Irving Berlin’s White Christmas, Merrily We Roll Along, Quilters, The Cradle Will Rock and Cabaret.

Jackson Norman (Stage Manager) is a senior stage management major from Westport, CT. At the Department of Drama, Jack’s stage management credits include assistant stage manager, Crazy For You (mainstage), stage manager, The Children’s Hour (studio), stage manager, Venus in Fur (Independent Project), and stage management intern, Beauty and The Beast (Syracuse Stage/Department of Drama co-production).

Jack is also currently serving as production manager for The Black Box Players and is an assistant house manager at Syracuse Stage. Jack uses he/him/his pronouns.

Kevin O'Connor (Sound Designer) is currently in his twelfth season working for Syracuse Stage and SU Department of Drama. He graduated from St. Lawrence University with a BA in Music in 2008. Previous sound design credits include SU Drama’s productions of Romeo & Juliet, The Crucible, Good Kids, We Are Proud to Present...,The Baltimore Waltz, Crazy for You, Major Barbara, The King Stag, Laura and the Sea, A Flea in Her Ear, The Spitfire Grill, Agamemnon, Measure for Measure, Lips Together, Teeth Apart, Stepping Out, The Good Woman of

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A S S I S TA N T S & A S S O C I AT E S Julia Catalano (Casting Associate) is a senior theater management major from Staten Island, NY.

Charlie Towle (Assistant Director) is a junior acting major from Fort Worth, TX.

Addie Livingston (Assistant Costume Designer) is a sophomore theater design and technology major with a concentration in costume design from Syracuse, NY.

Rebecca Voss (Assistant Stage Manager) is a sophomore stage management and political science major from San Jose, CA. Marilyn Wechsler (Casting Associate) is a senior stage management major from Houston, TX.

Samantha Olszewski (Assistant Scenic Designer) is a senior theater design and technology major with a concentration in scenic design from Darlington, PA.

Emma Yehle (Assistant Stage Manager) is a sophomore stage management major from Houston, TX.

DIRECTOR Stephen Cross is an Associate Professor of Movement at Syracuse University. He is the Artistic Director of Building Company Theater, based in Syracuse, and the founding Artistic Director of the Irondale Ensemble Project Canada based in Nova Scotia. Recent productions with Building Company Theater include Fragile White Guy, and Immigration Dialogue and in October, 2020 he

will guide the development and presentation of a new work titled Hypothetical News Magazine. Additionally, with Building Company he has partnered with several community organizations to develop arts based programs for their constituents. Most recently he built an arts centered curriculum for Hillbrook Juvenile Detention Center in partnership with the i Apologize Foundation.

A S S O C I AT E D I R E C T O R A N D C H O R E O G R A P H E R Andrea Leigh-Smith is a professor of practice in the Department of Drama’s musical theater program.

Andrea has worked as a professional dancer, choreographer, and teacher for more than 30 years in the U.S. and

Canada. Broadway credits include Jerome Robbins Broadway and SMILE. She also has numerous credits with national tours, Radio City Music Hall, and major regional theaters in the U.S. and Canada. Andrea is co12

A S S O C I AT E D I R E C T O R A N D C H O R E O G R A P H E R founder and resident choreographer for The Irondale Ensemble Project Canada and has created over 40 choreographic works, including contemporary concert, jazz, and musical theater repertoire. Andrea is also a company member of The Building Company, a new theater company in Syracuse. She is a past faculty member of The Ballet and Dance Center and a certified Pilates instructor. Department of Drama choreographic credits include Arabian Nights, Ly-

sistrata, A New Brain, The Cradle Will Rock, Merrily We Roll Along, Violet, Seussical, Spring Awakening, Parade, Avenue Q, Kiss Me Kate, The Spitfire Grill, Berlin to Broadway with Kurt Weill: A Musical Voyage, The Baltimore Waltz, and The Wild Party. Andrea has created choreographic staging for The Underpants with Syracuse Stage and choreographed Louis Braille: The World at Your Fingertips and Into the Woods at The Hangar Theater.

P L AY W R I G H T Reza de Wet was born in a small town (Senekal) in the Free State.

She worked extensively as an actress, had a Master’s degree in English Literature and lectured in the Drama Department of Rhodes University in Grahamstown. Reza died in January 2012 aged 59 after a short illness.

Reza de Wet was a prolific writer in English and in Afrikaans. She won more major South African theatre and literary awards than any other writer (including Athol Fugard). She won nine awards for her scripts (five Vita awards, three Fleur du Cap awards and a Dalro award) as well as every prestigious literary award (a CNA prize, a Rapport prize and twice the Herzog prize) and productions of her plays have won more than forty theatre awards. In Open Space, an anthology of new African plays,

she is the only woman represented and one of two South African dramatists. Reza de Wet also achieved the distinction of being the only dramatist to have a play on the official programme at the International Grahamstown Festival for three consecutive years. She is also the only playwright (South African or other) to have two of her plays run in tandem at the State Theatre in Pretoria. Her plays are Diepe Grond, (African Gothic), 1986 (the first play in Afrikaans to be produced by the Market Theatre, Johannesburg, Op Dees Aarde, 1986, presented by the Performing Arts Council of the Transvaal (PACT) at the Windybrow Theatre in Johannesburg and The Momentum Theatre in Pretoria; Nag General, 1988, presented by the Market Theatre Company on the official programme at the Grahamstown Festival and transferred to the Market Theatre; In 13

P L AY W R I G H T A Different Light, 1989, presented by the Market Theatre; A Worm in the Bud, 1990, presented by PACT at the Windybrow Theatre in Johannesburg and the Momentum Theatre in Pretoria; Mirakel (Miracle), 1992, opened on the official programme at the Grahamstown Festival and transferred to the Wits Theatre in Johannesburg and the Momentum Theatre in Pretoria; Mis, (Missing), 1993, presented by the Cape Performing Board (CAPAB) on the official programme at the Grahamstown Festival and transferred to the Nico Milan Theatre in Cape Town and the State Theatre in Pretoria; Drif, (Crossing), 1994, presented by CAPAB, opened on the official programme at the Grahamstown Festival and transferred to the Nico Milan Theatre in Cape Town. Crossing, Reza de Wet’s English version, 1995, produced by CAPAB, presented at the Nico Milan Theatre in Cape Town; Drie Susters Twee, (Three Sisters Two – a sequel to Three Sisters), 1997, produced by CAPAB, opened on the Official pro-

gramme at the Karoo Festival, Oudtshoorn, and transferred to the Nico Milan Theatre in Cape Town, revived by and performed at the State Theatre in Pretoria; Yelena, (a sequel to Uncle Vanya) 1998, presented by the State Theatre, opened on the official programme at the Grahamstown Festival and transferred to the State Theatre in Pretoria. Her latest plays are The Brothers, a biographical play about Anton Chekhov and his brothers, On The Lake (inspired by The Seagull) that premiered at the Grahamstown Festival in June 2001; Breathing In, which opened at Grahamstown in July 2004 and then played Cape Town. Her final play Die See (The Sea) was staged in 2011 in which she appeared alongside long time collaborator Annalisa Weiland. Reza’s novel Stil Mathilda was published in 1995. Her work has subsequently been performed in the UK, USA, Australia, the Czech Republic, Greece, Holland, and Italy. It is being widely translated throughout Europe.

Reza de Wet’s first twelve plays are published in English by Oberon Books.

PROGRAM BOOK Publications Director Joseph Whelan Layout Jonathan Hudak Advertising Joanna Penalva

On the Lake, Published October 9, 2020 The Department of Drama program is published five times a year. For advertising rates and information contact the marketing office at 315.443.2636.

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C H A I R , D E PA R T M E N T O F D R A M A Ralph Zito is in his eleventh year as chair of the Department of Drama. He came to Syracuse University from the Juilliard School Drama Division, where he had been a teacher and director from 1992 to 2010 and chair of the Voice and Speech Department since 1999. He was a director and adjunct lecturer in the Barnard College Theater Department from 2006 until 2010 and has been a guest artist at training programs across the country, including the Old Globe in San Diego, The University of Texas at Austin, and the Academy for Classical Acting in Washington, DC. Directing credits for the Department of Drama include: The Spitfire Grill, As You Like It, Gruesome Playground Injuries, and The Aliens.

He has served as a voice, text or dialect consultant for numerous professional productions both on and off-Broadway, including: The Light in the Piazza; Awake and Sing!; The Herbal Bed; Mrs. Klein; The Fiery Furnace; The Time of the Cuckoo (Lincoln Center Theatre); Tongue of a Bird; The Merchant of Ven-

ice (New York Shakespeare Festival); The Pitchfork Disney (Blue Light Theatre Company); Birdy (The Women’s Project); The Model Apartment (Primary Stages); the New York premiere of Tony Kushner’s SLAVS! (New York Theatre Workshop); and The African Company Presents Richard III (The Acting Company). His regional theater credits include numerous productions at The Shakespeare Theatre and Arena Stage in Washington, DC; Syracuse Stage; Baltimore CENTERSTAGE; Hartford Stage; and the McCarter Theatre, among others. A former touring member of The Acting Company, he served as artistic associate of The Chautauqua Theatre Company for seven years and was a member of the Board of Directors of The American Society for the Alexander Technique (AmSAT) for six years. He is a graduate of Harvard University, The Juilliard School, and the American Center for the Alexander Technique. He was recently awarded the prestigious Juilliard President’s Medal in recognition of his contributions to both Juilliard and to the broader performing arts community.

A B O U T T H E D E PA R T M E N T O F D R A M A Part of the College of Visual and Performing Arts, the Syracuse University Department of Drama offers degree programs in acting, musical theater, theater design and technology, stage management, and theater management utilizing conservatory-style training in a university setting and in collaboration with Syracuse Stage. With much appre-

ciation, the Department of Drama wishes to acknowledge the valuable contribution of the Syracuse Stage staff.

While students are responsible for designing the technical elements of most Drama productions, implementing these designs requires a significant contribution by the professional staff of the Syracuse Stage production department.

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O N T H E L A K E P R O D U C T I O N S TA F F & R U N C R E W

Faculty Advisor to Student Designers...................................Maria Marrero, Marty Vreeland Faculty Advisor to Stage Managers........................................................................Dianna Angell Light Board Operator..........................................................................................................Alex Russ Sound Board /Audio 1 Operator.............................................................................Malena Logan Audio 2 Operator.................................................................................................................Axel Vera Deck (Run Crew)....................................................................................................Alexios Rossman Dressers (Run Crew)..........................................................................Morgan Lewis, Rileigh Very LX Hang and Focus Crew.....................Miranda Barrick, Sofia Pizer Benjamin, Marshall Breaux, Mairead Cummins, Maria do Rosario Appleton Figueira, Kristina Fosmire, Eli Golding, Jeff Murphy, Andrew Patashnik, Marc Rivera S Y R A C U S E U N I V E R S I T Y D E PA R T M E N T O F D R A M A

Chair.......................................................................................................................................Ralph Zito Business Manager.................................................................................................................Lisa Tucci Administrative Specialist...................................................................................Charlotte Santella Director, Tepper Semester in NYC.............................................................................Lisa Nicholas Assistant Music Director...............................................................................................Jacob Stebly Dean, VPA...................................................................................................................Michael S. Tick F U L L-T I M E FA C U LT Y

Rufus Bonds, Jr. Brian Cimmet Gerardine Clark James A. Clark Stephen Cross Rodney Hudson Felix Ivanov

Rebecca Karpoff Alex Koziara Andrea Leigh-Smith David Lowenstein Celia Madeoy Brian J. Marcum Maria Marrero

Katherine McGerr Thom Miller Ricky Pak Anthony Salatino Holly Thuma

A D J U N C T FA C U LT Y

Jill Anderson Rob Andrusko Dianna Angell Kathleen Baum Bradley Beckman Dave Bowman Rob Bundy Don Buschmann Diane Coloton Richard Crawley Gretchen Darrow-Crotty Danita Emma Kathryn Fathers Len Fonte

Jacqueline R Herter Robert Hupp Sandra Knapp Richard Koons Nicholas Kowerko Holly K. LaGrow Victoria Lillich Michael McCurdy Karen Menter Kathryn Miranda Amanda Moore William Morris Leslie Noble Jaylene Ogle

Whitney Pak Stuart Plymesser Mara Rich Rebecca Schuetz Hanni Schwarzlander Abel Searor Blake Segal Jacob Stebly Randy Steffen Bradley Stone Renee Storiale Joseph Whelan Matthew Winning Kathleen Wrinn

A C C O M PA N I S T S

Kerry Dromgoole, David Sabin, Abel Searor, Jacob Stebly 16

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2020 2021

DEPARTMENT OF DRAMA The Syracuse University Department of Drama offers a unique combination of rigorous conservatory-style training, direct partnership with a professional theater company, and the resources of a major American university.

Undergraduate students in acting, musical theater, stage management, theater design and technology, and theater man-

vpa.syr.edu/drama | 315.443.3275

agement are carefully guided in their artistic and professional growth by a team of skilled and committed teachers. They are supported by the production, administrative, and artistic staff of Syracuse Stage; participate in masterclasses offered by nationally and internationally renowned theater artists; and have the opportunity for extended study in London, Florence, Los Angeles, or New York City.

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