Sworders The Sally Hunter & Ian Posgate Collection, Badgemore Grange 18 May 2021

THE

Sally Hunter & I a n Po s g a t e COLLECTION BADGEMORE GRANGE

Tuesday 18 May 2021 from 10am

O R D E R O F S A L E T U E S D AY 1 8 M AY

VIEWING

Lots 1-19

The Conservatory

Lots 20-68

The Hall

Due to current social distancing restrictions, we will be offering viewing by appointment only. You can book an appointment on our website.

Thirty-minute time slots will be available from:

Lots 69-124

The Drawing Room

Saturday 15 May

10am-4pm

Lots 125-177

The Dining Room

Sunday 16 May

10am-4pm

Lots 178-210

The Study

Monday 17 May

9am-5pm

Lots 211-263A

The Breakfast Room

Lots 264-320

The Master Bedroom

Lots 321-349

The Upstairs Gallery

Lots 350-370

The Chinese Bedroom

Lots 372-450

Other Bedrooms

Lots 451-466

The Garden

SWORDERS’ DELIVERY SER VICE We are able to provide a bespoke shipping cost based on the lot and delivery destination, anywhere in the world. Should you be successful in buying larger items, a specific shipping estimate will need to be requested after the sale using the link in your invoice email; this also includes all requests for international delivery.

C O N TA C T

R E M O VA L O F L O T S We operate a booking system for collections, please visit our website for more information. You must book your appointment online at least 24 hours in advance, to ensure your items are ready when you arrive: FURNITURE AND CARPETS Furniture and Carpets will be available to collect from Thursday 20 May at The Grain Barn, Harps Farm, Bedlars Green, Great Hallingbury CM22 7TL. Please select Collection | Furniture as your appointment type when booking your collection time. Lots not collected by 5pm Tuesday 1 June will incur storage charges.

James Pickup Head of Department Fine Interiors

Jane Oakley Head of Department Paintings

T 01279 817778 E fineinteriors@sworder.co.uk

ALL OTHER ITEMS All other items will be available to collect from the day after the sale at our Stansted Auction Rooms. Please select Collection as your appointment type when booking your collection time.

IMAGE Sally Hunter in the drawing room of Badgemore Grange with Roger and Johnny, 2021

An Inspired Home Collecting stuff is fun. It makes a house a home and charts the lives and loves of the occupants. Here are the pictures, objects, china and furniture bought by my late husband, Ian Posgate, and myself over the past 30 years. They made Badgemore Grange a special place for us.

We met through a mutual friend in the art business and had a shared interest in mid-twentieth century British art. With a gallery in Knightsbridge, the business of arranging, hanging, and moving were part of my stock in trade - it was just that the area to be filled at Badgemore was so much bigger. The early 90s, when we started to hunt, were difficult times for the antiques and picture trade. Two simple life-size Indian wooden figures were bought on the last day of a closingdown sale and had to be shipped out immediately - Ian driving and me, arms through the sunshine roof, grimly clamping the figures to the top of the car.

The immediate journey was happily a short one before the figures wound up in our conservatory to be festooned with scented jasmine in the company of a temple door from Gujarat. We discovered together this love for India. Without necessarily meaning to, we have built up a sizeable Indian collection - a very British taste, it seems, as most things were bought in London. The Company School watercolours of birds came from some marvellous sales put together under the title of VISIONS OF INDIA by Christie’s as well as a specialist dealer, Arthur Milner. The Nandi Bull (the vehicle for the Indian god Shiva) carvings were a cross-over interest from India to Ian’s farming activities. Some of the old cattle would serve out their retirement years in two fields next to the house, cropping the grass and planning their escapes into the garden or adjoining golf course.

The major acquisitions - the four large plaster reliefs by Gilbert Bayes - from the wonderful Fine Art Society’s old premises in Bond Street - came to rest in our hall, landing and stairs in the 90s. They sit on pale green wallpaper by Peggy Angus, kindly hand-printed by her granddaughter from the original lino blocks.

These I shall be especially sad to leave, but they belong somewhere befitting their scale. Scattered through the house are lampshades painted by Quentin Bell, whose work I was fortunate enough to show at the gallery, and curtains by Enid Marx and E Q Nicholson, also exhibitors. Scattered through the garden, but immovable, are topiary birds and iron works by Bryan Illsley. A set of cast-iron furniture by Richard Bawden, though very heavy, proved all too movable and was stolen. So not in the sale.

‘Collecting stuff is fun. It makes a house a home and charts the lives and loves of the occupants.’

Many of the British paintings are by artists exhibited at the gallery or in fairs.

Elsie Henderson is one I have been associated with since the early 90s and the cloakroom is close hung with her handsome studies of lions and tigers from London Zoo. Several painters are associated with East Anglia - Margaret Thomas, Allan Walton, Joan Warburton, Nicky Loutit, Glyn Morgan and Lucy Harwood. My assistant of many years, Nicola Blaxall, observed that Nicky Loutit has the ability to turn a brown ploughed field in Norfolk into a piece of poetry - a piece of alchemy. Two of the more striking works are portraits - one by Alfred Wolmark an early painting of his sister and mother with the most breathtaking brushwork; the other a large portrait by Henry Lamb of his wife and daughter, Henrietta, who in her later years used to visit the gallery. Several of the pictures are not necessarily of high value but have been valued by us. It is a collection which we hugely enjoyed putting together and living with for many years.

Sally Hunter

The Conservatory 1-19

1-19 THE CONSERVATORY

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Lot 1 A large Indian carved hardwood door, probably 19th century, Gujarat, having a deep relief carved frieze on elephant corbels, the panelled door carved with flower head designs and set with bronze handles, all with traces of original paint, 119cm wide 45cm deep 234cm high £1,000 - 2,000

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Lot 2 Four similar teak conservatory chairs, 20th century, each with an horseshoe back and carved seat on square section legs, each with a cushion, each approximately: 65cm wide 58cm deep 77cm high (4) £150 - 250

Lot 3 An Indian hardwood low table, 20th century, the planked top on iron-bound ring-turned legs, 131cm wide 80cm deep 49cm high £200 - 300

Lot 4 A kelim-covered pouffe, of square form with a central braided tie, 64cm wide 64cm deep 33cm high, together with six kelim cushions, of varying sizes (7) £100 - 200

Lot 5 A set of five large stoneware planters, 20th century, each of ovoid form and planted with plumbago, on domed wirework frames, 50 x 73cm overall 238cm high approximately (5) £800 - 1,200

5 part lot

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THE CONSERVATORY 1-19

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Lot 6 Two similar teak planter’s chairs, 20th century, each with a carved back and seat, the arms with swing-out footrests, and on turned legs, each with a pad cushion, 67cm wide 150cm deep 87cm high, and 58cm wide 160cm deep 92cm high (2) £400 - 600

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Lot 8 A rustic hardwood low coffee table, 19th century, Indian, constructed from a grinding wheelbase, decorated with relief carving and raised on short carved legs, 82cm diameter 33cm high £200 - 300

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Lot 7 A large wrought iron gimballed light fitting, 20th century, Indian, of spherical form and suspended on a heavy chain, 80cm diameter 21cm maximum drop £300 - 500

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Lot 9 A carved hardwood manger/plant stand, 20th century, Indian, the turned and carved finials over spindle sides, planted with geranium, 90cm wide 47cm deep 50cm high £150 - 250

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1-19 THE CONSERVATORY

Lot 10 A hardwood carved panel of Vishnu, 20th century, Indian, flanked by two diminutive assistants, 27cm wide 10cm deep 63cm high £400 - 600

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Lot 11 A carved sandstone figure of a dancer, 19th century, South Indian, ‘P.M Rajan’ label to the reverse, 21cm wide 13cm deep 48cm high £500 - 800

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THE CONSERVATORY 1-19

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Lot 12 An Indian granite carving of the Mushika or vahana of Ganesha, possibly 17th century, seated and caparisoned, on a square base, 21cm wide 13cm deep 18cm high £200 - 300 Lot 13 A carved granite figure of Nandi, Indian, Possibly 16th Century, the bull seated and caparisoned on a large block base 24cm wide 21cm deep 25cm high £200 - 300

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Lot 14 A carved teak figure of the Nandi Bull, late 17th century, Madurai, Tamil Nadu, 30cm wide 18cm deep 33cm high £200 - 300 Lot 15 A large granite carving of Nandi, 14th -16th century, Indian, the bull seated and caparisoned, 45cm wide 30cm deep 40cm high £1,000 - 2,000

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1-19 THE CONSERVATORY

Lot 16 A near pair of life-sized carved wooden standing female figures, 20th century, Indian (2) £800 - 1,200

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THE CONSERVATORY 1-19

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Lot 17 Four carved wooden figures of birds, 20th century, Indian, each with traces of polychrome decoration, 23 to 34cm high (4) £100 - 200

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Lot 18 A pair of archaistic Chinese-style garden seats, each of barrel form and moulded with grotesques, 34cm diameter 39cm high (2) £100 - 150

Lot 19 A group of six various plants in pots (6) £100 - 200

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The Hall 20-68

Lot 20 *Gilbert Bayes PRBS (1872-1953) ‘Wisdom’, for the Commercial Bank of Scotland, Glasgow plaster relief with wooden surround 179.5 x 173.5 x 9cm including surround £5,000 - 6,000 Originally made for the Commercial Bank of Scotland, renamed Royal Bank of Scotland, Bothwell St/Wellington St, Glasgow, from a set including ‘Industry’, ‘Contentment’, ‘Justice’, ‘Prudence’ and ‘Commerce’ (in this sale, lot 21) Provenance: W ith the Fine Art Society, 1998.

Exhibited: Royal Academy, 1935, no.1597.

LOTS 20-23 GILBERT BAYES PRBS (1872-1953) Gilbert Bayes enjoyed a long and highly successful career that spanned the Arts and Crafts Movement, art nouveau, through art deco to modernism. Winning countless medals and awards, he was also the president of the Royal Society of British Sculptors and Master of the Art Workers Guild. He created more public sculpture between the two wars than any other artist working in Britain at the time. His use of diverse subject matters, styles and materials has ensured his status at the forefront of British sculpture in the first half of the 20th century and, given his many accolades, it is surprising that he is not better known today.

Taught and mentored by George Frampton, he created war memorials, portrait busts and panels, sculptures in metal, coloured ceramics, stone, wood and plaster from small medallions up to monumental 60 foot friezes. It is these large public works for which he is probably best known; his public sculptures and the large low relief panels have become part of the fabric of our cities particularly in London. We take them for granted without really noticing their presence.

They notably include, but are by no means limited to the following: ‘The Queen of Time’, Selfridges, Oxford Street; ‘Drama through the Ages’, Odeon Covent Garden, formerly the Saville Theatre, Shaftesbury Avenue; and ‘A Tribute to all Sportsmen’, the frieze outside Lord’s Cricket Ground, Wellington Road. The list goes on and on. His work was often figurative and it was his philosophy that art should be decorative and should elevate. The following four lots were all created in the 1930s when he was at the height of his powers.

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20-68 THE HALL

Lot 21 *Gilbert Bayes PRBS (1872-1953) ‘Commerce’ - For the Commercial Bank of Scotland, Glasgow plaster relief with wooden surround 181.5 x 188 x13cm including surround £5,000 - 8,000 Originally made for the Commercial Bank of Scotland, renamed Royal Bank of Scotland, Bothwell St/Wellington St, Glasgow, from a set including ‘Industry’, ‘Contentment’, ‘Justice’, ‘Prudence’ and ‘Wisdom’ (in this sale, lot 20) Provenance: W ith the Fine Art Society, 1995.

Exhibited: The Royal Academy, 1936, no.1521.

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THE HALL 20-68

Lot 22 *Gilbert Bayes PRBS (1872-1953) January-June, from the Fountain of Months signed and dated 1937 l.l., plaster relief on a black wooden base 153.5 x 177 x 5cm including base £8,000 - 12,000 Provenance: G eoffrey and Jean Bayes, the sculptor’s son and daughter; with the Fine Art Society, 1992.

Exhibited: The Royal Academy, 1937 (either no. 1426 or 1511).

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20-68 THE HALL

Lot 23 *Gilbert Bayes PRBS (1872-1953) July-November, from the Fountain of Months, 1937 signed l.l., plaster relief on a black wooden support 155 x 177 x 4.5cm including base £8,000 - 12,000 Provenance: G eoffrey and Jean Bayes, the sculptor’s son and daughter; with the Fine Art Society, 1992.

Exhibited: The Royal Academy, 1937 (either no. 1426 or 1511).

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THE HALL 20-68

24 Lot 24 A William IV mahogany armchair, the arms on carved supports set with roundels and raised on ring turned legs terminating in castors, upholstered in green fabric, with yellow loose covers decorated with botanic specimens, 69cm wide 80cm deep 110cm high £400 - 600 Lot 25 A George III mahogany and inlaid banjo barometer,

by D Gugieri, the break-arch pediment over a silvered dial with a subsidiary thermometer, 96cm high £200 - 300

26 Lot 26 An oak and mahogany longcase clock, mid-19th century, the break-arch swan-neck pediment over a white-painted dial with black Roman numerals, subsidiary seconds dial and date aperture, fitted with an eight-day movement striking the hours on a bell, the case with fluted pilasters and on bracket feet, 60cm wide 26cm deep 224cm high £250 - 450

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20-68 THE HALL

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Lot 27 *Henry Lamb RA (1883-1960) Portrait of the artist’s wife and his daughter Henrietta, c.1933 oil on canvas 183.5 x 130cm £3,000 - 5,000 Exhibited: Southampton Art Gallery.

Lot 28 *John Frye Bourne (1912-1991) On the beach signed ‘J. F. Bourne’ l.l., and signed verso, oil on canvas 76.5 x 51.5cm £300 - 500 Lot 29 *John Frye Bourne (1912-1991) Portrait of a lady and dog, full-length signed ‘John Frye Bourne’ l.r., oil on canvas 153 x 76cm £600 - 800

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THE HALL 20-68

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33 Lot 30 *Joan Warburton (1920-1996) Olive tree signed with initials and dated 56 l.l., pastel 37.5 x 44cm £200 - 300 Lot 31 *Joan Warburton (1920-1996) ‘Sisyrinchium Bermudiana’, c.1960 pastel 40 x 50cm £200 - 300 Lot 32 *Joan Warburton (1920-1996) Provence, c.1958 pastel 34.5 x 41.5cm £200 - 300

Lot 33 *Joan Warburton (1920-1996) Succulents and Cactus signed with initials and dated 1959 l.r., pastel and watercolour 35.5 x 42cm £200 - 300 Lot 34 *Joan Warburton (1920-1996) Mediterranean fishing boats; street scene (verso) signed with initials and dated 58 l.r., oil on canvas 51 x 61cm £300 - 500

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20-68 THE HALL

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Lot 35 *Thomas Edwin La Dell ARA (1914-1970) The Orchard oil on canvas 40 x 50cm £200 - 300

Lot 36 *Terence Cuneo (1907-1996) The underwriting room at Lloyds, 1949 coloured print image 43 x 59cm £80 - 120

Lot 37 *Joan Warburton (1920-1996) St David’s Cathedral, 1951; cats (verso) signed with initials and dated 61 l.l., signed, titled and dated verso, oil on canvas 71 x 92cm £300 - 500

Lot 38 *Rowland Suddaby (1912-1972) ‘Suburban Street’ signed ‘R Suddaby’ l.r., inscribed and signed verso, oil on board 31 x 47cm £300 - 500

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Provenance: W ith J Leger & Son, February 1943.

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THE HALL 20-68

Lot 39 *John Piper CH (1903-1992) ‘Christ in Majesty’ signed ‘John Piper’ l.r., watercolour, 1956 72.5 x 49.5cm £5,000 - 7,000 Provenance: With Malborough Gallery, 1956, no. LOLJP560.

Lot 40 Eric Gill ARA (1882-1940) Our Lady of Lourdes woodblock print, numbered 123/480 image 29.5 x 23.5cm £200 - 300

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20-68 THE HALL

Lot 41 *Alan Lydiat Durst ARA (1883-1970) Adam and Eve, roundel signed and dated ‘Alfred Durst 1923’ l.c., carved grey Hoptonwood stone 81cm diameter, tondo £2,000 - 3,000

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Lot 42 *Alan Lydiat Durst ARA (1883-1970) St Francis and the Birds, 1929 limestone carving with wooden wall mounting £2,500 - 3,500 Provenance: With the Fine Art Society, 1997.

Lot 43 A carved wooden and painted figure of a monk, 18th century, wearing a brown cassock with a braided belt cord, 55cm high £200 - 300

Lot 44 A plaster figure of a kneeling angel, early to mid-20th century, originally a design for a pew finial, raised on a square socle and spreading base £200 - 400

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20-68 THE HALL

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48 Lot 45 A large cream and gilt trumeau wall mirror, 18th century, French, the upper section with applied carving of a plume of feathers and military regalia over a rectangular split plate, within a ribbon-tied reeded border, 106cm wide 245cm high £1,000 - 1,500 Lot 46 A plaster bust of Diana, 19th century, after the antique, on a turned socle base, 77cm high £300 - 400

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Lot 47 A Regency mahogany centre table, c.1820, the butterfly veneered top on a turned column support and three sabre legs, terminating in brass feet and castors, 92cm diameter 70cm high £200 - 400 Lot 48 A Wedgwood creamware sectional dish, with four divisions and decorated with ivy within a lined border, 31cm diameter, together with a matching plate, 32cm diameter, and a navette-shaped dish, 26 x 16cm (3) £100 - 150

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THE HALL 20-68

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Lot 49 *Bryan Illsley (b.1937) Two pigs beneath trees inscribed to the reverse and dated 1973, painted carved wood 24cm wide 10cm deep 13cm high £300 - 500 Lot 50 An Indian rhinoceros, 19th century, Rajasthan, a grey schist carving, raised on an ovoid base, 17cm high £200 - 400 Lot 51 A carved wooden figure of a horse, 19th century, Indian, with traces of original paint, 65cm nose to tail 70cm high £300 - 500

52 Lot 52 A Regency-style satinwood settee, early 20th century, the spindle-bar back over open arms and a carved seat, on tapering inlaid legs terminating in brass feet and castors, with a crewel work cushion, decorated with scrolling flowers, 149cm wide 58cm deep 88cm high £400 - 600

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Lot 53 A rosewood dwarf bookcase, early 19th century, the slate top over three shelves with hinged fret cut edging, and raised on a plinth base, 153cm wide 30cm deep 17cm high £400 - 600

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

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56 Lot 54 *Nancy Sharp (1909-2001) Gunnera, c.1960 inscribed on a label verso, oil on canvas 51 x 61cm £300 - 500 Lot 55 *Stephen Bone (1904-1958) Beside the weir oil on board 25 x 33.5cm £500 - 700 Lot 56 *Gerald Reitlinger (1900-1978) Garden, West Indies oil on canvas 53.5 x 44.5 cm £300 - 500

57 Lot 57 *Joan Renton RSW (b.1935) Bird watching signed ‘Joan Renton’ l.r., inscribed and titled verso, oil on canvas 41 x 41cm £400 - 600 Lot 58 *Emma Faull (b.1956) Parakeets signed and inscribed ‘Emma Faull/Spring 1985’, pen and ink and watercolour 46.5 x 30.5cm £200 - 300

Provenance: F rom the artist’s estate.

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THE HALL 20-68 Lot 59 *John Stanton Ward (1917-2007) ‘San Marco Piazzetta, Venice’ etching, signed and dated 1984 in the plate, signed in pencil and numbered 12/250 plate 34.5 x 55.5cm £80 - 120

59 Lot 60 *Roy Spencer (1918-2006) Jasper in the conservatory at Badgemore Grange signed and dated ‘Roy Spencer/95’ l.l., pencil and watercolour 46.5 x 67cm £100 - 150

60 Lot 61 *Ithell Colquhoun (1906-1988) Market Place, Corsica, 1938 signed and dated ‘Colquhoun/38’ u.l., and signed and inscribed verso, watercolour 39 x 44.5cm £200 - 300

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20-68 THE HALL

Lot 62 *Edward Irvine Halliday (1902-1984) The artist and his family signed and dated ‘Edward I. Halliday 1958’ l.r., oil on canvas 122 x 80cm £800 - 1,200 The painting shows the artist with his wife and daughter Charlotte.

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Lot 63 *Albert Rutherston (1881-1953) ‘Hermione’ lithograph in colours, inscribed and signed ‘Hermione’/Albert R’ l.l. image 151 x 100cm £300 - 500

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THE HALL 20-68

Lot 64 *Nicky Loutit (b.1943) Landscape signed with initials l.l., mixed media on paper 121 x 151cm £500 - 700

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65 Lot 65 *Ian Hunter (1939-2010) Woman in a street signed and dated ‘Hunter ‘70.’ l.r., mixed media on board 92.1 x 83.5cm £200 - 300

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66 Lot 66 *Chris Salmon (b.1960) In the sea signed in pencil ‘Chris Salmon’ l.r., etching and aquatint, artist’s proof plate 29 x 29cm £80 - 120

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20-68 THE HALL

67 Lot 67 *Morris Kestelman (1905-1998) Mural, triptych oil on board each panel 183 x 121.8cm (in 3 parts) £1,000 - 1,500

Lot 68 *Gordon Close (b.1958) ‘Three figures and three cats’, 1995 mixed media 30 x 25cm £100 - 150

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The Drawing Room 69-124

THE DRAWING ROOM 69-124

Lot 69 A pair of fauteuil armchairs, 19th century, French, each with a square scrolling back over upholstered arms, with turned column supports, on turned tapering legs, and upholstered in yellow velvet, 59cm wide 59cm deep 87cm high (2) £300 - 500

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Lot 70 A mahogany centre table, 19th century and later, French, the top with radiating veneers over a baluster support, and on a triform base with scrolling feet, 79cm diameter 72cm high £300 - 500 Lot 71 Spare lot

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69-124 THE DRAWING ROOM Lot 72 A white metal relief mask, South East Asian, of a female face with an ornate headdress, highlighted with traces of black and red enamel, and mounted on a later display stand, 41cm high 50cm overall £200 - 400

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Lot 73 A Spode pearlware supper set, early 19th century, comprising five shaped and covered dishes fitted in a circular mahogany tray, each decorated in blue and yellow with flower heads and banded borders, 50cm diameter £300 - 500

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79 Lot 74 *Adrian Daintrey (1902-1988) 4 crosses oil on a cigar box lid 17 x 13.5cm £100 - 150 Provenance: F rom the artist’s estate.

80 Lot 75 *Fred Cuming RA (b.1930) Pansies signed ‘Cuming’ l.l., signed verso, oil on board 23 x 17.3cm £300 - 500 Provenance: With Agnews, no. B1618.

Lot 76 *George Donald RSA RSW (b.1943) Dancer signed in pencil l.r., mixed media 21 x 15cm £150 - 200

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Lot 77 *Adrian Daintrey (1902-1988) Kensington signed with initials l.c., oil on canvas 25.5 x 18cm £100 - 150 Provenance: From the artist’s estate.

Lot 78 *Adrian Daintrey (1902-1988) The Serpentine oil on canvas board 20 x 50cm £500 - 700

Lot 79 *Lucy Harwood (1893-1972) Ploughed landscape; ploughed landscape (verso) oil on canvas 68.5 x 44cm £600 - 800 Lot 80 *William Bowyer RA (1926-2015) Landscape near Walberswick, c.1985 signed ‘William Bowyer’ l.r., oil on board 45 x 52cm £600 - 800

Provenance: From the artist’s estate.

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THE DRAWING ROOM 69-124

Lot 81 *Gerik Schjelderup (Norwegian, 1899-1985) Hampstead Parish Church signed and dated 59 l.r., oil on canvas 56 x 66cm £200 - 300

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Lot 82 Bernard Meninsky (1891-1950) Nude on the Sands oil on board 56 x 33.5cm £2,000 - 3,000 Provenance: Nora Meninsky, the artist’s widow.

Exhibited: Belgrave Gallery, 1978.

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

Lot 83 A strung mahogany twin pedestal partners’ desk, 19th century, the leather inset top with a pair of adjustable reading stands, above a bank of four drawers and a cupboard to each side, on a plinth base, 131cm wide 91cm deep 84cm high £800 - 1,200

Lot 84 A pair of chinoiserie-decorated pottery and gilt metal mounted table lamps, 19th century, French, each of vase form and decorated with finches amongst blossom, the stands with lion mask feet, 65cm high (2) £400 - 600

Lot 85 A large brown-glazed pottery model of a bull, on a rectangular base, impressed mark to the underside, ‘B. Jafra, Caldao, Portugal’, 41cm wide 20cm deep 38cm high £100 - 200

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THE DRAWING ROOM 69-124 Lot 86 A George III and later mahogany whatnot, having four tiers on turned column supports, over a drawer to the base, and on brass castors, 47cm wide 41cm deep 165cm high, together with a modern matching example (2) £200 - 400

Lot 87 A matched pair of Wedgwood shell-shaped dishes, each in mottled green and brown glaze, together with a pair of Copeland leaf-moulded dishes, and a pair of Wedgwood green-glazed leaf-moulded comports, largest 35cm long (6) £100 - 200

Lot 88 A pair of treacle-glazed pottery bulls, 20th century, Portuguese, inscribed to the underside ‘Jose a Cunha, Caldas Rainha’, 28cm wide 11cm deep 22.5cm high (2) £100 - 200

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88 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

69-124 THE DRAWING ROOM

Lot 89 *Margaret Thomas (1916-2016) ‘Dry Roses at Aldeburgh’ signed with initials l.l., titled verso, oil on canvas board 60.5 x 45.5cm, glazed £1,000 - 1,500

Lot 90 Ethel Walker ARA (1861-1951) Portrait of a lady, half-length, in a white dress signed ‘Ethel Walker’ l.l., oil on canvas 61 x 51cm £800 - 1,200

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THE DRAWING ROOM 69-124

Lot 91 *Rodney Joseph Burn RA (1899-1984) ‘The Artist’s Wife’ signed ‘R J BURN’ l.r., oil on canvas 76.5 x 63.5cm £2,000 - 3,000 Provenance: N ew English Art Club Centenary Exhibition, 27 August-17 September 1986, no.204.

Lot 92 *Lucy Harwood (1893-1972) ‘Traction Engines Resting’ signed and inscribed as titled verso, oil on canvas 77 x 63.5cm £800 - 1,200 The present lot dates from the 1930s.

Lot 93 Spare lot

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69-124 THE DRAWING ROOM

94 Lot 94 Allan Walton (1892-1948) Waldringfield; Interior (verso) signed ‘Alan Walton’ l.l., oil on canvas 61.5 x 46cm £1,000 - 1,500

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Lot 95 An Indo-Portuguese terracotta figure of Shiva, with a long ponytail and wearing a headdress and necklaces, mounted on a contemporary stand, 40cm high overall £250 - 350 Lot 96 A quartet of Regency-style mahogany tables, 20th century, each with quarter veneered and brass inlaid tops, raised on ring turned supports and shaped feet, 51cm wide 36cm deep (4) £300 - 400 Lot 97 A George III mahogany tilt-top supper table, the circular top on a turned support and tripod base, 78cm diameter 76cm high £150 - 250

Lot 98 A brass Nandi head, early 20th century, Indian, having two horns and wearing a bridle, 30cm high, together with a brass devil scarer in the form of a moustachioed gentleman, 22cm high, each mounted on a contemporary stand (2) £200 - 400 Lot 99 A pair of large hammered brass table lamps, 20th century, each of ovoid form and fitted with a paper shade, 84cm high (2) £150 - 250

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69-124 THE DRAWING ROOM

Lot 100 A Regency mahogany library bookcase, the moulded pediment over grille doors opening to reveal adjustable shelves within, over the conforming lower section and on a plinth base, 138cm wide 35cm deep 288cm high £2,000 - 4,000

THE DRAWING ROOM 69-124

102 Lot 101 A pair of mahogany torchères in the manner of George Bullock, early 19th century, each with an octagonal top over a brass and ebony inlaid square column support, on a stepped base and ball feet, 142cm high (2) £1,000 - 2,000 Lot 102 A near pair of celadon-glazed vases, late 19th century, Chinese, each decorated in underglaze blue and painted with kylin and phoenix amongst clouds, one with chilong and pup handles, 57 and 58cm high (2) £500 - 800

Lot 104 A carved wooden and polychromed figure of a gentleman riding a camel, early 20th century, Indian, 30cm high £100 - 200 Lot 105 A pair of gilt pier mirrors, early 19th century, French, each with a split plate and inverse tapering form, the frame with turned roundels and moulded ivy leaf decoration, 96.5cm wide 200cm high (2) £3,000 - 4,000

Lot 103 Eight various blue and white porcelain plates, 18th century and later, Chinese, each decorated with flowers (8) £300 - 500

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69-124 THE DRAWING ROOM

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THE DRAWING ROOM 69-124 Lot 106 Walter Greaves (1846-1930) Battersea Bridge oil on canvas 50.5 x 41.5cm £2,000 - 3,000

Lot 107 *Margaret Thomas (1916-2016) Flowers on a travelling paint box on a chair, ‘Old Roses III’ signed with a monogram l.l., oil on canvas board 61 x 51 cm £1,000 - 1,500

Lot 108 *Mary Godwin (1887-1960) Bradford-on-Avon signed ‘M Godwin’ below the frame, l.r., titled verso, oil on canvas 63 x 51cm £1,000 - 1,500

Lot 109 *Lucy Harwood (1893-1972) The mill signed verso, oil on canvas 61 x 51cm £300 - 500

Provenance: Sally Hunter Fine Art, Margaret Thomas Exhibition, November 1991, no. 29.

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69-124 THE DRAWING ROOM Lot 110 A George IV mahogany teapoy, of sarcophagus form, having a gadrooned lid opening to reveal two divisions within, over an ornately turned and carved column support, on a reeded tripod base with brass castors, 50cm wide 32cm deep 90cm high £250 - 350 Lot 111 A mahogany box, 19th century, converted for use as library steps, with brass handles to either side, 46cm wide 40cm deep 30cm high £100 - 150

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Lot 112 A George III mahogany tilt-top supper table, with a ring turned column support on a tripod base, 78cm diameter 76cm high £200 - 300

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112 Lot 113 An Indian brass flask, 19th/20th century, Deccan, with a flared rim and baluster body, terminating in the head of a cow, 14cm high, on a later stand (2) £200 - 300

Lot 114 An Indian gilt-bronze figure, 19th century, in the form of Krishna playing the flute, with Garuda at his feet, 38cm high, on a later stand (2) £400 - 600

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69-124 THE DRAWING ROOM

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Lot 115 *Glyn Morgan (1926-2015) Winter landscape with red kites, Ceredigion signed and dated ‘Morgan 04’ l.r., oil on canvas 76 x 101.5cm £1,000 - 1,500 Provenance: F rom the artist’s estate.

Lot 116 A creamware comport and six dessert plates, late 18th century, each decorated with forget-me-nots, within a lined border, comport 30cm long 15cm high, plates 21cm diameter (7) £200 - 300 Lot 117 A pair of carved, polychrome painted and gilt angel figures, 18th century, Goan, each with wings spread and arms outstretched, raised on contemporary black stands, largest 45cm wide 30cm deep 50cm high (2) £600 - 800

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Provenance: Purchased from Gordon Reece Gallery, early 2005.

Lot 118 A carved wooden polychrome and gilt-decorated figure of an angel, 18th century, Goan, with wings spread and arms outstretched, on a contemporary black stand, 44cm high £300 - 500 Lot 119 A set of three George III steel fire irons, each with faceted handles, the shovel with pierced decoration, 70cm long £300 - 400 Lot 120 An Indian sandstone carving, possibly 12th century, in the form of a female torso, on a contemporary black metal stand, 44cm high 48cm high overall £500 - 700

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THE DRAWING ROOM 69-124 Lot 121 A mahogany standard lamp, 20th century, with a ring turned tapering support on a circular spreading base, 175cm high £250 - 450

Lot 122 A George III oak occasional table, the dished top on a slender ring turned support and tripod base, 48cm diameter 67cm high £150 - 250

122 Lot 123 A large coopered log bin, 70cm diameter 66cm high, together with a brass coal scuttle, and a fan-shaped spark guard (3) £300 - 400

Lot 124 A large upholstered ottoman, 20th century, having canted corners, 122cm wide 55cm deep 75cm high £100 - 200

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The Dining Room 125-177

THE DINING ROOM 125-177

Lot 125 Sawrey Gilpin RA (1733-1807) A bay hunter in a landscape; A grey hunter in a landscape a pair, both signed and dated ‘S. Gilpin 1777’ l.r., oil on canvas 71 x 91cm (2) £8,000 - 12,000

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125-177 THE DINING ROOM Lot 126 A pair of Chinese porcelain baluster vases and covers, 19th century, painted in enamels with blossoming flowers, possibly later painted, 42cm high (4) £300 - 500

Lot 127 An Indian carved stone figure of Nandi, 18th century, the bull seated and caparisoned on a canted rectangular base, 23cm high £400 - 600

126 Lot 128 A pair of Chinese Tang dynasty glazed terracotta burial figures (minggi), each in the form of a male attendant, on an hexagonal base, largest 51cm high (2) £200 - 400

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Lot 129 A Davenport creamware supper set, early 19th century, comprising four shaped lidded dishes and an oval comport within a mahogany tray, each piece painted with flowers, impressed marks to bases, the larger dishes 37cm wide 57cm wide in total £300 - 500

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Lot 130 A brass fender, 19th century, with a pierced grille and three outswept supports, 106cm wide 27cm deep 27cm high, together with a fan-shaped fireguard, and a smaller fender (3) £100 - 150

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Lot 130A A coopered oak oval tub or planter, 19th century, brass-bound and now raised on square supports, 55cm wide 36cm deep 65cm high £150 - 200

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Lot 131 A George IV mahogany sideboard, the inverted breakfront top above three frieze drawers and three cupboards, the right-hand example opening with a button to the interior of the central cupboard, with semi-gadrooned detail and on tapering square feet, 125cm wide 53cm deep 93cm high £400 - 600

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125-177 THE DINING ROOM

COMPANY SCHOOL ORNITHOLOGICAL WATERCOLOURS The exquisitely detailed ornithological paintings seen in the following lots are legacies of the Anglo-Indian relationship fostered at the end of the eighteenth century, when the East India Company expanded its influence across the country. The British colonialists settling in India were fascinated by the exotic flora and fauna they encountered and attempted to document it by commissioning local artists to paint natural history pictures. The artists producing these works came from a range of Indian artistic traditions – Mughal, Maratha, Punjabi, Pahari, Tamil and Telugu. Three distinct schools emerged, first in Lucknow and Calcutta, then later in Delhi. Here we see examples from the Calcutta School at the turn of the 19th century and later examples of ‘Company School’, a term that refers to Indian artists working in a European tradition. The school declined after the 1840s when the practice of painting as a means of documentation was replaced by photography.

Lot 132 Calcutta School, c.1800 A pair of Indian tree pies numbered ‘400’ and ‘399’ in Persian (the first l.r., the second l.l.,) both further inscribed l.c., the second with an indistinct inscription in Latin l.l., pencil pen and ink and watercolour, heightened with bodycolour and gum arabic both 47.6 x 32.8cm (2) £600 - 800 Provenance: Christie’s London, ‘Watercolours and Pictures of Birds’, 30 September 1997, lot 17.

Lot 133 Calcutta School, 19th century Teal, a pair pen and ink, watercolour and bodycolour heightened with gum arabic on laid paper 26 x 31cm and 23.5 x 31cm (2) £600 - 800 Provenance: Christie’s London, ‘Visions of India’, 5 October 1999, lot 185.

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THE DINING ROOM 125-177 Lot 134 Company School, 19th century Myna bird; Fan-tailed flycatcher; a red-vented bulbul; and a further bird study three indistinctly inscribed, pen and ink and watercolour, two on watermarked paper 21 x 16.5cm and similar (4) £300 - 500

Lot 135 Company School, 19th century Chestnut munia; Paddyfield pipit; Pied bushchat inscribed in Persian, pen and ink and watercolour, one on watermarked paper 23.5 x 18cm (3) £300 - 500

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125-177 THE DINING ROOM

Lot 136 Company School, 19th century Ostrich; Brahminy kite; A possible lesser florican; An early impression of a chestnut-winged cuckoo; and a baya weaver bird pen and ink and watercolour on watermarked paper, ‘C WILMOT 1825’ 21 x 16.5cm and similar (5) £400 - 600

Lot 137 Company School, 19th century Crow Pheasant; Crow Rook; and another bird study pen and ink and watercolour on watermarked paper, two inscribed as titled 20.5 x 16cm and similar (3) £300 - 500

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125-177 THE DINING ROOM

138 Lot 138 A matched set of ten high back dining chairs, in the 18th-century style, comprising walnut and beech examples, each with floral-decorated green upholstery and cabriole front supports, six chinoiserie fabric covers, four with yellow covers decorated with ferns, approximately 50cm wide 55cm deep 105cm high (10) £800 - 1,200 Lot 139 A mahogany twin pedestal dining table, George III and later, the rounded rectangular top with two extra leaves, each pedestal with a turned column and a strong tripod base terminating in brass caps and castors, extended 280cm long 128cm wide 73cm high £800 - 1,200

Lot 141 A composite George III and later silver fiddle pattern cutlery service, for ten settings, to include; a set of four Scottish dinner forks,

by David McDonald, Glasgow 1835, six by Robert Williams & Sons, Exeter 1851, and six dessert spoons by J E Terrey & Co., London 1816, together with a cased set of six coffee spoons, and a set of guilloché enamel, within a mahogany four-division cutlery tray (90) £600 - 800

Lot 142 A suite of Villeroy & Boch drinking glasses, 20th century, to include: 9 red wine glasses, 7 white wine glasses, 8 champagne flutes, and 16 water glasses, the flutes 18cm high (40) £300 - 500

Lot 140 A large Reilly creamware part dinner service, 18th century, each piece painted with a continuous band of leaves and berries, to include: a twin-handled tureen, the cover with a moulded finial, presented with a ladle and stand, 28cm high, together with a dish and strainer, serving dishes, sauceboat and stand, cruets, meat plates, dinner plates, etc. (qty.) £1,000 - 2,000

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THE DINING ROOM 125-177

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145 Lot 143 A cased Edward VII silver cruet set, William Aitken, Chester 1901, comprising a mustard pot, a pair of pepperettes, four open salts and five spoons, each piece with engine turned decoration and a blue glass liner, the mustard 9cm long £80 - 120 Lot 144 A set of four silver plate and glass posy vases, late 19th/early 20th century, the tapering vases supported by floral-decorated bases, 25cm high (4) £100 - 200 Lot 145 A pair of Regency papier-mâché wine coasters, the bodies with continuous gilt decoration, 13cm diameter (2) £200 - 400 Lot 146 A George IV silver sugar caster, Goldsmiths’ & Silversmiths’ Co. Ltd., London 1913, the pierced top above a baluster body and spreading circular base, 22.5cm high, together with a pin dish, and a pair of silver-mounted pepper mills (4) £100 - 150

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125-177 THE DINING ROOM

147 Lot 147 Company School, 19th century A set of four exotic bird studies inscribed in Persian, pen and ink and watercolour 23.5 x 18cm and similar (4) £400 - 600

Lot 148 Company School, 19th century A set of four studies of exotic birds perched on branches pen and ink and watercolour 20.5 x 16.5cm and similar (4) £400 - 600

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Lot 149 Company School, 19th century White-throated kingfisher; Little egret; together with two further studies of birds pen and ink and watercolour, watermark ‘C Wilmot 1825’ (two of the four) 20.5 x 16cm and similar (4) £400 - 600

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Lot 150 Company School, 19th century Purple sunbird; Grey wagtail; Long-tailed minivet; and one further exotic bird study each inscribed in Persian, pencil, pen and ink and watercolour 23.5 x 18cm (4) £400 - 600

150 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

125-177 THE DINING ROOM

Lot 151 Company School, 19th century Parakeets; together with four further studies of birds from the parrot family pen and ink and watercolour heightened with gum arabic 21 x 16.5cm and similar (5) £500 - 700 Provenance: P arakeets purchased Christie’s London, 5 October 1999, lot 188.

Lot 152 Company School, 19th century A set of three studies of water birds pen and ink and watercolour 20.5 x 16cm and similar (3) £400 - 600

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153 Lot 153 A large William IV mahogany pedestal sideboard,

by W & C Wilkinson of Ludgate Hill, the inlaid breakfront top above the frieze drawers, one stamped, cupboards with gadrooned and carved paw details, one enclosing sliding shelves, the other with drawers, each on a plinth base, 260cm wide 73cm deep 96cm high £800 - 1,200

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Lot 154 A near pair of Regency papier-mâché bottle coasters, each with continuous gilt floral decoration, 12.5cm diameter (2) £200 - 300

Lot 155 A large pair of Chinese-style hexagonal garden seats, 19th century, each glazed stoneware body with relief moulded floral and dragon decoration, within scrolling borders, now as table lamps, 53cm high excluding light fitting 80cm high overall (2) £300 - 500

155 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

125-177 THE DINING ROOM

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Lot 156 A pair of Regency papier-mâché and gilt oval dishes, 11cm long, together with a brush, tray and dish set (5) £60 - 80

Lot 157 A William IV mahogany wine cooler, of sarcophagus form, the hinged lid with an acanthus moulded finial and gadrooned edge, enclosing eight divisions, the body with a panelled front and raised on scrolling acanthus carved feet, 73cm wide 46cm deep 56cm high £300 - 500

Lot 158 A Wedgwood ‘Imperial Porcelain’ part dinner service, early 20th century, retailed by Maple & Co., to include: a soup tureen, cover and stand, smaller examples, dinner plates and sides plates, each with Greek key decoration, the tureen 40cm long, together with a similar Limoges part dinner service (qty.) £60 - 80

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158 Lot 159 A Victorian Derby porcelain part dinner service, decorated with a turquoise and gilt rim, consisting of: a very large meat plate, a sauce tureen, 7 dinner plates, 5 side plates, and 2 further dishes (16) £50 - 80

Lot 160 A Bernardaud Limoges for Asprey part dinner service, 20th century, to include: a tureen and cover, dinner plates, salad plates, and side plates, the tureen 20cm high (52) £200 - 400

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THE DINING ROOM 125-177

Lot 161 Calcutta School, c.1800 A Pair of Koels numbered ‘401’ and ‘402’ (the first l.l., the second l.r.,), both inscribed l.c., the second with an indistinct inscription in Latin l.r., pencil, pen and ink and watercolour, heightened with bodycolour, the first with watermark ‘J WHATMAN’, the second with Strasburg lily both 47.3 x 32.1cm (2) £600 - 800 Provenance: C hristie’s London, ‘Watercolours and Pictures of Birds’, 30 September 1997, lot 18.

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Lot 162 Company School, 19th century Falcon; Hoopoe; and two further exotic bird studies watercolour and bodycolour, watermark ‘C. WILMOT 1825’ 20.5 x 16cm and similar (4) £400 - 600

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125-177 THE DINING ROOM

Lot 163 Company School, 19th century Sandgrouse; Jacobin cuckoo; and three further bird studies pen and ink, watercolour and bodycolour, watermark ‘C WILMOT 1825’ 21 x 16.5cm and similar (5) £500 - 700

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Lot 164 Company School, 19th century Indian common myna bird; Indian golden oriole; Brahminy starling; Common myna watercolour and bodycolour, watermark ‘C WILMOT 1825’ 20.5 x 16cm and similar (4) £400 - 600

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THE DINING ROOM 125-177

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Lot 165 Calcutta School c.1800 Study of a purple heron inscribed in Persian u.c., watercolour and bodycolour 44 x 29cm £400 - 600

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Lot 166 Calcutta School, c.1800 Greater coucal or crow pheasant inscribed and numbered in Persian l.c. and l.r., inscribed indistinctly in Latin l.c., watercolour and bodycolour 46.5 x 31cm £300 - 500

Lot 167 Company School, 19th century Asian and Indian paradise flycatchers wth illustration of nest and eggs; together with two studies of ‘Saxicola torquata indica’ (Indian bush-chat) framed as one; and another study of ‘Alcedo atthis bengalensis’ (kingfisher) the first indistinctly inscribed l.r., pencil, pen and ink and watercolour the first 29 x 39.5cm; the others 20.5 x 17cm (3) £500 - 800

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125-177 THE DINING ROOM

Lot 168 Company School, 19th century Dhyet/l; Luttorah; Chupkah; and another watercolour and bodycolour, pen and ink 31 x 30cm and similar (4) £400 - 600

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Lot 169 Company School, 19th century Neelum Purree; Sharh Bullbull; Species of King Crow: Phinga, and Dhonbie inscribed as titled, with three referencing folio 23.8.57, pen and ink, watercolour and bodycolour 31 x 30cm and similar (4) £400 - 600

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THE DINING ROOM 125-177

Lot 170 Company School, 19th century Parakeet: Parrot; and one further exotic bird study watercolour and bodycolour, watermark ‘C. WILMOT 1825’ 20.5 x 16cm and similar (3) £400 - 600 Lot 171 Company School, 19th century Green pigeon; Chestnut-bellied sandgrouse; and a further pigeon study pen and ink and watercolour, one on watermarked paper ‘C WILMOT 1825’ 21 x 17cm and similar (3) £300 - 500

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125-177 THE DINING ROOM

Lot 172 A large giltwood and gesso overmantel mirror, 19th century, of arched form, with scrolling foliate and incised detail to the frame, 200 x 170cm £2,000 - 3,000

Lot 173 A large Irish William IV mahogany serving table, the rectangular top raised on oversized carved supports, each on a plinth base, 201cm wide 67cm deep 92cm high £600 - 800 Provenance: Sotheby’s.

THE DINING ROOM 125-177

174 Lot 174 A pair of bronzed spelter figural table lamps, early 20th century, each in the form of a classical maiden holding a torch, on a gadrooned base and an integral waisted socle, 103cm high (2) £200 - 400 Lot 175 A pair of ecclesiastical brass candlesticks, 20th century, the sconces with Gothic trefoil detail, each raised on a twisted column and a spreading circular base, 50cm high (2) £80 - 120

175 Lot 176 A George III mahogany oval tray, with rosewood crossbanded detail and twin brass handles, 77cm wide £100 - 150 Lot 177 After Augustin Pajou (1730-1809), late 19th century, a French painted plaster bust, ‘Madame du Barry’ inscribed to the reverse and bearing a cast Louvre stamp, 73cm high £300 - 500

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The Study 178-210

THE STUDY 178-210

Lot 178 *Margaret Thomas (1916-2016) ‘The Estuary’ Orford, Suffolk signed with a monogram l.l., oil on board 30 x 75.5cm £600 - 800

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Lot 179 *Sir Walter Thomas Monnington PRA (1902-1976) Sketch of a woman’s head, squared for transfer pencil 24 x 21.7cm £250 - 350 Lot 180 *Sir Walter Thomas Monnington PRA (1902-1976) Study of a Forearm for St Luke’s Printing Works, for the Bank of England mural chalk and pencil on tracing paper 38 x 25cm £100 - 150 Provenance: From the estate of the artist; with the Fine Art Society, where purchased by the current owner.

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Lot 181 *Margaret Thomas (1916-2016) ‘Autumn Sun and Storm, Prince’s Street, Edinburgh signed with a monogram l.l., oil on canvas laid on board 30.5 x 76 cm £1,000 - 1,500 From the artist’s studio looking across the mound to Princes’s Street.

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178-210 THE STUDY

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184 Lot 182 A large coopered bin, 67cm diameter 64cm high £300 - 500 Lot 183 *Bryan Illsley (b.1937), 20th century, a carved wooden and polychrome decorated parrot, seated on a board set with pegs, 28cm high £150 - 250 Lot 184 A burr elm and oak occasional table, early 19th century, the square top with rounded corners, raised on a fluted column support and a tripod base, 49cm wide 51cm deep 73cm high £400 - 600

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Lot 185 A serpentine brass fireguard, with a pierced front and ball finials, 110cm wide 40cm deep 20cm high, together with a set of three fire irons, each with a turned urn finial over a square handle, a brass coal bucket, and a mahogany purdonium (4) £200 - 400 Lot 186 A pair of Chinese pottery figures, possibly Tang dynasty, each standing with their hands clasped in front of them and on later carved wooden stands, approximately 41cm high (4) £300 - 500

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THE STUDY 178-210

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188 Lot 187 *Malvina Cheek (1915-2016) North London view signed verso and indistinctly inscribed ‘D M CHEEK/ 38 ***/OSTERLEY/SUNDAY MORNING’ verso, oil on canvas 40.5 x 51cm £300 - 500 Lot 188 *George Wright (1924-1984) ‘Penrhys Isaf, Glamorgan’ inscribed as titled verso, oil on board 40 x 49.5cm £300 - 400 Lot 189 *Guy Roddon (1919-2006) ‘Hop Garden and Lew Screen’ signed ‘Roddon’ l.r., oil on canvas board 28.5 x 38.5cm £200 - 300 Provenance: Leicester Galleries, New Year Exhibition, January 1954, no.83.

189 Lot 190 *Nancy Sharp (1909-2001) ‘Pink roses’, c.1948 oil on canvas 41 x 31cm £150 - 250 Provenance: From the artist’s studio sale.

Lot 191 *Walter David Jones (1895-1974) The Deluge; Crucifixion woodblock, artist’s proof image 16.5 x 14.3cm and 16.5 x 11.7cm (2) £200 - 300

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178-210 THE STUDY

Lot 192 *Alfred Aaron Wolmark (1877-1961) Portrait of the artist’s mother and sister oil on canvas 91 x 71cm £2,000 - 3,000

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193 Lot 193 A pair of walnut side chairs, 20th century, French, each with a carved ram’s head finial to the square back and standing on square tapering legs, with green upholstery, 56cm wide 60cm deep 76cm high (2) £400 - 600

Lot 194 A Victorian walnut canterbury, c.1860, the four-division galleried top over a single drawer, and on turned legs and castors, 55cm wide 39cm deep 58cm wide £150 - 250

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194 Lot 195 A pair of Gothic Revival brass table lamps, 20th century, each ornately decorated with tracery designs and raised on a circular spreading base, fitted with a paper shade, 85cm high overall (2) £600 - 800

Lot 196 *Alan Lydiat Durst ARA (1883-1970) The Annunciation signed with initials and dated 1951, carved cedar wood 68.5cm high £2,000 - 3,000

196 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

178-210 THE STUDY

197 Lot 197 *Rupert Shephard (1909-1992) Landscape signed and dated ‘Rupert Shephard 1941’ l.r., inscribed ‘Compton SC’ verso, oil on canvas 43 x 25cm £200 - 300

198 Lot 198 *Mick Rooney (b.1944) Portrait of the artist Carel Weight RA (1908-1997) signed and dated ‘Rooney 81’ l.l., oil on canvas board 29.5 x 24.5cm £1,000 - 1,500

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Lot 199 Allan Walton (1892-1948) Bryher, Isles of Scilly; Cottages, Bryher oil on canvas 40 x 50cm (2) £800 - 1,200

Lot 200 *Elvic Steele (1920-1997) ‘Evening Quiet’ signed and inscribed as titled verso, oil on board 61 x 46.5cm £350 - 450 Provenance: W ith Peter Nahum, Leicester Galleries.

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202 Lot 202 Two similar oak circular occasional tables, late 18th century, each on a turned column support and tripod base, 43cm diameter 58cm high, and 47cm diameter 66cm high (2) £300 - 500 Lot 203 A yellow tweed upholstered two-seater settee, contemporary, 182cm wide 94cm deep 85cm high, together with a matching armchair, 97cm wide 94cm deep 85cm high (2) £300 - 500

201 Lot 201 A brass standard lamp, 19th century, the column support with a central turned boss and on a paterae decorated circular base and scrolling acanthus feet, fitted with a cream silk shade, 175cm high approximately £200 - 300

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Lot 204 A large pollard oak footstool, contemporary, the tartan upholstered seat on a reeded frame, set with roundels to each corner and raised on tapering reeded legs terminating in castors, 95cm wide 65cm deep 49cm high £300 - 500

204 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

178-210 THE STUDY

205 Lot 205 A brass standard lamp, 19th century, the adjustable reeded column support on a gadrooned circular base and semicircular feet, with a cream silk shade, 185cm high approximately £300 - 400

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Lot 206 A Regency mahogany pole screen, the shield-shape panel decorated with floral silk work, on a turned support and tripod base, 138cm high £80 - 120

206 Lot 207 A William IV rosewood worktable, the fold-over baize-lined top over two drawers with a wool box beneath, the shaped supports to either end united by a stretcher, and on scrolling feet, 51cm wide 38cm deep 75cm high £200 - 300

Lot 208 *Guido Righetti (Italian, 1875-1958), two polar bears, bronze, signed to the base, 43cm wide 22cm deep 29cm high £1,000 - 2,000

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THE STUDY 178-210

Lot 209 Allan Walton (1892-1948) Bawsey Beach; Interior (verso) oil on canvas 64 x 76cm £2,000 - 3,000

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178-210 THE STUDY

Lot 210 *Gilbert Spencer RA (1892-1979) ‘Twyford’ signed ‘G SPENCER’ l.r., oil on canvas 51 x 66cm £4,000 - 6,000 Provenance: With the Fine Art Society, 1949.

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The Breakfast Room 211-263A

THE BREAKFAST ROOM 211-263A

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Lot 211 George Washington Jack (1855-1931), plaster relief plaque, pastoral scene with a farmer driving his plough, wall mounted, 49 x 121cm £600 - 800 Lot 212 A chinoiserie gilt-decorated toleware tea canister, 19th century, numbered ‘36’ within key fret borders, stamped ‘John A Gilbert & Co.’ to the reverse, now fitted as a table lamp, 68cm high £150 - 250

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211-263A THE BREAKFAST ROOM

213 and 214 Lot 213 A Wedgwood creamware ‘Agricultural Devices’ part dinner service, early 19th century, to include a tureen or comport and stand, cover lacking, a sauce boat and variously-sized shaped plates and dishes, each piece painted in sepia tones with vignettes of agricultural devices, each with a brown line rim, impressed marks to base, the tureen 16.5cm high (36) £2,000 - 3,000

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Lot 214 A George III provincial oak dresser, the upper section with a shaped cornice and boarded plate rack, with three shelves flanked by a pair of cupboards, on a base set with three long drawers and raised on square supports, 194cm wide 44cm deep 192cm high £600 - 800

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THE BREAKFAST ROOM 211-263A

Lot 215 A walnut and fruitwood table, French, the rectangular top above Tuscan column supports, 168cm wide 102cm deep 74cm high £600 - 800 Lot 216 A set of six George III oak dining chairs, with bar and spindle backs, over solid seats, the legs united by stretchers (6) £200 - 300

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211-263A THE BREAKFAST ROOM

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218 part lot

Lot 217 George Washington Jack (1855-1931), an Arts and Crafts roundel, carved in relief in the form of an eagle among oak leaves and acorns, 52cm diameter £800 - 1,200 Lot 218 A set of three carved wooden deer heads, 20th century, 28cm high approximately (3) £100 - 200 Lot 219 A Sino-Tibetan or South-East Asian carved wooden corbel, 20th century, in the form of a deity’s face, 36cm high £80 - 120

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THE BREAKFAST ROOM 211-263A

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221 Lot 220 A pair of Wedgwood creamware mugs, c.1790, each decorated in sepia with horn of plenty, 14cm high approximately (2) £100 - 200

222 Lot 221 A creamware cruet set, early 19th century, the acanthus moulded stem with a pierced finial, the body supporting six variously-sized cruet pieces, raised on a spreading circular foot, 22cm diameter 34cm high £300 - 500

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Lot 222 An oak hanging plate or delft rack, possibly 17th century, with linear decoration, 75cm wide 15cm deep 92cm high £300 - 500

Lot 223 A Swansea creamware cow creamer, late 18th century, on an oval base, 15cm high, together with a brawn dish and cover, in the form of a bull’s head (2) £100 - 150

Lot 224 A large glazed stoneware bowl, 20th century, of tapering form, with an everted rim, 43cm diameter 19cm high, and another dish, decorated with sgraffito fish, 28cm diameter (2) £80 - 120

224 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

211-263A THE BREAKFAST ROOM

Lot 225 A collection of English and Continental green-glazed stoneware plates, bowls and dishes, 19th and 20th centuries, to include a Copeland leaf moulded example, 26cm wide (qty.) £300 - 400

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226

Lot 226 A pair of Continental glazed stoneware pots, 20th century, each with twin handles, 26cm high, and a further partially-glazed example (3) £100 - 150

Lot 227 A large pair of Continental glazed stoneware pots, 20th century, each decorated in green, brown and straw colours, 36cm high (2) £150 - 250

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Lot 228 Two Continental glazed stoneware jugs, late 19th/early 20th century, with spotted decoration, largest 27cm high (2) £100 - 150

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THE BREAKFAST ROOM 211-263A

230 Lot 229 A high wingback armchair, 20th century, by Parker Knoll, upholstered in green neoclassical fabric and raised on square supports to castors, 79cm wide 90cm deep 123cm high, together with a matched footstool (2) £200 - 400 Lot 230 A set of four cast iron figural doorstops, 20th century, French, each in the form of a classical female head with scrolling neoclassical decoration, pitted, 18cm high, and two further examples, one an eagle, the other a wheatsheaf (6) £80 - 120

Lot 231 A large carved wooden wheatsheaf, early 20th century, 60cm high £300 - 500 Lot 232 A pair of carved marble bucrane corbels, probably 19th century, both garlanded, 37cm high (2) £800 - 1,200 Lot 233 Spare lot

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THE BREAKFAST ROOM 211-263A

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238 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

211-263A THE BREAKFAST ROOM Lot 234 A pair of very large partially-glazed earthenware bowls, 20th century, each of tapering form, the interiors with green floral decoration, 65cm diameter (2) £300 - 500 Lot 235 A collection of delft tiles, late 18th/early 19th century, each depicting biblical scenes, each 13 x 13cm (9) £50 - 80 Lot 236 A Wedgwood creamware serving dish, early 19th century, with heart-shaped handles, impressed to base, 32cm long, together with four further Wedgwood dishes and another (6) £80 - 120 Lot 237 A pearlware pottery part dessert service, early 19th century, consisting of: a comport, 19cm high, 5 lobed dishes, 7 small plates with reticulated rims, and 3 further plates, all decorated with fruiting vines (16) £200 - 300

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Lot 238 A collection of blue glass pieces, 19th century, comprising: a pair of tall vases, 32cm high, 2 smaller vases, and 6 plates (10) £200 - 300 Lot 239 A pair of Elizabeth II silver models of pheasants,

by Searle & Co., London 1969, with detachable heads, 13.5cm high (2) £600 - 1,000 Lot 240 An Elizabeth II silver communion cup and dish,

by Wakely & Wheeler, London 1971, both with gilt details, the cup with a hammered finish, with engraved thorn detail and a conical base, 22cm high (2) £100 - 150 Lot 241 A George V silver coffee pot,

by Thomas Bradbury & Sons, Sheffield 1912, of conical form, with a C-scroll handle, 19.5cm high £80 - 120

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Lot 242 An Asprey & Co. silver-plated biscuit box, 20th century, decorated in relief with classical scenes, original cardboard box, 21cm wide 17.5cm deep 14cm high £300 - 500 Lot 243 A brass carriage clock, 20th century, by Asprey & Co, the white dial with black Roman numerals, engraved to the reverse, 16cm high £150 - 250 Lot 244 Spare lot

242

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THE BREAKFAST ROOM 211-263A

245 Lot 245 *Quentin Bell (1910-1996), a painted and glazed terracotta bowl, with polychrome geometric decoration, signed to the base, 33cm diameter £300 - 500

Lot 246 *Quentin Bell (1910-1996), a painted and glazed terracotta stoop, with floral decoration to the back and basin, unsigned, 41cm wide 20cm deep 23cm high £300 - 500

247 part lot

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246 Lot 247 Quentin Bell (1910-1996), a glazed earthenware table lamp, in the form of a mythical scene with a man being punished by being locked inside the bough of a tree, figures around him, with a hand-painted shade decorated with fish, signed, 60cm high (2) £800 - 1,200

Lot 248 *Quentin Bell (1920-1996), a set of twelve painted lampshades, each signed and dated, 1991, 13cm diameter at widest point (12) £400 - 600

248 part lot Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

211-263A THE BREAKFAST ROOM

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Lot 249 A lustre glazed ‘Dove and Flood’ design part tea and coffee set, 20th century, designed by Laura Knight for Foley, comprising: a coffee pot, 20cm high, 7 coffee cups, 9 saucers, 2 milk jugs, a sugar bowl. and 4 large saucers (24) £300 - 500

Lot 250 A collection of contemporary tea and dinner ware, to include Emma Bridgewater spongeware examples, a set of Pottery Cafe cups and saucers by Brian Illsley, a Ken Eardley bowl, etc. (qty.) £100 - 200 Lot 251 A large length of cotton fabric, 20th century, by Bernard Adeney (1878-1966), decorated in tones of green and yellow with birds among foliage, a modern reproduction, together with another example (2) £100 - 150

250 Lot 252 A walnut-framed high back open armchair, 1930s, with studded leather upholstery, on tapering supports, 70cm wide 70cm deep 107cm high £200 - 400

Lot 253 An Art Deco-style chrome-plated wall clock, of square form, the dial set with Arabic numerals and inscribed ‘Newgate London’, battery operated, 40cm square £80 - 120

251 part lot

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Lot 254 ‘The Hunter’, a roll of fabric printed in England for Jean Monro (Design) Ltd., 145cm wide £60 - 80 Lot 255 A large Portuguese treacle-glazed pottery figure of a bull, 20th century, on a moulded rectangular base, 37cm high, together with two smaller examples (3) £100 - 200 Lot 256 A printed bus destination sign, ‘Monument’, in a black frame, 12 x 80cm £50 - 80

Lot 257 An Edwardian brass and cast iron stick stand, with eight divisions and turned finials, 39cm wide 20cm deep 62cm high, and a Coalbrookdale-style cast iron stick stand, the support cast as a seated hound, with removable drip tray, 45cm wide 15cm deep 73cm high (2) £250 - 450 Lot 258 Three Parian figures, to include Minton ‘Miranda’, designed by John Bell, impressed marks to base, 41cm high, together with three bisque bread plates, each with moulded corn detail to the rim, 33cm diameter, a pair of glazed stoneware spittoons, and a Staffordshire frog mug (9) £150 - 250

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258 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

211-263A THE BREAKFAST ROOM

259 part lot

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Lot 259 A small collection of ceramics, to include: a Chinese blue and white bowl, late 18th/early 19th century, painted with figures and landscapes, 19cm diameter, a gu vase, a mottled baluster vase, a leaf moulded stoneware dish, together with a large glass celery vase, 45cm high, and two lily vases (11) £80 - 120

Lot 261 An oak desk chair, early 20th century, with a lath back on four turned legs united by stretchers £200 - 300

Lot 260 A quantity of various baskets etc. to include: a smaller cinder basket, a coopered oak barrel, a green-painted metal and string folding basket, and a watering can (qty.) £80 - 120

Lot 263 A George III mahogany card table, early 19th century, the baize inset fold-over top, over a concertina action base, raised on chamfered legs with pierced brackets £200 - 400

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Lot 262 A reproduction mahogany pedestal desk, 20th century, with a leather inset top over nine various drawers arranged around a kneehole, raised on a plinth base £200 - 300

263A Lot 263A A drop-arm chesterfield settee, early 20th century, with pink and green checked upholstery, and raised on turned legs and castors £150 - 200

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COUNTRY HOUSE CONTENTS AND PRIVATE COLLEC TIONS Sworders have a nationwide reputation for conducting successful auctions of substantial and important collections. We believe items sell better as part of a named collection, bidders and purchasers value the provenance and story behind items, it helps bring them to life and enables them to bid with enthusiasm and confidence, which of course, leads to higher hammer prices.

Our specialist team, led by Guy Schooling and Luke Macdonald, will ensure a very personal, first-rate, tailored and transparent service, from the initial call, through the preparation of the auction catalogue, promotion of the sale and the auction process itself, to the fall of the hammer and settlement.

Every collection is unique and will be handled as such.

Auctions can be conducted in our bespoke Stansted Mountfitchet Auction Rooms, where our experts successfully recreate the ambience and atmosphere of the house or collection, on the premises where the collection was housed or formed, or in a neutral venue, perhaps in central London, where we recently conducted a successful Asian Art Auction.

We have an experienced, knowledgeable and dedicated marketing team who ensure collections, and the items within them, are promoted around the world, on social media, in print, with paid-for advertisements and editorial provided by our press releases.

Each collection is personal and unique with an emotional connection to the owners who create or inherit them. Our team will work carefully and closely with clients to ensure a sensitive and carefully tailored handling of the collection and its eventual sale.

Guy Schooling

Luke Macdonald

guyschooling@sworder.co.uk

lukemacdonald@sworder.co.uk

The Master Bedroom 264-320

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264-320 THE MASTER BEDROOM

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Lot 264 *Roy Spencer (1918-2006) ‘Seated Nude with White Cloth’ signed and dated ‘Roy Spencer 1951’ l.r., oil on canvas 125.5 x 62cm £1,000 - 1,500 Lot 265 Oleg Bogomolov (Russian, b.1962) ‘Europa and the Bull’ signed ‘Bogomolov Oleg’ l.r., oil on canvas 92.5 x 135cm £2,000 - 3,000 Lot 266 Jacqueline Marval (French, 1866-1932) ‘Nu couché’ signed ‘Marval’ l.r., oil on board 22 x 27cm £400 - 600 Provenance: W ith Crane Kalman Gallery, 1974.

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THE MASTER BEDROOM 264-320

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267 Lot 267 A George III mahogany chest on chest, of two short over six long drawers, each with brass swan neck handles and on bracket feet, 102cm wide 56cm deep 182cm high £400 - 600

Lot 268 A pair of carved wooden horses, 20th century, Indian, each standing four-square, wearing a saddle and bridle, 15cm wide 45cm long 47cm high (2) £150 - 250

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269 Lot 269 *An art pottery bowl,

by Victoria Walton, decorated in underglaze blue and ochre, with a geometric design, 30cm diameter 15cm high £80 - 120 Victoria Walton was the potter-in-residence at Charleston (Sussex), during the 1980s.

Lot 270 *William Roberts RA (1895-1980) Bacchanal, c.1908 signed and inscribed as titled u.l., red chalk 28.2 x 36.2cm £600 - 800

Lot 271 *Charles Mahoney RA (1903-1968) Apple picking, group study red chalk, squared for transfer 39.5 x 55.5cm £150 - 250

Provenance: Anthony D’Offay.

Provenance: W ith the Fine Art Society, 2000, no.29.

Literature: David Cleall, ‘An English Cubist: Catalogue Raisonné’, englishcubist.co.uk

271 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

264-320 THE MASTER BEDROOM

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Lot 272 A pair of William IV-style mahogany armchairs, each with red and cream paisley upholstery, and raised on reeded legs with brass castors, 68cm wide 70cm deep 107cm high (2) £500 - 800

Lot 273 A Victorian silver easel-backed dressing table mirror,

by London Goldsmiths 1896, the rectangular frame with a domed top and on scrolling feet, 47cm wide 55cm high £600 - 800

Lot 274 A Victorian mahogany dressing table, with a single frieze drawer on turned column supports united by an ‘H’ stretcher, terminating in bun feet and castors, 108cm wide 50cm deep 75cm high, and a small mahogany ‘X’ framed stool, with checked seat, 53cm wide 36cm deep 53cm high (2) £200 - 400

Lot 275 A matched pair of George III mahogany tray top commodes, each with pierced handles to the gallery over a tambour-fronted cupboard, with a deep pull-out drawer beneath, 54cm wide 47cm deep 75cm high, and 49cm wide 44cm deep 77cm high (2) £400 - 600

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THE MASTER BEDROOM 264-320

276 Lot 276 A pair of brass table lamps, 20th century, each with a thick spiral fluted column support, on a circular spreading base, fitted with a cream paper shade, 77cm high (2) £200 - 400 Lot 277 A king-sized bed, the mahogany canopy, the drapes, bed cover and pillow embroidered in wool with ibis amongst foliage, with a braided fringe, 150cm wide 220cm head to toe 60cm high canopy with a 3m drop £300 - 500

Lot 278 A William and Mary-style walnut long stool, 20th century, with roll-over arms and on turned tapering supports united by a shaped fret cut stretcher, upholstered in green and red check fabric, 150cm wide 50cm deep 73cm high £300 - 500 Lot 279 A Victorian mahogany library armchair, the button upholstered back, and reeded and carved arms, raised on turned front legs and castors, upholstered in a red and cream paisley fabric, 73cm wide 73cm deep 94cm high £300 - 500

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279 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

264-320 THE MASTER BEDROOM

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282 Lot 280 Five pearlware plates, early 19th century, each decorated in brown and pale blue with a leaf and berry border, one 24cm diameter four 19cm diameter (5) £100 - 200 Lot 281 A group of Neal & Windsor creamware items, c.1790, comprising: a navette-shaped pedestal bowl, decorated with strawberries, 30cm wide 19cm deep 16cm high, two basket moulded oval dishes, each with a pierced rim, and a matching small pedestal dish, all decorated in brown with trailing wild strawberries, each 18cm long, and two shaped dishes, decorated with fruiting vines, each 34 x 20cm (6) £200 - 400

283 Lot 282 A pair of Wedgwood creamware radish boats and covers, c.1785, each with a flower head knop and red and blue repeating decoration, 30cm wide 14cm deep 8cm high, together with a Wedgwood creamware plate, with mystery border, 20cm diameter (3) £200 - 400

Lot 284 A carved and painted wooden horse, 20th century, Indian, decorated in polychrome and wearing a checked saddlecloth, 45cm high, together with a carved wooden and painted figure of a bird, 27cm high (2) £100 - 200

Lot 283 A mahogany chest of drawers, 18th century, the dentil carved cornice over seven graduated long drawers, flanked by pilaster canted corners and raised on bracket feet, the drawers with pierced brass swan neck handles, 95cm wide 47cm deep 158cm high £600 - 800

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Lot 285 *Margaret Green (1925-2003) ‘Nurses’ 1951 inscribed ‘M. GREEN/1579 OXFORD R.D./W.HARTLEPOOL’, verso, oil on canvas 40 x 56cm £600 - 800

Lot 286 *Rupert Shephard (1909-1992) ARPs in Rubble, 1944 signed and dated ‘Rupert Shephard 1944’ l.r., oil on canvas 56 x 56cm £200 - 300

Provenance: M essum’s Fine Art, ‘Lionel Bulmer and Margaret Green: The Early Years’, 2010, no. 51.

287 Lot 287 *Gerald Reitlinger (1900-1978) Landscape in the Pacific Islands oil on board 44 x 61cm £200 - 300

288 Lot 288 *Percy Hague Jowett (1882-1955) Barn interior oil on canvas 32.5 x 26cm £300 - 500

Provenance: From the artist’s estate.

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Lot 289 *Ian Hunter (1939-2010) Nude study signed and dated ‘Hunter ‘70.’ l.r., oil on board 81 x 52.5cm £300 - 500

Lot 291 *David Murray (b.1948) The white shirt, c.1970 oil on board 71.5 x 34cm £200 - 300

Lot 290 *Ian Hunter (1939-2010) Portrait of a woman signed and dated ‘Hunter ‘73’ l.r., oil on board 60 x 80.5cm £300 - 500

Lot 292 *Emily Feaver (b.1966) Self-portrait signed with initials l.l., oil on board 29 x 26.5cm £200 - 300

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THE MASTER BEDROOM 264-320 Lot 293 Two various hand-painted light shades,

by Quentin Bell, each of conical form 14cm diameter approximately (2) £300 - 500 Lot 294 Quentin Bell (1910-1996), a pair of moulded pottery wall appliqués, each depicting a classical maiden holding a torch, each constructed in three pieces, one glaze in polychrome, the other black, 17cm wide 9cm deep 40cm high (2) £600 - 800 Lot 295 Spare lot

293 part lot

296

Lot 296 A named pearlware jug, early 19th century, decorated all-over in polychrome enamels with floral sprays, agricultural implements and inscribed ‘Edward Brown God speed the plough’, 23cm high, together with an English Pearlware jug, decorated in Prattware colours, with a harrow, scythe and other agricultural tools, 23cm high (2) £300 - 500

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264-320 THE MASTER BEDROOM

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297 Lot 297 A Victorian burr walnut mirror, the inlaid frame around an arching plate, 74cm wide 98cm high £100 - 150 Lot 298 A George IV oak cupboard, the black stone top over two frieze drawers and cupboards beneath, flanked by pilaster columns to either side and on a plinth base, 94cm wide 42cm deep 86cm high £300 - 500 Lot 299 A George III oak occasional table, the circular top on a turned support and tripod base, 47cm diameter 70cm high £100 - 200

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Lot 300 A Victorian cast iron and brass fire kerb, late 19th century, with urn finials, the front cast with harebell swags, 127cm wide 33cm deep 30cm high internal 94.5cm wide 29cm deep £100 - 150 Lot 301 A William IV mahogany armchair, the upholstered back, arms and seat raised on tulip carved legs terminating in brass castors, 70cm wide 70cm deep 102cm high £300 - 500

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THE MASTER BEDROOM 264-320 Lot 302 A Regency-style mahogany cheval mirror, the rectangular bevelled plate on supports topped by an urn finial, terminating in swept to square tapering legs and brass castors, 59cm wide 62cm deep 156cm high £250 - 350

Lot 303 A pair of carved wooden horses and riders, 20th century, Indian, each brightly coloured in polychrome paints, 50cm high approximately (2) £200 - 300

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Lot 304 A mahogany chaise longue, early 19th century, the brown velvet, button upholstered, back and seat raised on swept and turned legs, terminating in castors, the back legs stamped ‘B’, 170cm wide 59cm deep 90cm long £400 - 600

Lot 305 A pearlware dinner set on tray, early 19th century, consisting of two covered dishes, two open dishes and a comport, each decorated in yellow and grey with a foliate border, and on a galleried oval mahogany tray with a brass handle to either end, the tray 55 x 48cm £300 - 400

Lot 306 A Victorian mahogany bow front chest of drawers, the three graduated drawers with brass handles and raised on turned feet, 106cm wide 53cm deep 90cm high £200 - 300

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264-320 THE MASTER BEDROOM

Lot 307 *Margaret Thomas (1916-2016) Landscape signed with initials and dated 53, oil on board 31 x 16cm £500 - 800

Lot 308 Allan Walton (1892-1948) Near Harwich oil on canvas 45.5 x 60.5cm £800 - 1,200

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Lot 309 Allan Walton (1892-1948) ‘Flying a Kite on Kew Green’, c.1935 oil on canvas 50 x 55cm £600 - 800

Lot 310 *Thomas Edwin La Dell ARA (1914-1970) ‘Cyclamen’ signed ‘T E La Dell’ l.l., signed and inscribed verso, oil on board 51 x 39.5cm £250 - 350

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THE MASTER BEDROOM 264-320

Lot 311 *Margaret Thomas (1916-2016) ‘Posy for Allan Ramsay’ signed in initials l.l., oil on board 37.5 x 26.5cm £350 - 450

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Lot 312 *Joan Warburton (1920-1996) ‘Flowering Succulent’ signed with initials and dated 60 l.r., pastel 40 x 50cm £150 - 200

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Lot 313 *Joan Warburton (1920-1996) ‘Flowers in a Drawing Room’ signed and dated ‘J.Warburton/1941’ l.r., and inscribed verso, pen and ink and wash 47.5 x 40cm £100 - 150

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Lot 314 *Celia Ward (b.1957) An Interior signed and dated ‘Celia Ward October ‘90’ l.r., watercolour 40.5 x 48.5cm £100 - 150

Lot 315 *Adrian Daintrey (1902-1988) Aldeburgh High Street; Henley Bridge both signed and inscribed l.l., and l.r., respectively, pen and ink and watercolour 23.5 x 31.5cm and 26 x 37.5cm (2) £200 - 300 Provenance: F rom the artist’s estate.

315 Lot 316 After David Roberts RA ‘The Great Sphynx’; ‘Front Elevation of the Great Temple of Aboosimble, Nubia’ both lithographs in colours image 33.5 x 53cm and 32.5 x 48.5cm (2) £150 - 250

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264-320 THE MASTER BEDROOM

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Lot 317 *Orlando Greenwood (1892-1989) ‘Llyn Llydaw’ signed ‘O Greenwood’ l.l., oil on canvas 46 x 56cm £300 - 500

Lot 318 *Stephen Bone (1904-1958) ‘A Wood by the Loch, Arisaig’, c.1948 signed ‘Stephen Bone’ l.l., signed and inscribed as titled verso, oil on board 30.5 x 39cm £500 - 700

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Lot 319 *Stephen Bone (1904-1958) ‘Corfe Castle, Waiting for the Bus’ signed and dated ‘Stephen Bone 1948’ l.l., signed and inscribed as titled verso, oil on board 30.5 x 41.5cm £400 - 600 Provenance: With the New English Art Club.

Lot 320 *Adrian Daintrey (1902-1988) ‘The Wood’ 1936 signed ‘Adrian Daintrey’ l.l., signed, inscribed and dated as titled verso, oil on board 30.5 x 45.5cm £200 - 300 Provenance: From the artist’s estate.

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The Upstairs Gallery 321-349

321-349 THE UPSTAIRS GALLERY Lot 321 *Gabriel White (1902-1988) Westminster Cathedral etching, numbered 2/20 plate 26 x 38cm £60 - 80

Lot 322 *Ithell Colquhoun (1906-1988) Church Interior, Corsica, signed and dated ‘Colquhoun 38’ l.l., watercolour 43 x 38.5cm £200 - 300

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Lot 323 *Julian Bell (b.1952) Sussex landscape signed ‘JULIAN BELL’ l.r., oil on canvas 46 x 102.5cm £200 - 300

Lot 324 *Joan Warburton (1920-1996) ‘Three Euphorbia’; ‘Vinca’, 1968 the first signed with initials l.r., both watercolour 53 x 35cm and 31.5 x 49.5cm (2) £150 - 250 Provenance: B oth from the artist’s estate.

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Lot 325 *Joan Warburton (1920-1996) House at Arratida inscribed, signed and dated ‘House at Arratida/1965/ Joan Warburton’ l.l., pastel 34.5 x 50.5cm £100 - 150

Lot 326 *Adrian Paul Allinson (1890-1959) The Quarry, c.1950 pencil 38 x 52cm £200 - 300

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Lot 327 *John Frye Bourne (1912-1991) The life room signed, inscribed and dated ‘BOURNE/1933/ANNUAL’ verso, oil on canvas 46 x 31cm £250 - 350

Lot 330 *Eric Dawson (1918-c.2008) The Generals, 1944 pen and ink and watercolour 22.5 x 30.5cm £150 - 250

Lot 328 *Lucy Harwood (1893-1972) Portrait of a German governess signed verso, oil on canvas 61 x 51cm £200 - 300

Lot 331 Geoffrey Spencer Wylde (South African, 1903-1972) Seated nude signed ‘Wylde’ l.r., pencil 28 x 17.5cm £80 - 120

Provenance: T he estate of Cedric Morris.

Exhibited: Fermoy Gallery, Kings Lynn, Ipswich Museum 1987; Gardner Centre Gallery, University of Sussex, 1989.

Lot 329 Spare lot

124

Lot 332 *John Frye Bourne (1912-1991) Self-portrait of artist painting lot 28 watercolour 32.5 x 22cm £200 - 300 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

321-349 THE UPSTAIRS GALLERY

333

334

335

336

337

338

Lot 333 *Nicky Loutit (b.1943) Landscape in Norfolk signed ‘Nicky Loutit’ l.r., watercolour and bodycolour 53.5 x 68cm £200 - 300

Lot 335 *Lucy Harwood (1893-1972) Landscape signed verso, oil on canvas 51 x 61cm £200 - 300

Lot 337 *Rowland Suddaby (1912-1972) Still life with checked cloth signed and dated ‘Ro Suddaby/36’ l.r., gouache 44.5 x 50cm £300 - 500

Lot 334 *Joan Warburton (1920-1996) Cats with milk dated 1948 verso, oil on canvas 30 x 35cm £400 - 600

Lot 336 *Rowland Suddaby (1912-1972) Pit Hills, South Yorkshire signed and indistinctly dated ‘R. Suddaby…’ l.r., gouache 31 x 45cm £150 - 250

Lot 338 *Joan Warburton (1920-1996) Nine London Pigeons signed with initials and dated 57 l.r., oil on canvas 50.5 x 61cm £600 - 800

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THE UPSTAIRS GALLERY 321-349

339

341

340 Lot 339 *Adrian Daintrey (1902-1988) The Hartford Hotel, Gloucester Road signed ‘Adrian Daintrey/1967’ l.c., pen and ink 34 x 24.5cm; Hertford Hotel, Gloucester Road pen and ink 33 x 24.5cm (2) £60 - 80

Lot 340 *Adrian Daintrey (1902-1988) A grand entrance hall, possibly Chatsworth pen and ink 33.5 x 24cm; together with a view of Rome based on ‘The Muses’ by Tintoretto and Study of a Chair 21 x 33.5cm and 34.5 x 25cm (3) £180 - 250

Provenance: T he first from the artist’s estate.

Provenance: From the artist’s estate.

Lot 341 *Adrian Daintrey (1902-1988) Shot to the Green, c.1955 Chipping, c.1955 both pen and ink 25 x 14cm and 25 x 17cm (2) £150 - 250 Provenance: From the artist’s estate.

Lot 342 *George Hooper (1910-1994) Study of Joyce Hooper, the artist’s wife signed and dated ‘George Hooper/1944’ l.l., pen and ink and watercolour 57 x 67cm £100 - 150 Provenance: S ally Hunter Fine Art, ‘George Hooper’, May 1988, no.33.

Lot 343 *Adrian Daintrey (1902-1988) Returned South African POW, c.1945 signed and inscribed l.r., pen and ink 33.5 x 25.5cm £80 - 120 Provenance: F rom the artist’s estate.

Lot 344 *Adrian Daintrey (1902-1988) Seated woman, c.1948 pencil 46 x 30cm £100 - 150 Provenance: F rom the artist’s estate.

342

126

343

344 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

321-349 THE UPSTAIRS GALLERY Lot 345 *Richard Murry (1902-1984) Ice Hockey signed and dated ‘R Murry 52’ l.r., gouache 26 x 30cm £100 - 200

Lot 347 *Ian Hunter (1939-2010) The Marabou Stork, c.1973 mixed media on board 97 x 120cm £250 - 350

Lot 346 *Vera Cunningham (1897-1955) Three riders, c.1938; Three Figures, c.1938 both pen and ink and watercolour 56 x 38cm and 44 x 35cm (2) £100 - 150

Lot 348 Spare lot Lot 349 *Edward Bawden RA (1903-1989) Kew Palace lithograph on wove, signed and numbered 65/150 image 47 x 61cm, unframed £400 - 600

345

347

346

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349

127

The Chinese Bedroom 350-370

Lot 350 A ‘Spode Copelands China’ pottery supper set, 19th century, decorated in the Chinese style with birds in a garden and consisting of four segment dishes and a central covered dish, each with retailer’s stamp ‘TG Good’, on a mahogany tray, with raised divisions and a galleried edge, a brass handle to either side, with retailer’s stamp, 48cm diameter £250 - 450

Lot 351 A Chinese red-lacquered low cupboard, late 19th century, the two drawers over a cupboard beneath, each having brass ring handles, on square section feet, 71cm wide 49cm deep 87cm high £300 - 500 Lot 352 A pair of silver-plated Corinthian column table lamps, each on a square stepped base and fitted with a cream shade, 73cm high overall (2) £300 - 400

350

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351 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

350-370 THE CHINESE BEDROOM

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353

354

Lot 353 A pair of Chinese elm bedside tables or urn stands, early 20th century, each with a square top over a shallow drawer, on square legs united by a shelf and latticed undertier, 37cm wide 37cm deep 77cm high (2) £400 - 600 Lot 354 A Chinese hardwood low occasional table or bench, late 19th/early 20th century, the rectangular top on square section supports united by an undertier, 110m wide 35cm deep 50cm high £200 - 300 Lot 355 A pair of Chinese porcelain horses, modern, each decorated in polychrome enamels with flowers and butterflies, and each on a wooden stand, 35cm wide 13cm deep 29cm high (4) £100 - 150

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355

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THE CHINESE BEDROOM 350-370 Lot 356 Chinese, 20th century Guan Yu seated in a green dragon robe with attendants standing behind gouache 131.5 x 83.5cm £500 - 800 Lot 357 A Chinese rosewood dressing table, early 20th century, the rectangular top over three frieze drawers, each with a brass swan neck handle, on square section legs with pierced and carved scrolling brackets, 126cm wide 55cm deep 81cm high, together with a Chinese pine and wicker-topped dressing table stool, with carved apron, 53cm wide 32cm deep 52cm high (2) £400 - 600 Lot 358 A Chinese pottery figure, in the archaic style, the head modelled as a separate piece and wearing green-glazed robes, 37cm high, and a pair of Chinese pottery temple dogs, in mottled green and brown glaze, 20cm high (3) £100 - 200

356

357

Lot 359 A pair of Chinese porcelain cylinder vases, early 20th century, Xuantong, marks to the underside, in an orange glaze and decorated in gilt with peonies and an inscription, 12cm diameter 28cm high, together with a third similar vase (3) £200 - 400

358

360 Lot 360 A French Empire bronze and gilt-bronze fire kerb, second quarter of the 19th century, the back supports to either end with griffin surmounts over scrolling brackets, 122cm wide 8cm deep 30cm high £100 - 200

359

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Lot 361 Chinese, 20th century Sixteen coloured prints of everyday life with English pencil descriptions of the scenes image 24 x 23cm (16) £600 - 800

361 part lot Lot 362 Chinese, 20th century Eighteen coloured prints of everyday life with English pencil descriptions of the scenes image 24 x 23cm (18) £700 - 1,000

362 part lot Lot 363 Chinese, 20th century Sixteen coloured prints of everyday life with English pencil descriptions of the scenes image 24 x 23cm (16) £600 - 800

363 part lot

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THE CHINESE BEDROOM 350-370

364 Lot 364 Japanese, 19th/20th century Mandarin ducks and crane; Magpies, swallows and other birds a pair, ink and colour on silk both 74.5 x 39.8cm (2) £100 - 200

365

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Lot 365 A Chinese hardwood wall mirror, early 20th century, the moulded frame around a rectangular bevelled plate, 78cm wide 113cm high £300 - 500

Lot 366 A Chinese rosewood occasional table, 20th century, the rectangular top with a pierced and carved apron, the square section legs united by an undertier and open stretcher, 48cm wide 29cm deep 76cm high £200 - 300

366

Lot 367 A pair of modern Indian carved soapstone robe hooks, each in the form of a horse, on a mahogany board, 13cm wide 15cm deep 15cm high, together with a Chinese pewter flask set with red cabochons, 15cm high (3) £60 - 80

367 part lot Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

350-370 THE CHINESE BEDROOM Lot 368 A Mayer creamware pedestal tureen and cover, c.1800, of urn form, painted in green and brown with anthuriums and line decoration, on a circular to square base, 30cm high, a Wedgwood creamware comport, c.1800, decorated with a border of violets, 32cm wide 12cm high, two Wedgwood dishes, with leaf decorated borders, 18cm wide 15cm deep 2cm high, and a small lobed dish, with conforming decoration, 17cm diameter (6) £200 - 400

368

369 Lot 369 A pair of Chinese elm yoke-back side chairs, 20th century, each with a splat back over a solid seat, the legs united by stretchers, 50cm wide 44cm deep 108cm high (2) £200 - 300

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Lot 370 A George II-style walnut fret-framed mirror, the shaped top and bottom around a rectangular plate, 60cm wide 103cm high £100 - 150 Lot 371 Spare lot

370

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Other Bedrooms 372-450

373

Lot 373 An Indian Mughal gouache, 19th century, depicting Narasimha, the fourth incarnation of Vishnu, within a foliate border with lines of script to the reverse, 20 x 13cm £100 - 150

372 Lot 372 A small Regency-style giltwood pier mirror, with a reverse printed glass panel, decorated with a house above the rectangular plane, set between a pair of columns, 34cm wide 60cm high £150 - 250

375

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Lot 374 A pair of glazed terracotta figures, 19th century, Indian, in the form of a man and a woman dancing, 38cm high (2) £50 - 80

374

Lot 375 An oak chest of two short over three long drawers, early to mid-18th century, with beaded detail, fielded panelled sides and raised on bracket feet, 97cm wide 59cm deep 92cm high £300 - 500 Lot 376 A collection of Wedgwood creamware, early 19th century, comprising: a pair of quadrilobed dishes with foliate decoration, 26cm long, four oakleaf-decorated dishes, and a further pair of plates (8) £250 - 350

376

372-450 OTHER BEDROOMS

377

378

Lot 377 *Dilys Foster (b.1938) ‘Artist in an Interior’ oil on canvas 76.5 x 64 cm £150 - 250

Lot 380 *Peggy Angus (1904-1993) Cement works near Furlongs signed, inscribed and dated 1945, pencil and watercolour 22.5 x 22cm £200 - 300

Provenance: From the artist’s studio.

Mounted with a hand-printed Peggy Angus wallpaper.

Lot 378 *Bryan Illsley (b.1937) Jug signed and dated ‘B.Illsley 1982’, oil on board 30 x 30.5cm £80 - 120

Lot 381 *Dennis Knowland (1918-1985) Still life with pear and can signed ‘D G KNOWLAND’ l.l., signed and inscribed verso, oil on board 26 x 20.5cm £200 - 300

Lot 379 *Mervyn Charlton (b.1945) ‘Bird heart’ signed, inscribed and dated 87 verso, oil on board 57.5 x 46cm £100 - 200

380

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381

135

OTHER BEDROOMS 372-450

382

384 Lot 382 Herbert Thomas Dicksee RE (1862-1942) ‘A Place in the Sun’ etching, dated 1924, published

by Frost & Reed, with blind stamp plate 36.5 x 57cm, unframed; together with a mezzotint engraving after Fred Morgan, ‘Babes in the Wood’, unframed (2) £200 - 300 Lot 383 Continental School, 19th century A young girl blowing a feather oil on canvas 30.5 x 26cm £400 - 600

385 Lot 384 John Absolom (1815-1895) Head of a young girl, c.1880 watercolour 16.5 x 15.5cm £100 - 150 Lot 385 William Lionel Wyllie (1851-1931) ‘Running Home in Time’ etching, signed in pencil plate 19 x 24.2cm £150 - 250 Lot 386 Follower of John Crome Scene near a chalk pit bears signature and date ‘John Crome 1818’ l.r., oil on canvas 51 x 60.5cm £80 - 120

Lot 387 Richard Whatley West (1848-1905) Horses and sheep under a tree signed and dated ‘R. W. West June 20 1882’ l.l., oil on canvas 20.3 x 30.5cm £200 - 300 Lot 388 Harry Fidler (1856-1935) ‘Crossing the Ford’ signed ‘H Fidler’ l.l., oil on canvas 37 x 32cm £800 - 1,200

383

386

387

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388 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

372-450 OTHER BEDROOMS

389 Lot 389 Simeon Solomon (1840-1905) Figure in a landscape, hills in the distance signed with a monogram and dated 1865 l.r., pencil 23 x 36cm £4,000 - 6,000

Lot 390 English School, 19th/20th century Figures in a storm along the shore signed with initials and dated ‘BES/1908’ l.r., oil on canvas 18 x 23cm £100 - 150

391

390 Lot 391 English School, 19th century Shipping before a lighthouse oil on panel 13 x 23cm £100 - 150

Lot 392 Manner of Bonaventura Peeters Unloading the catch; Boats along the coast oil on board 7.5 x 17.5cm and 7 x 15.5cm (2) £80 - 120

392

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OTHER BEDROOMS 372-450

393

394

395 Lot 393 A walnut occasional table, 19th century, the shaped oval top above a ring turned column and tripod base, 54cm wide 40cm deep 69cm high £100 - 150 Lot 394 A carved wooden figure of the Virgin Mary, 19th century, with traces of painted decoration, 28cm high £100 - 200 Lot 395 A George III occasional table, the circular top above a turned column and tripod base, 69cm diameter 69cm high £200 - 300

396

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Lot 396 A George III oak corner cupboard, the single panelled door opening to reveal shaped shelves within, over a shaped apron and on turned wooden legs, united by stretchers, 80cm wide 49cm deep 146cm high £200 - 300 Lot 397 An oak occasional table, 19th century, the octagonal top above a ring turned column and quadripartite base, 32cm wide 65cm high £100 - 150

397 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

372-450 OTHER BEDROOMS

398 Lot 398 *Adrian Daintrey (1902-1988) Maida Avenue, c.1974; View of an Equestrian Statue, Rome both pen and ink and wash 23 x 54.5cm and 23 x 21cm (2) £100 - 150 Provenance: F rom the artist’s estate.

Lot 399 *Adrian Daintrey (1902-1988) S. Nicolas, Spitsai; The Loire near Amboise inscribed, signed and dated 1977 l.c., pen and ink; signed and inscribed as titled l.r., pen and ink 25 x 33.5cm and 24.5 x 33.5cm (2) £80 - 120

399

Provenance: F rom the artist’s estate.

Lot 400 *Adrian Daintrey (1902-1988) Italian lakes; View from the roof, c.1974 the first signed and dated ‘Adrian Daintrey/1964’ l.r., and indistinctly inscribed ‘Palacocastrezza?’, both pen and ink and wash both 44 x 55cm (2) £60 - 80

400

Provenance: F rom the artist’s estate.

Lot 401 A large Della Robia plaque, late 19th century, moulded in relief with the swaddled Christ child, and glazed in brown, white and blue, 61cm diameter £200 - 300 Lot 402 Spare lot

Lot 403 A hanging oak wall shelf, 19th century, with shaped ends and three shelves, 79cm wide 17cm deep 117cm high £100 - 150

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401

403

139

OTHER BEDROOMS 372-450

404 Lot 404 *Mary Adshead (1904-1995) French town signed ‘Mary Adshead’ l.r., oil on board 30.5 x 40.5cm £500 - 700

405 Lot 405 *Adrian Daintrey (1902-1988) Churchill, Oxfordshire signed with initials l.l. and inscribed verso, oil on canvas 41 x 51cm £300 - 500 Provenance: From the estate of the artist.

406

407

Lot 406 *Richard Murry (1902-1984) Brighton, c.1938 watercolour and body colour 30 x 23.5cm £100 - 150

Lot 407 *Richard Murry (1902-1984) Ars-en-Ré signed and dated ‘R. Murry 38’ l.l. and inscribed, gouache 29 x 22.5cm £100 - 150

Provenance: F rom the artist’s estate.

Provenance: From the artist’s estate.

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

372-450 OTHER BEDROOMS Lot 408 *Joan Warburton (1920-1996) Sunlight, Provence signed with initials and dated 56 l.r., inscribed on a label verso, oil on canvas 51 x 61cm £600 - 800

Lot 409 *Adrian Daintrey (1902-1988) Street in Barbados, c.1955 oil on canvas 28 x 36cm £300 - 500 Provenance: F rom the estate of the artist.

408 Lot 410 *Gerik Schjelderup (Norwegian, 1899-1985) Walled garden indistinctly signed l.r, oil on paper 39 x 49.5cm £150 - 250

Lot 411 Seoirse Macantsionnaigh, 20th century Fruit tree oil on board 25.5 x 29.5cm £200 - 300

409

410

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411

141

OTHER BEDROOMS 372-450

412

414

Lot 412 A George III mahogany occasional table, the circular top above a turned column and tripod base, 60cm diameter 72cm high £150 - 250

413

415

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Lot 413 A creamware supper set, 19th century, comprising a tureen and cover with removable cruet stand, and four shaped dishes, the tureen 22cm high, on a twin-handled mahogany tray, 64cm wide (8) £200 - 300

Lot 414 A Regency rosewood sofa table, the drop-flap top on a brass inlaid frieze set with a single drawer, above a bead-decorated spreading square column and quadripartite base to castors, 145cm wide 69cm deep 69cm high £300 - 500

Lot 416 A pair of modern red-painted bedside or side tables, the square tray tops above two drawers and raised on square supports, 41cm wide 41cm deep 75cm high (2) £200 - 400

Lot 415 Two modern Chinese-style baluster table lamps, one blue, the other a mottled pink, on integral circular bases, largest 70cm high (2) £80 - 120

416

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

372-450 OTHER BEDROOMS

417

Lot 417 A George IV mahogany wardrobe, in the manner of Gillows, the central section with arched panelled doors flanked by a pair of cupboards, raised on turned bun feet, all-over gadrooned detail, with later ebony and ivory knobs, 194cm wide 54cm deep 224cm high £700 - 900

418

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Lot 418 A green button upholstered armchair, 20th century, raised on turned ebonised legs and brass feet and castors|, 90cm wide 85cm deep 94cm high £300 - 500

419

Lot 419 A Wedgwood creamware urn, c.1820, the reeded body with a scrolling handle to either side and on a circular spreading foot, 32cm high, and a Wedgwood creamware stand, decorated with a blue and gilt feather border, 28cm diameter 7cm high (2) £60 - 80

420

Lot 420 A George III mahogany tilt-top occasional table, with a ring turned support, on a tripod base, 48cm diameter 78cm high £150 - 250

Lot 421 An oak chest of two short over three long drawers, early to mid-18th century, with beaded detail and panelled sides, on bracket feet, 84cm wide 45cm deep 87cm high £200 - 400

421

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OTHER BEDROOMS 372-450

422

423

425

426

Lot 422 *Roy Spencer (1918-2006) Regent Street studio signed and dated ‘Roy Spencer/92’ l.r., pen and ink, watercolour and bodycolour 35.5 x 44.5cm £100 - 150 Lot 423 *Roy Spencer (1918-2006) The artist’s wife in an interior, ‘Nude’ (lot 264) can be seen on the wall signed ‘Roy Spencer’ l.r., pen and ink 24 x 37.5cm £100 - 150

424

427

Lot 424 *Roy Spencer (1918-2006) Seated nude signed and dated ‘Roy Spencer/1949’ l.r., pencil 33 x 30.5cm £80 - 120

Lot 426 *Sigmund Pollitzer (1913-1982) ‘Cap Ferrat - Voile d’Or’ watercolour 33.5 x 23cm £300 - 500

Provenance: From the artist’s studio.

Provenance: From the artist’s family.

Lot 425 *John Stanton Ward (1917-2007) The Greeting, c.1953 pen and ink 32 x 22cm £100 - 150

Lot 427 *Roy Spencer (1918-2006) Kensington Gore with the Royal Albert Hall in the distance pen and ink and watercolour 32.5 x 42.5cm £100 - 150 Lot 428 *Adrian Daintrey (1902-1988) Forio A Ischia signed and inscribed l.r., pen and ink on two sheets joined together 24.5 x 69cm £150 - 250 Provenance: From the artist’s estate.

428

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

372-450 OTHER BEDROOMS

429

431

Lot 429 A Victorian walnut hall bench, with scrolling ends and raised on tapering turned supports, 123cm wide 30cm deep 50cm high £300 - 400 Lot 430 A taxidermist study of a Norfolk Black turkey, mounted on a wooden stand, 97cm high £80 - 100

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430

432

Lot 431 A Victorian mahogany hall chair, with an ornately carved shield-shaped back over a solid seat, on turned legs, 43cm wide 39cm deep 86cm high, together with a second blonde oak example, with a shell carved back on ring turned legs, 43cm wide 36cm deep 87cm high (2) £200 - 300

433

Lot 432 A Regency mahogany pot cupboard, the upper section with a tambour front over a cupboard with a bronze ram’s head boss, a brass carrying handle to either side, 47cm wide 450cm deep 77cm high £200 - 300 Lot 433 A pair of carved beech glovemaker’s lasts, 19th century, French, 32cm high approximately (2) £200 - 300

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OTHER BEDROOMS 372-450

434

436

Lot 434 A painted wall mirror, 20th century, possibly Kashmiri, decorated with a procession of animals in a landscape, 64 x 79cm £200 - 400 Lot 435 A set of Victorian cast-iron bathroom scales, by ‘H Pooley & Son Ltd., Birmingham and London’, the white dial painted with black numerals and inscribed with maker’s name, 34cm wide 56cm deep 170cm high £200 - 300

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435

Lot 436 *Bryan Illsley (b.1937), a wall mirror surmounted by two birds around a brightly painted frame set with stylised leaves and with a shelf beneath, inscribed and dated verso, 44cm wide 10cm deep 38cm high £250 - 350 Lot 437 Spare lot

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

372-450 OTHER BEDROOMS

438

Lot 438 *Elsie Marian Henderson (1880-1967) Goldfish pen, pencil and wash 20.5 x 30cm £150 - 250

Lot 439 *Elsie Marian Henderson (1880-1967) Self-portrait pencil 22.5 x 17cm £200 - 300

440

439

Lot 440 A Victorian walnut wall mirror, the inlaid frame with an arching top, 74cm wide 97cm high £100 - 150

Lot 441 *Elsie Marian Henderson (1880-1967) Tiger; Tiger eating the first signed l.l., both conte and pastel 28 x 20cm and 16.5 x 32cm (2) £300 - 500

441 part lot

147

OTHER BEDROOMS 372-450 Lot 442 *Elsie Marian Henderson (1880-1967) Lioness walking away; Resting Lioness conte and pastel 18 x 27cm and 15.5 x 29.5cm (2) £250 - 350 Provenance: F rom the artist’s estate.

Lot 443 *Elsie Marian Henderson (1880-1967) Young Lioness Eating; Lioness Eating pencil 14.5 x 27cm and 16 x 23cm (2) £250 - 350

442

Lot 444 *Elsie Marian Henderson (1880-1967) Watching Leopard; Drinking Leopard; Stalking Leopard conte and pastel 33 x 20cm and similar (3) £300 - 500 Lot 445 *Elsie Marian Henderson (1880-1967) Eating Lion; Resting Lion the first signed ‘E Henderson’ l.l., both conte and pastel 17.5 x 31cm and 16 x 30cm (2) £300 - 500

443

444

445

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

372-450 OTHER BEDROOMS

Lot 446 Cuthbert Edmund Swan (1870-1931) Watching and waiting: a leopard in a tree signed ‘C.E. SWAN.’ l.l., oil on canvas 101 x 61cm £1,000 - 1,500

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OTHER BEDROOMS 372-450

447

448

Lot 447 *Elsie Marian Henderson (1880-1967) Watching Tiger; Resting Tiger; Waiting Tiger conte and watercolour 29 x 20cm and smaller (3) £400 - 600

150

449

Lot 448 *Elsie Marian Henderson (1880-1967) Summer landscape, c.1948 watercolour, ink and pastel 22.5 x 30.5cm £150 - 250 Provenance: From the artist’s estate.

450

Lot 449 *Elsie Marian Henderson (1880-1967) Landscape with summer storm, c.1948 watercolour, ink and pastel 26 x 28cm £100 - 150

Lot 450 *Elsie Marian Henderson (1880-1967) Summer Landscape watercolour, pastel and ink 26 x 34cm £100 - 150 Provenance: From the artist’s estate.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

451-466

The Garden 151

451 part lot

Lot 451 A pair of reconstituted stone garden seats, 20th century, each rectangular top with a dentil moulded edge, raised on supports in the form of foxes, 124cm wide 42cm deep 54cm high (2) £500 - 800 Lot 452 Spare lot Lot 453 An octagonal carved marble font, 19th century, on a faceted column and a stepped base, 107cm diameter 85cm high £1,000 - 1,500

453

152

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Lot 454 A marble-topped wrought iron garden table, 20th century, the circular top on a scrolling base, 100cm diameter £200 - 300 Lot 455 Spare lot

454

Lot 456 A pair of Chinese carved stone garden seats, each of barrel form, with taotie mask handles to each side, 44cm wide 33cm deep 42cm high (2) £600 - 800

456

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THE GARDEN 451-466

Lot 457 A pair of teak and brass reclining steamer lounge chairs, 20th century, 62cm wide 155cm deep 91cm high, and a small folding occasional table, 50cm wide 50cm deep 38cm high (3) £200 - 300

154

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

451-466 THE GARDEN

Lot 458 An Indian carved stone figure of Nandi, 20th century, 82cm wide 30cm deep 54cm high £200 - 300

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THE GARDEN 451-466

Lot 459 Quentin Bell (1920-1996), a pair of cast cement busts, each of a woman wearing a wimple, 62cm high (2) £400 - 600

459 part lot

156

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 164

451-466 THE GARDEN

460

466

465

Lot 460 An octagonal reconstituted stone garden table, 20th century, the top with a moulded edge, on a faceted baluster support and octagonal stepped base, 110cm diameter 77cm high £400 - 600

Lot 465 A set of cast iron hoops, 19th century, each decorated with ivy leaves, 30cm wide (qty.) £400 - 600

Lot 466 A cast composite figure of a seated dog, contemporary, together with two friends, a further dog and a cat, largest 35cm high approximately (3) £100 - 200

Lots 461-464 Spare lots

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Sporting Art, Wildlife & Dogs WEDNESDAY 2 JUNE

janeoakley@sworder.co.uk | 01279 817778 Peter Deighan (b.1941), Lioness, signed 'Deighan' l.l., oil on canvas, 61 x 76cm, £400-600

FINE INTERIORS TUESDAY 29 & WEDNESDAY 30 JUNE fineinteriors@sworder.co.uk | 01279 817778

INCLUDING PHOTOGRAPHY TUESDAY 13 JULY 2021 entries close 28 May johnblack@sworder.co.uk | 01279 817778

INDEX OF ARTISTS A Absolom, John *Adshead, Mary *Allinson, Adrian Paul *Angus, Peggy

384 404 326 380

B *Bawden, Edward *Bayes, Gilbert *Bell, Quentin *Bell, Julian Bogomolov, Oleg *Bone, Stephen *Bourne, John Frye *Bowyer, William *Burn, Rodney Joseph

349 20-23 245, 246, 248, 294 323 265 55, 318, 319 28, 29, 327, 332 80 91

C Calcutta School *Charlton, Mervyn *Cheek, Malvina *Close, Gordon *Colquhoun, Ithell Company School, Continental School Crome, Follower of John *Cuming, Fred *Cuneo, Terence *Cunningham, Vera

132, 133, 161, 165, 166 379 187 68 61, 322 134-137, 147-152, 162-164, 167-171 383 386 75 36 346

D *Daintrey, Adrian

*Dawson, Eric Dicksee, Herbert Thomas *Donald, George *Durst, Alan Lydiat

74, 77, 78, 315, 320, 339, 340, 341, 343, 344, 398-400, 405, 409, 428 330 382 76 41, 42, 196

E English School

390, 391

F *Faull, Emma *Feaver, Emily Fidler, Harry *Foster, Dilys

58 292 388 377

G Gill, Eric Gilpin, Sawrey *Godwin, Mary Greaves, Walter *Green, Margaret *Greenwood, Orlando

40 125 108 106 285 317

H *Halliday, Edward Irvine *Harwood, Lucy *Henderson, Elsie Marian *Hooper, George *Hunter, Ian I *Illsley, Bryan

62 79, 92, 109, 328, 335 438, 439, 441-445, 447-450 342 65, 289, 290, 347 49, 378, 183

J Jack, George Washington *Jones, Walter David *Jowett, Percy Hague

211, 217 191 288

K *Kestelman, Morris *Knowland, Dennis L *La Dell, Thomas Edwin *Lamb, Henry *Loutit, Nicky M Macantsionnaigh, Seoirse *Mahoney, Charles Marval, Jacqueline Meninsky, Bernard *Monnington, Sir Walter Thomas *Morgan, Glyn *Murray, David *Murry, Richard P Pajou, Augustin Peeters, Bonaventura *Piper, John *Pollitzer, Sigmund R *Reitlinger, Gerald *Renton, Joan *Righetti,, Guido *Roberts, William Roberts, David *Roddon, Guy *Rooney, Mick *Rutherston, Albert

67 381 35, 310 27 64, 333 411 271 266 82 179, 180 115 291 345, 406, 407 177 392 39 426 56, 287 57 208 270 316 189 198 63

S *Salmon, Chris *Schjelderup, Gerik *Sharp, Nancy *Shephard, Rupert Solomon, Simeon *Spencer, Gilbert *Spencer, Roy *Stanton Ward, John *Steele, Elvic *Suddaby, Rowland Swan, Cuthbert Edmund

66 81, 410 54, 190 197, 286 389 210 60, 264, 422, 423, 424, 427 59, 425 200 38, 336, 337 446

T *Thomas, Margaret

89, 107, 178, 181, 307, 311

W Walker, Ethel Walton, Allan *Walton, Victoria *Warburton, Joan *Ward, Celia West, Richard Whatley *White, Gabriel *Wolmark, Alfred Aaron *Wright, George Wylde, Geoffrey Spencer Wyllie, William Lionel

90 94, 199, 209, 308, 309 269 30-34, 37, 312, 313, 324, 325, 334, 338, 408 314 387 321 192 188 331 385

Lots marked with a ‘*’ may attract the Artist’s Resale royalty charge at the rate of 4% of the hammer price.

This royalty, where applicable, will be charged to the purchaser.

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GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty.

Attributed to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.

Circle of David Cox in our opinion a work from the period of the artist and showing his influence.

The addition of a question mark (?) after any of the above cataloguing terms indicates an element of doubt.

A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was executed at that time and in the location, eg. South Netherlands School, circa 1750.

Follower of David Cox in our opinion a work executed in the style of David Cox After David Cox in our opinion a copy of any date after a work by the artist

All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the purpose of cataloguing.

Signed/inscribed/dated in our opinion the work has been signed/inscribed/dated by the artist

Condition reports are not included in the descriptions.

ARTIST’S RESALE RIGHT (ARR) What is Artist’s Resale Right?

Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more.

This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale.

How are resale royalties calculated?

The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate.

The royalty is worked out according to a sliding scale from 4% to 0.25%.

Hammer Price

Royalty

From 0 to €50,000

4%

From €50,000.01 to €200,000

3%

From €200,000.01 to €350,000

1%

From €350,000.01 to €500,000

0.5%

Exceeding €500,000

Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom.

Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs.

Are all sales of artwork covered?

The Artist’s Resale Right does not apply to all sales of artworks.

A royalty is only due if the following conditions are met: • • • •

the artwork is a copyright protected work of graphic or plastic art; it is sold for more than €1000; it is sold in the secondary market with the involvement of an art market professional (e.g. auction house); and it is sold in the UK or another country in the European Economic Area (EEA).

0.25%

What is the qualifying threshold?

An artwork must sell for more than €1,000 to qualify for a royalty.

The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold.

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What nationality must an artist be to qualify?

The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA:

This royalty, where applicable, will be charged to the purchaser.

It is exempt of VAT.

TERMS AND CONDITIONS 1. INFORMATION FOR BUYERS Introduction The following notes are intended to assist Bidders and Buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Terms and Conditions and any notices that are displayed in our salerooms or announced by the Auctioneer at the auction. Our Terms and Conditions are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Terms and Conditions that you do not fully understand.

Please make sure that you read our Terms of Sale carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

Methods of payment Lots must be paid for before they are collected or shipped. For those attending the auction we ask that Lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our Website, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale. We accept cash to an upper limit of 10,000 euros equivalent. We accept credit card payments to an upper limit of £5,000. Usually any cheques will need to be cleared before you can take the Goods away.

Collection and storage All Lots should be paid for and collected by 5pm on the Friday following the sale.

Commission Bidders should check the success of their bids and arrange payment, and collection or shipping within this time. For our specialist auctions please refer to the collection and storage requirements detailed in the catalogue and on our Website, which specifies the applicable fees. For our Homes and Interiors auctions, items not removed by 5pm on Friday may be removed at the purchaser’s expense and storage charges of £10 (plus VAT) for administration and £2 (plus VAT) per lot per day.

Agency As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the Goods is with the Seller, not with us as Auctioneer.

Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the sale Price. The lower estimate may represent the Reserve Price (the minimum Price for which a Lot may be sold) and will not be below the Reserve Price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot. They are not definitive.

Buyer’s Premium The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased, except for our Fine Wine and Port auctions when it is 15%. In addition, VAT is charged on these Premiums (see below).

VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the Buyer on the Hammer Price and the Buyer’s Premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that Lot. Lots which do not have either of the above symbols have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme.

The VAT included within the Premium is not recoverable as input tax.

Shipping Costs are liable for VAT and are payable by the Buyer.

Inspection of Goods by the Buyer As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have ample opportunity to inspect the Goods. You must inspect and investigate Lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of Lots set out in the Terms of Sale at clause 12.4.

Condition reports We may be able to assist Buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending Buyers are strongly encouraged to view.

Condition reports cannot be prepared on the day of the sale.

Shipping of Goods We offer a delivery service for Lots purchased. Estimates for Shipping Costs for smaller items can be calculated pre-sale on our website under each Lot and are based on value, size and your chosen UK destination. For items purchased the actual cost can be added to your account and paid online after the sale. If you purchase multiple Lots from the same auction, we will combine packaging/deliveries to reduce the Shipping Costs. For lots for which Shipping Costs cannot be automatically calculated, such as furniture, you can obtain a bespoke Shipping Cost from our website to any destination in the world either in advance of the sale or after you have purchased.

Estimates of Shipping Costs on our website are based on the low estimate, whilst the actual cost is based on Hammer Price. www.sworder.co.uk

Electrical goods These are sold as ‘antiques’ only. If you buy electrical Goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

Export of Goods If you intend to export Goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing Goods of that character e.g. because the Goods contain prohibited materials such as ivory.

Bidding Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a Commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

Commission bidding You may leave Commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyers’ Premium and/or any applicable VAT). We will execute Commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical Commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving Commission bids online via our Website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute Commission bids received after this time.

Telephone bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value Lots. Please note that this service is for Lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone.

All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason.

Online bidding Any Lots purchased via a live online bidding service will be subject to an additional Commission charge on the Hammer Price payable by the Bidder, in accordance with rates specified by the online service. From 1 January 2020, these charges will be charged at 0% while bidding via Sworders Website. If bidding through the-saleroom.com this will be charged at 4.95% plus VAT. These charges will be payable to us on top of the Hammer Price and our Buyer’s Commission.

IMPORTANT NOTICES Removal of Lots All Lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove Lots remaining after this time into safe storage, for which a charge will be made.

Electrical Goods All electrical Goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical Goods certified safe must be re-Commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-Commissioned.

Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling.

Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.

You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial Buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

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TERMS OF SALE Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. These Terms of Sale relate to auctions conducted by an Auctioneer only. We have separate terms for online only auctions.

1. Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words ‘we’, ‘us’, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

‘Auctioneer’

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a Commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

5. VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price, Premium and Shipping Costs (if applicable) due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the ‘Information for Buyers’ in our auction catalogue for further information.

3.3 If you instruct us in writing, we may execute Commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your Commission bid, unless our failure to do so is unreasonable.

Where two or more Commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

5.2 We will charge VAT at the current rate at the date of the auction.

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised Auctioneer, as appropriate;

‘Bidder’

means a person who places a bid for Goods at our auction;

‘Buyer’

means the person who makes the highest bid for the Goods accepted by the Auctioneer;

‘Commission’

means the Commission that we charge you on the sale of the Goods as set out in Clause 5 below;

‘Consumer’

means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

‘Consumer Contracts Regulations’

means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013;

‘Deliberate Forgery’

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the Auctioneer records the winning Lot in the sale book accepting the highest bid for the Lot at auction, unless due diligence information required by the Auctioneer under the Money Laundering Regulations 2019 in accordance with their internal procedure remains outstanding, in which case the contract will be formed when that information is accepted by the Auctioneer as complete.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may at our discretion provide the Seller with information or assistance in relation to that claim.

6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7. Payment 7.1 Immediately following your successful bid on a Lot you will:

‘FCA’

means the Financial Conduct Authority;

‘Goods’

means the Goods that have been consigned to us for sale at our auction;

‘Hammer Price’

means the level of the highest bid for a Lot accepted by the Auctioneer;

7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our antimoney laundering obligations); and

‘Premium’

means the Premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

7.1.2 pay to us the total amount due in any way that we agree to accept payment.

‘Price’

means the total of the Hammer Price, Premium, Shipping Costs (if applicable) and any applicable VAT;

‘Proceeds’

means the Price less the Commission, the Premium, Shipping Costs, any expenses incurred to your account and any applicable VAT;

‘Reserve’

means the minimum Price at which the Goods may be sold;

‘Seller’

means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

‘Shipping Costs’

means the charges applied to the shipping of all Goods purchased, should the Buyer ask for the Auctioneer’s shipping agent to deliver the Goods (if applicable);

‘Terms of Consignment’

means these Terms of Consignment;

‘Terms of Sale’

means the Terms of Sale for Bidders or Buyers at our auctions;

‘Trader’

means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the Trader’s name or on the Trader’s behalf (such as an agent and/or the Auctioneer);

‘VAT’

means any value added tax or equivalent sales tax; and

‘Website’

means our Website available at www.sworder.co.uk.

7.1.3 pay in full the Shipping Costs prior to the Goods being shipped, should you agree to the Auctioneer’s shipping agent delivering the Goods.

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

8. Title and collection of purchases 8.1 Once you have paid us in full the total amount due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction, or such later date as is specified in the printed catalogue or on our Website.

8.3 If you agree to the Auctioneer delivering the Goods, only when the full Shipping Costs have been paid will the Goods be dispatched. We reserve the right that some Lots will not be suitable for an automated shipping estimate and will require bespoke quotes from the shipping agent.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may re-offer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

2.3 The Price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

8.5 If you do not collect the Lot within the time period under Clause 8.2, you will be responsible for any reasonable removal and storage charges in relation to that Lot.

2.4 The arrangements for collection or delivery of the Goods as set out in Clauses 8 and 9.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

8.6 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

4. The purchase price As Buyer, you will pay:

8.7 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the Proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling Commission at our standard rates on any such resale of the Lot.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

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a. the Hammer Price; b. a premium of 25% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Port Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

8.4 Should you decide to use the delivery service, you thereby agree to allow the Auctioneer to share relevant personal data that we hold with the shipping agent in order to allow effective communication between the shipping agent and you, and to enable delivery.

9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not

comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the Price you should have paid for the Lot and the Price we sell it for as well as the charges outlined in Clause 8.7). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the total amount due, including Shipping Costs where applicable; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms of Sale.

10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements.

Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our employees’ or our agents’ negligence.

11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the Lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the total amount due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

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12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

15.2.3 by email, provided that receipt of the email is acknowledged by the recipient.

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot.

a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or

12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling Price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of secondhand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within thirty days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

15.3 Notices must be sent: 15.3.1 by hand or registered post;

15.3.2 by email:

15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or recorded delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient).

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or

16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our Website.

13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

13.3 If you have sold the Lot to another person, we will only be liable to refund the Price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Terms and Conditions. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law.

15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or recorded delivery; or

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers

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