Sworders Sporting Art, Wildlife & Dogs Auction Tuesday 6 October, 1pm

Sporting Art, Wildlife and Dogs Tuesday 6 October 2020 at 1pm

MODERN BRITISH & 20th CENTURY ART Tuesday 20 October, 10am

Amy Scanlon amyscanlon@sworder.co.uk 01279 817778

SPORTING ART, WILDLIFE AND DOGS Live Online - Tuesday 6 October 2020 at 1pm ORDER OF SALE Lots 1 - 109

Equestrian and Hunting

Lots 110 - 141

Racing

Lots 142 - 209

Birds, Taxidermy and the Property of Wildings

Lots 210 - 316

Dogs and Wildlife incorporating Property from the Collection of Bryan Steele Part VI (Lots 284-299)

VIEWING TIMES Due to current social distancing restrictions, we will be offering viewing by appointment only. You can book an appointment on our website.

One hour time slots will be available from: Friday 2 October Sunday 4 October Monday 5 October Tuesday 6 October

9am - 5pm 10am - 1pm 9am - 5pm 9am - 1pm

ONLINE BIDDING Bid live at www.sworder.co.uk (0% surcharge)

FURTHER INFORMATION: Contact: Jane Oakley Telephone: 01279 817778 Email: auctions@sworder.co.uk To obtain more images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk

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2 Lot 1 Emil Volkers (German, 1831-1905) Saddled bay hunter signed and dated 1889 l.l., oil on panel 23.5 x 32cm £800 - 1,200

Lot 2 Emil Volkers (German, 1831-1905) Saddled grey hunter signed and dated 1898 l.l., oil on panel 23.5 x 32cm £800 - 1,200

3 Lot 3 George Paice (1854-1927) Douthwaite signed, inscribed and dated 24 l.l., oil on canvas board 22.5 x 30cm £200 - 300

Lot 4 English School, 19th century Suffolk Punch horse in a stable oil on canvas 45 x 60cm £300 - 500

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Lot 5 *Malcolm Coward (b.1948) Horse’s head study signed l.r., oil on board 52.5 x 57.5cm £400 - 600

Lot 6 English School, 19th century A horse at the stable door oil on panel 31 x 26.5cm £400 - 600

7 Lot 7 J Chalmers, c.1864 A bay hunter in a stable interior signed and dated 1864 l.l., oil on canvas 46 x 61cm £600 - 800

Lot 8 A S Bishop (fl.1874-1889) A grey mare in a stable with her groom alongside her, asleep signed l.r. oil on canvas 29 x 34cm £150 - 200

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9 Lot 9 Charles Towne (1763-1840) Mr Bevan’s dark bay hunter and a liver-and-white spaniel in a landscape, the church of Woolpit, Suffolk, beyond signed and dated 1821 l.l., oil on canvas 48 x 62cm £3,000 - 5,000 Provenance: Arthur Ackermann and Son Ltd., 3 Old Bond Street, London, W1.

The splendid porch, the flying buttresses to the spire and the pierced parapet on the tower, all identify the church as Woolpit, Suffolk.

We are grateful to Robert Grange for his assistance with the catalogue entry.

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10 Lot 10 William Huggins (1820-1884) ‘Portrait of a Favourite Horse’ signed and dated 1849 l.l., oil on canvas 49 x 64cm £4,000 - 6,000 Provenance: J ames Hargreaves of Blackburn, thence by descent.

Exhibited: Blackburn Gallery, 1907, no.100.

This work by Huggins is an exceptional example of his skills as an equestrian painter. An article by the critic Luke S Walmsley, in the Northern Daily Telegraph of 30 April 1907, refers to ‘A Favourite Horse’ by Huggins as a notable work in the 1907 Blackburn exhibition. Text from the 1907 exhibition catalogue remarks: ‘100. Portrait of a Favourite Horse, William Huggins, 1820-1884. Lent by J. Hargeaves, Esq. Huggins was sometimes styled the Liverpool Landseer, but he resented it, for he believed (not without some reason) that he was Landseer’s superior as a painter of animals. This picture shows the masterly manner in which he could paint a horse, and he was no less happy in his treatment of a wide range of animals.’

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Lot 11 Samuel Spode (fl.1825-1858) The Sally Gap, County Wicklow, Ireland signed l.l., oil on canvas 71 x 92cm £3,000 - 5,000

Lot 12 David Dalby of York (1794-1836) Duke of Norfolk on his favourite hunter oil on canvas 63.5 x 76cm £4,000 - 6,000

Lot 13 John Dalby of York (1810-1865) A bay hunter in a landscape oil on canvas 51 x 61cm £3,000 - 5,000

Provenance: Collection Viscountess d’Abernon, Manor House d’Abernon, Surrey; with Thomas Agnew & Sons Ltd., London, no.18614; with Ackerman’s, London.

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Lot 14 Pierre-Jules Mêne (French, 1810-1879) L’Accolade - Arab Horses, c.1853 bronze with brown patina, signed and inscribed ‘Falkirk’ 53cm wide 32cm high £2,500 - 3,500

Lot 15 Riho Kuld (Russian, b.1936) Galloping horse bronze with black patina, signed, numbered 2/9 and dated 1990 on left flank, on a marble base 24cm high, including base £400 - 600

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Lot 16 After Guillaume Coustou Two Marly horses bronze, with signature 43 and 38cm high, and another, spelter 43cm high (3) £100 - 200

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Lot 17 20th/21st century Freya bronze 28cm wide 115cm deep 100cm high £1,200 - 1,800

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Lot 18 John Willis Good (1845-1879) A saddled hunter bronze with brown patina, signed 23cm high £800 - 1,200 Lot 19 English School, 20th century Rearing horse bronze with brown patina, indistinctly signed on the stomach 23.5cm high £1,000 - 1,500

19 www.sworder.co.uk

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20 Lot 20 English School, mid-19th century A mare and foal beside a stable with open countryside beyond bears signature ‘J Loder’ l.l., oil on canvas 64 x 76cm, in a bird’s-eye maple frame £1,400 - 1,800 Lot 21 … Henderson, c,1853 A horse in a stable interior signed and dated 1853 l.l., oil on canvas 51 x 61.5cm £800 - 1,200

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22 Lot 22 John Nost Sartorius (1759-1828) A grey hunter and a bay hunter in a landscape signed and dated ‘J Sartorius/1803’ l.r., oil on canvas 70 x 90cm £7,000 - 10,000 Provenance: An Culu Castle, Kenmare, Ireland.

Lot 23 Spare lot

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Lot 24 George Wright (1860-1942) ‘Charger’ signed l.r. and inscribed ‘Charger - Grandfather’s favourite horse’ verso, oil on canvas 38 x 51cm £400 - 600 Lots 25-26 Spare lots

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27 Lot 27 Edwin Loder of Bath (1827-c.1885) A groom with two horses before a town house signed and inscribed Bath l.r., oil on canvas 45 x 61cm £800 - 1,200

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Lot 28 George Paice (1854-1927) ‘Royston II’ signed l.l. and inscribed u.r., oil on canvas 23 x 30.5cm £200 - 300

Lot 29 Follower of Munnings, 19th/20th century A groom and horses on a hillside oil on canvas 71 x 91cm £300 - 500

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EQUESTRIAN AND HUNTING 1-109 Lot 30 Alfred Hitchens Corbould (1821-1874) ‘Major Stayplton’s Phaeton Horses - putting to’ signed and dated 1864, oil on canvas 112 x 190cm £12,000 - 18,000 Provenance: P ainted for Major Stayplton, 1864 and by descent; private collection.

Exhibited: Royal Academy, London, 1864, no. 482.

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31 Lot 31 George Cole (1810-1883) Master of the hunt signed and indistinctly dated 1842 l.r., oil on canvas 64 x 76.5cm £2,000 - 3,000

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Lot 32 Circle of Adriaen de Gryeff (1670-1715) A mastiff and dead game in a landscape oil on canvas 33 x 44cm £400 - 600

Lot 33 After George Earl The Carlisle Otter Hunt - Striking the Foil chromolithograph with hand colouring, with key verso showing the hounds’ names 43 x 60cm, in original gilt mount and frame £100 - 200

33 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 124

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Lot 34 Dean Wolstenholme Jr (1798-1882) The Start; Breaking Cover; Full Cry; The Death The first signed ‘Wolstenholme’ l.l., oil on panel 37.5 x 68.5cm (4) £4,500 - 5,500 Provenance: S otheby’s London, 16 November 1988, lot 134.

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35 Lot 35 Follower of Philip Reinagle In Full Cry, and a companion a pair, oil on panel 18 x 26cm (2) £300 - 400 Lot 36 English School, early 19th century Huntsman on a bay hunter in a landscape with a foxhound beside oil on canvas 50 x 59cm in a bird’s-eye maple frame £400 - 600 Lot 37 J Harris after A Scanlan Horse dealing a pair of engravings image 35 x 45.5cm (2) £100 - 150

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38 Lot 38 George Morland (1763-1804) The Runaway Horse signed and dated 1793 l.l., oil on canvas 44 x 62cm £3,000 - 5,000 Provenance: W ith Thos.

Agnew and Sons Ltd. Lot 39 Follower of Henry Alken A huntsman leading his horse in an extensive landscape oil on canvas 56 x 71.5cm £800 - 1,200

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Lot 40 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘Ansome is what ansome does’; ‘A bona fide fox chaser’; ‘The stone faceder’ three photolithographs printed in colours, all signed in pencil and with blindstamp 48 x 43cm and smaller (3) £200 - 300 Lot 41 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘The huntsman’ photolithograph printed in colours, signed in pencil 41 x 37cm £100 - 150

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Lot 42 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘Soldiers’ photolithograph printed in colours, signed in pencil and with blindstamp 41.5 x 36.5cm £100 - 150 Lot 43 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘The Gent in Ratcatcher’ photolithograph printed in colours, signed in pencil, with blindstamp 41 x 37cm £200 - 300

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Lot 44 Vanity Fair Prints A collection of famous Foxhunters and the double folio ‘Kirby Gate’: Sir Robert Rodney, Bart. Wilmot ‘Berks and Bucks’ 1903 by AO; Col. John Hargreaves ‘Mr Hargreaves’ 1887 by Spy; Viscount Portman ‘An old Master’ 1898 by Spy; Thomas Colleton Garth ‘A Very Old Master’ 1896 by Spy; Sir John Robinson ‘Worksop Manor’ 1911 by Spy; William Ward Tailby, ‘A Leicestershire Man’ 1899 by GAF; Thomas Nickalls ‘Tom’ 1885 by Pat; Mr John Hargreaves ‘Cattistock’ 1899 by CG; Arthur James ‘A hard rider’ 1904 by Spy; Otho Paget (shown with hounds) ‘Otho’b1902 by CB; Evan Hanbury ‘Cottesmore’ 1906, by Spy; Albert Brassey ‘The Master of the Heythrop’ 1906 by Spy; Alfred Curnick ‘Alfred 1909 by Spy’; Reginald Corbet ‘To the manner born’ 1906 by Spy; Fenwick Bisset M.P. ‘The General’ 1881 by Spy; Captain Burns-Hartopp ‘Long Burns’ 1900 by CB; sheet 40 x 27cm, unframed, together with The Quorn, ‘Kirby Gate’, the double folio print 1901 unfolded (41 x 35cm) (21) £150 - 200

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47 Lot 45 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘A bruiser’ lithograph with hand colouring, signed in pencil image 30 x 34.5cm £200 - 300 Lot 46 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘Jim’ photolithograph printed in colours, signed in pencil and with blindstamp 38.5 x 42cm £100 - 150 Lot 47 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) The Season, 1939-40 photolithograph in colours sheet 50 x 71cm £250 - 350 23

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Lot 48 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘Once upon a time’ photolithograph printed in colours, signed in pencil and with blindstamp 49.5 x 63cm; ‘The guns! Thank God! The guns!’ photolithograph printed in colours 49 x 69cm (2) £200 - 300

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Lot 49 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘The Varmint Little Lady - on a wiry little ‘oss’ photolithograph, signed in pencil l.l. image 30 x 34.5cm £300 - 500

Lot 50 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘Calendar prints’ a set of twelve offset lithographs printed in colours 16.5 x 22.5cm (12) £400 - 600

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1-109 EQUESTRIAN AND HUNTING Lot 51 Thomas Blinks (1860-1912) Return from the meet indistinctly signed and dated l.r., also signed verso, oil on canvas 61 x 46cm £2,000 - 3,000

51 Lot 52 Rudolph Stone, 19th/20th century The chase signed l.r., oil on panel 15.5 x 31.5cm £300 - 500

52 Lot 52A Rudolph Stone (late 19th century) Hunting scenes a pair, both signed, oil on panel 15.5 x 32cm (2) £500 - 800

52A www.sworder.co.uk

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EQUESTRIAN AND HUNTING 1-109 Lot 53 English School, 19th century A huntsman and hounds in a landscape oil on canvas 45 x 63cm £500 - 700

Lot 54 Blanche Hunter, 19th century Moving off signed l.r., watercolour 38.5 x 58.5cm £300 - 500

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Lot 55 *Charles Clifford Turner (1920-2018) Three hunting scenes each signed l.r., two oil on canvas board, one watercolour 50 x 75cm and smaller (3) £200 - 300

Lot 56 Vincent Brooks after J F Herring After Herring coloured lithograph image 18 x 26.5cm (10) £150 - 200

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Lot 57 H Leslie, 19th century The meet by the wood; Full cry; Rough going; In the kill a set of four, each signed, watercolour heightened with white 17.5 x 25cm, unframed (4) £200 - 300

Lot 58 English School, c.1937 A huntsman and his hounds indistinctly signed and dated 1937 l.l., watercolour and bodycolour on buff paper 42 x 56cm £150 - 250

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Lot 59 Frederick James Knowles (1874-1931) Huntsmen in a landscape signed and dated ‘94 l.r., oil on canvas 30.5 x 46cm £200 - 300

Lot 60 *Michael Lyne (1912-1989) On the scent signed l.l., oil on canvas 60.5 x 80cm £400 - 600

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Lot 61 *Michael Lyne (1912-1989) ‘Warwickshire Hunt at Compton Wynyates’ signed l.l., oil on canvas 71 x 91cm £1,500 - 2,000 Provenance: With Frost & Reed.

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Lot 62 *Frederick J Haycock (b.1948) Huntsman and hounds signed l.r., oil on canvas 50.5 x 61cm £1,500 - 2,000

Lot 63 *John Naylor (b.1945) Red fox signed and dated 2010 l.r., watercolour and bodycolour 49.5 x 60cm £1,000 - 1,500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 124

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EQUESTRIAN AND HUNTING 1-109 Lot 64 A brass doorstop, in the form of a fox mask, 15cm long £300 - 400

Lot 65 A bronze letter clip, Austrian, c.1890, in the form of a duck head with glass eyes, 16cm long, and a pressed brass letter clip, in the shape of a horseshoe, stamped ‘Spencerian’, 10.5cm long (2) £100 - 200

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64 Lot 66 Six horseshoes, c.1900, recently mounted on painted boards in the manner of originals at the Haras Nationaux, 24 x 45cm, and a painted metal plaque, ‘Concours Hippique de Chantilly 1905 Steeple-chase Prix’, 17.5cm diameter (7) £400 - 500

66 Lot 67 20th century Fox carrying a cub bronze 21cm wide 8cm deep 10cm high £300 - 400

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Lot 68 A Victorian brass doorstop, in the form of a horse’s hoof, impressed Registration lozenge, 42cm high £200 - 300

Lot 69 English Provincial School, 19th century A running fox oil on panel 47 x 101.5cm £300 - 500

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Lot 70 Auguste Moreau (French, 1826-1897) The day’s bag bronze with brown patina, signed on the base 53cm high £400 - 600 Lot 71 20th century A carved hardwood horse head 41cm high £100 - 200 Lot 72 Two child’s riding crops, with bone and antler handles and white metal mounts, and a cane with a bone handle, carved as a whippet’s head, all 19th century, cane 74cm long (3) £150 - 250

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72 Lot 73 Late 19th century A cold painted Vienna bronze figure of a standing fox 10cm high £400 - 500

Lot 74 A novelty brass hunting letter clip, late 19th century, in the form of a stirrup and hound on a rectangular base, 14.5cm long £150 - 250 Lot 74A A copper and nickel hunting horn,

by Kohler & Son, inscribed ‘To The Fairforth Hunt from F.H.T., June 1910’, stamped with maker’s name, 24cm long £80 - 120

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75 Lot 75 Circle of Sir Edwin Landseer A Highland Pony, Stag and Hound oil on canvas 34 x 42cm £1,200 - 1,800

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Lot 76 After Frederick Tayler Crossing the Tay, Highland figures crossing the river with hounds engraving by Frederick Stacpoole, published by Henry Graves & Co., published 1st May 1860 53 x 103cm, in original oak ‘cross’ frame £200 - 300

Lot 77 Angus Cameron, 19th century A ghillie with a Highland pony, two spaniels and dead game signed l.r., oil on canvas 74 x 125cm £300 - 500

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Lot 78 John Sargent Noble (1848-1896) A ghillie on a grey Highland pony with otter hounds alongside signed l.l., oil on canvas laid down 29.5 x 40.5cm £600 - 800

Lot 79 Circle of James Hardy Jr The day’s bag oil on board 35 x 26cm £300 - 500

Lot 80 Robert Cleminson (fl.1864-1903) Spaniel and setter with a Highland pony in a landscape; and a companion a pair, both signed l.l., oil on canvas 40 x 61cm (2) £400 - 600

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81 Lot 81 John Sargent Noble (1848-1896) In the Highlands signed l.r., watercolour and bodycolour 42 x 60cm £2,000 - 3,000

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1-109 EQUESTRIAN AND HUNTING Lot 82 Paul Jones (fl.1855-1888) ‘A Quiet Rest’ signed and dated 1882, oil on canvas 30.5 x 46cm £400 - 600 Provenance: w ith Stacy Marks.

82 Lot 83 James Hardy Jr (1832-1889) A spaniel and dead game signed l.l., watercolour 21 x 29cm £600 - 800 Lot 84 Spare lot

83 Lot 85 Henry Carter, 19th century Hare and Curlew signed, oil on canvas 46 x 51cm £300 - 500

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87 Lot 86 Robert Cleminson (1864-1903) View of a stag; View of a stag, hind and fawn a pair, signed l.l., oil on canvas 92 x 71cm (2) £500 - 700

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Lot 88 *John Cox (1952-2014) Leaping roe deer, stag and hind bronze with brown patina, a pair 106cm wide 35cm deep 126cm high (2) £5,000 - 7,000

Lot 87 *John Trickett (b.1953) Deer in a landscape signed l.r., oil on board 37.5 x 48cm £200 - 400

1-109 EQUESTRIAN AND HUNTING Lot 89 Louis (Navate) Vidal (French, 1831-1892) Fallen Stag, c.1863 bronze with brown patina, signed on the base 33cm wide 24cm high £700 - 1,000

Lot 90 After Moigniez, 20th century Red deer standing on a rocky outcrop bronze with brown patina on a marble base 35cm wide 17cm deep 73cm high £400 - 600

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Lot 91 *Alfred Hofmann (Austrian, 1879-1958) Bellowing stag bronze on marble base, signed with initials on the back of the base 25.5cm wide 49cm deep 50cm high including base £400 - 600

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Alfred Hofmann sculpted in many media including marble and wood, and was a gem cutter and medallist, also creating cameos. He was a member of the Viennese Secession and the Vienna Künstlerhaus, also the Deutscher Künstlerbund. His works are in the Museum of Military History, Vienna, the Künsthistorisches Museum, the Österreichische Galerie Belvedere and the Wroclaw City Museum.

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EQUESTRIAN AND HUNTING 1-109 Lot 92 Arthur Alfred Davis (1824-1893) A pair of shooting scenes both signed l.r., oil on board 19 x 15cm, framed as one in a gold mount (2) £300 - 500

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93 Lot 93 E Duntan, 19th century Pheasant shooting; Woodcock shooting a pair, both signed l.r., watercolour 16.5 x 26cm (2) £300 - 500 Lot 94 Edward Armfield (1817-1896) Spaniels flushing a pheasant bears signature ‘G Armfield’ l.r., oil on canvas 51 x 76cm £400 - 600

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95 Lot 95 English School, early 19th century Scenes with sportsmen, retrievers and spaniels, in woodland and moorland a set of four, oil on board each 30 x 44cm (4) £1,200 - 1,500

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Lot 96 *Andre Vincent Becquerel (1893-1981) Pheasants a modern bronze group, signed on the base, on a polished black marble plinth 116cm wide 20cm deep 38cm high £700 - 1,000

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Lot 97 *John Cox (1952-2014) Laying hare bronze with brown patina, foundry stamped 75cm wide 36cm high £600 - 800

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98 Lot 98 *John Cox (1952-2014) Boxing hares bronze with foundry stamp on a reclaimed oak base 70cm wide 72cm high £800 - 1,200

Lot 99 *John Cox (1952-2014) ‘Moon Gazer’ bronze 20cm wide 28cm deep 44cm high £500 - 700

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Lot 100 Henry Alken Sr (1785-1851) ‘Duck Shooting’; ‘Pheasant Shooting’; ‘Grouse Shooting’; ‘Partridge Shooting’ a set of four, each signed in pen l.l. and inscribed as titled in pen l.r., pencil and watercolour 9 x 12cm (4) £300 - 400 Lot 101 Vanity Fair Prints Shooting with shotguns, 8 prints and one Falconry: Richard John Lloyd, Prince of Rhiwlas ‘Pointers’, 1885 by Spy; Lord Savile ‘Rufford Abbey’, 1908 by Spy (2 plates); R H R Rimington-Wilson ‘Driven Grouse’ 1905, by Spy (2 plates); Walter Winans ‘Tracks and Triggers’ 1909 by WHO; Walter Winans ‘The Record Revolver Shot’ 1893 by VA; Frederic Courtney Selous ‘Big Game’ 1894 by VA; The Hon Gerald William Lascelles, Falconry ‘The New Forest’ 1897 by Spy; sheet 40 x 27cm, unframed (9) £100 - 150

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Lot 102 A set of ten target prints including a Lion, Tiger, Elephant, Hare, Jaguar, Antelope, Panther and Zebra lithograph with hand colouring sheet 33 x 43cm, unframed (10) £300 - 500

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Lot 103 Five circular animal targets Lion; Mallard; Boar; Fox; Deer photogravure print on card 30 x 30cm (5) £200 - 300

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104 Lot 104 G Humbert (Continental, 19th century) Still life of fish signed l.r., oil on canvas 46.5 x 65cm £300 - 500 Lot 105 English School, early 19th century Red-legged partridge oil on canvas 18 x 18cm £400 - 600

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1-109 EQUESTRIAN AND HUNTING Lot 106 Louis Leonard Hübner (German, fl.1694-1769) Still life of fish, crab and lobster; and a companion a pair, signed and indistinctly dated 1750 l.l., oil on canvas 73 x 90cm (2) £2,000 - 3,000

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109 Lot 107 T Cook after William Hogarth ‘Pit Ticket’; ‘Cockfighting ‘ hand coloured engraving, published 1796 by G G & J Robinson plate 32 x 39cm £80 - 120

Lot 108 C R Stock after Henry Alken ‘Set Too’; ‘Fight’; ‘Throat’; ‘Death’ a set of four aquatints with hand colouring 13 x 17.5cm (4) £100 - 150

Lot 109 C R Stock, 19th century A set of six cockfighting scenes drawn and engraved by C R Stock, aquatints, published by W C Lee, proofs plate 21.5 x 25cm (6) £80 - 120

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RACING 110-141

RACING 110-141

110 Lot 110 Harry Hall (1814-1882) ‘The Duke’, 3 yrs old signed and inscribed ‘Newmarket’ l.r. and inscribed as titled l.l., oil on canvas 59 x 76cm £4,000 - 6,000 Provenance: With Frost & Reed, London; with The Sporting Gallery & Book Shop, New York.

The Duke won the Great Liverpool Steeplechase in 1836 and 1837, coming third in 1838. The race would be renamed the Grand National in 1839. He was ridden by Captain Martin Becher, after whom the great water jump ‘Becher’s Brook’ was named.

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111 Lot 111 Francis Calcott Turner (c.1872-1846) Racehorse and jockey up signed l.r., oil on canvas 63.5 x 76.5cm £4,000 - 6,000 Provenance: With Frost & Reed, London.

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114 Lot 112 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘A National Candidate’ photolithograph printed in colours, signed in pencil and with blindstamp 45 x 43cm £100 - 150 Lot 113 Spare lot

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Lot 114 Adrian Jones (1845-1938) Persimmon crossing the line, jockey wearing the colours of Edward VII when Prince of Wales signed and dated 1897, oil on board 15 x 27cm £600 - 800 In 1896 Persimmon, out of Perdita II by St Simon, won the Jockey Club Stakes at Newmarket, the Derby and the St Leger in 1896 for the Prince of Wales, going on to win the Eclipse and the Ascot Gold Cup in 1897 when this painting was executed. Considered a particularly striking horse, Persimmon was filmed winning the Derby which is regarded as one of the earliest films of a horse race.

There is a large oil in the Royal Collection of Persimmon with Jack Watts up, in a paddock. Adrian Jones was commissioned to make several paintings of the horse with Watts up and went on to make a bronze of the horse as a birthday gift for the prince. It is possible that the present picture celebrates one of Persimmon’s victories in 1897.

Lot 115 C Hunt After J F Herring ‘Chorister’; ‘Queen of Trumps’ aquatint engraving image 30 x 41cm (2) £400 - 600

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Lot 116 Richard Houston after James Seymour & T Spencer ‘The Portraiture of the Famous Horse, Old Partner’; ‘The Portraiture of Babraham’ mezzotint engraving, pub. 10th March 1755 plate 30 x 34.5cm (2) £300 - 400

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Lot 117 Isidore Jules Bonheur (1827-1901) ‘Le Grand Jockey’ signed on the base, bronze with brown patina 103cm long 94cm high £1,200 - 1,800

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Lot 118 Pierre-Jules Mêne (French, 1810-1879) Horse and jockey bronze with brown patina, signed on the base, c.1863 41cm high £1,000 - 2,000

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Lot 119 Edgar Degas (1834-1917) ‘Champs de Course’ with Atelier Ed Degas stamp l.r., pencil 17 x 22cm £15,000 - 20,000 Provenance: P aul Vallotton S.A. - Tables Des Maitres - Lausanne, Switzerland, c.1960; The Morris Gallery - Toronto.

‘Champs de Courses’, is a wonderful preparatory sketch for an oil painting, ‘Le défilé’ by the Impressionist artist, Edgar Degas. The work is now in the collection of the Musée d’Orsay and also known as ‘Chevaux de Courses Devant les Tribunes’. It shows the start of a race, where the riders are preparing to line up. We see the ghost of the second to right horse and rider of the final painting in our sketch, however, apart from this figure, the sketch is empty of horses and crowds.

Degas focuses on the architecture, tracing the grandstand and the shape of the course on to which he will later add his thronging crowd and skittish horses. Despite this loose portrayal of a galloping thoroughbred, Degas has managed to convey the frenetic energy of the horse and the atmosphere of the races.

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RACING 110-141 Lot 120 *John Skeaping RA (1901-1980) Equestrian sculpture with a Jockey Up bronze with brown patina, signed, dated 77 and inscribed ‘Trophy York’ on the ground, size of edition unknown, cast by Wally Livingstone 31cm wide 8.5cm deep 30cm high £1,500 - 2,000 Exhibited: London, Royal Academy, 1977 (one of this edition).

Lot 121 *John Skeaping RA (1901-1980) Country meeting - racing gigs at Arles signed, inscribed Arles and dated ‘60 l.r. in pencil, oil and watercolour on paper 38.5 x 60.5cm £800 - 1,200

Lot 122 *Walter John Beauvais (1942-1998) At the races - the final furlong signed l.l., oil on canvas 45 x 76cm £500 - 700

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Lot 122A English School, 20th century Racehorses clearing a fence bronze with brown patina, indistinctly signed behind the fence 10cm wide 40.5cm deep 16.5cm high including base £300 - 400

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110-141 RACING

123 Lot 123 *Malcolm Coward (b.1948) At the start signed l.l., oil on canvas 50.5 x 102cm £2,000 - 3,000

Lot 124 Taurai Maisiri (Zimbabwean, b.1959) Winning Horse opal stone 123cm wide 34cm deep 76cm high £2,500 - 3,500

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RACING 110-141 Lot 125 *Neil Cawthorne (b.1936) The final furlong signed l.r., oil on canvas 51 x 92cm £500 - 800

125 Lot 126 Henry Koehler (American, 1927-2019) ‘Rheingold’, with Yves Saint-Martin up signed and inscribed l.r., oil on paper 43.5 x 54cm £400 - 600 Rheingold was an Irish thoroughbred race horse, winner of the Prix de l’Arc de Triomphe and twice winning the Grand Prix de Saint-Cloud in 1972 and 1973, the second time under Saint-Martin.

126 Lot 127 *Barry Hobson, 20th century A steeplechase signed l.r., pastel 38 x 52cm £150 - 250

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110-141 RACING

128 Lot 128 Isaac Cullin (fl.1881-1947) Lincolnshire Handicap, 1921; The Cambridgeshire, 1913 the first initialled and dated 1921 l.r., titled l.c. and inscribed with the winning horses - 1. Soranus, 2. Senhora, 3 Queen’s Guild, the second signed and dated 1914 l.r., titled l.c. and inscribed with the winning horses and jockeys - Santair, J H Martin, Cheerful - J R Cooper and Cantilever - H Southey, watercolour 26 x 36cm (2) £400 - 600

Lot 129 E Corbett, c.1966 ‘Queen of the Troops’ signed, titled and dated 1966 and inscribed l.r.

‘G. Hougoure, M P Davis, Tr. Mr D Thorn’ l.l., oil on canvas board 50 x 60cm £300 - 500

129 Lot 130 *Claire Eva Burton (b.1955) Close finish signed and dated ‘84 l.l., oil on canvas 20 x 30cm £300 - 500

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RACING 110-141 Lot 131 Georges Sauveur Maury (b.1872) Cart racing indistinctly signed l.r., oil on board 18.5 x 30cm £300 - 500 Lot 132 *Adrienne Lucie Jouclard (French, 1882-1972) The horse race signed l.r. and signed verso, oil on board 16 x 22cm £400 - 600

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110-141 RACING

133 Lot 133 Pierre Georges Jeanniot (French, 1848-1934) The polo game signed l.l., oil on canvas 46 x 60cm £1,500 - 2,000 Lot 134 Jane Camp, 20th century The last chukka signed l.r., pastel 23 x 31.5cm £100 - 150

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RACING 110-141 Lot 135 *Alan Brassington (Irish, b.1959) ‘The Experienced One, John Reid at Ascot’ signed and dated 01 l.r., watercolour 44.5 x 51.5cm £500 - 800 Lot 136 *Alan Brassington (Irish, b.1959) ‘Aintree, Grand National, Suny Bay’ signed and dated ‘02 l.l., watercolour 66 x 48cm £500 - 800 Lot 137 *Alan Brassington (Irish, b.1959) Jockey study signed l.c., pastel 77 x 53.5cm £400 - 600 Lot 138 Spare lot

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137 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 124

110-141 RACING Lot 139 *Alan Brassington (Irish, b.1959) ‘Parade Ring, Royal Week, Ascot’ signed with a monogram l.r., signed and dated 02 verso, oil on board 60 x 57cm £1,000 - 1,500

Lot 140 *Alan Brassington (Irish, b.1959) ‘Maramito, a Grey Andalusian’ signed and dated l.r., watercolour 30.5 x 42cm £400 - 600 Lot 141 *Alan Brassington (Irish, b.1959) ‘Jockey on Scales at Laytown’ signed l.l., pen and ink and watercolour 59.5 x 47cm £400 - 600

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LOTS 142-149 The following eight lots have been removed from Wildings in Welwyn, Hertfordshire, formerly the home of George and Eileen Soper. George Soper’s work comprises a significant and evocative record of rural life before the Second World War. His youngest daughter, Eileen, was a successful and popular illustrator and printmaker, perhaps most fondly remembered for her illustrations for the entire series of Enid Blyton’s ‘Adventures of the Famous Five’.

Lot 142 George Soper (1870-1942) Eileen pen and ink 17 x 12cm; A shepherd and his flock in an open landscape pen and ink 17 x 12cm; Figures and horses beside a river with a ruin beyond pen and ink 16.5 x 23cm; Washerwoman pencil 13 x 9.5cm (4) £250 - 450 Provenance: W ildings, Welwyn, Hertfordshire; the first three works bear a note stating they were purchased in a folio from a ‘major London auction’; the pencil sketch was purchased from a 1966 exhibition of works from the artist’s studio.

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Lot 143 George Soper (1870-1942) Study of daffodils; Iris Tusata watercolour 15 x 18cm and 21 x 16cm, together with Eileen Soper (1905-1990) Song thrushes signed l.r., pencil 25 x 37cm; Robert Gillmor (b. 1936) ‘Mute Swan’ signed and inscribed in pencil ‘Mute Swan’ from ‘The Birdman’

by Henry Douglas-Hume’ l.c.

9.5 x 15.5cm (4) £200 - 400 Provenance: Wildings, Welwyn, Hertfordshire.

143 Lot 143A SOPER (George, Eileen & Eva): A Large collection of Books, Letters & Ephemera, including: Two notebooks, Typed letters signed to and from Eileen; notes, etc.

(3 letters from the British Irish Society; hand-written & typed sheets of papers with these titles: Puck’s Diary; the Twins; Play; Gardening; etc), PLUS A Large collection of books including 2 illustrated by George Soper: Alice’s Adventures in Wonderland, first edition, 2nd. impression, with dust jacket, & Frank Farleigh, with 8 colour ill.; 7 Enid Blyton 1st. edns (3 with dw) Plus 16 1st. edns later impressions (5 with dws); 7 1st. edns. of her Nature books, with dws; AND Enid Blyton’s NATURE PLATES 60 large folio colour plates in original slipcase, few edges frayed and torn with small loss, including the corner of two; Plus a large quantity of others. (qty.) £200 - 400 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 124

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Lot 144 George Soper (1870-1942) Winter sun; A shepherd watching over his flock Two etchings, both signed in pencil l.r.

16 x 28.5cm and 13.25 x 21.5cm (2) £200 - 400 Provenance: C hris Beetles, The Estate of George and Eileen Soper; Wildings, Welwyn, Hertfordshire.

Lot 145 *Eileen Soper (1905-1990) Otters playing; A single otter; A vole found dead, June 14th ‘61; A pair of marsh tits; Three studies of mushroom seven, one signed and titled in pencil, watercolour 48 x 27cm and smaller (7) £200 - 300 Provenance: W ildings, Welwyn, Hertfordshire.

Lot 146 *Eileen Soper (1905-1990) Studies of a young otter pencil 20 x 12cm, together with a woodcut, Badger by moonlight 6.5 x 6cm (2) £150 - 250 Provenance: W ildings, Welwyn, Hertfordshire.

Exhibited: The otters with Chris Beetles, an exhibition of works from The Estate of George and Eileen Soper; the badger with the Wildlife Art Gallery, Lavenham.

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147 Lot 147 George Soper (1870-1942) Haymaking; Returning home with work horses; Feeding cattle; A trawler, no. 3/50 four woodblocks, all signed in pencil l.r. image 14 x 20 cm and smaller, various sizes (4) £200 - 400

Lot 148 *Eileen Soper (1905-1990) Two grey wagtails chasing a mayfly watercolour 36 x 56cm £200 - 400 Provenance: Wildings, Welwyn, Hertfordshire.

Lot 149 *Eileen Soper (1905-1990) A family of wrens around a nest box signed, pencil 13 x 17cm £150 - 250 Provenance: Wildings, Welwyn, Hertfordshire.

Provenance: T he Estate of George and Eileen Soper; Wildings, Welwyn, Hertfordshire.

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149 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 124

142-209 BIRDS, TAXIDERMY AND THE PROPERTY OF WILDINGS

150 part Lot 150 Miss M R Rees, 19th century Painted finch; Black and spotted heathcock grouse; White-tailed eagle; Hummingbird; Bustard cock; Barbary partridge; Sulphur-crested cockatoo; Blue and gold macaw a set of eight, six inscribed verso, pen and ink and watercolour 26.5 x 22cm (8) £300 - 500 M R Rees was believed to be a friend and pupil of Edward Lear.

Lot 151 After John James Audubon ‘Pileated Woodpecker, Plate CXI’; ‘Red-shouldered Hawk’ coloured print, one signed by publisher,1973 image 91.5 x 63cm (2) £250 - 350

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Well framed and presented and ready to hang.

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152 Lot 152 *John Trickett (b.1953) Pheasants in flight signed l.r., oil on canvas 60.5 x 76cm £3,000 - 5,000

Lot 153 *John Cyril Harrison (1898-1985) Woodcock in flight signed l.r., watercolour 32.5 x 46.5cm £700 - 900

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Lot 154 *Jonas Nilsson (Swedish, b.1968) Woodcock signed and dated 96 l.l., watercolour 36.8 x 45.5cm £600 - 800

154 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 124

142-209 BIRDS, TAXIDERMY AND THE PROPERTY OF WILDINGS

155 Lot 155 *Rodger McPhail (b.1953) Ptarmigan signed l.l., watercolour and bodycolour 39 x 50cm £5,000 - 7,000

Lot 156 Stephen Elmer (1717-1796) A covey of partridges in a landscape oil on canvas 38.5 x 45cm £1,000 - 1,500

156 www.sworder.co.uk

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Lot 157 English School A pair of swans bronze with green patina 96cm high £800 - 1,200

Lot 158 *Isabelle Terrasse (French, 20th/21st century) Dove bronze with green patina, signed with monogram and numbered 4/8 under the tail 21cm long 8cm high £200 - 300 Lot 159 Spare lot Lot 160 Late 19th/early 20th century A pair of Continental bronzes of dead game, one a hare and the other a pheasant each mounted on a walnut and ebonised oval plaque 40cm wide (2) £800 - 1,200

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142-209 BIRDS, TAXIDERMY AND THE PROPERTY OF WILDINGS

161 Lot 161 *Richard Ward (Irish, b.1944) Long-eared owl signed l.r., watercolour 38 x 29cm £200 - 300

Lot 162 *Andrew Cowdell, contemporary Red kite signed and dated 2005 l.r., gouache 26 x 18cm, and two others by the same hand, ‘Baby Elephant’; ‘Pheasant’ signed and dated ‘04 and ‘06 respectively 11.5 x 11cm and 19.5 x 26.5cm (3) £200 - 300

163 www.sworder.co.uk

162 Lot 163 *Keith Brockie (b.1955) Long-eared owl signed and dated 1989 l.l., watercolour and bodycolour 48.5 x 35cm £500 - 700

Lot 164 *Louis van der Steen (Dutch, 1891-1954) Tawny owl signed and dated 1928 l.l., inscribed verso, oil on canvas 50 x 40cm £100 - 150

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Lot 165 *Richard Robjent (b.1937) Harlequin ducks signed and dated 1982 l.c., watercolour 56 x 74cm £300 - 500

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Lot 166 *Richard Barrett Talbot Kelly (1896-1971) Blue-winged teal signed l.l., watercolour 23 x 29.5cm £400 - 600

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Lot 167 *Trevor Boyer (b.1948) Steller’s eider at the shore signed l.l., bodycolour 24.5 x 35cm £500 - 700

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142-209 BIRDS, TAXIDERMY AND THE PROPERTY OF WILDINGS

Lot 168 *Sir Peter Markham Scott (1909-1989) Grey geese signed and dated l.r. ‘Peter Scott / 1950’, oil on canvas 76 x 51cm £1,500 - 2,000 Sold together with Peter Scott and Hugh Boyd, ‘Wildfowl of the British Isles’.

Illustrated: P eter Scott and Hugh Boyd, ‘Wildfowl of the British Isles’, published by Country Life Limited, 1957, pl.III.

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Lot 169 *Trevor Boyer (b.1948) Shoveler signed l.r., watercolour and bodycolour 16.5 x 25cm £300 - 500

169 www.sworder.co.uk

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BIRDS, TAXIDERMY AND THE PROPERTY OF WILDINGS 142-209 Lot 170 *Paul-Louis Barruel (French, 1901-1982) Citril finch signed l.r., watercolour 27 x 16cm £200 - 300 Provenance: With Tryon Gallery.

Lot 171 *John Cyril Harrison (1898-1985) Goldfinch on a branch signed l.r., watercolour and bodycolour 21.5 x 13.5cm £400 - 600

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172 Lot 172 *George Edward Lodge (1860-1954) Brambling perched on a twig signed l.l., watercolour and body colour 28 x 19cm £300 - 500

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173 Lot 173 *Sir Peter Markham Scott (1909-1989) A cuckoo on a branch with dunes in the background signed and dated 1971 l.l., oil on canvas 51 x 61cm £400 - 600

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142-209 BIRDS, TAXIDERMY AND THE PROPERTY OF WILDINGS

Lot 174 Joseph Wolf (German, 1820-1899) Bullfinch signed and dated 1878 l.r., inscribed on a label verso ‘This little picture is the original study which I did from the Queen’s Bullfinch at Buckingham Palace in May 1878, for a picture I was then painting for H.R.H. the Princess Louise, to be presented to her majesty on Her Birthday’, watercolour 25 x 18cm £800 - 1,200

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Lot 175 Archibald Thorburn (1860-1935) Two birds on a barrel pencil, pen and ink 11 x 12.7cm £200 - 300 Lot 176 *Philip Rickman (1891-1982) ‘The Christmas Robin’ signed and dated 1972 l.r., watercolour and bodycolour 40 x 26cm £150 - 250

176 www.sworder.co.uk

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177 Lot 177 Raymond Harris Ching (New Zealand, b.1939) ‘Jungle Fowl’ signed l.r., canvas laid on board 27.5 x 40cm £4,000 - 6,000

Lot 178 Bruno Liljefors (Swedish, 1860-1939) ‘A Wild Garden’ signed and inscribed on the stretcher, oil on canvas 50 x 65cm £3,000 - 5,000

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142-209 BIRDS, TAXIDERMY AND THE PROPERTY OF WILDINGS

Lot 179 *Richard Barrett Talbot Kelly (1896-1971) Heron and stoat signed l.r., watercolour 54 x 67cm £1,000 - 1,200

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Lot 180 *Richard Barrett Talbot Kelly (1896-1971) Turnstones signed l.l., watercolour 53 x 74.4cm £800 - 1,000

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Lot 181 *Richard Barrett Talbot Kelly (1896-1971) Greylags signed with a monogram l.r., watercolour 28 x 38cm £400 - 600

181 www.sworder.co.uk

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BIRDS, TAXIDERMY AND THE PROPERTY OF WILDINGS 142-209 Lot 182 *Chloë Elizabeth Talbot Kelly (b.1927) Pygmy kingfisher signed and dated 84 l.l., watercolour and bodycolour 21.5 x 11cm £300 - 500

Lot 183 *Chloë E Talbot (b.1927) Grey-headed kingfisher signed and dated ‘86 l.l., watercolour and gouache 25 x 35cm £100 - 150

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Chloë Talbot Kelly is the daughter of artist Richard Barrett Talbot Kelly and the granddaughter of artist Robert George Talbot Kelly.

Specialising in watercolours of birds, she began painting in 1945 at the Natural History Museum.

Lot 184 *Owen Williams, 20th century Hanging game; Rainbow trout a pair, both signed l.r., watercolour 30.5 x 14.5cm (2) £200 - 400

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142-209 BIRDS, TAXIDERMY AND THE PROPERTY OF WILDINGS Lot 185 *Guy Taplin (b.1939) ‘Swan’ signed and titled ‘Guy Taplin’ and ‘Swan’ 63cm long 5cm high £1,500 - 2,000 Lot 185A *Guy Taplin (b.1939) Pin Tail signed and titled ‘Guy Taplin’ and ‘Pin Tail’ 45.5cm long £300 - 500 Provenance: P urchased 21/11/1984 from the artist for £50.

Lot 186 Benjamin Chee Chee (Canadian, 1944-1977) ‘Friends’ lithograph printed in colours, signed and dated within the plate, on wove paper 49 x 39cm £200 - 300

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Lot 187 Cyril Cochrane, 20th century ‘Duck’ carved wood 29.5cm £100 - 150 The owner of lots 185 and 185A, Cochrane was a carver in his own right. The lot is sold with a congratulatory card from Guy Taplin.

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Lot 188 Goldeneye hen decoy

by Captain Harry Jobes (1936-2019), Maryland Shore, with ring and lead weight on a painted resin stand, with original sale receipt 37.5cm long £150 - 200

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191 Lot 189 A Roland Knight (fl.1879-1921) A pike catching a fish; Study of a pike both signed l.l., watercolour 15 x 32.5cm and 12.5 x 16.5cm (2) £300 - 500

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Lot 190 A Roland Knight (fl.1879-1921) Pike on a hook; Trout signed l.l. and l.r. respectively, bodycolour 13 x 18cm and 28 x 19.5cm (2) £300 - 500

Lot 191 *Owen Williams, 20th century Trout at the bottom; Swimming trout signed and dated 96 and 97 l.r. respectively, watercolour 19.5 x 28.5cm (2) £200 - 400

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142-209 BIRDS, TAXIDERMY AND THE PROPERTY OF WILDINGS

Lot 192 Taxidermy: a cased common bream On a sandy base with reeds, in a single glass display case 64cm wide 20.5cm deep 41.5cm high £150 - 250

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193 Lot 193 Taxidermy: a cased hybrid roach caught on the River Avon, 1lb, 9oz, preserved and mounted in a naturalistic setting of long grasses, within a three-glass display cabinet with verre églomisé border 48cm wide 13cm deep 32cm high £200 - 300

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194 Lot 194 Taxidermy: cased brown trout (Salmo trutta) 5lbs, caught may fly fishing, Lough Derg, Republic of Ireland,1911, preserved and mounted in a naturalistic setting with rocks, pebbles and ferns, within a bow-fronted three-glass display cabinet by J Williams of Dublin 65cm wide 15cm deep 37cm high £400 - 500

Lot 195 Taxidermy: a Cooper dace (Leuciscus leuciscus) preserved and mounted in a naturalistic setting of sandy base and reeds, in a bow front case with verre églomisé border, by J Cooper, 28 Radnor Street, London 40cm wide 12cm deep 24cm high £300 - 500

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196 Lot 196 Taxidermy: a cased giant salmon (Aaptosyax grypus) preserved and mounted in a naturalistic setting amidst reeds and grasses set above a pebbled river bed with blue background, enclosed in a rare wrap-around single glass display case with verre églomisé border 132cm wide 31cm deep 53cm high £500 - 700 Lot 197 Taxidermy: a cased roach (Rutilus rutilus) 1lb 13oz 4dms, taken by S R Porter at Pangbourne, 30th October 1932, by J Cooper & Sons, 28 Radnor Street, St Luke’s, London, EC, preserved and mounted in a naturalistic setting enclosed within a typical ebonised bow-fronted three-glass display case with verre églomisé border 49.5cm wide 14cm deep 29cm high £350 - 450

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Lot 198 Taxidermy: a cased carp (Cyprinus carpio) preserved and mounted within a naturalistic setting of ferns and roots, in a single glass display setting 86cm wide 20cm deep 47cm high £200 - 300

198 www.sworder.co.uk

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199 Lot 199 Taxidermy: a cased red-capped parrot (Purpureicephalus spurius) full mount adult, in a naturalistic setting perched on a tree stump and colourful painted background, within a wrap-around glass display case with hinged back 42cm wide 14cm deep 41cm high £300 - 500 This Australian bird was originally displayed with the watercolour by Hans Heysen (Australian,1877-1968) of Eucalyptus trees (see lot 200) as the background.

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200 Lot 200 Hans Heysen (Australian,1877-1968) Eucalyptus trees, Australia signed and dated 1954 l.r., watercolour 38 x 32cm £600 - 800 The present watercolour was found as the backdrop to a taxidermy specimen of a red-capped parrot from Western Australia (see lot 199).

Lot 201 Taxidermy: cased snipe and water rail on a rocky outcrop full mount in a naturalistic setting, within a triple glass case 26cm wide 17cm deep 34.5cm high £80 - 120

Lot 202 Taxidermy: cased saker falcon (Falco cherrug) adult full mount on a log with moss and grasses, within a single glass display case 64cm wide 33cm deep 53cm high £280 - 320 CITES Article 10 Licence No. 591634/01.

Lot 203 Spare lot

202 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 124

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Lot 204 Taxidermy: a cased Northern gannet (Sula bassana) full mount, by Lewis Hutton, in a naturalistic settling on a bank with long grasses and stones, in a three-glass display case 78cm wide 22.5cm deep 65cm high £250 - 350 Lot 205 Taxidermy: cased British woodpeckers a green (Picus viridis), lesser spotted (Dryobates minor), wryneck (Jynx torquilla), great spotted (Dendrocopos major), full mounted diorama on moss, twigs, ferns and grass before a watercolour tree panel in a single glass display case 69cm wide 23cm deep 48.5cm high £300 - 500 Lot 206 Taxidermy: a cased barn owl (Tyto alba) full mount, perched on a tree stump with ferns and heather in a single glass display case, by T Gunn of Norwich 32.5cm wide 17 cm deep 42.5cm high £250 - 350

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Lot 207 Taxidermy: a cased parliament of owls tawny owl (Strix aluco), short-eared (Asio flammeus), long-eared (Asio otus), little owl (Athene noctua) and barn owl (Tyto alba), full mount on stones and grass, within a single glass display case 95.5cm wide 27cm deep 54cm high £300 - 500

207 www.sworder.co.uk

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Lot 208 Taxidermy: a cased golden eagle (Aquila chrysaetos) adult full mount on a branch with rocks, triple-glazed, before a watercolour landscape by the Countess of Norbury, ‘A Hebridean Dawn’ 92cm wide 46cm deep 76cm high £1,500 - 2,000 Sold together with ‘Summers of Yesterday’, the Countess of Norbury, published by Caddell & Company Ltd., 1934 (‘A Hebridean Dawn’ illustrated p. 111).

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Lot 209 Taxidermy: merlin (Falco columbarius) full mount adult female perched on a mossy mound, under a glass dome 40cm high £180 - 220

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Lot 210 George Armfield (1808-1893) A springer spaniel with a pheasant signed l.r., oil on canvas 30.5 x 36cm £500 - 800

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Lot 211 Colin Graeme Roe (1858-1910) Pointer and setter oil on canvas 51 x 40.5cm £300 - 500

Lot 212 *John Trickett (b.1953) A spaniel flushing a pheasant signed l.r., oil on canvas 46 x 61cm £800 - 1,200

Lot 213 Henry Crowther (19th-20th century) ‘Welsh Randy’, a Welsh Springer Spaniel signed and dated 1924 l.r., inscribed l.c., oil on canvas 31 x 38cm £200 - 300

212

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Lot 214 *John Trickett (b.1953) A spaniel flushing a woodcock signed l.l., oil on canvas 40.5 x 50.5cm £1,000 - 1,500

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Lot 215 Colin Graeme Roe (1850-1910) A spaniel, a Gordon setter and a Highland pony signed l.l., and indistinctly dated 1900, oil on canvas 51 x 41cm £1,000 - 1,500

215 www.sworder.co.uk

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DOGS AND WILDLIFE 210-316 Lot 216 *Eric Meade-King (1911-1987) Setters flushing a pheasant signed l.r., watercolour and bodycolour 44 x 34cm £300 - 500

Lot 217 *Reuben Ward Binks (1880-1950) ‘Janet of Crombie’, a Gordon Setter signed and dated 1913 l.r. and titled l.l., watercolour 20 x 26.5cm £150 - 250

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Lot 218 Sir James Stewart of Allenbank (Scottish, 1779-1849) Study of a sleeping pointer pencil, unframed 10 x 14cm, and Frederick William Keyl (German, 1823-1871) Bloodhounds with puppies, a castle beyond pencil, unframed 16 x 26cm (2) £100 - 120

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210-316 DOGS AND WILDLIFE Lot 219 John S Hayes, 19th century Four puppies investigating a basket signed and dated ‘71 l.r., oil on canvas laid on board 42.5 x 57cm £300 - 500

Lot 220 Arthur Heyer (German, 1872-1931) A guest for dinner signed l.r., oil on canvas 51 x 71cm £300 - 500

Lot 221 Alfred Moginie Bryant, 19th century ‘Scotch Cold’; ‘Irish Hot’ a pair, signed and dated ‘02 and ‘03 l.l., respectively, oil on canvas board, with arched top 20 x 24.5cm (2) £400 - 600

219

The first painting is a study of an Irish Terrier; the second is a study of Collies.

Lot 222 *John Silver (b.1959) Rottweiler puppies in a barn signed and dated 2001 l.r., oil on board 48 x 38cm £250 - 350

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221 www.sworder.co.uk

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Lot 223 Circle of George Morland (1762/3-1804) ‘The Bull Terrier’ signed l.l., oil on panel 29 x 37.5cm £400 - 600

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Lot 224 Ralph Bowen (1875-c.1915) Study of a bull terrier signed l.r. and further signed verso, oil on canvas 35.5 x 30.5cm £300 - 500

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Lot 225 Henry Frederick Lucas Lucas (1848-1943) English bull terrier signed and inscribed ‘Rugby’ verso, oil on board 23 x 23.5cm £300 - 500

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210-316 DOGS AND WILDLIFE Lot 226 Frederick Albert Clark (c.1821-1910) Barney, The Property of Mr J Latler signed l.r., oil on canvas 43 x 53cm £400 - 600

Lot 227 After Sir Edwin Landseer ‘The Braggart’ oil on canvas 46 x 61cm £250 - 350 The inspiration for this painting is a poem in which a Scotch deerhound (left) is telling a story to an English dog (right) and an Irish dog (centre).

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Lot 228 After Sir Edwin Landseer ‘A Distinguished Member of the Humane Society, Bob, a Newfoundland’ oil on canvas laid down on board 49 x 60cm, unframed £200 - 400

Lot 229 Frederick French (fl.1883-1916) Bloodhound signed with initials and dated 1899 l.l., oil on board 23.5 x 29.5cm £150 - 250

228 www.sworder.co.uk

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DOGS AND WILDLIFE 210-316 Lot 230 John Trickett (b.1953) St. Bernard signed l.l., oil on canvas board 30.5 x 25.5cm £200 - 300

230 Lot 231 *George Vernon Stokes (1873-1954) A bulldog pup with a magpie signed l.r., watercolour 44.5 x 56cm £400 - 600

231 Lot 232 Samuel Alken (1750-1815) ‘Mates’ - a bulldog and a blue heeler signed l.l., pencil and watercolour 13.5 x 21cm £300 - 500 Provenance: The Harold Day Collection.

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210-316 DOGS AND WILDLIFE Lot 233 English School, 20th century ‘Danger’, a basset hound inscribed verso ‘Danger / born 1929 on August 14th / put to sleep on May 10th 1939’, oil on board 40 x 50.5cm £300 - 500 A label states that ‘Danger’ is believed to be the first basset hound to be kept in London as a pet, shown at Crufts, winning 2nd prize. Owned by Mrs A G Hitchin.

233 Lot 234 Sam Bough (1822-1878) Dog in a manger oil on panel with interior oil sketch verso 33 x 45.5cm £400 - 600

234 Lot 235 *John Trickett (b.1953) A bulldog with her puppy in a barn signed, oil on canvas 60 x 74cm £500 - 800

235 www.sworder.co.uk

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DOGS AND WILDLIFE 210-316 Lot 236 English School, early 19th century Portrait of a terrier oil on canvas 61 x 86cm £800 - 1,200

Lot 237 W Fitz, 19th/20th century A terrier and a cat signed ‘W Fitz MNA’ l.r., oil on canvas 35.5 x 45.5cm £200 - 300

236 Lot 238 J Langois (c.1855-1904) Terrier and spaniel in a landscape signed l.r., oil on canvas laid down 51 x 76.5cm £200 - 300

Lot 239 Arthur Batt (1846-1911) Terriers ratting signed and dated ‘07 l.r., oil on board 22.5 x 30cm £200 - 300

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239 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 124

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Lot 240 Paul Jones (fl.1855-1888) Terriers and a rat; Terriers by a rabbit hole a pair, the first signed and dated 60 l.l., the second signed l.r., oil on canvas 20 x 25.5cm (2) £1,000 - 1,500

Lot 241 Silvester Martin (fl.1856-1906) Ferreting; Ratting in the hedgerows a pair, both signed, inscribed and dated 1905 l.l. and l.r. respectively, oil on canvas 26 x 31cm (2) £1,000 - 1,500

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Lot 242 Maud Earl (1864-1943) ‘A Manchester Terrier’ signed and dated ‘29, oil on canvas in a circular mount 61.5 x 61.5cm £700 - 1,000 Provenance: The estate of Nerolie de LavisTrafford, former President of the Manchester Terrier Club.

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Lot 243 English School, 19th/20th century ‘Mrs Bustle’, a Dandie Dinmont titled l.c., pencil 18 x 26.5cm £80 - 120

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Lot 244 English School, 19th century A terrier with a rabbit; A pair of terriers a pair, oil on canvas 30 x 24cm (2) £200 - 300

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210-316 DOGS AND WILDLIFE

245 Lot 245 Arthur Wardle (1864-1949) ‘Moonlight’ - a terrier and cats in a farmyard signed l.r., further signed and inscribed ‘Moonlight / Arthur Wardle / 0 Crowndale Road / Oakley Square’ on label verso, oil on canvas 92 x 70cm £3,000 - 5,000 Provenance: Christie’s London, 25 February 2009, lot 847.

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246 Lot 246 Paul Jones (fl.1855-1888) Terriers flushing game; Terriers chasing a rabbit a pair, both signed l.r., oil on canvas 21 x 25.5cm (2) £500 - 700

Lot 247 Colin Graeme (1858-1910) A Norfolk terrier sitting on a grassy bank signed, inscribed HPB and dated 88 l.l., oil on canvas 30.5 x 36cm £300 - 500

247 Lot 248 *Reuben Ward Binks (1880-1950) Two head studies signed verso, watercolour 20.5 x 26.5cm £100 - 150

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Lot 249 Colin Graeme Roe (1850-1910) Otter hound signed and dated 87 l.l., signed and inscribed verso, oil on canvas 41 x 51cm £800 - 1,200 Lot 250 Spare lot Lot 251 A bronze paper clip in the form of a hound 17cm long 9cm wide 7cm high £40 - 60

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DOGS AND WILDLIFE 210-316 Lot 252 Lillian Cheviot (1876-1936) A greyhound and a hare in a Highland landscape signed l.r., oil on canvas 56 x 66cm £1,000 - 1,500

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Lot 253 August Nicholas Cain (French, 1822-1894) Lumineu and Séduisant, a pair of hunting hounds bronze with brown patina, inscribed, signed on the side and with the Susse Frères foundry seal 25cm wide 32cm deep 42cm high £1,500 - 2,000

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254 Lot 254 A painted tile picture, late 19th century Coursing greyhounds signed with artist’s monogram l.l., within an oak frame 97cm wide 82cm high £500 - 800 This image is taken from the ‘London Illustrated News’, 1877, and depicts North End at Altcar. The windmill in the original has been omitted and substituted for a mountainous landscape, the judge is Mr T Stone, the flag standard in the original has also been omitted.

255 Lot 255 Robert Henry Roe (1893-1888) Bloodhounds; Deerhounds a pair, signed l.l. and l.r., respectively, oil on canvas 30 x 35cm (2) £600 - 800 Lot 256 English School, 20th century A bronze whippet 32cm wide 55cm high £80 - 120 Lot 257 Spare lot

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Lot 258 *Suzanne Bizard (French, 1873-1963) Giving Cry bronze with green patina, signed and impressed with a number 2360 to the underside 48cm wide 15.5cm deep 39cm high £400 - 600

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Lot 259 Pierre-Jules Mêne (French, 1810-1879) A standing greyhound on a naturalistic base and marble plinth bronze with brown patina, signed on the base 13cm wide 18cm deep 28cm high including base £300 - 500

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Lot 260 After Barrie Seated greyhound bronze with brown patina on a marble base 19.5cm high £80 - 120

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Lot 261 Jacob Edward Mufty Bark bronze, edition 2/9 30cm wide 110cm deep 78cm high £5,500 - 7,500

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262 Lot 262 *Michael Lyne (1912-1989) ‘Battle’, a foxhound of the Cottesmore Hunt, together with a pencil and wash sketch of the same subject the first signed l.r., the second signed and inscribed l.r., oil on canvas 61 x 76cm and 24.5 x 30cm (2) £500 - 700

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263 Lot 263 Frank Paton (1855-1909) Jack Russells chasing a rabbit signed and dated 1891 l.l., watercolour heightened with white 10.5 x 15.5cm £200 - 300

264 Lot 264 John Alfred Wheeler (1821-1903) Foxhounds on the scent signed l.l., oil on board 20cm diameter in a circular mount £250 - 350

Provenance: With The Parker Gallery.

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265 Lot 265 *Michael Lyne (1912-1989) ‘Judging at the Peterborough Hound Show’ signed and dated 1949, oil on canvas 25.5 x 30.5cm £400 - 600

Lot 266 Arthur Wardle (1864-1949) ‘Foxhound’ signed l.l., body colour 20.5cm x 24.5cm £400 - 600 Illustrated: ‘The Encyclopedia of Sport’, p.315.

266 www.sworder.co.uk

Lot 267 Cuthbert Bradley (1861-1943) The foxhounds ‘Cambridgeshire Sultan 18 and Dashwood 17’ signed and dated 1921 l.r., inscribed l.l., oil on canvas 30 x 41cm £500 - 800

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268 Lot 268 John Sargent Noble (1848-1896) Victory! - a pair of hounds with a dead stag signed l.r., oil on canvas 25 x 36cm £300 - 500

270 Lot 270 *George Vernon Stokes (1873-1954) Black Labrador with pheasant signed l.r., oil on canvas 44 x 54cm £400 - 600

269 Lot 269 *John Silver (b.1959) Two black Labradors in a landscape signed and dated 2003 l.r., oil on board 40.5 x 51cm £250 - 350

271 Lot 271 *George Vernon Stokes (1873-1954) ‘Peter’, sketch of a Labrador inscribed u.r., charcoal 25 x 35.5cm £100 - 150 Provenance: from the artist’s studio.

‘Peter’ is possibly the Labrador depicted in lot 270.

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Lot 272 *Henry Wilkinson (1921-2011) A retriever in a landscape signed l.l., oil on canvas 50.5 x 66cm £500 - 700

272 Lot 273 *Marjorie Cox (1915-2003) ‘Whisky, Jill and Soda’, a study of a black Labrador with two terriers signed l.l. and inscribed and dated 1976 l.r., pastel 53 x 44cm, unframed £150 - 250 Lot 274 *Eric Meade-King (1911-1987) Animal studies: Eve, Tristram, Crispin, Mr Thomas, Selene, Poppsy signed and dated 1977 l.r., bodycolour 48 x 37cm £200 - 300

273

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LOTS 275-277

The following three lots are a collection of studies of King Charles spaniels, by Neville Stephen Bulwer-Lytton, 3rd Earl of Lytton, and his first wife, The Hon. Mrs Neville Lytton, later Baroness Wentworth. Lytton was an artist and noted athlete - winning a bronze at the 1908 Olympics.

Lady Wentworth as she is best known, inherited the Crabbet Arabian Stud in Sussex from her mother Lady Ann Blunt and went on to have a huge influence on horse breeding in the first half of the 20th century. Over 90% of Arabian horses today can trace their pedigree through Crabbet lines. In addition, Lady Wentworth was a noted breeder of King Charles spaniels. In 1911 she published a book on toy dogs and their origins, ‘Toy Dogs and their Ancestors’.

Lot 275 *Neville Stephen Lytton (1879-1951) ‘Champion Windfall’, a Blenheim chestnut and white toy spaniel pastel 23.5 x 22cm, with three further studies of red and white toy spaniels, including ‘Norry’, inscribed and signed with a monogram, dated 1919, and ‘Orange Frills’, together with a print of Lady Lytton and Champion Windfall after the oil painting by Neville Stephen Lytton, various sizes, and a copy of ‘Toy Dogs and their Ancestors’, published by Duckworth & Co., 1911, by Lady Lytton (6) £200 - 300 Provenance: Neville Stephen Bulwer-Lytton, 3rd Earl of Lytton & Lady Judith Lytton; by descent to the current owner.

Illustrated: ‘Champion Windfall’ in The Hon. Mrs Neville Lytton, ‘Toy Dogs and their Ancestors’, published Duckworth & Co., 1911, p.326. ‘Orange Frills’ Ibid, p. 298.

‘Champion Windfall’, owned by Lady Lytton, at the time of her book held the Blenheim record of Championships, taking the Champion of Champions prize in Toy Spaniel class at the LKA Botanic Show of 1910.

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Lot 276 *Neville Stephen Lytton (1879-1951) Red and white toy spaniel sleeping on a red cushion oil on paper 29 x 39cm, together with a pencil sketch of the same subject, a further watercolour of the same dog, and a portrait of Oliver Howard, signed and dated Sept 1905 in red chalk, various sizes (4) £200 - 300 Provenance: Neville Stephen Bulwer-Lytton, 3rd Earl of Lytton; by descent to the current owner.

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Lot 277 *Neville Stephen Lytton (1879-1951) A selection of toy spaniels - ‘Orange Frills’, ‘Bunthorne’, both modern examples of old curly King Charles, an old type of tricolour, and the best modern type of Marlborough signed and dated Aug. 1900 in pen and ink l.r., pencil and watercolour 32.5 x 43.5cm, together with four further studies of toy spaniels including ‘Champion Windfall’, modern example of an old curly King Charles and ‘Bunthorne’ and a black spaniel on wrapping paper signed JBL, believed to by Lady Wentworth, various sizes (5) £200 - 300 Provenance: Neville Stephen Bulwer-Lytton, 3rd Earl of Lytton; by descent to the current owner.

Illustrated: The first in The Hon. Mrs Neville Lytton, ‘Toy Dogs and their Ancestors’, published Duckworth & Co., 1911, p.115. Modern example of an old curly King Charles Ibid, p.160.

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Lot 278 Longmate, 20th century ‘Wiggs’, a poodle signed l.r., oil on canvas 61 x 51cm £200 - 400

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Lot 279 English School, 19th century The Hussar’s pets, a pair of toy spaniels on a military uniform oil on canvas 51 x 61cm £300 - 500

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Lot 280 English School, 19th century Three King Charles spaniels oil on canvas 40.5 x 58cm £200 - 300

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281 Lot 281 Charles Valton (1851-1918) King Charles spaniels on a cushion bronze with brown patina, signed on the cushion 45cm wide 38cm deep 45cm high £300 - 400 Lot 282 E… P… Study of a King Charles spaniel signed l.r., oil on canvas board 34 x 44cm £100 - 150

282 Lot 283 After Maud Earl The Sportsman’s Year: January, ‘A CHECK’ - beagles; February, ‘A STERN CHASE’ - spaniel; March, ‘NIPPED IN THE BUD’ wire-haired terriers; April, ‘THE RAW MATERIAL’ - Welsh springer puppies; May ‘VISITING THE COOPS’ - Ilchester retriever; June, ‘THE LONG VACATION’ - foxhounds; July, ‘NEAR THE HOLT’ - otter hounds; August, ‘THE TWELFTH’ - setter; September, ‘BRACE-WORK’ - pointers; October, ‘A BUSY TEAM’ - cockers; November, ‘FULL CRY’ - Foxhounds; December, ‘TENDER AND TRUE’ - Retriever Photogravure prints, signed in pencil 21.5 x 35.5cm (12) £600 - 800

283 www.sworder.co.uk

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LOTS 284-299 Property from the Collection of Bryan Steele - Part VI Lot 284 Herbert Thomas Dicksee RE (1862-1842) A fox terrier pup original etching on vellum, signed artist’s proof, edition of 325, no other state, published by Frost & Reed, c.1926 plate 25.5 x 20cm £250 - 350

Lot 285 Herbert Thomas Dicksee RE (1862-1942) ‘A West Highlander’ (terrier) original etching on paper, signed artist’s proof, edition of 150, this one ‘53/150’, no other state, published by Frost & Reed, 1930, with blindstamp image 22.5 x 30cm £250 - 350

Provenance: the Bryan Steele Collection.

Provenance: The Bryan Steele Collection.

Lot 286 Herbert Thomas Dicksee RE (1862-1942) ‘The Happy Mother’ (Bloodhound with her litter of seven pups) original etching on vellum, signed artist’s proof, published by the Fine Art Society, London (and Boussod Valadon & Co., New York) 1895, with blindstamp, remarque of a dog collar image 33 x 63.5cm £300 - 500 Provenance: The Bryan Steele Collection.

Exhibited: Royal Academy,1895, no. 1295.

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Lot 287 Herbert Thomas Dicksee RE (1862-1942) ‘Oh! For the Touch of a Vanished Hand and the Sound of a Voice That is Still’ Tennyson, ‘In Memoriam’ (Irish Wolfhound guarding an empty glove) original etching on vellum (after his oil painting, RA exhibit 1892, number 987) signed artist’s proof, published by the Fine Art Society, London (and Boussod Valadon & Co., New York) 1893, with blind-stamp, remarque of a stag’s head image 32.5 x 63.5cm £300 - 500

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Lot 288 Herbert Thomas Dicksee RE (1862-1942) ‘My Lady Sleeps’ (Young Girl Asleep by Her Mastiff) original etching on vellum, signed artist’s proof, edition of 300, no other state, plate destroyed, published by Frost & Reed, 1905, with blindstamp image 24.2 x 49.5cm £300 - 500

Lot 289 Herbert Thomas Dicksee RE (1862-1942) ‘ ‘A British Bulldog’ original drypoint etching on vellum, signed artist’s proof, edition of 300, no other state, plate destroyed, published by Frost & Reed, 1913, with blindstamp, circular image 37cm diameter plate 42.5 x 41.3cm £250 - 350

Provenance: the Bryan Steele Collection.

Provenance: From artist’s grandson; the Bryan Steele Collection.

The sitter was the artist’s daughter, Dorothy.

Provenance: the Bryan Steele Collection.

Exhibited: Royal Academy, 1893, no. 1468.

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Lot 290 Herbert Thomas Dicksee RE (1862-1942) ‘A Cocker Spaniel’ (head portrait, full-face) original etching on paper, signed artist’s proof, edition of 200, this one ‘23/200’, no other state, published by Frost & Reed c.1933, with blindstamp plate 32.5 x 24cm £250 - 350

Lot 291 Herbert Thomas Dicksee RE (1862-1942) ‘Alsatians’ original etching on paper, signed artist’s proof, edition of 250, no other state, published by Frost & Reed, 1930, with blindstamp plate 31 x 41.5cm £200 - 300

Provenance: From the artist’s grandson; the Bryan Steele Collection.

Provenance: From the artist’s grandson; the Bryan Steele Collection.

Lot 292 Herbert Thomas Dicksee RE (1862-1942) Two tigers by a lake, one drinking original printer’s proof etching on paper, signed by the artist, not published, signed and dated ‘HD 1930’ within image, l.r. plate 21.4 x 40cm £250 - 350 Provenance: The Bryan Steele Collection.

Exhibited: Royal Academy 1926, no.1064.

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Lot 293 Herbert Thomas Dicksee RE (1862-1942) ‘In the Reeds’ (Tiger) original etching on paper, signed artist’s proof, edition of 100, no other state, published by Frost & Reed, 1928 plate 21 x 38.8cm £250 - 350 Provenance: From the artist’s grandson; the Bryan Steele Collection.

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Lot 294 Herbert Thomas Dicksee RE (1862-1942) ‘A Wanderer’ (lion walking across a desolate landscape) original etching on vellum, signed artist’s proof, edition of 200, no other state, published by C E Clifford & Co., London, 1890, with blindstamp image 30 x 45.7cm £250 - 350

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Lot 295 Herbert Thomas Dicksee RE (1862-1942) ‘Disturbed’, (lioness and cubs) original etching on vellum, signed artist’s proof, edition of 325, no other state, published by Frost & Reed, 1923, with blindstamps, plate destroyed plate 28.2 x 49.8cm £250 - 350 Provenance: The Bryan Steele Collection.

Provenance: The Bryan Steele Collection.

Exhibited: Royal Academy 1889, no. 1724; World’s Colombian Commission International Exhibition, Chicago 1893 (Special Merit Medal).

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DOGS AND WILDLIFE 210-316 Lot 296 Herbert Thomas Dicksee RE (1862-1942) ‘His Majesty’ (study of a lion’s head full face) original etching on Japan paper, signed artist’s proof, remarque of a fly (lower left margin), edition of this state limited to 25 therefore very rare, published by C E Clifford & Co., London, 1888 image 59.7 x 47.6cm £300 - 500

Lot 297 Herbert Thomas Dicksee RE (1862-1942) ‘Study of a Lion’ original etching on vellum, signed artist’s proof, edition of 150, no other state, published by Frost & Reed, 1915 image 19 x 49cm £250 - 350 Provenance: the Bryan Steele Collection.

Provenance: From the artist’s grandson; the Bryan Steele Collection.

Exhibited: Royal Academy 1915, no. 293.

Exhibited: Royal Academy 1888, no.1595; World’s Columbian Commission International Exhibition, Chicago 1893.

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Lot 298 Herbert Thomas Dicksee RE (1862-1942) ‘Study of a Leopard’. original etching on paper, signed artist’s proof, edition of 100 only, no other state, published by Frost & Reed, 1922, with blindstamps, plate destroyed image 18.2 x 40.7cm £250 - 350 Provenance: From the artist’s grandson; the Bryan Steele Collection.

Exhibited: Royal Academy 1922, no. 1025.

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Lot 299 Herbert Thomas Dicksee RE (1862-1942) ‘A Tigress’ (full-face study of the head of a snarling tigress) original etching on Japan, signed artist’s proof, edition of this state limited to 200, published by C E Clifford & Co., London, 1891 image 57.7 x 49.5cm £300 - 500 Provenance: the Bryan Steele Collection.

Exhibited: Royal Academy 1891, number 1594; World’s Columbian Commission International Exhibition, Chicago 1893.

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300 Lot 300 Circle of Henriette Ronner-Knip (Dutch/Belgian, 1821-1909) A dark tabby mother cat, with her three kittens playing in a workbox on a table signed and dated indistinctly ‘… 1887’ l.l., oil on canvas 63 x 80cm £800 - 1,200 Lot 301 *Mark Chester (b.1960) ‘Young tigers’ signed l.r., acrylic on board 50 x 60cm £300 - 500

301 www.sworder.co.uk

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302 Lot 302 *Bill Prickett (b.1965) Turning cheetah laminated beech, unique piece signed and dated 03 118cm wide 91cm deep 87cm high £4,000 - 6,000

303

Lot 303 *Albert Wille (German 1884-c.1961) Prowling panther bronze with black patina, on a separate wooden base, signed on the side of base 14cm wide 46cm deep 27cm high including base £300 - 500

Lot 304 Jan Rosetta Schockner (American, b.1945) Wild cat bronze resin 6cm wide 16cm deep 33cm high £600 - 800

304 116

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 124

210-316 DOGS AND WILDLIFE

Lot 305 Nicola Toms (Zimbabwean, b.1969) Bull bronze with brown patina, signed and numbered 1/9 on the base 25.5cm wide 9cm deep 21.5cm high £1,000 - 1,500 Nicola Toms grew up on a cattle and game ranch in Zimbabwe where she developed a passion for animals. Studying in Harare before moving to London, her work is in many private collections around the world and she has exhibited in Britain, New Zealand, the United States and South Africa.

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Lot 306 Rosa Bonheur (French, 1822-1899) ‘Mouton Broutant’ - Grazing Sheep bronze with brown patina, signed ‘Rosa B’ on the base and marked with Peyrol foundry stamp 22cm wide 10cm deep 15cm high including base £400 - 600

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Lot 307 Rosa Bonheur (French, 1822-1899) ‘Bélier Couché’ - Resting Ram bronze with brown patina, signed ‘Rosa B’ on the base and marked with Peyrol foundry stamp 22cm wide 11.5cm deep 10.5cm high including base £400 - 600

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www.sworder.co.uk

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DOGS AND WILDLIFE 210-316

Lot 308 Sherry Sander (American, b.1941) Rearing elephant bronze with green and white patina on a marble and wood base, signed, dated 85 and numbered 14/50 18cm wide 23cm deep 46cm high £300 - 500 Based on a wildlife preserve in Montana, Sherry takes her inspiration from the wildlife around her and those she sees on her extensive travels through Africa, Asia, Europe and Alaska.

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Lot 309 Godfrey Kurari (Zimbabwean, 20th century) ‘Walk Together’ springstone 34cm wide 18cm deep 34cm high £800 - 1,200

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Lot 310 *Simon Combes (1940-2004) Water buffalo signed and dated Dec ‘75 l.r., charcoal sheet 57.5 x 77cm, unframed £400 - 600

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 124

210-316 DOGS AND WILDLIFE Lot 311 *Christian Maas (French, b.1951) Pig bronze with green and brown patina, signed and numbered 100/275 underneath 12cm high £250 - 350

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Lot 312 Tim Nicklin (Kenyan, 20th/21st century) Hippo bronze, signed limited edition 4/10, dated 1994 39cm wide 13cm deep 23cm high £500 - 700

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Lot 313 Timothy Rukodzi Relaxing hippo opal stone 110cm wide 70cm deep 54cm high £4,000 - 6,000

313 www.sworder.co.uk

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DOGS AND WILDLIFE 210-316

Lot 314 Edmore Chijumani (Zimbabwean, b.1970) ‘Dance Style’ springstone, unique piece 58cm wide 33cm deep 101cm high £2,000 - 3,000

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Lot 315 Fungai Dodzo (Zimbabwean, contemporary) ‘Caring For Young Ones’ opal stone, unique piece 80cm wide 60cm deep 140cm high £4,000 - 6,000

315

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 124

210-316 DOGS AND WILDLIFE

316 Lot 316 *John Cox (1952-2014) ‘Frogs on Log’ water fountain bronze 79cm wide 77cm deep 132cm high £2,000 - 3,000

www.sworder.co.uk

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the london auction Further entries invited Contact Mark Wilkinson london@sworder.co.uk | 0203 971 2500 The auction will include

Pictures | Maps | Prints | Photographs | London Underground | Silver Swinging 60s | Posters & Signs | Books and much, much more

INDEX OF ARTISTS A Alken, Follower of Henry 39 Alken, Samuel 232 Alken Sr, Henry 100 Armfield, Edward 94 Armfield, George 210 Audubon, After John James 151

B Barrie, After 260 *Barruel, Paul-Louis 170 Batt, Arthur 239 *Beauvais, Walter John 122 *Becquerel, Andre Vincent 96 *Binks, Reuben Ward 217, 248 Bishop, A S 8 *Bizard, Suzanne 258 Blinks, Thomas 51 Bonheur, Isidore Jules 117 Bonheur, Rosa 306, 307 Bough, Sam 234 Bowen, Ralph 224 *Boyer, Trevor 167, 169 Bradley, Cuthbert 267 *Brassington, Alan 135, 136,

137, 139, 140, 141 *Brockie, Keith 163 Brooks, Vincent 55 Bryant, Alfred Moginie 221 *Burton, Claire Eva 130

C Cain, August Nicholas 253 Cameron, Angus 77 Camp, Jane 134 Carter, Henry 85 *Cawthorne, Neil 125 Chalmers, J 7 Chee Chee, Benjamin 188 *Chester, Mark 301 Cheviot, Lillian 252 Chijumani, Edmore 314 Ching, Raymond Harris 177 Clark, Frederick Albert 226 Cleminson, Robert 80, 86 Cochrane, Cyril 187 Cole, George 31 *Combes, Simon 310 Cook after William Hogarth, T 107 Corbett, E 129 Corbould, Alfred Hitchens 30 Coustou, After Guillaume 16 *Coward, Malcolm 5, 123 *Cowdell, Andrew 162 *Cox, John 88, 97, 98, 99, 316 *Cox, Marjorie 273 Crowther, Henry 213 Cullin, Isaac 128

D Dalby, David 12 Dalby, John 13 Davis, Arthur Alfred 92 de Gryeff, Circle of Adriaen 32 Degas, Edgar 119 Dicksee, Herbert Thomas 284-299 Dodzo, Fungai 315 Duntan, E 93

E Earl, After George 33 Earl, Maud 242 Earl, After Maud 283 Elmer, Stephen 156 English Provincial School, 19th century 69 English School 4, 20, 6, 36,

58, 157 English School, early 19th century

95, 105, 236 English School, 19th century

53, 244, 279, 280 English School, 20th century

19, 122A, 233, 256 English School,19th/20th century 243

F Fitz, W 237 French, Frederick 229

G Good, John Willis 18 Graeme, Colin 247

H Hall, Harry 110 Hardy Jr, Circle of James 79 Hardy Jr, James 83 Harris, J, after A Scanlan 37 *Harrison, John Cyril 153, 171 *Haycock, Frederick J 62 Hayes, John S 219 Henderson, ...

21 Heyer, Arthur 220 Heysen, Hans 200 *Hobson, Barry 127 *Hofmann, Alfred 91 Houston, Richard, after James Seymour & T Spencer 116 Humbert, G 104 Hübner, Louis Leonard 106 Huggins, William 10 Hunt, C, after J F Herring 115 Hunter, Blanche 54

J Jeanniot, Pierre Georges 133 Jones, Adrian 114 Jones, Paul 82, 240, 246 *Jouclard, Adrienne Lucie 132

K Knight, A Roland 189, 190 Knowles, Frederick James 59 Koehler, Henry 126 Kuld, Riho 15 Kurari, Godfrey 309

L Landseer, Circle of Sir Edwin 75 Landseer, After Sir Edwin 227, 228 Langois, J 238 Leslie, H 57 Liljefors, Bruno 178 Loder, Edwin 27 *Lodge, George Edward 172 Longmate 278 Lucas, Henry Frederick Lucas 225 *Lyne, Michael 60, 61, 262, 265 *Lytton, Neville Stephen 275-277

M *Maas, Christian 311 Maisiri, Taurai 124 Martin, Silvester 241 Maury, Georges Sauveur 131 *McPhail, Rodger 155 *Meade-King, Eric 216, 274 Mêne, Pierre-Jules 14, 118, 259 Moigniez, After 90 Moreau, Auguste 70 Morland, George 38 Morland, Circle of George 223 Mufty, Jacob Edward 261 Munnings, Follower of 29

N *Naylor, John 63 Nicklin, Tim 312 *Nilsson, Jonas 154 Noble, John Sargent 78, 81, 268

P P..., E...

282 Paice, George 3, 28 Paton, Frank 263 *Payne, Charles Johnson, called 'Snaffles' 40-43, 45-50, 112 *Prickett, Bill 302

R Rees, Miss M R 150 Reinagle, Follower of Philip 35 *Rickman, Philip 176

*Robjent, Richard 165 Roe, Colin Graeme 211, 215, 249 Roe, Robert Henry 255 Ronner-Knip, Circle of Henriette 300 Rosetta Schockner, Jan 304 Rukodzi, Timothy 313

S Sander, Sherry 308 Sartorius, John Nost 22 *Scott, Sir Peter Markham 168, 173 *Silver, John 222, 269 *Skeaping, John 120, 121 Soper, George 142-144, 147 *Soper, Eileen 145, 146, 148, 149 Spode, Samuel 11 Stewart of Allenbank, Sir James 218 Stock after Henry Alken, C R 108 Stock, C R 109 *Stokes, George Vernon 231,

270, 271 Stone, Rudolph 52, 52A

T *Talbot, Chloë E 183 *Talbot Kelly, Richard Barrett 166, 179-181 *Talbot Kelly, Chloë Elizabeth 182 *Taplin, Guy 185, 185A Tayler, After Frederick 76 *Terrasse, Isabelle 158 Thorburn, Archibald 175 Toms, Nicola 305 Towne, Charles 9 *Trickett, John 87, 152, 212,

214, 230, 235 *Turner, Charles Clifford 56 Turner, Francis Calcott 111

V Valton, Charles 281 *van der Steen, Louis 164 Vidal, Louis (Navate) 89 Volkers, Emil 1, 2

W *Ward, Richard 161 Wardle, Arthur 245, 266 Wheeler, John Alfred 264 *Wilkinson, Henry 272 *Wille, Albert 303 *Williams, Owen 184, 191 Wolf, Joseph 174 Wolstenholme Jr, Dean 34 Wright, George 24

Lots marked with a ‘*’ may attract the Artist’s Resale royalty charge at the rate of 4% of the hammer price.

This royalty, where applicable, will be charged to the purchaser.

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GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg.

David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty.

Attributed to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.

Circle of David Cox in our opinion a work from the period of the artist and showing his influence.

The addition of a question mark (?) after any of the above cataloguing terms indicates an element of doubt.

Follower of David Cox in our opinion a work executed in the style of David Cox After David Cox in our opinion a copy of any date after a work by the artist Signed/inscribed/dated in our opinion the work has been signed/inscribed/dated by the artist

A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was executed at that time and in the location, eg. South Netherlands School, circa 1750.

All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the purpose of cataloguing.

Condition reports are not included in the descriptions.

ARTIST’S RESALE RIGHT (ARR) What is Artist’s Resale Right?

Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more.

This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale.

How are resale royalties calculated?

The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate.

The royalty is worked out according to a sliding scale from 4% to 0.25%.

Hammer Price

Royalty

From 0 to €50,000

4%

From €50,000.01 to €200,000

3%

From €200,000.01 to €350,000

1%

From €350,000.01 to €500,000 Exceeding €500,000

0.5% 0.25%

What is the qualifying threshold?

An artwork must sell for more than €1,000 to qualify for a royalty. The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold.

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What nationality must an artist be to qualify?

The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA: Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom.

Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs.

Are all sales of artwork covered?

The Artist’s Resale Right does not apply to all sales of artworks.

A royalty is only due if the following conditions are met: • • • •

the artwork is a copyright protected work of graphic or plastic art; it is sold for more than €1000; it is sold in the secondary market with the involvement of an art market professional (e.g. auction house); and it is sold in the UK or another country in the European Economic Area (EEA).

This royalty, where applicable, will be charged to the purchaser. It is exempt of VAT.

TERMS AND CONDITIONS INFORMATION FOR BUYERS Introduction The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

Methods of Payment Lots must be paid for before they are collected. For those attending the auction we ask that lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our web site, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale.

We accept cash to an upper limit of 10,000 euros equivalent. We accept credit card payments to an upper limit of £5,000. Usually any cheques will need to be cleared before you can take the goods away.

Collection and storage All lots should be paid for and collected by 5pm on the Friday following the sale.

Commission bidders should check the success of their bids and arrange payment and collection within this time. Please note what the Terms of Sale say about collection and storage. Items not removed by 5pm on Friday may be removed at the purchaser’s expense and storage charges of £10 as an administration fee and £2 per lot per day may be charged (plus vat). Please note that we will apply these charges strictly to Furniture purchased in our Homes and Interiors Sales.

Dispatch We are rarely able to pack and dispatch purchases. A choice of shippers is detailed on our web site.

Agency As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable).

Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot.

They are not definitive.

Electrical goods These are sold as ‘antiques’ only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

Export of goods If you intend to export goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory.

Bidding Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding.

Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

Commission bidding You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained).

We recommend leaving commission bids online via our website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute commission bids received after this time.

Telephone Bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value lots. Please note that this service is for lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason.

Online Bidding Any lots purchased via a live online bidding service will be subject to an additional commission charge on the hammer price payable by the bidder, in accordance with rates specified by the online service. From 1 January 2020, these charges will be charged at 0% plus VAT while bidding via Sworders website. If bidding through the-saleroom.com this will be charged at 4.95% plus VAT. Both charges will be payable to us on top of the hammer price and our buyer’s commission.

IMPORTANT NOTICES

Buyer’s Premium The Terms of Sale oblige you to pay a buyer’s premium at 25% on the hammer price of each lot purchased, except for our Fine Wine and Port auctions when it is 15%. In addition, VAT is charged on these premiums (see below).

Removal of lots ALL lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove lots remaining after this time into safe storage, for which a charge will be made.

VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the buyer on the hammer price and the buyer’s premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that lot.

Electrical Goods All electrical goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical goods certified safe must be re-commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-commissioned.

Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax.

Inspection of goods by the buyer As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

Condition Reports We may be able to assist buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale.

Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling.

Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.

You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

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TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the ‘Conditions of Business’). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

Please note that these Terms of Sale relate to auctions held at our premises only. We have separate terms for online only auctions.

1. Definitions and interpretation 1.1 To make these Terms of Consignment easier to read, we have given the following words a specific meaning:

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.

the dispute in another way. We will act reasonably when deciding how to settle the dispute.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

4. The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 25% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Port Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5. VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the ‘Information for Buyers’ in our auction catalogue for further information.

‘Auctioneer’

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised auctioneer, as appropriate;

‘Bidder’

means a person who places a bid for Goods at our auction;

‘Buyer’

means the person who makes the highest bid for the Goods accepted by the Auctioneer;

‘Commission’

means the commission that we charge you on the sale of the Goods as set out in Clause 5 below;

‘Consumer’

means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

‘Consumer Contracts Regulations’

means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013;

‘Deliberate Forgery’

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

‘FCA’

means the Financial Conduct Authority;

‘Goods’

means the goods that you consign to us for sale at our auction;

‘Hammer Price’

means the level of the highest bid for the Goods accepted by the Auctioneer;

‘Premium’

means the premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

‘Price’

means the total of the Hammer Price, Premium and any applicable VAT;

‘Proceeds’

means the Price less the Commission, the Premium, any expenses incurred to your account and any applicable VAT;

‘Reserve’

means the minimum price at which the Goods may be sold;

‘Seller’

means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

‘Terms of Consignment’

means these terms of consignment;

‘Terms of Sale’

means the terms of sale for bidders or buyers at our auctions;

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

‘Trader’

means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf (such as an agent and/or the Auctioneer);

8. Title and collection of purchases 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

‘VAT’

means any value added tax or equivalent sales tax; and

‘Website’

means our website available at www.sworders.co.uk.

In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words ‘we’, ‘us’, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

Any dispute about a bid will be settled at our discretion.

We may reoffer the Lot during the auction or may settle

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5.2 We will charge VAT at the current rate at the date of the auction.

6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed after the hammer falls when the highest bid for the Goods at the auction is written into the Auction book by the Auctioneer.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7. Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due in any way that we agree to accept payment. Note there is an upper limit of 10,000 euros equivalent for payments in cash.

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction.

8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal and storage charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 8.5 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot.

9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you.

This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due;

12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

15.2 Any notice referred in Clause 15.1 may be given:

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot.

15.3 Notices must be sent:

12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within 30 days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements.

Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or

9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or

11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for:

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

14.4.3 any liability which cannot be excluded by law.

14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient.

15.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient).

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website.

17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers

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