Design Tuesday 19 and Wednesday 20 October 2021

Tuesday 19 and Wednesday 20 October 2021

Consigning Arts & Crafts I Art Deco I Modern Design

TUESDAY 25 JANUARY 2022 johnblack@sworder.co.uk | 01279 817778 A near pair of Rozenburg Den Haag twin handled porcelain vases, dated 1911-12 and 1914, 19.5cm high, estimate £1,500-2,500

Live Online - Tuesday 19 and Wednesday 20 October 2021 at 10am ORDER OF SALE Day One - Tuesday 19 October, from 10am Lot 1 Lot 2 Lot 2A Lots 3-155 Lots 156-233 Lots 234-359 Lots 360-398 Lots 399-420

1958 Jaguar XK150 1970 Morris Mini Mk2 Bugatti Type 35 Sculpture Arts and Crafts The Lawrie Gatehouse Collection of Art Deco Furniture and Travel Posters Art Deco The Trevor Coldrey Collection of Studio Pottery Studio Pottery

Day Two - Wednesday 20 October, from 10am Lots 421-427 Lots 428-779

ONLINE BIDDING Bid live at www.sworder.co.uk (0% surcharge)

REMOVAL OF LOTS We operate a booking system for collections at www.sworder.co.uk/appointments. You must book your appointment 24 hours in advance, to ensure your items are ready when you arrive.

Furniture and Carpets Furniture and Carpets will be available to collect as follows: From Thursday 21 to Friday 29 October

From Tuesday 2 November

Available at our Stansted Auction Rooms, Stansted Mountfitchet CM24 8GE

Available at Unit 1, Harps Farm, Bedlars Green, Great Hallingbury CM22 7TL

‘Salvage Hunters, the Restorers’ Mid-Century and Modern Furniture, Lighting and Design to include Lots 530-540 Rock ‘n’ Roll and Guitars

VIEWING TIMES We will be offering viewing by appointment. You can book an appointment on our website.

Thirty-minute time slots will be available from: Friday 15 October 9am - 5pm Saturday 16 October 10am - 2pm Sunday 17 October 10am - 2pm Monday 18 October 9am - 5pm

FURTHER INFORMATION Contact:

Please select ‘Collection/Furniture’ as your appointment type when booking your collection time. Lots not collected by 5pm Monday 1 November will incur storage charges.

All Other Items All other items will be available to collect from the day after the sale at our Stansted Auction Rooms.

Please select ‘Collection’ as your appointment type when booking your collection time.

SWORDERS’ DELIVERY SERVICE Sworders offer a delivery service for item(s) purchased.

Please see our website for further details.

John Black Head of Design

Otto Billström Valuer

Telephone: 01279 817778 Email: auctions@sworder.co.uk To obtain more detailed images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk

Day One Tuesday 19 October from 10am

1958 Jaguar XK150

Lot 1 1958 Jaguar XK150 drop-head coupé 3442cc Registration no. CCU 200 Chassis no. 827384 D/N Engine no. V6967-8 Box no. JLS 44131 Body no. P6974 Odometer: 48923 Carmen red £60,000 - 80,000 From the estate of a Yorkshire gentleman, Cedric Gillson, this Jaguar was first registered on 1 September 1958, an original UK right-hand drive car.

This vehicle was purchased in 1989 as a restoration project, completed by the vendor and subsequently garaged for its entire ownership. The vehicle comes with an extensive folder of invoices and receipts. The last recorded MOT is dated 25 March 2011, and from the odometer reading, has only covered 50 miles since, despite being regularly run and driven short distances. This car was extensively restored in the late 1980s to a very high standard, in the main by Rawdon Restorations, Idle, Bradford, originally white, resprayed Carmen red and finished with tan leather seats and a Wilton carpet interior. The car runs and drives beautifully and the condition remains exceptional both inside and out.

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1970 Morris Mini Mk2

Lot 2 A 1970 Morris Mini Mk 2 Cooper S 1275cc Registration no. CLO 848H Chassis no. KA2S6 - 1238298 Engine no. 52373 Odometer: 54585 Almond green with white roof and wheels £20,000 - 25,000 From the estate of a Yorkshire gentleman, Cedric Gillson, the Mini V5 records the first registration as 1 January 1970. This is a very pretty, original UK right-hand drive car and was purchased by the vendor on 3 November 2006. The car has been fully restored and has a Heritage Certificate advising the date of dispatch as 31 January 1969 to a dealership ‘Stewart & Arden Ltd, Acton’. The vehicle was last MOT’d on 24 April 2015 covering only 15 miles in the interim. We understand that the car has been regularly run and garaged for its entire ownership, remaining in exceptional condition in readiness for the open road.

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Bugatti Type 35

Lot 2A A Bugatti Type 35 sculpture, cast bronze, built to 1:1 scale, to illustrate the aesthetic form of a Bugatti Type 35, one of the marque’s most iconic racing cars, 140cm wide 380cm long 110cm high £30,000 - 50,000 The sculpture of the type 35, one of the marque’s most iconic racing cars, was produced at a well-known foundry in Verona, and is a faithful reproduction of one of Bugatti’s most celebrated creations.

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Lot 3 A pair of Art Nouveau walnut armchairs, each with an arched back centred with a pomegranate splat, outswept arms, an original leather seat embossed with scrolling irises and edged with brass studs, the legs carved with leaf details, the front legs raised on block supports, 61.5cm wide 63cm deep 99.5cm high, seat 44cm high (2) £700 - 900

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Lot 4 Marie Joseph Georges Goursat (‘Sem’) (French, 1863-1934), ‘Les Acacias’, an album comprising a series of six colour lithographs, signed in the print, forming a decorative frieze added to each other, folded with pinholes and pencilled inscriptions of persons, stained and wear, end boards badly stained and worn, each sheet 36 x 104cm (6) £150 - 200

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5 Lot 5 A WMF pewter card tray, of oval cast form, centred with a lady and a putto, with a pierced and cast border, stamped marks, 19.5 x 32cm £150 - 180 Lot 6 A Zsolnay Pécs Art Nouveau iridescent vase, with an elongated neck and a squat body decorated with scrolling waves, converted to a lamp, raised mark, 46.5cm high £300 - 500

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Lot 7 A French Belle Epoque lithographic poster, ‘L’Eclair’, from ‘Maitres de l’Affiche’, published between 1895-1900, signed and dated to the plate ‘H Thomas 97’, numbered l.l. ‘Pl. 222’, 30 x 22cm, framed £150 - 250

Lot 8 An Austrian Secessionist silver-plated tea service, c.1910, attributed to Hans Ofner, manufactured

by Argentor-Werke Rust & Hetzel, comprising six cupholders with glass liners, together with a matching tray, stamped with manufacturer’s marks, tray 41.5 x 20.5cm (13) £150 - 200

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Hans Ofner was a student of both Professor Carl Otto Czeschka and Wiener Werkstätte founder, Josef Hoffmann.

Lot 9 A pair of Viennese Secessionist ‘Fledermaus’ armchairs, designed by Josef Hoffmann for Jacob & Josef Kohn, Austria, c.1910, each with a red-stained beech frame, with upholstered seat and back, 55cm wide 49cm deep 74cm high, seat 44cm high (2) £400 - 500

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10 Lot 10 A white metal locket, c.1908, designed by Berthold Löffler (1876-1960) for Wiener Werkstätte, decorated with a putto riding a robin, stamped ‘Wiener Werkstätte’ and with monogram, 3cm high £250 - 350

12 Lot 12 A Viennese oak sideboard, with a parquetry top, a canted frieze of two drawers, with two cupboards and carved trailing foliage details, 130cm wide 53cm deep 102cm high £300 - 500

11 Lot 13 A Gallé cameo glass scent bottle, of rectangular shouldered form with a yellow-orange ground with flowers and leaves in brown, the stopper with a flower head, signed ‘Gallé’ to the side, 10.5cm wide 11cm high £400 - 600

Lot 11 A Thonet Jugendstil bentwood side table, c.1910, attributed to Josef Hoffmann, with swept legs, each flanked by two spheres at the rim, 45cm diameter 54cm high £100 - 200

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Provenance: The Peter and Pat Crofts Collection.

Lot 14 An Arts and Crafts ‘Egyptian’ pine stool, German, the concave seat mounted with leather panels, the frame profusely decorated with pokerwork hieroglyphics, labelled ‘F Stadt Frankfurt and C Jockel, 118 George Street Edinburgh’, 56.5cm wide 24.5cm deep 40.5cm high £250 - 350

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Lot 15 Robert Prenzel (German, 1866-1941), two wood carved reliefs, one depicting a laughing Aboriginal man, the other depicting an Aboriginal woman smoking a pipe, signed and dated ‘R Prenzel 1917’ and ‘R Prenzel 1918’ respectively, the laughing man incised to the verso ‘Robt.

Prenzel, Toorak Rd South Yarra, Sept 1917’, the man 45 x 35cm the woman 40 x 36cm (2) £2,000 - 3,000

15 Lot 16 A Della Robbia pottery double gourd vase, incised with bands of designs, the lower body with leaf details, on a brown and turquoise ground, inscribed marks and galleon monogram in green, 23.5cm high £150 - 200

Robert Prenzel (1866-1941)

Lot 17 A Faience de Purmerende vase, c.1900, Dutch, of squat form decorated in the Egyptian-style, inscribed ‘NB Faience de Purmerende Hollande Dec 1017 DVov’, 19.5cm high £250 - 350

Basing himself in Melbourne from 1888, Prenzel’s work was pivotal to the movement and epoch of ‘Marvellous Melbourne’.

In the early 1900s, he predominantly produced commissioned works for churches and public spaces in Continental, rococo and baroque styles, before opening his own furniture workshop on Toorak Road in central Melbourne in 1910. From there, Prenzel came to pioneer the secessionist movement of Australian woodcarving, known as Gum Nut Art Nouveau.

Robert Prenzel was born in 1866 in the Prussian town of Kittliztreben, in present-day Poland. After a four-year apprenticeship, further studies at the Kunstakademie Düsseldorf, and another four years of work experience around Europe, he emigrated to Australia at the age of 22. Trained in the classical European styles, he went on to define Australian craft and design throughout the first quarter of the 20th century.

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Lot 18 A KPM Berlin Art Nouveau vase, finely decorated with raised gilt decoration on a rare ‘in-glaze’ tortoiseshell ground, with ram’s head handles, underglaze blue sceptre mark, overglaze red orb mark, impressed date code ‘N’ for 1913, and various other artist marks, 17.5cm high £500 - 700

Using predominantly native timbers, Prenzel produced everything from pictorial wall plaques to longcase clocks. Developing a unique artistic style, his works combined the vogue of European Art Nouveau with carved motifs of Australian flora and fauna, the majority of which were based on paintings, descriptive texts and photographs by his contemporaries. Through the use of this two-dimensional imagery, Prenzel often allowed for individual interpretations and imaginations of his subject matter, introducing minor changes and alterations to each threedimensional rendering, giving each its unique characteristics.

Prenzel’s work was phenomenally well received by his contemporaries, both in Australia and abroad. Throughout his career, he championed Australian flora and fauna, founding a botanical garden in South Melbourne and serving as an advisor on the subject to the Commonwealth government. However, his endeavours were cut short by the anti-German sentiments of the post-World War I era, eventually forcing him into retirement during the mid-1920s. In spite of this, he continued carving and working from his home in Black Rock until his death in 1941.

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Lot 15 shows Prenzel’s most recognised designs from the peak of his career. ‘Woman with a Pipe’ and ‘The Laughing Man’, after the original photograph by Henry King, were among his most frequent and celebrated subject matter, both as small embellishments and as standalone portrait carvings. Having been dismounted from their original backboards, these works are indicative of the intricacy and skill of Prenzel’s carvings.

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Lot 19 A KPM Berlin Art Nouveau group, modelled by Martin Fritzsche, of a young brother and sister staring into a red jug, on a plinth base with stylised gilt garlands, underglaze blue sceptre mark, overglaze red orb mark, overglaze red jubilee mark for 1913, and various other artist marks, 19cm high £1,000 - 1,500

Lot 20 An oak and brass-mounted mantel clock, of square form with canted corners, with carved details, a convex enamelled dial with Arabic numerals, striking on the half-hour, all on low bun feet, 38cm high £200 - 300

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Lot 21 François-Raoul Larche (French, 1860-1912), ‘The Young Jesus’, bronze, signed to the sleeve, stamped ‘SIOT-PARIS/400g’, 37.5cm high £300 - 500

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Lot 22 An unusual Art Nouveau cold-painted spelter table lamp, modelled as a lady gazing into a well whilst seated on the edge, beneath a naturalistic arbour of entwined vines, mounted with five lights, the edge silvered, the well cast with a faun’s head, his mouth open and mounted with a green glass panel, also mounted to the centre of the well, 56cm wide 43cm deep 101cm high £1,000 - 1,500

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Lot 23 A WMF silver-plated jewellery box, of sarcophagus-shaped form, with a black velvet lining, on squat bun feet, stamped marks, 16cm wide 10.8cm deep 7cm high £150 - 250

Lot 25 A WMF silver-plated glass decanter, modelled as a duck, the head and neck forming the hinged cover and spout, with stamped marks, with a handle to the back and etched wing feathers, raised on two prunts, 28cm long 18cm high £400 - 600

Lot 26 A Hungarian porcelain and brass adjustable standard lamp, c.1900, the porcelain sections attributed to Zsolnay Pécs, 128cm high £300 - 500

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Lot 24 An Austrian gilt-bronze eagle group, cast as two eagles fighting, on an ebonised circular plinth, stamped to underside, 18cm high £450 - 550

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Lot 27 A side chair, c.1910, by Carlo Bugatti (1856-1940), stained wood, copper, bone and inlaid metal, with an asymmetrical raised back, a square box seat, with columnar supports, 36cm wide 36cm deep 138.5cm high, seat 44cm high £2,000 - 3,000 Provenance: Bought from the estate of E J C Webb Esq. of Ormonde House, Kelvedon in the 1990s, who was the partner of international concert pianist, Ion Aulay.

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Lot 28 A walnut and copper side chair, c.1900, by Carlo Bugatti (1856-1940), the frame mounted with embossed copper and pewter inlay, a vellum seat, signed ‘Bugatti’, and a drum-shaped and vellum-mounted back with ink floral patterns, held with ropes and with silk tassels, the apron cut with arcaded details, the front with copper-mounted tassels, 41.5cm wide 55cm deep 102cm high, seat 41cm high £7,000 - 9,000

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Lot 29 A pair of Reformed Gothic oak side chairs, c.1870, in the manner of A W N Pugin, each with a chamfered frame, with spayed back legs, the front legs on moulded cubical supports and brass castors, the seat and back upholstered in red leatherette with studded edges, 46cm wide 53cm deep 83cm high, seat 44cm high (2) £200 - 300

Lot 30 A pair of Gothic Revival chairs, attributed to Charles Bevan, each chamfered back of through-tenon construction, with chip-cut chevron detailing, on ring-turned supports ending in moulded cubical feet with brass castors to the front, back legs splayed, with ring-turned H-shaped stretcher, the back and seat upholstered in red leather with studded edges, 46cm wide 55cm deep 93cm high, seat 45cm high (2) £300 - 500

31 Lot 31 An oak Gothic Revival double-sided open bookcase, in the manner of A W N Pugin, an inset top, lacking leather, the ends with linenfold panels, each corner carved with a rosette and with chamfered edges, a central shelf to each opening and an arched plinth, 83cm wide 56cm deep 75cm high £800 - 1,200 The bookcase has all the similarities of furniture designed

by A W N Pugin and made by Gillow of Lancaster for the new Palace of Westminster in 1844.

The Prime Minster’s office is illustrated in Paul Atterbury & Clive Wainwright, ‘Pugin: A Gothic Passion’, 1994, p.233, fig.439.

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Lot 32 A Gothic Revival pitch pine bookcase, c.1875, in the manner of A W N Pugin, with three shelves, each with a chip-carved chevron edge, with moulded dowels, the sides with scallop carved tops and ogive arched feet, 122cm wide 24cm deep 69cm high £200 - 300 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

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Lot 33 An Aesthetic Movement Moorish mahogany armchair, c.1910, in the Liberty & Co. manner, the back with a pointed cornice over three arabesque pairs of aprons, with carved decoration set with mother-of-pearl, over three bobbin-turned panels, the seat upholstered in red fabric with a gilt floral design, raised on square legs with bobbin-turned aprons, on turned feet, 54cm wide 56cm deep 96cm high, seat 39cm high £400 - 600 Lot 34 An Aesthetic Movement Moorish mahogany mirror, c.1900, possibly retailed by Liberty & Co., the frame with ebonised bevelled edges, with perforated bobbin-turned sides, the corners with mother-of-pearl and ebony inlaid squares, 54cm wide 104cm high £400 - 600

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Lot 35 An ebonised Damascene coffee table, c.1890, of hexagonal form, profusely veneered with mother-of-pearl and parquetry woods, a central motif with the Star of David, on an hexagonal base with arabesque ogive arches, 56cm wide 50cm deep 51cm high £300 - 500

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Lot 36 A silver and glass claret jug,

by John Thomas Heath and John Hartshorne Middleton of Hukin & Heath, London 1886, with an ebonised wooden handle, and with registration mark, 22cm high £200 - 300

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Lot 38 After Walter Crane ‘Arthurian Legends’ three prints 24 x 19cm, framed and mounted (3) £150 - 200

38 part lot Lot 37 An Arts and Crafts oak wall mirror, with a panel of tooled leather depicting a lemon tree above the mirror plate, 56cm wide 117cm high £300 - 500

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Lot 39 An Arts and Crafts hanging copper oil lamp, with a wrought iron frame with decoration in the form of bulbs and leaves, with a reservoir insert, labelled ‘Leech Bros. Duplex’, 48cm diameter, 58cm high excluding chains £150 - 250

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41 Lot 41 An Arts and Crafts verdigris patinated fireplace insert, c.1900, with a protruding hood, the hood flanked by hooks on either side, with repoussé decoration of Celtic knots or entrelacs, with mounting hooks verso, 102cm wide 97cm high £250 - 350

Lot 40 An Aesthetic Movement ‘Thebes’ mahogany side table, c.1885, after an original design by E W Godwin, of two-tiered construction, on tapering ring-turned legs, the lower tier with spindle supports, labelled ‘Shoolbred & Co., Tottenham Court Road’, 43cm wide 41cm deep 66cm high £150 - 250

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Lot 42 An Arts and Crafts bronze and copper fender, c.1910, in the manner of John Pearson, with repoussé decoration in the form of scrolling leaves joining at a central tulip, with a studded copper edge, 127cm wide 31cm deep 19cm high, and an Arts and Crafts embossed copper fire screen, c.1890, in a barley twisted steel frame, with a circular engraved motif depicting a basket of flowers, 66cm wide 26cm deep 69cm high (2) £250 - 350

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Lot 43 An Arts and Crafts inlaid oak coal box, c.1900, in the manner of Walter Cave, the front with a brass drop handle on a lotus flower mount, over a rectangular inlay of bone and ebony, on square legs with carved feet, 38.5cm square 72.5cm high £200 - 300

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Lot 44 An ebonised Liberty & Co. ‘Argyll’ corner chair, c.1890, originally designed by Ford Maddox Brown for Morris & Co., on ring-turned legs, with a drop-in rushed seat, with ring-turned stretchers and back spindles, 42cm square 71cm high, seat 42cm high, and an Aesthetic Movement ‘Thebes’ ebonised side table, c.1890, after an original design by E W Godwin, of two-tiered construction, on tapering ring-turned legs, the lower tier with spindle supports, 40cm square 69cm high (2) £300 - 400

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46 Lot 46 An Aesthetic Movement silver basket,

by John Thomas Heath & John Hartshorne Middleton, London 1888, the wavy crimped edge over an oval tapering body, with the handle and foot in the form of budding and flowering tendrils, 26cm wide, 20cm high, 21½ozt approximately £300 - 500

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Lot 45 An Aesthetic Movement library chair, c.1875, designed by Alfred Waterhouse for Reading Town Hall, on turned front legs, with turned spindles supporting the armrests, on curved square back legs, upholstered in mustard imitation leather with studded detailing, 65cm wide 72cm deep 85cm high £200 - 400

Lot 47 An Aesthetic Movement ebonised side chair, in the manner of Christopher Dresser, on flared legs joined by a ring-turned ‘H’ shaped stretcher, with seat and back upholstered in blue fabric, the seat set within ring-turned raked arms, the backrest raised on tuned spindles, 48cm wide 52cm deep 63cm high, seat 31cm high £100 - 200

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Lot 48 An Ault pottery majolica stick stand, possibly designed by Christopher Dresser, of cylindrical form, with relief decoration imitating bamboo, with a tin glaze fading from green to yellow, internally with a cyan glaze, stamped ‘Ault’, with studio marks in relief to the bottom, 22cm diameter 59cm high £200 - 300 Lot 49 A Doulton Lambeth stoneware vase, the ovoid body with a flared neck, decorated with a band of five sgraffito horses, three yoked and standing beside a plough with a mare and a foal, with tubelined scrollwork, incised monograms ‘183’ and ‘825’ and impressed mark, 26.5cm high £300 - 500 Lot 50 A Doulton Lambeth stoneware vase, 1879, by Florence Barlow, of amphora form, with two loop handles, decorated with scrolling foliage and relief flower heads, dated ‘1879’, impressed ‘Cyprus’, further impressed marks, 26cm high £300 - 500 Lot 51 A Doulton Lambeth stoneware jardinière, 1882, by Mark V Marshall, of waisted form, raised on a short foot, decorated with thrushes amongst foliage, dated ‘1882’, numbered ‘D875’, impressed marks, 38cm diameter 35.5cm high £400 - 600

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ARTS & CRAFTS 3-155 Lots 52-61 'The North American Indian', is one of the most expensive undertakings in the history of book production and one of the most comprehensive ethnographic records of the native tribes of North America, or of any aboriginal people.

'The North American Indian' took sixteen years longer to complete than projected and exceeded its budget by nearly $1.4 million. Curtis's immense work contains one of the largest visual records of Native Americans in existence, produced in lavish style under the patronage of J Pierpont Morgan.

Edward Sheriff Curtis was born in White Water, Wisconsin, in 1868, but his great interest in American Indians developed after his family moved to Minnesota. Here, Curtis lived near the Chippewa, Menominee, and Winnebago tribes. Through instruction manuals available at the time, the teenage Curtis built crude cameras and taught himself the rudiments of photography. In 1887, the Curtis family moved to Washington Territory in order to find a more temperate climate for Curtis's ailing father. There Edward Curtis encountered many of the Native American tribes of the Pacific Northwest. The sudden death of his father left Curtis responsible for the family, and he provided for them by farming, fishing, digging clams and doing chores for neighbours. Throughout this time, Curtis continued to hone his photographic skills and, in 1891, purchased a share in a photographic studio for $150. This venture lasted less than a year, but Curtis soon formed a partnership with Thomas Guptill to build a photographic studio in Seattle.

The process of making photogravures was developed in the 1850s to produce a photographic image from an engraving plate. Once a photograph is exposed, a glass transparency is made from the negative. A series of chemical transfers to a copper plate produces an etched copper plate of the original photographic image.

From 1896 to 1930, Curtis photographed every major Native American tribe west of the Mississippi, taking over 40,000 negatives of 80 tribes.

Curtis selected just one twentieth of his graphic record to represent his artistic vision of North American tribes.

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Lot 52 Edward S Curtis (American, 1868-1952) ‘Havachach - Maricopa’ from ‘The North American Indian: Being a Series of Volumes Picturing and Describing the Indians of the United States and Alaska’, Vol. 12, published in 1907, plate no. 64, photogravure, inscribed ‘From Copyright Photograph 1907 by E S Curtis, Photogravure by John Andrew & Son’ 40.5 x 26.5cm, mounted £300 - 500

Lot 56 Edward S Curtis (American, 1868-1952) ‘Cowichan Warrior’ from ‘The North American Indian: Being a Series of Volumes Picturing and Describing the Indians of the United States and Alaska’, Vol. 9, published in 1912, plate no. 322, photogravure, inscribed ‘From Copyright Photograph 1912 by E S Curtis, Photogravure by John Andrew & Son.’ 39 x 20cm, mounted £300 - 500

Lot 53 Edward S Curtis (American, 1868-1952) ‘Sam Ewing - Yurok’ from ‘The North American Indian: Being a Series of Volumes Picturing and Describing the Indians of the United States and Alaska’, Series 11, Vol. 13, published in 1923, plate no. 437, photogravure, inscribed ‘From Copyright Photograph 1923 by E S Curtis, Photogravure by Suffolk Eng. Co. Cambridge, Mass.’

39 x 29.5cm, mounted £300 - 500

Lot 57 Edward S Curtis (American, 1868-1952) ‘Koskimo Woman’ from ‘The North American Indian: Being a Series of Volumes Picturing and Describing the Indians of the United States and Alaska’, Vol. 9, published in 1912, plate no. 354, photogravure, inscribed ‘From Copyright Photograph 1912 by E S Curtis, Photogravure by John Andrew & Son.’ 39 x 26.5cm, mounted £300 - 500

Lot 54 Edward S Curtis (American, 1868-1952) ‘A Klamath’ from ‘The North American Indian: Being a Series of Volumes Picturing and Describing the Indians of the United States and Alaska’, Vol. 13, published in 1923, plate no. 441, photogravure, inscribed ‘From Copyright Photograph 1923 by E S Curtis, Photogravure by Suffolk Eng. Co. Cambridge Mass.’

38.5 x 29cm, mounted £300 - 500 Lot 55 Edward S Curtis (American, 1868-1952) ‘Kindling Fire - Assiniboin’ from ‘The North American Indian: Being a Series of Volumes Picturing and Describing the Indians of the United States and Alaska’, Vol. 18, published in 1926, plate no. 631, photogravure, inscribed ‘From Copyright Photograph 1926 by E S Curtis, Photogravure by Suffolk Eng. Co. Cambridge Mass.’

40 x 29.5cm, mounted £300 - 500

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Lot 58 Edward S Curtis (American, 1868-1952) ‘Achomawi Man’ from ‘The North American Indian: Being a Series of Volumes Picturing and Describing the Indians of the United States and Alaska’, Vol. 13, published in 1923, plate no. 466, photogravure, inscribed ‘From Copyright Photograph 1923 by E S Curtis, Photogravure by Suffolk Eng. Co. Cambridge Mass.’

39 x 29cm, mounted £300 - 500 Lot 59 Edward S Curtis (American, 1868-1952) ‘Reindeer - Nunivak’ from ‘The North American Indian: Being a Series of Volumes Picturing and Describing the Indians of the United States and Alaska’, Vol. 20, published in 1928, plate no. 689, photogravure, inscribed ‘From Copyright Photograph 1928 by E S Curtis, Photogravure by Suffolk Eng. Co. Cambridge Mass.’

29 x 40cm, mounted £300 - 500

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61 Lot 60 Edward S Curtis (American, 1868-1952) ‘A Comanche’ from ‘The North American Indian: Being a Series of Volumes Picturing and Describing the Indians of the United States and Alaska’, Vol. 19, published in 1927, plate no.

686, photogravure, inscribed ‘From Copyright Photograph 1927 by E S Curtis, Photogravure by Suffolk Eng. Co. Cambridge Mass.’

39 x 29cm, mounted £300 - 500 Lot 61 Edward S Curtis (American, 1868-1952) ‘Klamath Warrior’s Head-Dress’ from ‘The North American Indian: Being a Series of Volumes Picturing and Describing the Indians of the United States and Alaska’, Vol. 13, published in 1923, plate no.

449, photogravure, inscribed ‘From Copyright Photograph 1923 by E S Curtis, Photogravure by Suffolk Eng. Co. Cambridge Mass.’

39 x 29cm, mounted £300 - 500

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Lot 62 A set of eight high-backed ‘Ingram’ oak dining chairs, in the manner of Charles Rennie Mackintosh, with cream upholstered seats, 48cm wide 43cm deep 151cm high, seat 44cm high (8) £300 - 500

65 Lot 65 An Arts and Crafts silver-plated candlestick, designed by W A S Benson, with a petalled drip pan and leaf mounts, unmarked, 25cm high £150 - 200

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63 Lot 63 A large collection of approximately seventy books and publications on William Morris, to include Medieval Lore, 1893, Kelmscott Chaucer, and others (qty.) £150 - 200

Lot 64 Talwin Morris and Blackie & Son books, ‘Queen Victoria her Life and Reign’, by Thomas Archer, in four volumes, the cloth covers designed by Talwin Morris, London 1901, all four front covers with ‘TM’ monogram, together with twenty-one other books mostly by Blackie & Son, with cloth covers with interesting designs (26) £100 - 200

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Lot 66 An Arts and Crafts oak armchair, of ladderback design with shaped back splats, with curved armrests, on tuned supports with turned finials to the top, on turned stretchers, with a rushed seat, 66cm wide 49cm deep 119cm high, seat 47cm high £200 - 250

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3-155 ARTS & CRAFTS

Lot 67 A silver bowl,

by James Wakely and Frank Clarke Wheeler, London 1903, with a presentation engraving, two ring handles and a pierced pedestal foot, 14.5cm high, 20cm diameter, 24ozt approximately £300 - 500

68 Lot 68 An Arts and Crafts silver bowl,

by Omar Ramsden, London 1936, the hexagonal bowl with a pierced foliate border, raised on six shaped feet, the body engraved ‘We were wrought for Geoffrey Cheesman by Command of the ‘Roughs’ old comrades association as a token of affection and in recognition of services rendered as secretary over many years June 1938’, the centre of the bowl set with a City of London Yeomanry (Rough Riders) crest, engraved ‘Omar Ramsden Me Fecit’ to the underside, 24.8cm diameter, 8cm high, 24.2ozt £2,000 - 3,000 Provenance: Captain G W Cheesman, grandfather of the vendor, was secretary of the Old Comrades of the Rough Riders (The City of London Yeomanry); he served with the regiment during World War One. He later joined the Home Guard and was then attached to the Queen’s Royal Regiment.

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Lot 69 A pair of Arts and Crafts silver bowls,

by Omar Ramsden, London 1937, each of hexagonal form with a pierced foliate border, raised on six shaped feet, each with an applied ‘RR’ cypher, for the Rough Riders of the City of London Yeomanry, each engraved ‘Omar Ramsden Me Fecit’ to the undersides, 13.5cm wide, 6.7cm high,14.8ozt (2) £1,000 - 1,500

Lot 70 An Arts and Crafts silver bowl,

by William Comyns & Sons Ltd., London 1904, of lobed form, engraved ‘4 3/4 mile handicap Feb 18th 1905 won by G W Cheesman 1st Prize’, 11.5cm diameter, 5.91ozt £100 - 150

Provenance: C aptain G W Cheesman, grandfather of the vendor, was secretary of Old Comrades of the Rough Riders (The City of London Yeomanry); he served with the regiment during World War One. He later joined the Home Guard and was then attached to the Queen’s Royal Regiment.

Provenance: Captain G W Cheesman, grandfather of the vendor, was secretary of Old Comrades of the Rough Riders (The City of London Yeomanry); he served with the regiment during World War One. He later joined the Home Guard and was then attached to the Queen’s Royal Regiment.

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Lot 71 An Arts and Crafts oak and pewter-mounted casket, with large elaborate faux strap hinges and escutcheon, with chip-carved details to the moulding, 26cm wide 18.7cm deep 12cm high £150 - 200

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Lot 72 An Arts and Crafts silver-plated desk clock, early 20th century, the hammered navette-shaped case with a silvered dial set with Roman numerals and engine-turned decoration, mounted with a French movement, raised on satyr-head supports and bun feet, 18cm wide 8cm deep 20cm high £200 - 300

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Lot 73 A pair of Arts and Crafts brass candlesticks, each raised on a cup base and spiralled stem, 25cm high, and a pair of Aesthetic Movement andirons, 33.5cm high (4) £120 - 150

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Lot 74 An Arts and Crafts brass and copper telescopic standard lamp, c.1900, in the manner of W A S Benson, wired for electricity, 203cm high, extended £200 - 300

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Lot 75 An Arts and Crafts oak occasional table, with an octagonal top with a bevelled edge, raised on heart-shaped supports with split ends, with a rectangular undertier, 76cm wide 45cm deep 73cm high £100 - 200

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Lot 76 An octagonal mahogany lamp table, in the manner of Liberty, the top with carved decoration with a lily motif, with a stepped edge, the base with arabesque aprons, 49cm square 54cm high £150 - 250

Lot 77 A Gothic Revival gilt and painted standard lantern, with a barley twist body, on a scrolling foot, the lantern of hexagonal form, each side with a moulded acanthus leaf over a yellow glass pane, with a domed top with a spiked finial, 45cm diameter 167cm high £200 - 300

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Lot 78 A pair of Arts and Crafts-style silver candlesticks,

by James Dixon & Co., London 1996, each with a dished drip pan on a slender tapering column, on an outswept base with studwork details, each base filled, 22.5cm high (2) £200 - 300

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ARTS & CRAFTS 3-155 Lot 79 A collection of architectural elevations and floor plans,

by Mackay Hugh Baillie Scott (1865-1945), for the house ‘Little Shaw’ commissioned by William Salmon Esq., together with plans for a later extension by S W Neighbour, plans showing all the facades and elevations, as well as floor plans and room fittings, each signed and dated 1898, largest 52 x 100cm (10) £200 - 300

80 Lot 80 A pair of Arts and Crafts oak chairs, c.1900, attributed to Charles Robert Ashbee, each of swept ladderback design, on turned slightly tapering supports, with turned stretchers, and a rush seat, 49cm wide 38cm deep 94cm high (2) £200 - 300

Lot 81 A Liberty Arts and Crafts copper wall mirror, of rectangular form, with an arched mirror flanked with lozenge panels, labelled to the reverse ‘Liberty London’, 48cm wide 71.5cm high £600 - 800

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3-155 ARTS & CRAFTS

Lot 82 An Arts and Crafts silver-plated oval wall mirror, possibly Scottish, the frame embossed with Scottish-style roses, to either side with an oval enamelled cabochon, with a bevelled mirror plate, 86cm wide 60cm high £200 - 300

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Lot 83 A Cotswold School oak dressing table, 1930s, manufactured by Heal & Son, with a panelled top over two drawers, each with panelled fronts and two octagonal handles, raised on turned legs joined by a chamfered stretcher, 91cm wide 47cm deep 76cm high £200 - 400

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Lot 84 A Gordon Gordon Russell ‘Stow’ oak stool, 1920s, designed by Gordon Russell, with a leather latticed seat with brass studs, over chamfered friezes, on chamfered block legs with chamfered flat cross stretchers, labelled ‘Russell & Sons, Broadway, Worcs’, 40.5cm square 43.5cm high £300 - 500

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85 Lot 85 A Scottish Arts and Crafts oak and gesso frame, of arched form centred with a landscape panel, the side flanked with stylised thistles, the base with a Burns poem ‘Some Hae Meat and canna eat…’, mounted with a coloured print after H J Dobson, 67.5cm wide 61.5cm high £200 - 300

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Lot 86 An Arts and Crafts oak reclining armchair, 1930s, with slatted sides, of wedged tenon construction, seat and back upholstered in green faux leather, with studded sides, stamped ‘R Tyzack 1944’, 61cm wide 78cm deep 93cm high, seat 38cm high £250 - 350

Lot 87 An Arts and Crafts oak elbow chair, c.1905, with a coopered splatted back, with a solid seat, on faceted square supports, with mounted roundels to the backrest and armrests, 68cm wide 50cm deep 96cm high, seat 46cm high £200 - 300

87 Lot 88 An Arts and Crafts oak bookcase, with six shelves, with a shaped back and sides, 76cm wide 22cm deep 139cm high £150 - 250

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3-155 ARTS & CRAFTS Lot 89 A Cotswold School glazed oak bookcase, with two doors to the front opening on to a single shelf, with chip-carved decoration, 90cm wide 37cm deep 61cm high, and a Glasgow School oak three-tier magazine rack, with swept dividers, a fret cut back, on shaped supports, 36cm wide 24cm deep 95.5cm high (2) £300 - 500

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Lot 90 A Cotswold School oak kneehole desk, with a panelled top, with a single drawer over an arched kneehole between pedestals, each with three graduated drawers, all with panelled fronts and carved handles, on square tapering feet, 107cm wide 46cm deep 79cm high £300 - 500

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Lot 91 An Arts and Crafts stained oak bookcase, of tapering form, with six shelves, with a swept fret-cut back piece, on arched feet, 98cm wide 31cm deep 163.5cm high £200 - 400

Lot 92 A pair of Arts and Crafts oak side chairs, each with a rush seats, on ring-turned legs, with shaped and turned front stretchers, reeded back splat with bobbin-turned spindles, 49cm wide 40cm deep 91cm high, seat 44cm high, and a Liberty & Co.-style oak lamp table, with a square top, on tapering square supports, 39cm square 54cm high (3) £150 - 250

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Lot 94 An Arts and Crafts hanging smoker’s cabinet, stencilled with the verse ‘The man who smokes, thinks like a sage and acts like a Samaritan’, the cupboard stencilled with a lion, beside a shelf, above an eight-hole fret-cut pipe rack, the lower apron with a castellated detail, 70.5cm wide 17.5cm deep 62cm high £200 - 300

93 Lot 93 An American Arts and Crafts copper ceiling light, c.1910, of hexagonal form, topped by a dome with perforated scrolling decoration, with green opaque mottled glass inserts, 82cm diameter 41cm high £400 - 500

95 Lot 95 An Arts and Crafts brass-bound oak planter, of square form, with a shelf, raised on square supports on turned feet, the supports with carved tops, 35cm square 98.5cm high £150 - 250

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3-155 ARTS & CRAFTS Lot 96 An Arts and Crafts oak armchair, c.1900, the design attributed to Baillie Scott, with a copper studded slung leather seat and back, with reeded finials to the backrest, on sledge feet, the front stretchers joined by bobbin-turned spindles, 78cm wide 54cm deep 123cm high £400 - 600

96 Lot 97 A Cotswold School oak compactum, designed in 1935 by Peter Waals for Hazlerigg Hall of Residence at Loughborough University, comprising a wardrobe, with a panelled front, opening on to a single shelf and hanging rails, a two-shelf bookcase, over a four-drawer chest, all with carved and pierced ‘D’ shaped handles, all with exposed dovetail tenons, 148cm wide 58cm deep 200cm high £600 - 800

98 Lot 98 Two walnut bedside tables, after a design by E W Godwin, each with a moulded top and undertier above spindle galleries, with ring-turned supports, 42.5cm and 43cm wide 43cm deep 66cm high (2) £250 - 350

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99 Lot 99 A pair of Abramstevo Colony-style oak side chairs, c.1890-1900, in the manner of Yelena Polenova, each with a shaped swept back, with carved overlapping roundels, on chamfered legs with shaped stretchers, with a woven cane seat across bentwood bracings, 51cm wide 44cm deep 90cm high, seat 46cm high (2) £300 - 500

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ARTS & CRAFTS 3-155 Lot 100 A pair of American Arts and Crafts oak side chairs, c.1910, attributed to Charles Limbert of Grand Rapids, Michigan, each of ladderback construction, frame with through-tenon construction, the seat upholstered in faux leather with studded decoration, the front wheels on castors, 51cm wide 48cm deep 102cm high, seat 49cm high (2) £250 - 350

Lot 101 A Cotswold School wrought steel fender, c.1910, with a barley twisted frame, with punched decoration of scrolling leaf motifs, the front corners with rising spiral twists, 147cm wide 33cm deep 34cm high £250 - 350

100 Lot 102 An Arts & Crafts oak purdonium, of trapezoid form, with brass mounts and handles, with chip-carved decoration to the top and bottom, a fitted brass shovel to one side, with a ring-turned handle, internally with a cast iron inset, 50cm wide 31cm deep 37cm high, and a pair of Arts and Crafts wrought iron firedogs, each with an embossed circular copper mount, decorated with a triskelion pattern, 19cm wide 22cm deep 38cm high (3) £200 - 300

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Lot 103 An Arts and Crafts silvered copper wall mirror, of oval shape, centred with a bevelled edged mirror plate, the frame embossed with husks, 59 x 41.5cm £200 - 300

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104 Lot 104 A Liberty & Co. ‘Sedley’ oak bookcase, c.1905, with reeded shelves and sides, the sides pierced with trefoil on each level, the shelves with exposed pegs, 52cm wide 20cm deep 97cm high, and

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an Arts and Crafts oak magazine rack, c.1900, attributed to Liberty & Co., with carved reliefs of stylised dragon motifs to the front and sides, and with cut heart-shaped handles to the top of the side supports, 68cm wide 22cm deep 83cm high (2) £400 - 600

105 Lot 105 An Arts and Crafts ebonised sideboard, with a panelled backboard with a single shelf, with a bevelled top over an arched opening, flanked either side by a door, each opening on to an unshelved interior, over a shaped apron with a single drawer to the middle, 173cm wide 53cm deep 157cm high £300 - 500 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

3-155 ARTS & CRAFTS Lot 106 An Arts and Crafts oak and chequer inlaid dresser, the top with a moulded cornice over an inlaid frieze and a shaped apron, with two fixed shelves and a panelled back, the base with two drawers fitted with heart-shaped handles, over arched aprons, with moulded supports, the drawers stamped faintly ‘JAS Shoolbred & Co’, 153cm wide 56.5cm deep 180cm high £300 - 500

Lot 108 An Arts and Crafts copper dish,

by Keswick School of Industrial Art, with a spot hammered central design and border, stamped ‘KSIA’, 32cm diameter £200 - 300

Lot 107 A set of five Arts and Crafts lighting designs, by various artists, depicting hanging lights, standard lights and chandeliers, watercolour on paper and board, with various signatures, dated 1901-1902, 39 x 27cm (5) £200 - 300

Lot 110 A Liberty Tudric pewter mantel clock, designed by David Veasey, with an arched case with plain hammered panels, a copper and enamelled dial with Roman numerals, enclosing a French movement, stamped ‘Made in England Tudric 01269’ and ‘Solkets’, 21.5cm high £1,400 - 1,600

Lot 109 An Arts and Crafts Tudric pewter and enamel ‘Bollelin’ tray, designed by Archibald Knox for Liberty & Co., of circular form with cut rim, cast with leaf and flower designs, centred with a triform enamel panel, stamped ‘English Pewter 044’, 26cm diameter £700 - 900

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Lots 111-117 The following seven lots were the work of Henry John Hunt (1904-1993), an artist and stained glass designer who lived in Bromley in Kent.

The present vendor acquired these works directly from the artist who lived with them for a number of years before his death in 1993.

Lot 111 *Henry John Hunt (1904-1993) Three stained glass designs two designs for the Glaziers’ Company, both signed, one dated 1940, watercolour and gouache 30 x 19cm and 35.5 x 20.5cm; The Arms of the Armourers and Brasiers’ Company signed and dated ‘Bromley 1931’, watercolour 42 x 29cm (3) £200 - 300

111 Lot 112 *Henry John Hunt (1904-1993) Design for window in North Aisle, titled and signed, watercolour, 43 x 20.5cm; Brynil and Sigur a stained glass design, watercolour 18.5 x 9.5cm; and Two saints watercolour 43 x 25.5cm (3) £200 - 300

112 Lot 113 *Henry John Hunt (1904-1993) ‘St John’ and ‘Ploughing’ two designs for stained glass roundels, signed and dated 1933 and 1937, watercolour, 24cm diameter, framed (2) £150 - 200

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Lot 114 *Henry John Hunt (1904-1993) Biblical designs for a stained glass scheme five, each with a verse to the bottom, pen and ink, with bodycolour 76 x 55cm; four others, Saint Nicholas, Sir Galahad, A Girl with Apples and a roundel design, largest 80 x 56cm approximately, and a portfolio containing designs for wooden toys and other drawings, and five Trades Training School Certificates of Merit, 1925-6, 1926-7, 1928-9, 1929-30, 1931-32 (qty.) £400 - 600

Lot 115 *Henry John Hunt (1904-1993) Designs for a stained glass window scheme five, two dated 1948 and 1949, watercolour, on rolled paper 270 x 76cm; five corresponding blueprint designs, pinpricked and inscribed, and another design, watercolour, rolled, torn and worn, 204 x 76cm (11) £400 - 600

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Lot 116 *Henry John Hunt (1904-1993) ‘The Tyger’ signed in pencil t.r., watercolour 21.5 x 24.5cm, and two further watercolours of ladies 29.5 x 17cm and 26 x 22.5cm (3) £150 - 200

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ARTS & CRAFTS 3-155 Lots 117-120 Gerald Edward Roberts Smith trained at Chester Arts School. Smith joined A.K. Nicholson’s studio in 1906, and succeeded Nicholson in 1937 on his death; he ran the company as A.K. Nicholson Studios until his death in 1959. He was an early member of the British Society of Master Glass Painters, and chairman from 1958-59. He had trained under Edward Frampton (1850-1929) who had himself trained with Clayton & Bell.

Lot 117 *Gerald Edward Roberts Smith (1883-1959) a stained glass design for the West Window, St. Anne’s Church, Long Sight, Royton, Oldham pen, ink and watercolour, dated Jan 1948 31 x 35cm £200 - 300 Gerald Edward Roberts Smith trained at Chester Arts School. He joined A K Nicholson’s studio in 1906, and succeeded Nicholson on his death in 1937, running the company as A K Nicholson Studios for the rest of his life. He was an early member of the British Society of Master Glass Painters and chairman from 1958-59.

He had trained under Edward Frampton (1850-1929) who had himself trained with Clayton & Bell.

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119 Lot 119 *Gerald Edward Roberts Smith (1883-1959) a stained glass design, St Peter’s Church, Cleethorpes pen, ink and watercolour, dated May 1937 17 x 22cm, framed £150 - 250

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Lot 118 *Gerald Edward Roberts Smith (1883-1959) a stained glass design, St Peter’s Church, Cleethorpes pen, ink and watercolour, dated May 1937 17 x 33cm, framed £200 - 300

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120 Lot 120 *Gerald Edward Roberts Smith (1883-1959) a stained glass design, for the South Transept Window, Dungannon Church, Country Tyrone, Ireland pen, ink and watercolour 40 x 25cm, framed £250 - 350 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

3-155 ARTS & CRAFTS Lots 121-126 A collection of cartoons for stained glass by George Daniels (1854-1940) These full-size working drawings by the artist George Daniels (1854-1940) were all made for stained glass windows dating from the 1920s and 1930s, which were, in part, designed by the architect Frederick Charles Eden FSA FRIBA (1864-1944). Although nominally the work of F C Eden - who secured the commissions and was responsible for the execution of the designs - the windows were actually the result of a collaborative process, in which George Daniels’ cartoons were an essential component. Eden’s contribution was limited to drawing initial sketches and creating the ornamental border patterns; all the figure-drawing – as in this collection of cartoons – was Daniels’ work.

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Lot 121 George Daniels (1854-1940) ‘Nativity’, a full-size stained glass design for St. Peter’s Church, Rushden, Northamptonshire, 1924 numbered ‘455’ and inscribed ‘Left hand light’, pencil 57.5 x 110.5cm, mounted on a board £300 - 500 Lot 122 George Daniels (1854-1940) ‘St Simeon and the Holy Child’, Kirk Langley, Derbyshire, 1932; ‘St Christopher holding a child’, Withington, St Chad’s Church Ladybarn, Greater Manchester, 1928-29 two, full-size stained glass designs, rolled, inscribed and numbered variously, pencil largest 50 x 114cm approximately (2) £250 - 350

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Lot 123 George Daniels (1854-1940) ‘The Blessed Virgin Mary’, Kempley Church, Dymock, Gloucestershire; ‘A swan’, St Hugh’s Church Amley, West Yorkshire two, full-size stained glass designs, inscribed and numbered variously, pencil largest 66 x 145cm approximately (2) £200 - 300

Lot 125 George Daniels (1854-1940) ‘Joan of Arc’ and ‘St Edmund the Marytr’, two full-size stained glass designs for All Saints Church, Norwich Joan numbered ‘27’ and inscribed ‘Sta Joanna de Arc…’, St Edmund numbered ‘216’ and inscribed ‘twin with Joan of Arc’, rolled, pencil 66 x 112 and 68 x 112cm, the first mounted on a board (2) £400 - 600

Lot 124 George Daniels (1854-1940) ‘Nativity’, a full-size stained glass design for Horley Church, Reigate numbered ‘26’ and ‘Horley 3 light wdw, Left hand light’, rolled, pencil 66 x 152cm £300 - 500

Lot 126 George Daniels (1854-1940) ‘St Martin cutting his cloak’; ‘Mary lamenting the Death of Jesus’; ‘Jesus on the Cross’, three, full-size stained glass designs for Holy Trinity, Dartford Parish Church, Kent, all rolled, inscribed and numbered ‘231’, pencil largest 45 x 107cm (3) £400 - 600

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ARTS & CRAFTS 3-155 Lot 127 William Lawson (1892-1946) ‘Saint Barnabas’, ‘Saint Oswald’ and ‘Resurrected Christ’ three stained glass tracery window designs, pencil and watercolour, each signed ‘W L awson 1931’ the largest 370 x 75cm and 306 x 73cm; together with four smaller tracery designs, each entitled ‘Raphael J’; ‘K’; ‘O’; ‘P’, for the New East Window of the Parish Church of All Saints, Portsea, Portsmouth largest 174 x 39.5cm; and the sketch elevation design for the New East Window, inscribed and titled 43 x 61cm, and a small tracery fragment (10) £600 - 800 William Lawson (1892-1946) was the first managing director and chief designer of Faith Craft-Works (later Faith Craft), which was based in St Albans. The enterprise came into being in the mid-1920s, when the Society of the Faith decided to add a non-profit-making enterprise specialising in church art to its existing publishing arm, Faith Press. Lawson worked in a style that harked back to the Middle Ages.

127 part lot Lot 130 A mahogany stick stand, of square tapering slatted form, with a metal liner, 35cm square 71cm high, and a mahogany drop-leaf table, in the manner of Arthur Simpson, with a revolving top, over an undertier, 46cm open 51cm high (2) £150 - 250 Lot 131 An Arts and Crafts oak settle, in the manner of Liberty, with a panelled back, over a hinged seat and spindle galleried arms, 107cm wide 48cm deep 121cm high, seat 45.5cm high £650 - 850

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Lot 128 An Arts and Crafts wrought iron standard lamp, with an adjustable lantern, the stand with a dumb weight, 161cm high £100 - 150 Lot 129 An Arts and Crafts brass hanging hall lantern, with hammered and scrolling details, with a replaced clear glass cylindrical shade, 71cm high £200 - 300

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3-155 ARTS & CRAFTS Lot 132 An Arts and Crafts oak window seat, the side supports carved with heart-shaped designs with pokerwork, the moulded seat with a shaped apron, with a moulded stretcher, 85cm wide 25cm deep 78cm high, seat 41cm high £350 - 450

Lot 133 An Arts and Crafts oak hanging wall cabinet,

by Arthur Simpson of Kendal (1857-1922), with a central cupboard, carved with low relief leaf banding, flanked with shelves, fitted with hinged dust covers, labelled, 115cm wide 20cm deep 45.5cm high £300 - 500

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135 134 Lot 134 An Arts and Crafts silver-plated table lamp, with an adjustable column, raised on a triform stand, fitted with an opaline shade, 46cm high approximately, and an Arts and Crafts copper table lamp, of chamberstick form, fitted with a moulded flame torch shade, 50.5cm high (2) £150 - 200

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Lot 135 A silver spoon,

by Keswick School of Industrial Art, Chester 1906, 15.4cm long, a caddy spoon, stamped KSIA mark, 6.5cm long, and a pendant, engraved with a rose, stamped KSIA mark, 4.9cm diameter, with chain suspension (3) £100 - 200

Lot 136 An Arts and Crafts silver seal-top spoon, by the Guild of Handicraft, London 1901, 15.1cm long £120 - 150

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Lot 138 A pair of Arts and Crafts brass candlesticks,

by William Tonks and Son Ltd., each with removable drip pans, raised on a square plinth, with cast registration marks and ‘WT&S’, 15.5cm high, loaded (2) £120 - 150

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Lot 139 An Arts and Crafts brass charger, embossed and hammered with a central panel depicting a galleon under full sail, the border with fish and seaweed, with a folded rim, 58.5cm diameter £250 - 350

137 Lot 137 An Arts and Crafts silver-plated table lamp base,

by James Dixon and Sons, with riveted details, stamped to the drip pan, 42.5cm high, and a pair of brass candlesticks,

by William Tonks & Co. Ltd., cast with a removable drip pan, cast marks, 17.5cm high, loaded (3) £150 - 200

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140 Lot 140 An Arts and Crafts oak four-fold dressing screen, each panel with scrolled details, open trellis panels, over carved alternating panels of flowers and thistles, the backs plain, each panel 53cm wide 205cm high £200 - 400

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Lot 141 An oak side table, with a plain moulded top, over a single drawer carved with masks and scrollwork, the brass handles issuing from the mouths, with chamfered and feathered supports, with dragon designs to the spandrels, united with plain moulded supports, labelled ‘Wm Richardson (Furnishers) Ltd., Leeds and Bradford’, 97.5cm wide 51.5cm deep 82.5cm high, and an Heal’s oak desk chair, raised on chamfered supports, reupholstered, 60.5cm wide 62cm deep 82cm high, seat 50cm high (2) £250 - 350 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

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Lot 142 An Arts and Crafts copper and brass table lamp, designed by W A S Benson, with a hinged mount, stamped ‘Benson’, with scrolled details, on a leaf pad tripod stand, fitted with an opaline glass shade, 37cm high £300 - 500

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Lot 143 A Liberty Tudric pewter and enamel jewellery box, centred with an enamel plaque

by Fleetwood Varley (1863-1942) depicting a river landscape, faintly signed, opening to reveal a lined interior, stamped ‘0693 Tudric’, 11.2cm wide 6.8cm deep 4.5cm high £600 - 800

Lot 144 A Liberty pewter and enamelled mantel clock, of square form, with a copper and enamelled dial with Roman numerals, stamped ‘0760’, 11cm high £1,200 - 1,500

Lot 145 A pair of Arts and Crafts pewter and abalone-mounted candlesticks, each with a tulip-shaped candle sconce, with triform stem raised on a circular plinth, with three oval abalone mounts, stamped ‘English Pewter Made in England’, 23cm high (2) £250 - 350

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ARTS & CRAFTS 3-155 Lot 146 *A Fulham Pottery dish, designed by Quentin Bell (1920-1996), of octagonal form, centred with an incised bouquet of flowers, with some green and blue strokes, the border in blue and purple, incised ‘Fulham Quentin Bell’, 30cm diameter together with ‘Quentin Bell - A Man of Many Arts’, The Charleston Trust, 1999 (2) £300 - 500

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Lot 147 *A Fulham Pottery vase, designed by Quentin Bell (1920-1996), of waisted cylindrical form painted with flowers, signed and inscribed ‘Fulham Pottery’, 15.5cm high £150 - 200

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Lot 148 A Cotswold School oak refectory table, designed by Eric Sharpe (1888-1966), raised on a trestle stand, with monogram, 152.5cm wide 65cm deep 73.5cm high £500 - 700 Eric Sharpe (1888-1966) was a pupil of Arthur Romney Green for eight years and later became a designer-craftsman working on his own at Martyr Worthy in Hampshire.

Lot 149 An Arts and Crafts Hampshire School oak overmantel,

by Norton M Palmer of Petersfield, with a carved cornice, with carved maker’s marks to the verso, 106.5cm wide 91.5cm high £200 - 300 Lot 150 A Cotswold School bookcase, 1930s, in the manner of Gordon Russell, on chamfered supports, with an arched backboard with a bevelled top, with diamond-shaped inlays over a pair of latticed glass doors, over the same inlays repeated, opening on to two shelves, 90cm wide 28cm deep 114cm high £300 - 400

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3-155 ARTS & CRAFTS Lot 151 A Gordon Russell Cotswold School oak desk, with a crossbanded and moulded top, on square legs, with an H-shaped stretcher, with two mahogany lined drawers to the side, each with a panelled front and brass handles, stamped to the underside ‘G Russell’, 99cm wide 50cm deep 78cm high £200 - 300

Lot 152 A pair of Cotswold School limed oak chests, 1950s, each with a bevelled top over two parallel drawers, over three drawers, each with reeded handles, with panelled sides, raised on square supports, 100cm wide 44cm deep 102cm high (2) £400 - 600

Lot 153 A pair of Tilden ‘Churchill’ oak armchairs, c.1925, designed by Philip Tilden, manufactured by Heal & Son, each with turned front supports, on a carved H-shaped stretcher, upholstered in mustard faux leather with studded edges, with ivorine buttons to the underside and incised ‘U9385’, 58cm wide 56cm deep 90cm high, seat 47cm high (2) £300 - 400

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152 153

154

Lot 154 An oak stool,

by Derek ‘Lizardman’ Slater, the shaped adzed seat raised on three octagonal legs, 35.5cm wide 27cm deep 44cm high £100 - 150

www.sworder.co.uk

155 Lot 155 A pair of Arts and Crafts oak settles,

by William Birch, High Wycombe, in the manner of George Walton, each with turned finials, a shaped back rail, outswept arms and ring-turned supports, now with a red vinyl back and seat, 125cm wide 65cm deep 146.5cm high, seat frame 45cm high (2) £800 - 1,200 Similar examples have rush panels at the back and rush seats. The panels at the back still have the frame supports.

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THE LAWRIE GATEHOUSE COLLECTION OF ART DECO FURNITURE AND TRAVEL POSTERS 156-233 Lawrie Gatehouse (1943-2020) was an avid collector of Art Deco and posters, drawn to the printed medium through his primary love of the golden age of steam and travel.

In his professional life, Lawrie was a mechanical engineer who founded Process Systems International, a successful engineering firm in Northampton in 1992. Another of his lifelong passions was drag racing, after getting hooked at the Blackbushe DragFest in 1964. He consequently spent over 50 years committed to the sport.

His wife, Judith remembers trips to auctions and fairs and the passion he had for all works Art Deco. Ahead of his collection being offered to the next generation of avid collector, Judith shares with us her memories of a fascinating life with her late husband...

I first met Lawrie in February 1998 and he told me that he had the ‘collecting bug’ for antiques from the Art Deco period. He called it a hobby, but I soon realised that for him it was an absolute passion, and it became his life’s work.

Lawrie introduced me to a world I hadn’t experienced before. We would visit Art Deco fairs all over the country. Lawrie enjoyed meeting the stallholders and fellow collectors where he learned and shared knowledge about the artefacts on sale. He recognised the hard work and commitment that went into the setting up a stall and he only collected pieces that he felt were absolutely true and authentic to the Art Deco period.

Lawrie Gatehouse

He loved the innovative streamlined style, the bright colours and the flamboyance of the age. But, above all, he admired the skill and exquisite craftsmanship - the like of which he felt would not be seen again.

Lawrie’s collection of 1920’s posters showed his engineering background and his enjoyment of travel. He had an extensive knowledge of cars, boats and planes but I believe his love for anything with an engine came second to his love of Art Deco.

Lawrie was an avid reader and he studied countless books about the leading designers of that time.

Many hours were spent talking about the hand painted porcelain Lawrie painstakingly collected and he was thrilled if he could find some new pieces thus enabling him to complete a set.

I feel privileged to have shared a very happy life with Lawrie and to have met some lovely people along the way from the world of Art Deco. I hope those of you who procure even a small part of his collection, will enjoy it as much as he did.

Judith Gatehouse, August 2021.

Lot 156 A London Underground poster: ‘The Theatre is Your Looking Glass’, designed by Charles Shepard, lithograph in colours, printed by Sanders Phillips & Co. Ltd, the Baynard Press, 99.5 x 61cm, framed £300 - 500 Lot 157 A London Underground poster: ‘The Open Gate that Leads from Work to Play’, designed by Frederick C Herrick (1887-1970), lithograph in colours, printed by Sanders Phillips & Co. Ltd., The Baynard Press, London, 106 x 66cm, framed £300 - 500

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156-233 THE LAWRIE GATEHOUSE COLLECTION Lot 158 A London Underground poster: ‘Foxgloves, Kew Gardens by Underground’, designed by Dora Batty in 1924, no. 1607, printed by Dobson Molle & Company, Edinburgh and London, 101.5 x 64, framed £300 - 500 Lot 159 A London Underground poster: ‘Regent’s Park, Baker Street Station for Clarence Gate’, designed by Frank Ormrod, Frank Waterlow & Sons Ltd., London, 99 x 62cm, framed £600 - 800

158 Lot 160 A London Transport poster: ‘At London’s Service’, designed by Clive Gardiner (1891-1960), 1934, lithograph in colours, printed by Vincent Brooks, Day & Son, 100.5 x 62cm, framed £200 - 300

160

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159

Lot 161 A London Transport poster: ‘Conducted Coach Tours’, designed by Reginald Mayes (1901-1992), lithograph in colours, printed by the Baynard Press, 100.5 x 62cm, framed £150 - 200

161

Lot 162 A London Underground poster: ‘London’s Open Air, No.6 Winter Walks’, designed by Edward Mortelmans (1915-2008) in 1948, lithograph in colours, printed by the Baynard Press, 100 x 62cm, framed £200 - 300

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THE LAWRIE GATEHOUSE COLLECTION 156-233

Lot 163 A French silver-plated four-piece tea service, each piece mounted with coromandel handles and covers, and a twin-handled coromandel tray, mounted with silver-plated cast handles with sunburst details, various stamped marks, an insect with ‘CV’, ‘18’ and ‘30’, teapot 12.5cm high hot water jug 12cm high tray 58.5 x 36cm (5) £300 - 500

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

156-233 THE LAWRIE GATEHOUSE COLLECTION Lot 164 An Art Deco six-piece silver condiment set,

by Walker & Hall, Sheffield 1933, each piece of ziggurat form, with blue glass liners, with four spoons, pepperettes 7cm high, in a fitted case £150 - 200

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Lot 165 A Dunhill mantel clock, in the Art Deco style, with a green-tinted circular dial, a silvered face marked ‘Dunhill’, on a marble plinth, dial 21cm diameter 21.5cm wide 27cm high £200 - 400

Lot 166 An Art Deco burr maple dining suite, comprising: a dining table, of rectangular form, with partially-reeded sides, raised on a U-shaped base on a splayed foot, with a glass top and plinth, 214cm long 91cm wide 79cm high, and six chairs, of cloud back design, with cream leather seats, 54cm wide 58cm deep 90cm high, seat 50cm high (7) £4,000 - 6,000

www.sworder.co.uk

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166

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THE LAWRIE GATEHOUSE COLLECTION 156-233

167 Lot 167 An Art Deco burr maple sideboard, with a raised centre with a bow front, with reeded cupboards enclosing three drawers, flanked with cupboards enclosing single shelves, 179cm wide 60cm deep 104cm high £3,000 - 5,000

Lot 168 An Art Deco chrome and Bakelite standard lamp, with a frosted dished shade, with a reeded column, on a stepped chrome plinth, 162cm high £300 - 500

168

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156-233 THE LAWRIE GATEHOUSE COLLECTION

Lot 169 ‘The Savoy Cocktail Book’, compiled by Harry Craddock, illustrated by Gilbert Rumbold, printed by Lowe & Brydone, 1930 £150 - 250

169

Lot 170 An Art Deco ‘barmaid’ cigarette dispenser stand, modelled as a barmaid standing behind a bar holding a cocktail shaker, with two sections sliding sideways to reveal compartments, with a matchbox slide to the reverse, 14cm wide 17cm high £150 - 200

170

Lot 171 An Art Deco silver-plated bowl, 25cm diameter, a dish and cover, with an etched glass insert, 25cm diameter, and a Swedish silver-plated cocktail shaker, with concave sides, impressed to the bottom ‘Prima N.S’, 21.2cm high (4) £150 - 200

www.sworder.co.uk

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THE LAWRIE GATEHOUSE COLLECTION 156-233

172 open

Lot 172 An Art Deco ebonised cocktail cabinet, in two sections, of demilune form with a reeded front, each section with a pair of doors with chromed spherical handles, the top section opening on to a maple-lined interior, with a blue-tinted back, and a clear glass worktop, the doors with shelves, the bottom section opening on to a shelved mahogany-lined interior with bottle racks, 83.5cm wide 45cm deep 152cm high £2,000 - 3,000

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Lot 174 Two Art Deco glass vases, each black with silver and red designs, stencilled mark, 22 and 32.5cm high (2) £150 - 200

173 Lot 173 An Art Deco walnut and rosewood mantel clock, with a chrome chapter ring, with an eight-day movement, 17.7cm wide 7.7cm deep 12.5cm high £150 - 250

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156-233 THE LAWRIE GATEHOUSE COLLECTION

Lot 175 An Art Deco walnut nest of three tables, each with shaped rectangular quarter-veneered tops, with panelled sides, 51.5cm wide 38cm deep 55cm high (3) £200 - 400

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176 open

Lot 176 An Art Deco maple and ebonised ‘Big Bertha’ cocktail cabinet, of oval form, the raised centre opening to reveal a lit interior, with a slide mounted with a black glass panel, and a cupboard below, supported with ebonised and reeded mounts, 135cm wide 49cm deep 166cm high £3,000 - 5,000

www.sworder.co.uk

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THE LAWRIE GATEHOUSE COLLECTION 156-233 Lot 177 ‘The Coronation’ streamlined train, 1937, designed by Doris Zinkeisen, 1937, published by the London & North Eastern Railway, printed by Baynard Press, 101.5 x 125cm, framed £3,000 - 5,000

177

Lot 178 An LNER travel poster: ‘The Coronation Crossing the Royal Border Bridge Berwick-upon-Tweed’, designed by Tom Purvis (1888-1959), colour lithograph, printed by Jarrold & Sons Ltd., Norwich and London, 100.5 x 126cm, framed £2,000 - 3,000

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

156-233 THE LAWRIE GATEHOUSE COLLECTION Lot 179 A ‘British Empire Exhibition’ poster, designed by Freda Beard, Wembley, London, with a later printed date ‘May-October 1925’, colour lithograph, printed by Waterlow & Sons Ltd., 75 x 100, framed £400 - 600

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Lot 180 An LNER travel poster: ‘Clacton-on-Sea’, designed by Tom Purvis (1888-1959), colour lithograph, 100.5 x 126cm £2,000 - 3,000

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THE LAWRIE GATEHOUSE COLLECTION 156-233

Lot 181 A pair of Art Deco hanging lights, each with chrome mounts and a cylindrical frosted glass shade, surmounted with an etched glass disc, with chrome ceiling mount and chain, 36cm high to chrome caps 65cm high approximately overall (2) £250 - 450

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Lot 182 An Art Deco bird’s-eye maple extending dining table, with a shaped top, raised on swept supports, 107cm long, extending to 168cm 76cm wide 75cm high, together with four beech dining chairs, each seat and back upholstered in white leather, each back with a studded edge, raised on square legs joined by an H-shaped stretcher, 46cm wide 43cm deep 84cm high, seat 45cm high (5) £250 - 350

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Lot 183 An Art Deco walnut ‘Rocket’ display cabinet, the circular cabinet with hinged glazed doors to the centre, with fretwork beadwork and four glass shelves, 103cm wide 33cm deep 134cm high £500 - 700

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156-233 THE LAWRIE GATEHOUSE COLLECTION

184

185 part lot

Lot 184 Two Royal Doulton coffee sets: ‘Rialto’ and ‘Leonora’, ‘Rialto’ comprising: six cups and saucers, a sugar bowl, cream jug, and a coffee pot, ‘Leonora’ comprising: seven cups and saucers, a sugar bowl, cream jug, and coffee pot and cover, each with painted and printed marks (33) £150 - 200

Lot 186 A Royal Doulton ‘De Luxe’ part coffee service, pattern V1284, each piece in white and green, with silver and black banding, comprising: nine cups and saucers, three further saucers, a sugar bowl, two milk jugs, a sandwich plate two coffee pots and covers, with printed marks and painted pattern numbers (29) £200 - 300

Lot 185 Two Royal Doulton coffee sets: ‘De Luxe’ and ‘Tango’, ‘De Luxe’ comprising: six cups and saucers, a sugar bowl, cream jug, and a coffee pot and cover, ‘Tango’ comprising: six cups and saucers, a sugar bowl, cream jug, coffee pot and cover, two sandwich plates, each with painted and printed marks, and a Doulton tablecloth, 106 x 115cm (35) £150 - 250

Lot 187 An Art Deco table lamp, with a pink glass globe shade, raised on a silvered column, with turquoise coloured mounts, 49.5cm high £150 - 250

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Lot 188 An Art Deco marble and onyx mantel clock, the lozenge-shaped dial with Arabic numerals and inscribed ‘DEP’, surmounted with a patinated deer and with an alarm, 32.5cm wide 4.7cm deep 12.5cm high £150 - 200 Lot 189 An Art Deco rocket table lamp, with a turned oak body, raised on brass feet, with a cream-coloured glass shade with orange geometric decoration, 52cm high £250 - 350

www.sworder.co.uk

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THE LAWRIE GATEHOUSE COLLECTION 156-233 Lot 190 An Art Deco walnut two-part cocktail cabinet, opening to reveal a mirrored interior, with bird’s-eye maple lining and a glass shelf, centred with a pull-out mirror slide, over a cupboard with a single shelf and a rail to the base, labelled ‘A Turnidge Product’, raised on ebonised black supports, 75.5cm wide 34cm deep 129.5cm high £500 - 800 Lot 191 A pair of Art Deco bird’s-eye maple bedside cupboards, each enclosing a shelf, 39.5cm wide 31.5cm deep 61cm high (2) £250 - 450 Lot 192 An Art Deco table lamp, with a frosted and stepped glass shade, raised on a polished steel ring over a fan-shaped stand, on a stepped plinth, 56cm high £150 - 200

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Lot 193 An Art Deco maple wardrobe, of stepped form, with a pair of doors, each with a banded edge and a bevelled handle, opening on to a mahogany lined interior, with hanging rails, 122.5cm wide 48cm deep 184cm high £300 - 500 Lot 194 An Art Deco-style maple stool, with ebonised detailing and a leather seat, 70cm wide 39.5cm deep 63cm high, and a bird’s-eye maple bedside cabinet, with a bevelled top over a single drawer, above a cabinet door opening on to a single shelf, with turned ebonised handles, 35cm wide 31cm deep 67cm high £150 - 250

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193 194

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

156-233 THE LAWRIE GATEHOUSE COLLECTION Lot 195 An Art Deco maple dressing table, with a central rectangular mirror, flanked to either side by cupboards with demilune fronts, each mahogany-lined, enclosing three and two drawers, 122cm wide 55cm deep 151cm high £400 - 600

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Lot 196 Spare lot

Lot 197 An Art Deco cube three-light ceiling light, 56cm wide 57cm high £150 - 250

195

Lot 199 An Art Deco walnut and ebonised two-tier table, with a shaped cloud top with glass, 60cm diameter 50cm high, and an Art Deco maple stool, with original upholstery, with recessed details, 54cm wide 32.5cm deep 46cm high (2) £200 - 400

Lot 198 An Art Deco chrome standard lamp, with a globe shade, the shade raised on a chromed crescent with a green-lacquered double hoop to the bottom, 186cm high £200 - 300

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www.sworder.co.uk

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THE LAWRIE GATEHOUSE COLLECTION 156-233 Lot 200 ‘New York World’s Fair, 1939’, ‘The World of Tomorrow’, a poster printed by Binder, Grimmell Litho Corp NYC, 75.5 x 49cm, framed £400 - 600

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Lot 201 ‘New York World’s Fair, Thru Grand Central Gateway’, a poster, designed by Sascha Maurer (1897-1961), lithograph in colours, printed by Kelly, Nason, Inc., 103.5 x 69cm, framed £1,500 - 2,000 Sascha Maurer (1897-1961) emigrated from Germany and brought the European Modernist poster tradition to America. Maurer was best known for his ski posters, but he did work for the New Haven Railroad and the Pennsylvania Railroad.

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

156-233 THE LAWRIE GATEHOUSE COLLECTION Lot 202 ‘Imperial Airways’ poster, designed by Harold McCready, John Horn Ltd., London, ‘IA /X/195M 1929/4’, printed, 75 x 49cm, framed £1,500 - 2,000

Lot 203 A GPO Imperial Airways poster, designed by H S Williamson (1892-1978), ‘Loading airmails for the Empire; Croydon, 1934’, lithograph in colours, printed for the General Post Office, 49.5 x 69.5cm, framed £200 - 300

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203 Lot 204 ‘Royal Air Force Display’ poster, ‘Hendon Sat 29 June 1935’, by W E Crook printed by McCorquodale & Co. Ltd. London, 76 x 50.5cm, framed £600 - 800

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THE LAWRIE GATEHOUSE COLLECTION 156-233 Lot 205 An Art Deco maple and ebonised dressing table, with a stepped central mirror with light fittings either side, flanked with two banks of drawers, the left one with three drawers, the right one with a single shelf over two drawers, each drawer with a turned Bakelite handle, raised on ebonised feet, 105.5cm wide 51.5cm deep 154cm high £250 - 350

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Lot 207 An Art Deco bevelled and tinted mirror, of shaped rectangular form, with pink and blue-tinted panels, 66.5cm wide 41cm high, and another mirror, with an arched top, with wedge-shaped and marbled panels, 68.5cm wide 45.5cm high (2) £150 - 200

Lot 206 An Art Deco rug, with orange and yellow stripes against a blue ground, 90 x 172cm £200 - 300

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

156-233 THE LAWRIE GATEHOUSE COLLECTION Lot 208 An Art Deco maple dressing table,

by Bath Cabinet-Makers Company, centred with a mirror, with an integral stool and light, the light raised on a chromed arm, atop a stepped wooden pillar, each tier supporting a circular glass shelf, 135cm wide approximately 146cm high £3,000 - 5,000

www.sworder.co.uk

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Lot 209 A collection of gentlemen’s Dunhill lighters, comprising: a silver and enamelled lighter, with Art Deco style panels, stamped ‘030/100’, 6.5cm high, two Dunhill silver-plated and enamelled lighters, each with Art Deco panels, 6.5cm high, and another smaller Dunhill lighter, a pair of .925 cufflinks, and a matched fountain pen, 13.7cm long (7) £150 - 200

Lot 210 A collection of six Art Deco compacts, two stamped ‘FlapJack Baby’, largest 10cm diameter (6) £100 - 150

Lot 211 Three silver and enamelled ladies’ compacts, each with sunburst enamelled panels, largest 9cm diameter, a silver and enamelled cigarette case, 8cm long, and an easel-back clock, 9.5cm wide (5) £100 - 150

Lot 212 Nine Art Deco design green enamelled and coloured compacts, of various sizes, largest 10.5 x 7.5cm (9) £100 - 150

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

156-233 THE LAWRIE GATEHOUSE COLLECTION Lot 212A Eight ladies’ compacts, each with a chain suspension, one mounted with a lipstick, largest 8 x 5.5cm (8) £80 - 120

Lot 213 Nine Art Deco design ladies’ compacts, most in red, largest 10cm long, a folding comb, and a cased timepiece with an attached tassel, 4.5cm long (11) £100 - 150

www.sworder.co.uk

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THE LAWRIE GATEHOUSE COLLECTION 156-233

Lot 213A An unusual ladies’ clock compact, fitted with a clock, in the scallop-shaped case, stamped ‘Illinois Watch Case Co.’, 8.5cm long, and six further ladies’ compacts, one fitted with a lipstick holder (7) £80 - 120

Lot 214 A silver and enamelled cigarette case, with black and red enamelled details, London 1928, 10cm long, a silver and black enamelled compact, 7.5cm long, a silver and faux shagreen enamelled cigarette case, 8cm long, and a silver and enamelled vesta case, 6cm long (4) £100 - 150

Lot 215 A silver and green enamelled ladies’ compact, Birmingham, 1938, of square form with canted corners, 7cm long, and two further near matched circular compacts, with green and blue enamelled covers, 7cm diameter (3) £80 - 120

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156-233 THE LAWRIE GATEHOUSE COLLECTION

Lot 216 An Art Deco walnut and maple chest of drawers, with four graduated drawers, each with horizontal handles, surmounted with a raised back, 84cm wide 52cm deep 122cm high £300 - 500

Lot 217 An Art Deco-style four-fold screen, with lacquered designs in red on a black ground, the backs plain black, each panel 53cm wide 183.5cm high £250 - 350

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Lot 218 A pair of Art Deco maple single beds, 91cm wide 116cm high 202cm long (2) £200 - 400

www.sworder.co.uk

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THE LAWRIE GATEHOUSE COLLECTION 156-233 Lot 219 An Art Deco ceiling light, with four etched glass discs, with frosted panels, 35cm diameter £200 - 300 Provenance: The Lawrie Gatehouse Collection.

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220 Lot 220 A pair of Art Deco maple bedside chests, each surmounted with a raised back, with three drawers, each with a horizontal handle, with reeded, stained beech, front corners, raised on stained beech plinths, 30cm wide 51cm deep 64cm high (2) £300 - 500

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Lot 221 An Art Deco ‘X’ frame maple stool, the seat cushion upholstered in pink fabric with a gilt fan pattern, with piped edges, 58.5cm wide 35.5cm deep 63.5cm high £200 - 400

Lot 222 An Art Deco maple and ebonised dressing table, with a frameless mirror, three drawers to each side, centred with two glass shelves, 180cm wide 40cm deep 140 high £400 - 600

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

156-233 THE LAWRIE GATEHOUSE COLLECTION Lot 223 An Art Deco maple and ebonised breakfront wardrobe, opening to reveal an oak-lined interior, with a drawer to each cupboard, each with adjustable, with shelves flanking a hanging central cupboard, 211cm wide 60cm deep 185cm high £500 - 700

223 Lot 224 An Art Deco table lamp, with a white globe shade, raised on a Bakelite column, on a shaped circular plinth, 47cm high £200 - 300

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Lot 225 An Art Deco maple and ebonised double bed, with two integral shelves, 258cm wide overall 158cm bed width 217cm long £800 - 1,200

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www.sworder.co.uk

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THE LAWRIE GATEHOUSE COLLECTION 156-233 Lot 226 ‘Dungeness By the Romney, Hythe and Dymchurch Railway -The World’s Smallest Public Railway’, a poster, designed by N Cramer Roberts, lithograph in colours, printed by Vincent Brooks, Day & Son Ltd., London, 101 x 63.5cm, framed £300 - 500

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227 Lot 227 An LNER poster: ‘Kings X for Scotland’, designed by Freda Lingstrom (1893-1989), lithograph in colours, published by the London and North-Eastern Railway, printed by the Avenue Press, London, 100.5 x 62cm, framed £200 - 300

Lot 228 An ‘Empire Exhibition Glasgow 1938’ poster, designed by Fred Taylor (1881-1881), lithograph in colours, stamped top right ‘London Midland and Scottish Railway Company, Authorised for Exhibition’, 100 x 61cm, framed £200 - 400

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

156-233 THE LAWRIE GATEHOUSE COLLECTION Lot 229 An Art Deco chrome and milk glass table lamp, with a central hoop to the column, 60cm high, and another table lamp, with a pink glass shade, raised on an hexagonal plinth, 45cm high (2) £150 - 250 Lot 230 An Art Deco mahogany cheval mirror, with a single drawer below the mirror, raised on a moustache-shaped base with brass detail, 79cm wide 40cm deep 171cm high £250 - 350 Lot 231 Four Art Deco accessories, a chrome towel rail, 63.5cm wide 77cm high, a two-tier folding stand, 88.5cm high, a walnut inlaid fire screen, 48.5cm wide 64.5cm high, and a brass and glass-mounted stand, 60.5cm high (4) £200 - 300

229 Lot 232 A pair of Art Deco maple bedside cupboards, each opening on to a drawer over a single shelf, with a reeded, stained beech, front corner, raised on stained beech plinths, 45cm wide 35cm deep 63cm high (2) £200 - 400

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Lot 233 An Art Deco walnut and oak cheval mirror, with a rectangular mirror plate, 51cm wide 37cm deep 155cm high £200 - 300

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www.sworder.co.uk

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Lot 234 René Lalique (French 1860-1945), a ‘Formose’ vase, model no. 934, designed c.1924, opalescent glass, engraved ‘R Lalique France’, 17cm high £300 - 500

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Lot 235 René Lalique (French 1860-1945), ‘Plumes de Paon’ bowl, model no. 10-376, designed c.1932, clear glass, stencilled ‘R LALIQUE FRANCE’, 30cm diameter £250 - 350 Lot 236 René Lalique (French, 1860-1945), a glass ‘Nogent’ pedestal bowl, clear and frosted glass, etched ‘Lalique France’, 14cm wide 8.5cm high £150 - 250 Lot 237 René Lalique (French, 1860-1945), a glass Champagne cooler, model 11968, of organic tapering form, with frosted interior, etched ‘Lalique France’ signature, 23cm wide 23.5cm high £1,500 - 2,000

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234-359 ART DECO

238 Lot 238 A pair of Art Deco bird’s-eye maple bedside tables, each with a bevelled top, with a single drawer over a cabinet door opening on to a single shelf, with shaped Bakelite handles, 37cm wide 32cm deep 66cm high (2) £200 - 300 Lot 239 An Art Deco-style uplighter, with a shallow aluminium shade, mounted on to the cluster column with glass discs, raised on a plastic plinth, shade 57cm diameter 178cm high £200 - 400 Lot 240 An Art Deco walnut ‘Rocket’ display cabinet, with glazed and fret cut cupboards with Bakelite handles, enclosing four glass shelves, raised on a reeded stand, 103cm wide 35cm deep 133.5cm high £600 - 800

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242 part lot

Lot 241 *Marjorie Hayes (1913-2005) ‘The Three Sons of Usna’ an embroidered panel, signed on a Society of Women Artists label, 31 x 48cm, framed £200 - 300 Lot 242 Modern British School (20th century) Two designs for 1930s interiors watercolour 33 x 27cm, unframed (2) £100 - 150 Lot 243 An Art Deco cream leather settee, of concave form, raised on maple block feet, 160cm wide 95cm deep 71cm high, seat 39cm high £300 - 500

www.sworder.co.uk

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ART DECO 234-359

Lot 245 An Art Deco burr walnut nest of three tables, each of plain rounded form with back rails, 56.5cm wide 40cm deep 52.5cm high (3) £300 - 500

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244 246 Lot 244 An Art Deco burr walnut cocktail cabinet, with a raised breakfront central cabinet, opening to reveal a maple-lined interior with mirrors and glass divisions, over a fluted cabinet, no shelf, flanked with glazed cabinets, each with two glass shelves, raised on a ‘U’ shaped stand with a moulded plinth, 135cm wide 42cm deep 126cm high £400 - 600

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Lot 246 An Art Deco burr walnut nest of tables, the shaped circular top, with a crossbanded edge and a quarter-veneered top, raised on a cruciform stand, with a glass top, together with four two-tier tables, with glass tops, 75cm diameter 57cm high £250 - 450

Lot 247 An Art Deco burr walnut dining suite, comprising: a dining table, with rounded ends and fluted details to the edge, raised on a ‘U’ shaped stand, with a moulded plinth, 184cm wide 94cm deep 77.5cm high, a set of six single dining chairs, each with rounded quarter-veneered backs and fabric drop-in seats, 47cm wide 50cm deep 91cm high, seats 45.5cm high, and a sideboard, with a central raised breakfront cabinet, enclosing two drawers, with chromed stylised shell handles, flanked with cupboards, each with a shelf, raised on a ‘U’ shaped stand with a moulded plinth, with glass tops, 151cm wide 55cm deep 106cm high (8) £1,500 - 2,000

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

156-233 THE LAWRIE GATEHOUSE 234-359 COLLECTION ART DECO Lot 248 Three Carter’s Poole Pottery ‘Sporting’ tiles, ‘Driving’, designed by Edward Bawden RA (1903-1989), decorated in colours on a cream ground, moulded ‘CPW’ to the centre on a hatched back and one with ‘SP6’ painted mark, 12.5cm square (3) £300 - 500

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Lot 249 Two Carter’s Poole Pottery ‘Sporting’ tiles, ‘Fishing’ and ‘Punting’, designed by Edward Bawden RA (1903-1989), decorated in colours on a cream ground, moulded ‘CPW ‘ to the centre on a hatched back, painted marks ‘SP2’ and ‘SP3’, 12.5cm square (2) £200 - 300

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Lot 250 Two Carter’s Poole Pottery ‘Sporting’ tiles, ‘Shooting’ and ‘Golf’, designed by Edward Bawden RA (1903-1989), decorated in colours on a cream ground, moulded ‘Carter Tiles England’ and one with ‘SP4’ painted mark, 15.4cm square (2) £200 - 300 Literature: L eslie Hayward and Paul Atterbury, ‘Poole Pottery’, Richard Dennis, 2011, p. 171, with four examples from this series illustrated. Also see a collection of tiles in the Victoria and Albert Museum C.11-1978.

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Lot 251 Two Carter’s Poole Pottery tiles, ‘Fish’ and ‘Pheasants’, designed by Edward Bawden RA (1903-1989), decorated in colours on a cream and off-white ground, moulded ‘Carter Tiles’ and with ‘CS5’ and ‘CS6’ painted marks, 15.5cm square (2) £150 - 250

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Lot 252 An Art Deco walnut and ebonised stand, three tiers with rounded ends supported with a chrome column, mounted with a cabinet to the opposite side, raised on castors, with a glass top, 99cm wide 34.5cm deep 77cm high £400 - 600

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Lot 253 An Art Deco walnut and rosewood centre table, with a circular top, veneered with a star-shaped pattern, with a stepped edge, raised on rectangular supports from a swastika-shaped base, with curved feet, 72cm diameter 64cm high £500 - 700

254 Lot 254 An Art Deco walnut side table, with a quarter-veneered octagonal top, raised on a rectangular column from an octagonal base, 73.5 wide 52cm deep 55cm high £200 - 300

Lot 255 A pair of Art Deco bedside tables, 1930s, attributed to Bath Cabinet Makers Ltd., each white painted, on turned tapering supports, with a door opening on to an unshelved interior, with a moulded brass tassel handle, 35cm square 76.5cm high (2) £200 - 300

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256 Lot 256 *Enid Marx (1902-1998) A geometric fabric design sketch unsigned, pen and ink on paper 15 x 15cm, framed £150 - 250

257 Lot 257 Louis Icart (French, 1888-1950) ‘Eve’ hand-coloured etching and aquatint of a reclining goddess, signed l.r., numbered 309, with the blind stamp of the artist, copyright and date in plate, published by Jaubert, Paris 35 x 50cm, framed £300 - 500

Lot 258 A terracotta figure representing the cost of war, early 20th century, in the form of Death dragging a naked female and male behind him, inscribed ‘SZEKELYKERESZTURI’, signed ‘Horvath 935’ to the side and incised ‘Opus 3, Nr = 3 prima, Horvath, 1935 auguszius 25’ to the base, 41cm wide 18.5cm deep 41cm high £250 - 350

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Lot 259 An Art Deco patinated bronze desk set, modelled as a tiger on a stepped plinth, flanked on either side by inkwells, with a reeded front, 35cm wide 18cm deep 13cm high £200 - 300

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ART DECO 234-359 Lot 260 An Art Deco Muller Frères glass plafonnier, c.1925, with stylised relief moulded foliate decoration, to a pale pink ground, with gilt metal fittings, relief moulded ‘Muller Frères Luneville’ signature, 36cm wide £100 - 150 Lot 261 A Muller Frères glass plafonnier, c.1925, with mottled decoration, acid etched signature, 35.5cm wide £100 - 150

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Lot 262 An Art Deco Muller Frères glass and wrought iron ceiling light, c.1925, the central domed shade enclosed by three further bell form shades, each with mottled decoration, with naturalistic scrolled mounts, acid etched signatures, central shade 36cm wide £250 - 350

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Lot 263 A Daum glass vase, c.1920, with acid etched decoration, raised on a black foot, signed to the foot ‘Daum Nancy France’, 23.3cm high, and a Muller Frères glass and wrought iron basket, the pink ground with relief moulded flowers, relief moulded ‘Muller Frères Luneville’ signature, 28.5cm wide 22.5cm high (2) £150 - 250

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Lot 264 A Muller Frères glass and wrought iron table lamp, c.1925, the naturalistic frame supporting a tapering glass shade, with mottled decoration, shade acid marked ‘Muller Frères Luneville’, 46.5cm high £150 - 250

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Lot 265 An Art Deco rosewood cocktail cabinet, in the manner of Jules Leleu, with brass mounts in the form of torches, the top with a mirrored interior with a single glass shelf behind a pair of sliding glass doors, over a pair of cupboard doors opening on to internal shelving, 101cm wide 44cm deep 130cm high £400 - 600

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Lot 266 An Art Deco rosewood display cabinet, in the manner of Jules Leleu, with brass mounts in the form of torches, the top with a single glass shelf, behind a pair of sliding glass doors, over a cupboard section with internal shelving, 75cm wide 43cm deep 125cm high £400 - 600

266 Lot 267 An Art Deco oak shop display case, 1930s, of demilune form, on an ebonised plinth, internally with curved steps, with a mirrored back wall, the plinth with shelving to the reverse, 205cm wide 45cm deep 100cm high £300 - 500

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268 269 Lot 268 An oak corner unit, in the style of Heal’s, centred with a cupboard with a shelf, flanked with glazed cupboards, each with two adjustable shelves, 91cm wide 80cm deep approximately 92cm high £200 - 300 www.sworder.co.uk

Lot 269 A Bakelite side table, with a circular top, on tubular aluminium supports tapering inward, with an undertier, with exposed bolts, to the base, 50cm diameter 47cm high £200 - 300 83

ART DECO 234-359 Lot 270 An Art Deco bird’s-eye maple bedroom suite,

by Epstein Brothers, comprising: a three-door wardrobe, the central door with a curved reeded front, the left and right-hand doors opening on to hanging rails with hooks, arranged in two tiers with a shelf, the right-hand door opening on to a shelf over two glazed compartments, over one shelf and over three drawers, 166cm wide 72cm deep 188cm high, a two-door wardrobe, in two sections, with a curved reeded front, the left-hand side opening on to railing, the left section opening on to a shelf over two glazed compartments, over one shelf, over three drawers, 118cm wide 61cm deep 188cm high, a dressing table, with a central bevelled mirror, flanked by a cupboard on either side, each opening onto three drawers, 136 wide 57cm deep 160cm high, a headboard, two flanked cupboards, each with one drawer and two shelves, 306cm wide 45cm deep 102cm high, and a set of eight walnut handles, of reeded design (12) £1,500 - 2,000

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Lot 271 A terracotta glazed figure, ‘L’Accordéoniste’, after Jan and Joel Martel, in a blue glaze, unmarked, 21cm high £200 - 300 Lot 272 An Art Deco wrought iron hall stand, with an arrangement of hooks surrounding a central oval bevelled mirror, over an umbrella/ walking stick stand, 80cm wide 28cm deep 196cm high £400 - 600

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234-359 ART DECO Lot 273 An Art Deco Macassar ebony nest of tables, designed by Ray Hille, the larger table with a mirror tiled top, raised on a ‘U’ shaped base, containing two smaller tables, each with a circular top, raised on ‘L’ shaped bases, larger table: 95cm wide 46cm deep 60cm high, the nesting tables: 46cm wide 41.5cm deep 36.5cm high (3) £900 - 1,200

Lot 274 A pair of Art Deco walnut bedside cabinets, of bow-front design, each with a single drawer over a cabinet door, opening on to an unshelved interior, each raised on a plinth, 39cm wide 36cm deep 67cm high (2) £200 - 300

275

Lot 275 An Art Deco bird’s-eye maple, walnut and ebonised bookshelf, with an arrangement of seven shelves, on an ebonised plinth, 81.5cm wide 22.5cm deep 108.5cm high £250 - 350

Lot 276 An Art Deco burr walnut dining suite, comprising: a dining table, with a rectangular top, rounded ends, raised on a ‘U’ shaped stand, with a glass top, 198.5cm long 92cm wide 78.5cm high, and a set of six dining chairs, each with a cream leather seat and burr walnut back, 54cm wide 65cm deep 91cm high, seats 51cm high (7) £3,000 - 5,000

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Lot 277 A Dugdills machinist’s lamp, raised on a loaded plinth, with a green enamelled shade, 60cm approximately £150 - 250

Lot 278 An Art Deco table mirror, c.1930, Australian, attributed to Betty Joel for Token Hand Made Furniture, on a moulded mahogany base, with a bevelled mirror plate with a ziggurat top, with waterfall shaped supports, 60cm wide 20cm deep 65cm high £200 - 300

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Lot 279 An Art Deco-style garden table, on a lacquered angular metal base, with a rectangular wooden top, 153cm wide 78cm deep 74cm high £200 - 300

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Lot 280 *Joseph Goossens (Dutch, 1878-1966), an Art Deco terracotta bust of a lady, signed to the base, 37cm high £200 - 300 Lot 281 A Keramos figure, designed by Rudolf Podany, a lady in a crinoline dress wearing a bonnet with flowers, raised on an oval plinth, with printed marks and ‘840/M’ to the base rim, 29.5cm high £200 - 300

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234-359 ART DECO Lot 282 An Art Deco Gallia silver-plated vase, French, manufactured by Christofle, trumpet-shaped, with a reeded knob and spreading base, 21cm diameter 33.5cm high, together with two Gallia silver-plated bowls, manufactured by Christofle, one with embossed decoration of poppies, the other with embossed decoration of pine cones, 35cm wide 22cm deep (3) £150 - 200

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Lot 283 An Art Deco enamelled silver compact,

by James Dixon & Sons, Birmingham 1933, of square form, with textured exterior and clasp, the clasp closing around a mottled-green stone, the lid enamelled with a white sunburst pattern, internally with a round mirror, 8cm square, 4.20ozt £150 - 250 Lot 284 A Norwegian guilloché enamelled silver cigarette case,

by Marius Hammer, Norway c.1910, with a purple guilloché enamel top, internally gilt, impressed with maker’s mark, 930S,1030, 9 x 5.5cm, 3.21ozt £200 - 300

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Lot 285 A Limoges porcelain dessert service, c 1930, designed by Frank Haviland, printed with a bird and a stylised branch design beneath a gilt rim, comprising: six plates, 22cm diameter, an oval dish, a circular dish, and a centrepiece, 23cm diameter, 13cm high green and red printed marks to base with inscription ‘Made for McDougall & Sons Glasgow’ (9) £150 - 250 Lot 286 A Belgian blue-glazed tea service, designed by Roger Guerin, with gilt scroll handles, comprising: teapot, sugar bowl, cream jug, and six teacups and saucers, impressed signature on teapot base (17) £100 - 150

285 Lot 287 An Art Deco copper electrolier, of six-branch design, for three bayonet bulbs, with six moulded graduated glass shades, each of stepped design with a relief decoration of a woman with flowers, 57cm diameter 42cm high £200 - 300

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ART DECO 234-359 Lot 288 A London Underground enamelled station sign: ‘St Johns Wood’, 20th century, probably pre-war, brass-mounted, 61cm wide 45.5cm high £300 - 500 Lot 289 Two French Cunard travel posters, c.1930, ‘Cunard Winter and Easter Cruises’ and ‘Le Bateu Plasis Du Voyage Cunard Votre Route Sur L’Atlantique’, lithographs in colour, 101 x 63cm, framed (2) £150 - 250 Lot 290 A London Underground poster: ‘French Row St Albans’,

by Verney L Danvers (1895-1973), No. 38, 1922, issued by Underground Electric Railways Co. of London Ltd., printed Vincent Brooks Day & Sons Ltd., 102 x 64cm £250 - 350

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291 Lot 291 An Heal & Son Art Deco walnut headboard, of stepped form, flanked on both sides by a cabinet over two shelves, over a bedside table, each bedside with a drawer and a cupboard opening on to shelving, the top with two integrated light fittings, each with a toggle switch on either side, with ivorine label to the right drawer, 283cm wide, 210cm in between the bedsides, 38cm deep 163cm high £500 - 700

292 Lot 292 An Art Deco ebonised mantel clock, manufactured by Norland, with a square dial with chromed Arabic numerals and hands, raised on four chromed supports from a bevelled base, labelled ‘Norland - Made in England’ to the mechanism, 30cm wide 20cm deep 28cm high £80 - 120

294 part lot Lot 294 A collection of thirteen chlorobromide prints, early 20th century, depicting various society ladies, by Bertram Park, Yvonne Gregory and Lenare, various sizes (13) £100 - 150

293 Lot 293 A Gordon Russell Art Deco walnut breakfront cabinet, 1930s, with a central glazed door, flanked by a blind door on either side, all opening on to internal glass shelving, the central cabinet with internal lighting, with three drawers below, on rounded tapering legs, labelled ‘Russell of Broadway’ to the underside, 122cm wide 46cm deep 150cm high £400 - 600

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Lot 295 A pair of Czechoslovakian Art Deco pottery centrepieces, each modelled as a child riding a goat, hand-painted in shades of green and black, printed with factory marks to the underneath, 22.5cm diameter 26cm high (2) £150 - 250

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296 Lot 296 A chrome-plated ‘HMV Room Heater’, designed by Christian Barman in 1934, manufactured by HMV Factories, Hayes, Middlesex after 1938, with four stacked blades, fitted with a fan and elements inside, labelled and stamped ‘Serial No. H4372’, together with an original advertising leaflet, 43cm wide 32cm deep 31cm high £250 - 350 Christian Barman (1898-1980) was the editor of ‘Architectural Review’ and later publicity officer for the London Passenger Transport Board; he was also an influential propagandist for the modern movement.

Lot 297 A Bestlite chrome and black enamel adjustable reading/student’s lamp,

by Robert Dudley Best (1892-1984), a chrome column upright, fitted with a conical shade, 52cm high £100 - 150

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Lot 298 An Art Deco oak dressing chest, with four drawers, each with a chromed rail handle, the top drawer with internal dividers, the top with a fitted mirror with bevelled edges, raised on semispherical feet, 91.5cm wide 52cm deep 156.5cm high £200 - 300

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Lot 299 An Art Deco satinwood book table, with a quarter-veneered circular top, over two tiers, one-third with a cupboard, raised on a plain plinth, 71cm diameter 71cm high £400 - 600 Lot 300 An Art Deco walnut book table, with a circular quarter-veneered top, with two pairs of tiered shelves, 66.5cm diameter 63cm high £300 - 500

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234-359 ART DECO Lot 301 A Danish settee, with striped olive and white cloth upholstery, with oak bun feet, 180cm wide 75cm deep 67cm high, seat 35cm high £200 - 400 Lot 302 Spare lot Lot 303 An Art Deco maple bed frame, of stepped form, with panelled front and top, with two integrated reading lights behind opaque glass panels, flanked to either side by a bedside cabinet with a single drawer over a shelf over a cupboard, with octagonal handles, on walnut veneered bases, 223cm wide, internally 151cm 44cm deep 118cm high £400 - 600

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Lot 304 A cast bronze panel, the arched top centred with a man in profile, signed ‘Born’, 36cm wide 48cm high £120 - 180 Lot 305 An Art Deco chrome and ebonised desk stand, mounted with a lady holding a marble ball, fitted with a calendar dial with rotating numerals, the month display with different panels and a pen stand, 13cm wide 20.5cm deep 21.5cm high £150 - 250

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Lot 306 A car mascot, 1930s, mounted with an aeroplane, with a painted red propeller, the mount a radiator cap, now on a teak stand, 10cm high 17.5cm long £150 - 250

Lot 307 *Xavier Raphanel (French, 1876-1957), ‘Joan of Arc’, a gilt-bronze and ivory figure, modelled standing holding a casket and a flower, signed, on a marble plinth, 34cm high £500 - 800

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Lot 308 Two clock dials, each with a painted glass white face and black Roman numerals, both cracked, each mounted in a metal bezel, 89cm diameter 97.5cm diameter overall (2) £300 - 500 Provenance: Gordon Free Church, Scottish Borders.

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Lot 309 An Heal’s walnut desk, of concave form with a plain top, with a moulding strip fitted to the back, over three drawers each side, with turned button handles, flanked with fluted edges, with ivorine handle to the top right drawer, 116cm wide 48cm deep 72.5cm high £300 - 500

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Lot 310 *Val St Cyr (b. Arthur Andrews Hilder 1890-1967) Two fashion studies: one depicting a woman in a fur-lined coat, cocktail dress and a hat, the other depicting a woman in a floral dress resting on a tree each signed Val St. Cyr, gouache 39 x 30cm, framed; a 1931 calendar, featuring a printed version of the latter fashion study, 44 x 30cm; together with a portfolio of ephemera and correspondence with his student Edna Timson, as well as several of her sketchbooks and drawings gifted to Val St Cyr on various occasions (qty.) £300 - 500

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Lot 311 A Lenci pot and cover, painted in black, orange, and red with figures in 18th-century costume bowing to each other within a garden, the cover with banding, inscribed ‘Lenci Made in Italy Torino XIIIV(?)’, 15cm diameter 12cm high (2) £400 - 600 Provenance: T he Peter and Pat Crofts Collection.

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312 Lot 312 An Art Deco table clock, of rectangular form, with a gilt chapter ring with Arabic numerals, mounted on a rose-tinted mirror background with incised decoration, raised on brass feet, the reverse of the casing impressed ‘Made in Gt. Britain’, 14 x 18cm £100 - 200

Lot 313 *Rudolf Pauschinger (German, 1882-1957), a creeping panther, bronze, signed, 62cm wide 23.5cm high £800 - 1,200

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Lot 314 An Art Deco burr walnut bachelor’s cabinet, enclosing a hanging cupboard to one side, the other mounted with three drawers and a further cupboard enclosing two shelves, with Bakelite handles, raised on a plinth, 83.5cm wide 50cm deep 128cm high £300 - 500

314 Lot 315 An Art Deco burr elm display cabinet, with a glazed cupboard to the top, internally with two glass shelves, over a pyramidal base of shelves, 100cm wide 45cm deep 186cm high £2,000 - 3,000

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Lot 316 An Art Deco oak coat stand, the revolving circular top mounted with four lacquered brass hooks, over a cruciform stand, with fret-cut stick receptacles, the plinth fitted with four quartered metal trays, 191cm high £300 - 500

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ART DECO 234-359 Lot 317 A Hagenauer hardwood and brass African warrior, modelled crouched down, holding a spear, the hair ring impressed, stamped monogram and ‘Hagenauer Wien Made in Austria’, 25.5cm high £400 - 600

Lot 318 A Hagenauer silvered figure of a boxer, stamped with monogram and ‘Hagenauer Wien’, 21.5cm high £300 - 500

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Lot 319 A Hagenauer polished brass figure of a kneeling man, possibly Jesus or a disciple modelled wearing a cloak, one hand raised, the other in blessing, stamped monogram and ‘Hagenauer Wien’, 24cm high £300 - 500

Lot 320 A Hagenauer hardwood and brass bust of a Native American, modelled wearing a feather in his hair, stamped monogram and ‘Hagenauer Wien Made in Austria Handmade’, 17.4cm high £300 - 500

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Lot 321 Just Andersen (Danish, 1884-1943), a patinated Art Deco bronze vase, modelled as a boy riding a giant fish, the top fin of the fish with perforations, impressed ‘Just A Denmark, D2166’ to the base, 30cm wide 15cm deep 21cm high £200 - 300

Lot 322 Just Andersen (Danish, 1884-1943), an Art Deco bronze modelled as a boy with a fish, sat on a bust of H C Andersen, signed ‘Just A’, impressed ‘D1699, Denmark’ to the base, 15cm high £150 - 250

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Lot 323 Just Andersen (Danish, 1884-1943), two patinated Art Deco bronze vases, one modelled as a spherical bird, the other of raised oval form, with reeded decoration, with an ‘S’ shaped handle, both impressed ‘Just A, Denmark’ and numbered ‘1898’ and ‘2196’, largest 13cm high (2) £150 - 250

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Lot 324 An oak and tubular-framed desk, in the Bauhaus style, with a rectangular floating writing surface, with three drawers each side, each mounted with cylindrical handles, 124.5cm wide 64cm deep 75cm high £400 - 600

Lot 325 A glass ceiling light, fitted with a mottled glass shade, 29cm diameter 36cm high £150 - 250

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326 Lot 326 An Art Deco walnut octagonal lamp table, with a quarter-veneered top, over a cruciform fret cut stand, on block feet, 60.5cm diameter 57.5cm high £100 - 150

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Lot 327 Three Art Deco clocks, comprising: a walnut cased clock, mounted with a silvered dial inscribed ‘Rattray & Co. Dundee’, on a stepped convex stand, 30cm wide 14cm high, a bedside clock, with a yellow quartz-style face, brass dial and frame, with an easel back, in a case, printed ‘MacKay & Chisholm, Edinburgh’, 10.5cm square, and a small onyx desk clock, with a painted dial with Arabic numerals, 12cm wide 9cm high (3) £120 - 180

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ART DECO 234-359 Lot 328 A Rowley Gallery oak wall mirror, surmounted with an inlaid panel ‘Sunset Sail’, within a carved and moulded frame, titled to label, 18cm wide 49.5cm high £100 - 150

Lot 329 An Art Deco walnut ‘Sky Scraper’ standard lamp, with three stepped and fluted columns, raised on a stepped plinth, on ebonised block supports, 159cm high £120 - 180 Lot 330 An Art Deco table lighter, surmounted with a painted metal figure in the manner of Josef Lorenzl, standing on a globe with a wood plinth, 22cm high £150 - 250

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331 Lot 331 An Art Deco chrome Unigraph Dex weather station, 1930s, mounted with a barrel-form tower, with two dials, and a sliding dial below, with hexagonal supports to the sides, a card calendar slot to the right-hand side, with days and months, 26cm wide, and a desk barometer, thermometer and clock, in a chrome frame with square dials, with an easel back, 24cm wide (2) £120 - 180

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234-359 ART DECO Lot 332 A Rowley Gallery inlaid wall mirror, centred with a mirror plate, flanked with inlaid panels of figures in a landscape in silhouette, with gilt mounts and frame, labelled, 108cm wide 44.5cm high £300 - 500

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Lot 333 An Art Deco walnut and ebonised display cabinet, with glazed doors, enclosing two wood shelves, raised on a ‘U’ shaped stand, 109cm wide 28cm deep 128cm high £350 - 450

333 Lot 334 A two-part circus poster, c.1930, designed by J F Blewitt, lithograph in colours, printed by Moody Brothers Ltd., Birmingham, the left sheet with text to include ‘Magnificent Troupe of 21 Liberty Horses, Funny and Wonderful Clowns, 14 Ferocious Forest-bred Lions, Famous 4 White Horses, Comic Black Bear Actors, High School Horses, 5 Musical Comedy Dancing Elephants, Thrilling Riders, 10 Savage Polar Bears from the Frozen North, Daring Performers’, 142 x 95cm and 143 x 101cm £300 - 500 Acquired directly from the Fossett family.

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Lot 335 Two matched mahogany ‘Token Works’ bedside cabinets, designed by Betty Joel, both with a glass top, over a shelf and panelled cupboards, the larger, with a stepped edge, raised on fluted block supports, labelled in ink ‘Token Handmade Furniture Designed by Betty Joel Made by G E Ashley at Token Works 1929’, 48cm wide 30.5cm deep 64cm high, the smaller, with a rounded top and raised on bun supports, labelled in ink ‘Token Handmade Furniture Designed by Betty Joel made by A Payne at Token Works Portsmouth’, 48.5cm wide 29cm deep 60cm high (2) £350 - 450

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234-359 ART DECO Lot 336 An Art Deco mahogany console table, possibly designed by Betty Joel, the plain top with a canted front, over a single drawer, raised on chamfered supports and raised sledge feet, united with a double stretcher, unmarked, 104cm wide 59cm deep 91cm high £400 - 600 Possibly part of the furniture that was made for St. Olaf House in Hay Wharf, Tooley Street, London. The building and its fittings were designed by the architect, Harry Goodhart-Rendell, and made by Betty Joel Ltd. Betty Joel was good friends with the architect and they worked on several architectural projects together. He was responsible for the design of Joel’s new factory at Ewell, once she moved from Portsmouth.

Lot 337 An Art Deco mahogany ‘Token Works’ dining table, designed by Betty Joel, the rectangular stepped top with canted corners, raised on fluted supports, labelled ‘Token Hand-Made Furniture designed by Betty Joel made by G E Ashley at Token Works Portsmouth, 1931’, 176cm long 91cm wide 75cm high £400 - 600

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Lot 338 An Art Deco oak ‘Token Works’ dining table, designed by Betty Joel, the rectangular stepped top with canted corners, raised on fluted supports, labelled ‘Token Hand-Made Furniture Designed by Betty Joel Made by W Perkins At Token Works Portsmouth’, 154cm wide 86.5cm deep 75.5cm high, and three matched chairs, 53cm wide 45cm and 58cm deep 87cm high, seat 48cm high (4) £250 - 350 Lot 339 An Art Deco walnut two-tone veneered ‘Token Works’ cabinet on chest, designed by Betty Joel, the top fitted with three adjustable shelves, veneered in sycamore, raised on the lower section with seven asymmetrical drawers, the top two baize-lined, each with canted cut handles, and raised on an ebonised plinth, labelled ‘Token Handmade Furniture Designed by Betty Joel Made by F Robert A Buckingham at Token Works Kingston By-pass October 1935’, 122cm wide 52cm deep 196cm high £400 - 600

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ART DECO 234-359 Lot 340 Ferdinand Preiss (German, 1882-1943), an ivory and cold-painted bronze figure of a girl with a borzoi dog, signed ‘F Preiss’, 8cm wide 5cm deep 12cm high £3,000 - 5,000 Provenance: A UK private collection.

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Lot 341 Ferdinand Preiss (German, 1882-1943), ‘The Autumn Dancer’, a cold-painted bronze and ivory figure, signed ‘F Preiss’ to the top of the plinth, with a cast foundry stamp ‘PK’ for Preiss & Kassler, raised on a square chamfered onyx and black marble column, on an octagonal plinth, 36.5cm high £15,000 - 20,000 Provenance: A private UK collection.

Literature: For a similar example illustrated, see: A Shayo, ‘Ferdinand Preiss Art Deco Sculptor, The Fire and The Flame’, Woodbridge, 2005, p. 173.

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Lot 342 Paul Philippe (French, 1870-1930), ‘The Violinist’, a cold-painted bronze and ivory figure, signed ‘Philippe’, seated on a stepped onyx plinth, 25cm wide 15.2cm deep 30.5cm high £8,000-12,000 Provenance: A UK private collection.

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ART DECO 234-359 Lot 343 A Clarice Cliff teddy bear bookend, the green painted bear with a red ribbon, seated on a square plinth, printed Lawleys retailer’s mark and ‘Made in England’, restored, 15cm high £200 - 300 Lot 344 A Clarice Cliff ‘Secrets’ vase, c.1933, of flared form, decorated with a green and yellow landscape scene with cottages set on a hill, stamped underneath with Bizarre marks, 21cm diameter 24cm high £400 - 600

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Lot 345 A pair of William Moorcroft ‘Big Poppy’ vases, c.1925, each of double gourd form, on a blue ground, with impressed marks and green monogram signature, 31.5cm high (2) £400 - 600 Lot 346 A Wedgwood ‘Fairyland’ lustre octagonal bowl, c.1920, pattern No. Z5125, designed by Daisy Makeig-Jones, the exterior in the ‘Castle on the Road’ pattern, the interior with a central roundel depicting two fairies, surrounded by the ‘Fairy in a Cage’ pattern, printed Portland vase mark and inscribed ‘Z5125’, 23.5cm diameter 12cm high £500 - 700

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Lot 347 *Sophia Rosamund Praeger (Irish, 1867-1954) ‘The First Aeroplane’, a plaster group, with incised signature and title, 16cm high £200 - 300 Lot 348 Josef Lorenzl (Austrian, 1892-1950), a cold-painted bronze figure of a dancer, cast ‘R Lor’ to the left foot, raised on an onyx plinth, 20.2cm high £700 - 900 This figure was modelled on Luise ‘Niddy’ Impekoven (1904-2002), who became famous for her dazzling and expressionistic dancing style.

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348 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

234-359 ART DECO Lot 349 An Art Deco walnut and chrome standard lamp, with a square tapering column, with a chrome mount raised on a square plinth, 157cm high £120 - 180

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Lot 350 An Art Deco walnut dining table, the rectangular top with canted corners, with ebonised details, raised on two shaped plinths, 156cm wide 90.5cm deep 75cm high, and four dining chairs, each with a shaped back, with a reupholstered drop-in seat, 46cm wide 46cm deep 89cm high, seat 50cm high (5) £500 - 800

Lot 351 A turquoise upholstered corner settee, Danish, with spiral piping on flattened bun supports, 230cm wide approximately 75cm deep 78cm high, seat 36cm high £300 - 500

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Lot 352 An Art Deco design walnut display cabinet, centred with five silvered and clear rods, flanked with central hinged glazed cupboards, with silvered details, enclosing two glass shelves and a fabric back, labelled ‘Hubbinet Furniture’, 135cm wide 35cm deep 125.5cm high £200 - 300

353 Lot 353 *John McKenzie (1897-1972) ‘Gents Salon’ signed with initials, with remnants of label with the title to the verso, carved slate 27 x 20cm, framed £200 - 300

Lot 354 An Art Deco-style ‘DK113’ Macassar ebony desk, after a design by Emile-Jacques Ruhlmann, of kidney-shaped form, the top with a central burlwood cartouche surrounded by mahogany and maple veneer, with a stepped edge, a central lockable drawer flanked on either side by a bank of two drawers, all with silvered handles, raised on octagonal maple banded tapering legs, each with a silvered cap, 122cm wide 70cm deep 86cm high £1,200 - 1,500

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234-359 ART DECO

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Lot 355 A pair of Art Deco-style Macassar ebony bedside tables, each top of square form, with book matched veneers, each with a drawer to the side, on square tapering legs, 45cm wide 45cm deep 36cm high (2) £200 - 300 Lot 356 An Art Deco-style Macassar ebony dining table, the top of rectangular shape, the sides of the top banded with chromed metal, raised on two ‘U’ shaped plinths, 250cm wide 152cm deep 75cm high £800 - 1,000

Lot 357 A wrought iron mirror, French, in the manner of Edgar Brandt, the bevelled mirror panel surmounted with a pierced panel of flowers and leaves, 70cm wide 131cm high £500 - 700

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ART DECO 234-359

Lot 358 Ferdinand Preiss (German, 1882-1943), The Archer or Diana, a cold-painted and ivory figure, on an onyx plinth, signed ‘F Preiss’ raised on a gilt-bronze stand, cast with foundry mark ‘PK’ for Preiss and Kassler, 17.5cm wide 8cm deep 24.5cm high £10,000 - 15,000 Provenance: A private UK collection.

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234-359 ART DECO

Lot 359 Ferdinand Preiss (German, 1882-1943), ‘Flame Leaper’, c.1935, a carved ivory, patinated bronze and resin, raised on a stepped onyx plinth, signed ‘F Preiss’ to the back of the plinth, 36.5cm high £8,000-12,000 Provenance: T he Peter and Pat Croft Collection.

Literature: Bryan Catley, ‘Art Deco and other Figures’, Antique Collectors’ Club, London, 1978, p.277, illustrated, for a similar model.

Alberto Shayo, ‘Ferdinand Preiss, Art Deco Sculptor, The Fire and the Flame’, Antique Collectors’ Club, Woodbridge, 2005, p.164 illustrated, for a similar model.

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the

Trevor Coldrey collection 360-398 Lot 360 *Robert Johnson Washington (1913-1997) a tall stoneware vase, of tapering waisted form with painted brown figures, impressed monogram ‘RJW 81’, and inscribed ‘1132’, 60cm high £600 - 800

Lot 361 *Colin Pearson (1923-2007), a porcelain vase, with a gold glaze, with conjoined handles, with impressed artist’s mark, 15.5cm high £150 - 250

Lot 362 *William Marshall (1923-2007), a tenmoku-glazed lidded stoneware urn, of slight baluster form, with a recessed lid, the sides impressed with squares, impressed artist’s monogram, 30.5cm high £200 - 250

362 Lot 363 *Mike Dodd (b.1943), a stoneware vase, of ovoid form, with a flattened rim, with a mottled glaze with incised and brushed decoration, with impressed artist’s mark, 21cm high £150 - 250

Lot 364 *Mike Dodd (b.1943), a stoneware bottle vase, of ovoid form, with a blue and white hare’s fur glaze, with striped decoration, impressed with potter’s mark to the foot, 18cm high, another bottle vase, of ovoid form, squaring off to a flat shoulder, in a khaki glaze with brushed decoration, the rim with a tenmoku glaze, with a band of tenmoku glaze to the base of the neck and the foot, impressed with potter’s mark to the foot, 17cm high, and, a vase, of bulbous form, with a raised lip, in a mottled yellow and white glaze, with incised and scraped decoration to the sides, impressed potter’s mark to the foot, 18cm high (3) £250 - 350

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363 Lot 365 *Mike Dodd (b.1943), a stoneware vase, of bulbous form with applied reeded decoration, with an ochre-coloured glaze, impressed artist’s monogram, 31cm high £150 - 200

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Lot 366 *Mike Dodd (b.1943), two stoneware yunomi, both of waisted form, one in a khaki glaze, the other in a grey and celadon glaze with light incisions to the sides, both impressed with artist’s mark, 11cm high, a stoneware charger, in a celadon and grey glaze to the inside, externally with a tenmoku glaze, impressed artist’s mark, 25cm diameter, and a small stoneware urn, of baluster form, in a tenmoku glaze, with impressed artist’s mark, 10cm high (4) £150 - 200

Lot 369 *Mike Dodd (b.1943), three stoneware bowls, each with a trailing glazes, one with a horizontal band, each with an artist’s monogram, largest 13.5cm diameter, a stoneware vase, with a two-tone glaze, with artist’s monogram, 14cm high, and a stoneware bowl, with a facet body, incised mark, 19.5cm diameter (5) £150 - 200

Lot 367 *Mike Dodd (b.1943), a bottle vase, with a handle, with a cream drip glaze over a tenmoku base with brushed iron glaze decorations, with impressed artist’s mark, 19cm high, two lidded jars, one in an ochre glaze, with incised decoration to the side, the other with an olive and brown drip glaze, with incised squares to the side, both with impressed artist’s marks, largest 14cm high (3) £150 - 250 Lot 368 *Mike Dodd (b.1943), a lidded urn, with reeded sides, in an olive and brown glaze, the lid with a mottled-white glaze over aforementioned glaze, with brushed iron details, with impressed artist’s mark, 21cm diameter 21cm high £150 - 200

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Lot 370 *Mike Dodd (b.1943), two stoneware yunomi, with facet cut bodies, impressed artist’s monograms, 9 and 9.5cm high, a stoneware bottle vase, with a facet cut body and twin handles, impressed artist’s monogram, 13.2cm high, and a bowl, incised with panels of insects, impressed artist’s monogram, 13.5cm diameter (4) £120 - 180 Lot 371 *Mike Dodd (b.1943), a stoneware bottle vase, with a trailing glaze over a brown body, indistinct artist’s monogram, 24.5cm high, and a stoneware faceted ovoid vase, with a trailing mushroom and ochre glaze, filled artist’s monogram, 20.5cm high (2) £120 - 150

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371 Lot 372 *Jim Malone (b.1946), a stoneware vase, of baluster form, with a flaring neck, a khaki glaze with incised decoration, impressed artist’s monogram with Ainstable mark, 34cm high £200 - 400

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THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY 360-398 Lot 373 *Micki Schloessingk (b.1949), three salt-glazed stoneware yunomi, with facet cut sides, each with an impressed artist’s monogram, 8.5 and 9cm high, two stoneware bowls, each with an impressed artist’s monogram, 14cm and 20cm diameter (5) £150 - 200

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Lot 374 *Micki Schloessingk (b.1949), two stoneware vases, both with mottled and brushed green glazes, impressed artist’s monograms, 22cm and 17cm high (2) £140 - 180 Lot 375 *Micki Schloessingk (b.1949), two salt-glazed stoneware vases, one with lug handles, each with square bases, each with impressed artist’s marks, 21 and 21.5cm high. and a stoneware dish, with three feet, impressed artist’s mark, 33cm diameter approximately (3) £150 - 200

377 Lot 376 *Dan Kelly (b.1951), two black stoneware vases, of baluster form, with inverted rims, both with thumbprints to either side, unmarked, largest 15cm high, and a black stoneware vase, of domed form, with an inverted rim, unmarked, 12cm high (3) £200 - 300

Lot 378 *Phil Rogers (1951-2020), a stoneware bottle vase, with a spiral neck, shoulder and finger trailed details, impressed with artist’s monogram, 24.5cm high £150 - 200

Lot 377 *Dan Kelly (b.1951), a black stoneware vase, of conic form with cut and impressed sides, unmarked, 22cm high, and a black stoneware squat vase, with an inverted rim, with an incised side, on either side with thumbprint, unmarked, 13cm high (2) £200 - 300

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Lot 379 *Phil Rogers (1951-2020), a stoneware bottle vase, of shouldered form with combed details to the body, with two impressed artist’s monograms, 33.5cm high £150 - 200

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

360-398 THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY Lot 380 *Marcus O’Mahony (b.1952), a salt-glazed stoneware vase, of bulbous form with a long bulbous neck, with handles to the base of the neck, with incised decoration, impressed artist’s mark, 33cm high £100 - 200

380 Lot 381 *Marcus O’Mahony (b.1952), four stoneware and slab built dishes, each of dished square form, with painted glazes, each impressed with artist’s monograms, largest 16cm square, and a cream glazed bowl, with an impressed artist’s monogram, 19cm diameter (5) £150 - 200

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Lot 382 Danlami Aliyu (Nigerian, 1952-2012), a stoneware jar and cover, with a domed cover, twin handles and with flowers designs, impressed artist’s mark and Al-Habib Pottery Minna Nigeria’, 22.5cm high £120 - 180 Lot 383 *Julian King-Salter (b.1954), a hand-built vase, of bulbous twisted form, in a buff ground with purple, blue and orange splashes, impressed artist’s monogram and incised ‘B222’, 23cm high £120 - 160

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Lot 384 *Julian King-Salter (b.1954), a hand-built vase, of flattened and spiral form, in a buff ground with purple and blue bands, impressed artist’s monogram and incised ‘K16’, 29.5cm high, and a triform baluster vase, with a buff ground with similar bands, impressed artist’s monogram and incised ‘K28’, 32.5cm high (2) £250 - 300

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THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY 360-398

Lot 385 *Lisa Hammond (b.1956), an octagonal stoneware bottle vase, impressed with artist’s monogram, 33cm high £140 - 180

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Lot 386 *Lisa Hammond (b.1956), four stoneware yunomi, impressed artist’s monograms, largest 7.4cm high, two stoneware bottle vases, impressed artist’s monograms, 27 and 18cm high, and two stone bowls, one with finger impressions, one with impressed artist’s monogram, 20.5 and 16cm diameter (8) £150 - 200

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Lot 387 *Lisa Hammond (b. 1956), two stoneware vases, both of flat shouldered form, one of hexagonal form, with grey and brown drip glazes, the other of rounded square form from the base to the shoulder, with a salt glaze, both impressed with artist’s marks, 26cm high, a vase, of slight tapering form, with applied protrusions to the waist, with a wood-fired glaze, with brushed decoration, impressed with artist’s marks, 22cm high, and a yunomi, with a wood-fired glaze, unmarked, 9.5cm high (4) £150 - 250

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388 Lot 388 *Lisa Hammond (b.1956), two stoneware bottles, each with pinched necks, each with impressed artist’s monogram, 20.5 and 27.5cm high (2) £100 - 150

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360-398 THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY

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Lot 389 *Nic Collins (b.1958), three stoneware items, comprising a bowl and two bottle vases, the bowl of squat form, with a wide flat rim with handles to either side, one bottle vase of bulbous form with a long tapering neck, the other of flat shouldered form, all with woodfired glazes, all incised ‘Nic Collins’, the bowl 23cm diameter the vases 21cm and 24cm high (3) £150 - 250 Lot 390 *Nic Collins (b.1958), four salt-glazed stoneware vases, all inscribed ‘Nic Collins’, 12.5 to 28cm high (4) £100 - 150

Lot 392 *Nic Collins (b.1958), a near pair of stoneware vases, both of tall cylindrical shouldered form, both with folded handles to the shoulders, both with woodfired glazes, both incised ‘Nic Collins’, largest 34cm high (2) £150 - 200 Lot 393 *Nic Collins (b.1958), two stoneware items, comprising a bottle vase and a bowl, the bottle vase of ovoid form, the bowl raised on a slightly flared foot, both with woodfired glazes, both incised ‘Nic Collins’, vase 18cm high bowl 16cm diameter (2) £150 - 200

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Lot 394 *Nic Collins (b.1958), a stoneware vase, of tapering form, with a flared neck, with folded handles to the sides, in a woodfired glaze, incised ‘Nic Collins’, 32cm high £150 - 200

Lot 391 *Nic Collins (b.1958), two stoneware items, comprising a bowl and a dish, the bowl with folded handles to the sides, the dish raised on two shallow feet, both with a woodfired glaze, both incised ‘Nic Collins’, the bowl 33cm diameter the dish 14cm wide (2) £150 - 200

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THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY 360-398 Lot 395 *Joanna Howells (b.1960), two porcelain vases, both with crazed bodies and impressed details, each with artist’s monogram, 21.2 and 13.7 high (2) £100 - 150

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Lot 396 *Katerina Evangelidou (Greek, b.1960), a stoneware vase, of tapering rhombic form, with a round, concave lip, with combed sides, in a black and pink glaze, impressed with potter’s seal, largest 28cm high, and a handbuilt squat vase, of slight tapering rhombic form, with a matte pink mottled glaze, with incised sides, impressed with potter’s seal, 17cm high (2) £140 - 180

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Lot 397 *Katerina Evangelidou (Greek, b.1960), two stoneware slab vases, of flattened twisted form, both with square rims, both with woodfired glazes, both impressed with potter’s seal, largest 28cm high, and a handbuilt squat vase, of slight tapering rhombic form, with a matte red mottled glaze, impressed with potter’s seal, 17cm high (3) £150 - 180

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Lot 398 *David Cowley (contemporary), two slab built and folded works, with printed text, unsigned, 22.5 and 31.5cm wide, and two further slab built works, folded and with perforations, unsigned, 19 and 25cm wide (4) £150 - 250

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STUDIO POTTERY

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Lot 399 *Michael Cardew (1901-1983), a glazed pottery bowl, with a slip glaze and combed details, impressed artist’s monogram and Winchcombe seal, 14.5cm diameter, a jug and a beaker, with a similar glaze, with incised designs, jug with impressed artist’s monogram and Winchcombe seal, 19.5cm and 9cm high, and Alan Ward, a stoneware glazed bowl, with impressed artist’s monogram and incised signature, 17cm diameter (4) £150 - 180

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Lot 400 *Siddig El Nigoumi (Sudanese-British, 1931-1996), an earthenware vase, of globular form with three loop handles, with incised geometric and stylised animal motifs, all to a burnished ground, incised signature and dated 1989, 29cm high £200 - 300

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Lot 401 *Walter Keeler (b.1942), a large salt-glazed stoneware jug, with impressed maker’s mark, 17cm high, and a small salt-glazed stoneware milk jug, with impressed maker’s mark, 11.5cm high (2) £250 - 350

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STUDIO POTTERY 399-420 JOHN MALTBY (1936-2020) Rejecting the conventional Anglo-Oriental traditions defined by Bernard Leach, John Maltby spearheaded the development of a new Modernist movement in British Studio Pottery from the mid-1960s until his death in 2020.

Initially trained as a sculptor at Leicester University and Goldsmiths, Maltby’s career as an art potter began in 1962, working with David Leach at Bovey Tracey. Leaving Leach’s tutelage in 1964, however, he felt no connection with the practices and aesthetics, and instead set out his own artistic direction, which would redefine British Studio Pottery.

Rather than drawing from the Japanese styles worked by his contemporaries, Maltby was influenced by artists such as Henry Moore, Alfred Wallis, Picasso and Paul Klee, emphasising the symbiosis of abstract geometry and colour. Working in bolder colours and asymmetric shapes, Maltby never regarded his work as mere vessels, but rather each piece as a sculptural work, enclosing particular memories and emotions.

Lot 402 *John Maltby (1936-2020), a standing crowned figure, stoneware, the crown with two hanging ceramic beaded suspensions, with geometric motifs to the body, with artist’s monogram, 60cm high, on a fixed painted wood plinth £1,000 - 1,500

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The concept of memory was always at the heart of Maltby’s work, and this notion was reinforced in 1996 when, following heart surgery, Maltby was forced to change his practice being unable to work the clay as he had previously. Rather than abandoning his craft, Maltby made the most significant change in his artistic career – the transition from turned pottery vessels to sculpture. The shift in practice made Maltby’s previously employed patterns and aesthetics spring to life and introduced many returning ‘characters’, taking the form of birds, fishermen, kings, knights and many more. These characters took on token characteristics of Maltby’s life and he embodied into them specific memories or emotions evoked by pieces of art or music.

Maltby always sought for his work to regale a narrative, be it the far away chivalrous stories of knights and kings, or the humble tales of the local fishing folk surrounding his Devon home – they all held equal importance in Maltby’s mind. Continuously revisiting these for the last twenty-four years of his life, Maltby has built a unique legacy in the echelons of British Art Pottery. The playfulness in his work continues to attract collectors, new and old, and has made it universally applicable in any interior context. They are, at their heart, conversation pieces, and in discussing them, they become subject to new narratives and new memories.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

399-420 STUDIO POTTERY

Lot 403 *John Maltby (1936-2020), ‘Fisheringfolk’, 2006, a stoneware sculpture, with incised decoration, depicting two fishermen on a shore, one modelled holding a fish, the other holding a net, impressed with artist’s seal, 32.5cm wide 29cm high £1,000 - 1,500

Lot 404 *John Maltby (1936-2020), ‘Raven and the World’, 2014, a stoneware sculpture, with incised decoration, depicting a bird perched atop a hollowed-out disc, mounted on a wooden plinth, impressed with artist’s seal, 15.5cm wide 33cm high £1,000 - 1,500

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405 Lot 405 *Mike Dodd (b.1943) a stoneware ewer, with a slightly reeded body, in a tenmoku glaze, with an ash glaze overpour to the rim and handle, the base with brushed iron detail, impressed with artist’s mark, 34.5cm high £150 - 200

Lot 406 *Jonathan Chiswell Jones (b.1944), a lustre charger, dated 2008, centred with a roundel of birds of prey, with further alternating panels of hares, foxes and scrollwork, the underside with brushed panels, inscribed with artist’s monogram and ‘15/08/2008’, ‘3824’ and ‘Cu/Co’, 43.5cm diameter £200 - 300 Lot 407 *Jonathan Chiswell Jones (b.1944), a lustre bowl, centred with a goose feeding amongst grasses, the underside with feathered panels, inscribed with artist’s monogram and ‘3734’ and ‘Co/J2o’, 35cm diameter, and a flared lustre vase, dated 2008, painted with stylised cornflowers, inscribed with artist’s monogram ‘26/2/2008’ and ‘3655’, 29.2cm high (2) £200 - 300

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Lot 408 *Chris Carter (b.1945) a stoneware vase, of bulbous form, with a waisted neck, in a silicon carbide glaze, stamped to the underneath with potter’s mark, 25cm diameter 34cm high £200 - 300 Lot 409 *Jim Malone (b.1946), a stoneware jug, with a tapering octagonal body and a mottled green glaze, impressed artist’s monogram and Ainstable stamp, 21cm high £200 - 300

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399-420 STUDIO POTTERY

Lot 410 *Roger Cockram (b.1947), a glazed stoneware vase, the handles modelled as horses, with a mottled glaze with sgraffito details, with a light turquoise ground and interior, raised artist’s monogram and Chillhampton seal, 36cm high £150 - 250 Lot 411 *Roger Cockram (b.1947), a glazed stoneware charger, with a partially-raised-work parrot to the centre, with further parrots in sgraffito and glazed, on a mottled ground, signed and with a raised artist’s monogram and Chillhampton seal, 43.5cm diameter £150 - 200

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Lot 412 *Roger Cockram (b.1947), a glazed stoneware vase and cover, the pierced body and cover forming a jellyfish with sgraffito details, on a mottled and gilt ground, the handles formed as fish, raised artist’s monogram and Chillhampton seal, 38.5cm high £200 - 300

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414 Lot 413 *Roger Cockram (b.1947), a glazed stoneware vase, formed with three mackerel on a coiled and spiralled body, signed and with a raised artist’s monogram and Chillhampton seal, 40cm high £150 - 200

Lot 414 *Roger Cockram (b.1947), a glazed and pierced stoneware spittoon, incised with fish to the bowl and the body, raised artist’s monogram and Chillhampton seal and signed, 34cm high £150 - 200

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STUDIO POTTERY 399-420 Lot 415 *Roger Cockram (b.1947), a glazed stoneware bowl, the pierced conical bowl depicting two cuttlefish grasping fish, with a mottled ground, raised artist’s monogram and Chillhampton seal and signed, 27.5cm diameter, and a glazed stoneware vase, with a coiled body and slender neck, with a mottled ground with gilt vermiculated details, raised artist’s monogram and Chillhampton seal and signed, 34cm high (2) £150 - 200

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415 Lot 416 *Roger Cockram (b.1947), a glazed stoneware vase, the conical and pinched body mounted with a leaping fish forming the ‘handle’, with vermiculated gold details, incised ‘There slipping wave and shore are one’, raised artist’s monogram and Chillhampton seal and signed, 32cm high, and a smaller vase, raised artist’s monogram and Chillhampton seal and signed, 19.5cm high (2) £150 - 200

Lot 417 Aki Moriuchi (Japanese, b.1947), a stoneware vase and plate, the vase of baluster form with a flared lip, with a volcanic textured glaze, the plate with a mottled white volcanic glaze, with a traced spiral from the centre, both with artist’s impressed marks, vase 19cm high plate 19cm diameter (2) £200 - 300

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Lot 418 *Jonathan Middlemiss (b.1949), a stoneware vase, of shouldered form, with black and white designs, with a brown rim, impressed artist’s seal, 27.5cm high £150 - 250

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Lot 420 Jack Kenny (contemporary), Seasalter Pottery, a yunomi, with a celadon hare’s fur glaze, impressed with potter’s seal ‘S’ to the underneath, 8 cm high, and Geoffrey Whiting (1919-1988), a stoneware yunomi, with a tenmoku glaze, with brushed iron detail, impressed with potter’s seal and Avoncraft Pottery mark, 7cm high (2) £140 - 180

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Lot 419 *Julian King-Salter (b.1954), a hand-built vase, of organic waisted form, with a trailing turquoise and purple glaze, impressed artist’s monogram and incised ‘D197’, 28cm high £200 - 300

420 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

Day Two Wednesday 20 October from 10am

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As featured on

Salvage Hunters: The Restorers 421-427

An Avro Anson aircraft seat This stunning military aircraft seat once graced the interior of an Avro Anson military plane.

The Avro Anson was a twin-engine plane launched in 1935, on the cusp of WWII. With its durable frame and above-average flight distances, the Anson was mainly used to train bomber crews before they began flying heavy frontline aircraft, such as the famous Avro Lancaster Bomber.

This seat features its original restored and restrengthened leather, including the Avro maker’s mark. The lightweight tubular metal frame comes in its original painted finish and has been strengthened to increase its longevity, while new webbing replaces missing seat support straps. A missing belt has been authentically reproduced, resulting in a museum-ready exhibit or a unique chair for the home.

Lot 421 An Avro Anson aircraft seat, with a black leather seat, safety belt, with a back pocket, stamped ‘Avro’, 47cm wide 50cm deep 92cm high £250 - 350

Lot 422 An Adam,Rouilly anatomical torso, 1950s, painted SOMSO-plast with removable organs, with an easel back, 47.5cm wide 25cm deep 97.5cm high £500 - 800

An Adam,Rouilly torso This anatomical model, thought to be an original mid-20th century Adam,Rouilly, would sit perfectly in a museum, or could make an intriguing decorative figure for a home.

Adam,Rouilly, the pioneers of the anatomical model industry, have been producing teaching aids for over 100 years.

This model’s face has been restored to its original form by a master sculptor and meticulously repainted, with a missing eye and brain replaced. The torso has been repaired, with missing pieces such as the heart, intestines and chest plate reproduced in fine detail and delicately repainted.

NOTE: This piece is not intended for a medical school, so not every piece is removable.

A fairground fixture This quirky fairground moon is full of character and would make a real statement piece for a home, loft conversion, business or hotel.

The imposing crescent moon, originally on the top of a tower drop-ride called a ‘Rocket Ride’, has been given a new lease of life. Surface cracks have been carefully repaired using a fibreglass and resin mix, then delicately re-painted.

The piece was destined for the skip after the ride failed technical regulations, but after a full lighting restoration, as well as the introduction of a motor, it can now rotate and dazzle, as a true piece of fairground memorabilia.

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Lot 423 A fairground fixture, modelled as a grinning crescent moon, painted and sculpted fibreglass, decorated with lights, mounted on a metal base, 150cm wide 80cm deep 250cm high £400 - 600

Salvage Hunters: The Restorers is a popular prime time show broadcast on the Discovery Network (Quest), where industry experts seek out lots in need of a little TLC and restore them to their former glory. We are delighted to now offer these restored lots for sale. The lots here are presented with stills from the programme.

Scan the code to follow the transformations.

A Seeburg jukebox This Seeburg ‘Mardi Gras’ jukebox from 1977 features a bold, psychadelic style and flashing lights, a clear nod to the disco era in which it was made. Seeburg were the leading innovators in jukebox design from the 1940s onwards, introducing the first jukeboxes capable of playing 100 songs, more than doubling the number of songs that you could play on a jukebox at the time.

A wingback armchair This classic wingback chair has been brought into the 21st century with a striking and contemporary upholstery, perfect for the modern home.

The wingback style dates back to 1600s Britain, when the large, ‘wing’ attachments to the side of the backrest would protect the user from draughts and allow them to warm by the fireplace.

Frank McCarthy poster This ‘You Only Live Twice’ James Bond subway poster from 1967 is a great collectors’ item. One of three different poster designs for the first release of this film, the censors missed this version’s somewhat risqué nature, depicting the secret agent ‘enjoying’ the company of a group of women.

‘You Only Live Twice’ was the fifth in the James Bond series and the last film featuring Sean Connery as the MI6 agent. The film was a smash hit and grossed over $111 million at the box office.

The original artwork for this poster was designed by Robert McGinnis, a prolific American painter, and recently sold for $65,000 (£50,390) at auction.

A specialist paper conservator has strengthened, delicately cleaned and lightly retouched this aged poster, returning it to its original 007 charm.

Lot 424 A wingback armchair, upholstered in modern fabric, 100cm wide 90cm deep 110cm high £400 - 600

Lot 425 A Seeburg ‘Mardi Gras’ jukebox, c.1977, with a central selection console, with lit arched panels, 101.5cm wide 70cm deep 134cm high £1,000 - 2,000

Lot 426 Frank McCarthy (American, 1924-2002), ‘You Only Live Twice’, Style C, also known as ‘Bath Tub’, 1967, quad-sized movie poster, ‘Printed in England by Lonsdale & Bartholomew Ltd. Nottingham’, 80 x 103.5cm, framed £1,500 - 2,000 Literature: ‘The Official 007 Collection James Bond Movie Posters’, Boxtree, 2001, pp. 60/61.

Lot 427 ‘Ms. Pac-Man’ arcade machine, 1982, coin-operated, decorated in polychrome, with plastic joystick and buttons, 24in screen, 64cm wide 83cm deep 173cm high £500 - 800

Ms. Pac-Man arcade machine This original ‘Ms. Pac-Man’ machine, dating back to 1982, is a true piece of arcade memorabilia, perfect for an arcade, retro bar or home.

The first arcade game to feature a female lead, Ms. Pac-Man retains a special place in arcade game history.

It was developed by a group of Massachusetts Institute of Technology drop-outs, who expanded on the earlier Pac-Man game, introducing new features, such as early AI so that the ‘ghosts’ moved in unpredictable patterns. The game was hugely successful, becoming the 4th highest grossing arcade game of all time.

This original machine is like new, featuring its original monitor and an exact replication of the original artwork and paint. With an authentic replacement gameboard, the distinctive Pac-Man ‘wakka wakka’ will be heard for years to come.

All details were true at the time of transmission. All items are bought as seen at the auction only and Discovery Corporate Service Limited and its affiliates make no representations or warranties as to the condition, suitability or at all in relation to any lot offered for sale; no further documentation can be provided. All valuations stated herein are given by Sworders Fine Art Auctioneers at the time of printing. Please note that these may differ to the valuations given to the items within the programme, which was broadcast at an earlier time.

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Lot 428 Two Wedgwood pottery animals, designed by John Skeaping, a tiger and prey, in straw colourway, printed marks and impressed marks, 34.5cm wide, and a deer, in moonstone colourway, impressed marks, on a wood plinth, 24cm high (2) £150 - 250

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Lot 429 Two Wedgwood vases, designed by Keith Murray, one, with a green glaze with horizontal bands to the tapering body, printed marks and facsimile signature, 28cm high, and the other, a blue tapering vase, printed ‘Wedgwood of Etruria & Barlaston KM’, 23.5cm high (2) £200 - 300

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Lot 430 Three Wedgwood items, designed by Keith Murray, two banded white vases, with printed marks, 16 and 18cm high, and a blue tapering bowl, printed marks, 17.5cm diameter (3) £100 - 150

430 Lot 431 A Wedgwood vase, designed by Keith Murray, of globe from with horizontal banding, printed marks and facsimile signature, 15cm high, and a bowl, 26.5cm diameter (2) £100 - 150

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Lot 432 A brass and lacquered standard lamp, 1950s, with two swan-neck lights, with separate switches, no shades, 151cm high £200 - 300

Lot 433 A blondewood drinks trolley, with a sliding glass-mounted tray, with a further sliding shelf/ table below, raised on castors, 69cm wide 41cm deep 70.5cm high £200 - 300

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Lot 434 A Jennings ‘The Governor’ one-armed bandit, 37.5cm wide 45cm deep 70cm high £300 - 500 Lot 435 A set of six Eglin industrial dining chairs, 1960s, each with a wrought iron frame, seat and back, upholstered in green vinyl, with beech armrests, manufacturer’s label to the underneath, 55cm wide 48cm deep 78cm high, seat 43cm high (6) £300 - 500

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Lot 436 A teak and metal modular coat rack, with a rack to the top, over six horizontal teak slats, with twelve adjustable hanging hooks, 109.5cm wide 40.5cm deep 170cm high £300 - 500

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Lot 438 An ‘Atomic’ wrought iron coat stand, 1960s, with painted globe terminals, in red, yellow, blue and green, 178.5cm high £250 - 350

Acquired by the owner’s grandfather directly from the Festival of Britain site when it was being dismantled.

The ‘Antelope’ was produced to furnish the outdoor terraces of the Festival Hall at the Festival of Britain in 1951. It was available in either chair or bench versions.

The seat was painted in the Festival colours of yellow, blue, red or grey.

The ‘Antelope’ demonstrates the economic use of material and form. The delicate curvilinear outline and distinctive ball feet typify the contemporary or festival style of the early 1950s. The design gained an international reputation for Ernest Race. Like Race’s ‘BA3’ chair, the ‘Antelope’ received a commendation at the 1954 Milan Triennale. Race Furniture Ltd. put it into commercial production in the mid-1950s.

439 Lot 439 Two afrormosia ‘Manhattan’ armchairs, designed by Guy Rogers, each with burgundy velour upholstery, 69cm wide 85cm deep 95cm high, seat 41cm high, and 69cm wide 80cm deep 80cm high, seat 41cm high (2) £400 - 600

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Lot 437 An ‘Antelope’ bench, c.1950, designed

by Ernest Race and manufactured by Race Furniture Ltd. from 1951 for the Festival of Britain, bent and painted steel, moulded and painted plywood, 104cm wide 56cm deep 78.5cm high, seat 46cm high, and a magazine rack, 1950s, with a plywood top on a bent metal stand, 47.5cm wide 32cm deep 40cm high (2) £400 - 600

Lot 440 A rattan armchair, c.1950, Dutch, designed by Dirk van Sliedregt for Jonkers, 75.5cm wide 70cm deep 92cm high, seat 42cm high £300 - 500

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

Lot 441 A Staples’ teak and satin black metal Ladderax corner wall unit, 1960s, designed by Robert Heals for Staples, comprising: a glazed display cabinet unit, with glass shelves, two cocktail cabinets, a slanting magazine shelf, a chest unit with three drawers, a cabinet unit with sliding doors, eight 6ft black uprights, six 6ft golden uprights, a corner post, two corner shelves, a quantity of shelving and supports (qty.) £300 - 600

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Lot 442 A Gordon Russell walnut dressing table, of rectangular form, with three drawers, each with a turned handle, raised on splayed tapering legs, 116cm wide 47cm deep 74cm high £300 - 500

Lot 443 A BA desk table and an armchair, designed by Ernest Race for Race Furniture, remnants of label, table 121.5cm wide 80.5cm deep 73cm high, chair 59cm wide 50cm deep 78cm high, seat 46cm high (2) £600 - 800

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Lot 444 An armchair, 1950s, French, the painted and ‘crackled’ cream frame, with a blue velvet seat, back and arms, with brass flower head bosses and brass sabots, 58cm wide 60cm deep 89cm high, seat 45cm high £150 - 250

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MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779 Lot 445 A teak and brass hanging ceiling light, 1960s, with teak mounts and white cased glass shades, 68cm diameter 33cm high £200 - 300 Lot 446 Cubist School Composition with three women, in the manner of Pablo Picasso’s ‘Les Demoiselles d’Avignon’ signed ‘Lefa’ l.l., oil on canvas 70 x 56cm, framed £200 - 300

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Lot 447 Modernist School, c.1960 St. George and the Dragon indistinctly signed l.l., oil on canvas 70 x 40cm, framed £200 - 300

Lot 448 *Elizabeth Norcop Mavesyn Parker (1914-2016) ‘Reflection No.8’ signed with initials l.r., oil on canvas 56 x 85cm, framed £300 - 500

448 Lot 449 An oak desk, c.1950, with a rectangular top, with a single mahogany-lined drawer, next to a lockable panelled cupboard door, opening on to two shelves, to the left side with an integrated bookcase, with a panelled back, 106cm wide 44cm deep 79cm high £300 - 500 Lot 450 A ‘Bambino’ armchair, designed in 1949 by Howard Keith for H K Furniture Ltd., a beech frame and armrests, upholstered in a grey wool textile, with three buttons to the backrest, 65cm wide 57cm deep 92cm high, seat 43cm high £200 - 300

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN Lot 452 A Kosta glass ‘Fishnet’ vase, c.1959, designed by Vicke Lindstrand, decorated with a spiral threads, Lot 451 signed ‘Kosta LH 1951’, A Kathleen Orme 29cm high cameo glass vase, £300 - 400 dated 1987, of ovoid form with a lemon ground with This was the largest two hummingbirds in white size of this vase cameo, the rim with lappet produced. designs, signed ‘Kathleen Orme’ and engraved ‘OS(?)

1987 K0309-887’, 29cm high £200 - 300 Provenance: The Peter and Pat Crofts Collection.

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452A

Lot 452A A Murano glass lamp base, attributed to Gino Cenedese, the block plinth in clear glass, with Lot 454 polychromatic inclusions creating A Barovier & Toso wall an underwater landscape with appliqué, fish and foliage, a brass wall mount, with 44cm high a moulded and aventurine £300 - 500 glass shade, 22cm wide 17cm deep 23cm high £200 - 300

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Lot 453 An Orrefors ‘Corona’ crystal glass bowl, designed by Lars Hellsten, of octagonal lobbed form, with cut sides, with later engraved scenes depicting a tramp on a park bench, labelled ‘Sandart’, signed ‘Orrefors Lars Hellsten’ to the underneath, with another illegible signature, numbered ‘103/300’, 19cm diameter 11cm high £180 - 220

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Lot 455 A Lucite centre table, 1970s, American, in the manner of Les Prismatiques, with an oval glass top, on a cruciform base composed of four Lucite trapezoids, 165cm wide 90cm deep 74cm high £200 - 300

Lot 456 A Lucite coffee table, 1970s, American, in the manner of Karl Springer, on quarter circular legs, with chromed metal corners, and a clear glass top, 117cm wide 117cm deep 38.5cm high £200 - 300

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Lot 457 A Venini ‘Spicchi’ glass vase, c.1954-57, designed by Fulvio Bianconi, model 4891, of tapering form with a flared rim, decorated with polychrome bands, with circular ‘Venini Murano Italy’ mark, 35.5cm high £2,000 - 3,000 A similar example can be seen in the Bischofberger Collection, Switzerland. See ‘Fulvio Bianconi at Venini’, catalogue 2015, by Marino Barovier and Carlo Sonego, p. 301.

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

Lot 458 A Venini ‘Pezzato Arlecchino’ vase, c.1950, designed by Fulvio Bianconi, model no. 4319, of compressed bottle form, decorated with opaque and transparent green, red, sapphire and lattimo tesserae, with three line ‘Venini Murano Italia’ acid mark, 35.5cm high £6,000 - 8,000 A similar example was presented at the 25th Venice Biennale in 1950, which was subsequently exhibited in 1951 at the 9th Milan Triennale. See ‘Fulvio Bianconi at Venini’ by Marino Barovier and Carlo Sonego, p.181. Also ‘Venetian Glass, The Nancy Olnick & George Spanau Collection’, Exhibition Catalogue, Autumn 2000 American Craft Museum, pp.116 and 219, where it describes the panels as transparent and pasta vitrea glass. In addition, see another example being from the Steinberg Collection, Lichtenstein.

The Pezzato vase was one of the most iconic designs that Fulvio Bianconi created for Venini. Bianconi used a glass mosaic in various ways producing brilliant chromatic effects.

The technique enjoyed a considerable success.

The glass pieces or tesserae are first made from coloured glass canes flattened and cut to various sizes before being arranged into a mosaic. The mosaic was then heated on a fire stone to weld the different colours together. They were picked up to form the walls of the final piece. The glass is then blown and hot worked into the desired form.

Most of the designs were in transparent glass, but there are also some made from a combination of opaque pasta vitrea and transparent tesserae. These bottle vases with combined opaque and transparent tesserae became known as ‘Arlecchino’ designs and had the greatest chromatic brilliance.

The bottle vase at Lot 458 is one of these.

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Lot 459 Two track lane markers, numbered ‘3’ and ‘4’, from The Commonwealth Games, Glasgow 2014, 60cm high (2) £150 - 200

462 Lot 462 An Austrian Rupert Nikoll ‘Dandelion’ or Sputnik chandelier, designed c.1953, by Emil Stejnar, with a spherical brass stem, with radiating arms mounted with glass pearls and prisms, with seventeen light fittings, 40cm diameter £300 - 500

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Lot 460 A set of six Rome XVII Olympiad (summer 1960) figural souvenir bottles, for Fratelli Vlahov, Pescara, modelled as a goalkeeper, a boxer, a cyclist, a racewalker, a fencer, and a skier, all inscribed ‘XVII OLIMPIADE ROMA’, printed marks, some with labels, largest 16cm high (6) £350 - 450

Lot 461 A set of six Rome XVII Olympiad (summer 1960) figural souvenir bottles, for Fratelli Vlahov, Pescara, modelled as a goalkeeper, a boxer, a cyclist, a racewalker, a fencer, and a skier, all inscribed ‘XVII OLIMPIADE ROMA’, printed marks, some with labels, largest 16cm high (6) £250 - 450

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN Lot 463 A collection of Beaver & Tapley modular floating wall units, comprising: a cupboard, with a single shelf, 81cm wide, 26cm deep, 36cm high, a three-drawer chest, 81cm wide, 36cm deep, 37cm high, a fall-front cupboard, 89cm wide, 40cm deep, 46cm high, a secretaire, 89cm wide, 37cm deep, 38.5cm high, two cupboards, with sliding white-fronted doors, 81cm wide, 22cm deep, 51cm high, a cupboard, with sliding glass doors, 81cm wide, 22cm deep, 51cm high, a cupboard, with sliding doors, 89cm wide, 37cm deep, 38.5cm deep, a three-drawer chest, 58.5cm wide, 40cm deep, 46cm high, three shelves, one 59cm wide, two 81cm wide, three horizontal wall bars with self levellers, and eight wall batons (qty.) £400 - 600

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Lot 464 A group of three NASA gelatin silver prints 1967, from the Lunar Orbiter III & IV missions, high-resolution images of various locations and craters of the moon’s surface, comprising: Lunar Orbiter III - 89HI (Sinus Medii); Lunar Orbiter IV - 150HI (Aristarchus and Heroldotus); Lunar Orbiter IV -161HI (Cruger and Grimaldi) each 60.5 x 51cm, unframed £300 - 500

Lot 465 A contemporary ‘Arc’ light, with a chrome ball shade, and a marble plinth, 192cm high £200 - 300

Lot 466 A teak and brass-mounted sideboard, 1960s, the plain top, over three concave drawers, with a cabinet to the side, with concave detail and cut handles, raised on a beech stand, 151.5cm wide 45cm deep 77cm high £250 - 450

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Lot 467 A pair of teak armchairs, 1960s, probably Danish, each with seat, back and armrests upholstered in green wool fabric, 64cm wide 52cm deep 95cm high, seat 47cm high (2) £300 - 500

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467 Lot 468 A large illuminated Chloride Gent station clock, the white enamel circular dial with Arabic numerals within a black painted metal case, 84cm diameter 22.5cm deep £300 - 500

Lot 469 A set of four Søborg ‘Model 316’ chairs, 1960s, Danish, designed by Peter Hvidt & Orla Mølgaard-Nielsen, each with a swept backrest, the seat upholstered in blue wool textile, 46cm wide 41cm deep 76cm high, seat 44cm high (4) £500 - 700

Lot 470 A collection of teak wall-mounted cabinets, two part sets, the first comprising: a walnut-fronted chest of three drawers, 76cm wide, 35.5cm deep, 42cm high, a walnut-fronted fall front cabinet, 76cm wide, 35.5cm deep, 41.5cm high, a walnut-fronted two-slide cupboard, 76cm wide, 35.5cm deep, 41.5cm high, two teak and glass-fronted cabinets, 76cm wide, 23cm deep, 57cm high, three ladder uprights, 181cm high, a single self, 76cm wide, 23cm deep, the second comprising: a teak three-drawer chest, 89cm wide, 40cm deep, 47cm high, a two-slide cupboard, 89cm wide, 35cm deep, 47cm high, five shelves, 43cm wide, 42cm deep, two shelves, 90cm wide, 42cm deep, eighteen horizontal supports, three gold uprights, 216.5cm high (qty.) £250 - 300

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§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN Lot 471 § A Danish rosewood ‘Royal’ system, Poul Cadovius for Royal System for Cado, comprising: six various cupboards, with drawers, sliding cupboards and a drop-down cabinet, largest 80cm wide, 24cm deep, 51.5cm high, sixteen shelves, 80cm wide, 22cm deep, three shelves, 61.5cm wide, 21.5cm deep, three shelves, 62cm wide, 46cm deep, nine uprights, 203.5cm high, thirty-eight mounting brackets (qty.) £1,000 - 1,500 Provenance: From the estate of post-war architect Brian Smith, who worked for Frederick MacManus & Partners on the Gospel Oak Development, London, and for the United Reformed Church. He took over as senior partner of the firm in 1969.

471 Lot 472 A green and blue upholstered armchair, Danish, with a button back, brass-studded edging, on a stained beech frame and supports, 68cm wide 68cm deep 75cm high, seat 40cm high £150 - 200 Lot 473 A teak writing bureau, 1960s, manufactured by Kean & Scott, Birmingham, with a folding top, opening on to a shelved interior, over a pair of sliding doors, the left side opening on to a single shelf, the right side opening on to a stack of drawers, with manufacturer’s label to the inside, 91cm wide 41cm deep 124cm high £200 - 300

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MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779 Lot 474 A ‘Bachelor’ magazine rack, designed by Verner Panton for Fritz Hansen, with a slung canvas and leather-edged mount, on a chrome steel stand, 46cm wide 14cm deep 38cm high £100 - 150 Lot 475 An ‘NY’ folding chair, designed in 1958 by Takeshi Nii, with a latticed canvas slung seat, with brown metal arms, 60cm wide 80cm deep 86cm high, seat 38cm high £150 - 200

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476 Lot 476 A ‘Cocoon’ pendant light, after a design by Achille and Pier Giacomo Castiglioni, 53cm diameter 43cm high, and a Louis Weisdorf ‘Model 177’ pendant shade, 41cm diameter 30cm high (2) £150 - 200

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Lot 477 An abstract wall sculpture, 1960s, in the manner of Wassily Kandinsky, painted wood, patinated metal and glass in a geometric arrangement, mounted on a canvas-clad board, 68 x 90cm £150 - 250

477 Lot 478 An ‘Invincible’ wicker conservatory suite,

by Angraves, Brook Street, Thurmaston, Leicester, labelled, comprising: two hoop-back armchairs, each with a reclining mechanism and ‘tank’ arms, 61cm wide 91cm deep 85cm high, seat 40cm high, and 62cm wide 90cm deep 88cm high, seat 45cm high, a pouffe, 62cm wide 51cm deep 42cm high, and a glass top table, 81cm wide 50cm deep 44cm high (4) £300 - 500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN Lot 479 § A Danish rosewood highboard, designed by Johannes Andersen for Skaaning & Søn, with three sliding cupboards, enclosing four compartments with baize-lined slides, and shelves, over three central drawers, flanked with sliding cupboards, each with a shelf, raised on turned supports, with ‘Danish Furniture Makers’ Control’ label to the reverse, 200.5cm wide 50cm deep 123.5cm high £600 - 800

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Lot 480 A ‘Matador’ three-seater sofa, designed by Aage Christiansen, upholstered in green leather, with back and seat cushions, raised on turned supports, 208cm wide 84cm deep 74cm high, seat 40cm high £300 - 500

481 Lot 481 An ‘AP27’ lounge chair, designed in 1955 by Hans Wegner for A P Stolen, with oak armrests and supports, in original deep forest green velvet upholstery, 74cm wide 80cm deep 103cm high, seat 38cm high £2,000 - 3,000

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Lot 482 A contemporary teak console table, with two frieze drawers with brass handles, the sides with latticed panels, united with a double stretcher, 110cm wide 40cm deep 90cm high £200 - 300

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Lot 483 A modernist carpet or wall hanging, 1960s, with polychrome abstract geometric shapes on a blue wool ground, 260 x 140cm £200 - 300

Lot 484 A Thonet ‘Cesca’ elbow chair, designed by Marcel Breuer, with an oatmeal-coloured seat and back, labelled, 60cm wide 61cm deep 80cm high, seat 40cm high £100 - 150

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484 Lot 485 A circular glass ‘President M’ table, designed by Philippe Starck for Baleri, the circular glass top raised on a triform stand, 149cm diameter 73.5cm high, and a set of six ‘Francesca Spanish’ armchairs, chairs 50cm wide 48cm deep 80cm high, seat 46.5cm high (7) £300 - 500 Lot 486 Eighteen ‘DSS’ stacking chairs, designed by Charles and Ray Eames for Herman Miller, with green fibreglass seats, moulded marks and labelled (18) £350 - 450

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Lot 487 A desk chair, 1970s, with an upholstered seat and back, chrome supports mounted with oak arms, raised on an oak stand with castors, labelled ‘Cal-Style Furniture MFG Co.’, 56cm wide 62cm deep 84cm high, seat 45cm high £250 - 350

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487 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN Lot 488 A brutalist cast iron standard lamp, 1970s, in the manner of Franz West, modelled as a nautical chain, with a hook to the base, with decreasing link size from base to top, raised on a splayed tripod base with flattened feet, impressed ‘3 Z’ to one of the feet, 172cm high £1,000 - 1,500 Lot 489 § A rosewood circular coffee table, Danish, designed by Johannes Andersen for CFC Silkeborg, labelled, 100cm diameter 49.5cm high £300 - 500

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Lot 490 A pair of ‘CP1’ lounge chairs, designed in 1963 by Marco Comolli for ICF, each with a red frame, tan leather seat and back, with leather slung underseat, one labelled ‘ICF International Furniture Company, Italy’, 83cm wide 80cm deep 68cm high, seat 42cm high (2) £1,000 - 1,500

Lot 491 A Danish teak drop-leaf dining table, designed c.1953, by Kurt Østervig for Jason Møbler, with an oval top raised on a sculptural base, extended 195cm wide 130cm deep 72cm high £600 - 800

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Lot 492 Scandinavian School, 1970s Abstract composition in red, orange and black signed with indistinct monogram and dated 74 l.l., oil on canvas 54 x 49cm £200 - 300

MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779 Lot 493 A nest of tubular framed tables, with cantilever stands, the tops with melamine faux wood tops, largest 61.5cm wide 36cm deep 49cm high (3) £150 - 250 Lot 494 A Brink & Campman ‘Estella Cosmic’ wool rug, 280 x 200cm £200 - 400

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Provenance: The Lawrie Gatehouse Collection.

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Lot 495 A set of six ‘Science lab’ stools, each with a blue painted seat and black coated tubular frame, 40cm wide 35cm deep 54cm high (6) £200 - 300

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497 496 Lot 496 Ten various enamelled wall lights, Dutch, each with adjustable perforated shades, in white, turquoise, yellow, blue and brown, each mounted with a short flex and a switch, 20.5cm wide (10) £100 - 200

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Lot 497 A pair of child’s chairs, designed by Charles and Ray Eames, a Re-edition, 2004, labelled ‘Vitra Design Museum’, 33.5cm wide 28cm deep 37.5cm high, seat 23cm high (2) £500 - 700

Lot 498 A green glass sun-catcher, designed by Erik Höglund for Kosta Boda, Sweden, of teardrop form impressed with a figural panel, engraved ‘H866/E’ to the reverse, with original label and remnants of leather suspension, 17.5cm wide 26cm high £80 - 120

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN Lot 499 Three brass ‘L24/30’ candlesticks, Swedish, designed by Hans Agne Jakobsson AB for Liljeholmens Stämningsljus, with blue, green and cranberry glass shades, labelled, 31cm high (3) £100 - 150 Lot 500 Three teak bowls, Swedish, designed by Stig Sandqvist for Sandqvists Hemslöjd, monogrammed, two with labels, 14, 16 and 37cm wide (3) £80 - 120

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Lot 502 Five brass candlesticks, Swedish, designed by Pierre Forsell for Skultuna, each with stamped marks and ‘1607’, a pair of ‘crown’ cube candle holders, 4cm, a pair of hanging wall lights, 47.5cm high, and a single candlestand, mounted with a cube sconce, 20cm high (5) £150 - 200

Lot 501 Two teak wastepaper bins, Norwegian, designed by Einar Barnes for PS Heggen, with a pair and a single handle, one branded and one with printed marks, 44cm high (2) £200 - 400

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Lot 503 A ‘Model CH24’ armchair, Danish, designed by Hans J Wegner in 1949, made by Carl Hansen & Søn, also known as ‘The Wishbone Chair, or ‘The Y Chair’, a painted beech frame with a twined paper cord seat, with manufacturer’s plaque to the underneath, 55cm wide 51cm deep 76cm high, seat 45cm high £200 - 300

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Lot 504 A large resin Assyrian panel, a reproduction of a plaque, now in the British Museum, from the Palace of Sargon II at Khorsabad, Iraq, 169cm wide 120cm high £200 - 400 Provenance: From the estate of post-war architect Brian Smith, who worked for Frederick MacManus & Partners on the Gospel Oak Development, London, and for the United Reformed Church. He took over as senior partner of the firm in 1969.

Lot 505 A pair of cut metal table lamps, each naturalistically modelled as flowers and mounted with three lights, the plinth mounted with pebbles beneath a clear resin, 99cm high (2) £400 - 600

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Lot 506 § A leather and rosewood ‘Model V11’ sofa, Danish, designed by Illum Wikkelsø for Holger Christiansen, with three seats and cushion backs and arms, raised on rosewood supports, 228cm wide 80cm deep 70cm high, seat 42cm high approximately £3,000 - 5,000

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Lot 507 A circular tile-topped coffee table, designed and made by Roger Capron, raised on a tripod base, the top with an arrangement of ceramic tiles and cabochons, signed to one of the cabochons, 78cm diameter 41cm high £600 - 800 Lot 508 A Vitra ‘Coconut Chair’, designed in 1955 by George Nelson for Herman Miller, with leather upholstery in a fibreglass shell, raised on a chromed tripod base, with manufacturer’s label to the underneath, 100cm wide 100cm deep 86cm high, seat 29.5cm high £400 - 600 Lot 509 A cut brass standard lamp, French, possibly by Maison Jansen, with five lights on faux bamboo, flower and leaf mounts, on a square plinth, 165cm high £600 - 800

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Lot 510 An Elfema electrical impulse clock, 1950, German, with an ivory-coloured face, with black metal hands and digits, in a galvanised metal casing, 75cm diameter £300 - 500 Lot 511 *Barbara Franc (contemporary), a stag head, modelled with chicken wire and recycled tins, 72cm wide 46cm deep 92cm high £200 - 300

510

Lot 512 A chrome lounger and stool, 1970s, Swedish, with a slung canvas seat, in blue upholstery, raised on a revolving stand, labelled ‘Värnamo Sängkläder Ab’, 70cm wide 86cm deep 83cm high, seat 35cm high, stool 55cm wide 45cm deep 35cm high (2) £200 - 300

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512

Lot 513 An Anthony Redmile table lighter, with a panelled body, metal mount and a Sarome lighter, labelled ‘Redmile Objects, 73 Pimlico Road, London’, 8cm high £100 - 150 Lot 514 Peter Willmoth (20th century), ‘Cobra’, a modern sculpture, 39cm high £150 - 200 Provenance: The Lawrie Gatehouse Collection.

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516 Lot 515 A Canadian cedar strip canoe: ‘Betsie’,

by R K L Boatworks, Mt Desert, ME, with a caned seat, two paddles and a fitted tarpaulin cover, numbered ‘RKLC 0031J787’, the paddles stamped ‘RKL’, the canoe with an applied maker plaque, 515cm long, 16.8ft approximately £400 - 600

Lot 516 A pair of leather ‘LC2’ armchairs, designed by Le Corbusier and Cassina Editions, facsimile signed and numbered ‘97234’ and ‘89206’, 76cm wide 71cm deep 67cm high (2) £2,000 - 3,000

Lot 517 A Lane Furniture credenza, 1980s, designed by Paul Evans, with chromed sides, olivewood top and panelling, with four panels opening on to shelving, 220cm wide 65cm deep 66cm high £500 - 700

519 Lot 518 An aluminium and chrome five-light hanging chandelier, 1970s, Italian, mounted with five Mazzega white, clear and orange-tipped moulded shades, 45cm diameter 45cm high, and a single wall-mounted light, 22.5cm deep (2) £300 - 500 Lot 519 A cherrywood centre table, c.1965, Italian, with brass tripod feet, 115cm diameter 76cm high £300 - 500

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Lot 520 A pair of ‘System 123’ easy chairs, designed by Verner Panton for Fritz Hansen, each with a zebra print fabric seat and a chrome frame raised on castors, 61cm wide 61cm deep 76cm high, seat 41cm high (2) £700 - 900

Lot 522 A modern ‘Plano’ worktable, designed by Pelikan Design for Fritz Hansen, with a rectangular white top, raised on chrome supports, labelled, 160cm wide 100cm deep 72cm high £200 - 300

Lot 521 A Swedish ‘Sun Feather’ chair, designed in 1948 by Sonna Rosén for Nässjö Stolfabrik, 1990s manufacture, with a white painted frame and a red upholstered seat, 59cm wide 59cm deep 76cm high, seat 44cm high £300 - 500

Lot 523 An Haimi centre table, designed by Yrjö Kukkapuro, with a black circular top, raised on a fibreglass moulded column, labelled, 125cm diameter 71cm high £1,000 - 1,500

521

522 Lot 524 A pair of ‘Diamond’ armchairs, after a design by Harry Bertoia, each with a black seat pad, 82cm wide 60cm deep 80.5cm high, seat 39cm high (2) £200 - 300

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN Lot 525 A beechwood and paper cord folding valet chair,

by Fratelli Reguitti, 41.5cm wide 111cm high, seat 48.5cm high, and another valet, both branded ‘Made in Italy’ (2) £400 - 600 Lot 526 An Italian hanging lamp, with adjustable counterbalanced arm, 205cm wide £200 - 300 Lot 527 A glass vase with silver-plated spiral, c.1970, by Lino Sabattini, stamped maker’s mark, 12cm diameter 55cm high £150 - 250

526

525

Lot 528 *Tom Greenshields (1915-1994), ‘Jacci on Mantelpiece’, hand finished in cold cast bronzed resin, no. 77/100, with a certificate of authenticity, 37cm high £300 - 400

Lot 529 *Tom Greenshields (1915-1994), ‘Embrace’, a hand finished cold cast bronzed resin group, no. 59/100, with a certificate of authenticity, 37cm high £300 - 400

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Lot 530 A set of The Beatles glasses,

by Joseph Lang & Company for NEMS Enterprises Ltd., transfer-decorated with each member, 10cm high (4) £400 - 600

530

Lot 531 A 1960s autograph book, each autograph was collected personally by the vendor and they include: three-quarters of The Beatles (Paul, George and Ringo), signed c.1963 at EMI’s Manchester Square headquarters, a single Paul McCartney autograph signed at the Finsbury Park Astoria, together with other assorted autographs of the era including Gerry & The Pacemakers, The Dave Clark Five, Cliff Richard, Helen Shapiro and various other celebrities £800 - 1,200

531

Lot 532 A collection of The Beatles vinyl records and ephemera, comprising a Decca contract pressing mono version of ‘Please Please Me’, a mono pressing of ‘Beatles For Sale’, a mono pressing of ‘With The Beatles’, a mono pressing of ‘A Hard Day’s Night’, a mono pressing of ‘Help!’, a mono pressing of ‘Rubber Soul’, a mono pressing of ‘Revolver’, a mono pressing of ‘Sgt Pepper’s Lonely Hearts Club Band’ and a mono pressing of ‘Abbey Road’, together with an assortment of 45s, fan club images, assorted copies of ‘The Beatles’ book and John Lennon and Plastic Ono Band vinyl records (qty.) £200 - 400

532

Lot 533 A collection of The Beatles vinyl records and ephemera, comprising a Decca contract mono pressing of ‘Please Please Me’, 2 x mono pressings of ‘With The Beatles’, a mono pressing of ‘A Hard Day’s Night’ and a mono pressing of ‘Beatles For Sale’, together with an assortment of Beatles Fan Club magazines, Christmas Record etc. and copies of The Beatles Monthly Book etc. (qty.) £100 - 150

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530-540 ROCK ‘N’ ROLL AND GUITARS Lot 534 Two Beatles posters, The Last Concert Poster commemorating their last concert in San Francisco performed on August 29, 1966, 91.4 x 61cm, and The Beatles London Palladium, 1963, with autosignatures, 72.4 x 52.1cm, both framed (2) £100 - 150

Lot 535 A copy of ‘Grapefruit’ by Yoko Ono signed by John Lennon and Yoko Ono, published by Sphere in paperback, a 1971 first edition, signed in blue ink by John Lennon and Yoko Ono to the inside page £1,000 - 1,500

Lot 537 A 1978 Gibson Les Paul Standard electric guitar, serial number 7*****85, of typical form in a cherry red finish, stamped with the serial number and ‘Made in USA’ to back of headstock, complete in Gibson moulded plastic fitted case £1,000 - 1,500

537

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Lot 538 A 1997 PRS Custom 22 electric guitar, serial number 7****7, of typical form with bird inlays to the fingerboard, the figured top in peacock blue colour, complete with tremolo bar, truss rod key, fitted case and paperwork £1,200 - 1,800

538

Lot 536 A signed Rolling Stones EP, a Decca mono pressing of ‘Bye Bye Johnny’, ‘Money’, ‘You Better Move On’ and ‘Poison Ivy’, signed to the reverse by Keith Richards, Bill Wyman, Mick Jagger and the late Charlie Watts £500 - 700

Lot 539 A 2008 Music Man Axis Super Sport electric guitar, of typical ‘double-cutaway’ form, in a translucent gold finish, complete with cloths, paperwork and original hardcase £700 - 900

539

Lot 540 A 1989 Fender Stratocaster electric guitar, serial number E8****2, of conventional form with a black finish and white pickguard, complete with factory hardcase £600 - 800

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Lot 541 A Gustavsberg ‘Argenta’ dish, designed by Wilhelm Kåge, centred with silvered flowers and with a double silvered rim, stamped marks in gold and inscribed ‘1035’, 29cm diameter £100 - 150

541

Lot 542 A set of five Gabis steel trivets, 1960s, Swedish, of circular form, embossed with a Space Age atomic pattern, with impressed manufacturer’s marks, 15cm diameter (5) £100 - 150

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Lot 543 Three Gustavsberg glazed pottery turtles, designed by Lisa Larson, two with glazed and stamped marks, with labels, 7.5 to 11.5cm (3) £100 - 150

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN Lot 544 Three stoneware vases, Swedish, designed by Gunnar Nylund for Rörstrand, comprising: two mottle-glazed tapering vases, with brown mottle glazes, incised marks and monograms, 22cm high, and a mallet form vase, with a blue/purple mottled glaze, incised marks and monogram, 15cm high (3) £120 - 180

Lot 545 A collection of nine brutalist stoneware items, 1970s, Swedish, designed by Curt M Addin for Glumslov, each piece stamped and some monogrammed, comprising: five vases, each with glazed rims, 14.5 to 30.5cm high, two bowls, 22.5 and 23.5cm square, and a pair of candlestands, 8cm high (9) £150 - 200

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545

546

Lot 546 An Upsala-Ekeby earthenware dish, c.1944, designed by Vicke Lindstrand, decorated with a stylised nude to a pale mottled ground, impressed marks and partial label, 31cm wide £120 - 180

547

Lot 547 A ‘Fat Lava’ coffee set for four, French, designed by Charles Cart for Le Cyclope Pottery, Annecy, with a volcanic bubbled turquoise glaze comprising: a coffee pot and cover, 24cm high four cups and saucers (10) £100 - 150

Lot 548 A Mørkøv pottery bowl, designed by Fanny Gadsted, with a grey-blue interior, with a ‘bark’ exterior, stamped marks and facsimile signature, also remnants of label, 19.2cm high £100 - 150

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MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779 Lot 549 § A Danish black leather sofa, 1960s, designed by Hans Olsen for C/S Møbler in Denmark, with a loose seat and back cushions, and a rosewood frame and armrests, with manufacturer’s labels and ‘Danish Furniture Makers’ Control’ marks to the underneath, 183cm wide 76cm deep 73cm high £400 - 600

549

§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

550 Lot 550 *Viggo Rohde (Danish, 1900-1976) Smokehouse, 1940 signed and dated l.r, oil on canvas 69 x 82cm £400 - 600 Lot 551 § A set of eight Danish ‘Eva’ rosewood dining chairs, designed by Niels Koefoed in 1964 for Hornslet Møbelfabrik, each with a tapering slatted back, with a padded vinyl seat, raised on slender tapering supports, 53cm wide 48cm deep 95cm high, together with a Danish rosewood circular dining table, designed by Erik Buch for Rosengaarden, with two extra leaves, raised on a cruciform base, 132cm diameter 234cm long extended 72cm high (11) £300 - 500

551 Lot 552 A pair of green wall lights, designed by Warren Platner in 1978, reputedly removed from Sea Containers House, London, each bronze and green-painted metal, with bevelled glass panels and a hinged door, each mounted internally with gold mounts containing nine bulbs, 69cm wide 50cm deep 31cm high (2) £300 - 500

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552 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN Lot 553 A teak wall cabinet, Danish, designed by Peter Løvig Nielsen for Løvig Dansk, the upper section with an arrangement of eight adjustable shelves, over a cupboard opening to reveal two shelves to one side, with brass strap hinges and vertical ‘T’ handles, raised on tapering supports, branded ‘Løvig Dansk’ to the backboards, 120cm wide 45cm and 26cm deep 178cm high £300 - 500

Lot 554 § A lounge group, Brazilian, designed by Jean Gillon for Italma Wood Art, comprising: an ‘Amazonas’ sofa, with a rosewood frame, the seats and back formed from suspended and knotted twine, with manufacturer’s label to the base, 204cm wide 86cm deep 76cm high, seat 34cm high, and, a pair of ‘Jaganda’ armchairs, each with a rosewood frame, the seat and back formed from suspended and knotted twine, with manufacturer’s label to the base, 90cm wide 103cm deep 82cm high, 28cm seat high (3) £1,800 - 2,200

553

554 Lot 555 § A Merrow Associates chrome and rosewood trolley, with two glass shelves, with a rosewood undertier, raised on ball castors, 73.5cm wide 46cm deep 64cm high £300 - 500

556

Lot 556 A teak wall cabinet, Danish, designed for Domino Møbler, Ormond, the top section with an adjustable shelf, four vertical divisions, over a fall front, enclosing compartments, the lower section with four drawers, with a sliding cupboard with a shelf, on a plinth base, labelled ‘Domino Møbler, Ormond, Denmark’, 122cm wide 39cm deep 183cm high £300 - 500

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Lot 557 § A set of eight rosewood ‘Model 79’ chairs, Danish, designed by Niels Otto Møller for J L Møllers Møbelfabrik, each with a woven leather seat, labelled ‘JL Møller Models’ and ‘Danish Furniture Makers’ Control’ label, 50cm wide 50cm deep 78cm wide, seat 45cm high (8) £1,500 - 2,500 Bought from Oscar Woollens, Finchley Road, London.

557

Lot 558 A light blue upholstered armchair, Danish, with a button back and beech frame and supports, 75cm wide 85cm deep 90cm high, seat 40cm high £250 - 350

558 559 Lot 559 Scandinavian School, mid-20th century Bergen Harbour indistinctly singed to the l.l., oil on canvas 80 x 70cm £200 - 400

Lot 560 A teak slatted bench, 1960s, by Brianco, raised on powder-coated supports, 206cm wide 43cm deep 34cm high £150 - 250

560

Lot 561 A G Plan teak sideboard, with three central drawers, flanked with a drop-down cupboard and two further cupboards, labelled, 206cm wide 45.5cm deep 80cm high £400 - 600

561

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN Lot 562 A Louis Poulsen ‘PH5’ pendant, designed by Poul Henningsen in 1958, in purple, 49cm diameter £150 - 200 Lot 563 A teak ‘Bwana’ armchair, c.1962, designed by Finn Juhl for France & Søn, with a black leather seat, back and arms, labelled, 85cm wide 85cm deep 95cm high, seat 45cm high £2,500 - 3,500

562

565

Lot 564 § A rosewood circular coffee table, Danish, designed by Johannes Andersen for CFC Silkeborg, labelled, 100cm diameter 49.5cm high £300 - 500 Lot 565 An ‘Orient Major’ pendant light, designed by Johannes Hammerborg for Fog & Mørup, with a metallic finish, a teak mount and plastic diffuser, with an adjustable suspension cord, 38cm diameter approximately 75cm high (adjustable) £200 - 300

563

Lot 566 A Danish ‘PK22’ lounge chair, designed by Poul Kjaerholm in 1956, manufactured by E Kold Christensen, with white wool upholstery, raised on a chromed steel base, impressed manufacturer’s mark to the base, 62cm wide 61cm deep 66cm high, seat 44cm high £600 - 800

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MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779 Lot 567 A France & Daverkosen ‘FD451’ teak daybed, 1950s, Danish, designed by Peter Hvidt and Orla Mølgaard, raised on tapering legs, the dropping ends with rattan weave, with seat and back cushions upholstered in grey wool textile, labelled with manufacturer’s marks to the underneath, 165cm wide 81cm deep 77cm high £500 - 700

567

Lot 568 A Poul Jeppesen teak coffee table, c.1960, Danish, designed by Grete Jalk, of rectangular form, the top with curled edges, raised on tapering legs, 165cm wide 60cm deep 44cm high £400 - 600

568

Lot 569 A set of six oak dining chairs, Danish, designed by Børge Mogensen for Karl Andersson & Söner, each with plain turned supports, blue fabric back and seat, two labelled, 53cm wide 43cm deep 76.5cm high, seat 42.5cm high (6) £200 - 300 Lot 570 A Danish teak ‘Model 120’ rocking lounge chair, designed by Ole Wanscher for France & Søn, with grey upholstered seat and back cushions, with a France & Son button label, 62cm wide 80cm deep 86cm high, seat 45cm high £300 - 500

569

Lot 571 A Danish teak ‘Studioline’ cocktail cabinet, designed by Verner Panton for France & Søn, with a folding lift-off top with recessed brass handles, over a sliding tray, on castors, 66.5cm square 47.5cm high £250 - 350

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572 Lot 572 A pietra dura marble octagonal table top, decorated with a band of foliage, inlaid with malachite, lapis lazuli and mother-of-pearl, on a later yew wood octagonal base, with incised monogram ‘PW’ to the support, 68cm diameter 51cm high £200 - 400 Lot 573 A Dux four-seater settee, 1960s, designed by Folke Ohlsson, raised on an ebonised frame, upholstered in white corduroy, 260cm wide 80cm deep 81cm high, seat 42cm high £300 - 500

573 Lot 576 A ‘Summa’ modular set of three teak wall units, designed by Terence Conran, comprising a pair of three-drawer chests and a fall-front cabinet, each 61cm wide 45.5cm deep 66cm high (3) £200 - 300 Sir Terence Conran was synonymous with the development and styling of British design from the early 1950s. This storage unit formed part of the ‘Summa’ range of flat-pack furniture that was designed in the 1950s and 1960s. A similar unit was illustrated in ‘The Way We Live Now’ Exhibition, 2011, at the Design Museum in London, held to mark Conran’s 80th birthday.

Lot 574 A mid-century teak cantilever floor lamp, 1960s, Swiss, designed by Georges Frydman for Temde Leuchten, with a veneered foot and shade, a chromed shaft with an adjustable arm, the shade with a fitted fibreglass diffuser, 170cm high £600 - 800 Lot 575 A pair of ‘Pernilla 69’ lounge chairs and an ottoman, designed by Bruno Mathsson for Dux, with bentwood frames, with replaced ‘Giraffe’ printed cushions, stamped ‘Bruno Mathsson by Dux’, 75cm wide 90cm deep 98cm high, seat 40cm high (3) £400 - 600

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Lot 577 A teak coffee table, Danish, the square top with rounded edges, with a wicker-mounted undertier, 79cm square 51.5cm high £200 - 300 Lot 578 Spare lot

Lot 579 A pair of armchairs, 1960s, Swedish, possibly manufactured by DUX, each of square form, upholstered in white corduroy fabric, the upper corners of the back with buttoned detailing, raised on ebonised feet, 77cm wide 79cm deep 73cm high, seat 45cm high (2) £200 - 300

577

579

Lot 580 Six ‘Model 89’ teak dining chairs, Danish, designed by Erik Buch for Povl Dinesen, each with an oatmeal-coloured back and seat, 48cm wide 52cm deep 79cm high, seat 46cm high (6) £200 - 300

580

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Lot 582 A ‘Tube’ table lamp, 1960s, Swedish, designed by Anders Pehrson for Ateljé Lyktan, plastic casing with chromed detailing, on a splayed foot, for a single fluorescent tube light, with manufacturer’s labelling, 86cm wide 41cm high £120 - 180

581

Lot 581 A Danish teak sideboard,

by Hundevad, with plain sliding cupboards, enclosing a maple interior with two adjustable shelves and a baize-lined drawer, branded to the reverse, 108cm wide 43cm deep 67cm high £200 - 300

Lot 583 Three teak Rykken chairs, designed by Oddvin Rykken, each with bentwood and canvas slung supports, with a chocolate brown leather seat, branded to the underside of the supports, 62cm wide 74cm deep 75cm high, seat 43cm high (3) £200 - 300

583

Lot 584 A teak bar trolley or cart, Danish, designed by Lief Alring for C F Christensen, of box form with two hinged covers opening to create surfaces, with blue vinyl mounts, the central well fitted with a tray and a bottle divider, the front with a single drawer, raised on square supports and castors, with two original keys, 70cm wide 45cm deep 78cm high £500 - 700

585 584

Lot 585 A beech coat stand, designed by Nana Ditzel, with six rows of arms, on a turned column and circular plinth, 170cm high £200 - 300

www.sworder.co.uk

582

586

587

588

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586

Lot 586 A modern aluminium cube-form pendant light, in the manner of Max Sauze, 37cm square £200 - 300 Lot 587 An Italian glass wall mirror, 1960s, with a part-bevelled glass centre, mounted on blue glass, 57cm wide 81cm high £150 - 250

589

Lot 588 A Danish birch and teak lounger and stool, with upholstered seat and back cushions, armchair 65cm wide 76cm deep 77cm high, seat 45cm high, stool 58cm wide 46.5cm deep 41cm high, and a matching teak fold-over table, with two frieze drawers and a shaped undertier, with teak caps, 65cm wide 48cm deep 60.5cm high (3) £400 - 600

588

www.sworder.co.uk

Lot 589 A teak and burrwood sideboard, with two cupboards enclosing two full shelves, a half shelf and a slide, with five drawers to the side, each with oval burrwood fronts, the top drawer lined with baize and fitted with cutlery divisions, with brushed handles and supports, 152.5cm wide 48cm deep 84cm high £500 - 700

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MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779 Lots 590-598 Provenance: From the estate of post-war architect Brian Smith, who worked for Frederick MacManus & Partners on the Gospel Oak Development, London, and for the United Reformed Church. He took over as senior partner of the firm in 1969.

590 591 Lot 590 A glass coffee table, 1970s, a rectangular chrome frame with brass details, 130cm wide 60cm deep 42cm high £150 - 200

Lot 591 A pair of teak ‘Grand Prix’ chairs, designed by Arne Jacobsen for Fritz Hansen, branded ‘Made by FH Denmark’, 45.5cm wide 48cm deep 77.5cm high, seat 44cm high (2) £200 - 300

592

Lot 592 *Lucienne Day (1917-2010) ‘Reflection’, 1979 a silk mosaic panel 32.5 x 32cm, on a linen mount, in a wrap-around Perspex frame, labelled ‘Silk Mosaics, Lucienne Day RDI ARCA FSIAD’, titled and dated ‘1979’ 51.5 x 41.5cm overall £200 - 300

593 Lot 593 Four ‘Model 60’ stacking stools, designed by Alvar Aalto, three 40cm diameter, 45cm high one 37cm diameter, 44cm high (4) £150 - 250

594

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Lot 594 A set of four Pell cantilever chairs, each with a beige back and seat, 42cm wide 52cm deep 80cm high, seat 44cm high, and an Arkana dining table, with a white circular top, 122cm diameter 73cm high (5) £250 - 450 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN Lot 595 A Stelton ‘Cylinda-line’ stainless steel tea set, designed by Arne Jacobsen, comprising: a teapot, hot water jug, milk jug, sugar bowl and cover, strainer, and mixing spoon, stamped marks and labelled (6) £150 - 200 Lot 596 A ‘Pernilla’ armchair, designed by Bruno Mathsson, with a webbed seat, branded to the back rail ‘Bruno Mathsson Design Made in Sweden’, lacking headrest, 58.5cm wide 82cm deep 99cm high, seat 40cm high £250 - 350

595

Lot 597 An Emmanuelle wicker peacock chair, 1970s, with two-tone wicker details, with an olive pad seat, 107cm wide 58cm deep 145cm high, seat 46cm high £150 - 250

596 § FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

598

www.sworder.co.uk

Lot 598 § A three-piece rosewood modular corner suite, Danish, each section with a rail back, cushion and bolster, a removable base, with block feet and castors to the back, 100.5cm wide 69cm deep 72cm high, together with a teak Studioline cocktail cabinet, Danish, designed by Verner Panton for France & Søn, with a folding lift-off top with recessed brass handles, over a sliding tray, on castors, 66.5cm square 47.5cm high (4) £400 - 600

597

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Lot 599 A sterling silver guilloché enamelled snuffbox,

by Marius Hammer, Oslo early 20th century, of oval form, internally gilt, with marker’s mark for Marius Hammer and British import marks for London 1932 by Henry James Hulbert impressed to the underneath, retailed by Asprey, with a fitted leather case, branded Asprey, 156 Bond St. London, 6.3cm wide, 1.96ozt £450 - 650

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

Lot 600 A pair of Art Deco silver dishes, Ottar Hval, Norway 1930s, both of round concave form, each with a central enamelled medallion, one green, one orange, depicting a rearing horse, impressed with maker’s mark of Ottar Hval, 830S to the underneath, 15.5cm diameter, 2.83ozt (2) £150 - 200

Lot 602 Two Art Deco silver dishes, Ottar Hval, Norway 1930s, both of round concave form, each with an enamelled medallion to the centre, one in red enamel depicting a horse, the other with blue enamel depicting a Viking longship, both impressed with maker’s mark of Ottar Hval, 830S to the underneath, largest 19.5cm diameter, 9.75ozt (2) £200 - 300

602

600

Lot 601 An Art Deco silver dish, Ottar Hval, Norway 1930s, of round concave form, with a yellow enamel medallion to the centre depicting a rearing horse, impressed with maker’s mark of Ottar Hval, 830S to the underneath, 15.5cm diameter, 3.94ozt £150 - 250

www.sworder.co.uk

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Lot 603 A pair of modernist silver tazzas,

by Christopher Lawrence, London 1975, each raised on tapering textured feet, 12.5cm diameter, 3.5cm high, 10.52ozt (2) £400 - 600 Lot 604 A pair of modernist silver bowls,

by Christopher Lawrence, London 1975, each of slight tapering form, with flared rim and textured exterior, 12cm diameter, 4.2cm high, 11.94ozt (2) £400 - 600

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Lot 605 A pair of Danish sterling silver dwarf candlesticks,

by Carl Poul Petersen, with leaf and berry details, 8cm high, a matching bowl, 7cm high, and a .925 standard silver salt and pepper, designed by Henning Koppel for Georg Jensen, 2.5cm high (5) £140 - 180

Lot 606 A pair of silver goblets,

by Brian Asquith, Sheffield 2000, each raised on a stepped cast column, numbered ‘59/100’ and ‘99/200’, 16cm high, 22ozt approximately (2) £300 - 500

Provenance: From the estate of post-war architect Brian Smith, who worked for Frederick MacManus & Partners on the Gospel Oak Development, London, and for the United Reformed Church. He took over as senior partner of the firm in 1969.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

Lot 607 An ‘AP-19 Papa Bear’ chair, designed by Hans Wegner for A P Stolen, Denmark, reupholstered in a blue-grey fabric with a buttoned back, teak arm panels, raised on oak supports, numbered ‘5’ and with further handwritten numbers to the frame, 80cm wide 95cm deep 100cm high, seat 42cm high £10,000 - 15,000 ‘The ideal chair does not exist’, Hans J Wegner, one of the most iconic names in Design history once said. Perhaps he was right? Wegner spent his entire life in pursuit of the unattainable ideal, which would see him reinventing the chair again and again for almost half a century in over 500 different ways.

Throughout life we are told to sit up straight and not to slouch on sofas and armchairs – Wegner turned this notion on its head and was often seen with his legs swung over the armrests of some of his most iconic designs. At the centre of Wegner’s design philosophy was always universal comfort - the ability to always sit in whichever way is most comfortable and shift effortlessly between various positions.

Born in 1914 in Tønder, Denmark, Wegner began his apprenticeship as a cabinetmaker at age fourteen. In 1940, after finishing his studies at the Royal Danish Academy, he was invited by Erik Møller and Arne Jacobsen to design the furniture for Århus city hall. The project was the first glimpse of Wegner’s capabilities, and opened in 1942 to critical acclaim, with one of the chairs sold to the Danish Design Museum. With his newfound domestic success, Wegner opened up his own furniture studio and continued to produce pieces that still define Danish design to this day, such as the Wishbone Chair.

With the Papa Bear Chair, or Bamsestol, designed in 1951, Wegner sought to redefine the traditional straight-backed wing back chair, making it more inviting and versatile. The name came from one of his early reviewers, describing the teak-topped tapering armrests surrounding the sitter as being cradled by a massive bear. The name stuck, perfectly encapsulating the comfort of a design still produced to this day and inspiring numerous interpretations and copies. The same year, Wegner was awarded the prestigious Lunning Prize, an honour he shared with Finnish design savant Tapio Wirkkala.

Wegner kept producing groundbreaking designs throughout his life, ranging from more conservative models, such as the CH23, to the modernist masterpieces, such as the Flag Chair and Wegner’s personal favourite – the Ox Chair. Keeping innovation playfulness at heart, form and function were always kept closely coupled, resulting in an immense breadth in both styles and materials used. The careful selection of materials and the attention to craftsmanship has also ensured their endurance, with many original production models surviving in good condition to this day. As such, whether it is fine dining in the Wishbone Chair or the intimate embrace of the Papa Bear, Wegner’s designs continue to define interiors, guaranteeing style and comfort lasting for generations. With a track record like that, there is no wonder that many of Wegner’s chairs are today considered just what he thought unattainable: ideal.

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MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779 Lot 608 A set of six brass and glass candlesticks, Swedish, designed by Gunnar Ander for Ystad Metal, each mounted with a clear glass plinth, the glass shades in blue, cranberry and amethyst, stamped marks, 30.5cm high (6) £100 - 150 Lot 609 A Swedish teak sideboard, 1960s, Swedish, with three sliding doors, the left side opening on to a stack of four drawers, the middle and the right section opening on to shelving, raised on chamfered legs, 152cm wide 51cm deep 71cm high, and a teak cocktail cabinet, 1960s, Swedish, in two sections, the upper section with a folding front opening on to a shelved interior, the lower section with a pair of doors opening on to a single shelf, raised on chamfered legs, 81cm wide 31cm deep 123cm high (2) £200 - 300

608

Lot 610 A nest of teak tables, 1960s, Danish, designed by Poul Hundevad for Fabian, with soft bevelled edges, raised on round tapering legs, each with swept stretchers, 59cm wide 39cm deep 47cm high (3) £250 - 350

610

609 Lot 612 A Fritz Hansen ‘Model 4365’ teak armchair, 1960s, designed by Søren Hansen, on turned legs, the armrests, seat and back upholstered in black leather, with manufacturer’s label to the reverse of the front stretcher, 70cm wide 85cm deep 104cm high, seat 40cm high £400 - 600

611

Lot 611 A Swedish ‘Ilona’ teak sofa, designed in 1971 by Arne Norell for Norell Möbel AB, with a turned frame, seats and backs from suspended leather, with loose seat and back cushions upholstered in buttoned leather, 147cm wide 80cm deep 74cm high, seat 30cm high £400 - 600 170

612

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

613

Lot 613 A teak extending dining table, Danish, designed by Kai Kristiansen, the table with two extra leaves, 100cm wide, 200cm extended 100cm deep 71cm high, and six chairs, each with arms and upholstered in burgundy fabric, 53cm wide 55cm deep 80cm high, seat 45cm high (9) £1,200 - 1,500

614

Lot 614 Four ‘Series 7’ chairs, modern, designed in 1955 by Arne Jacobsen for Fritz Hansen, also known as ‘Model 3107’, in raspberry, 47cm wide 52cm deep 77.5cm high, seat 44.5cm high (4) £200 - 300 Lot 615 A modern coffee table,

by Fritz Hansen, with a circular top on a cast stand, labelled and dated ‘1998’, 90cm diameter 47cm high £200 - 300

www.sworder.co.uk

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616 Lot 616 A Danish teak extending dining table, designed by Arne Vodder for Vamo Sønderborg, with a folding extra leaf, 160cm wide 234.4cm extended 92cm wide 74cm high, and six dining chairs, (5+1), each with a turquoise upholstered fabric seat, armchair 64cm wide singles 43cm wide 48cm deep 78cm high, seat 46cm high (7) £1,200 - 1,500

Lot 617 A Jo Hammerborg hanging light with uplighter, with a pull cord detached for lower light switch, 38cm diameter 55cm high £150 - 200

Lot 618 A Nuutajärvi ‘Minareeti’ glass vase, 1970s, designed by Oiva Toikka (1931-2019), of cylindrical form with mottled white glass over a silver chloride decorated base, engraved ‘Oiva Toikka, Nuutajarvi Notsjo, 28cm high £300 - 500

Lot 619 A Vivienne Westwood three-piece lustre denim suit, comprising, a bustier, jeans and a jacket, labelled ‘Grand Hotel S/S 1993 / Elle Magazine A/W 92’, size 12 (3) £150 - 200

618

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619

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

Lot 620 *Ian Norbury (b.1948), ‘Venus - The Goddess of Love’, the nude figure reclining on a marble sphere holding a scimitar, carved in limewood, copper, silver and marble, 53cm wide 38cm deep 38cm high together with a DVD of the step-by-step production of the piece (2) £3,000 - 5,000

620

Lot 621 A contemporary five-branch standard lamp, with a domed plinth, 160cm high £200 - 300

Lot 622 A Venetian style multi-plate glass mirror, with a pierced central mount, with an ebonised mounting board, 185cm wide 177cm high £250 - 350

621

www.sworder.co.uk

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MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779 Lot 623 A contemporary maple and beechwood wall cabinet, designed by Mortimer Cartridge Designs, June 1995, with three shelves to the upper section, over a slide, and a further shelf, with two fitted cabinets, with an engraved brass medallion, 121cm wide 56.5cm deep 212cm high £400 - 600

624

Lot 624 An Ercol elm chest of drawers, 1960s, with three drawers with turned handles, on plastic castors, 91.5cm wide 48cm deep 66cm high £200 - 300

623

Lot 625 A four of Ercol ‘Model 773’ beech armchairs, each with a turned frame with shaped armrests, the seat and back upholstered in grey wool fabric, with manufacturer’s labels and stamps to the front stretcher, 60cm wide 61cm deep 71cm high, seat 36cm high (4) £400 - 600

Lot 626 A six-piece modular ‘Caterpillar’ settee, 1970s, reupholstered, each section in cream with bolster backs, each component: 135cm wide, 380cm wide overall 95cm deep, 345cm overall 75cm high, seat 40cm high (12) £500 - 800

625

626

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Lot 627 A pair of contemporary Bestlite lamps, with adjustable supports on columns, with white ceramic shades, stamped marks, adjustable heights from 51.5 to 84cm high (2) £200 - 300 Lot 628 A teak drinks trolley, of two-tiered construction, on a powder-coated steel frame, with braided rattan handles, on plastic castors, 68cm wide 42cm deep 85cm high £200 - 300

627

628

629

Lot 629 A pair of ‘Satellite’ bucket chairs, 1960s, each with a woven plastic seat, on a wrought metal base, 70cm wide 55cm deep 69cm high, seat 36cm high (2) £150 - 250 Lot 630 An Aldo Tura ‘Pipe’ table lamp, 1950s, in green-coloured parchment, modelled as a pipe, with a rolled plastic shade, fitted with a detachable ashtray, 55cm high £250 - 350

www.sworder.co.uk

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Lot 631 A Rosenthal Studio-Line Versace Gorgona ‘Medaillon Meandre d’Or’ tea set for four, designed by Paul Wunderlich, each piece with a bust within a Greek key banding, printed marks, all in original boxes £300 - 500

Lot 632 A suite of contemporary chrome furniture, comprising: a table with a glass top, on an ‘X’ frame stand, 135cm wide 80cm deep 75.7cm high, an open display stand, with six glass shelves, 101.5cm wide 39.5cm deep 190cm high, a side table, to match the longer table, 63cm wide 40cm deep 47cm high, and three single chairs, 39cm wide 50cm deep 111cm high, seat 52cm high (6) £400 - 600

631

632

Lot 633 Henry Moore (1898-1986): ‘Heads, Figures and Ideas’, London and Greenwich, Ct., George Rainbird, New York Graphic Society, 1958, Folio, with a colour lithograph and numerous illustrations £150 - 200

633

Lot 634 A contemporary coffee table, French, the rectangular glass top, raised on two silvered antelope head stands, 140cm wide 70cm deep 46.5cm high £200 - 300

Lot 635 An adjustable standard lamp, 1960s, by Maclamp, with a tapered shade, 142cm high £150 - 200

634 635

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

Lot 636 A patinated bronze wall sculpture, depicting a seated girl with a cat 42cm wide 64cm high £150 - 250 Lot 637 *The ‘Peacock’ iron rocking chair, c.1993, designed by Derek Lloyd, with a wrought iron frame, scrolled arms with peacock heads, with a blue moiré silk seat and buttoned back, 58.5cm wide 70cm deep 125cm high, seat 52cm high £600 - 800

636

637

638 Lot 638 Four Roger Tallon folding stools, 30cm diameter two, 42.5cm and two, 45cm high (4) £100 - 150

In 1941, at the age of five, Derek Lloyd was evacuated from Birmingham to Worcestershire where his new home was opposite a blacksmith’s shop. He started to assist there, later undertaking a four-year apprenticeship. After serving in the army, he established his own blacksmithing business and also taught at what is now the National School of Blacksmithing in Hereford. A farrier all his life, Derek has shoed thousands of horses including winners of the Grand National and Cheltenham Gold Cup. This chair was designed and created as an entry in the 1993 Ornamental Ironwork National Championship.

Lot 639 § A modular set of four rosewood and ebonised bookcases, comprising: a bookcase, with two adjustable shelves, over a drop-down cabinet, and three drawers, 97cm wide 39cm deep 214.5cm high, a bookcase, with three adjustable shelves, over a shelf and cupboards, 97cm wide 39cm deep 214.5cm high, and a pair of cabinets and shelves, with four adjustable shelves, 66cm wide 34.5cm deep 206.5cm high overall 328.5cm wide (4) £400 - 600

639 www.sworder.co.uk

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Lot 640 A Lucite ‘Globe’ ice bucket, in the manner of Alessandro Albrizzi, the inside moulded in the form of a terrestrial globe with frosted continents, 18cm square £150 - 250 Lot 641 A pair of Lucite lamps, French, designed by Jean Claude Mahey for Maville Interiors, each mounted with a globe, mounted on a tapering Lucite pedestal, raised on a stepped plinth, labelled, 25cm wide 119.5cm high (2) £400 - 600

640

643

Lot 642 A pair of Murano glass hanging chandeliers, the mottled glass drum shades, with hanging glass pendant drops, one with two tiers, the other with three, each 45cm diameter 35 and 45cm high approximately (2) £700 - 900

641

Lot 643 Three Murano glass wall lights, each formed with two ‘U’ shaped glass panels, and fitted with a single light fitting, 29.5cm wide 16.5cm deep 27cm high (3) £400 - 600

642

Lot 644 A modernist coffee table, with a circular glass top, raised on a diamond-shaped stainless steel stand, 110cm diameter 47.6cm high £300 - 500

644

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

Lot 645 A ‘Lyra’ iron armchair, 1950s, designed by Anna-Lulja Praun and Thomas Lauterbach, with a reupholstered seat, labelled ‘Sonnet’, 56cm wide 75cm deep 105cm high, seat 39cm high £1,000 - 1,500

Lot 646 Two pairs of contemporary Bestlite lamps, with adjustable hinged columns, one pair with brass shades, the other pair with white ceramic shades, stamped marks, 50cm and 49cm high (4) £300 - 500

646

645

Lot 647 A chrome and leather ‘No Step Aft’ armchair, designed by Clare Brass for Edra, aluminium and leather, with a perforated panel under the seat, stencilled both sides ‘No Step Aft’, 85cm wide 95cm deep 108cm high, seat 44cm high £500 - 750

Lot 648 A Studio Ahus glass ‘Fire’ sculpture, c.1995, designed by Hanne Dreutler and Arthur Zirnzack, with wrythen blue ‘Ariel’ style decoration, signed and dated, 30cm high £150 - 200

647

This was the largest size of this model produced.

648

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Lot 649 A set of six ‘Louis Ghost’ armchairs, designed by Philippe Starck in 2002 for Kartell, transparent polycarbonate, labelled with manufacturer’s marks to the legs, 52.5cm wide 42.5cm deep 93.5cm high, seat 46cm high (6) £300 - 500

649

650

Lot 650 A set of four ‘Louis Ghost’ armchairs, designed by Philippe Starck in 2002 for Kartell, transparent polycarbonate, labelled with manufacturer’s marks to the legs, 52.5cm wide 42.5cm deep 93.5cm high, seat 46cm high (4) £200 - 400

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

651 Lot 651 A set of three Maison Charles ‘Pyramide’ patinated bronze table lamps, French, designed by Jaques Charles, of tapering design, each with a white textile shade, with manufacturer’s label to the underneath, 58cm high excluding shade (3) £500 - 800 Lot 652 A ‘Fan’ chair, designed by Tom Dixon, with a black ash frame and leather seat, 89cm wide 76cm deep 112cm high, seat 41cm high £500 - 700

652

Lot 653 A ‘123 System’ easy chair, c.1974, designed by Verner Panton for Fritz Hansen, with a blue fabric seat and a chrome frame on a cast revolving stand, 59cm wide 68cm deep 76cm high, seat 42cm high £300 - 500

653 Lot 654 A pair of Italian ‘Lady’ chairs, 1950s, designed by Marco Zanuso, each in sky-blue satin upholstery, with electric blue piping, on black ebonised tapering wooden legs, 71cm wide 90cm deep 98cm high, seat 40cm high (2) £1,000 - 1,500

654

www.sworder.co.uk

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MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779 § FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

655

Lot 655 ‘Sculpture of Speed’, a modern Bentley sculpture, designed by Rajesh Kutty, raised on a shaped lacquered plinth, signed and dated ‘09’, 52cm wide 30cm deep 20cm high £300 - 500 With a booklet of twenty-four designs by Bentley’s styling and design team, this piece was purchased at a Charity Aid Auction in aid of The Christie NHS Trust Foundation on Tuesday 1 December 2009.

Provenance: T he Lawrie Gatehouse Collection.

Lot 656 *Mark Brazier-Jones (b.1956), a ‘Fountains’ dressing table, designed and executed in 1992, with a gold painted metal frame, with an oval mirror mounted on a shaped glass top, the top with underlying green fabric tying into a knot to the underneath, 87cm wide 51cm deep 153.5cm high £2,000 - 3,000

656

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

Lot 658 Mustafa Ali (Syrian, b.1956), ‘Sizyph within a circle’, bronze, signed ‘M.Ali’ dated ‘1998’ and numbered ‘1/11’, on an integral plinth, 32cm high £400 - 600 Mustafa Ali, Syria’s foremost sculptor, was born in Latakia in 1956. Known for elegant, monumental sculptures that pierce the consciousness and underscore the fragility of mankind, he has been widely collected in the Arab world for nearly three decades.

Lot 659 Spare lot

658

657 Lot 657 Professor Giuseppe Bessi (Italian, 1857-1922), an alabaster ‘Madonna and Child’, signed verso, on a marble plinth, 39cm high £100 - 150

Lot 660 § A circular rosewood dining table, 1980s, by Valerie Ward, on a rectangular pedestal base, with chrome accents and mounts, 126cm diameter 74cm high £600 - 800

660

Lot 661 A brutalist octagonal slate coffee table, modern, raised on a conforming stand, 97cm diameter 47.5cm high £150 - 200

661 Lot 662 Three ‘Tomotom’ tub chairs, designed by Bernard Holdaway for Hull Traders, in black, white and blue, 48.5cm diameter 73.5cm high, seat 38.5cm high (3) £200 - 300

www.sworder.co.uk

662

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Lot 663 A pair of ‘Model 1853/1 Grande’ table lamps, modern, designed by Max Ingrand for FontanaArte in 1954, fitted with a triple switch, 80cm high (2) £400 - 600

Lot 664 A ‘Spine’ steel chair, designed in 1988 by Andre Dubreuil, a bent steel frame with welded steel ribs, the lowest crossbar stamped ‘JTS’, 62cm wide 100cm deep 106cm high £400 - 600

663

664

665 Lot 665 A pair of contemporary Bestlite lamps, with adjustable supports on columns, with white ceramic shades, stamped marks, adjustable heights from 51.5cm to 84cm high (2) £200 - 300 Lot 666 Barbara McGivern (Canadian, 1945-2019) ‘Red Square’ signed and inscribed verso, oil acrylic and gold leaf on canvas 91 x 91cm, unframed £200 - 300

184

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667

Lot 667 Barbara McGivern (Canadian, 1945-2019) ‘Liqour [sic] is Quicker’ signed ‘McGivern’ and inscribed as titled verso, oil, acrylic and gold leaf on canvas 122 x 122cm, unframed £200 - 300 Lot 668 Barbara McGivern (Canadian, 1945-2019) ‘Chair with Fruit (Cézanne)’ (from the Barnes Collection) signed and inscribed verso, oil and acrylic on canvas 122 x 152.5cm £150 - 250

668

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

670

669 Lot 669 A pair of Thorn EMI uplighters, 1980s, with white metal semicircular shades and plinths, on powder-coated metal supports, 24cm wide 35cm deep 185cm high (2) £200 - 300

Lot 670 A set of ten brass armchairs, 1970s, Italian, in the manner of Pierre Cardin, each with seat, back and armrests upholstered in cream fabric, labelled to the underneath ‘Made in Italy’, 61cm wide 53cm deep 103cm high, seat 43cm high (10) £700 - 900

672

671 Lot 671 A pair of contemporary Bestlite lamps, with adjustable supports on columns, with white ceramic shades, stamped marks, adjustable heights from 51.5 to 84cm high (2) £200 - 300

www.sworder.co.uk

Lot 672 A Herman Miller ‘Swag’ table, designed in 1956 by George Nelson, with a white laminated top, raised on white lacquered aluminium legs, 160cm wide 75cm deep 76cm high £200 - 400

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673

Lot 673 Two contemporary chests, 1980s, each black-lacquered and brass-bound, with a glass top, one with four drawers, one with a pair of doors, both internally lined with plush velvet, 100cm wide 47cm deep 74cm high (2) £300 - 400

Lot 674 An Artifort ‘F437’ or ‘Orange Slice’ lounge chair, designed in 1960 by Pierre Paulin for Artifort, upholstered in grey textile, on polished steel legs, 84cm wide 80cm deep 70cm high, seat 41cm high £300 - 500

674

Lot 675 A Gordon Russell walnut sideboard, 1950s, designed by W H Russell for Russells of Broadway, with a central section of three drawers, flanked on either side by cupboard doors, each with a turned handle, opening on to a single shelf each, on rounded square legs, labelled with plaque to the verso, 141cm wide 49cm deep 86cm high £250 - 350

675

Lot 676 A ‘Pernilla 69’ armchair, designed by Bruno Mathsson for Dux in 1969, with a bent stained beech frame, with seating pad, armrests and neck cushions upholstered in a tartan wool fabric, with manufacturer’s branding to the front stretcher, 72cm wide 83cm deep 96cm high, seat 43cm high £200 - 300 Lot 677 A teak corner unit, 1960s, with three upright steel bars, with an arrangement of different sized shelves, 148.5cm wide 67cm deep 220cm high £300 - 500

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676

677

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

Lot 678 An armchair, Danish, with ochre velour upholstery, with cream piping and studded borders, raised on oak supports, 74cm wide 85cm deep 83cm high, seat 36cm high £150 - 250

Lot 679 A set of five white faux leather chairs, 1970s, French, each with a buttoned back, chrome arms on a ‘X’ frame stand, 55cm wide 57cm deep 84cm high, 44cm seat high (5) £400 - 600

678

Lot 680 A set of six ‘Bertoia’ wire chairs, designed by Harry Bertoia, each with an olive seat cushion, 49cm wide 54cm deep 78cm high, seat 46cm high (6) £300 - 500 Provenance: From the estate of post-war architect Brian Smith, who worked for Frederick MacManus & Partners on the Gospel Oak Development, London, and for the United Reformed Church. He took over as senior partner of the firm in 1969.

679

680 Lot 681 ‘Paris Fly TWA Jets’ 1962, lithographic poster on paper, designed by David Klein (American, 1918-2005), printed in the USA, 101 x 63cm, framed £150 - 200

681

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Lot 682 § A set of four rosewood dining chairs, c.1960, Danish, designed by Steffen Syrach Larsen, each with a turned frame, the seat and back upholstered in beige leather, 50cm wide 46cm deep 80cm high, seat 45cm high (4) £1,500 - 1,800

682 Lot 683 A contemporary veneered coffee table, with a plain rectangular top, brushed aluminium details to the supports, 130cm wide 60cm deep 37.5cm high £200 - 300

Lot 684 A contemporary suite of three tables, comprising: a pair of side tables, 55cm square 56cm high, and a long coffee table, 130cm wide 76cm deep 48cm high (3) £250 - 450

683

Lot 685 A black leather armchair, Danish, of square form, with a single loose seat cushion, with swept armrests, with piped edges, raised on stained legs, 75cm wide 73cm deep 75cm high, seat 41cm high £200 - 300

684

§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

188

685

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

686

687

Lot 686 Leonor Fini (Argentinian, 1907-1996) ‘La Tete Rousse” (The Red Head) colour lithograph, ‘E.A’ and signed in pencil 35 x 46cm; together with another by the same hand, ‘La Tete Rose’ colour lithograph, ‘E.A’ and signed in pencil 46 x 51cm (2) £250 - 350

Lot 687 A modern free-standing four-piece wooden floor sculpture, in the form of a coco de mer, largest piece 58.5cm high (4) £100 - 200

688

Lot 688 Sharon Elphick (b.1968), a Graffiti flat-packed stool, designed in 2000 in collaboration with Junction4A, cardboard with printed exterior, labelled ‘j4a’, 40cm wide 45cm deep 45cm high £200 - 300

690 details Lot 689 Two fibreglass and plaster floor lamps, each of conical form, 179 and 181cm high (2) £300 - 500

690

Lot 690 A collection of Fornasetti wallpaper designs, ‘The Fornasetti Collection’, by Cole & Son, 2007, comprising fifty-two variations of fourteen designs, 50cm wide 50cm high £200 - 300

689

www.sworder.co.uk

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MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779

691

693

Lot 691 A set of eight Baleri cafe chairs, designed in 1984 by Philippe Starck, each with a red frame and rubber seat, 54cm wide 52cm deep 72cm high, seat 46cm high (8) £200 - 300 Lot 692 A pair of ‘Dialogo’ armchairs, designed by Afra & Tobia Scarpa for B&B Italia, each with a cherrywood frame and tan leather seat and backs, branded under the seat, 51.5cm wide 56cm deep 79cm high, seat 44cm high (2) £200 - 300

692

Lot 693 An Austrian Rupert Nikoll ‘Dandelion’ or Sputnik chandelier, designed c.1953 by Emil Stejnar, with a spherical brass stem, with radiating arms mounted with glass pearls and prisms, with fourteen light fittings, 40cm diameter £250 - 350 Lot 694 A Ladderax teak wall unit, 1960s, designed by Robert Heal for Staples, comprising: four shelves, 89cm wide, 20.5cm deep, four shelves, 89cm wide, 35.5cm deep, a chest unit, with three drawers, 89cm wide, 40.5cm deep, 47.5cm high, a fall-front cabinet, 89cm wide, 35cm deep, 29.5cm high, a sliding cupboard, 89cm wide, 35cm deep, 47.5cm high, four uprights, 200cm high, twenty-one horizontal bars (qty.) £600 - 800

694 190

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN Lot 695 A Barcelona chair and ottoman, after a design by Mies van der Rohe, with a chrome frame and white leather buttoned cushions, 76cm wide 85cm deep 78cm high, seat 43cm high (2) £300 - 500 Provenance: T he Lawrie Gatehouse Collection.

Lot 696 A pair of afrormosia ‘T’ chairs, designed by Peter Hvidt for France and Son, each hoop back above a leather pad seat on square section supports, 50cm wide 44cm deep 70cm high, together with a low table, with a smoked glass top, 60.5cm wide 60.5cm deep 35cm high (3) £400 - 600

695

Lot 697 A white lacquered polyurethane ‘Garden Egg’ chair, designed by Peter Ghyczy, originally designed in 1968, the white fibreglass base and hinged cover fitted with black pads, 65cm wide 77cm deep 37cm high £400 - 600 Lot 698 An ‘Irwin Collection’ mahogany sideboard, 1950s, designed by Paul McCobb for Calvin Furniture, Grand Rapids, with an hinged three-part cupboard door opening on to shelves, with five drawers with brass handles, mounted on a brass stand, 141cm wide 81cm deep 89cm high £600 - 800

696

697

698

MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779

Lot 699 An Italian rosewood bookcase display cabinet,

by La Permanente Mobili Cantu, with an asymmetrical back with five shelves, over a rectangular cupboard, enclosing two reeded drawers, over an open cupboard, with a shaped cupboard to the side enclosing a single shelf, raised on tapering supports, with key, 116.5cm wide 42cm deep 162cm high £2,000 - 3,000

699

Lot 700 A pair of ‘Dormouse’ chairs, designed by Ernest Race for Race Furniture, each upholstered in wool fabric, raised on plastic castors, labelled to the underside, 85cm wide 85cm deep 89cm high, seat 42cm high (2) £450 - 650

192

700

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

701 Lot 701 A walnut circular coffee table, designed by Lewis Butler for Florence Knoll, the supports united with a birch stretcher, 137cm diameter £400 - 600

Lot 702 A pair of folding chairs, designed by Giorgio Cattelan for Cidue, each with a white frame and cane seat, 49.5cm wide 49cm deep 79cm high, seat 48cm high (2) £100 - 150

702

704

703 Lot 703 A contemporary glass armchair, after the original by Denham MacClaren, with a white upholstered seat and back, 59cm wide 80cm deep 71cm high, seat 37cm high £300 - 500

Lot 704 A lacquered sideboard, c.1980, American, of trapezoidal form, lacquered in pastel colours, with nine drawers to the front, 170cm wide 44cm deep 74cm high £600 - 800

Lot 705 A set of six ebonised ‘Scandia’ chairs, 1957, designed by Hans Brattrud for Hove Møbler, each with an ebonised teak slatted seat and chrome frame, 48.5cm wide 50cm deep 97cm high, seat 48cm high (6) £1,200 - 1,500

www.sworder.co.uk

705 193

MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779

Lot 706 A teak coffee table,

by Knoll International, with a circular top raised on chrome supports, remnants of label, 90cm diameter 50.5cm high £400 - 600

706

Lot 707 A Lucite cabinet, 1970s, by Comatec, with a plain top over two cupboards, with gilt brass hinges, mounts and a latch, raised on squat feet, engraved ‘Comatec’ to the moulding, 109cm wide 43.5cm deep 58cm high £300 - 500

707

Lot 708 An Italian blondewood lounge suite, designed by Paolo Buffa, worn, each piece with latticed side panels, spindle turned back, with original orange seat and back, with chain-link underseat, comprising: a settee, 133cm wide 84cm deep 80cm high, seat 38cm high approximately, and a pair of armchairs, 66cm wide 75cm deep 80cm high, seat 38cm high approximately (3) £1,000 - 1,500 Provenance: A private residence in Nice, France.

708

194

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

Lot 709 A ‘Les Arc’ chair, designed by Charlotte Perriand, with a stitched and riveted leather seat, on a chrome frame, 47cm wide 54cm deep 82.5cm high, seat 44.5cm high £200 - 300

Lot 710 A pair of ‘Plan O’ patio chairs, 1950s, French, designed by Hoffer, remnants of label, 76.5cm diameter 70cm high, seat 36cm high (2) £300 - 500

709 711

Lot 711 A hanging silver-plated twelve-light chandelier, Italian, designed by Angelo Lelli, for Chandeline Collection, Prescolite, no. 1886-12, with clear glass drops, 74cm diameter 84cm high £300 - 500

710

713

712 Lot 712 A pair of Bigla bistro tables, 1960s, Swiss, each with a red lacquered circular folding top, raised on a cast aluminium support with cruciform base, each with manufacturer’s labels to the underneath of the tops, labelled with a ‘7’ to the underneath, 60cm diameter 75cm high (2) £300 - 400 www.sworder.co.uk

Lot 713 A patinated steel coffee table, c.2008, French, designed and manufactured by Stephane Ducatteau, comprised of two independent shapes slotting together into a square, signed to the base, 90cm square 30cm high (2) £400 - 600

195

MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779

714 Lot 714 A modern ‘Coulsen’ circular coffee table, designed by William Plunkett in 1968, with a glass top, 59.5cm diameter 40.5cm high £200 - 300

715 Lot 715 A set of six ‘Louis Ghost’ armchairs, designed by Philippe Starck in 2002, transparent polycarbonate, labelled with manufacturer’s marks to the legs, 52.5cm wide 42.5cm deep 93.5cm high, seat 46cm high (6) £300 - 500

Lot 716 A Lucite panel, 1990s, Italian, by Barnaba Fornasetti after Piero Fornasetti, with the Compagnia del Tobacco design to the central recessed panel, signed ‘Fornasetti’ and with hand and brush logo to one corner, 85.5cm square £200 - 400

716

Lot 717 A ‘Planta’ coat stand, designed by Giancarlo Piretti for Castelli, cast marks to the base, 164cm high £100 - 200

Lot 718 A Lucite and brass coffee table, 1970s, in the style of Charles Hollis Jones, with a bevelled glass top, raised on square section columns, 100cm wide 60cm deep 40.5cm high £250 - 350

718 717

196

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

Lot 719 An Italian marble coffee table, 1970s, by ‘Up and Up’, composed of two tiered triangular tables, 137cm wide 71cm deep 39cm high (2) £600 - 800

719

Lot 720 A giant ‘Anglepoise’ lamp, of modern manufacture, with a black lacquered shade and base, with sprung arms, 220cm high £600 - 900

720

Lot 721 A brutalist coffee table, with a circular glass top, a cast aluminium plinth, with fitted lighting to the underneath of the base, 105cm diameter 46cm high £300 - 500

721

Lot 722 A Dreipunkt three-part modular settee, German, designed by Otto Zapf, upholstered in black vinyl, each section raised on a square base with chromed metal feet, each section 66cm wide 83cm deep 73cm high, seat 38cm high (3) £400 - 600

722

Lot 723 A pair of scumbled cream-on-white side tables, each of plain form with gilt banding to the top, 76cm wide 45.5cm deep 54.5cm high (2) £200 - 300

723

www.sworder.co.uk

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724

Lot 724 A pair of Italian wall appliqués, designed by Gino Sarfatti, each mounted with three lights, with different enamelled shades, 42cm wide 35cm deep approximately (2) £800 - 1,200 Lot 725 A pair of smoked glass and chrome display cabinets, 1970s, Italian, designed by Mario Sabot, each with chrome-mounted handles and four glass shelves, 94.5cm wide 42.5cm deep 180cm high (2) £400 - 600

725

198

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

Lot 726 An ‘Eclisse’ table lamp, designed by Vici Magistretti for Artemide, 18cm high, and two ‘Tivoli’ hanging light pendants, designed by Jørn Utzon, one in black and gold, the other in red, 21cm high (3) £140 - 160

726

Lot 727 An Italian Carrara marble coffee table, the moulded square top, raised on two ‘L’ shaped supports, 104.5cm square 41cm high £400 - 600

728

727

Lot 728 A set of six stackable dining chairs, Italian, designed in 1967 by Giovanni Carini for Planua, each with a slung leather seat and back, with chromed frame, 48cm wide 43cm deep 73cm high, seat 41cm high (6) £300 - 500

Lot 729 A set four leather armchairs, 1970s, each of low backed square design, upholstered in cognac leather with stuffed fixed seat cushion, with piped edges and steel detailing, on plastic castors, 68cm wide 58cm deep 70cm high, seat 48cm high (4) £300 - 500

729

www.sworder.co.uk

199

MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779

731

730

Lot 730 A set of three lamps, designed by Tom Kater, two with twin adjustable stems, one with a single stem, raised on cast plinths, each with label and cast marks, 60cm (two) and 83cm high approximately (3) £300 - 500

Lot 731 A set of four ‘Maria’ oak dining chairs, Italian, designed in 1972 by Mauro Pasquinelli for Pallavisini, each with a swept back, the seat upholstered in a polychrome patterned textile, 48cm wide 50cm deep 76cm high, seat 46cm high (4) £200 - 400

732

Lot 732 A pair of patinated bronze Agave succulents, 52 and 62.5cm high (2) £300 - 500 Provenance: Talisman, London.

Lot 733 A wrought iron garden sculpture, with welded ‘feathered’ panels, fixed on a rectangular plinth, 36cm wide 93cm high £150 - 250 Provenance: From the estate of post-war architect Brian Smith, who worked for Frederick MacManus & Partners on the Gospel Oak Development, London, and for the United Reformed Church. He took over as senior partner of the firm in 1969.

734 complete view

733 200

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

Lot 734 *Nicolas Lavarenne (French, b.1953), ‘Moyen Passeur’, a patinated bronze and stainless steel sculpture, numbered ‘5/8’ and stamped ‘Lavarenne 99’Cire Perdue Bronze 2003’, bronze 190cm long poles 735cm long approximately £7,000 - 10,000 Nicolas Lavarenne was born in Chamalières, Puy de Dôme in 1953. A self-taught sculptor he describes his work thus: ‘I sculpt in a realistic manner by seeking expression through the attitudes of the human body; I work on the paradoxical duality of situations.

Perfectly balanced, but instantaneous, the bodies oscillate before the spectator, who makes them fall over or get up’.

In 1984, Lavarenne won the Prix du Public at the Biennale of UMAM in Nice. He has had many solo exhibitions and his work is in private and public collections throughout Europe and the USA. This sculpture is monumental in size, the female form is arched in either ecstasy or graceful suffering and is raised high on the stainless steel rods. It would appear the sculpture has been displayed in a small lake as the base of the stand has calcification.

MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779

736

Lot 735 A ‘Model 626’ floor lamp, designed by Joe Colombo for Oluce, with an adjustable light, on a circular stand, 205cm high £150 - 200

Lot 737 An upholstered daybed, c.1990, in the manner of Verner Panton, of swept form, raised on trapezoidal feet, 190cm long 40cm wide 77cm high £400 - 600

Lot 736 A pair of hanging box table lights, each perforated with holes and lined, 24cm square 43cm high (2) £150 - 250

737

735

202

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

738

Lot 738 *Patricia Volk (b.1951), ‘Woman’, bronze, raised on a tapering plinth, 53.5cm high £300 - 500 Lot 739 *Patricia Volk (b.1951), ‘Pebble Head’, stoneware, signed behind the ear and numbered 52/96, 42cm wide 35cm high £200 - 300

740

Lot 741 *Geraldine Knight (1933-2008), a study of an ewe, bronze, dated 1986 and numbered 7/10, raised on a polished slate plinth, 40cm wide 40cm high £400 - 600

742

Lot 742 *Patricia Volk (b.1951), a figural study, stoneware with a blue glaze, raised on an ebonised wooden plinth, 38.4cm high £200 - 300

Lot 740 After Max Ophuls, ‘Oedipus’, patinated bronze, with a relief signature ‘MO’, raised on a veined marble plinth, 68cm high £300 - 500

739

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741

203

MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779 Lot 743 ‘Triangles and Lines’, designed by Henry Moore for David Whitehead Fabrics in 1954, rayon sateen fabric, 38cm square £300 - 500 Lot 744 ‘Painted Desert’, designed by Althea McNish for Hull Traders in 1959, screen-printed cotton fabric, 111 x 126cm £150 - 200

743

744 Lot 745 Four ‘Jason’ chairs, designed by Carl Jacobs for Kandya, each with a bentwood ply seat, on painted supports with metal plugs, two labelled, 52cm wide 46cm deep 75cm high, seat 45cm high (4) £300 - 500 Lot 746 A Dutch bamboo and rattan rocking chair,

by Rohe Noordwolde, 60.5cm wide 110cm deep 95cm high, seat 40cm high £300 - 500

745

746

Lot 748 A pair of red baize chairs, Italian, in the style of Paolo Buffa, each with a high back, buttoned details, and a cushion seat, raised on turned wood supports, 73cm wide 90cm deep 101cm high, seat 50cm high (2) £700 - 900

747

Lot 747 A pair of Robin Day console tables, 1960s, designed for Habitat, both with metal frames, one with two walnut drawer units, one with a single walnut drawer unit, together with an arrangement of walnut shelving, black fibreglass insets and glass shelves, 114cm wide 39cm deep 76cm high (2) £900 - 1,200

204

748

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN Lot 749 An ‘Onion’ pendant light, Danish, designed by Svend Aage Holm Sorensen, with a chain suspension, 120cm high, a two-light brass hanging pendant, designed by Svend Aage Holm Sorensen, 150cm high approximately, and a ‘Clair-Obsure’ wall light,

by Raak, 27cm wide 15.5cm deep 20cm high (3) £150 - 250

749

Lot 750 A campaign chair, designed by Otto Parzinger for Maison Jansen, with a slung leather back and arms, with a padded seat, brass finials and lion paw feet, 60.5cm wide 90cm deep 93cm high, seat 39cm high £1,500 - 2,000

750

751 Lot 751 A ‘Brno’ cantilever armchair, with grey leather upholstery and arms, with branding to the underside of the seat, 58cm wide 60cm deep 79cm high, seat 46cm high £150 - 200

752

Lot 752 Six wire chairs, after Harry Bertoia, 53.5cm wide 52cm deep 77cm high, seat 48cm high (6) £200 - 300 Lot 753 Spare lot

754

www.sworder.co.uk

Lot 754 A pair of contemporary moulded aluminium console tables, of rectangular form, each with an inset smoked glass top, raised on square tapering legs, 106cm wide 26cm deep 81cm high (2) £400 - 600

205

MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779 Lot 755 A modernist-style wall mirror, of rectangular form, lacquered MDF, the frame with carved geometric notches, 80cm wide 130cm high £200 - 300 Lot 756 A contemporary stained oak console table, with a rectangular top over two parallel drawers, each with a moulded aluminium handle, on a moulded aluminium base raised on tapering square legs, 89cm wide 36cm deep 101cm high £250 - 350

755

Lot 757 A pair of ebonised Thebes-style stools, modern, originally designed by Leonard Wyburd in 1883 for Liberty & Co., each on turned legs and stretchers, with an upholstered cushion, 46cm square 40cm high (2) £250 - 450 Lot 758 An oval glass-topped aluminium coffee table, modern, raised on tapering legs, with an ‘H’ shaped stretcher, 127cm long 76cm wide 43cm high £200 - 300

760

756

Lot 759 A pair of circular ‘Madison’ mirrors, of modern manufacture, designed by Tom Faulkner, each with a circular brass-effect frame, with manufacturer’s label to the reverse, 90cm diameter (2) £400 - 600 Lot 760 A pair of Maison Charles ‘Pyramide’ patinated bronze table lamps, French, designed by Jaques Charles, of tapering design, each with a white textile shade, with manufacturer’s label to the underneath, 58cm high excluding the shade (2) £400 - 600 Lot 761 A contemporary sideboard, with a stained bird’s-eye maple top with a chromed edge, over two pairs of doors, each with a moulded front, with hoop-shaped chromed handles, each opening on to two parallel drawers over two shelves each, raised on a plinth, 200cm wide 46cm deep 87cm high £800 - 1,200

206

757 758

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

Lot 762 A pair of stained oak side tables, each with a circular top, raised on three arched, tapering cast aluminium legs, 51cm diameter 60cm high (2) £250 - 350

Lot 763 A modern standard lamp, on an ebonised circular base, the body wound with black velvet rope, with a conical textile-clad shade, 52cm diameter 192cm high overall £200 - 400

Lot 764 A contemporary nest of three cast aluminium tables, each on narrow tapering legs, with a drop-in black granite top, 50cm wide 29cm deep 70cm high (3) £250 - 350

759

763

761

764

762

www.sworder.co.uk

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MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779 Lot 765 A contemporary nest of three cast aluminium tables, each on narrow tapering legs, with a drop-in black granite top, 50cm wide 29cm deep 70cm high (3) £250 - 350 Lot 766 A contemporary oval aluminium mirror, the frame with a moulded decoration of feathers, with a faceted mirror plate, 100cm wide 147cm high £300 - 500

765

766 Lot 767 An oval glass-topped aluminium coffee table, modern, raised on tapering legs, with an ‘H’ shaped stretcher, 127cm long 76cm wide 43cm high £200 - 300

768

Lot 768 A pair of stained oak side tables, each with a circular top, raised on three arched, tapering cast aluminium legs, 51cm diameter 60cm high (2) £250 - 350

767

208

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428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

769 open

769

Lot 769 An ebonised cocktail cabinet, modern, with a pair of doors, each with chromed handles, opening on to a birch-lined interior with an assortment of shelves and racks, with a fitted and mounted stonework top with a bevelled edge, the back panel fitted with mirrors, 95cm wide 55cm deep 170cm high £400 - 600

770

Lot 770 A contemporary stained beech console table, of demilune form, with a reeded bottom edge, raised on four tapering legs, each with a silvered foot cap, with an ‘X’ shaped stretcher, 155cm wide 37cm deep 88cm high £400 - 600

Lot 771 A contemporary stained bird’s-eye maple side table, with a circular top, raised on a circular brushed steel base, 58cm diameter 51cm high £200 - 300

771

www.sworder.co.uk

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MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN 428-779

772

Lot 772 A contemporary dining suite, comprising: a large dining table, with a rectangular top, veneered with bird’s-eye maple, raised on a central rectangular column base, 300cm long 120cm wide 76cm high, with ten dining chairs, manufactured by Baker, each with a latticed back, a cushion upholstered in grey textured fabric, with piped bottom edges, 53cm wide 56cm deep 88cm high, seat 44cm high (11) £800 - 1,200

774 773 Lot 773 A Starbay contemporary faux leather-mounted dressing table, modelled as a trunk, the lid folding back to reveal a surface with recesses to the edges, the lid with a pair of hatches opening on to a mirror, over a single drawer, over a pair of doors opening on to a mahogany-lined interior with drawers and compartments, labelled ‘Starbay Living the Legend Furniture and Accessories’, 60cm wide 40cm deep 75cm high £250 - 350 Lot 774 A contemporary side chair, of low-backed design, upholstered in textured velour, with studded detailing along the edges, raised on tapering legs, 63cm wide 57cm deep 81cm high, seat 45cm high £250 - 350

210

Lot 775 A ‘Bellefeu’ chandelier, designed by Authentage, Beligum, with a bronzed steel frame with removable cast wax shades, for LED bulbs with LED strip to the underneath, 160cm wide 40cm deep 110cm high £400 - 600

775

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 212

428-779 MID-CENTURY AND MODERN FURNITURE, LIGHTING AND DESIGN

Lot 776 A modernist bronze figural sculpture, indistinctly signed and dated ‘1996’, 46cm high, together with three further small bronze casts, which stack together or in the base of the sculpture (4) £250 - 350

Lot 777 A contemporary ebonised ash extending dining table, of circular form, the top with chromed inlays, raised on two ebonised ‘V’ shaped supports with chromed bases, with a single leaf and bracings, 355cm long extended 210cm wide 75cm high £800 - 1,200

776

777

778

Lot 778 A ‘Lunario’ coffee table, Italian, designed in 1973 by Cini Boeri for Gavina, retailed by Knoll, with an oval glass top mounted on an offset weighted chromed base of pointed elliptical form, the glass labelled ‘Gavina’, 150cm wide 110cm deep 41cm high £400 - 600

Lot 779 A contemporary cast aluminium mirror, of rectangular form, the frame with a bevelled surface, 80cm wide 100cm high £200 - 300

779

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GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty.

Attributed to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.

Circle of David Cox in our opinion a work from the period of the artist and showing his influence.

The addition of a question mark (?) after any of the above cataloguing terms indicates an element of doubt.

Follower of David Cox in our opinion a work executed in the style of David Cox After David Cox in our opinion a copy of any date after a work by the artist Signed/inscribed/dated in our opinion the work has been signed/inscribed/dated by the artist

A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was executed at that time and in the location, eg. South Netherlands School, circa 1750.

All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the purpose of cataloguing.

Condition reports are not included in the descriptions.

ARTIST’S RESALE RIGHT (ARR) What is Artist’s Resale Right?

Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more.

This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale.

How are resale royalties calculated?

The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate.

The royalty is worked out according to a sliding scale from 4% to 0.25%.

Hammer Price

Royalty

From 0 to €50,000

4%

From €50,000.01 to €200,000

3%

From €200,000.01 to €350,000

1%

From €350,000.01 to €500,000 Exceeding €500,000

0.5% 0.25%

What is the qualifying threshold?

An artwork must sell for more than €1,000 to qualify for a royalty. The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold.

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What nationality must an artist be to qualify?

The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA: Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom.

Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs.

Are all sales of artwork covered?

The Artist’s Resale Right does not apply to all sales of artworks. A royalty is only due if the following conditions are met: • • • •

the artwork is a copyright protected work of graphic or plastic art; it is sold for more than €1000; it is sold in the secondary market with the involvement of an art market professional (e.g. auction house); and it is sold in the UK or another country in the European Economic Area (EEA).

This royalty, where applicable, will be charged to the purchaser. It is exempt of VAT.

TERMS AND CONDITIONS 1. INFORMATION FOR BUYERS Introduction The following notes are intended to assist Bidders and Buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Terms and Conditions and any notices that are displayed in our salerooms or announced by the Auctioneer at the auction. Our Terms and Conditions are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Terms and Conditions that you do not fully understand.

Please make sure that you read our Terms of Sale carefully before bidding in the auction.

If your bid is successful, you will be obliged to comply with our Terms of Sale.

Methods of payment Lots must be paid for before they are collected or shipped. For those attending the auction we ask that Lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our Website, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale. We accept cash to an upper limit of 10,000 euros equivalent. We accept credit card payments to an upper limit of £5,000.

Usually any cheques will need to be cleared before you can take the Goods away.

Collection and storage All Lots should be paid for and collected by 5pm on the Friday following the sale.

Commission Bidders should check the success of their bids and arrange payment, and collection or shipping within this time. For our specialist auctions please refer to the collection and storage requirements detailed in the catalogue and on our Website, which specifies the applicable fees. For our Homes and Interiors auctions, items not removed by 5pm on Friday may be removed at the purchaser’s expense and storage charges of £10 (plus VAT) for administration and £2 (plus VAT) per lot per day.

Agency As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the Goods is with the Seller, not with us as Auctioneer.

Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the sale Price. The lower estimate may represent the Reserve Price (the minimum Price for which a Lot may be sold) and will not be below the Reserve Price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot. They are not definitive.

Buyer’s Premium The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased, except for our Fine Wine and Port auctions when it is 15%. In addition, VAT is charged on these Premiums (see below).

VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the Buyer on the Hammer Price and the Buyer’s Premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that Lot. Lots which do not have either of the above symbols have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the Premium is not recoverable as input tax.

Shipping Costs are liable for VAT and are payable by the Buyer.

Inspection of Goods by the Buyer As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have ample opportunity to inspect the Goods. You must inspect and investigate Lots that you might wish to bid for.

Please note carefully the exclusion of liability for the condition of Lots set out in the Terms of Sale at clause 12.4.

Condition reports We may be able to assist Buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending Buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale.

Shipping of Goods We offer a delivery service for Lots purchased. Estimates for Shipping Costs for smaller items can be calculated pre-sale on our website under each Lot and are based on value, size and your chosen UK destination. For items purchased the actual cost can be added to your account and paid online after the sale. If you purchase multiple Lots from the same auction, we will combine packaging/deliveries to reduce the Shipping Costs. For lots for which Shipping Costs cannot be automatically calculated, such as furniture, you can obtain a bespoke Shipping Cost from our website to any destination in the world either in advance of the sale or after you have purchased.

Electrical goods These are sold as ‘antiques’ only. If you buy electrical Goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

Export of Goods If you intend to export Goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing Goods of that character e.g. because the Goods contain prohibited materials such as ivory.

Bidding Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a Commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

Commission bidding You may leave Commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyers’ Premium and/or any applicable VAT). We will execute Commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical Commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving Commission bids online via our Website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute Commission bids received after this time.

Telephone bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value Lots. Please note that this service is for Lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason.

Online bidding Any Lots purchased via a live online bidding service will be subject to an additional Commission charge on the Hammer Price payable by the Bidder, in accordance with rates specified by the online service. From 1 January 2020, these charges will be charged at 0% while bidding via Sworders Website. If bidding through the-saleroom.com this will be charged at 4.95% plus VAT. These charges will be payable to us on top of the Hammer Price and our Buyer’s Commission.

IMPORTANT NOTICES Removal of Lots All Lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove Lots remaining after this time into safe storage, for which a charge will be made.

Electrical Goods All electrical Goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical Goods certified safe must be re-Commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-Commissioned.

Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling.

Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.

You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial Buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

Estimates of Shipping Costs on our website are based on the low estimate, whilst the actual cost is based on Hammer Price.

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2. TERMS OF SALE Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. These Terms of Sale relate to auctions conducted by an Auctioneer only. We have separate terms for online only auctions.

1. Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words ‘we’, ‘us’, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a Commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute Commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your Commission bid, unless our failure to do so is unreasonable.

Where two or more Commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

‘Auctioneer’

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised Auctioneer, as appropriate;

‘Bidder’

means a person who places a bid for Goods at our auction;

‘Buyer’

means the person who makes the highest bid for the Goods accepted by the Auctioneer;

‘Commission’

means the Commission that we charge you on the sale of the Goods as set out in Clause 5 below;

‘Consumer’

means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

‘Consumer Contracts Regulations’

means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013;

‘Deliberate Forgery’

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

‘FCA’

means the Financial Conduct Authority;

‘Goods’

means the Goods that have been consigned to us for sale at our auction;

‘Hammer Price’

means the level of the highest bid for a Lot accepted by the Auctioneer;

‘Premium’

means the Premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

‘Price’

means the total of the Hammer Price, Premium, Shipping Costs (if applicable) and any applicable VAT;

‘Proceeds’

means the Price less the Commission, the Premium, Shipping Costs, any expenses incurred to your account and any applicable VAT;

‘Reserve’

means the minimum Price at which the Goods may be sold;

‘Seller’

means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

‘Shipping Costs’

means the charges applied to the shipping of all Goods purchased, should the Buyer ask for the Auctioneer’s shipping agent to deliver the Goods (if applicable);

‘Terms of Consignment’

means these Terms of Consignment;

‘Terms of Sale’

means the Terms of Sale for Bidders or Buyers at our auctions;

‘Trader’

means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the Trader’s name or on the Trader’s behalf (such as an agent and/or the Auctioneer);

‘VAT’

means any value added tax or equivalent sales tax; and

‘Website’

means our Website available at www.sworder.co.uk.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may re-offer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

2.3 The Price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

2.4 The arrangements for collection or delivery of the Goods as set out in Clauses 8 and 9.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

4. The purchase price As Buyer, you will pay:

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

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a. the Hammer Price; b. a premium of 25% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Port Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5. VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price, Premium and Shipping Costs (if applicable) due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the ‘Information for Buyers’ in our auction catalogue for further information.

5.2 We will charge VAT at the current rate at the date of the auction.

6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the Auctioneer records the winning Lot in the sale book accepting the highest bid for the Lot at auction, unless due diligence information required by the Auctioneer under the Money Laundering Regulations 2019 in accordance with their internal procedure remains outstanding, in which case the contract will be formed when that information is accepted by the Auctioneer as complete.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may at our discretion provide the Seller with information or assistance in relation to that claim.

6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7. Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the total amount due in any way that we agree to accept payment.

7.1.3 pay in full the Shipping Costs prior to the Goods being shipped, should you agree to the Auctioneer’s shipping agent delivering the Goods.

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

8. Title and collection of purchases 8.1 Once you have paid us in full the total amount due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction, or such later date as is specified in the printed catalogue or on our Website.

8.3 If you agree to the Auctioneer delivering the Goods, only when the full Shipping Costs have been paid will the Goods be dispatched. We reserve the right that some Lots will not be suitable for an automated shipping estimate and will require bespoke quotes from the shipping agent.

8.4 Should you decide to use the delivery service, you thereby agree to allow the Auctioneer to share relevant personal data that we hold with the shipping agent in order to allow effective communication between the shipping agent and you, and to enable delivery.

8.5 If you do not collect the Lot within the time period under Clause 8.2, you will be responsible for any reasonable removal and storage charges in relation to that Lot. 8.6 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 8.7 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the Proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling Commission at our standard rates on any such resale of the Lot.

9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the Price you should have paid for the Lot and the Price we sell it for as well as the charges outlined in Clause 8.7). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the total amount due, including Shipping Costs where applicable; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements.

Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our employees’ or our agents’ negligence.

11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the Lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the total amount due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling Price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within thirty days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or recorded delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient.

15.3 Notices must be sent: 15.3.1 by hand or registered post; a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or recorded delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient).

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or

16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our Website.

13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

13.3 If you have sold the Lot to another person, we will only be liable to refund the Price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Terms and Conditions. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law.

15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers

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www.sworder.co.uk The Stansted Auction Rooms Cambridge Road Stansted Mountfitchet Essex CM24 8GE

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