SWORDERS DESIGN Tuesday 13 & Wednesday 14 July 2021

Tuesday 13 and Wednesday 14 July 2021

Fine Jewellery and Watches TUESDAY 27 JULY 2021

jeweller y@sworder.co.uk | 01279 817778

Live Online - Tuesday 13 and Wednesday 14 July 2021 at 10am ORDER OF SALE Day One - Tuesday 13 July, from 10am Lots 1-2 Lots 3-155 Lots 156-318 Lots 319-361 Lots 362-411

Automobilia Arts and Crafts Art Deco The Trevor Coldrey Collection of Studio Pottery Studio Ceramics

Day Two - Wednesday 14 July, from 10am Lots 412-441

The Hunsberger Collection of Photography

Lots 442-807

Modern Design, Furniture and Lighting to include Lots 657-665 ‘Salvage Hunters, The Restorers’

VIEWING TIMES Due to current social distancing restrictions, we will be offering viewing by appointment only. You can book an appointment on our website.

Thirty-minute time slots will be available from: Friday 9 July 9am - 5pm Saturday 10 July 10am - 2pm Sunday 11 July 10am - 2pm Monday 12 July 9am - 5pm

FURTHER INFORMATION Contact:

ONLINE BIDDING Bid live at www.sworder.co.uk (0% surcharge)

REMOVAL OF LOTS

We operate a booking system for collections at www.sworder.co.uk/appointments. You must book your appointment 24 hours in advance, to ensure your items are ready when you arrive.

All lots will be available to collect from Thursday 15 July at our Stansted Mountfitchet Auction Rooms. Please select ‘Collection’ as your appointment type when booking your collection time. Lots not collected by 5pm Friday 23 July will incur storage charges.

John Black Head of Design

Otto Billström Valuer

Telephone: 01279 817778 Email: auctions@sworder.co.uk To obtain more detailed images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk

Lot 1

Day One Tuesday 13 July from 10am This lot is subject to Buyer’s Premium at 15% inclusive of VAT @ 20%

AUTOMOBILIA 1-2

1 details Lot 1 1930 Austin Seven Box Saloon Registration number: HX 9375 Chassis number: 114785 Engine number: M102712 Presented in dark blue over black with a black vinyl roof insert, this diminutive Austin is in generally very presentable condition throughout.

The interior is trimmed in black vinyl for the seating and blue for the door cards. Instrumentation is Smiths MA for the speedometer and a fabulous DH Ltd. oil pressure gauge.

Stated to be in good running and driving condition, it has been driven to Holland and Belgium during the present ownership. Sensible modifications to allow safer road use include flashing indicators and hydraulic brakes. Prospective purchasers should, of course, carry out their own inspection to satisfy themselves as to the mechanical condition of the car.

In the current ownership since 2013, paperwork with this lot includes a number of expired tax discs and MoT test certificates, along with a number of invoices for work undertaken, the last major works having been carried out in 2017. £5,000 - 7,000

2 one of a pair Lot 2 ‘MS 88’, a UK registration number, with V778 Retention Document expiring 19/08/2030, with two registration plates for the same (2) £20,000 - 25,000 Please note the buyer will pay any transfer fees if required.

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ARTS AND CRAFTS 3-155

Lot 5 A Daum cameo glass lamp base, c.1910, of baluster form, purple and yellow coloured, with acid-etched decoration in the form of a woodland scene with a lake, with iron fittings, unsigned, 47cm high £800 - 1,200

Lot 4 A Daum cameo glass lamp base, c.1910, of baluster form, red and yellow coloured, with acid-etched decoration in the form of Brugmansia, with iron fittings, signed ‘Daum Nancy France’ and marked with the cross of Lorraine to the base, 45cm high £800 - 1,200

3 Lot 3 An Émile Gallé cameo glass vase, c.1900, decorated with a mountain landscape, in shades of purple, blue and yellow, signed ‘Galle’, 26cm high £1,500 - 2,000

6 Lot 6 An enamelled cameo glass vase, in the manner of Daum, with enamelled relief decoration of green leaves, indistinctly signed ‘A. Voicvl’ in cameo, 20cm high £150 - 250

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4 Lot 7 Gabriel Argy-Rousseau, c.1920, a pâte-de-verre vase, decorated with spiders and spiderwebs among brambles, signed ‘G. Argy-Rousseau’, 12cm high £100 - 200

Lot 8 A cameo glass table lamp, in the manner of Émile Gallé, of conical form, with a loose internal light fitting of bulbous form, with an acid-etched decoration of vines in shades of pink and yellow, 22cm high £100 - 200

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3-155 ARTS AND CRAFTS

Lot 10 A Loetz Phaenomen iridescent glass vase, c.1899, possibly pattern PG 7767, of baluster form, with a pulled trail design, with impressed details, 20cm high £250 - 350

Lot 11 A Gallé cameo glass vase, with a spiralling green and yellow ground, fire-polished with clematis in a brown cameo, signed, 44.5cm high £3,000 - 5,000

9 Lot 9 A Daum enamelled glass vase, 1920s, France, decorated with red flowers, the glass with yellow inclusions, signed ‘Daum Nancy’ with the cross of Lorraine to the side, 19cm high £1,000 - 1,500

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Lot 12 A Le Verre Français cameo vase, with a mottled yellow and orange ground, overlaid with bluebell-type flowers, engraved ‘Le Verre Français’, 32cm high £250 - 350 Lot 13 A Le Verre Français cameo glass vase,

by Charles Schneider, with dahlia flowers, on a mottled pink ground, and two hues of purple, signed ‘Le Verre Français’, 26cm high £650 - 750

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ARTS AND CRAFTS 3-155

Lot 14 An Émile Gallé cameo glass lamp, c.1900, the base of flat-shouldered baluster form, with a cone-shaped shade, with blue acid-etched decoration in the form of clematis on a yellow ground, with a three-armed brass insert for two bulbs, signed ‘Gallé’ in cameo, 60cm high £12,000 - 15,000

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3-155 ARTS AND CRAFTS

Lot 15 An Émile Gallé cameo glass lamp, c.1900, the base of baluster form, with a dome-shaped shade, with purple acid-etched decoration in the form of daisies on a yellow ground, with a three-armed brass insert for two bulbs, shade and base signed ‘Gallé’ in cameo, 62.5cm high £15,000 - 18,000

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ARTS AND CRAFTS 3-155 Lot 16 A set of five French Art Nouveau pochoir prints, early 20th century, by Gustave Raynal, each with designs of Art Nouveau interiors and furniture, each signed in the print ‘G. Raynal’, each 25 x 37cm (5) £200 - 250

Lot 17 An Armor Bronze Art Nouveau-style lamp, in the manner of Tiffany, a central bronze column with a spiralling grapevine relief, the top with a painted glass shade with a motif of leaves and berries, 61cm diameter 182cm high £400 - 600

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Lot 18 An Art Nouveau inlaid mahogany corner chair, with line inlay and stylised tulip details to the frame and top rails, the supports united with a ‘X’ stretcher, 63cm wide 60cm deep 79cm high, seat 41.5cm high £200 - 300

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Lot 19 An embossed leather and walnut fire screen, late 19th century, the embossed panel with Greek gods Triton and Hermes, flanking a cartouche with initials bordered with the tails of two dragons beneath, the beasts bellowing smoke and fire, with a winged wheel heraldic charge, the border and background with scrollwork and bulrushes, mounted with leather string on a turned walnut frame, the reverse plain, 110cm wide 103cm high £300 - 500 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

3-155 ARTS AND CRAFTS

Lot 20 A secessionist brass adjustable standard lamp, early 20th century, in the style of Gustave Serrurier-Bovy, on a tripod base, 165cm high £250 - 350

21 Lot 21 A pair of Russian silver spill vases, 84 standard, probably Moscow, indistinct marks possibly ‘BTC’, each of tapering form, engraved with flowers and a rustic cottage, with a gilt interiors, stamped marks, 19.5cm high (2) £200 - 300

Lot 22 An Art Nouveau WMF silver-plated and green glass claret jug and stopper, of slender tapering form, mounted with a handle and mounts cast with sinuous fruit, two maidens to the base mount, raised on lily pad feet, faint stamped marks, 37.5cm high £200 - 400

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Lot 23 A secessionist copper and brass tray, c.1900, designed by Gustave Serrurier-Bovy, of swollen rectangular form with geometric pierced decoration to the handles and gallery, 53.5cm wide £300 - 400

Lot 24 A WMF silver-plated twin-handled centrepiece, no. 331, of pierced oval form, embossed and moulded with a lady to each side, a matched clear glass liner, moulded mark, 45cm wide £200 - 300

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ARTS AND CRAFTS 3-155

Lot 25 An unusual Art Nouveau cold-painted spelter table lamp, modelled as a lady gazing into a well whilst seated on the edge, beneath a naturalistic arbour of entwined vines, mounted with five lights, the edge silvered, the well cast with a faun’s head, his mouth open and mounted with a green glass panel, also mounted to the centre of the well, 56cm wide 43cm deep 101cm high £3,000 - 5,000

26 Lot 26 Alphonse Mucha (Czech, 1860-1939) ‘L’Estampe Moderne’, April 1898 lithographic print on paper, signed and dated in the print 59.5 x 40cm £250 - 350

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Lot 27 A set of eight Art Nouveau walnut dining chairs, a pair of armchairs and six singles, each with a carved top rail over a shaped splat, with an overstuffed upholstered seat and on turned tapering legs, carvers 65cm wide 60cm deep 118cm high (8) £400 - 600

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

3-155 ARTS AND CRAFTS

Lot 28 Emmanuel Villanis (French, 1858-1914), ‘Lucrèce’, a patinated bronze bust, c.1890, titled and signed ‘E.Villanis’ and with applied ‘Société des Bronzes de Paris’ foundry stamp, 71cm high £1,000 - 1,500

Lot 29 A Fischer Islamic pottery vase, 1910, on a cream ground, with pierced panels and twin handles, painted with flowers and foliage, impressed and printed marks, 37.7cm high £200 - 300

Lot 30 A Delphin Massier pottery jardinière, moulded with nymphs to the rim, with flowing purple robes that form the stand, painted with flowers, inscribed ‘Delphin Massier Valluauris (A.M.)’, 48cm high £400 - 600

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31 Lot 31 A large Delphin Massier pottery charger, painted and tube lined with flowers, signed ‘Walter’ and inscribed ‘Delphin Massier Vallauris (A-M)’, 60cm diameter £300 - 500

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ARTS AND CRAFTS 3-155 Lot 33 An Émile Gallé faience pitcher, c.1890, in the form of a minstrel with a lute sat on a drum, signed ‘E Gallé Nancy’ under the left foot, 40cm high £1,500 - 1,800

32 Lot 34 An Émile Gallé faience ‘Gockel’ bowl, c.1880-1890, in the form of a rooster, signed ‘Gallé’ and marked ‘E G’ with the cross of Lorraine within a shield to the underneath, 20cm high £800 - 1,200

Lot 32 An Émile Gallé faience teapot, c.1890, of twisted form, with partially-gilt floral decoration, the spout in the form of a goose, signed ‘Émile Gallé à Nancy’ to the underneath, 27cm high £1,500 - 2,000

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33 Lot 35 An Émile Gallé faience charger, c.1890, in the form of a moth, partially gilt, with painted decoration of a dragonfly amongst reeds, signed ‘Émile Gallé à Nancy’ and marked ‘E G’ with the cross of Lorraine, 43 x 21cm £1,500 - 1,800

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Lot 36 Two Émile Gallé chargers, c.1900, Nancy, both with painted decoration, one depicting Hans Holbein, the other depicting Rembrandt, signed ‘E.G E. Gallé à Nancy’ and marked with the cross of Lorraine, 33cm diameter (2) £1,200 - 1,800

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Lot 37 A French faience table clock, early 20th century, in the manner of Émile Gallé, with polychrome floral decoration, the clock raised on columns, the cornice in the form of fleur-de-lys, the base with flanking lion heads, with an enamelled dial with Latin numerals and Arabic minutes, 36cm high £150 - 250 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

3-155 ARTS AND CRAFTS

Lot 38 After Jules Cheret, ‘Tableaux & Dessins de A.Willette’, an exhibition poster,1897, framed £200 - 300

Lot 39 A Royal Copenhagen vase and cover, the ovoid vase with a crackle glaze with orange panels with gilt borders, the cover modelled as a cherub holding a floral cornucopia, underglaze blue wave mark, a green printed factory mark and inscribed ‘212 2847 dcx’, 43cm high (2) £650 - 750

38 39 Lot 41 A Rozenburg Den Haag eggshell porcelain twin-handled vase, decorated by Simon Schellink, c.1902, painted in light green and yellow with flowers on the tapering body, rising to a square neck and rim, printed and painted marks, numbered ‘593’, with artist’s monogram, 30cm high £500 - 700

40 Lot 40 A Royal Copenhagen crystalline glazed vase, designed by Valdemar Engelhardt, with a trailing blue-grey glaze, underglaze wave mark, inscribed ‘No. 171’ dated ‘1892’ and with monogram ‘VE’, 19.5cm high £1,000 - 1,500 Valdemar Engelhardt (Danish, 1860-1915), was a ceramic chemist employed at Royal Copenhagen from 1892 until 1915. An expert in crystalline and flambé glazes, he was responsible for some of the best pieces to come from the manufactory.

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ARTS AND CRAFTS 3-155

42 Lot 42 A Bock-Steger anatomical face, c.1890, a painted plaster and wax model of a human face, by Franz Josef Steger, Leipzig, mounted on an ebonised plinth, 35cm high £300 - 500

42 reverse Lot 43 A Riessner, Stellmacher & Kessel ‘Amphora’ porcelain bust, designed by Eduard Stellmacher, depicting a young woman with a plumed headdress, in gilt, painted and enamelled decoration, stamped with red factory mark for ‘Riessner, Stellmacher & Kessel’ to base and inscribed ‘Ed Stellmacher’ to the reverse, 50cm high £400 - 500

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Lot 45 A majolica centrepiece, c.1910, designed by Wilhelm Süs (German, 1861-1933), for Karlsruhe, Staatliche Majolika-Manufaktur, Germany, modelled as four putti supporting a central swagged bowl, impressed blue factory mark and numbers, 26cm high £200 - 300

44 Lot 44 A majolica centrepiece, c.1910, ‘Schale Kinderreigen’, by Wilhelm Süs (German, 1861-1933) for Karlsruhe, Staatliche Majolika-Manufaktur, Germany, modelled as eight naked putti forming a ring amongst blue-green foliage, impressed blue factory mark and numbers, 35cm diameter £300 - 400

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

3-155 ARTS AND CRAFTS Lot 46 A set of six oak dining chairs, c.1880, each top rail carved with panels, with a moulded frame, original stuffover seat, united with an ‘H’ stretcher, 48cm wide 48cm deep 87cm high, seat 47cm high (6) £300 - 500

47 Lot 47 A Gothic Revival oak desk, with a sloping embossed leather writing top, opening to an arrangement of pigeonholes, with fret cut sides, on castors, 68cm wide 56cm deep 85cm high £400 - 600

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Lot 48 An Aesthetic Movement Anglo-Japanese fire screen, mounted with a glazed panel, surrounded with latticework, the back covered in patterned velvet, 65cm wide 39cm deep 105cm high, a folding screen, with carved panels 58cm wide 80cm high and another mahogany fire screen, in the manner of E W Godwin (3) £200 - 400

48 Lot 49 A pollard oak chaise longue, c.1875, in the Aesthetic taste, upholstered in burgundy velvet, with spindles carved in ebony and reeded tapering legs, 188cm wide 69cm deep 110cm high Lot 50 £700 - 900 An ebonised ‘Sussex’

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armchair, designed by Dante Gabriel Rossetti for Morris & Co., with a lyre back, rush seat and on turned supports, the back legs with castors, 51cm wide 47cm deep 82cm high, seat 36cm high £150 - 250

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ARTS AND CRAFTS 3-155

Lot 51 An Athelston oak armchair, c.1900, designed by Leonard Francis Wyburd for Liberty & Co., with a drop-in rush seat, 66cm wide 70cm deep 89.5cm high, seat 41cm high £500 - 800

52 Lot 52 A pair of Gothic Revival brass candlesticks, each raised on a central column with an elliptical mirrored glass panel flanked with cast monograms, a castellated drip pan, all on a tapering base with sunburst motif and on three claw feet, 60cm high (2) £400 - 600

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Lot 53 An Egyptian Revival marble and slate mantel clock garniture, profusely engraved with hieroglyphs and surmounted with a patinated bronze sphinx, flanked with winged lions, the dial with Arabic numerals, 50.5cm wide 42cm high, and a pair of garnitures, modelled as obelisks, 56.5cm high (3) £1,000 - 1,500

53 Lot 55 An Arts and Crafts brass standard lamp, designed by W A S Benson, stamped ‘Regd No. 127090’, with a central screw, raised on an ‘X’ stand with gadrooned feet, with applied chains, 138.5cm high £350 - 450

54 Lot 54 Robert Weir Shultz (1860-1951), ‘The Beaumont Album’, a photograph album belonging to Shultz with photographs of him, his family, his Arts and Crafts garden at the Barn, Hartley Wintney and holidays in Scotland (100 photographs approximately) £100 - 150

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54 details Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

3-155 ARTS AND CRAFTS Lot 57 An oak centre table, in the manner of E W Godwin, with a shaped circular top, raised on an hexagonal apron and on ring-turned supports, united with five double stretchers, 76.6cm diameter 73cm high £500 - 800

56 Lot 56 ‘Science in Modern Life’, six volumes, published by the Gresham Publishing Company, 1909, full decorative cloth gilt, the covers designed by Talwin Morris (6) £120 - 150

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58 Lot 58 A William Birch ash side chair, with a tapered base, centred with a panel with fret cut detail, over a rush seat on turned supports, with a ‘X’ stretcher £200 - 300

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Lot 59 Attributed to Walter Crane (1845-1915) A medieval crowd scene with town crier signed l.l. in pencil with monogram, ink and gouache 33.5 x 46cm £200 - 300 Lot 60 A pair of Morris-type mahogany reclining armchairs, differently upholstered, each with spindle turned arm supports, on brass castors, 62cm wide 82cm deep 95cm high (2) £300 - 500

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ARTS AND CRAFTS 3-155

Lot 61 A Tudric pewter clock, designed by Archibald Knox for Liberty & Co., with an enamelled dial and copper chapter ring with Roman numerals, impressed ‘English Pewter 0761’, 21cm high £2,500 - 3,500

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Lot 62 An Art Nouveau mahogany boxwood and brass-inlaid mantel clock, with an enamelled dial, inscribed ‘Elkington’ with a French eight-day movement, on brass bun feet, 25.5cm high £200 - 300

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

3-155 ARTS AND CRAFTS Lot 63 Henry Ryland (1856-1924) A lady holding a pitcher, another figure below a pencil sketch, unsigned 78 x 57cm £200 - 300

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Lot 64 Sir William Nicholson (1872-1949) ‘Fishing’ a print, from ‘An Almanac of Sports’, 1897, 19.5 x 19.5cm, and another ‘Persimmon’ 17 x 17.5cm, both framed and glazed (2) £100 - 150

Lot 65 An Aesthetic ebonised side chair, in the manner of E W Godwin, with a mashrabiya turned panel back, original seat, no cover, 37cm wide 45cm deep 75cm high, seat 34.5cm high £100 - 200

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Lot 66 An Arts and Crafts embossed copper casket,

by John Pearson, dated 1903, the hinged cover embossed with two birds beneath a tree, the front panel with petalled scrolls, with nailed panels, inscribed to the back panel ‘JP1903’ and ‘LLT 1937’, 17cm wide 13cm deep 7.5cm high £300 - 500

Lot 67 An Aesthetic corner chair, with spindle panels over a rush seat, on ring-turned supports, 58cm wide 57cm deep 46cm high £100 - 150

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ARTS AND CRAFTS 3-155 Lot 68 A Minton Aesthetic pottery vase, c.1880-1900, of baluster form, with a scrolling floral design, with factory marks to the underneath, 62cm high £200 - 300

69 Lot 69 Two Minton secessionist pottery vases, each with tube-lined decoration, a tapering vase, with a red ground, incised ‘3334’, impressed ‘18’, printed marks and ‘No.1’, 25cm high, and a small bullet form vase, with a blue ground, incised ‘0545’, impressed, printed marks and ‘No.46’, 15cm high (2) £150 - 200

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71 Lot 70 A Foley ‘Intarsio’ pottery bowl, designed by Frederick Rhead, the compressed globular vessel with a band of fish in colours, raised on slender brown supports on a circular foot, printed marks and numbered ‘338’, 17cm high £150 - 200

Lot 71 A Burmantofts faience pottery spoon warmer, modelled as a toad, impressed and incised marks ‘451’ and ‘WH’, 13.5cm high £120 - 150

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3-155 ARTS AND CRAFTS

72 Lot 72 A Minton Art Nouveau frieze, c.1910, comprising fourteen quadratic tiles arranged in two tiers, composing a motif of sinuous floral sprays with yellow and blue flower heads, with green wave design extending to the borders, against a cream ground, moulded ‘Minton’s China Works, Stoke on Trent, England, Reg No. 269779, No. E211 Col.’, 105 x 30cm (14) £500 - 700

Lot 73 A pair of Bretby Art Pottery figures, modelled as a boy and girl, each with faux wood supports on square section bases, impressed marks and model numbers ‘2355’ and ‘2356’, 76cm high (2) £400 - 500

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Lot 74 A Hancock & Sons Morris ware vase, model C11-7, designed by George Cartlidge, decorated with tube-lined cornflowers, printed and painted marks, 27cm high, and a small squat bowl, model C6-8, printed and painted marks, 12.5cm diameter (2) £120 - 150 Lot 75 A Compton Potters’ Art Guild pottery figure group, ‘Hear No Evil, Say No Evil, See No Evil’, 15cm high £150 - 200

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For a similar figure, see Hilary & Louise Boreham ‘Mary Seton Watts and the Compton Pottery’, 2019, p.210.

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Lot 76 A pair of Arts and Crafts oak settles,

by William Birch, High Wycombe in the manner of George Walton, each with turned finials, shaped back rails, outswept arms and ring-turned supports, now with red vinyl backs and seats, 125cm wide 65cm deep 146.5cm high, seat frame 45cm high (2) £2,000 - 3,000 Similar examples have rush panels at the back and rush seats. The panels at the back still have the frame supports.

Lot 77 An Arts and Crafts oak overmantel mirror, with a shaped and pierced frame, centred with a bevelled mirror plate, under a shelf, 127cm wide 94cm high, and an oak two-tier shoe rack, with open rails and pierced ends, 69.5cm wide 21cm deep 72.5cm high (2) £250 - 350

77 shoe rack 77 mirror

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3-155 ARTS AND CRAFTS

79 detail Lot 79 An Arts and Crafts oak hanging bookshelf, centred with a shelf and flanked with embossed panels of fruiting trees, 48.5cm wide 11cm deep 35cm high, together with ‘The Old Testament’, thirty-one copies, J M Dent & Co., worn (32) £200 - 300

78 Lot 78 After John White Alexander ‘Isabella and the Pot of Basil’ oil on canvas, c.1950s (the original painted in 1897), unsigned 120 x 59cm, framed £350 - 450

Lot 81 A Tudric pewter pierced shamrock dish, stamped ‘0287’, 28.5cm wide, and two twin-handled pewter vases, stamped ‘01215’ and ‘030’, 18cm and 14cm high (3) £100 - 150

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Lot 80 A silver-plated lidded jug, in the manner of Dr Christopher Dresser, stamped ‘4 Gill 2014’ and maker’s marks for Joseph Haywood & Co., Sheffield, 17.5cm high £100 - 150

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81 Lot 82 An Arts and Crafts silver-plated mantel clock, of shaped form with a moulded edge, centred with a blue enamelled face and an engraved chapter ring with Arabic numerals, with a key, raised on squat pad feet, stamped marks to the underside ‘15765’, 25.5cm wide 7cm deep 14.5cm high £200 - 300

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Lot 83 An Arts and Crafts pewter ‘owl’ bowl, of pinched triform shape, embossed and engraved with owls’ faces, the eyes inset with shells, stamped ‘036’, 18cm diameter £100 - 150

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Lot 84 A large Arts and Crafts copper ceiling light, of circular section stamped in low relief with rose flowers and foliage to the rim and column supports, hanging from cylindrical supports decorated with similar roses and three pierced light apertures, the light with a red silk shade, unsigned, 52cm diameter 77cm high £450 - 550 Lot 85 A Gothic oak dinner gong, with a chamfered frame with quatrefoil and circular details, 61.5cm wide 107.5cm high £150 - 250

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Lot 86 An Arts and Crafts oak settle, with shaped ladder backs, over a rush seat, with ring-turned uprights and bobbin-turned front supports, 160cm wide 60cm deep 107.5cm high, seat 45.5cm high approximately, together with a pair of matching armchairs, 54cm wide 60cm deep 106cm high, seat 45cm high, all with custom-made squab cushions (3) £300 - 500

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Lot 87 An oak overmantel mirror, centred with a bevelled edge mirror plate beneath an arched pediment, flanked with further mirrored panels over embossed copper panels, with blind fret cut details, 146cm wide 98cm high, and a hanging walnut cabinet, centred with a glazed cupboard, with an arrangement of shelves, 95.5cm wide 90cm high (2) £250 - 350

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

3-155 ARTS AND CRAFTS

Lot 88 Professor Giuseppe Bessi (Italian, 1857-1922), an alabaster ‘Madonna and Child’, signed verso, on a marble plinth, 39cm high £200 - 400 Lot 89 A brass table lamp, designed by W A S Benson, with a pivot lamp, on a triform stand, with an opaline glass shade, cracked, stamped ‘Benson’, 35.5cm high, together with another brass table lamp, with a glass opaline shade, unmarked, 27cm high (2) £400 - 600

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90 Lot 90 A ‘City of Westminster Kensington Rd. S.W.’ Vitrolite road sign, etched and coloured, with original City of Westminster purchase label verso, dated 1973, 84cm wide 25.5cm high £400 - 600

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Lot 91 A Victorian brass sign, ‘I Beeby Engraver, Lithographer and Printer, Die and Stamp Cutter’, 46cm wide 33cm high £200 - 300 Lot 92 A Scottish Arts and Crafts embossed copper wall mirror, the shaped top embossed with foliage, over a plain rectangular plate, flanked with trees, 92cm wide 62cm high £400 - 600

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Lot 93 An Arts and Crafts copper hall lantern, mounted with a cylindrical opaline glass shade, on the hammered mounts, 49cm high, and a Benham & Froud copper jardinière, designed by Dr Christopher Dresser, with a banded of embossed roundels and frilled rim, stamped marks, 26.5cm high (2) £200 - 300

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Lot 94 A pair of Arts and Crafts pierced brass firedogs, each set with a rose among thorns, 25cm wide 22cm deep 42cm high (2) £300 - 500 Lot 95 An Arts and Crafts copper mirror, of octagonal form, composed of eight embossed sections, with a circular bevelled mirror plate, 57cm diameter £200 - 300

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Lot 96 An Arts and Crafts oak duet stand, each adjustable sheet holder with a fret cut lyre-shaped back, on an hexagonal column with fret cut legs, 148cm high approximately £300 - 500

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95 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

3-155 ARTS AND CRAFTS

Lot 97 An Arts and Crafts oak bookcase, of slight tapering form, with six tiers over a fret cut back, 80cm wide 21cm deep 145cm high £200 - 400 Lot 98 An ecclesiastical oak and leather kneeler, with carved supports, 76cm wide 42cm deep 40cm high £150 - 250

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Lot 99 A walnut lamp table, with turned tapering supports, 58cm square 64cm high, a leather and oak stool, with a studded seat and a double ‘H’ stretcher, 52cm wide 34cm deep 62cm high, and an oak dressing table mirror, 60cm wide 46cm high (3) £250 - 350

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Lot 100 A Cotswold School walnut nest of three tables, each with plain tops and united supports, 38cm square 51cm high, and a Cotswold School oval oak coffee table, 81cm wide 54cm deep 48cm high (2) £250 - 350

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Lot 101 A Cotswold School oak bedside cupboard, with a bow front and panelled door with a carved octagonal handle, 44cm square 74cm high £250 - 350

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Lot 102 An Arts and Crafts mahogany throne chair, designed by Walter Frederick Cave (1863-1939), with carved finials on a square stretcher, upholstered in Sanderson ‘Voysey’ fabric, with studded details, 73.5cm wide 80cm deep 122cm high, seat 35cm high £2,000 - 3,000 Walter Frederick Cave (1863-1939) was educated at Eton and then studied at the Royal Academy Schools under the instruction of Arthur W Bloomfield. He set up his own practice in 1889 and joined the Artworkers’ Guild. An almost identical version of this chair, designed by Cave and made by R Nash, was exhibited at the ‘Arts & Crafts Exhibition’ in 1899, along with other pieces.

See ‘The Studio’, 1899, Vol II p.181.

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3-155 ARTS AND CRAFTS

Lot 103 A set of eight Arts and Crafts oak dining chairs, each with a carved back in the manner of Arthur Heygate Mackmurdo, with a sprung seat upholstered in green vinyl, 44cm wide 45cm deep 103cm high, seat 47cm high (8) £500 - 700

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Lot 104 A rare Arts and Crafts oak and inlaid sideboard, c.1900, designed by Edgar Wood (1860-1935) and attributed to Bartletts of High Wycombe, in two sections, the top with a raised backboard with carved pilasters, each topped with an inlaid panel of the ‘Bohun Swans’, the lower section centred with an arrangement of four drawers flanked on either side by doors, opening on to shelving, the doors with inlaid panels depicting flying ‘Bohun Swans’, 168.5cm wide 48.5cm deep 1568cm high £2,000 - 3,000 Literature: I llustrated in ‘Cabinet Maker & Complete House Furnisher’, 1902.

Edgar Wood (1860-1935) was an architect and draughtsman, who was involved with the British Arts and Crafts Movement. He was one of the most advanced architects of his generation and became England’s uncontested pioneer of flat-roofed modern building. He was the founder of the Northern Artworkers’ Guild in 1896 and was president of the Manchester Society of Architects from 1911 to 1912.

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Lot 105 An Arts and Crafts silver twin-handled bowl, in the manner of C R Ashbee for the Guild of Handicraft Ltd., London 1905, with attenuated scrolled handles raised on four pointed feet, 17cm wide, 2.8ozt approximately £200 - 300

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Lot 106 A silver-plated capstan inkwell, designed by A E Jones, for G L Connell of Cheapside, the hinged cover inset with a purple cabochon, with a clear glass insert, stamped ‘Connell, 83 Cheapside’ and numbered ‘1753’, 9.7cm diameter, 6cm high £100 - 150 Lot 107 A cased set of six Art Nouveau silver buttons,

by Levi & Salaman, Birmingham 1905, each depicting a profile within a sinuous border, 3cm diameter £100 - 150

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107 Lot 109 A silver chalice and cover,

by The Silversmiths’ Art and Book Company, London 1941, the plinth with an applied Chi Roh symbol and with initials ‘AW’, set with twenty-two cabochon amethysts, two birds and fruiting vine, below a leaf chased knop, the cover with feathered chasing and cross finial, set with twenty-three cabochon amethysts, three later replacement paste, 33.5cm high (2) £1,500 - 2,000

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Lot 108 ‘Proposed design for silver gilt presentation casket’ pencil and watercolour 37 x 57cm £150 - 250

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3-155 ARTS AND CRAFTS

Lot 110 An Arts and Crafts silver twin-handled vase, maker’s mark for Johnson, Walker & Tolhurst Ltd., London 1904, and signed ‘L. Movio 1904’, of tapering form with two cast foliate handles, the body with chased sinuous flowers, in high relief to a planished ground, on a circular foot, 37.5cm high £1,200 - 1,800 Provenance: From the private collection and descendant of a past owner of Johnson, Walker & Tolhurst.

The facsimile signature of Latino Movio (1858-1949) has been noted on chased and embossed Arts and Crafts’ silver pieces hallmarked between 1901 and 1907. Although very few details about his life and work have come to light, he appears in the 1911 census as an Italian ‘artist in metal repousse’. His son and daughter are recorded living in the same house as a ‘brass finisher and chaser’ and ‘art metal teacher’ respectively.

Given the style of his work and the date when his signature begins to appear on silver, it seems probable that he was employed in the workshop of Gilbert Marks, whose output ceased around 1902 because of illness. Further weight is lent to this argument by the fact Movio’s facsimile signature turns up on items bearing the ‘maker’s mark’ of Johnson, Walker & Tolhurst for whom Marks worked and at whose showrooms he exhibited his silver from 1896 to 1901. A likely scenario is that Mario continued to work for them (as well as for other retailers) on his own account after leaving the employ of Marks, applying his own signature in the same style. Movio last appeared as a ‘chaser’ in a 1934 trade directory.

111 Lot 111 A silver-mounted Dewar’s Whisky decanter and stopper,

by S Blanckensee & Son, Birmingham 1905, the silver collar with a quatrefoil rim, a glass ball stopper, with a pinched clear glass body, 34cm high (2) £100 - 150

110 Lot 112 A silver-plated sugar bowl and shovel, after a design by Dr Christopher Dresser, stamped marks ‘Walker & Hall’, 12cm high, and a Hukin & Heath twin-handled bowl, engraved with Dresseresque designs, 14cm diameter (3) £150 - 200

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Lot 113 Two Robert ‘Mouseman’ Thompson breadboards, one of octagonal moulded form, the other, oval with a handle, both carved with the signature mouse, 31cm and 29.5cm wide (2) £200 - 300

Lot 114 A Robert ‘Mouseman’ Thompson oak tray, of kidney shape, with an adzed top and a low rim, with the carved signature mouse each side, 47 x 33cm £150 - 250

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Lot 115 A Robert ‘Mouseman’ Thompson oak fruit bowl, with an adzed bowl and body, the centre carved with a signature mouse, 29.5cm diameter £200 - 300

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Lot 116 A nest of three walnut tables, dated 1957, designed by Stanley Webb Davies (1894-1978), craftsman Sidney Allan Johnston, each tabletop with rounded edges, on straight supports and sledge feet, signed with monograms to the smallest table, 46.5cm wide 30.5cm deep 44.5cm high (3) £400 - 600 Lot 117 Spare lot

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118

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Lot 118 A Cotswold School oak refectory table,

by Reynolds of Ludlow, on an ‘H’ shaped stretcher, with a bevelled edge, a copper label ‘Made by Reynolds of Ludlow, England’, 183cm wide 75cm deep 73cm high, together with six lattice back oak chairs, with drop-in rush seats, the bracings with various stamped numbers, 45cm wide 41cm deep 90cm high, seat 42cm high (7) £1,000 - 1,500

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3-155 ARTS AND CRAFTS Lot 119 A Cotswold oak sideboard, with two central drawers flanked with cupboards, each with turned handles, raised on sledge supports, 152.5cm wide 50cm deep 89cm high £300 - 500

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Lot 120 A Cotswold School cherrywood cabinet, designed and made by Hugh Birkett (1919-2002), signed and dated to the back ‘HB 1965-1989’, with panelled doors opening to reveal an arrangement of eleven shelves, with drilled holes to the panelled back, raised on a block plinth and sledge supports, 91cm wide 34cm deep 152.5cm high £800 - 1,200 This cabinet was commissioned by Hugh Birkett’s Oxfordshire clients for their son’s 21st birthday in 1965 and the original function was a gun cabinet.

Hugh Birkett (1919-2002) set up his workshop in 1949 in Solihull and then moved to Moreton-in-the-Marsh in 1966. He was influenced by Ernest Gimson, Edward Barnsley and Romney Green.

120 detail

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Lot 121 A Cotswold School oak refectory table, designed by Eric Sharpe (1888-1966) raised on a trestle stand, with monogram, 152.5cm wide 65cm deep 73.5cm high £1,000 - 1,500 Eric Sharpe (1888-1966) was a pupil of Arthur Romney Green for eight years and later became a designer-craftsman working on his own at Martyr Worthy in Hampshire.

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ARTS AND CRAFTS 3-155

Lot 122 An Arts and Crafts Hampshire School oak overmantel,

by Norton M Palmer of Petersfield, with a carved cornice, with carved maker’s marks to the verso, 106.5cm wide 91.5cm high £300 - 500

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Lot 123 An Arts and Crafts brass hall lantern, with latticed panels, over a pierced heart-shaped frieze and a wide cornice, 28cm wide 81cm high £300 - 500 Lot 124 A Scottish Arts and Crafts copper embossed frame, embossed with a Robert Burns quote ‘Some hae meat an canna eat, some wad eat that want it, but we hae meat an we can eat, an sae the Lord be thankit’, centred with a coloured print, 62cm wide 52.5cm high £250 - 350

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Lot 125 An Arts and Crafts oak side table, with a squared top, with ring-turned and shaped stretchers and supports, 77cm square 65cm high £200 - 300

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126

Lot 126 A Liberty oak lamp table, in the Moorish style with a hexagonal top, with arabesque aprons on turned legs, 55cm diameter 70.5cm high £200 - 400 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

3-155 ARTS AND CRAFTS Lot 127 A Glasgow School mahogany three-tier magazine rack, centred with a fret cut back, on shaped supports, 35.5cm wide 23.5cm deep 97.5cm high £200 - 400 Lot 128 A Liberty Moorish oak sideboard, from the Kharan range, with pierced slatted friezes over a shaped bevel-edged mirror, with a drawer over an Arabic arched shelf, with a cupboard, mounted with copper strap hinges with a further bobbin-turned frieze to the lower section, 153cm wide 55cm deep 177cm high £500 - 700

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Lot 129 An inlaid hexagonal stand, profusely inlaid with mother-of-pearl and other specimen wood, 34cm diameter 46.5cm high £100 - 150

Lot 130 An Arts and Crafts copper-embossed tray-top table, with a lift-off tray, the frieze embossed with rose and leaf decoration, wrought iron supports united with an octagonal copper plate, 61cm diameter 65cm high £200 - 300

129 129 detail

Lot 131 An Arts and Crafts inlaid oak dressing chest, attributed to Waring & Gillow, with geometric ebony and boxwood inlaid panels, with brass handles, 122cm wide 55cm deep 148cm high £300 - 500

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ARTS AND CRAFTS 3-155 Lot 132 A pair of Arts and Crafts wrought iron and bronze firedogs, 18cm wide 23cm deep 56cm high (2) £150 - 250

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Lot 133 Two Arts and Crafts mahogany lamp tables, one mounted with red tiles, with an ‘X’ stretcher, 45cm square 76cm high, the other with a shaped apron, 56cm square 71cm high (2) £200 - 300

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Lot 134 A set of four Arts and Crafts oak lattice back chairs, each with a shaped back, with a carved roundel and rush seat, (2+2), armchairs 54cm wide 45cm deep 88cm high, seat 37cm high (4) £300 - 500

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Lot 135 A pair of oak library armchairs, c.1875, each with burgundy faux leather seat, back and arms, raised on castors, 60cm wide 68cm deep 103cm high, seat 47cm high (2) £400 - 600

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Lot 136 A pair of oak side chairs, c.1875, each with turned front legs, united with stretchers, upholstered in cream with a hand recess to the back, raised on front castors, 49cm wide 47cm deep 93cm high, seat 46cm high (2) £150 - 250 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

3-155 ARTS AND CRAFTS

Lot 137 A pair of Arts and Crafts oak and leather long-handled bellows, attributed to Arthur Simpson of Kendal, carved with a peacock with stylised feathers and signed and dated ‘AD Stevens, 1913’, 102cm long £200 - 400 Similar examples are illustrated in Eleanor Davidson, ‘The Simpsons of Kendal’, University of Lancaster, 1978, fig.117.

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137 reverse

Lot 138 An Arts and Crafts Donegal rug, c.1900, in the manner of Gavin Morton and G K Robertson, with a central blue ground with a cruciform design, with a beige border and stylised flowers, 264 x 221cm £2,000 - 3,000

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139 part lot

Lots 139-142 A collection of cartoons for stained glass by George Daniels (1854-1940) These full-size working drawings by the artist George Daniels (1854-1940) were all made for stained glass windows dating from the 1920s and 1930s, which were – in part – designed by the architect Frederick Charles Eden FSA FRIBA (1864-1944). Although nominally the work of F. C. Eden, who secured the commissions and was responsible for the execution of the designs, the windows were actually the result of a collaborative process, in which George Daniels’s cartoons were an essential component. F. C. Eden’s contribution was limited to drawing initial sketches and creating the ornamental border patterns; all the figure-drawing – as in this collection of cartoons – was Daniels’s work.

George Daniels was born in London on 29 October 1854. After education at a choir school, he attended the City and Spitalfields School of Art, winning free studentships and numerous prizes, including the National Gold Medal (awarded to art students by the government’s Science and Art Department). His studies included all types of figure drawing (for stained glass, mural decoration, etc.) as well as ornamental design. At the age of sixteen and through the good offices of the Rev. John Horsley (Rector of St Peter’s, Walworth and later Canon of Southwark Cathedral), Daniels embarked on a six-year apprenticeship with the highly-regarded London firm of Clayton & Bell, working as one of the studio team of cartoonists producing full-size drawings from which stained glass windows were made. By the mid-1880s, Daniels’s distinctive personal style began to emerge recognisably in the firm’s work, gradually superseding the earlier idiom that had originated with its founders, John R. Clayton and Alfred Bell, although these two retained an overall supervisory role for many years.

In time, Daniels’s talents as a figure-draughtsman were so much valued that he was given his own cartooning-room within the Clayton & Bell studio, while also being allowed to work from his home in north-east London. From 1884 to 1892 he lived at 35 Malvern Road, Dalston, and,

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subsequently, at 56 Dunsmore Road, Stamford Hill, until his death in 1940. He was married to Marian Jessie Bennett and the couple had three daughters. As well as Daniels’s prolific output of stained glass designs, there is a smaller body of delicate portrait miniatures and watercolour landscapes, some of which were exhibited at the Royal Academy summer exhibitions between 1884 and 1917.

As an employee of Clayton & Bell, George Daniels received recognition only within the firm: to the outside world his work remained strictly anonymous and the many windows principally designed by him were never individually credited. Nevertheless, it is true to say that Daniels was the dominant artistic personality within Clayton & Bell’s design team (and, effectively, creator of its ‘house style’) from the later 1880s until the time of the Great War. His work for the firm can be seen in many of the English cathedrals, including Lichfield, Gloucester, York, Ely and Truro, as well as in hundreds of parish churches throughout the U.K. and overseas. In the 1890s, Daniels largely designed an important series of windows, under royal patronage, for Crathie Parish Kirk near Balmoral Castle.

Daniels’s style can be characterised as scholarly and elegant, with much inspiration from later medieval and early Northern Renaissance sources (especially the artist Hans Holbein the Younger) for both figure-drawing and ornamental motifs. Not surprisingly, his impeccable figure-drawing and facility as a designer attracted the attention of architects and studios other than Messrs. Clayton & Bell, and he found substantial additional work as a freelance designer. From the early 1890s, Daniels collaborated fruitfully with the architect John Francis Bentley on commissions for stained glass, mosaic and decorative painting, notably for Westminster Cathedral and for the Catholic churches of St James, Spanish Place, Marylebone and the Holy Rood, Watford. He also designed and cartooned windows for Franz Mayer (of Munich and London), Alfred Octavius Hemming and Horace Wilkinson.

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3-155 ARTS AND CRAFTS

139 part lot

George Daniels ceased working for Clayton & Bell in about 1920, the year in which he began his very successful collaboration with F. C. Eden, who had been producing stained glass (initially working with the glass-painter James Fisher) since the 1890s. Eden shared Daniels’s taste for Northern Renaissance (Netherlandish and German) art and was obviously impressed by the latter’s ability, based on a lifelong study of historical stained glass and work in other media, to evoke the general character of early sixteenth-century work in his drawing. Indeed, George Daniels was arguably the most accomplished British stained glass designer working in the late Gothic/early Renaissance idiom during the period of the 1890s and the early twentieth century. Eden windows that were cartooned by Daniels can be seen in scores of locations, including Chester Cathedral (cloisters, 1921), Clare church, Suffolk (1921), Portishead church, Somerset (1926), Wellingborough School Chapel (1924), Burford church, Oxfordshire (1934-38) and the English Chapel at Monte Carlo (1938).

This collection of cartoons, mostly drawn when the artist was in his seventies and eighties, show his remarkably fluent and undiminished powers of draughtsmanship. Of particular interest are those for the impressive 5-light west window (1927) formerly in the north aisle of Manchester Cathedral, which was completely destroyed by wartime bombing in December 1940.

The other cartoons are all for extant stained glass windows in Cambridgeshire and Suffolk churches, including a 2-light Saints Nicholas and Martin window (1930) at Little St Mary’s, Cambridge, and a 3-light Crucifixion window (1929) for the Chapel at Hengrave Hall. The cartoons for the window (1939) at Pampisford church, Cambridgeshire, are amongst his last works.

Our thanks to Peter Cormack for writing this introduction to the lots.

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Lot 139 George Daniels (1854-1940) Manchester Cathedral Designs for stained glass all pencil and titled and inscribed, all sizes approximate 1. ‘King Edward I and Queen Eleanor of Aquitaine’ mounted No 5-light of a top tier of a 5-light transom window, (West window of N. Aisle?)

198 x 68.5cm; 2. ‘Malcolm III and Margaret of Scotland’ No 1 light of a top tier of 5-light transom window, (West window of N. Aisle?)

190.5 x 68.5cm, rolled; 3. ‘Abraham and Sarah’ No 4 light of bottom tier of 5-light transom windows 190.5 x 68.5cm, rolled; 4. ‘The Holy Family, Joseph, Mary & Infant Jesus, beneath which Anna & Joachim’ 5-light West window of N. Aisle recorded, some colour 193 x 68.5cm, rolled; 5. ‘Ruth and Boaz’ No 2 light of bottom tier of 5-light transom window. (West window of N. Aisle?)

190.5 x 68.5cm, rolled; 6. ‘St. Peter and the Wife of St. Peter’ No 4 light of a top tier of 5-light transom windows. (West window of N. Aisle?)

190.5 x 68.5cm, rolled; 7. ‘Aquilla and Priscilla’ No 2 light of top tier of 5-light transom window (West window of N. Aisle?)

190.5 x 68.5cm, rolled; 8. ‘Isaac and Rebecca’ No 5 light of a bottom tier a 5-light transom window. (North Aisle?)

190.5 x 68.5cm, rolled; 9. ‘Hannah and Elkana’ No 1 light of a bottom tier of 5-light transom window (N. Aisle?)

190.5 x 68.5cm, rolled (9) £4,000 - 6,000

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Lot 140 George Daniels (1854-1940) Designs for stained glass Chedburgh Church, Suffolk, 1925 1. Almighty Father, (Tracery Piece, no. 7 of a series, three-light East window), rolled 84 x 76cm, rolled; 2. Angel In Annunciation, (three-light East window) 91 x 51cm, rolled; 3. Blessed Virgin Mary In Annunciation, (3-light East window) 91 x 74cm, rolled; 4. St. John the Evangelist in Crucifixion scene with Angel covering her face in sorrow 198 x 80cm, rolled; 5. Crucifixion, possibly from Porth, but shows similarities to this window, rolled (5) £1,500 - 2,000

Chedburgh Church

Bassingbourn Church, Cambridgeshire

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140

141 part lot Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

3-155 ARTS AND CRAFTS Lot 141 George Daniels (1854-1940) Designs for stained glass 1. St. Mary’s Church, March, Cambridgeshire, 1929 tracery showing a vision of Jesus after his crucifixion (2-light window, south side of Nave and 2-light window, north side of Nave) 84 x 76cm, rolled; 2. St Mary-the-Less, Cambridge, 1930-1935, St Nicholas rolled; 3. St Martin cutting his robe with a sword with a beggar at his feet, some colour, 4. Bassingbourn Church, Cambridgeshire, 1931 Blessed Virgin Mary lamenting Jesus’ crucifixion, a winged angel above holding sphere of the Sun, 183 x 69cm, rolled; 5. A female saint lamenting Jesus’ crucifixion, a winged angel above holding sphere of waxing moon, 183 x 69cm, rolled; 6. Pampisford Church, Cambridgeshire, 1939 Jesus Carrying The Cross 69 x 66cm, rolled; 7. Duxford Church, Cambridgeshire, 1931-32, Crucifixion 278 x 70cm, rolled 8. Virgin Mary and Elder looking down from a castle turret, 168 x 53cm rolled (8) £1,200 - 1,500 Lot 142 George Daniels (1854-1940) Designs for stained glass 1. Hengrave Hall Chapel, Suffolk 1929-30, The Blessed Virgin Mary, (Left hand light of 3-light window) 73.5 x 56cm, rolled; 2. St John the Evangelist, (Right hand light of 3-light window) 73.5 x 56cm, rolled; 3. Crucifixion outside a city wall 145 x 56cm, rolled (3) £1,200 - 1,500

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141 part lot

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ARTS AND CRAFTS 3-155

143 Lot 143 A set of four Arts and Crafts endpapers, early 20th century, all with floral patterns, of various designs, two gilt, two with polychrome decoration, 52 x 39cm (4) £150 - 250

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Lot 144 A Cotswold School oak blanket chest, 1930s, designed and manufactured by Reynolds of Ludlow for Heal’s and Son London, the lid of planked construction on wrought iron hinges, the front with raised rectangular panels, with cedar lining, with manufacturer’s label, 123cm wide 44cm deep 46cm high £250 - 350 Lot 145 An Arts and Crafts oak hanging corner cupboard, attributed to Goodyers, centred with a leaded glazed cupboard with a shaped top and bottom bracket, 66cm wide 45cm deep 104cm high £150 - 250

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3-155 ARTS AND CRAFTS Lot 146 An Arts and Crafts copper hanging pendant light, in the manner of W A S Benson, with a replaced opaline shade, shade 15cm diameter £250 - 300

Lot 147 An Arts and Crafts brass charger, attributed to Keswick School of Industrial Art, embossed with a tree of life, centred with a sun, the borders with winged birds and beadwork, 54cm diameter on an iron stand (2) £200 - 400

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147

Lot 148 A crossbanded mahogany dressing table,

by Maples and Co. Ltd., mounted with a circular mirror, supported with cast spiral columns, with flaming torch terminals, and crossed arrow panels, over a pair of small drawers, the base with two short drawers and two long drawers, each with cast swag handles, on turned supports, labelled ‘From Maple & Co. Limited London Paris’, 130cm wide 61cm deep 172cm high £400 - 600

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Lot 149 An Arts and Crafts oak octagonal book table, with a shelf below, raised on a double ‘X’ shaped stretcher, 60cm diameter 64cm high £300 - 500

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Lot 150 Five Cotswold School ‘Clissett’-style oak ladderback chairs, each with turned stretchers and a rush seat, 47cm wide 42cm deep 88cm high, seat 45cm high (5) £400 - 600

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Lot 151 A Cotswold walnut table cabinet, in the manner of Peter Waals, with panelled doors opening to reveal a single drawer, with a panelled back, 33cm wide 28cm deep 46.5cm high £250 - 350

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3-155 ARTS AND CRAFTS

Lot 152 A Cotswold oak dresser, of plain form centred with a shelf and a division over two sliding cupboards, with a panelled back, carved handles and with sledge feet, 100cm wide 39cm deep 170cm high £400 - 600

152 another view

Lot 153 A Cotswold School oak bow-front sideboard, centred with a quarter veneered cupboard, flanked each side with two drawers, one with baize lining, and a cupboard below, with carved ‘D’ shaped handles, 138cm wide 49cm deep 93cm high £300 - 500

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Lot 154 A limed oak artist’s easel, in the Heal’s style, with an adjustable mechanism, 64cm wide 66cm deep 184cm high £300 - 500

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Lot 155 An Arts and Crafts oak bedside cupboard, attributed to Arthur Romney Green, with chip carved edges, centred with a panelled cupboard with a brass handle, and with an undertier, 46cm square 86cm high £300 - 500

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ART DECO 156-318

Lot 156 A pair of Arabia Finland ‘Loistomarmori’ lustre vases, each of hexagonal tapering from, with tulip necks, with a multi-colour lustre glaze, printed and impressed marks and numbered ‘115’, 36cm high (2) £150 - 200

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157 Lot 157 Marcel Guillard (French, 1896-1932), c.1925, a large pottery group, modelled as a young girl seated between two borzoi dogs on a shaped rectangular base, decorated in polychrome, designed for Etling Paris, impressed marks including ‘Marcel Guillard’ and ‘Etling, Paris’, 52cm wide £700 - 900 Lot 158 A Primavera pottery abstract group, c.1930, French, depicting a courting couple, decorated in polychrome, the underneath stamped with factory marks and ‘Made in France’, 26cm high £300 - 400

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158

156-318 ART DECO

Lot 159 Miklos Komlos (Hungarian, 1906-1945), 1930s, a pottery figure group, modelled as a young couple in national dress, enamelled in polychrome, impressed ‘Komlos, Hungary’, with remains of paper label, 38cm high £150 - 200 Lot 160 A Wiener Keramik figure, attributed to Michael Powolny, of a woman in a purple dress, holding a basket of flowers, impressed marks ‘13723’ and triangular mark, 23.5cm high £200 - 300

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160

Lot 161 A La Casa dell’Arte stoneware tea set, c.1930, Italian, glazed with a geometric pattern in green and brown on a white ground, comprising: teapot, sugar bowl, cream jug and six each of cups, saucers and side plates, stamped factory marks, teapot 10cm high (21) £300 - 400

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Lot 162 A glazed terracotta figure of a rearing stallion,

by Friede Kieser-Maruhn (German,1885-1947), with a mottled grey glaze on a tapered plinth, inscribed ‘Friede Kieser-Maruhn’ and incised ‘127’, 36cm high £250 - 450 Lot 163 A Boch Frères Keramis figure group ‘Les Patineurs’, c.1930, designed by Charles Catteau (1880-1966), in pink, printed mark and incised ‘1133’ and ‘BFK Ch Catteau’ in the mould, 32.5cm high £400 - 600

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Lot 164 A Vallauris earthenware tea service, 1940s, designed by Marcel Giraud, of squat form with gilt scroll handles, comprising: teapot, milk jug, sugar bowl, eight cups and saucers, teapot 21cm diameter (19) £300 - 400 Provenance: S otheby’s Olympia, 14 Oct 2005, Lot 304.

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ART DECO 156-318

165

167

Lot 165 A Goldscheider pottery wall mask, no. 7813, modelled as a lady wearing a cream scarf, with gold curled hair, red lips and collar, wearing a ring on her hand, impressed and printed marks, 31cm high £300 - 500

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168

Lot 166 A rare Goldscheider pottery double wall mask ‘Comedy and Tragedy, no. 7893, modelled as masks, with black-lined eyes and orange and green ribbons, impressed, printed and incised marks, also numbered ‘VIII’, 27.5cm high £600 - 800

Lot 167 A Goldscheider pottery free-standing bust of a lady, no. 6887, modelled with curled turquoise hair, pierced eyes, orange lips and collar, on a rounded rectangular stand, incised ‘6887’ and inscribed ‘4400’ and printed marks, 29cm high £400 - 600

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Lot 168 A Goldscheider pottery wall mask, no. 685, modelled as a lady with bronze curled hair, orange eyeliner and lips, with a yellow flower and a turquoise collar, impressed and printed marks, 26.5cm high £300 - 500

Lot 169 A Goldscheider pottery wall mask, no. 7608, modelled as a lady holding a flower, with white curls, a gold earring, her blouse in orange and green, impressed and printed marks, 39cm high £300 - 500

This mask is illustrated in Ora Pinhas, ‘Goldscheider’, p.171.

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170 Lot 170 José Mariano de Creeft (American, 1884-1982), an ivory bust of a child, signed, on a cream marble plinth, 26.5cm high £400 - 600 Lot 171 André-Charles Caron (French, 20th century), after Paul Colin, ’Josephine (Baker) Bal Negre, 1927’, lithographic poster in colours, printed by M. Ducelier, Paris, 80 x 64.2cm £800 - 1,000

171

172 Lot 172 A Danish Art Deco three-seater sofa, 1940s, with sprung seats, upholstered in green velour, on turned oak front feet, 190cm wide 69cm deep 70cm high, seat 40cm high £300 - 500

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173 Lot 173 A French wrought iron and marble side table, in the manner of René Drouet, with a circular top and gilt stand, with a central scrolled stretcher, 40cm diameter 56.5cm high £300 - 500 51

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Lot 174 A French wrought iron mirror, in the manner of Edgar Brandt, the bevelled mirror panel, surmounted with a pierced panel of flowers and leaves, 70cm wide 131cm high £800 - 1,200

175 double bed Lot 175 A French Art Deco burr walnut bedroom suite, each piece inset with pink-tinted glass tops, comprising: a pair of bedside cupboards, each with two drawers, a cupboard and a shelf, raised on turned tapering supports, 54.5cm wide 34cm deep 54cm high, a chest of drawers, with three drawers, 137cm wide 52cm deep 91cm high, and

a double bed, the headboard with a slight concave section, 191cm wide 91cm high the footboard with an etched glass panel and reeded details, 191cm wide 67cm high (4) £800 - 1,200

175 chest of drawers

175 bedside cupboards 174

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Lot 176 Leonetto Cappiello (French, 1875-1942), a Mossant poster, designed 1938, linen-backed and mounted on a frame, marked ‘Les Éditions Nouvelles Cappiello’, 160 x 119cm £300 - 500

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Lot 177 An Art Deco banana-shaped settee, likely Danish, on curved feet, upholstered in green striped velour brocade, 174cm wide 81cm deep 71cm high, seat 40cm high £300 - 500

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ART DECO 156-318 Lot 178 A set of twelve Art Deco silver-plated metal knife rests, c.1930, French, attributed to Benjamin Rabier, each modelled as a bird or animal, in a fitted box, each 8cm wide (12) £200 - 300

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180 179

Lot 180 A Sabino opalescent glass dish, moulded with birds and centred with clouds, moulded mark ‘Sabino Paris’, 20cm diameter £100 - 150

Lot 179 An Art Deco liqueur set, c.1920s, comprising a decanter and six glasses, all with etched sides, with decoration in ruby glass depicting a Scottish Highland terrier, the glasses of trapezoid form, the decanter of shouldered form with a cut-glass stopper, the decanter 28cm high (8) £400 - 500 Lot 181 A pair of Lalique opalescent glass ‘Avalon’ vases, no. 986, each moulded with birds on branches, wheelcut ‘R Lalique France’ and etched ‘No. 986’, both damaged, 14.5cm high (2) £150 - 250 Lot 182 A Lalique ‘Cerf’ clear and frosted glass vase, c.1970, etched ‘Lalique France’, 28.3cm high £150 - 250

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Lot 183 A pair of Lalique ‘Epis No. 3’ blue stained glass plates, model no. 3016, each with moulded ears of barley, moulded monogram to the centre, 23.5cm diameter (2) £200 - 300

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Lot 184 A Lalique ‘Ecailles No. 4’ clear glass plate, with a moulded design, moulded ‘R. Lalique France’, 23.3cm diameter £100 - 150

Lot 185 A pair of Lalique ‘Pavot’ glass candle stands, model 2102, both etched ‘R Lalique France’, one with a cracked base, 23cm high (2) £150 - 200

185

184 Lot 186 A Lalique ‘Lys’ opalescent glass bowl, no. 385, the bowl moulded with flowers forming the feet, moulded ‘Lalique’ and wheelcut ‘France’, 24cm diameter £400 - 600

186 Lot 187 A Lalique ‘Rhodes’ isothermic ice bucket, no. 11964, clear and frosted glass with an insulated liner and white metal handle, engraved ‘Lalique France’ and with label ‘Cristal Lalique Paris’, 22cm high £1,500 - 2,000 Lot 188 Two Lalique glass beakers, each with six panels centred with Grecian ladies, in the ‘Ambre Antique’ style, originally designed in 1911, each etched ‘R. Lalique’, 10cm high (2) £350 - 450

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John Guida (1897-1965), born to an Italian father and an American mother, was an important Italian stylist, designer, and illustrator. As a child, he moved to Rome where he attended Visconti High School. In 1914 he participated in the fashion exhibition at the Circolo Degli Artisti together with Sartorio, Grassi, Innocenti, and Angoletta. John Guida was a regular visitor to the Paris fashion shows, coming into contact with famous tailors such as Jean Patou, Jeanne Lanvin, Lucien Lelong, Madeleine Vionnet, and Coco Chanel from whom he drew inspiration to find his own personal style, becoming an official dress designer for some of the most well-known Italian tailors such as Coen, Sanet and La Merveilleuse of Turin.

His designs remained characterised by a refined linearity and a constant attention to precious detail. Elongated and slender female figures were often underlined by loose skirts and flowing pants; the sophisticated profiles were highlighted by short or gathered hair, inspired by the typical garçonne model of the time.

He was also active as an illustrator for the women’s magazines ‘La Donna’ and ‘Cose’, and as an advertising designer for the fashion and perfumery sectors.

189 Lot 189 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a white fur coat with black trimming signed ‘Jo’, mixed media 29 x 21cm £150 - 250 Lot 190 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a floral dress and black hat signed and dated, pencil and watercolour paper size 70.5 x 50cm £300 - 500

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Lot 191 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a black jacket and skirt ensemble, with a white dove hat signed and dated, pencil and watercolour paper size 70.5 x 50cm £300 - 500 Lot 192 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a spotted blue blouse and skirt signed and dated, pencil and watercolour paper size 70.5 x 50cm £300 - 500 Lot 193 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a dark purple jacket and skirt ensemble signed and dated, pencil and watercolour paper size 70.5 x 50cm £300 - 500

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Lot 194 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a green column dress signed and dated, pencil and watercolour paper size 70.5 x 50cm £300 - 500

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Lot 195 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a checked jacket and blue skirt signed and dated, inscribed ‘giorllo e notte’, pencil and watercolour paper size 70.5 x 50cm £300 - 500

Lot 196 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a black and grey spotted trouser ensemble signed and dated, pencil and watercolour paper size 70.5 x 50cm £300 - 500

Lot 197 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a green dress signed and dated and inscribed ‘Plantations’, pencil and watercolour paper size 70.5 x 50cm £300 - 500

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198

Lot 198 An Alfa Romeo P2 tinplate and clockwork racing car,

by Tipp & Co. Nuremberg, modelled as a two-seater, mounted with a driver, with a lithographed red livery and ‘No.7’, lacking light, number plate ‘T.C. 9590’, with ‘Dunlop Cord 950 x 150’ tyres, 50cm long £1,000 - 1,500

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Lot 199 An Art Deco bronze desk set, designed by Max le Verrier (French, 1891-1973), decorated in a chinoiserie style, comprising a letter rack, a notepad and a lidded box, each signed to the base (3) £400 - 500

Lot 200 An Art Deco mahogany-framed hall mirror, of ziggurat form, with a stepped bevelled edge mirror plate, 81.5cm wide 126cm high £200 - 300

Lot 201 An oak side table, the quartered veneered circular top, on strut supports, 60.5cm diameter 53.5cm high £100 - 200

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202 203 Lot 202 An Art Deco-style chrome mirrored console table, 75.5cm wide 43cm deep 77.5cm high £200 - 300

Lot 203 A Danish sofa, 1940s, with a swept back, upholstered in green velour with a buttoned back, on stained bowed beech legs, 170cm wide 66cm deep 83cm high, seat 41cm high £400 - 600

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Lot 204 An Art Deco bird’s-eye maple and walnut dressing table,

by Epstein Brothers, with a central shaped mirror and a glass shelf, flanked with bow-front cupboards, with central reeded panels, each enclosing three drawers, with Bakelite handles, with glass tops, 137cm wide 54.5cm deep 153.5cm high, and a matching double headboard, with integral bedside cabinets, each with a shelf and a cupboard, with Bakelite handles, with glass tops, 298cm wide 73cm high (2) £1,500 - 2,000

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ART DECO 156-318 Lot 205 An Art Deco bird’s-eye maple and walnut triple wardrobe,

by Epstein Brothers, the central door with a bow-front reeded panel, opening to reveal drawers, slides and hanging space, with Bakelite handles, 175cm wide 75cm deep 190cm high approx. £1,000 - 1,500

Lot 206 A Belgian nude study 1940s, depicting a woman indistinctly signed l.r., red crayon on paper 72 x 43cm, framed £100 - 150

Lot 207 Erwin Blumenfeld (1897-1969) ‘Mannequin, Amsterdam 1932’ modern reproduction 27 x 22cm, and an Art Deco photograph 1920s, depicting a female bust, unsigned 28 x 20cm (2) £150 - 250

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ART DECO 156-318 Lot 208 An Art Deco walnut chaise longue, of oval form, upholstered in an olive plush velvet brocade, 215cm wide 92cm deep 41cm high £700 - 900

208 209

Lot 209 An Art Deco walnut circular book table, with a crossbanded quarter veneered top and ebonised stringing, on three pairs of ebonised feet, 61cm diameter 60cm high £300 - 400 Lot 210 Violet Rogers (1920s) Fashion Designs two, one signed, one labelled verso, pen and watercolour 38 x 13cm £200 - 300

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Label reads ‘From the collection of original fashion drawings by Violet Rogers of 40 South Park Road, Wimbledon SW19’.

211 Lot 211 An Asprey embroidered clutch bag, with a sliding catch, inset with dyed green agate and cornelians, machine embroidered with floral bands, with a velvet interior and a small rectangular mirror, 21.5 x 15cm, in an Asprey’s box, box 23.5 x 18.5cm (2) £150 - 250

Lot 212 Two chrome yachts, each modelled under full sail, with dished centres, 25cm wide 28cn high (2) £150 - 250 Lot 213 An Art Deco bronze figure, 1930s, ‘Little Clown’, after Demétre Chiparus, unsigned, 43.5cm high £250 - 350

212 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

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214 Lot 214 Dominique Alonzo (French, fl.1912-1926), a gilt-bronze and ivory sculpture, modelled as a lady in 18th century dress, signed ‘Alonzo’, numbered ‘37’, 25cm high £1,000 - 1,200 Lot 215 Josef Lorenzl (Austrian, 1892-1950) a cold-painted bronze figure of a ballet dancer, signed ‘Lorenzl’, on an onyx plinth, 21cm high £250 - 350

215 Lot 216 An Art Deco walnut low console table, the plain top raised on shaped supports, on a plinth mounted with brass rails, 75.5cm wide 50cm deep 61.5cm high £400 - 600

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Lot 217 A George VI lined oak coronation stool, with chamfered supports, original velvet-upholstered seat with gold trimming, branded ‘GR VI ‘cypher and ‘Coronation’, stamped ‘Waring and Gillow’, and with paper label ‘83’, 46cm wide 31.5cm deep 48cm high £150 - 250

Lot 218 An Art Deco cold-painted spelter figure of a lady, modelled holding a torch and flowers, with stylised wings, standing on a sphere on a tapering onyx plinth, 42cm high £300 - 500

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Lot 219 A carved wood sculpture of a nude, with her legs crossed, signed ‘Tcherniakto’ on the side, stamped ‘Edition SAS Paris 5B Made in France’, 32.5cm high £200 - 300

220 Lot 220 After Guillaume Seignac (French, 1870-1924), ‘La Vauge’ signed and dated l.r., watercolour on paper 42 x 74cm, framed and mounted £400 - 600

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Lot 221 An Heal & Son mahogany and inlaid cabinet, with panelled doors, the top panels with a cross inlay, cedar lined with five drawers and a shelf to the right-hand side, 99cm wide 52cm deep 129cm high £300 - 500

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222 open

Lot 222 An Art Deco Queensland walnut and cherry mahogany (makore wood) inlaid wardrobe,

by Betty Joel at the Token Works, with a pair of cupboards inlaid with rectangular panels flanked with reeded corners, opening to reveal two hanging cupboards lined with wood strips, raised on an ebonised plinth, with label ‘Token Handmade Furniture Designed by Betty Joel, made by J Emery at Token Works, Kingston, Sept 1935’, 168cm wide 54cm deep 190cm high £800 - 1,200

222 label 223 one of a pair Lot 223 A pair of Chinese wool carpets,

by G H Frith, modern, each in black with white Greek key borders, labelled, 366 x 274cm (2) £600 - 800

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224 Lot 224 An Art Deco maple headboard, with a bookcase to the reverse, 282cm wide 45cm deep 103cm high, together with a pair of Art Deco maple bedside tables, each with two drawers over a single door, with steel handles and fittings, 49cm wide 35cm deep 53cm high (3) £1,000 - 1,500

Lot 225 An Art Deco cold-painted spelter seagull centrepiece, raised on a polished marble plinth, 47cm wide 34cm high £150 - 250

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Lot 226 Two Art Deco chrome table lamps, one with a clear stepped white shade, 38.5cm high, and another, with a pink-tinted globe shade, on a copper, silvered and mirrored stand, 38.5cm high (2) £250 - 350

226 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

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Lot 227 An Art Deco oak and walnut crossbanded book table, of cuboid form, with a quartered top, over two hinged cupboards and two pull-out shelved bookcases with turned knobs, on a stepped plinth, 61cm square 56.5cm high £200 - 300

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Lot 228 Henryk Kossowski (Polish, 1855-1921), a bronze and patinated sculpture of a lifeboatman, throwing a lifebelt, signed and dated ‘Salon 1907’, 43.5cm high £400 - 600

Lot 229 An Art Deco patinated bronze, in the form of a charging bull, mounted on a green marble base, unsigned, 21cm wide 10cm deep 17cm high £200 - 300

Lot 230 An Art Deco bronze twin-branch candlestick, 1920s, modelled as an Oriental figure, on an inverted coronet base, signed with monogram ‘EH’ and ‘22’ to rear tip of base, 36cm high £300 - 400

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Lot 231 ‘Printemps-Été 1947’, five French fashion adverts, colour lithographic prints, after designs by Jean Chiselat, four 40.5 x 28cm, one 41 x 28cm, glazed, mounted and framed (5) £200 - 300

Lot 232 *Georges Greffet (1869-1959) A puppy dog pulling at a young woman’s dress, 1920s print, signed and titled by the artist 40 x 32cm £150 - 200

231 Lot 233 Louis Icart (French 1880-1950) ‘On the Green’, 1925 signed drypoint etching, embossed blind stamp, Les Graveurs Modernes Paris 28.5 x 42cm, framed £200 - 300 Lot 234 Richard Geiger (Austrian, 1870-1945) Reclining girl on a polar bear rug circular, signed, watercolour 51cm diameter, mounted and framed £350 - 450

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Lot 235 Louis Icart (French 1880-1950) ‘The Spanish Comb’, 1922 etching with drypoint and aquatint, published

by L’Estampe Moderne, signed, titled and numbered 2746 in pencil 47 x 37cm, framed £200 - 300

235 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

156-318 ART DECO Lot 236 Lill Tschudi (Swiss, 1911-2004) London Buses (Coppel LT85) linocut printed in colours, 1949, signed and numbered 3 from the edition of 50 in pencil, on Japan paper, with full margins 34 x 8cm, mounted and framed £15,000 - 20,000

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Lot 237 A Goldscheider pottery wall mask, no. 749, modelled as a lady in profile, with turquoise hair and eyelids, and with orange eyeliner and lips, impressed and stamped marks, 25cm high £200 - 400

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Lot 238 A Goldscheider pottery wall mask, no. 752, modelled as a lady holding a bunch of grapes, with orange hair and lips, turquoise eyes and collar, incised and printed marks, 28.5cm high £400 - 600

Lot 239 A Goldscheider pottery wall mask, no. 7102, modelled as a girl holding a bird in one hand, with flowing orange hair and lips, pierced eyes with turquoise eyeliner, and a turquoise cuff, impressed and printed marks, 31cm high £400 - 600

Lot 240 A Goldscheider pottery wall mask, no. 654, modelled as a lady with a fan, with yellow flowing locks, pierced eyes, with turquoise eyeliner, and orange eyebrows and lips, impressed and printed marks, 26.5cm high £300 - 500

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Lot 241 A rare Goldscheider pottery wall pocket, no. 6086A, modelled with turquoise hair and eyelids and red lips, printed and incised marks, 18cm high £300 - 500

Lot 242 A Goldscheider pottery wall mask, no. 784, modelled as a lady smoking, with orange curled hair and lips, wearing a turquoise robe, impressed and printed marks, 34.5cm high £400 - 600

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Lot 243 A Goldscheider pottery wall mask, no. 7176, modelled as a lady wearing a hat and a turquoise and yellow spotted scarf, impressed and printed marks, 30.5cm high £300 - 500

Lot 244 A Goldscheider pottery wall mask, no. 7119, modelled as a lady with blue and turquoise hair, smelling a yellow flower in her hand, impressed and printed marks, 28cm high £400 - 600

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ART DECO 156-318 Lot 245 An Art Deco maple dressing bureau, with two doors to either side opening on to shelving to the middle, with a lit fold-out dressing mirror, over three drawers each with a metal handle, 158cm wide 61cm deep 116cm high £300 - 500

Lot 246 An Art Deco teak and mahogany overmantel mirror, the lower section with a sunburst pattern, 69cm wide 95cm high £200 - 300

245 Lot 247 A pair of Danish armchairs, 1940s, each on stained beech legs of slight tapering form, upholstered in green velour, with slightly curved buttoned back, 76cm wide 67cm deep 81cm high, seat 40cm high (2) £300 - 500 Lot 248 A set of four Art Deco-style dining chairs, late 20th century, each of high arched back design with a gilt metal frame, the seat and back upholstered in red-striped black fabric, 46cm wide 48cm deep 108cm high, 45cm high (4) £200 - 300

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Lot 249 An Art Deco chrome mirror, the rectangular glass mounted on a ‘C’ scroll mount, 31cm wide 34cm high, and another easel frame, 31cm wide 41cm high (2) £100 - 150

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Lot 250 A chrome plated ‘HMV Room Heater’, designed by Christian Barman in 1934 and made by HMV Factories, Hayes, Middlesex after 1938, with four stacked blades, fitted with a fan and elements inside, labelled and stamped ‘Serial No. H8155’, 43cm wide 32cm deep 31cm high £250 - 350 Christian Barman (1898-1980) was the editor of Architectural Review and later publicity officer for the London Passenger Transport Board; he was also an influential propagandist for the modern movement.

Lot 251 A ‘Bibendum’ red leather armchair, originally designed by Eileen Gray in 1926, with a barrel bolster back, raised on a tubular cantilever stand, 95cm wide 60cm deep 72cm high, seat 43cm high £300 - 500

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Lot 252 A nest of three painted bent plywood tables, designed by Marcel Breuer (Hungarian, 1902-1981) for Isokon, each formed from one-piece birch laminated plywood, 61cm wide 46cm deep 38cm high (3) £2,500 - 3,500 www.sworder.co.uk

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253 254 Lot 253 An Art Deco maple nest of tables, of U-shaped form, the sides with book matched veneer, each with an inset cut clear glass top, 61.5cm wide 34cm deep 54cm high (3) £700 - 900

255 Lot 255 An Art Deco silver-plated wine cooler, of tapering form with a reeded base, with simulated amber handles, stamped ‘Metal Argente 18’, 21.7cm high £200 - 300

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Lot 254 A French oak sideboard, the stepped parquetry top over four cushion panelled cupboards, flanked with columns, opening to reveal two drawers and shelves, centred with gilt-bronze roundels, raised on octagonal supports and a stepped plinth, 234cm wide 52cm deep 106cm high £500 - 800

256 Lot 256 An Art Deco spelter figure, modelled as a girl seated on a branch, on a marble plinth, 33cm wide 15.5cm deep 32cm high £100 - 150

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Lot 257 An Art Deco walnut cocktail cabinet, of small proportions, the hinged top opening to reveal a mirrored interior, stencilled with cocktail glasses and a cocktail shaker, over a cupboard with a shelf, labelled ‘Rivington Product, London’, 63cm wide 30.5cm deep 111cm high £200 - 300 Lot 258 Three matched Art Deco-style armchairs, in the manner of Milo Baughman, each of horseshoe shape, on a chromed swivel base, upholstered in white fabric with purple abstract patterns, each with a loose seat cushion and two smaller side cushions, 73cm wide 77cm deep 80cm high, seat 44cm high, and a footstool, upholstered in the same fabric, on castors (4) £600 - 800

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156-318 ART DECO Lot 259 A pair of Art Deco cloud walnut dining chairs, each with a veneered back, with brown upholstered back and seat, 55cm wide 60cm deep 88cm high, seat 48cm high (2) £300 - 500 Lot 260 An Art Deco cold-painted spelter figural table lamp, modelled as three ladies seated back to back holding dishes, forming the stand, with a crackle-glazed globular shade, on a triangular marble plinth raised on ball feet, 32.5cm high £600 - 800

259 Lot 261 Two cast iron Art Deco vases, c.1930s, one star-shaped, the other of stepped form, both with fluted bodies, on stepped plinths, 28cm high (2) £200 - 300

261 260 Lot 262 An Art Deco chrome and leather armchair, after a design by Batistin Spade, with a cantilever frame, leather seat and arms, with ivorine plugs, 67cm wide 80cm deep 75cm high, seat 41cm high approximately £700 - 900

Lot 263 An Art Deco spelter figural table lamp, modelled as two silvered ladies holding a glass globe, with an integral switch, on an onyx plinth, 36cm wide 54cm high £500 - 700

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Lot 264 A pair of Art Deco painted wood advertising signs for ‘Bondor’ stockings, each mounted with a fret cut lady, painted numbers to the plinths ‘No.1’ and ‘No.6’ and remnants of maker’s label ‘Leon Goodman Displays Ltd’, 33.5cm wide 63.5cm high (2) £150 - 250

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Lot 265 ‘Keep Calm and Carry On’, a World War II propaganda poster from 1939, printed by the Ministry of Information, 50.5 x 38cm, framed £1,000 - 1,500 Found by the vendor in a wardrobe at an old RAF airfield in Cambridgeshire.

Lot 266 Patrick ‘Pat’ Keely (1901-1970) ‘Staggered Travelling Saves Busy Workers Time’ a poster, published

by London Transport, signed and dated ’45, 99 x 61cm, framed £400 - 500

Lot 267 *Patrick ‘Pat’ Keely (1901-1970) ‘ARP Calling You’, 1938 lithographic poster on paper printed by Fash & Cross Ltd. for the HM Stationery Office, signed and dated in the print Pat Keely, 38 74.5 x 50cm £200 - 300

Lot 268 A Willy’s Jeep table lighter and ashtray, c.1946, manufactured by W Baier, US Zone, West Germany, with etched decoration and rubber tyres, the door handles push down to reveal the lighter underneath the bonnet, with magnetically attached ashtray in the form of a trailer, labelled to the inside, 24cm long 7.5cm high (2) £100 - 150

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Lot 269 A Clarice Cliff ‘Gardenia’ Lotus jug, printed ‘Fantasque’ marks, 29.5cm high £900 - 1,100

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Lot 270 A Clarice Cliff ‘Blue Autumn’ (Balloon Trees) Lotus jug, printed ‘Fantasque’ marks, restored, 29cm high £300 - 500

Lot 271 A Clarice Cliff ‘Secrets’ plate, of shaped circular form, centred with an orange and black band, printed ‘Fantasque Bizarre ‘mark, 22.5cm diameter £200 - 300

Lot 272 A Clarice Cliff ‘Aurea Viscarria’ conical shaker, with a wood stopper, unmarked, 14cm high £150 - 250 Lot 273 A Clarice Cliff ‘Limberlost’ conical shaker, printed ‘Bizarre’ marks, 13.5cm high £180 - 220

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274 Lot 274 A Clarice Cliff ‘Blue Firs’ bowl, with a flecked ground, a blue inner band and a triple green band to the outside of the bowl, printed marks, 16.5cm diameter £150 - 200

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Lot 275 A Clarice Cliff ‘Double V’ twin-handled bowl, printed ‘Wilkinson’ mark and ‘Bizarre’, 19cm diameter £100 - 150

Lot 276 A Clarice Cliff ‘Blue Chintz’ vase, shape no. 279, printed ‘Fantasque Bizarre’ marks, cracked, 20.5cm high £100 - 150 77

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Lot 277 An Art Deco cold-painted spelter table lamp, modelled as two men holding a mottled glass globe, standing on a stepped lozenge-shaped plinth, 46cm high £400 - 600 Lot 278 A pair of Art Deco cold-painted composition table lamps, each modelled as a lady with her arms outstretched, with chrome hoop, mounted with an amber glass cuboid shade, 56.5cm high (2) £650 - 750

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Lot 280 An Art Deco walnut dining table, the veneered top with rounded ends, raised on ‘U’ shaped supports and cushion plinths, united with a stretcher, 213.5cm wide 99cm deep 75.5cm high, and four dining chairs, each with a leather seat and back, 49cm wide 57cm deep 85cm high, seat 47cm high (5) £600 - 800

Lot 279 An Art Deco maple side table, the square top inlaid with a crossbanded quartered square, raised on a conforming column end plinth, 46.5cm square 51.5cm high £150 - 250

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Lot 284 An Art Deco bronze and frosted glass plafonnier, of octagonal from, with scrolled mounts, centred with a circular panel, with three chains for suspension, 45cm diameter 14cm high drop 30cm approximately, together with the ceiling boss (2) £300 - 500

Lot 281 *Harold Jesse Douglas Dingley (1915-1988) Studies for Domestic Interiors twelve, four signed, watercolours, some loose, others mounted on card largest 34.5 x 45.4cm together with ten other designs, in a portfolio, and three sketchbooks (25) £400 - 800 Harold Jesse Douglas Dingley won a ‘trade and art’ scholarship at the Northern Polytechnic, London, 1928-1932, and worked in various firms such as Messrs Cole, Loasby & Co. Ltd. (1932); Maple & Co. Ltd. (1935); Messrs Lewis Berger & Son Ltd. (1938-47); Vulcan Products Ltd. (1948-51) and Messrs Jensen & Nicholson Ltd. (1951-56) and then London Representative for Messrs Thornley & Knight Ltd. in Birmingham.

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283

Lot 282 An Art Deco wrought iron candelabra, c.1920, on a splayed foot, for six candles, the central structure with ornamental spheres on each joining bar, 171cm high £250 - 350 Lot 283 A French armchair, 1950s, the painted and ‘crackled’ cream frame, with a blue velvet seat, back and arms, with brass flower head bosses and brass sabots, 58cm wide 60cm deep 89cm high, seat 45cm high £250 - 350

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Lot 285 A French ebonised Empire-style coffee table, 1940s, of circular form with a clear glass top, bowed legs, each leg topped with a brass ring, 79.5cm diameter 46cm high £400 - 600

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ART DECO 156-318 Lot 286 A pottery figure of a girl holding a baby, 1930s, painted with a striped dress and a purple scarf, incised marks ‘No.II MW 539’, 17.7cm high £100 - 150 Lot 287 A Royal Doulton Sung vase,

by Charles Noke and Arthur Eaton, of baluster form, painted with a flying exotic bird on a flambé ground, signed ‘A Eaton’ to the body, printed marks, painted ‘Sung’, ‘Noke’ and ‘No. 3390’, 14.5cm high £150 - 250

Lot 288 A Shelley ‘Vogue’ jug and three beakers, pattern no. 238/Y, stencilled and painted with apples and leaves, various printed and painted marks, jug 17.5cm high beakers 9.7cm high (4) £250 - 350 Lot 289 Two Shelley ‘Mode’ trios, pattern nos. 11759 and 11791, stencilled and painted, printed and painted marks (6) £250 - 350

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289 Lot 290 A pair of Moorcroft ‘Wisteria’ vases, each on a blue ground, impressed marks and green signature, cracked, 20.4cm high (2) £150 - 200 Lot 291 A Moorcroft ‘Pomegranate’ vase, impressed marks ‘M46’, 9.5cm high, and a flambé ‘Leaf and Berry’ vase, impressed marks, 11cm high (2) £150 - 200

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291

Lot 292 A large Moorcroft ‘Eagle Owl’ vase, designed by Sally Tuffin in 1999, of baluster form, impressed and painted marks to base and numbered ‘600’, 32cm high £300 - 500 Lot 293 A Moorcroft ‘Legacy’ vase, designed by Nicola Slaney in 2013, of baluster form, signed, impressed details and numbered ‘200’, 31.5cm high £300 - 500 Lot 294 A Moorcroft ‘Legacy Eventide’ Vase, ‘The Copse’, designed by Paul Hilditch in 2012, signed, stamped marks and numbered ‘450’, 25cm high £300 - 400 80

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156-318 ART DECO

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296 297 298

Lot 295 An Art Deco cream leather three-piece suite, with walnut and oak details, with green piping, settee 145cm wide armchair 92cm wide (3) £1,500 - 2,000 Lot 296 An Art Deco patinated bronze and marble inkwell, modelled as a girl kneeling, her arms outstretched, a hinged inkwell in front, signed indistinctly to the right foot, with a propelling pencil, 19.5cm wide 21cm high £400 - 600 Lot 297 An Art Deco walnut wall barometer, with a silvered and engraved square dial, a stepped cornice and tapering sides, 34cm wide 35cm high £100 - 150

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Lot 298 An Art Deco walnut standard lamp, inlaid with ivorine label, ‘British Made’ and ‘DD’ monogram, 161cm high £200 - 400 Lot 299 A Chinese wool carpet, in green with a Greek key border, 360 x 250cm £400 - 600

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Lot 300 An Art Deco banana-shaped settee, likely Danish, on square tapered legs, upholstered in green patterned fabric, with a reeded back, studded sides and base, 174cm wide 69cm deep 76cm high, seat 37cm high £300 - 500 Lot 301 An Art Deco silver three-piece tea set,

by Robert Pringle and Sons, London 1929, of plain squat form, each piece with a central band, teapot 10.5cm high (3) £700 - 900

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301

302 Lot 302 An Art Deco walnut side table, the circular quarter veneered top raised on shaped and routed supports, with an undertier on block supports, 59.5cm diameter 44.5cm high £100 - 150

303

Lot 303 Ethel Gabain (1883-1950) ‘The Evacuation of Children from Southend, Sunday 2nd June, 1940’ lithograph, signed in the print and signed in pencil image 30.5 x 50cm, glazed, mounted and framed £150 - 250 Lot 304 John Hall Thorpe (1874-1947) ‘The Open Gate’; ‘Marigolds’ two woodcuts in colours on paper, both signed and titled in pencil 36 x 28cm and 29 x 22.5cm, both framed (2) £250 - 350

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304 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

156-318 ART DECO Lot 305 An Art Deco walnut revolving desk bookstand, each side with an ebonised and stepped section, on an ‘Ormond’ revolving stand, 33cm wide 21cm deep 20.5cm high £100 - 150

305

Lot 306 A Rowley Gallery pier mirror, surmounted with an inlaid scene of a river and a bridge, over a rectangular mirror in a gold-painted frame, labelled to reverse, 19cm wide 50.5cm high £150 - 250

306 Lot 307 An Art Deco sycamore writing table, designed in 1935 by Rowland De Winton Aldridge for Lady Iliffe, executed by B Cohen & Sons of Shoreditch, with three frieze drawers and turned handles, on X-framed supports united by a turned stretcher, 150cm wide 50cm deep 70cm high £500 - 700

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308 Lot 308 An Art Deco Macassar and line-inlaid veneered coffee table, the square top with canted corners, over a box stand, raised on brass ball feet, 80.5cm wide 54cm high £400 - 600

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Rowland De Winton Aldridge (1906-1997) was a close friend of Baron and Lady Iliffe, and best man at their wedding. He served as counsel for the restoration and renovation of Basildon Park, Reading, after the couple purchased the estate in 1953. As a fellow of the Royal Institute of British Architects, Aldridge was one of the leading authorities on 18th century architecture of the time, but was also a prolific watercolour artist and furniture designer.

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Lot 309 A pair of mahogany card tables, 1920s, each with baize lining to the undersides, with a carved frieze, on shaped pedestal plinths, one on a later leather and studded plinth, the other on an octagonal plinth, with scrolled supports, 76cm square 76cm high (2) £400 - 600

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Lot 310 An Art Deco bird’s-eye maple bedroom suite,

by Epstein Brothers, comprising: a three-door wardrobe, the central door with a curved reeded front, the left and right-hand doors opening on to hanging rails with hooks, arranged in two tiers with a shelf, the right-hand door opening on to a shelf over two glazed compartments, over one shelf and over three drawers, 166cm wide 72cm deep 188cm high, a two-door wardrobe, in two sections, with a curved reeded front, the left-hand side opening on to railing, the left section opening on to a shelf over two glazed compartments, over one shelf, over three drawers, 118cm wide 61cm deep 188cm high, a dressing table and stool, with a central bevelled mirror, flanked by a cupboard on either side, each opening on to three drawers, 136 wide 57cm deep 160cm high, a headboard, two flanked cupboards, each with one drawer and two shelves, 306cm wide 45cm deep 102cm high, and a set of eight walnut handles, of reeded design (13) £3,000 - 5,000

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156-318 ART DECO

Lot 311 A pair of Art Deco walnut side tables, each with a quarter veneered top with chamfered corners, on a plain column, on a square plinth with block cushion supports, 48.5cm square 59cm high (2) £150 - 250

Lot 312 An Art Deco chrome standard lamp, with a stepped glass shade, with a ‘Z’ shaped mount to the column, 180cm high £300 - 500

Lot 313 An Art Deco-style cameo glass globe lamp, with frosted and cut purple bands, with a modern conical tapering shade, 34cm high £400 - 600

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Lot 314 A Danish Art Deco sofa, 1930s, with an oak frame, the front with carved detail, upholstered in green cotton velour, with a reeded central back cushion, with buttoned armrests, 195cm wide 80cm deep 76cm high, seat 38cm high £300 - 500

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ART DECO 156-318 Lot 315 An Art Deco chaise longue, with sprung seat, upholstered in pink velvet velour, on stained beech feet, 193cm wide 75cm deep 74cm high, 37cm seat high £200 - 400

315

317 316 Lot 316 Felix Kelly (New Zealand, 1914-1994) ‘Drifters and Paddle Steamers’, 1946 lithographic school print in colours, signed and dated in the print ‘Felix Kelly -46’, printed in England at the Baynard Press for School Prints Ltd., London 49 x 76cm £150 - 250

Lot 317 A pair of Art Deco-style Macassar ebony bedside tables, each top of square form, with book matched veneers, each with a drawer to the side, on square tapering legs, 45cm wide 45cm deep 36cm high (2) £300 - 500

318 Lot 318 An Art Deco-style Macassar ebony dining table, the top of rectangular shape, the sides of the top banded with chromed metal, raised on two ‘U’ shaped plinths, 250cm wide 152cm deep 75cm high £1,000 - 2,000

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the

Trevor Coldrey collection

THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY 319-361 Lot 319 *William Marshall (1923-2007), a stoneware bottle vase, with an arched shoulder, tall neck and rim, in a tenmoku glaze with turquoise splashed details, impressed artist’s monogram, 30.5cm high £250 - 350

319 Lot 320 *Jim Malone (b.1946), a stoneware bottle vase, with a facet body, a short waisted neck and a trailing green glaze, impressed artist’s monogram, 30cm high £200 - 300

Lot 321 *Jim Malone (b.1946), a stoneware jug, with a tapering body, a cream glaze with impressed details, impressed artist’s monogram and Ainstable stamp, 34.5cm high £250 - 350

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321

Lot 322 *Phil Rogers (1951-2020), a salt-glazed stoneware jug, of tapering form with scaled details, impressed artist’s monogram, 28cm high £150 - 250

322 Lot 323 *Dan Kelly (b.1953), two white glazed vases, unmarked, 11.5 and 9cm high (2) £150 - 200

323

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319-361 THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY Lot 324 *Julian King-Salter (b.1954), a hand-built vase, of spiral coiled form, with coloured and flecked glazes, impressed artist’s monogram and incised ‘B327’, 38.5cm high £100 - 150 Lot 325 *Mike Dodd (b.1943), a stoneware bottle vase, of shouldered form with sliced and incised details, in a mushroom crackled glaze, impressed artist’s monogram, 30cm high £200 - 300

325 324

Lot 326 *Phil Rogers (1951-2020), a stoneware bottle vase, of shouldered form with horizontal bands and ‘eye’ impressed details, with two impressed artist’s monograms, 31cm high £200 - 300

Lot 327 Patrick Sargent (1956-1998), a stoneware tapering vase, with a tall neck, lug handles and impressed designs, unsigned, 41.5cm high £150 - 200

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327

328 Lot 328 *Dan Kelly (b.1953), three stoneware vases, with mottled glazes, with pinched, impressed or slumped details, unmarked, 12.5cm, 13cm and 17cm high (3) £200 - 300

www.sworder.co.uk

Lot 329 *Jim Malone (b.1946), a stoneware jar and cover, with a flecked trailing green glaze, incised with fish above waves and further details, impressed artist’s monogram, 30cm high (2) £200 - 300

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THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY 319-361 Lot 330 *Marcus O’Mahoney (b.1952), a stoneware bottle vase, with a globular spiral facet body and a tall neck with a trailing glaze, impressed artist’s monogram, 23cm high, and a stoneware bottle vase, with impressed designs, impressed artist’s monogram, 13.5cm high (2) £140 - 180

330

Lot 331 *Lisa Hammond (b.1956), a Maze Hill stoneware vase, of octagonal cylindrical form, with a trailing glaze with vertical meandering bands, impressed artist’s monogram, 25.5cm high £100 - 200

Lot 332 *Nic Collins (b.1958), a massive stoneware jar, pinched, impressed and filled, incised signature, 58cm high £200 - 400 Lot 333 *Nic Collins (b.1958), a tall stoneware jug, incised with signature, 46.5cm high £140 - 180 Lot 334 *Poh Chap Yeap (Malaysian-British, 1927-2007), a double gourd vase, with a celadon crackle glaze with glaze flecks, incised signature, 18.5cm high, and a vase, of trumpet form, with a crackled celadon glaze, incised signature, 24cm high (2) £180 - 250 Lot 335 *Jim Malone (b.1946), a stoneware jug of tapering form, with a mushroom trailing glaze with combed details, artist’s monogram and Ainstable mark, 30.5cm high £200 - 300

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333 334

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319-361 THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY Lot 336 *Mike Dodd (b.1943), a stoneware bottle vase, with a mushroom and speckled black trailing glaze, filled artist’s monogram, labelled, 26cm high, and a stoneware faceted tapering vase, in a speckled trailing glaze, filled artist’s monogram, labelled ‘Trevor Coldrey’, 21.5cm high (2) £150 - 200

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337 Lot 337 Marcio Mattos (Brazilian-British, b.1946), two slab-built stoneware censers, each glazed to the interior, incised artist’s monograms, 28.5 and 25.5cm wide (2) £140 - 160

338 Lot 338 *Mike Dodd (b.1943), a stoneware vase, with a trailing two-tone glaze with diagonal details, two impressed artist’s monograms, 25cm high £200 - 300

Lot 339 *Mike Dodd (b.1943), a stoneware faceted vase, with a two-tone trailing glaze, glaze filled artist’s monogram, 22cm high £150 - 200

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Lot 340 *Phil Rogers (1951-2020), three stoneware vessels, all with artist’s monograms, 10.5cm high, 25.5cm diameter and 21cm high (3) £150 - 200

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THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY 319-361

Lot 341 *Mike Dodd (b.1943), two stoneware teapots, each of lobed form in a brown and celadon glaze, impressed artist’s monograms, 14cm high (2) £120 - 150

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Lot 342 *Patrick Sargent (1956-1998), a stoneware charger, with a pooled green glaze, shell and thumb impressions, with trailing blue glaze spots, unsigned, 44.5cm diameter £150 - 250

Lot 343 *Jim Malone (b.1946), a stoneware jug, with a trailing glaze, with a scaled body and vertical combed designs, impressed artist’s monogram and Ainstable mark, 31cm high £200 - 300

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Lot 344 *Mike Dodd (b.1943), a stoneware vase, of banded globular form, with an incised shoulder and a trailing glaze, stamped artist’s monogram, 16cm high and Jim Malone (b.1946) a stoneware bowl, with brushed cream slip with wheat motifs, impressed artist’s monogram and ‘B’, 15.5cm diameter (2) £150 - 250

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Lot 345 *Nic Collins (b.1958), four stoneware vases, two inscribed ‘Nic Collins’, largest 21.5cm high, and a small cylindrical vase, inscribed, 10cm high (5) £150 - 200

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

319-361 THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY Lot 346 *Jim Malone (b.1946), two stoneware coffee jugs and covers, one with faceted sides and a mushroom glaze, impressed with artist’s monograms and Ainstable mark, 20cm high, the smaller, with a black tenmoku glaze with incised vertical lines, impressed with artist’s monograms and Ainstable mark, 18cm high (2) £150 - 200

Lot 347 *Julian King-Salter (b.1954), a hand-built vase, of mallet form with a wide shoulder, with coloured and flecked glazes, impressed artist’s monogram and incised ‘C216’, 45.5cm high, and another smaller vase, impressed artist’s monogram and incised ‘C87’, 27cm high (2) £140 - 180

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348 Lot 348 *Mike Dodd (b.1943), a stoneware vase, with a faceted body, impressed ‘MD’ monogram, 18cm high £150 - 200

Lot 350 *Dan Kelly (b.1953), two stoneware black-glazed vases, one with a cream-brushed glaze both sides, unmarked, 11cm and 13cm high (2) £150 - 200

349 Lot 349 *Julian King-Salter (b.1954), a hand-built vase, of organic waisted form, with a trailing turquoise and purple glaze, impressed artist’s monogram and ‘D88’, 36.5cm high £150 - 200

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THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY 319-361

Lot 351 *Julian King-Salter (b.1954), a hand-built stoneware vase, of flattened elliptical wedge form with a fishtail neck, in a mottled green glaze with brushed green and blue glazes, impressed artist’s monogram and incised ‘C169’, 33.5cm high £140 - 180

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Lot 352 *Mike Dodd (b.1943), a stoneware vase, with a low rim, a vertical ribbed body with a band, in a celadon and green trailing glaze, indistinct impressed artist’s mark, 31.5cm high £250 - 350

352

354 Lot 354 *Dan Kelly (b.1953), two stoneware vases, with white glazes, the interiors with a dark glaze, both unsigned, 18cm and 18.5cm high (2) £150 - 250

353 Lot 353 *Mike Dodd (b.1943), a stoneware vase, of mallet shouldered form with diagonal decoration, impressed artist’s monogram, 27.5cm high £200 - 300

Lot 355 *Mike Dodd (b.1943), a stoneware bottle vase, with a tenmoku glaze with combed designs, unclear impressed artist’s monogram, 32.5cm high £200 - 300

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319-361 THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY Lot 356 *Julian King-Salter (b.1954), a hand-built vase, of ‘X’ shaped vase form, with coloured and flecked glazes on a plain ground, impressed artist’s monogram and incised ‘687’(?), 40cm high, and a bowl, with a mottled glaze, with circle and rectangular designs to each side, impressed artist’s monogram and incised ‘G111’, 17.5cm high (2) £150 - 200

356 Lot 357 *Mike Dodd (b.1943), a stoneware bottle with a lug handle, in a tenmoku glaze with weeping designs, glaze-filled artist’s monogram, 22.5cm high £150 - 200

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Lot 358 *Julian King-Salter (b.1954), a hand-built vase, in a triangular sectional form with a tapering neck, with bands of colour and flecked glazes, impressed artist’s monogram and incised ‘C167’, 48.5cm high £150 - 200

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Lot 360 *Dan Kelly (b.1953), two stoneware black-glazed vases, each with thumb impressions or sliced details, the sides pinched, with a cream slip glaze, unmarked, 13.5 and 14cm high (2) £150 - 200

Lot 361 *Dan Kelly (b.1953), two stoneware vases, of tapering cylindrical form, with impressed and sunken rims, unsigned, 11.5cm and 13.5cm high (2) £150 - 200

www.sworder.co.uk

Lot 359 *Jim Malone (b.1946), a stoneware jug, of tapering form with thumb impressions and vertical combed details, in a trailing milk glaze, impressed artist’s monogram and Ainstable stamp, 37cm high £250 - 350

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THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY 319-361

STUDIO CERAMICS 362-411

Lot 362 *Carol McNicoll (b.1943), a slab-built dish, with hatched painted designs in blue and black, inscribed ‘Carol McNicoll’, 29.5cm wide £150 - 200

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365

Lot 365 *Trevor Corser (1938-2015), two stoneware bowls, one in a cream hakeme glaze with brushed bamboo designs, impressed artist’s monogram and Leach Pottery marks, 18cm diameter, and the other, in a mottled blue tenmoku glaze, unmarked, 16cm diameter (2) £100 - 150

363

Lot 363 *Robin Welch (1936-2019), a cylindrical stoneware vase, with a textured banded glaze, impressed artist’s monogram, 42.5cm high £150 - 250 Lot 364 *Trevor Corser (1938-2015), a celadon-glazed vase, of ovoid form, with brushed designs, impressed artist’s monogram and Leach Pottery marks, 16cm high £120 - 150

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Lot 366 *David Leach (1920-2005), a mingei-style bowl, the rim with incised spiralling decoration with a tenmoku glaze, the bowl with a white mottled glaze with a faint spiralling pattern, impressed with potter’s mark, 26cm diameter 6cm high £150 - 200

362-411 STUDIO CERAMICS Lot 367 *Mary Rich (b.1940), a lidded stoneware jar, of tapering form, in brown with a green mottled drip glaze, impressed with potter’s mark to the side, 24cm high £150 - 200

Lot 368 *Peter Starkey (b.1945), a salt-glazed stoneware bowl, with a tapering bottom and an irregular rim, with a blue and cream shifting glaze, impressed with potter’s mark to the underneath, 26cm diameter 11.5cm high £150 - 200

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369 370

Lot 370 *Jim Malone (b.1946), a partially tenmoku-glazed stoneware jar and cover, with incised reeded decoration, with impressed artist’s mark and Ainstable stamp to the side, 29cm high (2) £150 - 250

Lot 369 *Chris Carter (b.1945), a stoneware vase, of shouldered form, with a tapering neck, in a silicon carbide glaze, imprinted with potter’s mark to the underneath, 10cm wide 20cm high, and a footed stoneware bowl, in a silicon carbide glaze, imprinted with potter’s seal to the underneath, 15cm wide 14cm high (2) £300 - 500

Lot 371 *David White (1934-2011), a footed porcelain bowl, with a cream-coloured crackle glaze, the rim and foot with a brown hare’s fur glaze, with an irregular rim, impressed with potter’s mark to the underneath, 15cm diameter 17cm high £200 - 300

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Lot 372 *Trevor Corser (1938-2015), a stoneware bottle vase, of mallet form with a short neck and lug handles, with a tenmoku glaze and cut designs, impressed artist’s monogram and Leach Pottery marks, 25cm high £150 - 200

Lot 373 *Dan Kelly (b.1953), a stoneware bowl, so-called ‘Yunomi’, with a mottled-green glaze, unsigned, 13cm diameter £200 - 300

374 Lot 374 *Mike Dodd (b.1943), an ash-glazed stoneware vase, with a cut-sided body, impressed ‘MD’ monogram, 31cm high £250 - 350

375 Lot 375 *David White (1934-2011), a footed porcelain bowl, with a fading blue and white crackle glaze, with an irregular rim, impressed with potter’s seal to the base, 18cm diameter 8cm high, and a porcelain vase, of slight tapering form, with a flared neck, in a yellow and white fading crackle glaze, impressed with potter’s seal to the underneath, 19cm high (2) £250 - 350 Lot 376 *Bridget Drakeford (b.1946), two vases, both of bulbous form, one with a flared lip, one with a tapering neck, each in burgundy and celadon hare’s fur glaze, with an incised signature to the base, larger 14.5cm high (2) £150 - 200

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362-411 STUDIO CERAMICS Lot 377 *John Maltby (1936-2020), a stoneware footed charger, of square form, partially glazed, decorated in blues and blacks with red accents, signed ‘Maltby’ to the underneath, 29cm square 9cm high £1,100 - 1,400

380 Lot 380 *Peter Hayes (b.1946), a bottle vase, of flat shouldered form, in a red raku glaze, mounted on a granite plinth, incised signature ‘Peter Hayes’, 13cm wide 29cm high £400 - 500

377 Lot 378 *Mary Rich (b.1940), a bottle vase, of slight tapering form, with a flared rim, with a mottled glaze in shades of purple, blue and green, impressed with potter’s mark on the base, 26.5cm high £150 - 200

Lot 381 *Peter Hayes (b.1946), a partially-glazed and rust-treated figure form, standing on a granite base, signed ‘Peter Hayes’ to the side, 13cm wide 20cm high £180 - 250

378

381 379 Lot 379 *Chris Carter (b.1945), a pedestal bowl, in a silicon carbide glaze, imprinted with potter’s mark to the underneath, 32cm diameter 22cm high £500 - 800

Lot 382 *Robin Welch (1936-2019), a footed stoneware bowl, partially glazed in a shino glaze, impressed with potter’s mark under the foot, 21cm diameter £300 - 400

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STUDIO CERAMICS 362-411 Lot 384 *Gillian Montegrande (b.1960), ‘Double Buttress’, an unglazed Vulcan stoneware vase, with a white-painted middle section, of shouldered form with a tapering neck, incised signature and dated ‘21’ to the underneath, 49cm high £150 - 250

384 Lot 383 *Bernard Rooke (b.1938), a stoneware standard lamp, in four sections, decorated with frogs, dragonflies and reeds, set against a background styled as a lily pad, with a circular smoked glass top, signed to the base with initials, with a textile clad drum shade, 137cm high overall £300 - 500

385 Lot 385 *Gillian Montegrande (b.1960), ‘La Copa sin Púas’, an unglazed Vulcan stoneware vase, of spherical form with spherical impressions, on a tapering foot, incised with monogram and dated ‘21’ to the underneath, 30cm high £150 - 200

Lot 386 *Christopher Marvell (b.1964) a figure of a man holding a fish, unsigned, 30cm wide £250 - 350

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386

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362-411 STUDIO CERAMICS

387 Lot 387 Aki Moriuchi (Japanese, b.1947) a stoneware cup and jug, each with a volcanic textured glaze, both with artist’s impressed marks, one with a label, cup, 20cm wide and jug, 16.5cm high (2) £150 - 250 Lot 388 *Peter Hayes (b.1946), a raku bottle form with a fractured blue-grey surface, incised ‘Peter Hayes’ and dated ‘95’, 19cm high £150 - 200

388

389 Lot 389 *Walter Keeler (b.1942), a salt-glazed stoneware jug, impressed maker’s mark, 16cm high £100 - 150

391

390 Lot 390 *Phil Rogers (1951-2020), a tall stoneware bottle vase, in a tenmoku glaze, with folded handles to the top, with incised rippling design, impressed with artist’s mark to the base, 50cm high £200 - 300

www.sworder.co.uk

Lot 391 Rizu Takahashi (Japanese, b.1941), a tohro and an ikebana vase, stoneware and wood-fired, both with incised signatures, 56.5cm and 41cm high (2) £150 - 200 Born in Japan, Takahashi’s career stems from the mountainous Mizunami area, once part of the ancient Mino Province famed for its ceramic tradition. In 2004, he moved to France, taking with him his decades of expert craftsmanship, kiln-building and firing knowledge.

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393

Lot 393 *Alan Wallwork (1931-2019), a stoneware double gourd vase, with a textured glaze, signed with monogram to the underneath, 23.5cm high £150 - 250

392 Lot 392 *Nic Collins (b.1958), a stoneware tsubo vase, wood-fired with a textured surface, with folded handles to the top, with artist’s signature to the underneath, 51cm high £200 - 300

Lot 394 *Jim Malone (b.1946), a stoneware bottle vase, of baluster form, in a tenmoku glaze, impressed with artist’s mark and Ainstable mark to the base, 38cm high £200 - 300

Lot 395 *Julian King-Salter (b.1954), a hand-built vase, of twisted shouldered form, with layered glazes of purple, pink and grey, on a buff ground, impressed artist’s seal and initials to the underneath, 33cm high £150 - 200

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Lot 396 *Adam Frew (b.1981), two stoneware jars, of baluster form, one in a burgundy glaze, one in a mottled yellow glaze, each decorated with glazed and incised circles, with artist’s mark to the foot, 26.5cm and 27.5cm high (2) £150 - 200

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397 Lot 397 *David Leach (1911-2005), a tall iron-glazed stoneware bottle vase, with incised decoration, with imprinted artist’s mark to the base, 43cm high £200 - 300

399 Lot 399 *Mike Dodd (b.1943), a stoneware vase, with a fluted body, in an olive manganese glaze, with impressed monogram to the side, 33cm high £200 - 300

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398 Lot 398 *David Leach (1911-2005), a Queen’s Silver Jubilee stoneware flagon, with a tenmoku-glazed mouth, with a commemorative seal to the side, impressed with artist’s mark to the base, 32.5cm high £100 - 120

400 Lot 400 *Nic Collins (b.1958), a stoneware vase, with a wood-fired glaze, signed to the underneath, 40.5cm high £100 - 150

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Lot 401 *Sarah Jenkins (contemporary), a sgraffito stoneware bottle and stopper, matte black glaze with incised decoration, the underneath with impressed potter’s seal, 16cm high (2) £120 - 150

Lot 402 A Dart Pottery ‘Millennium Party’ charger, with decoration of a wine bottle and roses, editioned 5, 43 x 38cm £150 - 250

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Lot 403 *Hilary Mayo (contemporary), two landscape vessels, both of oval form, decorated with shades of blue, brown and black, both decorated with trails of white crackle glaze, impressed with artist’s mark to the side, larger 10cm wide 12cm high (2) £250 - 350

404 Lot 404 *Philip Evans (b.1956), two hand-built stoneware vessels, of oval form, both with textured exteriors, one decorated in green, one decorated in yellow, both with red rims, both with applications of gold leaf in geometric patterns to the side, both impressed with potter’s seal to the underneath, 12cm wide 14cm high (2) £200 - 300

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405 Lot 405 *Alison Ogden (contemporary), three hand-built porcelain vessels, comprising a bowl and two vases, each with applied glazed decoration in pinks and greens, the bowl signed with potter’s mark ‘A’ to the inside of the rim, the bowls signed with a star to the inside of the neck, largest 13cm diameter 11cm high (3) £300 - 400

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362-411 STUDIO CERAMICS

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Lot 406 *Philip Evans (b.1959), a hand-built footed stoneware vase, of pointed elliptical form, with a textured surface, the exterior in red, pink and yellow tones, with a V-shaped application of gold leaf to the front, internally with a red glaze, with artist’s plaque mounted underneath the foot, 16cm wide 14cm high £150 - 200

Lot 407 *Philip Evans (b.1959), a hand-built footed stoneware vase, of pointed elliptical form, with a textured surface, the exterior in yellow and blue tones, with an orange rim, with a V-shaped application of gold leaf to the front, internally with a blue glaze, with artist’s plaque mounted underneath the foot, 16cm wide 15cm high £150 - 200

Lot 408 *Philip Evans (b.1959), a hand-built footed stoneware vase, of pointed elliptical form, with a textured surface, the exterior in purple, pink and white tones, with a V-shaped application of gold leaf to the front, internally with a blue glaze, with artist’s plaque mounted underneath the foot, 20cm wide 13cm high £150 - 200

Lot 409 *Jack Kenny (contemporary), Seasalter Pottery, two stoneware tea bowls, one tenmoku with a black glaze and thumb impressions, the other with a ribbed celadon glaze, both impressed ‘S’ to the underneath, larger 10cm high (2) £100 - 150

Lot 410 *Katerina Evangelidu (Greek, b.1960), three stoneware items, all with impressed studio marks, comprising: a squat thrown, cut and assembled bowl, of square form, in a mottled red glaze, 5cm high, a thrown, cut and assembled vase, of tapering form with a flared lip, in a red glaze, 15cm high, and a thrown, cut sided vase, with cut recesses to the sides, in a mottled white glaze, 17cm high (3) £250 - 350

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Lot 411 *Kathleen Ellen Marigold Austin (1929-2018) ‘Exhibition of Ceramics - Fitzwilliam Museum, March - April 1951’ submitted as a testimony of a larger body of work in support of an application to the Royal College of Art, testimony 13, signed to the t.r. of the verso, gouache on paper 63 x 48cm £150 - 200

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Day Two Wednesday 14 July from 10am THE HUNSBERGER COLLECTION OF PHOTOGRAPHY 412-441

Lot 412 Horie Studio, Peking Portrait of a young girl in Peking, c.1925 silver gelatin print, with studio blind stamp l.r., with age of model inscribed on verso 20 x 13cm £400 - 600 The Japanese Horie Studio was based in Peking in the 1920s and 1930s.

Lot 413 *René-Jacques (French 1908-2003) Etude de Visages/Royan, Charente-Maritime, c.1927 two silver gelatin prints 16.8 x 22.9cm (2) £600 - 800

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René-Jacques was born in Phnom Penh, Cambodia in 1908. In 1917 he commenced law studies in France at the College de Royan and then at the Lycee Buffon, but in 1930, he decides to become a photographer, undertaking portraits, reportage and photographing on film sets.

After active service in World War II, he started a collaboration in 1951 with Aux Trois Quartiers. His work appears in L’Automobile de France, Harper’s Bazaar and Fortune.

Lot 414 *Steffi Brandl (German, 1897-1966) Profile portrait of young woman, c.1928 embossed facsimile signature and ‘Berlin Kurfurstendamm 211’ on print, and signed in pencil on mount 22.5 x 16.5cm £600 - 800

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Literature: See Elke Tesch, ‘Steffi Brandl - Berlin Portrait Photographer’, Berlinische Galerie, The Heiting Library Trust, 2016, image for back cover and fig. 25.

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Lot 415 Trude Fleischmann (Austrian-American, 1895-1990) Portrait of Inge Schon, c.1929, silver gelatin print, signed in pencil on card, 7.5cm x 10cm £300 - 500 Lot 416 *Dora Maar (French, 1907-1997) Barcelona street urchin, 1932 silver print, stamped on verso ‘Keffer-Dora Maar, 45, Bd Richard-Wallace Neuilly-Sur-Seine’ 27 x 23cm £1,000 - 1,500 Lot 417 *Albert Rudomine (French, 1892-1975) Portrait of two oriental men, c.1930 silver gelatin print, signed in red 16.5 x 23cm £200 - 400

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THE HUNSBERGER COLLECTION OF PHOTOGRAPHY 412-441 Lot 418 Josef Breitenbach (German-American, 1896-1984) Reflected portrait of Edith D’Amara, Munich, 1932 vintage silver gelatin print, with estate stamp verso 22.5 x 17cm £1,000 - 1,500 Lot 419 Robert Hubert Payelle (1891-1971) Portrait of Ambroise Vollard silver gelatin print, inscribed verso ‘Portrait of Ambroise d’Vollard par RHP - 1936’ 21.5 x 16.5cm £400 - 600

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Ambroise Vollard (1866-1939), was regarded as one of the most important dealers in French contemporary art at the beginning of the 20th century. The authorship of the photograph is sometimes questioned, either Robert Payelle or Albert Rudomine.

420 Lot 420 Marion Post Wolcott (American, 1910-1990) Card game of African-American Day Labourers, Belle Glade, Florida, 1941 silver gelatin print, with Farm Security Administration stamp verso, and titled ‘Migratory laborers and vegetable pickers playing skins game in the back of a Jook Joint and bar in the Glades area of South Central Florida Feb 1941’ 17.5 x 24cm £2,000 - 3,000 Illustrated: M ary N Woods, ‘Beyond the Architect’s Eye - Photographs and the American Built Environment’, University of Pennsylvania Press, 2008.

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412-441 THE HUNSBERGER COLLECTION OF PHOTOGRAPHY Lot 421 Margaret Bourke-White (American, 1904-1971) Montana Saturday Nights Child in bar, 1936 printed 1940s, silver gelatin print, credit stamp on verso 18 x 24cm £600 - 800 A version of this photograph was reproduced in the inaugural issue of LIFE magazine on 23 November 1936.

Lot 422 Imogen Cunningham (American, 1883-1976) Portrait of Ann Aronovici-Winkler silver print, signed and dated 1937 in pencil on mount 15.2cm x 12.1cm £1,500 - 2,000 Lot 423 Paul Outerbridge Jr (American, 1896-1958) Portrait of young woman, c.1940 a carbro-colour print, with estate stamp verso 30 x 38.5cm £2,000 - 3,000

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THE HUNSBERGER COLLECTION OF PHOTOGRAPHY 412-441 Lot 424 *Eva Besnyö (Hungarian-Dutch, 1910-2003) Young girl reflected in mirror, Zeeland, 1939 later printed, silver gelatin print 31.5 x 30.5cm £400 - 600 Lot 425 *Norman Parkinson (1913-1990) ‘Le Touquet’ 1939 platinum print, printed later, signed and dated with title, edition 3/25 36 x 49.5cm £1,500 - 2,000 Lot 426 Ansel Adams (American, 1902-1984) Trailer Camp Children, Richmond, California, 1944 gelatin silver print laid on card, signed in pencil on card, with Carmel studio stamp on verso, printed c.1974 24 x 33.8cm £2,000 - 3,000

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412-441 THE HUNSBERGER COLLECTION OF PHOTOGRAPHY

427 Lot 427 Yevgeny Ananyevich Khaldei (Russian, 1917-1997) Jewish couple, Budapest, 1945 gealtin print, signed verso, later printed 28 x 39cm £300 - 500

429 Lot 428 Ruth Orkin (American, 1921-1985) Comic Book Readers, 1948, printed 1981 silver gelatin print, signed and titled ‘Comic Book Readers, late 40’s’ in ink in the margin and pencil verso 22.3 x 32.8cm £2,000 - 3,000

Lot 429 Andreas Feininger (American, 1906-1999) Fifth Avenue, Lunchtime, New York, 1948 silver gelatin print, with credit stamp and signature on verso 19 x 24cm £300 - 500

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THE HUNSBERGER COLLECTION OF PHOTOGRAPHY 412-441

Lot 430 *Ilse Bing (German, 1899-1998) Fifth Avenue, New York, 1936 silver gelatin print, signed and dated 1936, t.l.

28.2 x 19.4cm £600 - 800 Lot 431 *Édouard Boubat (French, 1923-1999) Self-portrait in Mirror, 1951 silver gelatin print, printed later, signed in blue ink 35 x 25cm £2,000 - 3,000 Lot 432 *Édouard Boubat (French, 1923-1999) Place Maubert, Paris, 1952 silver gelatin print, printed later c.1970, signed in ink, signed, titled and dated verso 34 x 23.5cm £1,500 - 2,000

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412-441 THE HUNSBERGER COLLECTION OF PHOTOGRAPHY

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Lot 433 *Robert Doisneau (French, 1912-1994) French girl with puppy 1960s, silver gelatin print, with photographer’s red stamp on verso 21.3 x 16.8cm £400 - 600 Lot 434 *Robert Doisneau (French, 1912-1994) Mademoiselle Anita à la Boule Rouge, rue de Lappe, Paris silver gelatin print, with Doisneau-Rapho stamps on verso with negative number (28046) in pencil 24 x 22cm £1,500 - 2,000 Lot 435 Peter Stackpole (American, 1913-1997) Portrait of Gertrude Lawrence gelatin print, signed in ink 22.7 x 30cm £300 - 500 This image was used for the cover for LIFE magazine 13 June 1938.

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THE HUNSBERGER COLLECTION OF PHOTOGRAPHY 412-441

Lot 436 Andreas Feininger (American, 1906-1999) Billboard of Marlene Dietrich gelatin print, signed in ink, l.r. and numbered 19/40 42.5 x 33cm £300 - 500 A Time Life Limited Edition Photograph.

Lot 437 Margaret Bourke-White (American, 1904-1971) Taxi Dancers, Wheeler, Montana gelatin print, with embossed signature and numbered 27/250 33 x 43cm £300 - 500 A Time Life Limited Edition Photograph.

Lot 438 Alfred Eisenstaedt (American, 1898-1995) Portrait of Katharine Hepburn gelatin print, signed in ink, l.r., 34.5cm wide x 35cm high £300 - 500 A Time Life Limited Edition Photograph.

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438 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

412-441 THE HUNSBERGER COLLECTION OF PHOTOGRAPHY Lot 439 Ruth Orkin (American, 1921-1985) Ethel Waters, Carson McCullers and Julie Harris at opening night party ‘Member of a Wedding’, 1950 silver gelatin print, printed 1971, signed, titled and dated in red ink 24.5 x 33.5cm £800 - 1,200

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440 Lot 440 Mary Ellen Mark (American, 1940-2015) Amanda and her Cousin Amy, Valdese, North Carolina, 1990 silver gelatin print 31 x 46.5cm £1,500 - 2,000

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441 Lot 441 Mary Ellen Mark (American, 1940-2015) Beautiful Emine Posing, Trabzon, Turkey, 1965 gelatin print 29 x 19cm £1,000 - 1,500

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442-807 MODERN DESIGN, FURNITURE AND LIGHTING Lot 442 An Italian sunburst mirror, 1950s, of rectangular shape with a gilt sunburst design, 78cm wide 108cm high £500 - 700 Lot 443 An Olympic Games poster, for the Moscow Olympics, 1980, lithographic poster on paper, signed in the print, 62.5 x 39.5cm, framed £200 - 300 Lot 444 A Spanish ‘Boomerang’ desk lamp, 1960s, Fase, enamelled and painted stem and shade, for two bulbs, 42cm high £200 - 400

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Lot 445 *Justin Knowles (1935-2004), ‘Kinetic Forms II’, prototype, two wooden prisms, mounted on a hollow wooden base housing an engine, with power switch to the side, operated by a 9v battery, with signature and title to label, 38cm high £200 - 300 Lot 446 Maurice (French, 1950s) Moulin Rouge, Paris signed and titled, oil on canvas 61 x 92cm £200 - 300

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Lot 447 A large grey leather settee, contemporary, raised on flattened chrome supports, 255cm wide 100cm deep 80cm high £300 - 500

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Lot 448 *Helen Sinclair (b.1954), The Mother and the Child, limited edition resin sculpture, numbered ‘VIII/ XII’ and initialled to the rectangular base, 74cm wide 40cm deep 155cm high £1,000 - 1,500 The original stands in All Saints Church, Fulham.

449 Lot 449 *Shirley Russell (1935-2002) Costume designs for ‘Mrs Gould in Nostromo’ two, signed, inscribed and dated 1990, pen and ink with watercolour and each with a fabric sample 40.5 x 30.5cm, mounted and framed (2) £500 - 700 Given to the vendor by Shirley Russell in the 1990s.

Shirley Russell (1935-2002) Shirley was married to the film director Ken Russell between 1956 and 1978, and designed and collaborated with him on over ten films.

Russell was known for the weight and authenticity her design leant to characters. Her designs were detailed and nuanced, and she cleverly used costume to show subtle distinctions in class. She was nominated for Academy Awards twice for her costume designs: on ‘Agatha’ in 1979 and ‘Reds’ in 1981.

‘Nostromo - A Tale of the Seaboard’ is a 1904 novel by Joseph Conrad and is set in the fictitious South American Republic of ‘Costaguana’. The designs were intended for the film that was going to be made by David Lean, with Steven Spielberg producing it for Warner Brothers. Tragically, Lean died a few weeks before the principal photography was to begin in Spain and the production was cancelled.

Lot 450 *Sheree Valentine Daines (b.1959), High Spirits, horse sculpture bronze, limited edition of 100, signed to base, with a certificate, 39cm wide 26cm high £400 - 600

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442-807 MODERN DESIGN, FURNITURE AND LIGHTING Lot 451 *John Mulvey (b.1939) ‘The Beautiful People’ 1972, a bronze sculpture, stamped to one leg ‘19 jm 72 2/5’, on a onyx plinth, with loss, 43.5cm wide 35.5cm deep 43.5cm high £500 - 700

Lot 452 A Gordon Russell ‘Tilden’ oak refectory table, 136cm wide 75.5cm deep 71.5cm high £300 - 500

Lot 453 A Gordon Russell oak extending dining table, with a plain panelled top, with slightly bowed ends, a single leaf and slightly outswept supports, 168cm extended 80cm deep 76cm high £300 - 500

Lot 454 A Gordon Russell oak sideboard, with a chamfered edge, over four central drawers flanked by cupboards, enclosing a half shelf on the left and a central shelf on the right, with ‘T’ shaped handles, raised on chamfered supports, labelled ‘Gordon Russell Limited Broadway Worcs’, 139cm wide 48cm deep 87cm high £300 - 500

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MODERN DESIGN, FURNITURE AND LIGHTING 442-807 Lot 455 *Anita Mandl (Czech-British, b.1926), ‘Penguin with Egg’, unsigned, polyphnat stone, 21cm high together with ‘Certificate of Authenticity in the form approved by the Royal Society of British Sculptors, dated 16th June 1980. £200 - 400 Anita Mandl was born in Prague and came to England in 1939. On leaving school she trained as a zoologist at Birkbeck College, University of London, gaining a first class honours degree in 1947. In 1965, she married and moved to Devon where she set up a sculpture studio in her garden. Most of Mandl’s sculptures are simplified animal forms with highly polished surfaces where detail is eliminated in order to set off the natural beauty of each subject’s material. Mandl’s early carvings were mostly in hardwoods, but later she turned to alabaster, soapstone and marble, and for some time experimented with two-tone effects and polished areas with chiselled or scratched finishes or inlaid resins. Mandl’s sculptures share a superficial resemblance to the Inuit carvings of North America and Asia.

455 456 Lot 456 Dan Murphy (American, b,1942), an abstract kinetic brass ribbon sculpture, mounted on a perspex plinth, signed and dated to the base Dan Murphy 1988, 49.5cm high £200 - 300

Lot 458 *Giles Penny (b.1962), ‘Flying Man’, a bronze sculpture, with a mottled-brown/grey patination, signed with initials ‘SP’ and dated ‘02, and numbered 20/50, 32.5cm high £300 - 500

457 Lot 457 Mustafa Ali (Syrian, b.1956) ‘Sizyph within a circle’, bronze, signed ‘M.Ali’ dated ‘1998’ and numbered ‘1/11’, on an integral plinth, 32cm high £750 - 850 Mustafa Ali, Syria’s foremost sculptor, was born in Latakia in 1956. Known for elegant, monumental sculptures that pierce the consciousness and underscore the fragility of mankind, he has been widely collected in the Arab world for nearly three decades.

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442-807 MODERN DESIGN, FURNITURE AND LIGHTING

459 Lot 459 ‘Platignum - Right in any language’, a massive seven-part billboard poster, colour lithographed, folded, 306 x 196cm, and ‘Mentmore Fountain Pens - A point worth noting’, a massive four-part billboard poster, colour lithographed, folded, 310 x 205cm (2) £250 - 450

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Lot 460 An Angus McBean Exhibition poster, from the West End Gallery, of Vivien Leigh as ‘Aurora’, signed, l.l., 106.5 x 87.5cm overall, glazed, mounted and framed £400 - 600 Lot 461 Herbert Bayer (Austrian-American, 1900-1985) Two polychrome geometric screenprints unsigned 28 x 28cm and 36 x 28cm (2) £200 - 300

461 Lot 462 An architectural concept drawing, ‘Manufacture Alsacienne de Vetements’, signed ‘Ch. Fillion, Installation’ l.l., gouache with applications, 39 x 50cm £150 - 250 Lot 463 *Elizabeth Finn (1933-2019) ‘Paseo Vava de Rey (Ibja)’, ‘79 gouache on paper, signed on verso 37 x 29cm £150 - 250

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Lot 464 An oak dining table and two chairs, attributed to the Edward Barnsley Workshop, the octagonal top with a chamfered edge, on a shaped apron inlaid with Indian rosewood, raised on tapering legs, 107cm wide 75cm deep 73cm high, the two dining chairs with drop-in seats, 43cm wide 44.5cm deep 90.5cm high, seat 44cm high (3) £400 - 600 Lot 465 A pair of bentwood cinema seats, each mounted with shaped backs and four fall seats, inscribed later with numbers, each 205.5cm wide 45cm deep 86cm high, seat 43cm high (2) £300 - 500

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Lot 466 A pair of brass side tables, each with a smoked glass top, on a reeded support, and shaped hoop stretchers, 55cm wide 46.5cm deep 41cm high (2) £200 - 300

Lot 467 A limed oak bookcase, 1950s, with two tiers, each with sliding doors, the lower tier with a cupboard raised on a plinth base, 114cm wide 33cm deep 83cm high £200 - 300

Lot 468 A Constructivist oak wall panel, 1960s, in the manner of Mary Martin, with a geometric arrangement of rectangles of different height, with faded signature to the verso, 53 x 15cm £200 - 300

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Lot 469 A cast Lucite sculpture, 1970s, in the form of an expressive female torso, mounted on a black Lucite stand and a mirrored trapezoid plinth, 63cm wide 156cm high including plinth 81cm high excluding plinth £1,000 - 1,500

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Lot 470 A pair of ‘Scimitar’ armchairs, 1960s, designed by Robin Day, each upholstered in green leather, on a polished steel swivel base with cruciform feet, the backrest embossed with the coat of arms for Gravesend, 61cm wide 43cm deep 73cm high, seat 47cm high (2) £250 - 350

Lot 471 A G Plan four-piece suite, 1960s, each piece with teak arm caps and sand-coloured upholstery, comprising: a three-seater settee, 203cm wide 100cm deep 77cm high, seat 43cm high, a pair of armchairs, 88cm wide 100cm deep 80cm high, seat 40cm high, and a stool, 52cm square 37cm high (4) £400 - 600

Lot 472 An American red Formica drugstore shelf or bar, with mirrored front sections, the reverse with shelves, 247cm wide 61.5cm deep 109cm high £300 - 400

Lot 473 Seven industrial steel bar stools, contemporary, each with a vinyl cushion seat, on a welded steel support with a tripod base, 35cm diameter approximately 80cm high (7) £300 - 500

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MODERN DESIGN, FURNITURE AND LIGHTING 442-807 Lot 474 *William Gear RA (1915-1997) ‘Forms on Yellow’, 1969 signed l.r. and dated ‘69, mixed media on paper 50.5 x 63cm £1,000 - 1,500

Lot 475 A Surrealist carpet or wall hanging, 1970/80s, designed by Ewald Kroner, with a René Magritte-style doorway in a blue landscape, signed and labelled, 160 x 235cm £200 - 300 Provenance: From the St Tropez residence of the photographer, industrialist and third husband of Brigitte Bardot, Gunter Sachs.

474 Lot 476 A set of four 1960s exhibition posters, comprising: ‘Henry Moore - An Arts Council Exhibition of sculpture and drawings purchased by the Council in 1963’, for the Glasgow Art Gallery and Museum, designed by Gordon House, printed by the Kelpra Studio, ‘Ian Weekley - Lithographs 1956-1961’ for St Anne’s College Oxford, designed

by Gordon House, printed by the Kelpra Studio, ‘Sengai 1750-1837 - Paintings and sculpture by the celebrated Japanese Zen priest and artist’ for the Arts Council Gallery, 4 St. James’s Square, London, and ‘Building for old people - An exhibition of photographs and drawings of recent buildings for old people in Britain’ for the Building Centre Trust, each measuring 42 x 30cm (4) £200 - 250

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442-807 MODERN DESIGN, FURNITURE AND LIGHTING Lot 477 A Greaves & Thomas mahogany sideboard, with an arrangement of cupboarda and three drawers, and a Greaves & Thomas mahogany dining table, 249cm extended 91cm wide (2) £500 - 800

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Lot 478 ‘Chemin d’Automne’, 1960s, France, designed by Jean Couy, a woven tapestry with a geometric design, labelled to the verso ‘Les Editions Braun et Cie Paris’ and numbered ‘93/200’, 66 x 110cm £200 - 300 Lot 479 ‘La Peche Extraordinaire’, 1960s, France, designed by Jacques Degenne, a woven tapestry with a geometric design, labelled to the verso ‘Les Editions Braun et Cie Paris’ and numbered ‘169/200’, 116 x 160cm £300 - 500 Lot 480 A Parker Knoll beechwood rocking chair, with original yellow/orange seat and base, labelled ‘1016/7/8/9’, 65cm wide 80cm deep 93cm high, seat 47cm high £200 - 300

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Lot 481 A copper dish, of shallow form, with a slight spiral hatched surface, on three ball feet, stamped ‘EStock’, 35cm diameter £100 - 150

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Lot 482 A ‘Model 743’ oak drop-end daybed, 1950s, designed by Parker Knoll for Heal’s & Son London, with loose cushions upholstered in a grey wool fabric, on a spring base, branded marks and model ‘743’, 153cm wide, extended 220cm 75cm deep 85cm high £400 - 600

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Lot 483 A Standard Electric ‘Flying Bird’ wall clock, with a lit central kaleidoscopic panel, with a printed outer border, 34.5cm diameter £150 - 200

Lot 484 An Heal’s oak sideboard, 1950s, with four drawers, each with an octagonal handle, over a pair of doors opening on to shelving, 122cm wide 47cm deep 84cm high £250 - 350

Lot 485 A Gordon Russell ash bookcase, with sliding doors, enclosing shelves, on black turned feet, 137cm wide 30cm deep 81cm high shelves 24.5cm £250 - 350

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442-807 MODERN DESIGN, FURNITURE AND LIGHTING

Lot 486 A pair of Ercol elm chests of drawers, 1960s, each with three drawers with turned handles, on plastic castors, 91.5cm wide 48cm deep 66cm high, together with an Ercol elm mirror, of rectangular form, 49.5cm wide 112.5cm high (3) £300 - 500 Lot 487 A pair of Danish oak-framed lounge chairs, 1950s, each with curved armrests, on an ‘H’ shaped stretcher, upholstered in olive fabric, 60cm wide 60cm deep 83cm high, seat 38cm high (2) £250 - 450 Lot 488 A teak standard lamp, 1950s, with a turned shaft, on a concave circular base, with brass fittings, with original paper drum shade, 154cm high £150 - 200

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Lot 489 A Vanson teak and mahogany sideboard, 1960s, designed by Peter Hayward, with a central section comprising three drawers, flanked by cabinet doors on either side, all with brass fittings and handles, 163cm wide 51cm deep 86cm high £300 - 500 Lot 490 A near pair of silvered and gilt lamps, both of stacked bulbous form, each with a drum lampshade with an églomisé glass effect, 80cm high, excluding shade (2) £200 - 400

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MODERN DESIGN, FURNITURE AND LIGHTING 442-807 Lot 491 A large yellow plastic ceiling light, 50cm diameter, and two red glass globular shades, 28cm diameter (3) £100 - 200

Lot 493 A mahogany four-part room divider,

by Maitland-Smith, each panel with trompe l’oeil decoration in the form of leather book spines on shelves, with pierced panels to the tops, 240cm wide 160cm high £600 - 800

Lot 492 A contemporary Heal’s oak upright chest, with five drawers, 60cm wide 54cm deep 125cm high £250 - 350

Lot 494 § A Howard Keith rosewood ‘Ambassador’ coffee table, 1970s, designed by Ronnie Vaughan, of low rectangular design, with two drawers to the side, on a box plinth, the top with bevelled edges, labelled with a plaque to the inside of one of the drawers, 160cm wide 95cm deep 38cm high £300 - 500

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493 § FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

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Lot 496 A ‘String Art’ panel, 1970s, the circular design mounted with nails and buff thread, mounted on a painted board, in an aluminium frame, 56.5 x 51cm £150 - 200 Lot 495 A standard lamp, 1950s, with three adjustable branches, with orange cloth and paper shades, 150cm high £100 - 150

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Lot 497 A Lloyd Loom ‘Lusty’ woven bucket chair, 1950s, with a gold finish, on a black iron stand, labelled, 71cm wide 61cm deep 74cm high, seat 42cm high £100 - 200

Lot 498 Keith Murray for Wedgwood, a six-piece Moonstone coffee set, each piece with reeded bands, printed ‘KM Wedgwood Made in England’, coffee pot 21.5cm high (14) £150 - 200

497 www.sworder.co.uk

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Lot 499 A Carter Stabler Adams pottery vase, painted with stylised designs, impressed and incised marks ‘968’ and ‘/EB’, 16.5cm high £100 - 150

Lot 501 A Poole pottery ‘Persian Deer’ vase, decorated with spotted deer amongst flowers, printed mark, painted ‘E/SK’ and moulded ‘435’, 27.5cm high £150 - 250

Lot 500 A Poole Pottery ‘Dragon’ dish, 1960s, painted on a blue ground, with gilt details, printed mark and painted artist’s monogram ‘ML’, 34.5cm wide 26cm deep £100 - 150

Lot 502 A Poole Pottery vase, of waisted cylindrical form, painted with deer amongst foliage, impressed mark and painted marks, 21.5cm high £100 - 150

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503 Lot 503 A Gordon Russell teak and walnut extending dining table, with a single leaf, 153.5cm extended 78cm wide 73cm high, together with a set of six oak dining chairs, 4 + 2, each labelled ‘Russell of Broadway’, armchair 58cm wide 51cm deep 85cm high, seat 46cm high (8) £300 - 500

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504 Lot 504 An ebonised twin-light standard lamp, 1950s, with rippled cylindrical shades, 160cm high £150 - 250 Lot 505 Six Hille-Ergonom desk chairs, each with a grey powder-coated frame and black leather seat and back, adjustable, 58.5cm wide 65cm deep 99cm high, seat 45cm high (6) £350 - 450 Lot 506 A pair of ‘Supporto’ desk chairs, designed by Fred Scott, each with a grey powder-coated frame, with fabric adjustable seat and back, 59cm wide 60cm deep 90cm high, seats 45-56cm high (2) £250 - 350

505 Lot 507 A set of eight Italian teak ‘Model 110’ dining chairs, designed by Ico Parisi (1916-1996), manufactured by Cassina in 1961, each with a horizontal slatted back infilled with light green upholstery, with a matched seat, 46cm wide 46cm deep 79cm high, seat 48cm high (8) £1,500 - 2,000 Lot 508 A circular wardrobe, 1960s, the exterior clad in green textile, with a single door opening on to a hanging rail, with a mirror fitted to the inside of the door, retailed by Heal’s, 72cm diameter 201cm high £300 - 500

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507 part lot www.sworder.co.uk

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Lot 509 André Kertész (Hungarian-American, 1894-1985) ‘Chairs, Champs-Élysées’ silver gelatin print, inscribed ‘Paris’, with signature and dated ‘1927’ 20.5 x 25.5cm £1,000 - 1,500

Lot 510 *František Drtikol (Czech, 1883-1961) ‘Nude’ 1929 gelatin silver print, from the series ‘Nudes in Czech Photography’, published by ORBIS Prague in 1967, stamped to the verso 12 x 17cm £200 - 300

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Lot 511 Cami Stone (Belgian, 1892-1975) ‘Portrait of Bob Ripa’, 1929 gelatin silver photograph, personalised dedication by Bob Ripa, dated 11 May 1929, numbered in the negative, with later signature by Cami Stone, with artist’s copyright stamp to the verso, 22.5 x 26.5cm, and a lobby card of Bob Ripa after the original photograph of Cami Stone, stamped ‘Bob Ripa’ to the l.r., bearing personalised inscription, dated 11 May 1929 17 x 21.7cm (2) £200 - 300 Lot 512 Clarence Sinclair Bull (American, 1896-1979) ‘Dolores Del Rio and Cedric Gibbons at the Dolores Del Rio House’, May 1931 gelatin silver print, modern development, unsigned 35 x 27cm £150 - 250

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Lot 513 Horst P Horst (German-American, 1922-1999) ‘Baron Nicolas de Gunzberg’, 1937 gelatin silver print, signed l.r. ‘Horst’, signed again and stamped with copyright stamp to the verso 30.4 x 22.5cm £1,000 - 1,500

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Lot 514 *Cecil Beaton CBE (1904-1980) A black and white photograph of Fern Bedaux on a Château de Candé balcony, on the wedding day of Edward, Duke of Windsor and Wallis Simpson, 3 June 1937, signed

by Beaton in red pen to the mount and inscribed ‘To Eve and Duey with my deep love and affection, Terry’ Image 22 x 24.5cm £300 - 500

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Charles and Fern Bedaux purchased the Château in 1927. Fern was the daughter of lawyer James Lombard of Grand Rapids, Michigan. Edward and Wallis stayed at the Château following his abdication and were married there. Controversially, Charles Bedaux arranged for the couple to meet Adolf Hitler in a PR coup for the Nazi regime.

Lot 515 Jaromír Funke (Czech, 1896-1945) ‘Akt’ 1940 gelatin silver print, from the series ‘Nudes in Czech Photography’, published by ORBIS Prague in 1967, stamped to the verso, 16 x 12.5cm £200 - 300

www.sworder.co.uk

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516 Lot 516 William Klein (American, b.1928) New York Scenes nine, Iris prints, 2001, all signed and titled in black pen, from the editions of 125, published by Eyestorm, London, on wove paper full sheet each image 30.5 x 40cm (9) £1,000 - 1,500

Lot 517 William Klein (American, b.1928) New York Scenes seven Iris prints, 2001, all signed and titled in black pen, from the editions of 125, published by Eyestorm, London, both on wove paper, full sheets each image 30.5 x 40cm (7) £1,000 - 1,500

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Lot 518 Ray K Metzker (American, 1931-2014) ‘Atlantic City’, 1968 gelatin silver print, signed, titled and dated to the verso, with copyright marks and stamped ‘Laurence G. Miller Gallery, New York’, also inscribed ‘#2, 5.5 neg, 11.5 exp’ 22.8 x 15.6cm £800 - 1,200

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Lot 519 Evelyn Hofer (German-American, 1922-2009) ‘London’ platinum print, printed on paper, signed and dated 2001, and numbered 2/30 in pencil verso image 49 x 50cm paper size 68 x 58cm £300 - 500

Lot 520 Evelyn Hofer (German-American, 1922-2009) ‘London’ platinum print, printed on paper, signed and dated 2001, and numbered 2/30 in pencil verso image 49 x 50cm paper size 68 x 58cm £300 - 500

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MODERN DESIGN, FURNITURE AND LIGHTING 442-807 Lot 521 *Jacqueline Groag (Czech-British, 1903-1986) 1970s, a collection of nine negatives of artwork and print designs, each with marked-off areas to be printed, each enveloped, one addressed with printing instructions 22 x 17cm largest, together with three developed designs, one with hand-coloured segments, stamped ‘Jaqueline Groag Studio’ 29 x 39cm largest (12) £200 - 300 Provenance: The Jacqueline Groag Studio.

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Lot 522 Henry Wessel Jr (American, 1942-2018) ‘Confusion Range’, 1972 gelatin silver print, signed and numbered ‘Henry Wessel 1/2’ to the reverse 20 x 30.4cm £1,000 - 1,500

522 Lot 523 *Willem Diepraam (Dutch, b.1944) ‘Njajene - Senegal’ 1979 gelatin silver print, to the verso with artist’s copyright stamp 18.2 x 27cm; ‘Sahel’, Foto’s van reizen naar Senegal, Mali, Opper Volta en de Kaap verdische Eilanden, published in 1982 by Kosmos Amsterdam (2) £150 - 200

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Lot 524 James Turrell (American, b.1943) Eclipse A, B, C, D, cibachrome prints, three numbered from an edition of 500 and with artist’s stamp 40.5 x 30.5cm, unframed (4) £700 - 900 Lot 525 James Turrell (American, b.1943) Eclipse A, B, C, D cibachrome prints, three numbered from an edition of 500 and with artist’s stamp 40.5 x 30.5cm, unframed (4) £700 - 900 Lot 526 Nadav Kander (Israeli, b.1961) ‘Cosy Corner, Albany, Australia’ signed and titled, a coloured photograph image 30.5 x 93.5cm £1,000 - 1,500

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Lot 527 Nadav Kander (Israeli, b.1961) ‘Outback, Australia’ signed and titled, a coloured photograph image 30.5 x 93.5cm £1,000 - 1,500

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Lot 528 *Mary Anna McCartney (b.1969) ‘Rose I’ a colour photograph paper 40.5 x 51cm £300 - 500

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MODERN DESIGN, FURNITURE AND LIGHTING 442-807 Lot 529 Four Whitefriars glass items, designed by William Wilson and Barnaby Powell, comprising: a gold amber wave ribbed vase, 14cm high, a sea-green bowl, 19cm diameter, a lido vase, 14cm high, and a golden amber vase, 14cm high (4) £100 - 200

529 Lot 530 Two WMF glass vases, an ‘Ikora’ glass vase, of trumpet form, with bands of blue and ornage, 18.5cm high, and a ‘Myra’ lustre glass vase, 19.6cm high (2) £150 - 200

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Lot 531 A Daum pâte-de-verre plaque, 1960s, ‘Automne’, designed by Raymond Corbin, with a relief depicting a seated woman with grapes, flanked by a cherub, impressed ‘Corbin S.C’, 14cm diameter £100 - 200

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Lot 532 A Daum pâte-de-verre glass sculpture, 1970, ‘Chimera’ by Victor Roman, a limited edition numbered 23/200, moulded signature and edition, engraved ‘Daum France’, 28cm wide 16.5cm high £300 - 500

Lot 533 A Mdina Glass ‘Fish’ vase, dated 1980, designed

by Michael Harris, the central compressed globe decorated with green, blue and white streaking, against a blue and green ground, etched ‘Mdina’ and dated to the underneath, 24cm high £200 - 300

533 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

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536 Lot 534 A cut-glass liqueur set,

by Webb Corbett, comprising: a decanter and stopper, 30.5cm high, eight stem glasses, 10.5cm high, and seven smaller stem glasses, 7cm high, with etched marks (16) £150 - 200

Lot 535 Five model ‘193N’ BTC hanging pendant lights, with caps and ceiling fixings, 12cm diameter 18cm high (5) £150 - 200

Lot 536 Five model ‘370N’ BTC hanging pendant lights, with lamps and ceiling fixings, 20cm diameter 25cm high (5) £150 - 200

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Lot 537 A pair of Continental terracotta floor vases, 1960s, of bulbous forms, each decorated with gilt spots with thumbprints, 29cm diameter 119cm high (2) £200 - 300

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Lot 538 A teak extending dining table,

by A H McIntosh, with two hinged leaves, labelled, 160cm wide, 236cm extended 91cm wide 73.5cm high, and four G Plan dining chairs, reupholstered in green, 48cm wide 46cm deep 78cm high, seat 48cm high (5) £250 - 450

Lot 539 An Ercol butler’s table, the shaped top with fret cut handles, an undertier with a gallery, on turned supports, with an Ercol blue label, 72.5cm wide 44.5cm deep 45cm high £150 - 200

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Lot 540 A Dutch leather slung chair, 1970s, by Harvink, raised on a tubular frame, 73cm wide 80cm deep 125cm high, seat 46cm high £250 - 450

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Lot 541 An Italian fruitwood coffee table, with a mirror glass top, a moulded and rippled frieze, raised on shaped legs, 74cm wide 49cm deep 49cm high £250 - 350

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Lot 542 A ‘606 Universal’ shelving system, designed by Dieter Rams in 1960, for Vitsoe, with two rows, comprising, 3 uprights, 262cm high 16 shelves, 66cm wide, 18cm deep 8 various sized returns, 6 adapted wall brackets (qty.) £300 - 500 The photograph is a representation of the lot, not the actual lot.

Lot 543 A pair of Scandinavian armchairs, 1970s, each upholstered in buttoned tan leather, on a chromed swivel base, 78cm wide 76cm deep 80cm high, 38cm seat high (2) £400 - 600

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544 Lot 544 A ‘Supervixens’ film poster, a large French rerelease movie poster for the classic 1975 film ‘Supervixens’ directed by Russ Meyer, linen backed, 160 x 120cm £200 - 300

Lot 545 A Sex Pistols Oliver Twist ‘Dickensian’ flyer, designed by Malcolm McLaren at Seditionaries, 430 Kings Road, London, with the manifesto continuing over to the reverse, folded, 29.5 x 41cm, together with a flyer of the twelve designs, a size chart to the reverse, folded, 21 x 29cm (2) £150 - 250 The Punk Movement was centred on the shop run by Malcolm McLaren and Vivenne Westwood, 1974-1976. The shop at 430 Kings Road was named ‘Sex’ and sold clothes to growing numbers of Punks in the capital. In December 1976, it was renamed ‘Seditionaries’ and traded until 1980.

546 Lot 546 ‘The Beatles Anthology 1’, 1995, four promotional posters for the release of ‘The Beatles Anthology 1’, each depicting one member of The Beatles, 153 x 102cm, framed (4) £800 - 1,000

Lot 547 Led Zeppelin, two original U-matic tapes of the last of five shows at Earls Court in 1975, filmed by CEE Video, featuring approximately two hours of edited footage of the show, with two later produced DVDs showing a short promo of the concert and an edited version of the full content from the tapes with drop outs removed (4) £500 - 700 Provenance: Gifted to the vendor, a bass guitar player in a rock band that have sold over 20 millions albums. Received from the company when they were not paid for their production.

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442-807 MODERN DESIGN, FURNITURE AND LIGHTING Lot 548 The Beatles, a demo tape edit, including three tracks, inscribed ‘1) Fool on the Hill Begin- End (Paul on Piano) 2) I Am The Walrus Begin- End The Band John Singing 3) I Me Mine Begin- End The Band George Singing’ £500 - 700 The demo features an alternative ending to the track ‘Fool on the Hill’.

548

Provenance: Gifted to the vendor, a bass guitar player in a rock band that have sold over 20 millions albums. Presented in 1971 while recording their first LP at Abbey Road Studios by a sound technician, the demo itself recorded in the 1960s.

Lot 549 A collection of The Beatles 7in singles, to include two Fan Club flexi discs, Seventh Christmas Record, LYN 1970, two Fan Club Sixth Christmas Records, LYN 1743, two Fan Club Fifth Christmas Records, LYN 1360, Magical Mystery Tour, 7XCE 18434 MMT-A1, The Beatles’ Hits, 7TCE.760 GEP 8880, Long Tall Sally, 7TCE.822 GEP 8913, Strawberry Fields Forever, 7XCE 18415 R5570, two Let it Be, 7YCE.21407 R5833, two Paperback Writer, 7XCE 18380 R5452, two All You Need Is Love, 7XCE 18425, two Get Back, 7XCE 21296 R5777, two A Hard Day’s Night, 7XCE 17714 R5160, The Ballard of John and Yoko, 7XCE 21306 R5786, two Hey Jude, 7XCE 21185 R5722, two Lady Madonna, 7XCE18438 R5675, I Am The Walrus, 7XCE 18434 R5655, Ticket to Ride, 7XCE 18254 R5265, two Day Tripper, 7XCE 18342 R5389, two Help!, 7XCE 18280 R5305, She’s a Woman, 7XCE 18172 R5200, I Want To Hold Your Hand, 7XCE 17559 R5084, She Loves You, 7XCE 17395 R5055, together with further singles to include Family, Home Town, Second Generation Woman, Reprise Advance Promotion Copy, signed RS 23315 B, Just Yesterday, 7XCE 18321 R5348, I Feel Fine, 7XCE 18248 R5256, Eine Kleine Beatlemusic, 7TEA 2028 7EG 8887, The Bottle Concerto, 7TEA 2218 7EG8968, two Beatle Cracker Suite, 7TEA 211U 7EG8919 and Kenny Everett, Nice Time, And Now For A Little Train Number, signed DR 44535 DM245 (qty.) £200 - 400

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Lot 550 A collection of five The Beatles Fan club flexi disc records, comprising Third Christmas Record, LYN 948, 1965, Pantomine ‘Everywhere It’s Christmas’, Fourth Christmas Record, LYN 1145, 1966, ‘Christmas Time (Is Here Again)’, Fifth Christmas Record, LYN 1360, 1967, Sixth Christmas Record, LYN 1743, 1968, and Seventh Christmas Record, LYN 1970, 1969 (5) £250 - 350

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MODERN DESIGN, FURNITURE AND LIGHTING 442-807 Lot 551 A collection of LPs, to include The Deviants, Stereo, TRA 204, Dr Strangely Strange, Kip of the Serenes, Stereo ILPS-9106, Pink Floyd, A Saucerful of Secrets, Stereo, YAX 3633 SCX 6258, Pink Floyd, Ummagumma, Stereo, SHDW 2, Nirvana, The Story of Simon Simpath, Stereo, ILPS 09059, Spooky Tooth, Spooky Two, ILPS-9098, Steppenwolf, The Second, Stereo SSL.5003, The Mamas & The Papas, Deliver, Mono, RD7880, Mike Oldfield, Hergest Ridge, Stereo V2013, Band on the Run, Stereo PAS 10007, Mann Made, Mono, 2XEA.2814 CLP 1911, Traffic, Stereo, ILPS 9081TB, The Zombies, The World of the Zombies, Stereo, ZAL 9896P SPA 85, Wings, Back to the Egg, YEX 987 PCTC 257, White Noise, An Electric Storm, Stereo ILPS 9099, Traffic, Mr Fantasy, Stereo, ILPS 9061, Bridget SE John, Thank you For…, Stereo 2310-193, The Crazy World of Arthur Brown, 612005, Carly Simon, Anticipation, Stereo, 551 K42101, Carly Simon, Stereo EKS 74082, Psychedelic Furs, Midnight to Midnight, Stereo CBS 450256, Prefab Sprout, Steve McQueen, Stereo, KWLP3, Prefab Sprout, From Langley Park to Memphis, Stereo KWLP9, The Four Pennies, two sides of four pennies, BL 7642, The United States of America, Stereo, 563340, three Family albums, self-titled, Music in a Doll’s House and Entertainment, four Donovan albums, What’s Bin Did and What’s Bin Hid, A Gift from a Flower to a Garden, Sunshine Superman and Fairytale, and also further LPs to include Eclection, Diana Ross, The Isley Brothers, The Moody Blues, The Pretty Things, Principal Edwards Magic Theatre, Otis Redding, Fischer-Z, Kokomo, Sade, Paul Young, Simon and Garfunkel, Alan Stivell and similar (qty.) £250 - 350

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Lot 552 The Rolling Stones, a collection of LPs to include Their Satanic Majesties Request, ZAL 8126 TXS 103, Between the Buttons, XARL 7644 LK 4852, Let it Bleed XZAL 9363 SKL 5025, with poster, Stone Age, ZAL 10432P SKL 5084, Exile On Main St, Stereo COC 69100, with postcard insert, Aftermath, Mono XARL 7210 LK 4786, Out of Our Heads, ARL 6973 LK 4733, Beggars Banquet, XZAL 8476, SKL 4955, The Rolling Stones, XARL 6271 LK 4605, The Rolling Stones No.2 XARL 6619 LK 4661, Sticky Fingers, COC 59100, lacking sleeve, Get Yer Ya-ya’s Out! XZAL 10076 SKL 5065, together with records from The Who, to include My Generation, Mono MG 10256 LAT 8616, Tommy, 613 013, Tommy, performed by the London Symphony Orchestra, ODE 99001, a collection of The Hollies records to include, Would You Believe?, Mono XEX 603 PMC 7008, Hollies, Mono XEX 560 PMC 1261, Butterfly, Stereo XEX 659 PCS 7039, Evolution, XEX 636 PMC 7022, In The Hollies Style, Mono XEX 496 PMC 1235, Stay With the Hollies, Mono, XEX 459 PMC 1220, Hollies Sing Dylan, Stereo YEX 727 PCS 7078, Hollies’ Greatest Stereo YEX 693 PCS 7057, two albums by The Animals, Animalisms, Mono XARL 7225, LK 4797, Animal Tracks, Mono XAX 2814 33SX 1708, two albums by The Kinks, The Kinks, NPL 18326, Arthur or The Decline and Fall of the British Empire, Stereo, NSPL 18317 and The Byrds, Mr Tambourine Man, CL2372 62571 (qty.) £200 - 300

Lot 553 The Beatles, a collection of LPs to include, Sgt.Pepper’s Lonely Hearts Club Band, Stereo YEX 637 PCS 7027, Yellow Submarine, Stereo YEX 716 PCS 7070, Abbey Road, Stereo YEX 750 PCS 7088, Help!, Mono XEX 549 PMC 1255, Revolver, Stereo YEX PCS 7009, ‘The White Album’, numbered 0369915, with four picture inserts and poster, Stereo YEX 709 PCS 7067, Rubber Soul, Mono XEX 579 PMC 1267, Beatles for Sale, Mono, XEX 503 PMC 1240, Please Please Me, Mono, XEX 421 PMC 7202, Let It Be, Stereo, YEX 733 PCS 7096, A Hard Day’s Night, Mono, XEX 481, PMC 1230, With the Beatles, Mono XEX 447 PMC 1206, Magical Mystery Tour, Stereo SMAL-2835, Rock ‘N’ Roll Music, Stereo, Made in Germany, The Beatles First, Polydor, Made in Germany, The Beatles Live!, Lingasong Records, together with Off The Beatle Track, George Martin and his orchestra, Mono XEX 473 PMC 1277, Help!, George Martin and his orchestra, Mono XEX 557 33SX 1775, also John Lennon records to include, Mind Games, Stereo YEX 927 PCS 7165, Imagine, Stereo YEX 865 PAS 10004, John Lennon/Plastic One Band, Stereo YEX 828 PCS 7124, Double Fantasy, Stereo GHS 2001 K 99131, Walls and Bridges, Stereo YEX 937 PCTC 253, Rock ‘N’ Roll, Stereo, YEX 943 PCS 7169, also two Paul McCartney records, McCartney, Stereo, YEX 775 PCS 7102, Tug of War, Stereo, PCTC 259, and George Harrison, Wonderwall Music, Stereo SAPCOR 1 (qty.) £200 - 300

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554 Lot 554 Ed Finnell (American, b.1956) ‘Keith Richards - The Rolling Stones, Tour of The Americas’ Los Angeles Forum, 13 July 1975 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘31/50’ 50.8 x 40.6cm £200 - 300

557 Lot 557 Ed Finnell (American, b.1956) ‘Mick Jagger & Keith Richards - The Rolling Stones, Tour of The Americas’ Los Angeles Forum, 9 July 1975 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘37/50’ 50.8 x 40.6cm £200 - 300

www.sworder.co.uk

555 Lot 555 Ed Finnell (American, b.1956) ‘Eric Clapton - No Reasons to Cry Tour’ Los Angeles Forum, 22 November 1976 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘22/50’ 50.8 x 40.6cm £200 - 300

556 Lot 556 Ed Finnell (American, b.1956) ‘David Bowie as Ziggy Stardust - The Ziggy Stardust Tour’ Long Beach Arena, 10 March 1973 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘16/50’ 40.6 x 50.8cm £200 - 300

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Lot 558 Ed Finnell (American, b.1956) ‘David Bowie as The Thin White Duke - Station to Station Tour’ Los Angeles Forum, 9 February 1976 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘18/50’ 50.8 x 40.6cm £200 - 300

Lot 559 Ed Finnell (American, b.1956) ‘Elton John - Goodbye Yellow Brick Road Tour’ Los Angeles Forum, 6 October 1974 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘13/50’ 50.8 x 40.6cm £200 - 300

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560 Lot 560 Ed Finnell (American, b.1956) ‘David Bowie as The Thin White Duke Station to Station Tour’ Los Angeles Forum, 9 February 1976 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘3/5’, artist’s proof 50.8 x 40.6cm £250 - 350

563 Lot 563 Ed Finnell (American, b.1956) ‘David Bowie as The Thin White Duke Station to Station Tour’ Los Angeles Forum, 9 February 1976 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘44/50’ 50.8 x 40.6cm £200 - 300

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561 Lot 561 Ed Finnell (American, b.1956) ‘George Harrison - Dark Horse Tour’ Los Angeles Forum, 12 November 1974 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘25/50’ 50.8 x 40.6cm £200 - 300

564 Lot 564 Ed Finnell (American, b.1956) ‘Elton John - Goodbye Yellow Brick Road Tour’ Los Angeles Forum, 6 October 1974 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘15/50’ 40.6 x 50.8cm £200 - 300

562 Lot 562 Ed Finnell (American, b.1956) ‘Rod Stewart - Faces, Ooh La La Tour’ Hollywood Palladium, 18 October 1973 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘5/50’ 50.8 x 40.6cm £200 - 300

565 Lot 565 Ed Finnell (American, b.1956) ‘Jimmy Page - Led Zeppelin, Physical Graffiti Tour’ Los Angeles Forum, 27 March 1975 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘29/50’ 50.8 x 40.6cm £200 - 300

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

442-807 MODERN DESIGN, FURNITURE AND LIGHTING

566 Lot 566 Ed Finnell (American, b.1956) ‘Mick Jagger - The Rolling Stones, Tour of The Americas’ Los Angeles Forum, 13 July 1975 gelatin silver print on Ilford Multigrade V RC paper, signed’ Ed Finnell’, numbered ‘28/50’ 50.8 x 40.6cm £200 - 300

569 Lot 569 Ed Finnell (American, b.1956) ‘David Bowie - The Heroes Tour’ Los Angeles Forum, 3 April 1978 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘16/50’ 50.8 x 40.6cm £200 - 300

www.sworder.co.uk

567 Lot 567 Ed Finnell (American, b.1956) ‘Robert Plant & Jimmy Page - Led Zeppelin, Physical Graffiti Tour’ Los Angeles Forum, 27 March 1975 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘38/50’ 50.8 x 40.6cm £200 - 300

570 Lot 570 Ed Finnell (American, b.1956) ‘Jimmy Page - Led Zeppelin, Physical Graffiti Tour’ Los Angeles Forum, 25 March 1975 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘17/50’ 50.8 x 40.6cm £200 - 300

568 Lot 568 Ed Finnell (American, b.1956) ‘Mick Jagger - The Rolling Stones, Tour of The Americas’ Los Angeles Forum, 12 July 1975 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘41/50’ 50.8 x 40.6cm £200 - 300

571 Lot 571 Ed Finnell (American, b.1956) ‘Pete Townsend, Roger Daltrey, Keith Moon & John Entwistle - The Who, Quadrophenia Tour’ Los Angeles Forum, 23 November 1973 gelatin silver print on Ilford Multigrade V RC paper, signed ‘Ed Finnell’, numbered ‘29/50’ 40.6 x 50.8cm £200 - 300

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MODERN DESIGN, FURNITURE AND LIGHTING 442-807

Lot 572 A collection of three Mexican modernist silver rings, comprising: a sheen obsidian-mounted ring, of twisted form with two spherical heads, indistinctly stamped ‘Mexico 3’ finger size L, a sodalite-mounted ring, with faded hallmarks, finger size O, and a maze-topped ring, stamped ‘Taxaco 925 Mexico’, of adjustable finger size (3) £150 - 250 Lot 573 A collection of three naturalistic silver rings, comprising: an organically-shaped silver ring, with a rectangular head with abstract forms, stamped 925, an organically-shaped silver ring, with a latticed head and sides, stamped 925, and an amethyst-mounted silver ring, stamped 925, all of adjustable finger sizes (3) £150 - 250 Lot 574 A Danish modernist silver ring, 1960s, designed by Arne Johansen, mounted with a dyed blue agate of pyramidal form, stamped marks ‘AJ 925S Denmark’, finger size L¼ £180 - 250 Lot 575 A Danish modernist silver ring, 1960s, designed by Arne Johansen, mounted with paua shell in a square mount, stamped marks ‘AJ 925S Denmark’, head 30mm wide, finger size M £180 - 250

148

Lot 576 A Danish modernist silver ring, 1960s, designed by Arne Johansen, mounted with paua shell in a circular mount, stamped marks ‘AJ 925S Denmark’, head 30mm diameter, 20.49g, finger size L¼ £180 - 250 Lot 577 A Norwegian modernist silver ‘Jester’ ring, 1960s, designed and manufactured by Anna Greta Eker, internally stamped ‘AGE Sterling 925 Norway’, of adjustable size £70 - 100 Lot 578 A Danish Buch & Deichmann brutalist silver-plated bangle, 1970s, designed by Jacob Hull, topped with an abstract silver-plated form, internally stamped ‘J. Hull’ ‘B+D’ ‘Denmark’, 8cm diameter £150 - 250 Lot 579 An Arne Johansen modernist silver ring, with a flat top, stamped marks ‘AJ 925S Denmark’, head 25mm wide, finger size M £200 - 300 Lot 580 A Danish modernist silver ring, 1960s, of a stepped design, partially mounted with lapis lazuli in a square mount, finger size O £200 - 300 Lot 581 A modernist silver ring, mounted with granite in an oval mount, stamped marks ‘Sterling 925 RMM’, head 35mm long, finger size N £150 - 250

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

573

572

574

576

578

575

577

580 579 581

MODERN DESIGN, FURNITURE AND LIGHTING 442-807

Lot 582 A Danish ceramic bowl, 1950s, designed and manufactured

by Thomas Toft, with tapering edges, partially-glazed exterior, internally with a blue hare’s fur glaze, with incised potter’s mark to the bottom, 22cm wide 13cm high £120 - 150

582

583

Lot 583 Three Lladro pottery figures, an Eskimo boy with polar bear cub, no. 2097, a pensive Eskimo boy, no. 2159, a pensive Eskimo girl, no. 2158, printed and impressed marks, largest 23cm high (3) £150 - 200

Lot 584 § A Danish rosewood coffee table, 1970s, of rectangular form, with an etched copper panel top, 140cm wide 70cm deep 46cm high £200 - 400

584

Lot 585 A modern ‘Relax’-style white leather sofa, in the manner of Florence Knoll, with a buttoned back and seat cushions, on a chromed base, 227cm wide 80cm deep 58cm high, seat 40cm high approximately £400 - 600

§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

585 150

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

442-807 MODERN DESIGN, FURNITURE AND LIGHTING

586 Lot 586 A set of seven Fritz Hansen ‘Model 3107’ chairs, designed in 1955 by Arne Jacobsen, each with a beech ply seat, on tubular steel legs, labelled ‘FH’ to the underside, 46cm wide 54cm deep 83cm high, seat 44cm high (7) £500 - 700

Lot 588 A brass table lamp, 1960s, likely French, a bamboo-shaped stem with two staggered spheres, on a round leather-topped foot, 55cm high £200 - 300

588

587 Lot 587 Karin Dahlqvist (Swedish, contemporary) Abstract Composition Unsigned, oil on canvas 74 x 60cm £100 - 200

589

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Lot 589 *Erling Andersen (Danish, 1937-2010) Abstract composition mixed media on canvas, mounted on board, signed and dated u.l. ‘Erling A 69’ 44 x 39cm, framed and float mounted £150 - 250

151

MODERN DESIGN, FURNITURE AND LIGHTING 442-807 Lot 590 *Tom Lindhardt (Danish, 1935-2007) Abstract composition signed and dated l.l. ‘T. Lindhardt 63’, oil on board 68 x 68cm £200 - 300 Lot 591 *Erling Andersen (Danish, 1937-2010) Abstract composition mixed media on canvas mounted on board, signed and dated u.l. ‘Erling A 69’ 39 x 44cm, framed and float mounted £150 - 250

590

591

Lot 592 *Erling Andersen (Danish, 1937-2010) Abstract study of two fishes incised signature and dated l.r. ‘Erling A 74’, oil on board 22 x 22cm, framed £150 - 250 Lot 593 *Børge Herman Hansen (Danish, 1918-2011) ‘Klippefragment’, signed and dated ‘B. Hansen -61’ verso, oil on board 41 x 61cm £150 - 250

592

593

Lot 594 A Danish five-piece silver-plated tea and coffee set, designed by Hand Bunde for Cohr, each piece of slender form with lacquered handles and finials, each stamped ‘EPNS Cohr Denmark’, coffee pot 20cm high teapot 15cm high (5) £150 - 200

594

Lot 595 A Danish stainless steel three-piece coffee set,

by Lundtofte, coffee pot 27cm high, and a Viners’ stainless steel globe vase and cover, designed by Stuart Devlin, 8cm high (5) £100 - 200

595

152

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

442-807 MODERN DESIGN, FURNITURE AND LIGHTING

596 Lot 596 An Imhof desk clock, the square brass dial, with an enamelled face and gilt chapter ring, with Roman numerals, with a Swiss eight-day movement, stamped ‘25/820 Swiss’, ‘1536012’ and labelled ‘Max Hoffmann Basel’, 20cm wide 22.5cm high £150 - 250

Lot 597 A brutalist-style sculpture, in the manner of Ian Tyson, powder-coated and rust-treated metal, signed to the base with monogram ‘EL’, 31cm wide 31cm deep 41cm high £200 - 300

597 Lot 599 A Danish ‘President’ tambour-fronted teak sideboard, 1950s, designed by Hans J Wegner for Ry Møbler, with a twin pair of tambour doors opening on to shelves, internally oak-lined, remnants of manufacturer’s label to the reverse and dated ‘59’, 205.5cm wide 49cm deep 79cm high £400 - 600

599

Lot 598 An iron wall sculpture, with welded details, of slight rectangular concave form, 53cm wide 67cm high £150 - 200

Lot 600 A modernist coffee table, the stained wood top, with a low three-quarter gallery, raised on glass column legs, 99.5cm wide 74.5cm deep 39.5cm high £200 - 300

600 598

www.sworder.co.uk

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MODERN DESIGN, FURNITURE AND LIGHTING 442-807 Lot 601 A pair of ‘Ingrid’ armchairs, Swedish, designed in 1969 by Bruno Mathsson for DUX, each with a bent beechwood frame, the seat, back and armrests upholstered in buttoned tan leather, branded ‘Bruno Mathsson DUX’ to the frame, 75cm wide 88cm deep 93cm high, 40cm seat high (2) £400 - 600 Lot 602 A Danish teak ‘Smile’ coffee table, 1960s, in the manner of Johannes Andersen, on tapering legs, with a newspaper shelf to the underneath £200 - 300

601

Lot 603 § A circular rosewood dining table, 1980s, by Valerie Ward, on a rectangular pedestal base, with chrome accents and mounts, 126cm diameter 74cm high £1,200 - 1,500

602

603 Lot 604 A ‘606 Universal’ shelving system, designed by Dieter Rams, in 1960, for Vitsoe, with 4 uprights comprising: 7 shelves, 66cm wide, 31cm deep, 7 shelves, 66cm wide, 18cm deep, 3 shelves, 91cm wide, 31cm deep, 2 shelves, 91cm wide, 37cm deep, 2 shelves, 91cm wide, 23cm deep, 10 various sized returns, and 8 adapted wall brackets (qty.) £500 - 700 The photograph is a representation of the lot, not the actual lot.

Lot 605 605 A Digsmed teak lazy Susan, 1960s, Danish, of circular form, with six glass bowls, with factory stamps to the underneath, 30cm diameter, and two teak bowls, c.1960s, Danish, larger 30cm diameter 19cm high (3) £150 - 250

604 154

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

442-807 MODERN DESIGN, FURNITURE AND LIGHTING Lot 606 A ‘Model FK6720’ three-seater settee, designed by Preben Fabricius & Jørgen Kastholm for Alfred Kill, 1968, with leather seats and chrome frame, 214cm wide 74cm deep 82.5cm high £2,500 - 3,500

606

607

Lot 607 § A Danish rosewood sideboard, designed by Arne Vodder, with a cupboard, two sliding cupboards and five drawers, on a stand with turned supports, 209cm wide 51cm deep 82.5cm high £2,500 - 3,500

www.sworder.co.uk

§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

155

MODERN DESIGN, FURNITURE AND LIGHTING 442-807 Lot 608 § A ‘Wharfeside’ rosewood dining suite, comprising: an extending dining table, with two extra leaves, 150cm long, 250cm extended 105cm deep 85cm high, and eight dining chairs, (6+2), with cream backs and seats, 58cm wide 50cm deep 88cm high, seat 46cm high (11) £300 - 500

§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

608

Lot 609 A Louis Poulsen ‘PH 4/3’ table lamp, designed by Poul Henningsen in 1966, with opaque metal shade, on a chromed stem and circular base, with paper label ‘Louis Poulsen Co A/S, Made in Denmark’, 45cm diameter 54cm high £400 - 500

609

Lot 610 A modern ‘Relax’-style black leather sofa, in the manner of Florence Knoll, with buttoned back and seat cushions, on a chromed base, 227cm wide 80cm deep 58cm high, seat 40cm high approximately £300 - 500

611

Lot 611 Eight black model 3100 ‘Ant’ chairs, designed by Arne Jacobsen for Fritz Hansen, each with a black bentwood seat, each stamped ‘FH Danmark’, 40.5cm wide 44cm deep 77cm high, seat 44cm high (8) £400 - 600

610

156

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

442-807 MODERN DESIGN, FURNITURE AND LIGHTING Lot 612 A set of seven ‘CH23’ dining chairs, designed in 1951 by Hans J Wegner for France & Søn, Denmark, each with an oak frame and teak inlaid back rails over a cord seat, with branding to the inside of the bracing, 52cm wide 49.5cm deep 75cm high, seat 44.5cm high (7) £1,200 - 1,500

612

613

614 Lot 614 A Danish teak drinks trolley, designed by Poul Hundevad, in two tiers, each tier with an ‘H’ shaped stretcher, on brass and rubber castors, 75cm wide 51cm deep 60cm high, and a Danish teak sewing table, 1960s, designed by Severin Hansen for Haslev Møbelsnedkeri, with one integrated drawer to the side, with internal compartments, 60cm wide 45cm deep 51cm high (2) £200 - 300

Lot 615 A Danish three-seater sofa, 1960s, on stained tapering beech legs, with spade feet, upholstered in purple melange wool fabric, 189cm wide, 75cm deep, 80cm high, seat 40cm high £300 - 500

www.sworder.co.uk

Lot 613 A ‘Japan’ teak lounge chair, designed in 1957 by Finn Juhl for France & Søn, Denmark, a solid teak frame with brass spacers, upholstered in pink velour, labelled ‘France & Søn’ on a badge to the reverse of the front stretcher, 67cm wide 71cm deep 71cm high, seat 35cm high £1,000 - 1,200

616

615

Lot 616 An Orrefors glass table lamp, 1960s, designed by Carl Fagerlund, clear crystal glass with a green inclusion, of cylindrical form tapering to a square base, with foil label to the bottom, 32cm high £150 - 250

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617

Lot 617 A Danish teak extending dining table, designed by Johannes Andersen, on rounded tapering legs, 229cm long extended 90cm wide 73cm high £300 - 500

Lot 618 A pair of ‘Guldhøj’ folding stools, designed by Poul Hundevad for Vamdrup Stolefabrik, Denmark, each with an oak X-frame and tan leather seat, 48cm wide 37cm deep 38cm high (2) £300 - 500

619 Lot 619 A Danish upholstered armchair, 1950s, with stained beech armrests and legs, on turned tapering legs, upholstered in green velour, 74cm wide 69cm deep 103cm high, seat 36cm high £200 - 300

618

Lot 620 An extending teak dining table, 1960s, on circular tapering legs, with two leaves, 288cm extended 99cm wide 73cm high £300 - 500

620

Lot 621 A pair of ‘Contourette Roto’ lounge chairs, designed by Alf Svensson in 1962 for DUX, Sweden, each upholstered in orange fabric, on a cruciform steel swivel foot, with a neck cushion suspended on leather straps, 68cm wide 55cm deep 95cm high, seat 41cm high (2) £400 - 600

621 158

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

442-807 MODERN DESIGN, FURNITURE AND LIGHTING Lot 622 § A Swedish ‘Sirocco’ rosewood safari chair, designed in 1964 by Arne Norell for AB Möbel Arne Norell, on a turned solid rosewood frame, with slung leather seat and arms, labelled ‘Norell’, 68cm wide 65cm deep 72cm high, seat 38cm high £300 - 500 Lot 623 § A Danish rosewood room divider, retailed by Greaves & Thomas, with an arrangement of shelves, a drop-down cupboard over a further shelf, cupboard and three drawers, on turned supports, 107cm wide 36cm deep 179cm high £400 - 600

622

623

Lot 624 A Danish teak ‘Model 56’ desk, c.1960, designed by Arne Wahl Iversen for Vinde Møbelfabrik, with a letter rack and drawers above a writing surface and two further drawers, with two metal stretchers, branded ‘56’, ‘MV’ monogram and ‘Made in Denmark’, 99.5cm wide 70cm deep 84cm high £2,500 - 3,500

www.sworder.co.uk

624

§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.

You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

159

MODERN DESIGN, FURNITURE AND LIGHTING 442-807

625

627

626

629 Lot 625 A Danish teak coffee table, 1960s, designed by Johannes Andersen for CFC Silkeborg, of rectangular form, the ends with brass fittings, with ‘Danish Furniture Makers’ Control’ and manufacturer’s labels to the underneath, 92cm wide 37cm deep 36cm high £150 - 250

Lot 626 A Danish teak bookcase, designed by Kaj Winding and retailed through Heal’s, with a glazed cupboard enclosing three shelves, over five drawers and a cupboard, with ‘Danish Furniture Makers’ Control’ labels verso, 110cm wide 30.5cm deep 191cm high £400 - 600

628

160

Lot 627 An Øresund teak and oak sideboard, designed by Børge Mogensen in 1955 for Karl Andersson & Söner, Sweden, an oak frame on an oak plinth, with a pair of sliding teak doors, opening on to internal shelving, 135cm wide 46cm deep 66cm high £400 - 600 Lot 628 A Danish four-seater sofa, 1960s, on turned tapering beech legs, upholstered in mint-green wool fabric, with four loose cushions, 243cm wide 69cm deep 76cm high, seat 37cm high £300 - 500 Lot 629 An Øresund teak and oak chest, designed by Børge Mogensen in 1955 for Karl Andersson & Söner, Sweden, oak frame on an oak plinth, with eight teak drawers, each with a turned handle, 135cm wide 46cm deep 66cm high £500 - 800

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

442-807 MODERN DESIGN, FURNITURE AND LIGHTING

Lot 630 A pair of Danish ‘CH44’ oak armchairs, designed by Hans Wegner in 1965 for Carl Hansen & Søn, modern production, each with a slatted back, twined paper cord seat, the seat and back cushions upholstered in white wool fabric, with manufacturer’s label ‘Carl Hansen & Søn’, 64cm wide 66cm deep 80cm high, seat 39cm high (2) £500 - 700

630

632

631 Lot 631 § A Danish set of three modular rosewood bookcases, designed by Ib Kofod Larsen for Faarup Møbelfabrik, comprising three bases, with an arrangement of a single drawer, two drawers, a cupboard, each with panel backs and cupboards over, labelled, 115cm wide 60cm deep 173cm high (3) £400 - 600 Lot 632 A Jentique teak secretaire, 1960s, with a folding writing top, opening on to drawers and compartments, over a single drawer with recessed handles, over a pair of cupboards opening to reveal shelving, 76cm wide 40cm deep 107cm high £200 - 300

www.sworder.co.uk

633

Lot 633 § A Danish Dyrlund-Smith rosewood bedside chest, 1970s, with three drawers, each with a recessed circular metal handle, raised on a plinth, with manufacturer’s label to the top drawer, labelled ‘Made in Denmark’, 45cm wide 38cm deep 59cm high £200 - 300

§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.

You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

161

MODERN DESIGN, FURNITURE AND LIGHTING 442-807

636

Lot 634 A Danish teak lazy Susan, 1960s, deisgned by Jens Quistgaard for Nissen, with a contoured edge, with a central parquetry motif, holding six smoked glass bowls, with manufacturer’s mark to the underneath, 46cm diameter £100 - 150 Lot 635 § A Danish rosewood and silver condiment set, 1960s, designed by Axel Salomonsen, comprising a pepper mill and salt cellar, the pepper mill inlaid with sterling silver lines, stamped ‘AS Denmark Sterling’, the salt cellar incised ‘A-S Denmark’ to the underneath, 5cm diameter 10.5cm high (2) £150 - 200 Lot 636 § A Danish rosewood and silver-mounted notepad and letter opener, 1960s, designed by Axel Salomonsen, the letter knife with a stainless steel blade, the notepad marked on silver badge ‘AS Denmark Sterling’, the letter opener incised ‘A-S Denmark’, the letter opener 26cm long the notepad 19 x 11cm, together with a pen tidy calendar, designed by Ole Jorgensen for Ole Jorgensen Creative Workshop Inc., red and white plastic, with rotational segments displaying days and dates, 10cm high, and a Kenneth Grange aluminium desk thermometer, 17.2cm long (4) £250 - 350

162

640

Lot 637 A Swedish ‘18/8’ stainless steel cruet set, designed by Pierre Forsell for Gense, each of conical form, imprinted ‘Gense’ and ‘by Forsell’ to the bottom, largest 15cm high (3) £100 - 150 Lot 638 § A Norwegian ‘Oval’ rosewood wastepaper basket, designed by Einar Barnes in 1965 for P S Heggen Nordfjordeid, the sides of bent rosewood veneer, with two solid rosewood handles, 39cm wide 23cm deep 44cm high £300 - 500 Lot 639 A Danish wenge cube desk clock, 1970s, with brass hands and a dished ‘face’, raised on an hexagonal plinth on a circular foot, 23cm high £100 - 200 Lot 640 § A Danish rosewood ice bucket and cover, designed by Jens Quistegaard for Nissen, of slight waisted form with two routed hole handles each side, the cover with four holes, plastic lined, branded ‘Nissen Denmark’, 22cm diameter 15cm high (2) £250 - 350

§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

Lot 641 A Martin Åberg teak wastepaper basket, 1960s, designed for Servex, of tapering form, branded to the underneath ‘Servex - Made in Sweden’, 26cm diameter 33cm high £100 - 150

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

641 638

639

635

637

634

636 part lot

MODERN DESIGN,

FURNITURE AND LIGHTING 442-807

Lot 642 A ‘Bellefeu’ chandelier, designed by Authentage, Beligum, bronzed steel frame, with removable cast wax shades, for LED bulbs with LED strip to the underneath, 160cm wide 40cm deep 110cm high £1,500 - 2,000

642

Lot 644 A Danish ‘J16’ beech rocking chair, designed in 1944 by Hans J Wegner for FDB Møbler, with a twined paper cord seat, labelled ‘FDB Møbler’ underneath the armrest, dated 1961, 65cm wide 79cm deep 115cm high, seat 41cm high £500 - 700

643 Lot 643 A pair of Danish teak bookcases, 1970s, each with removable shelving, stamped ‘Made in Denmark’ to the reverse, 62.5cm wide 28cm deep 182.5cm high (2) £250 - 350

644

164

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

442-807 MODERN DESIGN, FURNITURE AND LIGHTING

Lot 645 A metal seven-ring hanging light pendant, painted in red and white, 34cm diameter 55cm high, including ceiling cap £100 - 150

645 Lot 646 A pair of ‘Simris’ or ‘Olympia’ desk lamps, designed in 1968 by Anders Pehrson for Ateljé Lyktan, Åhus, each with a white aluminium shade on a chrome stand and black leather base, one with acrylic diffuser, one with aluminium diffuser, with adjustable heads, 53cm high (2) £300 - 400 In 1972, the design was on commission from the International Olympic Committee for the Munich Olympic Games.

646

Lot 647 A Danish mahogany chest, with three drawers, each with patinated brass hoop handles, on tapered supports, 75.5cm wide 43.5cm deep 72cm high £200 - 300

647

www.sworder.co.uk

165

MODERN DESIGN, FURNITURE AND LIGHTING 442-807

Lot 648 A West German glazed pottery lamp base, with a mottled ground, centred with a concave fan-shaped design, 41cm wide 18cm deep 58cm high £150 - 250

648

649 Lot 649 Two benches, 1950s, in two sizes, with vinyl-mounted backs and hinged seats, with storage below, 113.5cm and 74cm wide 52cm deep 82cm high, seat 43.5cm high (2) £400 - 600

Lot 650 A pair of Danish lounge chairs, 1950s, each with stained beech armrests, upholstered in two-tone fabric with a buttoned back, the front legs of slightly tapering form, on curved back legs, 67cm wide 69cm deep 82cm high, seat 42cm high (2) £200 - 300

650

166

Lot 651 Spare lot

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

442-807 MODERN DESIGN, FURNITURE AND LIGHTING

Lots 652-654 The following three lots have been consigned by the family of John James McGreal. By day, McGreal was a dental surgeon, but during the late 1970s and early 1980s, he attended silversmithing evening classes at the Sir John Cass College in London.

It was here that he designed and produced the following stylish examples.

Lot 652 A silver water jug,

by John James McGreal, London 1979, of plain tapering form, with a gilt interior, 19.5cm high, 29ozt approximately £300 - 500 Lot 653 A silver basket,

by John James McGreal, London 1973, of circular shallow dished form, on a low circular foot, with a chamfered swing handle, 15cm diameter 11cm high overall, 7.6ozt approximately £150 - 250

652

653

Lot 654 A set of four silver candlesticks,

by John James McGreal, London 1977, each of cylindrical form, each with a detachable sconces with textured rim, plain shaft with tapering support, on a textured circular foot, 13.5cm high, 22ozt approximately (8) £300 - 500

654

655 Lot 655 A silver cup, maker’s mark for Graham Watling, London 1977, with a band of vertical textured decoration, on a low circular foot, 7cm high, 5.4ozt approximately £300 - 350

www.sworder.co.uk

656 Lot 656 A pair of silver-gilt Ely Cathedral commemorative goblets,

by Aurum Ltd., London 1973, each tapering bowl mounted with a mermaid holding the Keys of Ely, raised on an octagonal tapering column, produced to commemorate the Thirteenth Centenary of the Foundation in AD 673, limited edition numbers 428 and 429 of 673, 16.5cm high (2) £400 - 600 167

As featured on

Salvage Hunters: The Restorers 657-665

A French Foosball Table This sleek 1950s French Finale foosball table made from solid beech and mahogany is perfect for a modern games room.

The table features its original cork balls, scoring counters, brass label and coin mechanism, as well as an original plaque which translates as ‘INSERT A 10 FRANC COIN AND PUSH GENTLY’.

Authentic ashtrays have been sourced through a specialist French foosball company and the original high-quality wood has been strengthened, re-stained and waxed. An aged pitch and missing player replaced, the table is prête à jouer once again.

Lot 658 A Seeburg ‘Trashcan’ jukebox, c.1948, with a twenty panel selection, with wood and chrome panels, 92cm wide 70cm deep 144cm high £1,000 - 2,000

657 Lot 657 A French foosball table, 1950s, manufactured by Finale, with mahogany and beech sides with aluminium banding, painted aluminium figures in red and blue, the handles billIard balls, coin mechanism and brass label inscribed ‘Mettez une piece de 10 frs et poussez doucement’ to the side, 148cm wide 110cm deep 87cm high £1,000 - 1,500

A ‘Trashcan’ Jukebox This Seeburg ‘Trashcan’ jukebox was released in 1948 and is a true slice of retro Americana with real rock ‘n’ roll charm. It earned a special place in pop culture when Marilyn Monroe was pictured with one in the 1956 film ‘Bus Stop’. Designed to be loud enough to fill a diner, bar or a skating rink, it is a machine with excellent sound quality and amplification, particularly for the time.

The electrics on this machine have been brought up to date with modern wiring and LEDs, while the original speakers have been restored, and the selection mechanism put back in working order.

Replacement panels and a new dome lid sourced from Seeburg specialists breathe new life into this classic jukebox.

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Salvage Hunters: The Restorers is a popular prime time show broadcast on the Discovery Network (Quest), where industry experts seek out lots in need of a little TLC and restore them to their former glory. We are delighted to now offer these restored lots for sale. The lots here are presented with stills from the programme.

Scan the code to follow the transformations.

Lot 659 An American Contour recliner chair, 1950s, with green velvet upholstery and embossed copper panels, with reclining mechanism, 145cm long 65cm deep 90cm high £400 - 600

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An American Recliner Chair The Contour Chair Company of Missouri produced recliner chairs from the mid-1950s to the 1990s, with this wooden version dating back to the 1950s. It has been brought firmly into the 21st century, with updated vibrant green upholstery and bespoke copper panels, making a real statement piece. The original reclining mechanism has had a full assessment, ensuring this chair will continue to provide maximum comfort for years to come.

Lot 660 A ‘Jupiter’ lounge chair, 1960s, designed by Walter Chenery for Lurashell, the fibreglass shell upholstered in a brown chequered fabric, on a cruciform swivel base, 80cm wide 100cm deep approximately 100cm high, seat 36cm high £200 - 300

A Jupiter Lounge Chair This futuristic 1960s Jupiter chair is a classic piece of British mid-century design. Manufactured by UK-based Lurashell and designed by Walter S Chenery, this chair is made from moulded fibreglass, a pioneering technique at the time.

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This chair features its original fibreglass base, reinforced and reshaped with filler and gel, and a new silicon cushion, restoring this chair’s unique shape.

The chair has been reupholstered with an authentic clip design, and is easily removed, adaptable to the owner’s tastes.

All details were true at the time of transmission. All items are bought as seen at the auction only and Discovery Corporate Service Limited and its affiliates make no representations or warranties as to the condition, suitability or at all in relation to any lot offered for sale; no further documentation can be provided. All valuations stated herein are given by Sworders Fine Art Auctioneers at the time of printing. Please note that these may differ to the valuations given to the items within the programme, which was broadcast at an earlier time.

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AS FEATURED ON SALVAGE HUNTERS: THE RESTORERS 657-665 Lot 661 A Norwegian ‘Stressless’ reclining armchair and footstool, designed by Jens Ekornes for Ekornes ASA, on a circular chromed swivel base, upholstered in yellow velvet, with buttoned back, 83cm wide 85cm deep 97 high, seat 37cm high (2) £300 - 500

A Norweigian Reclining Armchair and Footstool This 1970s Ekornes recliner features a restored ‘glider’ system, maximising comfort and support. Designed specifically as a TV recliner, just as colour TVs became the must-have item of the day, the chair follows the user’s movements, and has special neck and lumbar supports.

This chair’s original frame has been reupholstered, giving it a fresh and contemporary look, perfect for the modern man cave.

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A Garden ‘Egg Chair’ Lot 662 A garden ‘Egg Chair’, designed in 1967/68 by Peter Ghyczy for VEB Synthesewerk Schwarzheide, white polyurethane with a folding back, with seat and back cushion upholstered in red fabric, 80cm wide 90cm deep 100cm high opened £200 - 400

This Peter Ghyczy Egg Chair from 1968 is a perfect example of futuristic 60s design.

One of the first chairs made with polyurethane, the Egg Chair’s exterior is hard enough to withstand all weather conditions, while the soft-cushioned interior promotes comfort.

The original fibreglass shell has been strengthened with a resin mix and finished with a spray lacquer, while the original cushion has been recoloured, returning it to its original vibrancy. Worthy of interior use, suitable for outdoors, this chair would sit perfectly inside or outside the home.

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657-665 AS FEATURED ON SALVAGE HUNTERS: THE RESTORERS Lot 663 John Mattos (American, b.1956) ‘France - Compagnie Générale Transatlantique’, 1979 limited edition print commemorating the launch of ‘SS France’, for the French Line 91.5 x 61cm, framed £300 - 500

Limited Edition Print This magnificent poster is one of only seven designs featured on limited edition prints that were specially commissioned in 1979 for the refit of the famous ocean liner SS France, when it was sold by French Line to Norwegian Cruise Line, thereby becoming the SS Norway.

At the time of her launch by President Charles de Gaulle in 1960, the SS France was the longest and fastest liner ever built. Her length of 316m remained unrivalled until the construction of the 345m RMS Queen Mary 2 in 2005. In its 13-year career, the ship became known as ‘the best French restaurant in the world’, her decks graced by Salvador Dalí, Audrey Hepburn and the Beatles.

A specialist paper conservator has delicately treated, repaired and retouched the aged poster, ready for this timeless artwork to be rehung in all of its original glory.

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A rail signal light on stand This light, believed to be a former ‘dwarf’ or ground railway signal from a station in South London, has been transformed into an industrial-style interior light, perfect for the modern home. Since the 1800s, signal lights have been used in railways to inform the driver of key safety information to avoid collisions. In the early days, policemen used hand signals to signal to oncoming trains, but they were soon outdated by the increase in new lines and increased train speeds.

This light features a new stand as well as exposed internal workings, making a real statement piece.

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A Pedal Plane Steelcraft in style, this charming children’s pedal plane would make a great collector’s item or toy to be passed down through generations.

The plane has been fully restored, with a reshaped body, vibrant green enamel paintwork, a new seat and restored pedals, making this gem ready to take to the skies once more.

Lot 664 A pedal plane, in the manner of Steelcraft, with a green-enamelled cigar-shaped body, with two wheels to the front, 120cm long approximately £300 - 500 Lot 665 A rail signal light on stand, raised on an adjustable steel stand on four swept feet, 188cm high £400 - 600 Lots 666-671 Spare lots

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All details were true at the time of transmission. All items are bought as seen at the auction only and Discovery Corporate Service Limited and its affiliates make no representations or warranties as to the condition, suitability or at all in relation to any lot offered for sale; no further documentation can be provided. All valuations stated herein are given by Sworders Fine Art Auctioneers at the time of printing. Please note that these may differ to the valuations given to the items within the programme, which was broadcast at an earlier time.

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672 Lot 672 A Lucite glass and chrome Italian hanging light, c.1960, two light fittings, 70cm wide 31cm deep 95cm high £150 - 200 Lot 673 An Italian tempered glass coat rack, c.1985, by FIAM, signed, 40cm wide 40cm deep 159cm high £300 - 500

Lot 674 A set of eight ‘Gronda’ mirrors, designed in 1971 by Luciano Bertoncini for Elco, of rectangular shape, three with a tilting panel serving as a coat hanger, each 20cm wide 200cm high (8) £1,000 - 1,500

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Lot 675 An Italian ‘Sconosciuto’ dining table, 1970s, by Renato Zevi, with a rectangular smoked glass top, resting on a chromed steel and brass semicircular base, 200cm wide 100cm deep 72cm high £400 - 600

Lot 676 An Italian brass standard lamp, 1970s, on a square brushed and polished foot, for two lights, 158cm high, and two further brass table lamps, 1970s, one for two lights, one for one light, 75cm high (3) £150 - 200

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442-807 MODERN DESIGN, FURNITURE AND LIGHTING Lot 677 ‘Harper, Harper, Harper - Paintings and drawings

by Edie, Brett & Charles Harper’ designed by Charles Harper (American, 1922-2007), lithographic exhibition poster, for Frame House Gallery 110 East Market Street, Louisville, Kentucky, signed ‘C. Harper’ l.r.

70 x 50cm, framed £100 - 200 Lot 678 ‘Cyrk - Tygrys na Kole’, a Polish circus poster depicting a tiger on a hoop, designed by Hubert Hilscher (Polish, 1924-1999), printed in 1979, originally designed in 1966, 97 x 66cm £100 - 200 Lot 679 A semi-abstract composition pastel and watercolour on paper 149 x 201cm £150 - 250

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Lot 680 A stone ostrich egg table lamp, in the manner of Maison Charles, with gilt fittings, on a chromed and ebonised plinth, with an oval textile-clad paper shade, 44cm high, excluding shade £400 - 600

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680 Lot 681 A cast aluminium sculpture, 1960s, in the manner of Geoffrey Clarke, of abstract form, on an ebonised plinth, 19cm wide 13cm deep 24cm high £150 - 200

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Lot 682 A Jaeger-LeCoultre ‘Atmos’ clock, 528 calibre, no. 7882, in a silvered case, with a bronzed chapter ring with Roman numerals, 21cm wide 16cm deep 23.5cm high £400 - 600

www.sworder.co.uk

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683 Lot 683 A French bowl chandelier, in the manner of Maison Bagues, with a central brass column with sixteen arms, eight adorned at the end with a glass spire, eight with crystal foliage, with opaque inner bowl and fittings for eight lights, 67cm diameter 84cm high £600 - 800 Lot 684 ‘Union’, a patinated bronze two-part torso sculpture, by Fili Plaza, Spain, signed and numbered ‘253/500’, on a marble plinth, 18cm wide 21cm high £300 - 500 Lot 685 A group of three Italian silver-plated penguins, 1970s, largest 24cm high (3) £200 - 300

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Lot 686 A patinated bronze sculpture, late 20th century, French, modelled as pollarded trees, set on a black marble base, 50cm wide 16cm deep 35cm high £300 - 500

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442-807 MODERN DESIGN, FURNITURE AND LIGHTING Lot 687 An Italian contemporary maple dining table, designed and manufactured by Oak, the single piece top with line inlay and centred with sunburst veneers, with rounded ends, with a cream and gilt-banded underside, raised on three columns, 405cm long 128cm wide 75cm high, and

a set of fourteen dining chairs, each with cream leather seats, labelled, 46.5cm wide 67cm deep 97cm high, seat 47cm high (18) £5,000 - 7,000

688 Lot 688 A pair of Italian painted and gilt wall sconces, 1950s, modelled as quivers with arrows, for two bulbs each, 29cm wide 56cm high (2) £300 - 500

Lot 689 A Meblo standard lamp, 1970s, by Harvey Guzzini, with a rise and fall brown and cream shade, on a chromed base, 163cm high £250 - 350

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Lot 690 A wicker conservatory suite, 1950s, comprising: a glass-topped table, on tubular metal supports, 70cm diameter 50cm high, and a pair of armchairs, 85cm wide 65cm deep 88cm high, 43cm seat high (3) £300 - 500

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Lot 691 A Pierre Paulin ‘F444’ armchair, designed in 1963 for Artifort, a chromed steel frame, with a leather seat and back, 82cm wide 75cm deep 96cm high £2,000 - 3,000 Lot 692 A modernist needlepoint rug, modern, with an abstract design on a beige ground, 240 x 170cm £500 - 800 Lot 693 Spare lot

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Lot 694 A Fagerhults ‘Lucifer’ desk lamp, designed in 1975 by Tom Ahlstrom and Hans Ehrich, with white plastic casing, on a swivel base, adjustable, with two fluorescent tubes, 64cm wide 54cm high £200 - 300

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Lot 695 An ‘LC4’ chaise longue, modern, after the original designed by Le Corbusier in 1928, with black leather upholstery on chrome supports, 50cm wide 166cm long 77cm high £200 - 400

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Lot 696 An Italian brass bed frame, c.1970, the headboard and footboard with circles and squares, 200cm long 69.5cm wide 103cm high £250 - 350

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Lot 697 Four chrome cantilever chairs, after originals by Marcel Breuer, two with armrests, 49cm wide 63cm deep 85cm high, seat 47cm high (4) £250 - 350

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Lot 698 A Stilnovo wall light, c.1960, with an hinged extendable bracket and a mustard-coloured enamelled shade, with ‘Stilnovo Patent’ stamp, shade 49cm diameter extending from 122cm to 160cm £1,500 - 2,000

Lot 699 An Italian ‘Model 537’ table lamp, 1950s, designed by Gino Sarfatti for Arteluce, with a wide black-enamelled shade, on a marble plinth, labelled to shade, 38cm high £1,400 - 1,600

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700 Lot 700 A rare ‘Lucinella Model 12353’ table lamp, 1950s, designed by Angelo Lelli for Arredoluce, in lacquered aluminium on a brass plinth, 55cm high £2,500 - 3,000

Lot 701 A pair of Scandinavian teak-mounted pendant lights, possibly manufactured by Asea, each of drop-shaped form, with opaque glass shades, 43cm high (2) £200 - 300

Lot 702 A chromed chandelier, 1980s, in the manner of Gaetano Sciolari, with a central column, with nine curved arms arranged in two tiers, each with a trumpet-shaped sconce, with opaque spherical shades, 60cm diameter 60cm high £300 - 500

Lot 703 A Continental glass dining table, 1970s, with rounded ends and a bevelled top, on two V-shaped supports £400 - 600 Lot 704 An Italian brutalist glass table lamp, 1970s, constructed with three stacked rows of clear glass cylinders, the central amber glass cylinder removable, 30cm diameter, each cylinder 10cm diameter 29.5cm high £700 - 900

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Lot 705 A pair of ‘Jumo 600’ chrome desk lamps, 1940s, designed by Yves Jujeau and André Mounique, of the Société Nouvelle des Etablissements JUMO, each with an adjustable domed shade and pivoting shaft with integral switch, 60cm high (2) £600 - 800

Lot 706 An Italian grey-enamelled and brass desk lamp, c.1960, with three lights, on a tapering column and a circular pad plinth, with intregral switch, 45.5cm high £700 - 900

Charlotte Perriand chose them for the ‘Le Bazar’ exhibition at the Musée des Arts Décoratifs in Paris in 1949.

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Lot 707 An Italian table lamp, designed by Angelo Brotto, in the form of a clamshell, the etched glass panels mounted on brass, 31cm wide 31cm deep 17cm high £400 - 600

707 Lot 708 An Italian fruitwood Model 110 elbow chair, 1950s, designed by Gio Ponti (1891-1979) for Cassina, with an upholstered back and seat, with brass caps, 56cm wide 57cm deep 86cm high, seat 49cm high £1,200 - 1,500

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Lot 709 A desk or wall lamp, 1950s, designed by Otto Kolb (1912-1996), with a lacquered brass shade, mounts and bakelite ‘marbled’ spheres, 35cm high £500 - 700

Lot 710 A chrome and brass dining table, 1970s, Italian, designed by Renato Zevi, of rectangular form, with a smoked glass top, 160cm long 80cm wide 73cm high £400 - 600

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Lot 711 *Marino Marini (Italian, 1901-1980) ‘Marc Chagall’, 1962 lithograph in colours, signed ‘Marino’, dated ‘1962’ and numbered ‘60’ in the print 36 x 26.5cm, framed, and ‘Inizion Di Una Compostion’ (Beginning of a Composition) in red on a black ground, signed ‘Marino’ in the print and dated 1960; another in white, blue and yellow on a black ground, signed ‘Marino’ in the print and dated 1966 29 x 21cm, both unframed (3) £200 - 300

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Lot 712 A set of six chromed cantilever dining chairs, 1960s, in the manner of Milo Baughman, each of low back design, with curved armrests, upholstered in orange fabric, 52cm wide, 53cm deep 71cm high, seat 44cm high (6) £400 - 600

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Lot 713 A set of eight ‘Bottega’ dining chairs, Italian, designed in 2003 by Renzo Fauciglietti and Graziella Bian for Frag, each upholstered in maroon leather with upholstered legs, labelled to the underneath, 60cm wide, 53cm deep, 94cm high, seat 45cm high (8) £700 - 900

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Lot 714 A chrome dining table, 1970s, likely Italian, with a rectangular clear glass top, on a stacked chrome base, 200cm long 90cm wide 74cm high £300 - 500

www.sworder.co.uk

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Lot 715 An Italian ceiling lamp, 1950s, in the manner of Stilnovo, of brass structure with white lacquered shades, 40cm diameter 40cm high approximately £250 - 350

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Lot 716 A folding lounge chair, c.1960, designed by H W Kline, in corduroy with leather armrests, 67cm wide 130cm long 101cm high, seat 37cm high £300 - 500

717 Lot 717 An Italian chrome mirror, 1970s, with a spiral chrome frame, 60cm wide 80cm high £200 - 300

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Lot 718 A pair of Italian wall light panels, designed by Giacomo Benevelli in 1970, each with a silvered ‘reef knot’ design and two silvered bulbs, on gold finished panels, 30cm wide 16.5cm deep 55cm high (2) £500 - 700

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719 720 Lot 719 A pair of Italian slipper chairs, 1950s, upholstered in grey and white two-tone fabric, on tapering stained beech legs, each leg with a brass topper, 53m wide 57cm deep 85cm high, seat 33cm high (2) £500 - 700

Lot 720 A French gilt and painted neoclassical-style mirror, 1960s, with a carved frame, 64cm wide 79cm high £300 - 500

Lot 721 A pair of Italian gilt metal sconces, 1950s, each of twin-armed design, decorated with scrolling foliage, each topped with a theatrical mask, 42cm wide 49cm high (2) £300 - 500

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722 Lot 722 A brutalist octagonal slate coffee table, modern, raised on a conforming stand, 97cm diameter 47.5cm high £300 - 500

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Lot 723 A circular stainless steel ceiling light, comprised of two tiers, the top tier with hanging prisms, and with a central basket of prisms, 17cm high 63cm diameter £300 - 500

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Lot 724 A Gio Ponti oak table, c.1930, a square quarter veneered top, with reeded edges, over an ‘X’ stretcher, on tapering supports, 101cm square 75cm high, together with a copy of Gio Ponti Archives’ certificate (2) £1,800 - 2,200

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Lot 725 A pair of ‘None Rota’ chairs, designed by Ron Arad in 2002 for Cappelini, with bent polypropylene shells, both in orange, labelled ‘None Rota by Ron Arad For Cappellini’, 66cm wide 63cm deep 86cm high (2) £1,000 - 1,200

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Lot 726 A pair of Italian smoked glass and chrome display cabinets, 1970s, designed by Mario Sabot, each with chrome-mounted handles and four glass shelves, 94.5cm wide 42.5cm deep 180cm high (2) £800 - 1,200

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Lot 727 A ‘Barcelona’ lounge chair, originally designed by Ludwig Mies van der Rohe, on a chromed base, with buttoned tan leather seat and back cushion, on tan leather straps, 76cm wide 77cm deep 73cm high £400 - 600 Provenance: T he Southbank IBM building, designed

by Denys Lasdun.

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Lot 728 An oval brass and glass coffee table, in the manner of Maison Jansen, the ‘X’ frame stand mounted with lion paw feet, 95.5cm wide 56cm deep 40cm high £150 - 250

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Lot 729 A pair of ‘Nino Rota’ chairs, designed by Ron Arad in 2002 for Cappelini, bent polypropylene shells, one green, one blue, labelled ‘Nino Rota by Ron Arad For Cappellini’, 62cm wide 63cm deep 66cm high (2) £1,000 - 1,200

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MODERN DESIGN, FURNITURE AND LIGHTING 442-807 Lot 730 A Sommerso vase, 1960s, attributed to Alessandro Mandruzzato, of rectangular form, with an amber insert, 30cm high £150 - 200

Lot 731 An Alfredo Barbini Murano glass vase, of baluster form, green and blue glass, with an applied ribbon of opaque black glass to the neck, the ribbon with applied concentric ovals of red, white and blue, signed to the bottom ‘Barbini Murano’, with label to the mouth of the vase, 26cm diameter 32cm high £300 - 500

Lot 732 A Murano glass vase, modern, in the manner of Barovier & Toso, of ovoid form with a wide lip, over a reeded body in green to clear glass, unsigned, 31cm high £250 - 350 Lot 733 A Nuutajarvi glass bird,

by Oiva Toikka (Finnish, b.1931), in mottled black and white glass, signed, 15cm wide £150 - 200

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735 Lot 734 A stained glass panel, in the manner of Fernand Léger, 50cm wide 46cm high £150 - 300

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Lot 735 A Cenedese Murano glass aquarium block sculpture, 1960s, modelled with an exotic fish in seaweed, 12cm wide 3.5cm deep 9.5cm high £150 - 200

736 Lot 736 A Cedenese Murano glass aquarium block sculpture, 1960s, modelled with an exotic fish in seaweed, 16.5cm wide 4cm deep 12cm high £300 - 500 Lot 737 A Fendi Casa smoked glass vase, of globular form, etched with a band to the rim, labelled, 26.5cm high £250 - 350

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Lot 738 Two Fendi Casa black glass vases, both with faceted bodies, each etched ‘Murano’, one labelled, 19.5cm and 25cm high (2) £500 - 800

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

442-807 MODERN DESIGN, FURNITURE AND LIGHTING

Lot 739 A pair of ‘Papillona’ floor lamps, designed in 1975 by Tobia Scarpa for Flos, each with an aluminium base and rod, with metallised glass shades, 192cm high (2) £300 - 500 Lot 740 Two ‘Dolly’ folding chairs, designed by Antonio Citterio, one in orange, one lime green, 52cm wide 50cm deep 82cm high, seat 47cm high (2) £150 - 200

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§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

Lot 741 A B&B Italia ‘Frank’ settee, designed by Antonio Citterio in 2008, upholstered in cream leather, on chromed metal legs, 256cm wide 106cm deep 68cm high, seat 43cm high £1,000 - 1,500 Lot 742 An abstract wall sculpture, 1960s, in the manner of Wassily Kandinsky, painted wood, patinated metal and glass in a geometric arrangement, mounted on a canvas-clad board, 68 x 90cm £150 - 250 Lot 743 § A rosewood circular centre table or dining table, designed by Robert Heritage for Archie Shine, with four reeded panels, four drawers with recessed handles, raised on a strut base, 142.5cm diameter 72cm high £400 - 600

742 Lot 744 A ‘Spine’ steel chair, designed in 1988 by Andre Dubreuil, a bent steel frame with welded steel ribs, the lowest crossbar stamped ‘JTS’, 62cm wide 100cm deep 106cm high £800 - 1,200

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Lot 745 Three ‘Honeycomb’ folding chairs, designed by Alberto Meda for Kartell, two with clear backs and seats, one with green-tinted back and seat, 44cm wide 52cm deep 82cm high, seat 47cm high (3) £200 - 300

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Lot 746 A Cidue coffee table, 1970s, Italian, designed by Willy Rizzo, with a brass-bound smoked mirror top, on a matte black pedestal base, 120cm wide 80cm deep 29cm high £300 - 500

Lot 747 Two brushed aluminium standard lamps, 1960s, designed by Peter Nelson for Architectural Lighting, one with two shades, the other with one, with adjustable shade heights, 137cm high, and three matched brushed aluminium wall lights, 1960s, designed by Peter Nelson for Architectural Lighting, comprising a pair of single shaded lights and a single double-shaded one (5) £300 - 500

Lot 748 An Italian chrome coffee table, 1970s, in the manner of Renato Zevi, with a square inset clear glass top, on brass legs, 70cm wide Lot 749 70cm deep Anne Bachmann (contemporary), 50cm high ‘Wave’, Dartington Crystal, cast and £200 - 300 polished crystal with a rouge marble insert, signed and dated ‘Glassforms Ltd. 2011’, 19cm wide 4cm deep 22.5cm high £150 - 200

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Lot 750 A pair of Lucite puzzle table lamps, 1980s, in the manner of Les Prismatiques, composed of loose Lucite blocks, each encasing a luminescent sphere to the centre, 30cm wide 25cm deep 52cm high (2) £400 - 600

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

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Lot 753 An American Lucite coffee table, 1970s, in the manner of Karl Springer, on quarter circular legs, with chromed metal corners, with a clear glass top, 117cm wide 117cm deep 38.5cm high £400 - 600

Lot 751 A set of eight Ligne Roset stacking chairs, 40cm wide 40cm deep 87cm high, seat 46.5cm high (8) £250 - 450

Lot 754 An American Lucite centre table, 1970s, in the manner of Les Prismatiques, with an oval glass top, on a cruciform base composed of four Lucite trapezoids, 165cm wide 90cm deep 74cm high £400 - 600

Lot 752 An American Lucite coffee table, 1980s, in the manner of Les Prismatiques, the frame with exposed rubber bolts, with a square glass top, 77cm wide 77cm deep 52cm high £200 - 300

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Lot 755 A desk chair, designed by Charles Eames for Herman Miller and made by Hille, with a cream leather seat, on an alumninum cast stand, labelled ‘Charles Eames design Herman Miller Zeeland-Michigan, made by Hille of London Ltd.’, 47cm wide 50cm deep 85cm high, seat 48.5cm high £200 - 400

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Lot 756 A French post-modern resin coffee table, 1980s, attributed to Maison Jensen, with contoured edges, with a neoclassical grid pattern to the top, on cabriole legs, the legs and top with brass inlays, 95cm wide 95cm deep 35cm high £500 - 800

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Lot 757 Ten Vitra Meda desk chairs, designed by Alberto Meda in 1996, each with a ‘hi-back’ aluminium frame, 51cm wide 52cm deep 113cm high, seat 60cm high approximately (10) £200 - 400 Lot 758 A steel and glass chandelier, 1960s, a central column with transparent blown glass spheres, the arms of cruciform shape, each with a glass sphere and an opaque glass shade, 46cm diameter 54cm high £200 - 300 Lot 759 A massive circular glass-panelled dining table, 1970s, with four mirrored sections flanking an octagonal centre plate, raised on four Lucite columns, on a conforming chrome and brass plinth, 183cm diameter 78cm high £1,000 - 1,500

759

761 Lot 760 A ‘606 Universal’ shelving system, designed by Dieter Rams, in 1960, for Vitsoe, with five rows, making a corner unit, comprising: 5 uprights, 234cm high, 7 shelves, 66cm wide, 18cm deep, 7 shelves, 66cm wide, 23cm deep, 10 shelves, 91cm wide, 37cm deep, 4 shelves, 91cm wide, 37cm deep, 18 various sized returns, 10 wall adapted wall brackets (qty.) £500 - 700 The photograph is a representation of the lot, not the actual lot.

760 190

Lot 761 Three Italian steel-framed chairs, in the manner of Willy Rizzo, each on a sledge base and upholstered in grey suede, 48cm wide 42cm deep 77cm high, seat 45cm high (3) £200 - 300 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

442-807 MODERN DESIGN, FURNITURE AND LIGHTING

762

§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.

You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

763

Lot 762 § A rosewood and mahogany coffee table, 1970s, designed by Percival Lafer, with a clear glass top, on a square base composed of various hardwoods, including rosewood and mahogany, 78cm wide 78cm deep 35cm high £300 - 500

Lot 764 A polished steel desk, with a mounted writing surface, over a slide and four drawers, 76.5cm wide 67cm deep 75cm high £300 - 500

Lot 763 A set of four ‘Model S33’ chairs, 1970s, Italian, manufactured by Fasem, after the original design by Mart Stam, each with a chromed tubular steel frame, with black leather seat and back, stamped Fasem to the underneath of the seat, 53cm wide 65 deep 87cm high, seat 47cm high (4) £400 - 600

764

Lot 765 A carved and lacquered table lamp,

by Christian Wallis, signed and numbered 36/1000, 50cm high £300 - 500

766

765

www.sworder.co.uk

Lot 766 A Metafora-style coffee table, late 1980s, after Lella and Massimo Vignelli, originally designed in 1979, with three marble bases in the form of a cylinder, a rectangle and a cone, with a clear circular glass top, 115cm diameter 31cm high £200 - 300

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MODERN DESIGN, FURNITURE AND LIGHTING 442-807

768

767 Lot 767 A pair of oak ‘Beaufort’ armchairs, designed by Georges Van Rijk, each with a grey-upholstered button back and seat, 74cm wide 86cm deep 72cm high (2) £1,500 - 2,000

Lot 768 A chrome and tan leather armchair, 1970s, mounted to each side a Lucite-mounted folding demilune table, the back with a wire panel, the base with slung straps, 66cm wide, open 138cm 80cm deep 77cm high, seat 44cm high £500 - 700

Lot 769 A ‘606 Universal’ shelving system, designed by Dieter Rams, in 1960, for Vitsoe, in two separate rows, comprising: 4 uprights, lacking adjusters, 234cm high, 7 shelves, 66cm wide, 18cm deep 7 shelves, 66cm wide, 23cm deep 9 various size returns, eight adapted wall brackets (qty.) £300 - 500 The photograph is a representation of the lot, not the actual lot.

Lot 770 A collection of spare ‘606 Universal’ shelving system items, designed by Dieter Rams, in 1960, comprising: 2 centre uprights, 213cm high, 6 uprights, to take four shelves, 234cm high, 19 shelves, 66cm wide, 18cm deep, 8 shelves, 91cm wide, 31cm deep, 4 shelves, 66cm wide, 37cm deep, 4 shelves, 91cm wide, 23cm deep, 5 shelves, 91cm wide, 31cm deep, a quantity of ‘skirting’ sections and a small number of adapted wall brackets (qty.) £300 - 500 The photograph is a representation of the lot, not the actual lot.

769

192

770 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

442-807 MODERN DESIGN, FURNITURE AND LIGHTING Lot 771 Damien Hirst and Robert Sabbag, ‘Snowblind’, Rebel Inc., Edinburgh, 1998, no. 437/1000, 8vo, forward by Howard Marks, original silver paper-backed mirrored glass covers, metal credit card bookmark, rolled $100 bill inset in text block, with a pictorial slipcase, designed

by Hirst, signed by Hirst, Sabbag and Marks, also includes original numbered publisher’s box £400 - 600

Lot 772 Damien Hirst and Robert Sabbag, ‘Snowblind’, Rebel Inc., Edinburgh, 1998, no. 487/1000, 8vo, forward by Howard Marks, original silver paper-backed mirrored glass covers, metal credit card bookmark, rolled $100 bill inset in text block, with a pictorial slipcase, designed by Hirst, signed

by Hirst, Sabbag and Marks, also includes original numbered publisher’s box £400 - 600

Lot 773 *Peter Blake RA (b.1932) Fag Packets (Capstan, Star, Ardarth and Gold Flake) 2006, the complete set of four screenprints in colours, on wove paper, all signed and numbered 82/95 in pencil image approximately 72 x 42cm paper 88.5 x 48.5cm, unframed (4) £1,500 - 2,000

Lot 774 *Peter Blake RA (b.1932) Fag Packets (Capstan, Star, Ardarth and Gold Flake) 2006, the complete set of four screenprints in colours, on wove paper, all signed and numbered 81/95 in pencil image approximately 72 x 42cm paper 88.5 x 48.5cm, unframed (4) £1,500 - 2,000

771 & 772

773 & 774

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MODERN DESIGN, FURNITURE AND LIGHTING 442-807

775

776 Lot 775 Nadezhda Stupina (Russian, b.1967) ‘Beside the river’ 2008 oil on canvas 79 x 99cm £500 - 700 Lot 776 Erkin Baybabaev (Russian, b.1953) ‘Hathor’ 1991 oil on canvas 70 x 90cm £400 - 600 Lot 777 Vladimir Lunevski (Russian, b.1949) ‘Portrait of Lyudmila’, 1994 oil on canvas 80 x 70cm £500 - 700 Lot 778 A pair of Italian silver-plated candlesticks, 2002, by Guido Niest, each of coiled form terminating with a ball, stamped marks, 32cm high (2) £150 - 200

777

778 Lot 779 Roman Nogin (Ukrainian, b.1975) ‘Evening Cocktail’ triptych oil on canvas 78 x 103cm 90 x 30cm (2) £500 - 700

779

194

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

442-807 MODERN DESIGN, FURNITURE AND LIGHTING Lot 780 Mikhail Chemiakin (Russian, b.1943) ‘Composition Oriental’; ‘Composition Metaphysique’ two, signed and numbered 1/55 and 2/55 in pencil, cast rag paper, mounted on a grey cloth board 26 x 34cm (2) £300 - 500 Lot 781 Aleksandr Anokhin (Ukrainian, 20th/21st century) ‘Youth, energy’ triptych mixed media 57 x 80cm 57 x 77cm 57 x 78cm (3) £250 - 300

780

781 Lot 782 Aleksandr Anokhin (Ukrainian, 20th/21st century) ‘Abduction of Europe’ mixed media 58 x 122cm £300 - 500

Lot 783 Henry Milner (contemporary), after Nikolay Zhukov ‘See USSR’, 2013 lithograph in colours, signed indistinctly ‘H… M…’, archive proof II 62 x 91.6cm, unframed £100 - 150 Produced to accompany the exhibition See USSR, this print reproduces a lost work by Nikolay Zhukov. Henry Milner studied archival photographs of the original poster in order to recerate the original.

782

Provenance: Acquired by the present owner directly from the Curwen Studio.

Lot 784 *Joby Hickey (Irish, contemporary) Bottle signed ‘J Hickey’ l.r., acrylic on canvas 61 x 46cm, unframed £150 - 250

783

www.sworder.co.uk

784

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MODERN DESIGN, FURNITURE AND LIGHTING 442-807

785

786

Lot 785 *Luigi Galligani (Italian, b.1957), a silvered bronze figure, 13.5cm high, 15.5cm high overall, on a plucite stand together with a book by Nicola Micieli, ‘Galligani - Sculture e Disegni’, 1994 (2) £250 - 350 Lot 786 *Alexander Millar (b.1960), ‘The Angel’, 2011, bronze, in the form of a man holding ladder, signed ‘Alexander Millar’ to the right foot and numbered 24/95, on a granite plinth, with signed certificate of authenticity from Washington Green Fine Art, 47.5cm high £700 - 900

787 Lot 787 A South African sculpture, ‘Scream of Apartheid’, bronze, numbered ‘60’ to the plinth, mounted on a sandstone base, 44cm high including the plinth £300 - 500 Lot 788 Donald Judd (American, 1928-1994), ‘Seat/Table/Shelf/Seat 13’, designed in 1984, lacquered in traffic blue, stamped underneath the lower shelf ‘Donald Judd TM / Swiss made

by Lehni, 13/c2003/100’, 150cm wide 50cm deep 75 cm high £2,000 - 3,000

788

196

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

442-807 MODERN DESIGN, FURNITURE AND LIGHTING

789

Lot 789 A Danish contemporary Naver Collection cherrywood dining table, designed by Søren Nissen & Ebbe Gehl and manufactured by Gramrode Møbelfabrik, no leaves, 240cm long 100cm deep 74.5cm high, and a set of ten dining chairs, (8+2), armchairs 57.5cm wide 52cm deep 97cm high, seat 47cm high (11) £1,000 - 1,500

Lot 790 A pair of Fendi casa ‘Elisa’ leather desk chairs, each with a black leather seat and chrome details, 59cm wide 58cm deep 98cm high, seat 51cm high (2) £400 - 600

790

www.sworder.co.uk

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MODERN DESIGN, FURNITURE AND LIGHTING 442-807

Lot 791 A Case Studyo ‘lamp’, designed by Ed Templeton, limited edition, in a wood and printed box, 52cm high £300 - 500 Lot 792 Two Bentley Heritage collection ‘Saturno’ coffee tables, each with a circular Carrara marble top, with a stepped edge, on a bronzed stand, both with a Bentley logo to the underside, 44cm diameter 38.5cm high, and 38cm diameter 28.5cm high (2) £600 - 800

791 two views

791 box

792

794 793 Lot 793 Ai Weiwei (Chinese b.1957), ‘Odyssey’, 2017, offset lithographic poster, from an edition of 1000, published

by Astrup Fearnley Museet, 70 x 50cm, unframed £200 - 250

198

Lot 794 A contemporary gilt and glass-mounted ceiling light, of oval caged form, inset with ruby glass faceted mounts, with ceiling cap and suspension wires, 125cm wide, and a pair of matching wall lights, 57cm wide (3) £300 - 500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

795

796

798 Lot 795 A pair of ‘Cage’ table lamps, designed by William Yeoward for Yeoward South Ltd., each of patinated metal, on a conical base, labelled to the fitting ‘Made in Italy’, 68cm high (2) £200 - 300 Lot 796 A pair of ‘Cage’ table lamps, designed by William Yeoward for Yeoward South Ltd., each of patinated metal, on a conical base, labelled to the fitting ‘Made in Italy’, 68cm high (2) £200 - 300

797

Lot 798 A Moooi ‘Random Light II’ ceiling light, designed by Bertjan Pot, black fibreglass and epoxy resin, 105cm diameter £200 - 300

799

Lot 799 A set of three contemporary armchairs, each with a leather seat, mounted arms and with three supports, 70cm wide 75cm deep 68cm high, seat 40cm high (3) £350 - 450

Lot 797 A set of four chrome armchairs, c.1970, each on a tubular frame, with mesh seat and back, 56cm wide 60cm deep 80cm high (4) £300 - 500

Lot 800 A contemporary chrome rocking chair, with an elliptical seat and back, upholstered in black faux leather, 63.5cm wide 70cm deep 73cm high, 43cm seat high £200 - 300

800

www.sworder.co.uk

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MODERN DESIGN, FURNITURE AND LIGHTING 442-807 Warwick Evans was born in 1945 in Auckland, New Zealand. He came to England when he was three and has lived here ever since. He studied furniture design at Newcastle Art and Design School in the mid-sixties and then worked for Lurashell on the design and development of their moulded fibreglass (GRP) furniture and was responsible for the design of the ‘Vulcan’ and ‘Venus’ chairs.

In 1970, he was employed by Ron Hickman, inventor of the Workmate, to assist on the development of the high pressure die cast Mk2 version. After starting his own product development company in 1974, Warwick Evans Design, he was the first product designer to be based on the Science Park in Cambridge. Over the last forty years, Warwick Evans Design has provided consultancy and design services to a huge range of companies in the UK and Europe, ranging from the Royal Mail, Lotus Cars, Bang and Olufsen, SKF and the Early Learning Centre. In most years he produced a concept product to use as a marketing tool, to demonstrate the skills of the company, using different materials and ideas - both of the lounge chairs are examples of this.

In 1984, he won a Design Council Award for the design of an electronic drawing board for Laser-scan Laboratories; in 1986 he was elected a Fellow of the Chartered Society of Designers; and in 1991, awarded registration by the Design Council.

Lot 801 A moulded daybed, 1970s, designed by Warwick Evans, on a white stained wood base, with a moulded plastic top, with a single cushion upholstered in a black and white patterned fabric, 199cm wide 83cm deep 33cm high £300 - 500

Lot 802 A contemporary lounge chair, designed by Warwick Evans, upholstered in grey suede, on an upholstered base, 133cm long 49cm wide 85cm high, 30cm seat high £300 - 500

Lot 803 A contemporary lounge chair, designed by Warwick Evans, on tubular steel legs, with a painted plywood seat and back, with red foam upholstery, 106cm long 46cm wide 99cm high, seat 44cm high £300 - 500

802

803

200

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 204

442-807 MODERN DESIGN, FURNITURE AND LIGHTING

804

805

Lot 804 A set of six Merrow Associates dining chairs, each on a chromed cantilever base, upholstered in black leather, 45cm wide 48cm deep 85cm high, seat 44cm high (6) £200 - 300 Lot 805 A chrome and leather armchair ‘No Step Aft’, designed by Clare Brass for Edra, aluminium and leather, with a perforated panel under the seat, stencilled both sides ‘No Step Aft’, 85cm wide 95cm deep 108cm high, seat 44cm high £1,000 - 1,500

806 Lot 806 A ‘606 Universal’ shelving system, designed by Dieter Rams, in 1960, for Vitsoe, a single row, comprising: 2 uprights, 261cm high, 8 shelves, 66cm wide, 18cm deep, 4 adapted wall brackets (qty.) £250 - 350

Lot 807 Eight brass dining chairs, 1970s, by Renato Zevi, with orange corduroy upholstery, 48cm wide 47cm deep 117cm high, seat 46cm high (8) £250 - 350

The photograph is a representation of the lot, not the actual lot.

807

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FINE INTERIORS Tuesday 14 & Wednesday 15 September 2021 fineinteriors@sworder.co.uk | 01279 817778 202

MO D E RN CONTEMPORARY ART

&

Alexander Calder (American, 1898-1976), Untitled signed and dated 'Calder '61' l.r., watercolour and gouache, 55 x 74.5cm, £20,000-30,000

TUESDAY 5 OCTOBER 2021 | INVITING ENTRIES amyscanlon@sworder.co.uk | 01279 817778

GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty.

Attributed to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.

Circle of David Cox in our opinion a work from the period of the artist and showing his influence.

The addition of a question mark (?) after any of the above cataloguing terms indicates an element of doubt.

Follower of David Cox in our opinion a work executed in the style of David Cox After David Cox in our opinion a copy of any date after a work by the artist Signed/inscribed/dated in our opinion the work has been signed/inscribed/dated by the artist

A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was executed at that time and in the location, eg. South Netherlands School, circa 1750.

All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the purpose of cataloguing.

Condition reports are not included in the descriptions.

ARTIST’S RESALE RIGHT (ARR) What is Artist’s Resale Right?

Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more.

This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale.

How are resale royalties calculated?

The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate.

The royalty is worked out according to a sliding scale from 4% to 0.25%.

Hammer Price

Royalty

From 0 to €50,000

4%

From €50,000.01 to €200,000

3%

From €200,000.01 to €350,000

1%

From €350,000.01 to €500,000 Exceeding €500,000

0.5% 0.25%

What is the qualifying threshold?

An artwork must sell for more than €1,000 to qualify for a royalty. The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold.

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What nationality must an artist be to qualify?

The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA: Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom.

Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs.

Are all sales of artwork covered?

The Artist’s Resale Right does not apply to all sales of artworks. A royalty is only due if the following conditions are met: • • • •

the artwork is a copyright protected work of graphic or plastic art; it is sold for more than €1000; it is sold in the secondary market with the involvement of an art market professional (e.g. auction house); and it is sold in the UK or another country in the European Economic Area (EEA).

This royalty, where applicable, will be charged to the purchaser. It is exempt of VAT.

TERMS AND CONDITIONS 1. INFORMATION FOR BUYERS Introduction The following notes are intended to assist Bidders and Buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Terms and Conditions and any notices that are displayed in our salerooms or announced by the Auctioneer at the auction. Our Terms and Conditions are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Terms and Conditions that you do not fully understand.

Please make sure that you read our Terms of Sale carefully before bidding in the auction.

If your bid is successful, you will be obliged to comply with our Terms of Sale.

Methods of payment Lots must be paid for before they are collected or shipped. For those attending the auction we ask that Lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our Website, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale. We accept cash to an upper limit of 10,000 euros equivalent. We accept credit card payments to an upper limit of £5,000.

Usually any cheques will need to be cleared before you can take the Goods away.

Collection and storage All Lots should be paid for and collected by 5pm on the Friday following the sale.

Commission Bidders should check the success of their bids and arrange payment, and collection or shipping within this time. For our specialist auctions please refer to the collection and storage requirements detailed in the catalogue and on our Website, which specifies the applicable fees. For our Homes and Interiors auctions, items not removed by 5pm on Friday may be removed at the purchaser’s expense and storage charges of £10 (plus VAT) for administration and £2 (plus VAT) per lot per day.

Agency As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the Goods is with the Seller, not with us as Auctioneer.

Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the sale Price. The lower estimate may represent the Reserve Price (the minimum Price for which a Lot may be sold) and will not be below the Reserve Price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot. They are not definitive.

Buyer’s Premium The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased, except for our Fine Wine and Port auctions when it is 15%. In addition, VAT is charged on these Premiums (see below).

VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the Buyer on the Hammer Price and the Buyer’s Premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that Lot. Lots which do not have either of the above symbols have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the Premium is not recoverable as input tax.

Shipping Costs are liable for VAT and are payable by the Buyer.

Inspection of Goods by the Buyer As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have ample opportunity to inspect the Goods. You must inspect and investigate Lots that you might wish to bid for.

Please note carefully the exclusion of liability for the condition of Lots set out in the Terms of Sale at clause 12.4.

Condition reports We may be able to assist Buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending Buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale.

Shipping of Goods We offer a delivery service for Lots purchased. Estimates for Shipping Costs for smaller items can be calculated pre-sale on our website under each Lot and are based on value, size and your chosen UK destination. For items purchased the actual cost can be added to your account and paid online after the sale. If you purchase multiple Lots from the same auction, we will combine packaging/deliveries to reduce the Shipping Costs. For lots for which Shipping Costs cannot be automatically calculated, such as furniture, you can obtain a bespoke Shipping Cost from our website to any destination in the world either in advance of the sale or after you have purchased.

Electrical goods These are sold as ‘antiques’ only. If you buy electrical Goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

Export of Goods If you intend to export Goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing Goods of that character e.g. because the Goods contain prohibited materials such as ivory.

Bidding Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a Commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

Commission bidding You may leave Commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyers’ Premium and/or any applicable VAT). We will execute Commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical Commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving Commission bids online via our Website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute Commission bids received after this time.

Telephone bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value Lots. Please note that this service is for Lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason.

Online bidding Any Lots purchased via a live online bidding service will be subject to an additional Commission charge on the Hammer Price payable by the Bidder, in accordance with rates specified by the online service. From 1 January 2020, these charges will be charged at 0% while bidding via Sworders Website. If bidding through the-saleroom.com this will be charged at 4.95% plus VAT. These charges will be payable to us on top of the Hammer Price and our Buyer’s Commission.

IMPORTANT NOTICES Removal of Lots All Lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove Lots remaining after this time into safe storage, for which a charge will be made.

Electrical Goods All electrical Goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical Goods certified safe must be re-Commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-Commissioned.

Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling.

Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.

You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial Buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

Estimates of Shipping Costs on our website are based on the low estimate, whilst the actual cost is based on Hammer Price.

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2. TERMS OF SALE Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. These Terms of Sale relate to auctions conducted by an Auctioneer only. We have separate terms for online only auctions.

1. Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words ‘we’, ‘us’, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a Commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute Commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your Commission bid, unless our failure to do so is unreasonable.

Where two or more Commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

‘Auctioneer’

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised Auctioneer, as appropriate;

‘Bidder’

means a person who places a bid for Goods at our auction;

‘Buyer’

means the person who makes the highest bid for the Goods accepted by the Auctioneer;

‘Commission’

means the Commission that we charge you on the sale of the Goods as set out in Clause 5 below;

‘Consumer’

means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

‘Consumer Contracts Regulations’

means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013;

‘Deliberate Forgery’

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

‘FCA’

means the Financial Conduct Authority;

‘Goods’

means the Goods that have been consigned to us for sale at our auction;

‘Hammer Price’

means the level of the highest bid for a Lot accepted by the Auctioneer;

‘Premium’

means the Premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

‘Price’

means the total of the Hammer Price, Premium, Shipping Costs (if applicable) and any applicable VAT;

‘Proceeds’

means the Price less the Commission, the Premium, Shipping Costs, any expenses incurred to your account and any applicable VAT;

‘Reserve’

means the minimum Price at which the Goods may be sold;

‘Seller’

means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

‘Shipping Costs’

means the charges applied to the shipping of all Goods purchased, should the Buyer ask for the Auctioneer’s shipping agent to deliver the Goods (if applicable);

‘Terms of Consignment’

means these Terms of Consignment;

‘Terms of Sale’

means the Terms of Sale for Bidders or Buyers at our auctions;

‘Trader’

means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the Trader’s name or on the Trader’s behalf (such as an agent and/or the Auctioneer);

‘VAT’

means any value added tax or equivalent sales tax; and

‘Website’

means our Website available at www.sworder.co.uk.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may re-offer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

2.3 The Price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

2.4 The arrangements for collection or delivery of the Goods as set out in Clauses 8 and 9.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

4. The purchase price As Buyer, you will pay:

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

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a. the Hammer Price; b. a premium of 25% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Port Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5. VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price, Premium and Shipping Costs (if applicable) due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the ‘Information for Buyers’ in our auction catalogue for further information.

5.2 We will charge VAT at the current rate at the date of the auction.

6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the Auctioneer records the winning Lot in the sale book accepting the highest bid for the Lot at auction, unless due diligence information required by the Auctioneer under the Money Laundering Regulations 2019 in accordance with their internal procedure remains outstanding, in which case the contract will be formed when that information is accepted by the Auctioneer as complete.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may at our discretion provide the Seller with information or assistance in relation to that claim.

6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7. Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the total amount due in any way that we agree to accept payment.

7.1.3 pay in full the Shipping Costs prior to the Goods being shipped, should you agree to the Auctioneer’s shipping agent delivering the Goods.

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

8. Title and collection of purchases 8.1 Once you have paid us in full the total amount due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction, or such later date as is specified in the printed catalogue or on our Website.

8.3 If you agree to the Auctioneer delivering the Goods, only when the full Shipping Costs have been paid will the Goods be dispatched. We reserve the right that some Lots will not be suitable for an automated shipping estimate and will require bespoke quotes from the shipping agent.

8.4 Should you decide to use the delivery service, you thereby agree to allow the Auctioneer to share relevant personal data that we hold with the shipping agent in order to allow effective communication between the shipping agent and you, and to enable delivery.

8.5 If you do not collect the Lot within the time period under Clause 8.2, you will be responsible for any reasonable removal and storage charges in relation to that Lot. 8.6 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 8.7 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the Proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling Commission at our standard rates on any such resale of the Lot.

9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the Price you should have paid for the Lot and the Price we sell it for as well as the charges outlined in Clause 8.7). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the total amount due, including Shipping Costs where applicable; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements.

Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our employees’ or our agents’ negligence.

11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the Lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the total amount due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling Price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within thirty days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or recorded delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient.

15.3 Notices must be sent: 15.3.1 by hand or registered post; a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or recorded delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient).

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or

16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our Website.

13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

13.3 If you have sold the Lot to another person, we will only be liable to refund the Price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Terms and Conditions. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law.

15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers

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www.sworder.co.uk The Stansted Auction Rooms Cambridge Road Stansted Mountfitchet Essex CM24 8GE

Hertford Office 42 St Andrew Street Hertford SG14 1JA

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01279 817778 auctions@sworder.co.uk

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