Swaroop Lamdhade Architecture Portfolio

ARCHITECTURE GRADUATE PORTFOLIO SWAROOP LAMDHADE 1

Education

School- Somalwar Nikals School, Nagpur Junior College- MKH Sancheti Junior college, Nagpur Graduation- Rizvi College of Architecture, Mumbai

Professional Experience

2022- 2023- d6th D Design Studio, Ahmedabad, Gujrat (Ar. Himanshu Patel)

Documentation

2021- Sassoon Docks, Mumbai.

2023- Gatronomy and the city- Kalbadevi Bhuleshwar

Software skills Autocad

Sketchup

Twinmotion

Photoshop

Indesign

Competitions

About

Name Swaroop Lamdhade Contact no. 9518515829 Email swarooplamdhade@gmail.com DOB 13.04.2001 Nationality Indian

Annual NASA Design Competiotion Design 2020 Annual NASA Design Competiotion Design 2021 MASA Exhibition 2021

Languages

English, Marathi, Hindi

Other skills/ Hobbies

Punctual, teamwork, efficient, management, doodling, watercolours, photography.

Architecture holds a pivotal role in people’s lives, serving as a crucial point that influences their journey, whether directly or indirectly. It has the power to offer guidance, shape futures, inspire, or instill apprehension. This artistic discipline wields significant influence.

I emphasize the importance of engaging those we design for and also collaborate with the team, workers in the process of space creation. Moreover, I advocate for environmentally sustainable and inclusive design practices, ensuring that our architectural endeavors resonate with diverse communities and uphold environmental integrity. I eagerly anticipate broadening my horizons through collaboration and work in diverse fields.I also believe that novelty crafted with traditional and cultural sensibility proves to be valuable and practical.

2

CONTENT Academic

Invisible Cities Gurukul Environmental Centre Twin Bungalow Ahaar- Mapping culture through food

Professional Experience Bridge house Avsar party plot Rushitoya homestay Aam bagaan Nature’s edge

Competition

ANDC - Reimagine mobility in pandemic ANDC- Shelter for construction workers

Documentation

Pg no

6-7 8-9 10-11 12-13 14-17

20-21 22-23 24-27 28 29

32 33

Gatronomy and city Sassoon Docks, Mumbai documentation

36-37 38

Miscellaneous

39

3

4

Academic Work 2019-2023 5

INVISIBLE CITIES

Designing for a city mentioned in Italo Calvino’s ‘Invisible Cities,’ involves creating interpretation centers that showcase the city’s narrative, providing spaces for residents to gather and learn about their cultural heritage. Additionally, designing bazaars tailored to the needs of the city’s inhabitants, along with administrative center and other functional interventions inspired by the unique characteristics of the city, would be essential.

DESIGN ELEMENTS

Architectural Design Semester 3 Guide- Ar. Masroor Ansari Medium- Soft pastels and pencils

GROUND FLOOR PLAN

AXONOMETRIC VIEW

6

ELEVATIONS

PERGOLA DETAIL FIRST FLOOR PLAN

ROOF FLOOR PLAN EXPLODED VIEW OF INTERPRETATION CENTRE

7

GURUKUL

In Jawahar Village, Palghar, Mumbai, children engage in agrarian life alongside adults. A Gurukul designed to reflect local culture, climate, and surroundings, while also creating opportunities for passive income, fosters holistic development.

By integrating education with traditional practices, encouraging community involvement, and promoting sustainability, the Gurukul empowers children academically, economically, and culturally, ensuring their comprehensive growth within their distinct environment.

Architectural Design Semester 4 Guide- Ar. Proboddho Mukhopadhyay Medium- Watercolours and pencils

INITIAL MODEL

CLUSTER PLAN A Increasing plinth height

SECTION DD’ Uninterrupted ventilation SECTION BB’

Rainwater catchment BRICK WALL

MASTER PLAN

Water collection tower

BAMBOO WALL

ADMIN BLOCK

8

DETAILS OF VETIEVER CURTAIN

DETAIL OF MANGALORE TILE ROOF

CONSTRUCTION DETAIL

CLUSTER PLAN B

CLUSTER PLAN C

SECTION FF’

SECTION II’

ACCOMODATION BLOCK

ACADEMIC BLOCK

ANIMAL HUSBANDRY BLOCK

9

ENVIRONMENTAL CONSERVATION CENTRE

The developed land in Navi Mumbai is situated between two ecologically significant areas: the hill slopes of Parsik and the coasts alongside Thane Creek. Navi Mumbai boasts a creek line spanning 150 km, encompassing various water bodies and mud flats that harbor diverse flora and fauna. This particular site is nestled within one of these developable areas, surrounded by numerous gaothans (villages). The Environmental Centre serves as a bridge between the local community and the ecological systems, facilitating interaction between gaothan residents and other visitors to enhance awareness and promote conservation efforts. The design focuses on creating spaces where people can appreciate and understand the importance of preserving the ecology, particularly mangroves and associated flora and fauna. These spaces are intricately connected to the surroundings and are designed to engage all five senses, enriching the human experience while navigating through them.

FORM DEVELOPMENT

Architectural Design Semester 5 Guide- Ar. Masroor Ansari Medium- Autocad, Sketchup and Photoshop

GROUND FLOOR PLAN

SHADOW ANALYSIS

10

SECTIONS

FIRST FLOOR PLAN

ROOF AND LANDSCAPE PLAN

11

TWIN BUNGALOW

Understanding structural components and its working while planning a twin bungalow with parking Working Drawing Semester 6 Guide- Ar. Urvashi Purohit Medium- Autocad

GROUND FLOOR PLAN COMPOUND WALL

STRIP SECTION SECTION AA’

ELEVATION

PLAN @+1620 MM

SECTION BB’

SECTION CC’

PLAN @+1620 MM

12

SECTION BB’

STRIP SECTION

FIRST FLOOR PLAN

TOILET PLAN

SECTION AA’

SOUTH ELEVATION

SECTION BB’

SECTION DD’

13

आहार- MAPPING CULTURE THROUGH FOOD

A FLAVOURFUL JOURNEY- AN EXPERIENTIAL PLACE

The thesis explores the symbiotic evolution of food and shelter from ancient societies to globalization, highlighting the loss of indigenous food culture. It suggests creating spaces to promote these practices, fostering cultural preservation and identity through experiential learning and institutional support.

Design Dissertaion Semester 9-10 Guide- Ar. Minaz Ansari Medium- Autocad, Sketchup, Sketches, Photoshop, Indesign.

14

15

INSTITUTE FOR INDEGINEOUS CULINARY PRACTICES PANEL

16

17

18

Proffesional Work 2022-2023 19

BRIDGE HOUSE, AHMEDABAD

A farmhouse was designed with RCC In the middle of lush farms. The stairwell elevation with tinted glass windows was designed to have a play of light and ventilation. Electrical layout was designed.

STAIRWELL ELEVATION DESIGN

Medium- Autocad, Sketchup, Enscape

20

ELECTRICAL LAYOUT

GROUND FLOOR PLAN

FIRST FLOOR PLAN

21

AVSAR PARTY PLOT, AHMEDABAD

Celebration Lawn with supporting spaces was deisgned in Ahmedabad. The electrical layout for certain space was designed. The feature wall of the kitchen was designed and carried out on site constructed with bella stone, papda stone and bricks.

ELECTRICAL LAYOUT

Medium- Autocad, Sketchup, Enscape.

ELECTRICAL LAYOUT OF BRIDE’S AND GROOM;S ROOM

22

ROOF CONSTRUCTION

FEATURE WALL OF THE KITCHEN

23

ROOF LAYOUT DESIGN

RUSHITOYA HOME STAY, GIR

1" 3'-114 1" 3'-114 1" 3'-114 1" 3'-44 1" 3'-42 1" 3'-44

1" 3'-44

1" 3'-42

1" 3'-44

1" 3'-114

1" 3'-114

Medium- Autocad, Sketchup

1" 3'-114

1" 3'-114

1" 3'-114

1'

A Homestay in Gir, is designed at the bank of the river Rushitoya. Materials for construction used were bela stone, papda stone and mangalore tiles which could be sourced locally.Planning for roof and it’s layout, Electrical layout plan, flooring layout with kota stone, kadappa and jaisalmer stone was done. MS steel railing was designed for the balcony.

APPROX 3

1" 3'-44

1" 3'-44

APPROX 3

1" 3'-44

APPROX 3

1" 3'-44

1" 3'-44

1" 3'-44

4'-4"

4'-4"

1" 4'-92

4'-4"

1" 4'-92

1" 4'-92

1" 4'-92

1" 4'-92

1" 4'-92

1" 3'-44

5'-9"

1" 3'-44

1" 3'-44

1" 3'-44

ROOF PLAN FOR KITCHEN AND DINING AREA KEY PLAN

1" 3'-84

1" 3'-84

th

1" 3'-82

CENTRELINE FOR RIDGE

1" 3'-84

1" 3'-52

1" 3'-82

3'-11"

4'-7" 4'-7"

G

ER TT U

4'-7"

1" 3'-84

3'-5"

1" 4'-92

VERANDAH 15' x 6'

APPROX 3'

VERANDAH 15' x 6'

APPROX 3

5'-9"

1" 2'-52

1" 4'-72

1" 4'-72

4'

4'

4'

4'

4'

4'

1" 2'-52

4'

4'

4'

1" 3'-62

1" 4'-92

1" 3'-54

APPROX 3'

3'-03 4"

1" 2'-52

1" 4'-72

1" 4'-72

APPROX 3

1" 4'-92

G

1" 4'-94

1" 3'-54

BEDROOM 15' x 13'

APPROX 3'

1" 4'-94

8"

1" 3'-84

TT

ER

4'-7"

1" 3'-84

TT

ER

3'-5"

1" 3'-84

TT E

R

U

U

1" 3'-62

1" 3'-84

1" 3'-54

8" G

U

4'-7"

1" 3'-84

APPROX 3

1" 3'-114

G

1" 2'-112 2'-6" 4'-10"

4'-10" APPROX 3'

3'

4'-7"

BATHROOM 8' x 10'

8"

1" 3'-111" 2'-84 4

BEDROOM 15' x 13'

VERANDAH 7' x 10'6"

UP

BATHROOM 8' x 10'

1" 3'-54 1" 3'-54

1" 4'-92

Ø6

APPROX 3'

1" 2'-112 2'-6"

4'-2"

"

1" 3'-114

LIVING 21' 10" x 15'

BEDROOM 15' x 13'

UP

4'-10"

1" 3'-114

1" 4'-92

VERANDAH 7' x 10'6"

1" 3'-54

" Ø6

UPPER COURTYARD 36' x 36'

8"

1" 3'-111" 2'-84 4

BEDROOM 15' x 13'

3'-11"

1" 3'-84

3'-11"

1" 4'-92

3'-11"

1" 4'-92

3'-11"

1" 4'-92

BATHROOM 12' x 12'

4'-10"

1" 4'-94

3'-11"

1" 4'-94

3'-11"

1" 3'-84

1" 3'-84

3'-11"

1" 3'-84

1" 3'-84

3'-11"

3'-84"

1" 2'-81" 3'-114 4

3'-84"

APPROX 3'

3'-11"

design studio 1 1

1" 3'-114

design studio

OTS

3'-11"

APPROX 3'

1" 3'-52

LOWER COURTYARD 46' x 25' BATHROOM 12' x 12'

1" 3'-111" 2'-84 4

6"

3'-11"

th

1" 3'-82

OTS CENTRELINE FOR RAFTER

1" 3'-82

CENTRELINE FOR WALL PLATE

1" 2'-52

LOWER COURTYARD 46' x 25'

ROOF PLAN FOR LIVING AREA

ROOF PLAN FOR GROUND FLOOR BEDROOM BLOCK

24 th

ELECTRICAL LAYOUT DESIGN ELECTRICAL LAYOUT

SB- 7B

2'-6"

EQ

5'

SB- 26

SB- 6A

3'-9"

UPPER COURTYARD 36' x 36'

8'-3"

HT- 7'

2'-6"

SB- 4

(3) WALL POINT, (3) HANGING POINT- 3 SWITCHES

2'-6"

SB- 5

(1) CEILING POINT, (1) WALL POINT (TWO WAY)- 2 SWITCHES

4'-6"

SB- 6

(2) CEILING POINT - 2 SWITCHES

4'-6"

SB- 6A

(1) WALL POINT, (1) 5/15A PLUG POINT- 2 SWITCHES

3'-0"

1" UP 82

LVL +00

FOOT LIGHT POINT TABLE LAMP SWITCH BOARD

HT- 8'6" 1" 9'-04

SB- 11

SB- 14A

SB- 10A

11'-9"

HT- 7' 9"

SB- 12

AC

3'-1"

SB- 14

3'-5"

SB- 3

SB- 26POINT (TWO WAY), (1) FAN POINT (TWO WAY), (1) (2) CEILING SB- 27 LIVING 5A PLUG POINT- 3 SWITCHES

6'-6"

SB- 13

2'-0"

(1) WALL POINT- 1 SWITCH

4'-6"

SB- 10A

(1) WALL POINT, (1) 5/15A POINT- 2 SWITCHES

3'-0"

SB- 11

HT-PLUG 8'6" POINT - 2 SWITCHES HT- 8'6" (1) WALL POINT, (1) 5/15A

SB- 11A

(2) WALL POINT, (1) FAN POINT- 3 SWITCHES

2'-6"

SB- 12

(1) FAN POINT (TWO WAY), (1) WALL POINT- 2 SWITCHES

4'-6"

SB- 13

(3) WALL POINT- 3 SWITCHES

4'-6"

SB- 14

(2) 5A PLUG POINTS- 2 SWITCHES

2'-0"

SB- 14A

(1) AC POINT, (1) FAN POINT (TWO WAY) , (2) PLUG POINT- 4 SWITCHES

2'-0"

1" 1'-42

3'-0"

1" 3'-82

SB- 24

HANGING POINT

LANDSCAPE LIGHT

WALL POINT

EXHAUST FAN POINT

12'

P A S S A G E 10' W I D E

CEILING POINT

TABLE LAMP

CEILING HIGHLITER POINT

SWITCH BOARD

ONE WAY LINE

ELECTRICAL LAYOUT

12'

LVL +2'4"

FOOT LIGHT POINT

SB NO.

DESCRIPTION

HEIGHT

SB- 40

(3) FLOOR POINT, (1) 5A PLUG POINT- 2 SWITCHES

2'-6"

(5) CEILING POINT, (1) 5A PLUG POINT- 2 SWITCHES

2'-6"

SB- 41

SB- 44 SB- 45

(2) WALL POINT, (2) WALL POINT (TWO WAY), (2) CEILING POINTS, (2) FAN POINT, (2) 5A PLUG POINT- 7 SWITCHES (2) WALL POINT, (2) CEILING HIGHLITER POINT, (2) FAN POINT, (2) 5A PLUG POINT- 6 SWITCHES (1) CEILING POINT, (3) WALL POINT- 3 SWITCHES (1) CEILING POINT, (1) WALL POINT, (1) 5A PLUG POINT - 3 SWITCHES (2) WALL POINT,(1) HANGING POINT (1) 5A PLUG POINT- 4 SWITCHES

4'-6" 4'-6"

20'-6"

EQ

EQ

design studio

4'-6" 4'-6"

SB- 48

(1)15A PLUG POINT- 1 SWITCHES

4'-6"

(1) WALL POINT, (2)5/15A PLUG POINT- 3 SWITCHES

3'-0"

SB- 49

SB- 40

1" 6'-92

4'-6"

(1) WALL POINT, (2) 15A PLUG POINT- 3 SWITCHES

(2) HANGING POINT, (1) FAN POINT, (1) 5/15A PLUG POINT- 4 SWITCH (1) HANGING POINT, (1) FAN POINT, (1) 5/15A PLUG POINT- 3 SWITCHES

th

TWO WAY LINE

1" 13'-12

4'-6"

SB- 47

SB- 48A

FAN POINT

2'-6" 4'-6"

SB- 51

(2) WALL POINT, (1) 5A PLUG POINT- 3 SWITCHES

4'-6"

SB- 51A

(1) WALL POINT, (1) 5A PLUG POINT- 2 SWITCHES

4'-6"

SB- 51B

(2) WALL POINT- 2 SWITCHES

4'-6"

SB- 52

(1) WALL POINT, (1) 5A POINT- 2 SWITCHES

4'-6"

SB- 52A

(2) WALL POINT - 1 SWITCH

4'-6"

AC

VERANDAH 15' x 6'

1" 1'-72 1" 3'-92

SB- 25

1" 7'-22

1" 7'-54

1" 3'-92

HT- 8'6"

ELECTRICAL PLAN FOR LIVING AREA

SB- 50

HT- ABOVE DOOR AT7'-6" TOP

8'-3"

HT- 8'6"

21' 10" x 15'

CEILING POINT

SB- 46

HT- ABOVE DOOR AT TOP 1" EQ 84

2'-0"

EXHAUST FAN POINT

SB- 43

HT- 8'6"

EQ

LEGEND

FAN POINT

SB- 42

BEDROOM

EQ 7'-6"

EQ

1" 6'-24 HT- 7'

EQ EQ

HT- 8'6"

WALL POINT

1" 2'-42

1" 6'-32 1" 1'-72 1'-93 4"

4'-6"

(1) AC POINT, (1) 5A PLUG POINT- 2 SWITCH

1" 7'-22

1" 7'-52

4'-6"

HT- 8'6"

7'-6"

1" 9'-22

1" 3'-82

4'-61"

4'-6" 4

(1) WALL POINT, (1) HANGING POINT

SB- 9

HANGING POINT

3'-0"

3" (2)FOOT4'-11" (1) CEILING POINT,7'-6" (1) EXHAUST FAN POINT, LIGHT 4'-10 4 POINT- 3 SWITCHES 7'-6" (4) CEILING POINT (TWO WAY), 1 FAN POINT (TWO WAY)- 3 SWITCH

SB- 8

LEGEND

4'-6"

HT- 8'6"

SB- 8A

2'-6"

1" 11'-82

SB- 11A

(1) CEILING POINT, (1) FAN POINT- 2 SWITCHES (1) WALL POINT, (1)5/15A PLUG POINT- 2 SWITCHES

SB- 7B

SB- 10

EQ

SB- 7 SB- 7A

SB- 10

LVL +2'4"

BATHROOM EQ 8' x 10' HT- 10'

1" 3'-32

(3) WALL POINT, (2) HANGING POINT, (1) 5A PLUG POINT-3 SWITCHES

EQ

SB- 2

6'-6"

4'-6"

SB- 3

EQ

VERANDAH 7' x 10'6" 5'-13 5'-13 4" 4"

8'-3"

(1) CEILING POINT, (1) WALL POINT(TWO WAY)- 2 SWITCHES

SB- 9A

TWO WAY

EQ

(2) CEILING HIGHLITER POINT- 1 SWITCH

SB- 2

EQ

1" 82

HT- 8'6"

SB- 1B

₹3.00

FOR WALL POINT OF UPPER FLOOR

3'-9"

(2) CEILING HIGHLITER POINT- 1 SWITCH

EQ

EQ

8'-3"

1" 6'-82

SB- 1A

BELOW COPING LVL BELOW COPING LVL BELOW COPING LVL

EQ

3'-73 4"

3'-73 4"

HT- ABOVE DOOR AT TOP

SB- 8A

3'-3" 2'-3"

1'-6" 1'-9" 9"

1" 5'-42 SB- 8

SB- 7A

SB- 6

5'-6"

11'-9"

3'-93 4"

4'-6"

1" 2'-84

EQ

EQ EQ

3'-93 4"

9"

₹3.00

CENTRE OF NICHE AT EXTREME TOP ABOVE NICHE

11'-9"

1" 3'-42

HT- 7' 3 83 4" 1'-34"

3'-3"

BEDROOM 15' x 13'

(2) WALL POINT, (4) LANDSCAPE LIGHT POINT, (1) 5/15A PLUG POINT- 7 SWITCHES

1" 3'-04 HEIGHT

2'-6"

5'-6" P A S S A G E 5' W I D E

1" 3'-72

EQ

3'-93 4"

1" 3'-42

5'-6"

SB- 7

SB- 1A

1" 2'-84 2'

BATHROOM

P A S S A G E 5' W I D E

7'-3"

3'-93 4"

SB- 1

HEIGHT

EQ

2'-11"

EQ

1" 2'-84

EQ

SB- 27

DESCRIPTION (1) WALL POINT, (2) HANGING POINT, (1) FAN POINT, (2) 5/15A PLUG POINT- 6 SWITCHES (3) WALL POINT, (1) FAN POINT, (2) 5A PLUG POINT- 6 SWITCHES (1) 5A PLUG POINT, (1) TV CABLE POINT (1) 15A PLUG POINT { SWITCHES IN SB 27 } (2) WALL POINT, (1) HANGING POINT, (1) FAN POINT, (2)5/15A PLUG POINT, SWITCHES OF 5A AND 15A FROM SB 26- 8 SWITCHES

EQ

SB- 9

AC

1" 3'-72

1" 5'-54

SB- 9A

SB- 24 SB- 25

1" 2'-102 3" 2'-04

ELECTRICAL LAYOUT SB NO.

DESCRIPTION

EQ

OTS

SB- 1

SB NO.

AY

EQ

OW

EQ

TW

EQ

FOOT LIGHT POINT

5' 4'-5"

HT- 8'6"

FAN POINT

EQ

8'-3"

6'-6" HT- 8'6"

8'-3" HT- 8'6"

SB- 48A

1" 2'-02

HT- 8'6"

th

SB- 43

1'-6"

1" 4'-92

EQ EQ

1" 4'-92 VERANDAH 33' 9" x 10'

EQ

EQ

EQ

WALL POINT

SWITCH BOARD FAN POINT

SB- 51

EQ

EQ EQ EQ

1 EQ82"

HT- 8'6"

EQ

SB- 51B HT- 8'6"

EQ

EQ

HT- 8'6"

EQ HT- 8'6" SB- 52

EQ

EQ 2'-8" CHANGING ROOM 10' x 9'6" 1" 1'-14

1" 4'-92

SB- 52A

5'-9" EQ

1'-6" 3'-4"

TOILET 10' x 15'

SB- 51A

EQ

ELECTRICAL PLAN FOR KITCHEN AND DINING AREA CEILLING POINT

HT- 8'6"

3'-4"

EQ SB- 50

1" 4'-92

HT- 8'6"

3'-4"

HT- 8'6"

SB- 49

design studio

HANGING POINT SWITCH BOARD

EQ

EQ EQ 4'

SB- 48

KITCHEN 23' x 10'

EQ

EQ

EQ EQ

EQ SB- 44

HT- 8'6"

EQ

EQ

1'-6"

3'-9"

EQ

WALL POINT

EQ

EQ

SB- 47

EQ

EQ

EQ

HT- 8'6"

CEILING POINT

LVL -5'3"

EQ

EQ

LEGEND

SB- 41

1" 2'-102

HT- 8'6" EQ

1" 82

EQ

HT- 8'6"

HT- 8'6"

SB- 46

ELECTRICAL PLAN FOR GROUND FLOOR BEDROOM BLOCK

HT- 8'6"

P A S S A G E 5' W I D E

SB- 45

UTILITY AREA HT- 8'6" 10' x 15'

SB- 42

WAY

EQ

EQ

EQ

TWO

STORE ROOM 12'3" x 8'

EQ

EQ

HT- 8'6"

EQ

EQ HT- 8'6"

EQ

th

25

design studio

C

FLOORING LAYOUT DESIGN

KOTA TILE PROTRUDING 21 INCH FROM PLASTER

1" 1'-102

1" 1'-102

1" 1'-102

1 2"

PLASTER

1" 1'-42

SP

5" 28

15'

PLINTH

9"

15'

25 " 8

SP

SP 1'-101"

1" 1'-102

2

2

8

25 " 1'-1021" 8

2

SP

1'-101"

SP

8

37"

2

AC 1'-101 2"

1'-101 2"

RIVERWASH KOTA

1" 1'-102

1" 1'-102

1" 1'-42

1114"

-4 2"

4"

2

1'-101"

SP

1"

1'-101 2"

11"

2 4"

1" 1'-42

B''

AC

th

B''

1'-101"

1"

2

4"

1" 1'-42

1" 1'-102

DETAIL AT B

2

1" 1'-42

1'-101"

SP

DETAIL DETAIL AT B’ AT B' 1'-101 2"

DETAIL DETAIL AT AT BB

1'-101"

1" 1'-102

11"

1" 1'-102

1114"

1'-41"

1" 1'-102

1" 1'-102

DETAIL AT B'

SP C

2

2

B''

11"

4

SP

11"

SP

1'-101"

KADAPPA STONE INSERT

11"

11 1"

2

SP

DETAIL AT B'

1" 1'-102

1'-101"

2

2

DETAIL AT A' DETAIL AT A’

DETAIL AT B

SP

1" 1'-102

1'-101"

B

SP 1" 1'-102

B

11"

design studio

2

A'

DETAIL AT B B

1"

SP

1'-101" 1'-101 2"

1" 1'-42

DETAIL AT DETAIL A AT A

1'-101 2"

37" 8

1"

4

1'1021"

1" 1'-102

AC 9"

th

1" 1'-42

1" 1'-102

5 SP 28 "

1" 1'-102

SP

1" 1'-42

PATTERN ININ PASSAGE PATTERN PASSAGE

1" 1'-102

1" 1'-102

25 " 8

2

1" 1'-102 11 1"

SP

B

KADAPPA STONE INSERT 1'-101 2"

61" 4

SP

3

4"

1

A 114"

SP

1" 1'-102

4"

1" 1'-102

2

1

1'-102" SP JAISALMER STONE

SP

B

JAISALMER STONE

1'-101"

SP

C

KADAPPA STONE INSERT

1'-101 2"

61

4"

4"

1" 1'-42

9"

4

2

KADAPPA STONE INSERT

1'-101 2"

1'-101 2"

3

4"

1'1021"

2

PATTERN IN PASSAGE

1'-101"

1" 1'-102

1114"

2

1

1

JAISALMER STONE

1" 1'-102

1'-101"

"

1'-101"

4

1'

KADAPPA STONE INSERT

1" 1'-102

11 1" B

0

4"

DETAIL AT A' SP DETAIL AT A'

SP 15'

25 " 8

1

61

SP 11 1"

1

2 3 4 KADAPPA STONE INSERT

EQ

3

2

25 8"

A'

1" 1'-102

4 2"

1'-

1

3

1'1021"

SP

D

1'-101"

1" 1'-102

"

4

2

11 1" 4

DETAIL AT A 4

1'-101" 2

1114" 1114" 4

4

1'1021"

0

1

11 1"

11 1" 4

1'-101 2"

1" 1'-102

1

1

61" 4

1114"

EQ

4

A

1" 1'-102

TILING LAYOUT FOR GROUND FLOOR PLAN

2

EQ

1" 1'-102

8

37"

1" 1'-102

3

4

1" 1'-102

1" 1'-102

1" 1'-98

2

1'-101"

1114"

4"

DETAIL AT A'

1" 1'-102

11 1"

1" 1'-102

KADAPPA STONE INSERT

1

4

1 42

61"

1" 1'-42

JAISALMERSP STONE

4"

1'1021"

2 1

SP

SP

1" 1'-102

C

2

3

1'-

1" 1'-98

C

4

1" 1'-42

4

61"

1'1021"

C

A'

3

EQ

61"

1114"

1'1021"

15'

SP SP

D

SP

61" 4

D

4

1" 1'-102

1" 1'-42

SP

11 1"

4

EQ

11 1"

1 -4 2

2

11 1"

1" 1'-42

1114"

DETAIL AT A'

1" 1'-102

1'-101 2"

EQ

1'

1'-101"

KADAPPA STONE INSERT

4

design studio

4

1'1021"

4

EQ

C

11 1"

11 1"

4

2

1" 1'-102

1" 1'-42

DETAIL 11 1" AT A

11 1" 4

A'

1"

B

11 1"

1" 1'-102

th

KADAPPA STONE INSERT

SP

SP

SP

SP

1'-101"

4"

1"

EQ

4"

1" 1'-42

DETAIL AT C

DETAIL AT B'

2

MIRROR POLISHED KOTA

A

DETAIL AT A

D

1'-101"

A

DETAIL AT C

1'-41"

SP

4

JAISALMER STONE

SP

1" 1'-102

4

11 1"

SP

TILING LAYOUT FOR KITCHEN AND DINING AREA

4"

SP

B''

11 1"

C

1" 1'-102

A

KADAPPA STONE INSERT

1" 1'-102

25 " 8 A'

1" 1'-42

1" 1'-102

1" 1'-42

2

SP

DETAIL AT A 4

1'1021"

1'-10 "

37"

81

AC

SP

A

SP

1'-101 2"

1" 1'-102

1" 1'-102

1'-101 2"

37" 8

KADAPPA STONE INSERT

4"

SP

B

11 1"

JAISALMER STONE

4"

1" 1'-102

KADAPPA STONE INSERT

D

VERANDAH

4"

4"

JAISALMER STONE

4"

25 8"

101 4"

2

4"

B''

15'

KITCHEN

(WITHOUT GROVE)

1'-101 2"

SP

4

4"

2

1'-101"

1" 1'-102

1" 1'-102

2

1'-101"

1" 1'-102

2

1" 1'-102

11 1"

4

1'-101" 2

1'-101"

11 1"

1'-41" 2

1'-101"

KADAPPA STONE INSERT

SP

SP

1" 1'-102

1114"

SP

DETAIL AT A

1" 1'-102

1" 1'-42

9"

15'

1" 1'-102

9"

SP

15'

1" 1'-42

1114"

1'-101" 5" 2 2SP

1" 1'-42

C

A'

1" 1'-102

1" 1'-102

SP A

9"

SP

SP

DINING

1114"

SP

SP

1" 1'-102

SP 1 1'-102"

1" 1'-42

SP

1" 1'-102

1" 1'-42

1" 1'-102

(WITHOUT GROVE)

SP

PASSAGE

1" 1'-102

1'-101 2"

UTILITY AREA

1" 1'-42

1" 1'-102

1" 1'-102

1'

KADAPPA STONE INSERT

(WITHOUT GROVE)

1" 1'-42

STORE ROOM

JAISALMER STONE

4"

8

1" 1'-42

SP

37"

1" 1'-102

4"

A

SP

SP

SP

1" 1'-102

1" 1'-102

KADAPPA STONE INSERT

DETAIL AT A

1" 1'-42

1'-101"

AC

AC

JAISALMER STONE

81"

1'-101 2"

2

SP

11"

DETAIL AT B'

design studio

DETAIL AT B'' DETAIL AT B’’

SP

DETAILDETAIL AT C AT C EQ

SP

26

EQ

1'

14'-11"14'-11" 2 2

14'-11" 2 14'-91"

51" EQ EQ EQ EQ EQ 2

14'-11" 2

EQ

20X50HOLLOW MS STEEL HOLLOW 20X50 20X50 MS STEEL MS STEEL HOLLOW REECTANGULAR REECTANGULAR REECTANGULAR SECTION SECTION SECTION

2

EQ

EQ

51" 45EQ EQ 8" EQ EQ EQ 2

EQ

20X50 MS STEEL HOLLOW

EQ

EQ

REECTANGULAR 10X50 MS STEELSECTION FLAT 10X50 10X50 MS STEEL MS STEEL FLAT FLAT

EQ

EQ

EQ

10X50 MS STEEL FLAT

MS STEEL ROD 6MM DIA 6MM MSDIA STEEL MS6MM STEEL RODDIAROD 10X50FLAT MS STEEL FLAT 10X50 10X50 MS STEEL MS STEEL FLAT 6MM DIA MS STEEL ROD 10X50 MS STEEL FLAT

THK KOTA FLOORING 3" THK3"KOTA THK FLOORING KOTA3"FLOORING THK RCC SLAB 5" THK5"RCC THKSLAB RCC 5" SLAB

45" 8

45" 8

3'-4"

5" 3"

3" THK KOTA FLOORING 5" THK RCC SLAB

1" 14'-92

1"14'-91" 14'-92 2

1" 14'-92

50MM

EQ EQ EQ EQ EQ 50MM 50MM 50MM EQ EQ EQ EQ 50MM 50MM 50MM EQ

A

PLAN

A

A

PLAN PLAN

EQ 50MM EQ

A PLAN

EQ

AC

AC

AC

ELEVATION A ELEVATION ELEVATION FROM FROM AFROM A FROM ELEVATION FROMELEVATION A A

AC

5" 3"

14'-91" 2

51" EQ EQ EQ EQ EQ 2 5 4 " 8

4"

14'-91"14'-91" 2 2

5" 3"

EQ

EQ

3'-4"

4" EQ

51" EQ EQ EQ EQ EQ 2

RAILING DESIGN

EQ

EQ

EQ

PLAN

KEY PLAN th

27

AAM BAGAAN, HYDERABAD

A resort in Hyderabad in middle of mango grove. Construction was done with latterite stone and mangalore tiles majorly.

Planning for one such cottage in the grid of trees and the foundation plan for the same was designed.

Medium- Autocad, Photoshop

15'-6" 7'-9" 1'-5"

4'

2'-5"

2'-5"

1'-4"

4'

8'-

8'-

11

11

4'-6"

" 4'-6"

"

8'-

11

"

8'-11"

8'-11"

29'-11" 9'-9"

9'-9"

2"

29'-11"

2"

6'-

8'-11"

6'-

2' 6'-9"

6'-9" 9"

1'-5"

4'

2'-5"

2'-5"

4'

1'-4"

7'-9" 15'-6"

GROUND FLOOR PLAN

ROOF FLOOR PLAN

FOUNDATION PLAN th

design studio

28

NATURE’S EDGE, AHMEDABAD

4"

6'-7"

18'-1121"

12'-9"

8'-11"

6'-3"

1'-0"

" '-8

80'-7"

5'-11"

4'-321"

10'-834"

CASE 1- FOR PERIPHERAL WALL

6'-9"

6'-9"

13'-2"

6'-621"

6"

3'-0" 6"

11'-7"

13

1'-421" 3'-1134"

10'-7"

10"

3'-1"

1'-521"

6'-121"

6'-121"

8'-5"

1'-421"

1'-221"

8'-5"

"

10'-7"

'-8

4'-6"

2'-6"

4"

Medium- Autocad 17

3"

3"

A second home was designed as a load bearing structure with random rubble masonry used in walls. The foundation layout and details were designed. Foundation- Sand packed foundation laid by dugging trenches. The foundation differs according to the postion of the wall in the structure.

1'-0"

6"

9" 6" 3'-3" 6" 1'-0" 3'-0" 4'-6"

3'-0" 3'-3" 9" 6"

2'-6"

2'-6" 4'-6"

2'-6" 4'-6" 3'-0" 3'-3" 9" 6"

6"

1'-0"

3'-0" 1'-0"

6'-3"

4'-321"

2'-6"

2'-6"

3'-0" 3'-3"

3'-0" 3'-3" 9" 6"

6"

6" 1'-0"

8'-11"

4'-6"

4'-6"

2'-6"

2'-6"

18'-1121"

20'-021"

9" 6" 3'-3" 6" 1'-0" 3'-0" 4'-6"

6'-7"

4"

1'-0"

2'-834" 11'-7"

9" 6" 3'-3" 6" 1'-0" 3'-0" 4'-6"

7'-2"

7'-2" 10'-241"

3'-1134"

9" 6" 3'-3" 6" 1'-0" 3'-0" 4'-6"

2'-6"

4'-6"

17'-11" 64'-8" 9'-821" 4'-6"

10'-4"

17'-3"

12'-7" 4'-8"

12'-7" 2'-834"

4'-8"

17'-3"

8'-1041"

4" 4"

CASE 2- FOR FOUNDATION AROUND SWIMMING POOL

1'-0"

14'-0"

1'-221"

2'-0"

9"

9"

10'-1021"

17'-11"

9"

3'-1"

5'-3"

4'-6"

2'-11"

6"

33'-1034"

2'-6"

3"

7'-2"

1'-921"

2'-5" 9"

1'-7"

1'-0" 1'-5"

9" 7'-3"

64'-8"

4"

2'-5"

2'-0"

7'-2"

5'-11"

19'-421"

21'- 1 02 "

80'-7"

CASE 3- FOR FOUNDATION AROUND SWIMMING POOL FOR EXTERNAL WALL th

FOUNDATION PLAN

design studio

29

30

Competitions 2020-2021 31

ANDC 2020- REIMAGINING MOBILITY IN PANDEMIC

32

ANDC 2022- SHELTER FOR CONSTRUCTION WORKERS

33

34

Y

ORIGINAL INHABITANTS OF BOMBAY YET RELEGATED TO NOOKS OF THE CITY

ORIGINAL LIFESTYLE UNDER THREAT DUE TO RAPID MODERNISATION

INDIGENEOUS COMMUNITIES

PLANS TO REDEVELOP AND

UNSUSTAINABLE COMMERCIAL UNHYGIENIC SITUATIONS FACED MODERNISE SASSOON DOCKS FISHING PRACTICES

BY PEOPLE WORKING HERE. WITH TOURIST FRIENDLY MOST OF THEIR CONCERNS ARE NOT ADDERESSED APPROACH RATHER THAN THE ORIGINAL INHABITANTS OF KOLI PEOPLE BOMBAY YET RELEGATED TO NOOKS OF THE CITY PLANS TO REDEVELOP AND MODERNISE SASSOON DOCKS WITH TOURIST FRIENDLY APPROACH OLD TRADING DOCK OF RATHER THAN THE ORIGINAL LIFESTYLE UNDER KOLI PEOPLE HISTORICAL IMPORTANCE NOW THREAT DUE TO USED BY FISHING INDUSTRY RAPID MODERNISATION

KOLIS

INDIGENEOUS PRACTICES WHICH ARE SUSTAINABLE

PART OF THE HERITAGE AND CULTURE OF A REGION

OLD TRADING DOCK OF HISTORICAL IMPORTANCE NOW USED BY FISHING INDUSTRY

KALBADEVI

KOLIS SASSOON DOCKS SASSOON DOCKS KALBADEVI AND BHULESHWAR

TRADITIONAL KNOWLEDGE WHICH IS ESSENTIAL TO MAINTAIN A BALANCED ECOSYSTEM

BHULESHWAR

Kalbadevi is a vibrant neighborhood located in the heart of Mumbai, India. Known for its bustling streets and narrow lanes, Kalbadevi is a commercial hub and a paradise for shoppers. It is home to numerous traditional markets and bazaars, offering a wide array of goods, from textiles and jewelry to spices and household items. The area also houses several ancient temples and religious sites, adding a touch of spiritual fervor to its atmosphere. Bhuleshwar, neighboring locality, is famous for its iconic Shri Bhuleshwar Temple, dedicated to Lord Shiva.

The area's cultural charm, historical significance, and lively markets make both Kalbadevi and Bhuleshwar must-visit destinations for locals and tourists alike.

CULTURAL HISTORY Kalbadevi and Bhuleshwar have a rich history and vibrant cultural tapestry. Kalbadevi derives its name from the famous Kalbadevi Temple dedicated to the goddess Kali. Over the

SHRI THAKAR BHOJNALAY

THAKAR is famous for it’s hospitality and the homely gujrati thali consisting of more than 25 items giving different experiences with every morsel while eating with different combinations, flavours exploading in your mouth. It is established since 1945 by

Documentation 2021-2023 35

GASTRONOMY & THE CITY

This elective aimed to map the city through its rich cuisine and gastronomical habits. It looks forward to weave out various communities and their food which forms a major cultural stock in the city.

What becomes important is to understand how architecture responds to the idea of gastronomy, community and its institutions.

Mumbai boosts of BHULESHWAR multiculturalism and has been a cosmopolitan hub in India since last century. The urban landscape of Mumbai has an interesting interplay KALBADEVI of communities, their ethnicity, language, cultural practices & associations, SHRI THAKAR BHOJNALAY socio-economic activities KALBADEVI AND BHULESHWAR Kalbadevi is a vibrant neighborhood located in the heart of and political ideologies. The Mumbai, India. Known for its bustling streets and narrow lanes, Kalbadevi is a commercial hub and a paradise for shoppers. It resultant urban fabric has a is home to numerous traditional markets and bazaars, offering a wide array of goods, from textiles and jewelry to spices and household items. The area also houses several ancient temples very dynamic urban tissue and religious sites, adding a touch of spiritual fervor to its atmosphere. Bhuleshwar, THAKAR is famous for it’s hospitality where community, culture neighboring and the homely gujrati thali consisting locality, is famous of more than 25 items giving different its iconic Shri Bhuleshwar and public realm intersect for experiences with every morsel while Temple, dedicated to Lord Shiva. eating with different combinations, The area's cultural charm, flavours exploading in your mouth. It is and transact. historical significance, and lively established since 1945 by The areas chosen to study were – Kalbadevi & Bhuleshwar – Gujarati & Marwar Parsi & Irani cafes – Parsi Mohd. Ali road – Dawoodi Bohras & Momins Matunga – Tamil Brahmins Gastronomy and the city, Semester 9 Medium- Photoshop, Indesign Guide- Daksh Jain, Hanisha Chotani

WHY?

Rajasthani food mainly known as potent and pungent in nature, mainly use cumin, coriander, pepper, chillies, cardamom, cinnamon and cloves in the food prepared in this region making them cut the heat of desert and other part of the state.

CRAWFORD MARKET MANGALDAS MARKET The gujrati food is mainly based on Mangal das Market , l ocat ed i n the use of pulses as it is rich in Mum bai , i s a bust l i ng t ext i l e protien giving a lot of energy for the m arket fam ous for i t s vast sel ect i on local people of gujrat to work in the of fabri cs, garm ent s, and scortching heat- giving rise to a accessori es. I t i s a go-t o varied palette of dishes made out of dest i nat i on for fashi on desi gners, it from Dhokla to Farsan. Gujratis bout i que ow ners, and i ndi vi dual s have been active in trade since a seeki ng qual i t y fabri cs at com pet i t i ve pri ces. The m arket 's long of period of time making them vi brant at m osphere and di verse travel from one region to another offeri ngs m ake i t a haven for this gave rise to farsan that is fried t ext i l e ent husi ast s and fashi on food which retains the nutrition l overs. value and does not perish very easily being easy for the traders to Crawford Market, also known as his carry them throughout their journey. Mahatma Jyotiba Phule Market, is a historic market in Mumbai. Built in the late 19th century, it is famous for its architectural grandeur and diverse range of products, including fruits, vegetables, spices, and pets. The market's vibrant atmosphere and colonial-era charm at tract both locals and tourists.

JUMA MASJID

SURTI

Surti- The restaurant get it’s name from one of the district of gujarat- surat. a district famous for its trade and economy. This restaurant is serving staple gujrati homefood to the traders and visitors since 1950.

markets make both Kalbadevi and Bhuleshwar must-visit destinations for locals and tourists alike.

FOOD INFLUENCE The influence of Gujarati and Rajasthani cuisine is palpable in the culinary scene of Kalbadevi and Bhuleshwar. Gujarati thali restaurants serve a delectable spread of dishes like dhokla, thepla, kadhi, and undhiyu. Street food stalls offer popular Gujarati snacks such as fafda, khandvi, and gathiya.

Rajasthani food joints entice with specialties like dal baati churma, gatte ki sabzi, and mirchi vada. The aromatic spices used in these cuisines, like hing (asafoetida) and ajwain (carom seeds), are readily available in spice shops. These culinary influences create a diverse food scene, catering to the taste buds of locals and visitors alike, while celebrating the flavors of Gujarat and Rajasthan.

Juma Masjid, also known as Jama Masjid, has a rich history dating back to the 15th century. It is one of the oldest and most prominent mosques in Mumbai. The mosque holds cultural and religious significance, serving as a place of worship and a symbol of Mumbai's diverse Muslim community.

ZAVERI BAZAAR KHAUGALLI

CULTURAL HISTORY Kalbadevi and Bhuleshwar have a rich history and vibrant cultural tapestry. Kalbadevi derives its name from the famous Kalbadevi Temple dedicated to the goddess Kali. Over the years, it transformed into a bustling commercial hub and a prominent textile center. Bhuleshwar, situated nearby, is renowned for the Shri Bhuleshwar Temple dedicated to Lord Shiva. The neighborhoods attract people from various communities, including Gujaratis, Marwaris, Muslims, and Parsis, creating a diverse cultural blend.

The area pulsates with festivals like Navratri, Diwali, and Ganesh Chaturthi, celebrated with great zeal and traditional fervor. This cultural amalgamation, along with the bustling markets and historical landmarks, makes Kalbadevi and Bhuleshwar vibrant hubs of history and culture.

ZAVERI BAZAAR Zaveri Bazaar, located in Mumbai, has a rich history as a prominent jewelry and bullion market. It has been a center of the gold and diamond trade for decades, attracting traders and customers from across the country. The market's influence extends to the city's economy and its reputation as a jewelry hub.

KHICHIYA PAPAD Different types of fried papad topped with flavourful chutneys, onions tomatoes and crunchy sev, and boondi

Khaugalli mainly set up for the workers and the labourers or the floating population of zaveri bazaar at comparitively lower prices serving street food originating from gujrat and rajasthan

PYAAZ KACHORI

Fried onion and pulses stuffing with indian spice wrapped up in whole wheat dough, served hot in the form of chat topped with dahi, chutneys.

PUDLA

RESIDENTIAL AREA

Batter of bengal gram mixed with water and spices, fried on pan and wrapped around to bread often known as veg omlette. Soft and delicious!!

COMMERCIAL AREA NETWORK OF VENDORS AND KHOMCHAWALAS FOOD

BADSHAH COLDRINKS i s servi ng refreshi ng fresh j ui ces and chi l l ed fal ooda t he vi si t ors t o t hi s area and t he peopl e com i ng t o t he m arket for shoppi ng refreshi ng t hem and gi vi ng a chi l d breeze i n Mum bai ’s heat now for m ore t han 100 years

KYANI & COMPANY It has been standing strong, its interiors jovial with engraved darkwood panels for almost 113 years, in a building that evidently looks its age, but sturdy nonetheless. Sepia toned pictures of a hundred years old Mumbai, the small bakery section at one corner of the restaurant, the preserved black bentwood chairs or the checkered mats over the square and some round tables all across the café. Kyani serves authentic parsi food with a buzz of raspberry soda taking us to the good old days of BOMBAY.

MOHANLAL S MITHAIWALA Established since sin 1991 has a varied range of halwa- halwa in the form of small sweet and crisp sheets different than normal halwas what we get usually. They have several branches now opened in Mumbai. The most famous halwa from this food hal joint is the Ice Halwa

36

BHULESHWAR

Bhuleshwar is not only known for its historical significance but also for its vibrant culture and diverse culinary scene.

NULL BAZAR

BHULESHWAR

SHRI. MUMBADEVI MANDIR

Null Bazar, located in Mumbai, India, is a historic market dating back to the colonial era.

Established along a drain, it became a bustling trading hub for textiles, spices, and more. Over time, it grew into a vibrant market with narrow lanes and a diverse range of shops. Today, Null Bazar remains a bustling commercial center, reflecting Mumbai's energy and offering a variety of goods. It retains its historical charm while adapting to modern times.

The Mumbadevi Temple, dedicated to the goddess Mumba, has a history dating back to the 18th century. It holds cultural significance as a symbol of Mumbai's identity, serving as a place of worship and being deeply intertwined with the city's festivals and traditions.

History: The history of Bhuleshwar dates back to ancient times, and the area has witnessed various periods of growth and development. The Shri Bhuleshwar Temple, dedicated to Lord Shiva, holds historical significance and is considered one of the oldest temples in Mumbai. Over the years, Bhuleshwar became a hub for trade, particularly in textiles and jewelry. It played a vital role in Mumbai's commercial development, attracting merchants and traders from different parts of the country.

Culture: Bhuleshwar has a diverse mix of communities residing in the area, including Gujaratis, Marwaris, Muslims, and Parsis.

This blend of cultures is reflected in the local festivals, traditions, and lifestyle. The neighborhood celebrates various religious festivals such as Navratri, Diwali, Eid, and Parsi New Year with great enthusiasm. The markets are adorned with colorful decorations and bustling with activity during these festive times.

BHULESHWAR MARKET

Bhuleshwar Market in Mumbai, India, has a rich history dating back centuries.

Originating around the Bhuleshwar Temple, it evolved into a bustling trading hub during British colonial rule. Known for textiles, jewelry, spices, and religious items, the market thrived as Mumbai grew into a major commercial center.

Today, it remains a vibrant wholesale market, attracting traders and shoppers with its diverse offerings and historical charm.

MUMBADEVI JALEBIWALA

KHICHDI SAMRAT

RESIDENTIAL KHICHADI SAMRAT founded by Mahesh Chandra Agarwal in 1972 is serving hot piping AREA khichadis bringing the flavours of rajasthan and Uttar Pradesh to this place. As it name suggests Samrat this food joint serves more than 40 types of khichadis made with different types of pulses vegetables and rice with upbeat vibe in a homely atmosphere

MUMBAI JALEBIWALA is located in a crowded alley at perennially buzzing Zaveri Bazaar is one of the oldest jalebi outlets in the city, here since 1879 Mumbadevi Mithawala's forte is the original jalebi; that is served piping hot in front of the waiting customers. The jalebi being sweet can also be enjoyed with fafda a crisp snack made with gram flour to balance the taste perfectly.

COMMERCIAL AREA NETWORK OF VENDORS AND KHOMCHAWALAS FOOD

HIRALAL KASHIDAS BHAJIAWALA BHAGAT TARACHAND

ZALEBIYEH

Bhagat Tarachand is a well-known chain of vegetarian restaurants in India, particularly in the state of Maharashtra. It was founded by Shri Tarachand Chawla in the early 1950s.

The first Bhagat Tarachand restaurant was established in Mumbai, near Zaveri Bazaar, and quickly gained popularity for its delicious and affordable vegetarian Punjabi cuisine. Over the years, the restaurant expanded its presence to other locations in Mumbai, as well as other

HIRALAL KASHIDAS BHAJIAWALA Hiralal Kashidas Bhajiawala has been in the same place and is using exactly the same recipe - dating back to the early 1900s (Exactly since 1936) - to make Undhiyu, Dhokla, Fafda, Jalebi and so on.

In 1936 when Hiralal set up shop, Mumbai was yet to witness the influx of Gujaratis from the neighbouring state.

Gujarati curry prepared with many fresh vegetables and dhokli muthiya, is a must have item on festivals like Uttarayan (kite flying festival), Diwali, etc. and special occasions like marriage parties. This deliciously rich curry is usually enjoyed in winter as veggies like fenugreek leaves, surti papadi and tuvar lilva are required to prepare this curry. Surti style, Kathiyawadi style and Matla Undhiyu are three popular variations of it

JALEBI is made with a batter of all purpose flour, gram flour (besan), baking soda and water that is fermented for several hours.

The fermented batter is then poured in concentric circles in hot oil and deep-fried. These fried spirals are then soaked in a flavored sugar syrup and served.

JALEBI

DOCUMENTED BY SWAROOP LAMDHADE, SAMI LOKHANDE, DHYANAM SHAH, SAURABH WANI, TANVI PATOLE, DANISH NEK.

37

SASSOON DOCKS, MUMBAI DOCUMENTATION Sassoon Docks in Mumbai stands as a symbol of architectural heritage and cultural richness. Nestled amidst the bustling cityscape, it serves as a lifeline for the local fishing community, pulsating with the rhythm of daily life. The docks are a convergence of tradition and modernity, where age-old practices blend seamlessly with contemporary urban dynamics. Its historic structures bear witness to Mumbai’s maritime legacy, while the vibrant community within reflects the resilience and spirit of its inhabitants. Together, they create a tapestry of diversity, weaving together the threads of culture, commerce, and community that define the essence of Mumbai. All of these were documented through the lens of History and evolution, context and building forms, landscape and topography, activity mapping and demographics.

Architectural design semester 6 Guide- Probuddho Mukhopadhyay, Fatema Master, Vrinda Gokhale, Priyanka Lele, Darshan Phalak.

Medium- Sketches, Autocad, Sketchup, Photoshop

SUSTAINABILITY

UNSUSTAINABLE COMMERCIAL FISHING PRACTICES

MEETING OUR OWN NEEDS WITHOUT COMPROMISING THE ABILITY OF FUTURE GENERATIONS TO MEET THEIR OWN NEEDS

ORIGINAL INHABITANTS OF BOMBAY YET RELEGATED TO NOOKS OF THE CITY

INDIGENEOUS COMMUNITIES ECOLOGY

ECONOMY

ORIGINAL LIFESTYLE UNDER THREAT DUE TO RAPID MODERNISATION

PART OF THE HERITAGE AND CULTURE OF A REGION

PLANS TO REDEVELOP AND MODERNISE SASSOON DOCKS WITH TOURIST FRIENDLY APPROACH RATHER THAN THE KOLI PEOPLE

OLD TRADING DOCK OF HISTORICAL IMPORTANCE NOW USED BY FISHING INDUSTRY

INDIGENEOUS PRACTICES WHICH ARE SUSTAINABLE

EQUITY

UNHYGIENIC SITUATIONS FACED

BY PEOPLE WORKING HERE. MOST OF THEIR CONCERNS ARE NOT ADDERESSED

KOLIS SASSOON DOCKS

PEOPLE

PLACES

POLICY

TRADITIONAL KNOWLEDGE WHICH IS ESSENTIAL TO MAINTAIN A BALANCED ECOSYSTEM

38

MISCELLANEOUS Site development (college)- Hands on work

Photographs

Art

39

THANK YOU

40