Supermarket Catalogue 2013

:m]^W^i^dc XViVad\jZ SUPERMARKET 2013 Kulturhuset Stockholm 15–17 February 2013

Cover photo: Henrik Ekesiöö, ‘Torkel’, photo: Elsa Ekesiöö Thambert.

15–17 FEBRUARY Friday 11–22 Saturday 11–20 Sunday 11–18 3rd and 5th floor Kulturhuset Sergels Torg 3 Stockholm Sweden

SUPERMARKET 2013 was made possible with the support of: Kulturhuset www.kulturhuset.stockholm.se Kulturförvaltningen, Stockholms stad (The Culture Administration, City of Stockholm) www.kultur.stockholm.se Kulturrådet (Swedish Arts Council) www.kulturradet.se The Swedish Institute www.si.se Nordic Culture Point’s Mobility Programme www.kulturkontaktnord.org Iaspis – The Swedish Arts Grants Committee’s International Programme for Visual Artists www.konstnarsnamnden.se/iaspis KRO - Swedish Artists’ National Organisation www.kro.se Projektor AB www.projektorutbildning.se

Cooperation partners Riksutställningar – Swedish Exhibition Agency www.riksutstallningar.se PAiN – Performance Art in Norrbotten www.painperformance.com Finland Institute www.finlandsinstitutet.se Sveriges Konstföreningar www.sverigeskonstforeningar.nu BUS – Bildkonst Upphovsrätt i Sverige www.bus.se V-art live www.v-art.se

Supporting our exhibitors: Mondriaan Fund www.mondriaanfonds.nl Polish Cultural Institute in Stockholm www.polskainstitutet.se Spanish Embassy in Sweden, www.tourspain.es FRAME Finnish Fund for Art Exchange www.frame-fund.fi Republique et Canton de Geneve www.ge.ch National Cultural Fund Of Hungary www.nka.hu Nordic Culture Point’s Culture and Art Programme www.kulturkontaktnord.org Institut d’Estudis Balearics www.ieb.caib.es Ontario Arts Council www.arts.on.ca Canada Council for the Arts www.canadacouncil.ca City of Cieszyn www.cieszyn.pl Creative New Zealand www.creativenz.govt.nz Pro Helvetia, Swiss Arts Council www.prohelvetia.ch Czech Centre in Stockholm www.czechcentres.cz Wallonia-Brussels international www.wbi.be Australian Artists’ Grant NAVA – National Association for the Visual Arts www.visualarts.net.au OCA, The Office for Contemporary Art Norway www.oca.no ENSAPC – Ecole Nationale Supérieure d’Arts de Paris-Cergy www.ensapc.fr Photography www.monthlyphoto.com Jan Warburton MOTEL 763 www.motel763.com QQCH infoqqch.blogspot.se

Media partners: Bpigs, Berlin Independents Guide www.bpigs.com Arterritory www.arterritory.com

ACKNOWLEDGEMENTS:

SUPERMARKET 2013 is organised by the economic association Supermarket Art Fair.

PROJECT MANAGERS Pontus Raud (project initiator) pontus@supermarketartfair.com Andreas Ribbung andreas@supermarketartfair.com Meggi Sandell meggi@supermarketartfair.com SUPERMARKET TALKS PROGRAMME Izabella Borzecka, Meggi Sandell, Pontus Raud RED SPOT PERFORMANCE PROGRAMME Meggi Sandell, Izabella Borzecka SUPERMARKET MEETINGS PROGRAMME Sheena Malone, Sanna-Lisa Gesang Gottowt PROJECT CO-ORDINATOR Jannike Simonsson VOLUNTEER CO-ORDINATORS Anna Oldne, Erica Wennerholm PROJECT ASSISTANT Sarie Nijboer PARTNERSHIPS AND MARKETING Andreas Ribbung, Meggi Sandell, Christina Wenger ECONOMY AND ADMINISTRATION Meggi Sandell, Molly Carnestedt GRAPHIC DESIGN Andreas Ribbung WEBMASTER Kenneth Pils PRESS OFFICER Christina Wenger press@supermarketartfair.com Catalogue: GRAPHIC DESIGN AND LAYOUT Johanna Larson IMAGE PROCESSING Emelie Carlén, Andreas Ribbung, Malin Trotzig LANGUAGE EDITING Stuart Mayes, James Foote, Stephen Turner All rights to the photographs belong to the artists or galleries if nothing else is specified. © Supermarket Art Fair ekonomisk förening 2013.

Hanna Abrahamsson, Ali Afraz, Simon Berg, Katri Bergdahl, Aurora Bergh Edenborg, Katarina Birath, Helena Calmfors, Helena Campbell-Westlind, Sandrina Cerda, Lina Dzibricka, Sofie Edman, Ewert Ekros, Joakim Erixon Flodman, Alathea Evans, Wyndyl Felix, Lena Flodman, Emma Frid, Natalia Fuentes Araya, Sunna Hansdottir, Aurora Hjalmarsson, Mathilda Hogg, Liva Isaksson Lundin, Beatrice Johansson, Veronica Johansson, Lina Johdet, Isabella Kalén, Riika Kevo, Mikaela Kjellin, Desiree Klingestam, Oriana Kolokotronis Johansson, Annina Koskiola, Julia Lennartsson, Björn Lindahl, Katarina Lindqvist, Silvia Lohfink, Emma Lundqvist, Klara Mattsson, Anna Morian, Richard Mosesson, Pella Myrstener, Emma Nathorst-Böös, Sonja Nettelbladt, Tahiya Niskala, David Oliveira, Fatima Olsson, Pamela Paez Dahlström, Mona Petersson, Christoffer Reschke, Linnea Roukolainen, Sonali Singh, Varpu Sipilä, Henrik Sjöberg, Irena Sólveig Steindórsdóttir, Henrik Sundholm, Sandra Sundström, Vera Székely, Pär Söderlund, Viveca Tessier, Umer Butt, My Valkama, Anna Wallin, Micaela Wernberg Andersson, Helena Wessberg, Ingrid Wittbom, Samuel Ågren and all the volonteers who joined after this printing and last but not least our families who put up with us working far too much lately.

Many thanks to last year’s, hard-working volunteers and helpers who generously committed their time and energy! Axel Aaro, Hanna Abrahamsson, Syed Ali Afraz, Aurora Bergh Edenborg, Ioana Bacanu, Cecilia Bivald, Josefin Borg, Valentin Brutaru, Patricia Curkowska, Clara Dagh, Lina Dzibricka, Sofie Edman, Ewert Ekros, Nelson Gatsimbazi, Sanna-Lisa Gesang-Gottowt, Anna-Maria Hilborn, Mathilda Hogg, Gediminas Jakovickas, Oriana Kolokotronis Johansson, Cecilia Jonsson, Riika Kevo, Sophie Koch, Maria Kramar, Pia Laselle, Veera Lumme, Liva Isaksson Lundin, Margareta Marza, Sheena Malone, Nick Mo, Richard Mosesson, Hanna Källebo Neikter, Melina Reid, Sarah Ritch, Clara Simonsson Hoffman, Varpu Sipilä, Victoria Skogsberg, Írena Solveig Steindorsdottir, Eugene Sundelius von Rosen, Vera Székely, Pär Söderlund, Viveca Tessier, Malin Trotzig, Christina Wenger, Erica Wennerholm, Micaela Wernberg Andersson.

Exhibitors 2013 1646, The Hague, Netherlands, 5thA KKV – Konstnärernas Kollektivverkstad i Nacka, Stockholm, Sweden, 3rdB 2B Gallery, Budapest, Hungary, 5thD Konstkonsulenterna i Sverige, Stockholm, Sweden, 3rdD A.M.180 collective, Prague, Czech Republic, 3rdD Konstnärernas Hjälpfond, Stockholm, Sweden, 3rdD ALISN, London, United Kingdom, 5thD Konstnärscentrum Öst, Stockholm, Sweden, 3rdC Alpineum Produzentengalerie, Lucerne, Switzerland, 5thD Konstperspektiv, Stockholm, Sweden, 3rdF Ars Auttoinen, Auttoinen, Finland, 3rdD KRO/KIF, Stockholm, Sweden, 5thC Art Lab Gnesta, Gnesta, Sweden, 5thD Kulturtidskriften Cora, Stockholm, Sweden, 3rdC Art On Armitage, Chicago, United States, 3rdB LMDP, L’autre Moitié Du Palais, Paris, France, 3rdD Artellewa Art Space, Cairo, Egypt, 5thA Mondo Tromsø, Tromsø, Norway, 3rdC Artists’ Association of Lapland, Rovaniemi, Finland, 3rdB NKF/Nordic Art Association Finland, Helsinki, Finland, 5thC Ateljén Hea, Sunne, Sweden, 3rdF NKF/Nordic Art Association Sweden, Stockholm, Sweden, 5thC blank projects, Cape Town, South Africa, 5thB Sveriges Konstföreningar, Limhamn, Sweden, 3rdF Blue Oyster, Dunedin, New Zealand, 5thA Tidskriften Hjärnstorm, Stockholm, Sweden, 3rdG Candyland, Stockholm, Sweden, 5thA CFF – Centrum för fotografi, Stockholm, Sweden, 5thD CirkulationsCentralen, Malmö, Sweden, 5thB Dienstgebäude, Zurich, Switzerland, 3rdE Duplex10m2, Sarajevo, Bosnia and Herzegovina, 3rdC Ed Video Media Arts Centre, Guelph, Canada, 5thA Espacio Tangente, Burgos, Spain, 3rdD Evil Son, Cape Town, South Africa, 5thB Formverk (art zone), Eskilstuna, Sweden/Banatska Dubica, Serbia, 3rdA fragment S, Seoul, South Korea, 5thA Galeria Szara, Cieszyn, Poland, 3rdE Galleri Box, Gothenburg, Sweden, 3rdF Galleri Konstepidemin, Gothenburg, Sweden, 3rdG Galleri Maskinen, Umeå, Sweden, 3rdE Galleri Se Konst, Falun, Sweden, 3rdE Galleri Syster, Luleå, Sweden, 3rdE Galleri Verkligheten, Umeå, Sweden, 3rdE Galleria Huuto, Helsinki, Finland, 3rdF Galleria Sculptor, Helsinki, Finland, 5thB Gocart Gallery, Visby, Sweden, 3rdE GRAD, Belgrade, Serbia, 3rdG Grafiska Sällskapet/The Swedish Printmakers’ Association, Stockholm, Sweden, 3rdF Green Is Gold, Copenhagen, Denmark, 3rdF Grimmuseum, Berlin, Germany, 3rdA Gudran Association for Art and Development, Alexandria, Egypt, 3rdE Heavy Merry Finland foundation, Rotterdam, Netherlands/Helsinki, Finland, 5thB HMK {Hotel MariaKapel}, Hoorn, Netherlands, 3rdF ID:I Galleri, Stockholm, Sweden, 3rdE IS-projects, Leiden, Netherlands, 3rdF JCA DE KOK, The Hague, Netherlands, 3rdF Kallio Kunsthalle, Helsinki, Finland, 3rdC Kings ARI, Melbourne, Australia, 3rdG Konstnärshuset, Stockholm, Sweden, 3rdC Kultivator, Dyestad, Sweden, 3rdF Le Cube – independent art room, Rabat, Morocco, 5thD Lo and Behold, Athens, Greece, 3rdE Margaris Foundation/les yper yper, Thessaloniki, Greece, 3rdG Microwesten, Berlin/Munich, Germany, 3rdA Milkshake Agency, Geneva, Switzerland, 3rdF MUU galleria, Helsinki, Finland, 5thB Nationalgalleriet, Stockholm, Sweden, 5thC Nest, The Hague, Netherlands, 3rdD Office d’Art Contemporain, Brussels, Belgium, 3rdB Or Gallery, Vancouver, Canada, 3rdF pietmondriaan.com, Rotterdam, Netherlands, 3rdE rainbowartsproject, Singapore, 3rdB Sant Marc, Sineu, Mallorca, Spain, 5thB Studio 44, Stockholm, Sweden, 5thB Superclub Gallery and Studios, Edinburgh, United Kingdom, 3rdF T-Gallery, Bratislava, Slovakia, 3rdE t.act presented by KUNSTtransit, Amsterdam, Netherlands/Baghdad, Iraq/Berlin-Karlsruhe-Cologne, Germany/Buenos Aires, Argentina/Khartoum, Sudan/Lisbon, Portugal /Maputo, Mozambique/Stockholm, Sweden/Rabat, Morocco, 3rdB Tegen2, Stockholm, Sweden, 5thA The M( )esum, Berlin, Germany, 3rdB The Museum of Forgetting, Norrköping, Sweden, 5thA Toolbox, Berlin, Germany, 5thA Totaldobze, Riga, Latvia, 3rdC TPTP, Transient Projects To People, Paris, France, 5thD Tupajumi foundation, Rotterdam, Netherlands, 3rdG ZeroStation, Ho Chi Minh City, Vietnam, 5thA Zeta Galeri, Tirana, Albania, 3rdE Zona, Szczecin, Poland, 5thA Ў gallery, Minsk, Belarus, 5thB 3

1646 The Hague, Netherlands

Erkka Nissinen, ‘Rigid Regime’, 2009-2011, photo: Nico Feragnoli.

5th A

1646 Boekhorststraat 125 2512 CN The Hague Netherlands info@1646.nl www.1646.nl

1646 is a project-space for contemporary art. A dedicated space for experimental art practices and ideas, 1646 is a platform for new productions and presentations with special emphasis on encouraging artists to realise new projects on location. Next to a year-long program of exhibitions, 1646 hosts artists talks, video screenings and lectures and runs a short-term residency for foreign artists and curators.

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2B Gallery Budapest, Hungary

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Károly Elekes: ‘Profane Tone Sequence’, mixed media, 2007, photo: László Böröcz

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Sándor Rácmolnár: ‘Silence Collection’, mixed media, 2007, photo: Miklós Sulyok

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Bálint Bori: ‘Cicada 1’, mixed media, 2004. photo: László Böröcz

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2 3 2B believes that one of the possible ways of constantly developing and renewing culture is to create transitions between genres and to initiate exciting, novel experiments that spring into existence on the borderlines between various fields of art.

Alongside the gallery programme, projects take the form of publications, performances, co-productions and international exchanges. Together with aesthetic and art historical aspects, we strive to find projects that reflect important social and historical questions including such crucial issues as discrimination, anti-Semitism, the Holocaust, and the victims of dictatorships.

Other themes focus on collections, artist families, art pedagogy, and the intersection of visual art with literature, science and music.

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2B Gallery Ráday utca 47.

H-1092 Budapest Hungary 2bgaleria@gmail.com +36 (0)12154899 www.2b-org.hu

5th D

A.M.180 Collective Prague, Czech Republic 1

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Collab Band Sketch Book

3rd D

A.M.180 collective Bělehradská 45 12000 Prague Czech Republic +42 (0)731177641 am180gallery@gmail.com www.am180.org www.creepyteepee.org

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‘Sewn Leather & DJ Dog Dick’, 2011.

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‘Future Islands’, 2011.

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‘Lucky Dragons’, 2009.

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‘Bear in Heaven’, 2012.

A.M.180 collective is an independent, creative and promotional collective based on DIY principles and punk ethics. Since September 2003, A.M.180 has been running a same-titled multifunctional space in Prague, Czech Republic. Main mission: To be a platform for contact between the independent music scene and contemporary art scene. A.M.180 arranges exhibitions, live shows and performances. Since 2007, they are running the record label AMDISCS, and since 2009 the CREEPY TEEPEE contemporary independent music festival in Kutna Hora. This year A.M.180 are celebrating their 10th anniversary.

A.M.180 collective presents Collab Band Sketch Book, an ongoing project since 2009. It is a collection of sketches and drawings from bands, musicians and artists performing on events organised by A.M.180 collective.

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ALISN London, United Kingdom

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Marina Stavrou ‘Purgatorio (The Mountain)’, stills from super8mm film, 70 x 40 x 3 cm.

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Thomas Falstad, ‘Ceromancy XIII’, oil and Wax on Paper, 30 cm x 40 cm.

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Lisa Ivory, ‘Cheek’, ink on paper, 57 cm x 42 cm.

Founded in May 2007 the Artist-Led Initiatives Support Network (ALISN) aims to support emerging artists and foster a sense of community and collaboration between artist-led and other emerging art galleries and projects. ALISN works across diverse platforms to deliver innovative exhibitions, events, performances, open submissions, talks, residencies and art networking events.

At Supermarket 2013 ALISN will present Blind Date – an exhibition of new artists’ work, selected from an open call announced through third party listings. Responding partly to themes about relationships emerging from the submitted artworks, the show is also about the chances artists and curators take when working through an open call structure – the real work always looks different from the image.

ALISN LUBOMIROV-EASTON Enclave 8, 50 Resolution Way London SE8 4AL United Kingdom priscilla@alisn.org info@alisn.org www.alisn.org www.iavor.co.uk www.bellaeaston.co.uk

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5th D

Alpineum Produzentengalerie

Lucerne, Switzerland

Works from Raphael Egli, Jeroen Geel and Sara Hedberg.

5th D

Alpineum Produzentengalerie Hirschmattstrasse 30a 6003 Lucerne Switzerland info@alpineum.com +41 (0)41 410 00 25 www.alpineum.com

The Alpineum Produzentengalerie, which has been operating since November 2007, was initiated by ten artists from central Switzerland. The gallery contributes actively to Lucerne’s cultural life by offering discourse and debate concerning contemporary art and its practices. The Alpineum organises nine exhibitions annually in which the artistic positioning of the founding members as well as those of invited guest artists from Switzerland and abroad are shown (this guest progamme is called “Alpineum Inn”). Extra activities such as lectures, artist talks, video screenings and performances, often in collaboration with other artist-run initiatives, accompany the exhibitions. In addition, a limited edition of a magazine highlighting the art on view in an individual form is published with each exhibition. Monthly to bimonthly meetings provide the platform for its members to discuss the gallery’s programme, its organisation, its economy, and to reassess the gallery’s direction.

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Ars Auttoinen Auttoinen, Finland 1

Terhi Kaakinen, ‘Ii-aa’, wood, rope, paint, 170 x 80 cm, 2012.

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Lasse Ursin, ‘Ameeba’, electric motor, umbrella, oil pastels, 150 X 100 X 150 cm, 2012.

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2 Ars Auttoinen was founded in 2009 by two designers/artists, Teemu Salonen and Kati Joki. Ars Auttoinen is situated in the middle of the beautiful Finnish country side. The main purpose is to arrange interesting and influential exhibitions during the summer. Ars Auttoinen wants to be the place where visitors can relax and focus on art in a cosy atmosphere. They are also opening a residency in 2013.

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Ars Auttoinen Keinuhongantie 17 17610 Auttoinen Padasjoki, Finland www.auttoinen.fi

3rd D

Art Lab Gnesta Gnesta, Sweden

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5th D

Art Lab Gnesta Bryggargränd 4 Bryggeriholmen 646 31 Gnesta Sweden info@artlabgnesta.se www.artlabgnesta.se

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Ana Maria Almada, ‘JUKU’, a ritual in performance, 2012.

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Lena Oja, ‘A Talk on the Art of my Riding Horses’, ride and lecture project, 2012.

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Arne Widman and Magnus Carlén, ‘The Symmetry of Being’, exhibition in Katarina kyrka/Church of St. Catherine (Stockholm), 2012.

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Madeleine Aleman, ‘A meal in Swedenborg’s Summer House’, performance with spirits, 2012, video still: Antonie Frank.

Art Lab Gnesta is a space for experimental connections between art and society in the contemporary context. Since the first exhibition opening in October 2011, a series of exhibitions and community projects, a residency programme, and a magazine have been launched.

In October 2012, Art Lab Gnesta/Research was launched as an independent forum for artistic research.

Originating from the course Artistic Research Processes at Konstfack University College of Arts, Crafts and Design, Art Lab Gnesta/Research aims to provide a complement to academic research, to cultivate dialogue and encourage artistic inquiry into uncharted domains and expressions.

At Supermarket 2013, Art Lab Gnesta Research will stage a series of dialogues on specific aspects of themes such as ritual, symmetry, identities and silence.

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Art On Armitage Chicago, United States 1

Alan Emerson Hicks: ‘Chandelier Hat’, plastic waste (performative sculpture), 47 x 74 cm, 2012.

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Thordis Alda Sigurdardottir, ‘My mother’s skirts’, MDF, wool, textile, paper, 125 x 80 x 80 cm, 2012, photo: Stefán Th. Karlsson.

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Mary Ellen Croteau, ‘My Eye’, assemblage with plastic bottle caps, 96 x 76 x 8 cm, 2012.

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ArtOnArmitage has been exhibiting contemporary art of all disciplines in a window gallery on a busy Chicago street since 2004. The goal is to make art available and accessible to all. Exhibits change monthly, and the gallery has featured artists from Iceland, Korea, UK and Germany as well as the US and locally. The space is especially suited to installation and performance.

International exchanges and residencies are encouraged.

Art On Armitage 4125 W Armitage 60639 Chicago United States crodo55@yahoo.com www.artonarmitage.com www.facebook.com/pages/Art-On-Armitage/ 219782694700446

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3rd B

Artellewa Art Space Cairo, Egypt

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4 1-2 Hamdy Reda, ‘If I Were President’, exhibition, 2012.

5th A

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Amado Alfadni, ‘If I Were President’, poster, 2012.

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‘Bakaboza Campaign Headquarters’, installation, 2012.

Artellewa Art Space 19 Mohamed Ali El-Eseary St. Cairo, Egypt artellewa@gmail.com +2 (0)1288107770 www.artellewa.com

Artellewa is a space for contemporary art founded in 2007 and managed by artists. It is located in Ard El Lewa, a densely populated informal area located between the two great squatter settlements of Cairo, Imbaba and Boulak al-Dakrour.

Artellewa is a space for the creation and activation of dialogue between artists and society.

It aims to connect Ard El Lewa and its inhabitants with the broader culture of the city and the world through art. It creates a unique opportunity for Egyptian and foreign artists to interact and experience the local community and environment. Artellewa facilitates artists’ projects, offers workshops for community members and emerging artists, exhibits art in its gallery space and has hosted artists-inresidence from thirteen countries.

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Artists’ Association of Lapland Rovaniemi, Finland

Kaija Kiuru, Work 4 from the ‘Something Else Series’, mixed media, 195 x 30 x 30 cm, 2011.

The Artists’ Association of Lapland shows recent artworks by five artists: Helena Junttila and Kaija Kiuru from Sodankylä, Outi Pieski from Utsjoki, Hanna Kanto from Haparanda and Essi Korva from Pello. The Artists’ Association of Lapland presents and promotes contemporary art made in Lapland and arranges exhibitions in Finland and abroad.

The association develops work conditions and promote work opportunities for its artists. They arrange meetings, projects, courses and events, and provide opportunities for its members to regularly exhibit their artworks. The association runs two galleries: Gallery Napa in Rovaniemi and Gallery Kellokas in Ylläs, and also provide art lending services and present an ‘Artist of the Month’ at Korundi House of Culture in Rovaniemi.

The Artists’ Association of Lapland was founded in 1990 and has over 100 members.

Artists’ Association of Lapland Jorma Eton tie 6 66100 Rovaniemi Finland lapintaiteilijaseura@gmail.com www.lapintaiteilijaseura.fi/en www.gallerianapa.fi/galleria/

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3rd B

Ateljén Hea Sunne, Sweden

1 Barbara Fragogna, painter and curator based in Berlin.

Carina Seth Andersson, artist and designer.

Glass, exibitions and public art. (3) Ebba Bohlin, sculptor. Exhibitions and public art. (1) Katja Pettersson, artist and designer. Exhibitions, installations and various experimental expressions. (4)

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Sergio Santimano, documentary photographer.

Exhibitions and public art. Based in Uppsala and Maputo. (2) Susann Brännström, painter. Exhibitions, teaching and public art.

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Thomas Magnusson, painter. Exhibitions and teaching.

Johan Norbeck, poet.

Magnus William Olsson. Poet, essayist, literature critic and various poetry projects.

3rd F

Ateljén Hea Höglundagatan 60 68634 Sunne Sweden th.magnusson@comhem.se +46 (0)703122984 www.web.comhem.se/ thomas.magnusson.ateljen

Ateljén Hea has been an exhibition project for four years.

The exhibition idea is a consequence of the informal meetings that take place between artists.

Discussions where interpretation, and the different functions and possibilities of the artistic language, are constantly at work. Though their techniques are different, what the artists have in common is that they are trying to convey impressions and experiences of unusual subjects and fields, in order to be open for new thoughts and reflections.

The exhibitions have been held in connection with the Sunne Cultural Festival each summer. The number of exhibitors has varied from year to year, and different concepts have been tested for four years.

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blank projects Cape Town, South Africa Jaco Van Schalkwyk.

‘Men’, lithographic ink and pencil on paper, 76 x 56 cm, 2012, photo: Kyle Morland.

blank projects is an independent artist-run project space and gallery founded in Cape Town in 2005. In 2009 the gallery moved to a new and larger premises in the heart of Cape Town’s art district.

It currently functions as a hybrid gallery/project space that is dedicated to new developments in contemporary South African art and the dissemination of ideas around contemporary art in Africa. blank projects’s ongoing monthly exhibition programme is its most important activity forming the nexus around which other projects oscillate: artists’ talks, off-site events and residencies.

Particularly significant exhibitions from the past five years include: the Guglective’s ‘Untitled’ (2007), Kiluanji Kia Henda’s ‘Expired Trading Products’ (2008), Candice Breitz’s ‘Babel Series’ (2009), James Webb’s ‘One day all of this will be yours’ (2010), Zanele Muholi’s ISILUMO SIYALUMA 2006-2011 (2011) and the exhibition ‘Machine Worries, Machine Hearts’ curated by Anthea Buys (2012). blank projects partnered with Supermarket and the Swedish Arts Council in establishing and mentoring EVIL SON, Cape Town’s youngest artist-run project space.

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blank projects 113-115 Sir Lowrie Rd. Woodstock Cape Town 7925 South Africa info@blankprojects.com www.blankprojects.com

5th B

Blue Oyster Dunedin, New Zealand

Scott Flanagan, ‘867 Hours Underground’, mixed-media installation, 2012, photo: Emily Hlavac Green.

5th A

Blue Oyster Art Project Space Basement, 24b Moray Place PO Box 5903 Dunedin 9058 New Zealand +3 479 0197 www.blueoyster.org.nz

The Blue Oyster Arts Trust was founded in Dunedin in 1999 as the governing body of the Blue Oyster Art Project Space. The Blue Oyster provides a high quality dynamic programme of experimental and innovative contemporary art practice.

Focussing on fostering artists’ development irrespective of the stage of their career the Blue Oyster has, for over ten years, acted as an incubator for new ideas in contemporary art involving practitioners from all media. Favouring experimentation over saleability the Blue Oyster allows artists to test new concepts and ways of working.

Each year the project space stages approximately 12 exhibition cycles with a dedicated public programme including performances, artist’s talks, discussion sessions and workshops. Blue Oyster also has a reading room that is regularly updated with national and international publications.

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Candyland Stockholm, Sweden

Jakub Nepraš, ‘Meadow’, video sculpture, 2011.

Candyland is a non-profit art space run by ten people who take turns in inviting artists to exhibit.

Candyland is located on Södermalm, the southern part of Stockholm, where most of the artists’ initiatives in Stockholm are located. Candyland was founded in February 2004.

This year Candyland proudly presents the Czech artist Jakub Nepraš, who lives and works in Prague, where he was born in 1981. He studied at the Academy of Fine Arts in Prague. Nepraš collects video material from different sources and transforms and digitally alters them into moving collages, which are called “video paintings”. He also projects these “video paintings” onto sculptural structures to create “video sculptures”.

Alongside his own art, Jakub Nepraš is active in the artist-run art scene in Prague and is a resident artist at Trafačka, a centre for contemporary art and independent music housed in a large industrial space.

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Candyland Gotlandsgatan 76 11638 Stockholm Sweden galleri@candyland.se +46 (0)703365862 www.candyland.se

5th A

CFF - Centrum för fotografi Stockholm, Sweden

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Denmark: Michelle Eistrup, video ‘Wild as the Wind’, 2011, (8 min)

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Sweden: Oscar Furbacken, video ‘Close studies I-VII’, 2012, (5.50 min)

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Finland: Susanna Majuri, ‘Imaginary Homeland’

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Norway: Jon Benjamin Tallerås, photographic series ‘Etyder’

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5th D

CFF – Centrum för fotografi Tjärhovsgatan 44 116 28 Stockholm Sweden info@centrumforfotografi.se +46 (0)8 6402095 www.centrumforfotografi.se www.plattformfotografi.se

Centre for Photography (CFF) is a member and professional interest organisation for photographers and photography. The organisation is supported by the Swedish Arts Council and the City of Stockholm.

CFF also pursues various collaborations, both nationally and internationally, with different players in the field of photography.

This year CFF presents an exhibition and a Network project – Nordic Photographic Network (NPN).

The mission of the project is to increase collaborations and networks across the field of contemporary photographic art within the Nordic countries. The network thus aims to generate a deeper and mutual knowledge of the different artistic practices, both within the Nordic countries and in a broader international context. During 2012 the project has organised network meetings in Oulu, Oslo, Copenhagen, Stockholm and Århus.

The exhibition loosely takes up themes of nature and our relationship to it, ultimately ending up as an intervention that can also be extended to our urban surroundings.

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CirkulationsCentralen Malmö, Sweden 1

Marius Moldvær & Hedvig Biong, ‘Ocean Unseen’, handwritten lettersbooks-postcards, wood etc., 2012, photo: Elias Björn

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Disa Holgersson, ‘Drawings 27/8-22/10’, paper-ink-indian ink, 2012, photo: Elias Björn

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Since its founding in 2003, CirkulationsCentralen is an organisation for the production and presentation of contemporary art and culture located in Malmö, Sweden. The heart of CC is an artists’ cooperative with 24 studios.

CirkulationsCentralen also houses a gallery, where more than 100 exhibitions with artists and collectives from Sweden and abroad have been staged, as well as seminars, screenings, concerts, and performances. CC has attended several art fairs in Sweden and Europe and is currently working to build and strengthen relationships with new groups, spaces, and initiatives. CC has participated in exchange programmes with artist-run galleries in Sweden, Denmark and Norway.

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CirkulationsCentralen Nobelvägen 125 212 15 Malmö Sweden galleri@cirkulationscentralen.com www.cirkulationscentralen.com

5th B

Dienstgebäude Zurich, Switzerland

3rd E

DIENSTGEBÄUDE Zurich Töpferstrasse 26 8045 Zurich Switzerland info@dienstgebaeude.com +41 (0)79 211 71 12 www.dienstgebaeude.com

Silvie Zürcher, ‘Freeze II’, 2010, Scan, C-Print, 40 x 30 cm, photo: Silvie Zürcher.

DIENSTGEBÄUDE proudly presents Andreas Marti, Wink Witholt and Silvie Zürcher at Supermarket 2013. A variation of different approaches and positions that gives a snap-shot of the programme of DIENSTGEBÄUDE and its collaborating artists.

An installation by Andreas Marti with cut rubber sheet on the wall shows a kind of drawing/cut-out.

Shapes of images which have a presence and which disappear at the same time. They explain a kind of story without explaining it.

Wink Witholt presents bronze casts of animal sculptures. Two animals in different sizes, sitting on each other. They evoke funny and strange constellations.

Silvie Zürcher presents small and large-scale photographs made by scanning the surface of wall installations. The images shift between a strange depth of sharpness and a blur.

20

Duplex100m2 Sarajevo, Bosnia and Herzegovina

1 1

Damir Radovic, ‘Tradition of destruction’, watercolor and ink, 50 x 30 cm, 2011.

2

Kosta Kulundzic, ‘Hawaii Apocalypse’, acrylic on canvas, 50 x 20 cm, 2012.

2

Since July 2012 DUPLEX10m2 has been renamed DUPLEX100m2 and has a new address in downtown Sarajevo: Obala Kulina Bana 22. It’s a 100 square metre apartment in the Austro-Hungarian style with a view over the Miljacka River.

The apartment has been rented for three years; three years which will enable the continuation of the activities of the Gallery, the initiation of new activities and the preparation of future projects (in 2014).

Duplex100m2 plans to develop and expand its activities within this apartment, which will serve as an exhibition space, atelier, as an agency for conceiving and implementing projects outside the Gallery, a showroom for collectors and a space for artists-in-residence, curators and researchers. In addition to these activities, we will strive to attend contemporary art fairs and other international events.

21

Duplex100m2 Obala Kulina Bana 22 71000 Sarajevo Bosnia and Herzegovina duplex10m2@gmail.com +387 (0)63 952 197 www.duplex10m2.com

3rd C

Ed Video Media Arts Centre Guelph, Canada

1

5th A

1

Marc Bell, ‘Belly Wot Leaflet!’, watercolour on paper, 2009.

2

Alex McLeod, still from ‘Prismatic Planes’, HD video animation, 2011.

3

Happy Sleepy, ‘Crystal King Lionhill’, acrylic gouache on paper mounted on dibond, 2012.

Ed Video Media Arts Centre 40 Baker Street N1H 6R7 Guelph Canada scott@edvideo.org 519-836-9811 www.edvideo.org

2

3

Ed Video was created in 1976 to promote the creation, exhibition and appreciation of independent media arts. It is the only artist-run centre in Guelph, Ontario, Canada, and offers exhibitions, screenings, workshops, and equipment rentals. The Ed Video Gallery hosts over 40 events each year with a focus on video-based art, but also presents other forms of contemporary art, music, dance, student shows, and other creative community events.

Ed Video is pleased to return to Supermarket 2013 to showcase a selection of Canadian art based on the theme of this year’s fair – ‘Happiness’. Julie René de Cotret and Scott McGovern are representing Ed Video, with the booth featuring work from Marc Bell, Jesse Harris, Alex McLeod, and appy Sleepy.

22

Espacio Tangente Burgos, Spain 1

‘BURGO´S LAND MAP’, installation, 2009.

2

Patricia Caballero, ‘CHRONOSCOPIO’, object theatre, 2010.

3

Manu Gil, ‘EL LUGAR DE LA PALABRA’, installation, 2009.

4

Macarena Recuerda Sheperd, ‘That´s the story of my life’, object theatre, 2010, photo: LuisMena.

5

Cecilia Perez Pradal, ‘VOLK’, documentary theatre, 2011, photo: LuisMena.

1

2

3

4

5

Based in Burgos (Spain) established 2001, we are a non-profit public organisation with selfmanagment, an assembly, and a horizontal structure.

Our main aims are: autonomy, independence, transparency and compromise as a way to achieve citizens’ participation and involvement.

We consider that public administrative and economic resources can be organised by an independent collective and besides, we believe that it´s the best tool to organise, programme and connect artistic, cultural and social events in our local context.

Espacio Tangente considers culture and art not only as tools for creation, but also means by which one can try to transform the social, culture and political enviroment we live in.

23

Espacio Tangente C/VALENTÍN JALÓN,10-BAJO 09005 Burgos Spain espaciotangente@mac.com +34 (0)947216127 www.espaciotangente.net

3rd D

Evil Son Cape Town, South Africa

Works in progress by Kyle Morland, Jared Ginsburg and Josh Ginsburg.

5th B

Evil Son Lewin Street, off Sir Lowry Road, Woodstock 7925 Cape Town South Africa info@cadt.org.za www.evil-son.tumblr.com

Evil Son is a pilot project for a self-organised art space in Cape Town, South Africa. Through working residencies, exhibitions, discussions, events, and other forms of presentation, EVIL SON aims to be a platform for independent critical practice in contemporary art in Africa. EVIL SON operates under the principle of mentoring sets of young practitioners in running an independent project space for three months at a time. The mentorship is supported locally by Blank Projects in Cape Town, and abroad by SUPERMARKET, the Stockholm Independent Art Fair. This project is made possible through a grant from the Swedish Arts Council. Previous mentorees include the artists Jared Ginsburg, Josh Ginsburg and Kyle Morland – whose project culminated in the exhibition “Bootleg”; and independent curator Clare Butcher who conceived of a weekly programme of discussions, presentations and residencies called ‘Dinner and/...’.

24

Formverk (art zone) Eskilstuna / Banatska Dubica, Sweden / Serbia

1 1

Zoran Todorović, ‘Agalma’, performance/action realised between 2003-2005. Series of events which involve soaps made of the artist’s skin and fat.

2

Gustaf Broms, performance at Belgrade art fair, Kulturni Centar Beograda, 2012, photo: Niclas Hallberg.

2

Formverk (art zone) was founded 2004 by Niclas Hallberg and Stina Pehrsdotter. It works on a domestic and international basis, to realise artistic exchanges and co-operations. From a base in Sweden they operate the residency RAJ (paradise in Serbian) in Banatska Dubica, Serbia – a dynamic space for experimental work and collaborations. Formverk (art zone) is also the initiator of the Belgrade Art Fair, an international art event that took place for the first time in October 2012.

At Supermarket 2013 Formverk (art zone) shows Zoran Todorović, Belgrade. His works often deal with issues of surveillance and control, shedding light on uncomfortable truths and concealed motives.

Todorović has exhibited his works in numerous leading art institutions in Europe and beyond, and was the author of the Serbian pavilion at the 53rd Venice Biennale.

25

Formverk (art zone) Bozidara Kojica 15 Banatska Dubica Serbia info@formverk.se www.formverk.se

3rd A

fragment S Seoul, South Korea

5th A

1

2

3

4

5

6

7

1

Han Sungpil, ‘The Wizard of Oz’, chromogenic Print, 122 x 155 cm, 2012.

2

Han Sungpil, ‘Scenes’, chromogenic Print, 75 x 95 cm, 2012.

3

Huh Sookyoung, ‘Joseph The Rabbit Hair’ from the series of close encounters, digital Fine Art Print, 80 x 150 cm, 2010.

4

Lim Soosik, ‘Chaekgado 175’, hand stitch with pigment ink on Hanji, 20 x 40 cm, 2012.

5

Lim Soosik, ‘Chaekgado 128’, hand stitch with pigment ink on Hanji, 20 x 40 cm, 2011.

6

Yoon Jeong Mee, ‘The Pink Project – Jeeyoo and Her Pink Things‘, light jet print, 2007.

7

Yoon Jeong Mee, ‘The Blue Project – Ethan and His Blue Things‘, light jet print, 2006.

fragment S Studio 710 128 Erlang House Blackfriars Road Southwark SE1 8EQ United Kingdom syhuhfoto@gmail.com +44 (0)7983941818 +46 (0)737823644

fragment S aims to create an environment where artists can meet, play and discuss how to develop their themes and ideas within the opportunity to exhibit their work in a new locations and contexts.

Its ambition is to broaden the artistic vision, and understanding the otherness and reflect artists’ own identities – presenting them as they want to be presented.

Its ambition is to broaden artistic vision, and to understand the otherness – and to reflect the self-identity – of the artist, presenting them as they want to be presented.

Represented artists will include Jeong Mee Yoon, Sung Pil Han, Soo Sik Lim, Chan Min Park, Kyung Ja Jeong and Sookyoung Huh.

26

Galeria Szara Cieszyn, Poland

1

2 1 Urszula Kluz-Knopek, ‘A triptych’,

photography, 2012.

2

Agula Swoboda, ‘About wisdom and stupidity - two men’, acrylic on canvas, 2012.

3

Joanna Rzepka-Dziedzic, ‘Householder’ photo-object, 2009/2010.

3

Galeria Szara Srebrna 1 43-400 Cieszyn Poland fundacja@strefaszarej.pl +48 (0)502317887 www.galeriaszara.pl www.strefaszarej.pl www.facebook.com/galeriaszara

Cieszyn based Szara Gallery is an independent non-commercial venue run by the Audiovisual Culture Foundation ‘Strefa Szarej’. Joanna Rzepka-Dziedzic and Łukasz Dziedzic have been managing the gallery since 2005.

Szara focuses mainly on young up coming artists. The core idea of the gallery is to explore art from Poland, Slovakia and Czech Republic, and to connect artists with cultural institutions. Activities including music concerts, lectures, workshops and conferences form a vital part of the gallery programme.

The gallery has a reading room with many contemporary art and culture publications. Szara also publishes books, catalogues, cd’s, along with online and other media publications.

27

3rd E

Galleri Box Gothenburg, Sweden 1

Anna Sissel Gustavsson, ‘Me and a Gun’.

3rd F

Galleri Box Kastellgatan 10 41122 Gothenburg Sweden info@galleribox.se +46 (0)31 132037 www.galleribox.se

2

BOX is an artist-run gallery with a focus on contemporary art. Since its inception in 1998, BOX has presented more than 90 exhibitions. With a programme that includes exhibitions, artists’ talks, lectures and seminars, BOX is today an established and important place for conversation about the artistic field.

BOX is located at Kastellgatan 10 in Gothenburg.

BOX has an open-minded profile and is shaped over time by the exhibitions and the projects that the gallery presents. Just as often as artists are invited to create exhibitions, the programme is created from applications and ideas from outside. The exhibition programme is compiled in dialogue with the gallery’s board and a reference group. If you want to suggest events or collaborations, please contact the gallery.

28

Galleri Konstepidemin Gothenburg, Sweden

1

1

Johanna Tymark ‘Untitled’, clay, 35 x 32 cm, 2012.

2

Johanna Tymark, ‘Untitled’, mixed media, 68 x 31 cm, 2012.

2

Galleri Konstepidemin is an artist-run art gallery that consists of several exhibition spaces, each with a different character. The main gallery shows contemporary art in a gallery space of 155 square metres.

Two other spaces offer an atmosphere that calls for experimental and site-specific artworks: Bergrummet/the Cave room is a stone walled valve. Pannrummet/the Boiler room is a cellar. The newest scene is the pid web gallery for moving art and sound: www.konstepidemin.se/pid. At Supermarket we proudly present the artist Johanna Tymark. The installation shown is an adapted version of an exhibition at Gallery Konstepidemin from January 2013: An intertextual milieu functioning as a platform for stages of decay, renovation and construction, opening up a dialogue with the extended field of contemporary Vanitas.

29

Galleri Konstepidemin Konstepidemins Väg 6 41314 Gothenburg Sweden galleri@konstepidemin.se +46 (0)31410053 www.konstepidemin.se

3rd G

Galleri Maskinen Umeå, Sweden

1 1

Sonic art festival ‘ljudLYD’, April 2011, photo: Joakim Hansson.

2

Linda Spjut, performance, April 2012, photo: Joakim Hansson.

3

Markus Lervik, performance, March 2012, photo: Joakim Hansson.

4

Andreas Brännström receiving the ‘Maskinen Prize’, 2012, photo: Eskil Liepa.

2

3rd E

Galleri Maskinen Umeå Sweden galleri.maskinen@gmail.com www.gallerimaskinen.se

3

4

Galleri Maskinen was founded in 2008. In the beginning the gallery had no premises and was nomadic.

After a year or so a space was found in a basement. The gallery was run there as an association founded by various grants and support from Umeå city, IASPIS and others up until May 2011. The focus of Galleri Maskinen up until May 2011 was to hold exhibitions and to arrange short events. Between June 2011 and June 2012 the gallery was funded by research funds from Umeå University. During this period no less than 18 exhibitions were held in the gallery. In June 2012 the decision to leave the space was made, in order to change the profile and activities of the gallery. Galleri Maskinen is yet again a nomadic gallery.

At Supermarket 2013 Galleri Maskinen presents Andreas Brännström.

30

Galleri Se Konst Falun, Sweden Juan Milanes at Galleri Se, 2012, photo: Patric Engfeldt.

Galleri Se Konst is an artist-run gallery in Falun, founded three years ago. We are the only artist-run gallery in the region of Dalarna, and our aim is to show interesting contemporary art, national and international, and broaden the local art scene.

We mainly work with artists that we invite to hold exhibitions. We gladly cooperate with other galleries/institutions/museums to widen our network and contacts. We are curious about other forms of cultural expression, and have offered space to live music and literary readings. We love to put artists to work, and offer each year a ‘Printmaking Workshop Prize’ to an artist who is not normally working with graphics.

31

Galleri Se Konst Slaggatan 20 79170 Falun Sweden gallerisekonst@gmail.com www.gallerise.se

3rd E

Galleri Syster Luleå, Sweden

Anastasia Ax performing her work ‘Reactor’ as a part of the exhibition Galleri Systers Val at the Art Hall in Luleå.

3rd E

Galleri Syster Kronan H5 97442 Luleå Sweden info@gallerisyster.se http://gallerisyster.se/

Galleri Syster is an artist-run gallery in Luleå, Sweden. We are a meeting point for contemporary art and a room for talks and discussions. Our work is founded upon feminist grounds and we want to make a difference through investigating, challenging and deconstructing. We have an exhibition space in Luleå, but we also work in different types of cooperation and in other areas.

At Supermarket we present an exhibition by Hanna Kanto, www.hannakanto.com.

32

Galleri Verkligheten Umeå, Sweden

Eskil Liepa, ‘Untitled narrative: In and out of language’, Sigulda, 2012.

Galleri Verkligheten is an artist-run space situated in an old rail carriage factory close to Bildmuseet and the Arts Campus in Umeå. The aim is to be an experimental platform for different kinds of artistic expression, local as well as international. Galleri Verkligheten collaborates with various artist groups and art institiutions both in Umeå and abroad.

Verkligheten presents Eskil Liepa, born 1979, Öland/Umeå, Sweden.

33

Galleri Verkligheten Pilgatan 16 90331 Umeå Sweden maila_verkligheten@yahoo.com +46 (0)90 109900 www.verkligheten.net www.galleriverkligheten.blogspot.com

3rd E

Galleria Huuto Helsinki, Finland

Satu Rautiainen, ‘Z like Zoo’, oil and ink, 30 x 30 cm, 2013.

3rd F

Galleria Huuto Uudenmaankatu 35/Laivurinkatu 43 00120/00150 Helsinki Finland info@galleriahuuto.net +35 (0)8 9 676 330 www.galleriahuuto.net

Galleria Huuto is located in Helsinki, Finland. Currently it maintains two spaces in the centre of Helsinki: a gallery on Uudenmaankatu and a brand new space located in the Jätkäsaari harbour area.

In total, this comprises of two galleries, a video booth, project space, artist studios and an open lounge for public and artists alike. However Galleria Huuto is not merely confined to these premises. It can also inhabit other locations in the form of various events, projects and visits. Annually, Huuto organises as many as 35-50 contemporary art exhibitions.

Galleria Huuto is a platform for, and run by, independent artists. The galleries and exhibitions are open for all to apply. Freedom and independence of artistic work are the core values of the group and each exhibiting artist arranges the exhibition according to his / her own concept.

34

Galleria Sculptor Helsinki, Finland

1 1

Andy Best & Merja Puustinen, ‘Skinny Dipping’, latex, 150 x 150 x 300 cm, 2010.

2 Anne Meskanen-Barman, ‘Kasvannainen’,

epoxy resin, earth, pottery,

60 x 50 x 70 cm, 2010.

2

Galleria Sculptor, run by The Association of Finnish Sculptors, is mainly focused on contemporary Finnish sculpture, but it also makes room for artists from foreign countries and from different fields of art.

At Supermarket Art Fair 2013 Galleria Sculptor will present some of the most innovative Finnish artists: Petri Eskelinen, Andy Best & Merja Puustinen, Anne Meskanen-Barman, Hilda Kozari and Heli Ryhänen. These artists will bring to the fair an interesting variety of modern Finnish sculpture using different, alternative and experimental materials and means of expression: scents and fragrances, beeswax, sand and earth, and participatory installations.

35

Galleria Sculptor Eteläranta 12 00130 Helsinki Finland www.sculptors.fi

5th B

Gocart Gallery Visby, Sweden 1

2

3rd E

Gocart Gallery Klosterbrunnsgatan 1A 62156 Visby Sweden info@gocartgallery.se www.gocartgallery.se

3

1

C Anders Wallén, ‘On Sale’, 2012.

2

Kristina Laurent, ‘noTitle’, textile and wood, 2012.

3

Marc Savior, ‘Nocturnal animal’, oil on board, 2012.

4

Tina Messing, ‘Cementblandaren’, C-print, 2012.

4

ON SALE In July 2012 the company Nordkalk were granted permission to quarry for limestone in the area of Ojnareskogen on Gotland, a small island in the Baltic Sea. What will this area become in a few decades when that work ends? What will happen when all the limestone is gone and Nordkalk have moved onto a new project? What will remain of this unique island? – A devastated nature, uninhabitable land and ruined drinking water for years to come.

The conflict in Ojnareskogen represents one of many focal points in the world that exposes conflicting perspectives on life and the consequences of them, and is the subject of our “On Sale” show.

Participating artists: Kristina Laurent, Edit Mag, Tina Messing, Mark Savior, C.Anders Wallén.

Gocart Gallery is run by The Gallery-Association in Visby.

36

GRAD Belgrade, Serbia 1

2

1

1

Ana Banduka, ‘Lollipop’, sugar, 2012.

2 Nina Ivanovic, film on metal, 2012,

photo: Djordje Tomic.

3

Tim Barton, ‘Ei Nis’, 2012, photo: Djordje Tomic.

4

KC Grad.

3

4 The GRAD European Centre for Culture and Debate, also known as KC GRAD, was opened in 2009.

It is situated in a warehouse dating from 1884 located in the neglected and rundown industrial neighborhood in the very heart of Belgrade. The KC GRAD building consists of two floors with an area of 397 square meters. It houses a large gallery space and art library on the upper floor. The Steve Austin café bar and the Gradstor art shop are located on the ground floor. Dejan Ubovic and Ljudmila Stratimirovic are the KC GRAD co-directors and co-founders.

The Big Gallery programme focuses on domestic and international contemporary art and design.

After just one year of work the Big Gallery was awarded the status of an official Belgrade city gallery.

Each year several exhibitions are produced by KC Grad and in addition they organise an annual open competition inviting all interested artists and curators to submit projects. The size of gallery is approximately 160 square meters with a ceiling height of 3.6 meters.

GRAD Brace Krsmanovic 4 11 000 Belgrade Serbia info@culturalfront.net +38 (0)1 11 3282370 www.gradbeograd.eu

37

3rd G

Grafiska Sällskapet / The Swedish Printmakers’ Association Stockholm, Sweden

1 1

Tracy Sweeney, ‘Förbjudet’, collograph and carborundum print, 30 x 60 cm, 2011.

2

Marie Andersson, ‘FAS’, collograph, 7 x 2 m, 2010.

2

3rd F

Grafiska Sällskapet / The Swedish Printmakers’ Association Hornsgatan 6 11820 Stockholm Sweden galleri@grafiskasallskapet.se +46 (0)8 6438804 www.grafiskasallskapet.se

Grafiska Sällskapet, the Swedish Printmakers’ Association, is a collective of some 430 active printmakers from all over Sweden. The association functions as an information centre and meeting point for the members and for those who appreciate prints.

The association runs a gallery, which is part of a vast network of contacts to other printmakers’ collective workshops and printmakers’ associations in Sweden and abroad.

The Swedish Printmakers’ Association is supported by The Swedish Arts Council, Stockholm County Council and the City of Stockholm.

At Supermarket 2013 the Swedish Printmakers’ Association will present the work of ten selected artists: Jenny Andersson, Marie Andersson, Malin Johansson, Maria Jönson, Robin Montelius, Elvire Soyez, Tracy Sweeney, Kristina Thun, Tobias Törnqvist, and Kajsa Åhlander Persson.

38

Green Is Gold Copenhagen, Denmark 1

1

Amalie Bønnelycke Lunøe and Ditte Knus Tønnesen, ‘Best-sellers, Anatole France’, silk screen print, 31 x 52 cm, 2013.

2

Kevin Malcolm & Keith Allan, ‘Work Untitled’, photograph from the book, published by Green Is Gold, 18 x 25 cm, 2012.

2

Green is Gold is a Copenhagen-based non-profit project space and was opened in 2011 by Danish artists Amalie Bønnelycke Lunøe and Ditte Knus Tønnesen. The space focuses on exhibiting local and international artists with diverse, progressive practices that are independent of trends and tendencies in art.

39

Green Is Gold Hyskenstræde 3 1207 Copenhagen +45 (0)27286544 +45 (0)26193030 mail@gigstudio.dk www.gigstudio.dk

3rd F

Grimmuseum Berlin, Germany Andrés Galeano, ‘Unknown Photographers #28’, vintage prints, 30 x 37 cm, 2012.

Andrés Galeano, Unknown Photographers #13, C-Prints, 40x50cm, 2012

3rd A

Grimmuseum Fichtestrasse 2 10967 Berlin Germany info@grimmuseum.com +49 (0)15112412524 www.grimmuseum.com

Grimmuseum gUG is a non-profit artists-run institution that promotes visual art, performance art and sound art in the premises of the former Luise Grimm Museum in Kreuzberg, Berlin. Grimmuseum was founded in 2010 by artist Enrico Centonze with the goal to create an interdisciplinary platform for established as well as emerging Berlin-based artists and curators. The institution functions as an open, accessible and process based exhibition space, showing a wide-ranging spectrum of contemporary art production. Over the last two years Grimmuseum has worked with more than 400 international artists and upcoming curator talents.

For Supermarket 2013 Grimmuseum gUG will show the works and performance of Andrés Galeano. www.andresgaleano.eu

40

Gudran Association for Art and Development Alexandria, Egypt 1

Gudran for Art and Development.

2 Aliaa El Gready, ‘De ja vu 1’.

2

Gudran Association for Art and Development is an artist coalition that is motivated by what we call “the artists social responsibility” – to bring art to every part of society, to reach social transformation through art, to support local culture and to provide platforms and places for them to flourish and learn from each other.

Gudran started as a group of artists with the aim of bringing art to people in a direct manner, and not through exhibition spaces. Having the point of view that art is a human need, it was a desire of Gudran to bring it to a community in a desperate need of it. In 2000 the group started to work with a small fisherman village called El-Max in the west of Alexandria, Egypt.

Later on, by recognising the need for art and especially the need for people to think in new and different ways during their imagination crisis, Gudran had the desire to bring the spirit of change to the heart of Alexandria. The aim was now to offer the society a way to rethink how they wish to develop and formulate solutions to their own problems.

41

Gudran Association for Art and Development 2 Adeep St. El Manshia 21519 Alexandria Egypt info@gudran.com +20 (0)34844226 http://gudran.com

3rd E

Heavy Merry Finland Foundation Rotterdam/Helsinki, Netherlands/Finland

Ville Pirinen, ‘Baila Baila Muthafucka’, illustration, 2011.

5th B

Heavy Merry Finland contact@heavymerryfinland.com www.heavymerryfinland.com

Heavy Merry Finland is an independent artists’ collective promoting young and experimental Finnish art and artists internationally. Founded in 2010, HMF organises exhibitions for invited artists in galleries and artist-run exhibition spaces.

HMF operates on a non-commercial basis and it provides opportunities to build contacts abroad. Our goal is to facilitate and enhance networking. New contacts, opportunities and collaboration possibilities are key to the work.

Artists participating at Supermarket are Anssi Kasitonni, Noora Federley, Ville Pirinen, Laura Lappi, Maria Stereo, Sanna Järvelä, Annika Kivi, Jouna Karsi, Petteri Tikkanen, and Kaija Papu.

What unites them is a common view of the world and of visual arts: both are dead serious but lively and fun at the same time. All reflect on this in their own unique way.

42

HMK {Hotel Maria Kapel} Hoorn, Netherlands

Berndnaut Smilde, ‘Nimbus II’, photography, 2012, photo: Cassander Eeftick Schattenkerk.

HMK is an artist-run residency and project space in Hoorn, the Netherlands with an exhibition space in the mediaeval Maria Chapel. The programme involves artists working in a wide range of media, focusing on installation and context based work, video/film and performance art.

HMK {Hotel Maria Kapel} Korte Achterstraat 2a 1621 GA Hoorn Netherlands office@hotelmariakapel.nl +31 (0)229 752 252 www.hotelmariakapel.nl

43

3rd F

ID:I Galleri Stockholm, Sweden

2

3

4 1

Linda Karlsson, ‘Shaggy Sweater’, mixed media, 2010.

2

Örjan Wallert, ‘X-dynamic’, acrylic on MDF board, 2008.

3

Ingrid Jonsson, ‘Som Synes’, mixed media, 2012.

4

Ann Frössén, ‘Time Will Tell’, acrylic and ink on canvas, 2008.

1

3rd E

ID:I Galleri Tjärhovsgatan 19 Stockholm, Sweden galleri.idi@gmail.com www.idigalleri.org

ID:I galleri has thrived as an artist-run initiative since 2002 with 110 exhibitions taking place on its premises. The gallery recently celebrated its 10 year anniversary with the group exhibition “UnTied Notions”, bringing together 37 current and past members and displaying a diverse range of artworks.

The aspect of individual diversity amongst the gallery’s members creates a point of inspiration for “Composition in Black, White and Ceramic”, a group exhibition featuring the works of ID:I members Åsa Franck, Ann Frössén, Ingrid Jonsson, Linda Karlsson and Örjan Wallert.

The contrasts created between black and white versus colour, two dimensional versus three dimensional, as well as the differences between media, are important elements used to explore how five unique artistic practices can be displayed together to form one unified composition.

During 2013, ID:I will continue to initiate dynamic and collaborative opportunities amongst its members in addition to building partnerships with other institutions in order to expand its position within the diverse arts community of Sweden.

44

IS-projects Leiden, Netherlands

Iemke van Dijk (left) and Guido Winkler, ‘The Others’, wall drawing, aluminum disc and acrylics on panels, various dimensions, 2012, photo: Guido Winkler.

IS-projects was founded in December 2007 from a gathering of twenty artists from Australia, Europe and the USA at the UND Jetzt exhibition. Since then IS-projects has initiated exhibitions and therefore meetings between artists, art lovers and collectors. We organise group shows on an international level and publish IS-boxes: very accessible limited editions. IS-projects may be intimate space, internet space, international space or international style, but above all the art that we show is what it is.

At Supermarket we are showing IS-editions and a selection of works by the following artists: John Adair, Gilbert Hsiao, Ditty Ketting, Peter Luining, Guido Nieuwendijk, Paulius Nosokas, Jan van der Ploeg, Iemke van Dijk, Henriëtte van ‘t Hoog, Marije Vermeulen, Jan Maarten Voskuil and Guido Winkler.

45

IS-projects Drie Octoberstraat 16-A 2313 ZP Leiden Netherlands +31 (0)71 6149882 +31 (0)62 8634370 +31 (0)63 8748183 office@is-projects.org www.is-projects.org

3rd F

JCA DE KOK The Hague, Netherlands

1

2

3

4

3rd F

1

Ineke Sleeuwenhoek, ‘Shift VIII’, mixed technique/work on paper, 20 x 30 cm, 2011.

2

Ineke Sleeuwenhoek, ‘Shift IV’, mixed technique/work on paper, 20 x 30 cm, 2005.

3.

Panopticum Berlin, (no title), pen & ink drawings on paper 23 x 48 cm, 2009-2012.

4

Panopticum Berlin, (no title), pen & ink drawings on paper 30 x 259 cm, 2010.

JCA DE KOK Lange Beestenmarkt 99 2512 ED The Hague Netherlands info@jcadekok.com +31 (0)614872795 www.jcadekok.com

JCA DE KOK is a young platform for visual arts in The Hague (Netherlands). JCA DE KOK has a permanent home at Lange Beestenmarkt 99, which is located in the old part of the city centre of The Hague. The building was recently renovated into a sober art space. The name JCA DE KOK comes from a plaque on the facade of the building.

JCA DE KOK conducts a programme of projects and exhibitions where mutual inspiration, discussion and exchange between artists as well as between artists and the public are central. It focuses on ‘generations’ in the arts, and investigates whether exchange and cooperation between different generations gives a renewed view of the differences and similarities between established, mid-career, and young artists. These can concern matters of opinion, fundamental influences, or artistic practice.

46

Kallio Kunsthalle Helsinki, Finland

1

2 1

Siro Micheroli, ‘Slavutych’, photograph, 2011.

2

Maija Saksman, ‘Heart-shaped stones’, installation, 2005-2012.

3

Elokolo, ‘Papa Smurf’, archive, 2008.

4

Heidi Lunabba, ‘Studio Vilgefortis’, performance, 2012.

3

4

Kallio Kunsthalle is a pocket of art in the heart of Kallio.

Its principles are based on The European Year of Volunteering 2011. It is a product of artists, scholars and local associations. Kallio Kunsthalle’s main partner is Helsingin Optimistit, and its base is the former meeting room of the Association for Healthy Lifestyles, at Toinen Linja 31 in Helsinki.

Kallio Contemporary Art Museum is a 160x120 cm table with a glass cover. During the exhibition year a best-(or worst-)of-exhibition will be brought to the table, which will, in the end, go touring.

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Kallio Kunsthalle Toinen linja 31 00530 Helsinki Finland info@kalliokunsthalle.fi +35 (0)8503841539 www.kunsthalle.fi www.facebook.com/kalliokunsthalle

3rd C

Kings ARI Melbourne, Australia

3rd G

Kings ARI 1/171 King Street 3000 Melbourne Australia kingsartistrun@gmail.com www.kingsartistrun.com.au

Kings Artist Run Initiative (ARI) provides a location for contemporary visual and sound art, supporting distinctive experimental projects by artists at all stages of their careers. Kings ARI assists and promotes the development of solo exhibitions, group and thematic projects, along with an events programme that includes performances, film screenings, public gatherings and talks.

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Konstnärshuset Stockholm, Sweden

Helena Byström, ‘Konstnärshuset – Vad är det?’, video still, 2012–13.

The show Teaser at Supermarket 2013 presents a selection of upcoming exhibitions. It focuses on works and actions directing the gaze towards the house itself.

9.2 - 27.2 Konstnärshuset – Vad är det? What’s that? Helena Byström in cooperation with Jenny Vinterqvist. An exhibition in and about the house.

9.3 - 27.3 SenOren is a cultural superorganism. It is a viscous authorship separate from the individuals that participate in its production, exhibitions and events.

Konstnärshuset is a Venetian-inspired palace owned by artists. The building, inaugurated in 1899, was designed by the architect Ludvig Peterson. Konstnärshuset is centrally located in Stockholm’s most exclusive shopping area close to Norrmalmstorg. The exhibitions at Konstnärshuset are managed by the Association of Swedish Artists, Svenska Konstnärernas Förening (SKF).The two galleries, which are situated on different floors, encompass 200 square metres and the ceiling of the larger gallery is an impressive seven metres. Our project Sektionen deals with equality and diversity issues, as Konstnärshuset is an art space where the traditional meets the contemporary.

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Konstnärshuset Smålandsgatan 7 111 46 Stockholm Sweden www.konstnarshuset.com

3rd C

Kultivator Dyestad, Sweden

3rd F

Kultivator Dyestadbygata 7 386 94 Färjestaden Sweden infokultivator@gmail.com +46 (0)701422484 www.kultivator.org

Kultivator is a collaboration between artists and farmers, based on Öland, Sweden. Since 2005 we offer residencies, project cooperation and artistic input in works where urban and rural, intellectual and practical, and producing and consuming cultures interact.

For Supermarket 2013, we present the project “Friendfarm“, that initiates a connection between a farm in Öland, Sweden, and one in Galijembe Province, Tanzania.

Friendfarm wants to develop ways for rural communities in different parts of the world to build micro-networks and empower each other. As a visionary, critical project, Friendfarm wants to question the structures of a globalised economy, and discuss more sustainable relations between farms and people over the globe.

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Le Cube - independent art room Rabat, Morocco

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Leila Sadel, ‘Ouvrage’, cut journal paper, variable number of cut words, variable dimension, 2010.

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Edith Payer, ‘Sloanes agony’, series of boxes, mixed media & found footage, 2011.

3

Käthe Hager von Strobele, ‘Upper class memories – part 1 – The castle’, installation with photographies, mosaic of photo works on paper and textile, 2012, photo: Stephan Hilge.

4

Jamila Lamrani, ‘Bird cage’, white metall cage, silk threads, (detail of the installation ‘Bird cage’, variable number of metall cages with different content), 2012, photo: Elisabeth Piskernik.

Since 2005 Le Cube – independent art room, based in Rabat, Morocco, has been actively involved in the field of experimental contemporary art, building a platform for both Moroccan and foreign artists.

The aim is to help artists to disseminate and advance their work and encourage new forms of art, performances, installations, videos, and interventions in situ.

As a way of offering more than basic exhibition space, Le Cube has also initiated several projects: “Video Night”, a showcase of production and validation of video art; “Summer’s Lab” for experimental Moroccan artists; the initiative “New Generation of Art”, which provides an opportunity for young talents to create and exhibit at Le Cube; and most recently “Curators’ Zone”, a project where independent curators are invited to organise a show at Le Cube. Another field of activity is the promotion of contemporary art for young people, with gallery visits and art workshops.

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Le Cube – independent art room 2, rue Benzerte 10 000 Rabat Morocco info@lecube-art.com +212 (0)6 51 65 85 61 www.lecube-art.com

5th D

Lo and Behold Athens, Greece

Yiannis Papadopoulos, ‘Lackograph or the Nothing Machine’, wooden device, wax, rituals, dimensions adjustable, 2011-2012.

3rd E

Lo and Behold Athens, Greece info@loandbehold.gr www.loandbehold.gr

LO AND BEHOLD is an artist-run non-profit organisation based in Athens whose aim is to produce and promote cultural activities, both in Greece and abroad, with a focus on contemporary art.

LO AND BEHOLD’s objective is to highlight anew the work of art itself and the stragegies used for its production, a result of research and thought, independent of its commercial standing. Further, LO AND BEHOLD intends to promote and manage contemporary art projects in a flexible and targeted manner, in diverse cultural and social surroundings, an approach unconfined by the conventionality that is often encountered in local, more restricted contexts.

The creation of such a platform not only allows, but also aims at, dialogue, and the immediate involvement of diverse social and cultural frameworks from all over Europe. This dialogue regarding research and experimentation concerning new methods in contemporary art, as well as dialogue about strategies for the creation and management of the work of art, are all important matters: probably more so than ever, given the present economic and geo-cultural conditions.

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Margaris Foundation / les yper yper Thessaloniki, Greece Rania Emmanouilidou, ‘Untitled’, sculpture, mixed media, height approx. 50 cm, 2011.

Margaris Foundation/les yper yper 4 Georgiou Stavrou Str. 54623 Thessaloniki Greece margarisfoundation@gmail.com www.margarisfoundation.blogspot.com

Margaris Foundation/Les Yper Yper is about the process of creativity, art production, and exhibition making. We want to bring this process closer to the mainly non-specialised public and give artists the opportunity to exhibit outside – or in parallel to – the global art system. The Foundation is run by a collective of artists, curators, designers and filmmakers who believe that art is a fun experience for everyone involved and are willing to do anything, undertake all steps necessary, towards the materialisation of our ideas and projects - from the most creative to the most menial tasks. Our projects can be exhibitions, residencies, talks, or workshops for artists or the public of all ages. We work with artists, curators, collectors, institutions: public, private, alternative or established. We love broadening our horizons and expanding our practice.

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3rd G

Microwesten Berlin/Munich, Germany

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Kim Dotty Hachmann & Steffi Simmen, ‘Alpha Indie 2’, video loop, 5:00 min, 2012.

Dikla Stern, ‘Brave New World’, acrylic on canvas, 150 x 100 cm, 2008.

Kenneth Pils, ‘Dwelling’, plaster/mixed media, 30 x 15 x 15 cm.

Julia Hürter, ‘Columbus’, acrylics on canvas, 40 x 50 cm, 2012.

Veronika Dünßer-Yagci, ‘Austrian Roundabout’, short film, 2:23 min, 2012.

Bertram Schilling, ‘Long Forgotten Friend’, collage, 2008.

Matthias Roth, ‘Trip into the Green’, c-print, 2012

3rd A

microwesten Berlin/Munich Germany microwesten@gmail.com www.microwesten.net

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Milkshake Agency Geneva, Switzerland 1

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Established in 2004 by the artist Alexia Turlin the Milkshake Agency is her workshop studio and its shop window. Located just behind the central station in the middle of Geneva the agency presents about ten exhibitions in the shop window every year. These are visible 24 hours a day and seven days a week throughout each show. Guest artists are a mix of established, emerging, and new practitioners that include neighbours from the local scene alongside national and sometimes international names.

The studio works as an artistic agency and also proposes extra activities such as editions, lectures, performances, video screenings, special dinners, and an annual Christmas collective show that takes over the whole place. It is an art space bubbling with the energy of everyday life, accessible to everyone, and promoting diverse contemporary art in all of its forms. Welcome!

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1

‘Recso verto’, Summer show by Laura Thiong-Toye & Isabelle Racine.

Paintings. 2012, photo: Alexia Turlin.

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‘Lulu (Enjoy)’. Tatoo, 2008, photo: Alexia Turlin.

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‘William’ Mélanie Métivier, Cloth cotton sewing, 2012, photo: Alexia Turlin.

Milkshake Agency 24 Montbrillant 1201 Geneva Switzerland +41 (0)22 329 75 27 +41(0)78 631 99 91 (mobile) start@alexiaturlin.ch www.milkshakagency.ch

3rd F

MUU galleria Helsinki, Finland

Helinä Hukkataival, performance, 2012, photography: Silja Urho.

5th B

MUU galleria Lönnrotinkatu 33 00180 Helsinki Finland muugalleria@muu.fi +35 (0)89 625 972 www.muu.fi

The Artists’ Association MUU promotes professional artists working across a wide range of contemporary and new-media disciplines. MUU GALLERY presents exhibitions, screenings, concerts and performances by artists and curators from Finland and abroad. MUU MEDIA BASE is a digital working space that supports the creation of art works through the use of new technologies.

AMORPH! International Performance Art Festival has been arranged by MUU since the mid 90’s.

PERFORMANSSI 2011 was a specially organised festival of performance art held in Turku as a part of the official Turku Capital of Culture 2011 programme. The festival marked the launch of PERFORMANCE ART BANK a database and MUU collaboration that showcases and documents Finnish performance art www.performanssi.com AUDIO AUTOGRAPHS is an on-going international sound art project (started in 2009) that organises events and workshops. MUU FOR EARS is a series of CD publications featuring Nordic and International sound art. In 2013 a new database of Finnish sound art, SOUND ART BANK, will be launched.

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Nationalgalleriet Stockholm, Sweden

Dan Wedegren, ‘Ubåtsdöden’, 2012.

Nationalgalleriet is run by an artistic collective based on non-commercial principles. The gallery does not have any specific artistic or ideological programme, but tends to like artists with an attitude. It is best known for its satirical group shows where absurdity is mixed with social comment. The solo shows are varied, from highbrow to subversive underground. Nationalgalleriet has it all! Exciting fistfights, horror, politics, satire, sex (including nude scenes), magic, psychology, violence, slapstick, special effects, and yes, art.

This year’s show is called Ubåtsdöden, “Submarine Death”. Inexplicable disappearances of submarines have been reported and obscure sources claim that submarine staff have died mysteriously. Swedish marine investigators have dubbed these ubåtsdöden. These phenomena have not yet been officially confirmed.

Nationalgalleriet Skomakargatan 3 111 29 Stockholm Sweden info@nationalgalleriet.org +46 (0)8 20 20 94 www.nationalgalleriet.just.nu

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5th C

Nest The Hague, Netherlands

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3rd D

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Jeroen Jongeleen, ‘Idiots’, 2012, Courtesy Upstream Gallery.

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‘Littlewhitehead’, Calderbank, 2012.

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Clara Palli Monquilod, ‘Strange Revelations Nº2’, 2010.

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Una Knox, ‘When what becomes who’, 2009.

Nest De Constant Rebecqueplein 20b 2518 RA The Hague Netherlands info@nestruimte.nl +31 (0)70 3653186 www.nestruimte.nl

4

Nest is an independent exhibition space in The Hague, Netherlands. Shows at Nest focus on specific themes which are being investigated through the work of local, national and international artists.

Nest projects not only look at the artist and his or her work but also pay attention to the role of artists and artworks within their social and functional context in society.

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Office d’Art Contemporain Brussels, Belgium

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Marcus Bering, untitled, painted steel, 2012.

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Dany Danino, ‘Profile as a hippocampus 1’, printed image, ballpoint and felt-tip pens, 30 x 42 cm, 2012.

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Jacques Dujardin, ‘Untitled’, pork caul and pigments on canvas, 20 x 20 cm, 2007.

4

Petri Hytönen, ‘Fishing’, watercolour and resin on paper, 40 x 50 cm, 2011.

4

L’ Office d’Art Contemporain intends to present in the international arena the work of visual artists working in the French Community of Belgium and Brussels, the capital of Europe. This project was initiated 4 years ago the summer of 2009 at Rauma Art Museum and it then moved to Galleria Maaret Finnberg in Turku (Finland) and later to Supermarket Art Fair in Stockholm in February 2011.

The artists of L’ Office d’Art Contemporain with whom I have co-operated already for a long time have different origins: Germany, Portugal, France, Finland, Spain, Wallonia and Brussels. These artists have their own artistic and social networks that form the current network of L’ Office d’Art Contemporain.

The exhibition explores various tendencies in artistic expression, bringing together a range of individuals whose immersion in the contemporary art world leaves the visitor free to move in the world of each artist.

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Office d’Art Contemporain 105, Rue de Laeken B-1000 Brussels Belgium jm.stroobants@skynet.be +32 (0)499 26 80 01 www.officedartcontemporain.com www.noirjaunerouge.be

3rd B

Or Gallery Vancouver, Canada

1 1

Or Gallery ‘Lectures on the Beach’.

2 Aaron Carpenter, ‘Reremember’.

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3rd F

Or Gallery 555 Hamilton Street V6B 2R1 Vancouver Canada or@orgallery.org +1 (0)604 683 7395 www.orgallery.org

Or Gallery Berlin, ‘Science Fiction’.

3

The Or Gallery is an artist-run centre committed to exhibiting work by local, national and international artists whose art practice is of a critical, conceptual and/or interdisciplinary nature. Since its inception in 1983 the gallery has acted as a space for research, proposition making, conceptual experimentation and documentation.

The Or operates a gallery space in Vancouver, Canada and established a satellite gallery in Berlin in 2010.

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pietmondriaan.com Rotterdam, Netherlands ‘What’s the point of giving you any more artworks?’, exhibition view at KOP Foundation, Breda (NL), 2010.

pietmondriaan.com is a contemporary artblog and exhibition platform founded in 2009. pietmondriaan.com started as a virtual exhibition space to present a defined selection of artworks chosen by Michiel Huijben and Simon Kentgens. By playfully responding to each other’s choices of work, associative connections between different artworks evolve, exploring common correlations within contemporary art.

Next to the virtual space, pietmondriaan.com serves as a mobile platform for exhibitions. It has curated several group-exhibitions in the Netherlands, such as ‘What’s the point of giving you anymore artworks?’ (KOP Foundation, Breda 2010), ‘I want to believe’ (NS16, Tilburg 2012) and ‘Sorry for not standing still’ (Kunstvlaai INexactlyThis, Amsterdam 2012). Extensive documentation is available on the website. pietmondriaan.com welcomes proposals and is open for collaborations.

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pietmondriaan.com Rotterdam, Netherlands piet@pietmondriaan.com www.pietmondriaan.com

3rd E

rainbowartsproject Singapore

1-2 Ezzam Rahman ‘Ah Gua Man’,

photography, 2012.

3-4 Kelvin Atmadibrata ‘In Search Of The Water Dragon: Vantomen’, collages, 2011.

3rd B

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rainbowartsproject Singapore rainbowartsproject@gmail.com www.rainbowartsproject.wordpress.com www.rapquestions.wordpress.com

rainbowartsproject (RAP) is an artists initiative with the direction of (commitment to?) constantly presenting queer culture in Singapore and South East Asia. The project aims to fulfill its mission through exhibitions, documentation and research.

RAP documents queer culture through an online blog, exhibits queer works in public spaces, initiates artwork-based research on queer identities and attempts to revive queer publication in the form of zines-catalogues. RAP is currently based in Singapore.

Started in late 2009, RAP has worked with over 60 artists from Singapore, Malaysia, Indonesia, Thailand, Japan, Hong Kong, Israel, Spain, Italy, Germany, Sweden, Denmark, Canada and United States of America. The project has also presented over twenty exhibitions in Singapore, Malaysia and Sweden.

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Sant Marc Sineu, Mallorca, Spain Tatiana Sarasa, ‘Till taught by pain’, cutout paper hanged on the ceiling, 2009.

1

Over the years, Sant Marc has gradually become a centre where thoughts, ideas and research in the field of printmaking are all exchanged. The studio has taken part and collaborated in an increasing number of different artistic events associated with printmaking, with works of art by contemporary artists who either live here or have spent some time on the island, hence the importance of the exchanges that it has sparked off through experiences, reflections, and proposals that have gradually defined the studio’s goal.

Participants 2013: María Isabel Uribe, Yolanda Adrover, Tatiana Sarasa, Joan Vallespir, Rafel Bestard, Fabian Schalekamp.

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Sant Marc Plaça Es Mercadal 3 07510 Sineu Mallorca, Spain mercadal3@yahoo.es +34 (0)971520004 www.santmarc.tumblr.com

5th B

Studio 44 Stockholm, Sweden

Susanne Högdahl Holm, ‘Brechts Library’, books, pages from books and glue, 2012 – a project in progress.

5th B

Studio 44 Tjärhovsgatan 44 116 28 Stockholm Sweden mail@studio44.se www.studio44.se

Studio 44: an artists’ space Some say that art should strive to be as independent as possible. Some believe that the commercial pressures in almost all spheres of society limit people’s ability to think freely and limit their access to alternative perspectives. Some suppose that art is a field that can stimulate hitherto unimagined dreams, clarify unexpected relationships, and build a more critical approach. There are those who are still hopeful that art can form questions without the next quarterly statement demanding answers, and put experiments in focus, rather than short-term profit interests. Maybe even that art is able to insulate itself against anxious, obsequious, and overtly streamlined shapes.

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Superclub Gallery and Studios Edinburgh, United Kingdom Arvid Wretman, ‘Häxhund 2’, pen and paint on board, 2012.

Superclub Gallery and Studios were founded in 2010 by a group of new graduates from Edinburgh College of Art in response to the lack of suitable studio and exhibition space for emerging artists in the city. It aims to provide a supporting platform for emerging visual artists in Edinburgh by offering affordable, 24 hour access studios and a free gallery space.

Since officially opening in early 2011 the gallery space has hosted over twenty exhibitions. As well as gigs, performances, book launches and artist’s talks in their own space they have also produced off-site projects locally with Edinburgh Printmakers, Edinburgh Sculpture Workshop and the Filmhouse, and internationally at the New York Art Book Fair and Supermarket – Stockholm Independent Art Fair.

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Superclub Gallery and Studios 11a Gayfield Square EH1 3NT Edinburgh United Kingdom info@superclubstudios.com www.superclubstudios.com

3rd F

T-Gallery Bratislava, Slovakia

3rd E

T-Gallery Panská 24 81101 Bratislava Slovakia info@tgallery.sk +42 (0)1903601656 www.tgallery.sk

T-Gallery’s main goal is to create a platform for presenting the latest developments in Slovak and international printmaking and drawing. This platform seeks to refresh the interest of the younger generations in the medium of printmaking and restore the continuity of the graphic tradition in Slovakia.

T-Gallery started as an underground space in 2011 and has expanded ever since. After a reconstruction in May 2012, it now owns four exhibition spaces in a 15th century building in the centre of Bratislava. One of the spaces is currently being transformed into a printmaking studio, mini-bookstore, information stand, design shop and a hangout space with a comfortable couch, coffee and good art.

T-Gallery exhibits artists and cooperates with universities and collectives from Slovakia, Finland, Sweden, Norway, France, Great Britain, USA and Mexico. In May 2012, T-Gallery organised the zeroth annual “Prize for Drawing” in which the audience and a jury picked two winners. The prize was to participate in a group exhibition at a sister gallery in Paris, Daniez et de Charette, which also supports young artists and helps them gain recognition in the art world.

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T.ACT presented by KUNSTtransit Amsterdam, Netherlands /Baghdad, Iraq/ Berlin-Karlsruhe-Cologne, Germany/Buenos Aires, Argentina/Khartoum, Sudan/Lisbon, Portugal/Maputo, Mozambique/Stockholm, Sweden/Rabat, Morocco

Participants: Murad Atshan Yassine Balbzioui Anja Bodanowitz Christine Geesing Philine Kempf Edmon Khalil Nora Mertes Celeste Najt Silvia Prudencio Katharina Quecke Birgit Spahlinger Kristina Sporr

T.ACT presents a project of transaction and steady development. Living as an artist, working on different projects, facing daily timeframes as well deciding how to present, is the topic itself, and it is called the ‘Topology of Staggered Routes’.

Our wiki-platform T-ACT-inter-view serves to facilitate communication inside the group, as well as being a continously-edited magazine about how artistic life is lived all over the globe. Working in different time zones, with different language skills, concurrent with jobs and projects, leads to a jolty, fragmented way of inter-viewing ourselves.

Formed in 2010, T.ACT is a multinational group of visual artists, authors, film-makers, performers and musicians. We are part of the artist-run association KUNSTtransit e.V. from Karlsruhe, which was founded in 2008. To connect artists worldwide by working together in person, visiting each other and keeping a personal, productive, constructive contact, we choose to be called T.ACT: Tribe of Artists in Collaborative Terms.

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t.act presented by KUNSTtransit t.act@gmx.de +49 (0)721 / 35 62 68 www.kunsttransit.de www.tribeact.blogspot.com www.t-act-inter-view.net

3rd B

Tegen 2 Stockholm, Sweden D.O.G. “Milk the wall”, photo, 2012.

5th A

Tegen2 Bjurholmsgatan 9b 11638 Stockholm Sweden info@tegen2.se +46 (0)702 855 777 www.tegen2.se

TEGEN2 – a space for exhibitions, performances, readings, actions and talks.

Since starting in 2006 Tegen2 has showed a broad spectrum of exhibitions by among others: Meira Asher, Itay Ziv (Israel), Damir Niksic (Bosnia), Basel Abbas & Ruanne Abou-Rahme (Palestine), Patricia Bentancur (Uruguay), Tina Enghoff, Kent Klich (Denmark) and SIMKA (Sweden). Tegen2 has also been a space for challenging the boundaries between art and activism, for example through Ship to Gaza related events and exhibitions.

The art world is no free zone. Due to the hybrid double nature of art, it both reflects and opposes hierarchies, and reproduces and resists power structures. With its Supermarket project “Milk the Wall” Tegen2 strives for the impossible – in order to cope with the real.

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The M( )esum Berlin, Germany

The M{ }esum, is widely considered to be the world’s greatest museum of lost human history and culture. The collection includes n∅bjects which date from ancient times, to the present day and beyond, in virtually every category. From missing masterpieces, to the unpublished and undone. From the burned down Great Library of Alexandria, to your lost socks. From the celebrated and the renowned, to the un-applauded or forgotten. The M{ }esum contains innumerable sets of n∅bjects, many unknown, it is thus impossible to determine the collection’s size with any certainty. Nonetheless, since the M{ }esum specialises in all things lost, in theory the collection is always complete, even when parts are missing.

The exact location of the M{ }esum is debatable, yet details of sightings and possible M{ }esum portals have been recorded in many places, most recently in Berlin.

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The M( )esum The Muesum Berlin Jonasstrasse 57 12053 Berlin Germany themuesum@gmail.com www.themuesum.org www.facebook.com/themuesum

3rd B

The Museum of Forgetting Norrköping, Sweden

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Santiago Sierra, ‘No’, global tour, 2009–, banner from the exhibition ‘The Political is Collective; Fractions’, Passagen art hall, Linköping 2012, photo: David Torell.

2 Daniela Ortiz, ‘FDTD; Forcible Drugging to Deport’, video, 2012.

5th A

3

Karen Land Hansen, ‘Unmanned Future#7/Drone’. 2012, sculptural installation. birch plywood, from the exhibition ‘The political is collective; Fractions’, Passagen art hall, Linköping 2012, photo: David Torell.

4

Karin Broos, ‘Tiduret’, akrylic on canvas, 2009, and Johanna Billing, ‘Project for a Revolution’, video, 2000, from the exhibition ‘Our Broken American Hearts’, Norrköping 2009, photo: Museet för Glömska.

The Museum of Forgetting Norrköping Sweden kosta@museetforglomska.se erik@museetforglomska.se +46 (0)70 993 31 65 +46 (0)73 656 92 88 www.museetforglomska.se

The Museum of Forgetting is a nomadic project that creates exhibitions and promotes critical reflection.

Based in Norrköping, Sweden, we have since 2007 worked with themes such as war, American popular culture, cartoons from the Arabic world and the relationship between fact and fiction in art and politics.

We have collaborated with, among others, Johanna Billing, Kalle Brolin, Karin Broos, Sahar Burhan, Ewa Einhorn, Dror Feiler, Gunilla Sköld Feiler, Maria Friberg, Coco Fusco, Saad Hajo, Karen Land Hansen, Iman Issa, Jeuno Kim, Björn Melhus, Kristina Müntzing, Erik Pauser, and Santiago Sierra. For Supermarket 2013 we collaborate with Anna Berglind, Núria Güell and Daniela Ortiz to deliberate on ‘broken hearts’, interruptions of plans for love and lives arrested in institutional labyrinths.

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Toolbox Berlin, Germany

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4 Gallery view of opening exhibition Social Box on Sept 2012: 1

Jan Kenneth Weckman and Jukka Lehtinen.

2

Maija Helasvuo, Mika Karhu and Juha S채채ski.

3

Minna Jatkola, Maija Helasvuo and Mika Karhu.

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Niina R채ty, Mika Karhu and Maija Helasvuo.

(Works from left to right.)

Galerie TOOLBOX is a new gallery in Mitte, Berlin. It addresses social questions through the visual arts.

It is a cooperative of seven Finnish modern artists, who have long experience as art professionals.

Art is a method of communication in a social world, where the meaning of experience is always abstract on some level, and to pass through these experiences requires diverse techniques and forms of art. The power of art is in its capacity to transmit social experiences that help us to learn, broaden our thinking, share experiences and have discussions.

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Toolbox Novalisstrasse 7 10115 Berlin Germany galerietoolbox@gmail.com +49 (0)17628914473 www.galerietoolbox.com

5th A

Totaldobze Riga, Latvia

KOMPASS is a series of events where ‘presently active in process of creation representatives’ from different art disciplines are invited to explain thoughts and ideas that are important for them at the moment. Each event has four presentations from two different disciplines and comments by specially invited experts of those disciplines. Photo: Janis Pesiks.

3rd C

Totaldobze Unijas street 8 k2 LV-1084 Riga Latvia info@totaldobze.com +37 (0)1 29451445 www.totaldobze.com/ArtCenter

Totaldobze Art Center is a non-governmental institution that has developed in the largest former industrial area of Riga. Since 2010 its location was next to artists’ studios where the first public activities started in 2007. The art center is still evolving with the aim to become a platform for interdisciplinary experiments in contemporary arts and a meeting point for local and international culture workers and institutions.

During the third season (Totaldobze is in-active during cold season) the centre had to move again to a new location, which is just next to the previous one, it took a lot of time and made the poor budget even poorer. Now they have much more appropriate space for their needs, however they don’t know for how long…

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TPTP, Transient Projects To People Paris, France

1

Ryan Boatright, ‘TPTP in 6-Bits’, installation view, 2010.

TPTP is dedicated to artistic research and exposure. We’re especially devoted to curated art projects that, next to the artwork itself, also explore more ephemeral aspects of art and exhibition making, and projects that question the structures within exhibition organising.

Once based in Montmartre, Paris, we now work in a completely nomadic manner.

At Supermarket 2013, TPTP will present an intimate view of various artistic work processes.

Ryan Boatright will be showing how computer software has interpreted his personal notebook, and a number of artists will offer a glance into their individual sketchbook scribbles. There will also be a shared projection, functioning as a free space where the artists show photos, videos, live streamed talks and performances in turn. www.ryanboatright.com

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TPTP, Transient Projects To People Paris France www.transientprojectstopeople.tk

5th D

Tupajumi Foundation Rotterdam, Netherlands

FITAX750, TENT, Rotterdam.

3rd G

Tupajumi foundation Pompstraat 44c 3082RT Rotterdam Netherlands info@tupajumi.com +31 (0)614158565 www.tupajumi.com

The Tupajumi foundation works solemnly for the promotion of contemporary art and artists. Tupajumi achieves this by organising art-related events, international group exhibitions and by any other means they come up with.

If you feel like the above text has not given you any in-depth information whatsoever, you are completely right! So drop in at our SELL OUT booth and ask us questions, they even don’t have to be about art but you’ll get the personal attention you’ve been looking for!

Tupajumi is run by: Jonathan den Breejen (The Netherlands/Canada), Alex Jacobs (The Netherlands) and Bérénice Staiger (Germany).

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ZeroStation Ho Chi Mihn City, Vietnam

1 1

Le Brothers Thanh & Hải, ‘The Bridge’, video and performance, one color channel, duration: 11:28:00 mins, 2012.

2 Nguyễn Trần Ưu Đàm, ‘Waltz of the Machine Equestrians – The Machine Equestrians’, video and performance work,

One color channel, duration: 3 mins, 2012

2 ZeroStation is a complex including a studio/space for exhibitions and a small room with two beds for artists who participate in ZeroStation’s art residency programme. The main mission of ZeroStation is to create more opportunities for dialogue, thinking and working between young artists in Ho Chi Minh City and beyond. ZeroStation is also looking for opportunities to collaborate with other artists, curators and independent art spaces around the world.

ZeroStation is now managed by a group of artists and curators led by art critic, curator and visual artist Nguyen Nhu Huy, who recently became co-curator of Singapore Biennale 2013. Nguyen Nhu Huy is also an author and co-editor (with Sarah Le) of the book ‘Essays on Modern and Contemporary Vietnamese Art’, which was published by Singapore Art Museum in 2009 and is the first and only anthology of Vietnamese contemporary art in English.

75

ZeroStation Ho Chi Minh City Vietnam zerostationvietnam@gmail.com +84 (0)903 747 779 www.zerostationvn.org

5th A

Zeta Galeri Tirana, Albania

1 1

Klod Agostini, ‘The Pit’, photography, print, 50 X 35 cm, 2012.

2 Ledia Kostandini, ‘Cartoon Movies’,

installation, 25 x 35 x 25 cm, 2010.

2

3rd E

Zeta Galeri Rr.Abdyl Frasheri, P.31 A/4, Hekla Center Tirana, Albania zetagaleri@gmail.com +35 (0)5 42 266 680 www.zetagaleri.com

Zeta Center started its activity in 2007, it is a non-profit center focused on visual arts that promotes collaborative, professional practices between the artists and curators, critics, researchers and other art professionals in order to contribute to the establishing of an active contemporary art scene in Albania.

Zeta’s goal is to cultivate public and promote contemporary art we consider an inherent characteristic, of emancipated societies through exhibitions, presentations, collaboration projects in local, regional and international level as well other cultural activities.

Zeta Center / Gallery has a well-equipped space of 150 m2 located in the heart of ‘Blloku’ the most attractive area of Tirana.

Zeta’s aim is to offer the Albanian public, artistic values of Albanian and international artists. We support and promote artists and projects which help us achieve our aim.

76

Zona Szczecin, Poland 1

Małgorzata Szymankiewicz, ‘Miami Dream 55c’, oil on canvas, 50 x 50 cm, 2007.

2

Leszek Knaflewski, ‘Złap F,’ DVD, 2008.

3

Aleksadra Ska, ‘Owo’, dibond, 20,5 x 27,5 cm, 2010.

1

2

3

ZONA SZTUKI AKTUALNEJ is an art gallery owned by the Academy of Art in Szczecin, whose curator is Prof. Kamil Kuskowski.

ZONA is an experimental exhibition space, where innovative activities in the fields of visual culture and symbolic production are pursued and developed. If modern art can be defined as an encounter with something new, unknown and unexpected, then ZONA is a place which enables it all.

Zona Sztuki Aktualnej operates as an exhibition space with vernissages and finissages, its invited guests, open lectures, meet-the-author sessions, workshops, performance art shows, and other educational activities.

77

Zona plac Żołnierza Polskiego 2 71-074 Szczecin Poland kamil.kuskowski@akademiasztuki.eu +48 (0)664080246 www.facebook.com/zonasztukiaktualnej?fref=ts www.akademiasztuki.eu

5th A

Ў gallery Minsk, Belarus

Curators: Anna Chistoserdova, Valentina Kiselyova, curators of the project, art-director and director of “Ў” gallery of contemporary art, gallerists.

Artists: Ruslan Vashkevich, Sergey Shabohin, Alexey Lunev, Mihail Gulin, artists of “Ў” gallery of contemporary art, independent curators.

5th B

Ў gallery of contemporary art Nezavisimosti Ave. 37A 220005 Minsk Belarus info@ygallery.by +37 5172845399 www.ygallery.by

“Ў” is a gallery with an atmosphere of free culture, where anyone and everyone can get acquainted with contemporary art trends and directions, attend lectures by famous art critics and participate in master-classes. It is an active art space aiming to popularise and promote Belarussian art. It presents art projects from eastern and western Europe that are forming a new generation of Belarussian art. Education is a very important aspects of gallery’s work and consists of organising and holding seminars, “round table” and other events in the field of art criticism, art management and curatorship.

The main aim of these activities is to bring together artists, curators, critics and analysts; as well as creating the conditions for forming a structure of critique, analysis and development in relation to the art-market in Belarus.

78

Presentation Stands KKV - Konstnärernas Kollektivverkstad i Nacka Stockholm, Sweden +46 (0)8 588 854 71 www.kkv.nu

Konstkonsulenterna i Sverige Sweden +46 (0)703077275

www.facebook.com/pages/Konstkonsulenterna-i-Sverige/128277913873889

Konstnärernas Hjälpfond Stockholm, Sweden +46 (0)8 767 30 00

3rd B 3rd D 3rd D

www.konstnarernashjalpfond.se

Konstnärscentrum Öst Stockholm, Sweden

3rd C

+46 (0)8 324480 www.konstnarscentrum.org/kcost

Konstperspektiv Stockholm, Sweden

3rd F

+46 (0)733755985 www.konstperspektiv.nu

KRO/KIF Stockholm, Sweden

5th C

+46 (0)8 54 54 20 80 www.kro.se www.kif.se

Kulturtidskriften Cora Stockholm, Sweden

3rd C

+46 (0)708 635361 www.cora.se

LMDP, L’autre Moitié Du Palais Paris , France +33 (0)612 275 752 www.xn--shaga-gta.net/spip.php?rubrique131 www.ensapc.fr

Mondo Tromsø Tromsø , Norway

3rd D 3rd C

+47 (0)92252362 www.facebook.com/pages/Mondo-Tromsø/209105839156520

NKF/Nordic Art Association Finland Helsinki, Finland 358 05 5924061 www.suomenpohjoismainentaideliitto.fi

NKF/Nordic Art Association Sweden Stockholm, Sweden +46 (0)708475743 www.nkf.se

Sveriges Konstföreningar Limhamn, Sweden

5th C 5th C 3rd F

+46 (0)40 362666 www.sverigeskonstforeningar.nu

Tidskriften Hjärnstorm Stockholm, Sweden

3rd G

+46 (0)70 7153293 www.hjarnstorm.com

79

Notes 1646, The Hague, Netherlands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

2B Gallery, Budapest, Hungary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

A.M.180 collective, Prague, Czech Republic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ALISN, London, United Kingdom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Alpineum Produzentengalerie, Lucerne, Switzerland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Ars Auttoinen, Auttoinen, Finland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Art Lab Gnesta, Gnesta, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Art On Armitage, Chicago, United States . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Artellewa Art Space, Cairo, Egypt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Artists’ Association of Lapland, Rovaniemi, Finland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Ateljén Hea, Sunne, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . blank projects, Cape Town, South Africa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Blue Oyster, Dunedin, New Zealand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Candyland, Stockholm, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

CFF – Centrum för fotografi, Stockholm, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

CirkulationsCentralen, Malmö, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Dienstgebäude, Zurich, Switzerland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Duplex10m2, Sarajevo, Bosnia and Herzegovina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Ed Video Media Arts Centre, Guelph, Canada . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Espacio Tangente, Burgos, Spain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Evil Son, Cape Town, South Africa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Formverk (art zone), Multiple countries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . fragment S, Seoul, South Korea . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galeria Szara, Cieszyn, Poland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galleri Box, Gothenburg, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galleri Konstepidemin, Gothenburg, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galleri Maskinen, Umeå, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galleri Se Konst, Falun, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galleri Syster, Luleå, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galleri Verkligheten, Umeå, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galleria Huuto, Helsinki, Finland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galleria Sculptor, Helsinki, Finland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Gocart Gallery, Visby, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

GRAD, Belgrade, Serbia, 3rdG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Grafiska Sällskapet, Stockholm, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Green Is Gold, Copenhagen, Denmark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Grimmuseum, Berlin, Germany . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Gudran Association for Art and Development, Alexandria, Egypt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Heavy Merry Finland foundation, Multiple countries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

HMK {Hotel MariaKapel}, Hoorn, Netherlands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ID:I Galleri, Stockholm, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

IS-projects, Leiden, Netherlands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

JCA DE KOK, The Hague, Netherlands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Kallio Kunsthalle, Helsinki, Finland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Kings ARI, Melbourne, Australia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Konstnärshuset, Stockholm, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Kultivator, Dyestad, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Le Cube – independent art room, Rabat, Morocco . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lo and Behold, Athens, Greece . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Margaris Foundation/les yper yper, Thessaloniki, Greece . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Microwesten, Berlin/Munich, Germany . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Milkshake Agency, Geneva, Switzerland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MUU galleria, Helsinki, Finland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Nationalgalleriet, Stockholm, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Nest, The Hague, Netherlands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Office d’Art Contemporain, Brussels, Belgium . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Or Gallery, Vancouver, Canada . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . pietmondriaan.com, Rotterdam, Netherlands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . rainbowartsproject, Singapore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Sant Marc, Sineu, Mallorca, Spain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Studio 44, Stockholm, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Superclub Gallery and Studios, Edinburgh, United Kingdom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

T-Gallery, Bratislava, Slovakia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . t.act presented by KUNSTtransit, Multiple countries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tegen2, Stockholm, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The M( )esum, Berlin, Germany . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Museum of Forgetting, Norrköping, Sweden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Toolbox, Berlin, Germany . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Totaldobze, Riga, Latvia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

TPTP, Transient Projects To People, Paris, France . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tupajumi foundation, Rotterdam, Netherlands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ZeroStation, Ho Chi Minh City, Vietnam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Zeta Galeri, Tirana, Albania . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Zona, Szczecin, Poland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ў gallery, Minsk, Belarus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .