Supermarket 2018 Catalogue (without cover)

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TERMINAL B

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ELEKTROZAVOD

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NIEUWE VIDE

Ч9 9GALLERY

SCULPTOR 7GALLERIA

5TEGEN2

PRACOWNIA 8 10 PORTRETU

ROOD 11CODE

HOTDOCK

ENTRANCE

6ISTANBUL 50 BIBLIOTEK 3SVENDS ALMA PERFOR-

MARTHA KALASHNIKOVV

MANCE ART

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KLEINBASEL

41 OEI

40 LATERAL

ARTSPACE

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VÅNINGEN

15ROJAL 16

LINK

AND 27 KONSTNÄRSDRUNK 19STORM HUSET

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UPSTAIRS

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18 INCHINA 20 LAND

28 GALLERI

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GRO

37 WYKWIT 36 BERLINSKEJ

PERFORMANCE

29 NULOBAZ

22 KRÆ

SYNDIKATET

EPIDEMIN 32KONST-

RAUM FLAT1

30 ALFRED

INSTITUTE

31 ARTISTMONTEZ 34FAMILIE

KRITIKLABBET

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CANDYLAND

21 DOM

GRUZCHIKA

23 ELECTRIC

MODEL

RUN ALLIANCE

TALKS

17 MUSEL

GALLERIA HUUTO

SAW GALLERY

35 KUNSTCAFÉ

CHANGING ROOM

ART SPACE

38 GALERIE

13 14 GALLERI KRO LOKOMOTIV

BADEN

AND RAY 46DURDEN

CHANGING ROOM

43 EKKISENS

42 CORA

ROSTRUM 12GALLERI

47 KUNSTVEREIN

PORT

45 TM•GALLERIA

44 KUNSTHALLE-

VAN MIERIS

49 MŰTŐ

53 52 51 14+ STUDIO PHOTOARTISTS

48 PALEIS

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>TOP SCHILLERPALAIS

26ALLARTNOW

ROOM

25 BUNKERN

PNP & EXHIBITOR LOUNGE

12–15 April 2018 Opening hours: Thursday–Saturday 11–20 Sunday 11–18 www.supermarketartfair.com

COVER IMAGE

SUPERMARKET 2018 is organised by the economic association Supermarket Art Fair PROJECT DIRECTORS Pontus Raud, pontus@supermarketartfair.com Andreas Ribbung, andreas@supermarketartfair.com PROJECT MANAGER Alice Máselníková, alice@supermarketartfair.com TALKS AND PERFORMANCE PROGRAMME COORDINATOR Franziska Sperling

Carlos Martiel, ‘Stampede’, The Museum of Fine Arts Houston (MFAH), Houston, USA, 2017, photo: Michael Duke Featured artist @ Kunstverein Familie Montez booth 2018 ‘Stampede’ refers to the migratory flow of the Cuban population to the United States, that has occurred systematically in the last few decades. It is estimated that since the positioning of the current political regime in Cuba, more than 1.8 million Cubans have migrated to the United States, becoming the third largest Latino community in the country, after Mexicans and Puerto Ricans. I lay on the ground with pigeon feathers, brought to the U.S. from Cuba, inserted into my arms.

PROFESSIONAL NETWORKING PARTICIPANTS PROGRAMME COORDINATOR Emer Ní Chíobháin MEETINGS PROGRAMME COORDINATOR Katarina Evasdotter Birath INFORMATION & VOLUNTEERS COORDINATOR Paulina Granat PRESS OFFICER AND SOCIAL MEDIA Felicia Gränd SOCIAL MEDIA ASSISTANT Kenneth Pils INFORMATION ASSISTANT Sophie Lindberg

ACKNOWLEDGEMENTS Many thanks to the last year’s volunteers, helpers and supporters: Björn Adriansson, Amanda & Antoine, Ana Alvelos, Karin Andersson, Bélen Benito, Jasmine Berge, Hugo Bergevald, Anna Berggren, Annika Bergström, Tania Brito, Hanna Carlsson, Josefin Cedervall, Fanny Danelid, Katharina Deppisch, Sara Edbom, Pär Elfventyr, Soroush Elmi, Falko Erichsen, Klara Erikson, Julia Fahlman, Liza Grape, Henrik Green, Caroline Gråborg, Cecilia Harrison, David Hellberg, Nikolina Höljö, Frida Isgren Lagerås, Klara Johansdotter Hagberg, Barbora Kachlíková, Elsa Kassman, Albin Limnell, Sophie Lindberg, Stephanie Lisak, Emmica Lundberg, Amanda Malmros, Ottie Marusarz, Sanna Nilsson, Dalia Omer Persson, Irene Ragusini, Axel Rudolphi, Miriam Runold, Saskia Sandlund, Marc Saviour, Hanna Schück, Sofia Schönberg-Polimeni, Anastasia Semashko, Mikaela Sjöberg, Gustav Skoogh, Noa Sköldin, Fanny Svärd, Eimi Tagore-Erwin, Saima Usman, Anssi Uusnäkki, Anne Vigeland, Chi Lin (Lindsay) Yeh, Tove Åhr.

ECONOMY AND ADMINISTRATION Eric Torestad GRAPHIC DESIGN Andreas Ribbung GRAPHIC DESIGN, CATALOGUE Katharina Peter LANGUAGE EDITING AND PROOFREADING Alice Máselníková, Stuart Mayes WEBMASTER John W Fail

All rights to the photographs belong to the artists or galleries if nothing else is specified. © Supermarket Art Fair ekonomisk förening 2018

SUPERMARKET 2018 was made possible with the support of: CULTURAL SUPPORT AND FOUNDATIONS Stockholms Kulturförvaltning, www.stockholm.se/KulturFritid Statens kulturråd, www.kulturradet.se Kulturförvaltningen, Stockholms Läns Landsting, www.kultur.sll.se SUPPORTING OUR EXHIBITORS Mondriaan Fund, www.mondriaanfonds.nl Romanian Cultural Institute in Stockholm, www.icr.ro Canada Council for the Arts, www.canadacouncil.ca Fonds Culturel National Luxembourg, www.focuna.lu Adam Mickiewicz Institute, www.culture.pl Office of Contemporary Art Norway, www.oca.no Strefa Kultury Wrocław/AIR Wro, www.airwro.wroclaw2016.pl Embassy of Spain in Stockholm, www.exteriores.gob.es/Embajadas/Estocolmo Frame Contemporary Art Finland, www.frame-finland.fi Consulate of Luxembourg in Stockholm, www.gouvernement.lu Ministry of Culture of Luxembourg, mc.gouvernement.lu Finlandsinstitutet, www.finlandsinstitutet.se Luxembourg Ministry of economy & tourism, www.luxembourg.public.lu Embassy of Sweden in Pretoria, www.swedenabroad.se Czech Centre in Stockholm, www.stockholm.czechcentres.cz Federal Chancellery of Austria, www.federal-chancellery.gv.at European Cultural Foundation, www.culturalfoundation.eu Svenska Kulturfonden, www.kulturfonden.fi Embassy of Austria in Stockholm, www.bmeia.gv.at/oeb-stockholm Embassy of Germany in Stockholm, www.stockholm.diplo.de Danish Arts Foundation, www.kunst.dk Polish Institute in Stockholm, www.polskainstitutet.se Nordiska Neon & Diod AB, www.nordiskand.se COMPANIES Louis Bouillot, www.giertz.se Grolsch, www.solera.se A3, www.a3.se COOPERATION PARTNERS The Living History Forum, www.levandehistoria.se Swedish Arts Grants Committee’s International Program, www.konstnarsnamnden.se/iaspis AIM Network, www.artistsinitiatives.com The International Association of Art (IAA)/Swedish Artists’ Association, www.kro.se Konstfrämjandet, People’s Movements for Art Promotion, www.konstframjandet.se MEDIA PARTNERS artlyst – London Art Network, www.artlyst.com Berlin Independents Guide, www.bpigs.com Arterritory, www.arterritory.com Konstperspektiv, www.konstperspektiv.nu SPONSORSHIP FOR THE VOLUNTEERS 10TAL, Kulturtidskriften Cora, Moderna Museet, Sveriges Allmänna Konstförening, Thielska Galleriet

contents

Exhibition stands 53 39 30 26 50

47 36 25 33 9 11 21 46 43 23 2 34 28 8 16 18 6 32 27

14+ Artists Dar es Salaam, United Republic of Tanzania 3:e Våningen Gothenburg, Sweden Alfred Institute Tel Aviv, Israel AllArtNow Damascus, Syria/Sweden ALMA MARTHA Cape Town, South Africa / Gallery Kalashnikovv Johannesburg, South Africa Kunstverein Baden Baden, Austria Berlinskej Model Prague, Czech Republic Bunkern Örebro, Sweden Candyland Stockholm, Sweden gallery ч9 Murmansk, Russia CODE ROOD Arnhem, Netherlands Dom gruzchika Perm, Russia Durden and Ray Los Angeles, United States Ekkisens Art Space Reykjavík, Iceland Electric Room Tehran, Iran Elektrozavod gallery Moscow, Russia Kunstverein Familie Montez Frankfurt am Main, Germany Galleri GRO Jakobstad, Finland HotDock Project Space Bratislava, Slovakia Galleria Huuto Helsinki, Finland InChina Tbilisi, Georgia Istanbul Performance Art Istanbul, Turkey Galleri Konstepidemin Gothenburg, Sweden Konstnärshuset Stockholm, Sweden

22 44 35 20 40 13 17 49 4 29 48 51 10 12 38 7 19 52 3 5 1 45 24 37

KRÆ syndikatet Copenhagen, Denmark kunsthallekleinbasel Basel, Switzerland Kunstraum flat1 Vienna, Austria Land404 Jämjö, Sweden Lateral ArtSpace Cluj-Napoca, Romania Galleri LOKOMOTIV Örnsköldsvik, Sweden Musel Link asbl MIMO project Aspelt, Luxembourg MŰTŐ Budapest, Hungary Nieuwe Vide Haarlem, Netherlands Nulobaz Cooperative Gallery Tel Aviv, Israel Paleis van Mieris Amsterdam, Netherlands PHOTOPORT Bratislava, Slovakia PRACOWNIA PORTRETU Łódź, Poland Galleri Rostrum Malmö, Sweden Galerie SAW Gallery Ottawa, Canada Galleria Sculptor Helsinki, Finland Storm And Drunk Madrid, Spain Studio 44 Stockholm, Sweden Svends Bibliotek Copenhagen, Denmark TEGEN2 Stockholm, Sweden Terminal B Kirkenes, Norway tm•galleria Helsinki, Finland >top Schillerpalais Berlin, Germany WYKWIT Wrocław, Poland

Presentation stands 31 42 14 41 15

Artist-Run Alliance Rehovot, Israel Kulturtidskriften Cora Stockholm, Sweden KRO/Tidningen Konstnären Stockholm, Sweden OEI Stockholm, Sweden rojal Gothenburg, Sweden

Professional Networking Participants 2018 Supermarket 2018 Professional Networking Participants are listed at the end of the catalogue.

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Terminal B Kirkenes, Norway Terminal B, Dr Wesselsgt 14, 9900 Kirkenes, Norway 0047 91681741, luba@pikene.no, www.pikene.no/terminal-b

Sculptural duel between Marius Engan Johansen and Christian Magnus Tømmeraas, Pluss Pluss, Black Box Theatre, Oslo, Norway, 2017, photo: Anna Knappe 2, 3, 4: Sculptural duel between Marius Engan Johansen and Ri Pak, DMZ Academy, Pyongyang, North Korea, 2017, photo: Jørund F Pedersen

Established by Pikene på Broen, Terminal B is the Barents new hub for genre and border crossing art projects. A place where emerging and established artists share their interests in the High North with art connoisseurs, an engaged local public, and visitors to the Arctic. It is a gateway into and out of the Barents borderland, showcasing exceptional home-grown productions.

We host a sculptural duel between young Norwegian sculptor Marius Engan Johansen and invited collaborators, where the tension of creation becomes more important than winning. The duel is a manifestation of collective creation with individual signatures exposed to the public in attempt to activate bust sculpting in a performative way.

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Elektrozavod gallery Moscow, Russia Elektrozavod gallery, 1st Bukhvostova str., 12/11 b.53, 107061 Moscow, Russian Federation 007 9055665522, elektrozavodgallery@gmail.com, www.electrozvd.wixsite.com/elektrozavod

Ilya Romanov, ‘EXPEDITION 17 / part 3’, installation, variable dimensions, 2017 Dima Filippov, ‘EXPEDITION 17 / part 3’, total diorama, variable dimensions, 2017 Ivan Egelskii, ‘EXPEDITION 17 / part 3’, generative image, variable dimensions, 2017 Sergei Prokofiev, ‘EXPEDITION 17 / part 3’, installation, variable dimensions, 2017

Elektrozavod gallery is a non-profit experimental exhibition space located in the former Research Institute in Moscow. Since its foundation the main mission of the gallery has been to accomplish different pilot projects in the field of contemporary art and to support the young Russian art-scene through shows, meetings with artists, festivals, and promoting new names in art for a wide audience.

Independent from public and private institutions Elektrozavod gallery was established on the initiative of the artist Leonid Larionov in December 2012, and since then it has presented over sixty shows. Artists make the exhibition plans themselves: in addition to the creation of their individual projects, they control their own group exhibitions as curators, or invite independent curators and authors of personal projects.

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Svends Bibliotek Copenhagen, Denmark Svends Bibliotek, Classensgade 7 D, 2100 Copenhagen, Denmark 0045 27268288, info@svendsbibliotek.dk, www.svendsbibliotek.dk

AL MASSON ANNE MARIE PLOUG ASTRID KRUSE JENSEN BJARNE WERNER SØRENSEN CAMILLA REYMAN CHRISTIAN VIND DORIS BLOOM FIE NORSKER HANNAH ANBERT HARTMUT STOCKTER HENRIETTE C HANSEN HJÖRDIS HAACK JESPER PALM KARIN WESTERLUND LONE HØYER HANSEN METTE KIT JENSEN NIELS REUMERT NINA MARIA KLEIVAN PER AHLMANN ALTE SCHWEDEN / SEBASTIAN MÜGGE & JOAKIM HANSSON STEEN RASMUSSEN SVEND DANIELSEN SVEND-ALLAN SØRENSEN TOVE STORCH VIBEKE MENCKE YOSHIHISA SANO WWW.SVENDSBIBLIOTEK.DK

Svends bibliotek, poster, 2018

Svend’s Library is a non-profit exhibition room run by the four artists; Anne Marie Ploug, Hjördis Haack, Jesper Palm, and Nina Maria Kleivan. Founded in 2013 and today a nomadic mobile project room – a close copy of our original exhibition space of 1.6 sqm in Copenhagen, Denmark. We see ourselves as a Trojan horse on the Danish art scene. Because we are mobile, not bound by a fixed physical address, we can travel around and basically rebuild the room anywhere. We have no rules in relation to the more normative and commercial part of the art world. We mix the gender, age, media, nationalities, of living and deceased artists. We have shown performances, audio installations, movies, portraits, graphic art, rarities, collages, objects, and artists’ books. At Supermarket 2018 we will show works by twenty-seven artists.

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Nieuwe Vide Haarlem, Netherlands Nieuwe Vide, Minckelersweg 6, 2031 EM Haarlem, Netherlands 0031 235451581, info@nieuwevide.nl, www.nieuwevide.nl

Bernardo Zanotta, ‘Lottery of Hunger 1 & 4’, digital photo, 2017

Nieuwe Vide is an art and project space in Haarlem. Next to the exhibition space we also host artists’ studios in the building. We focus on counterculture and show international artists.

Nieuwe Vide presents at Supermarket 2018 the video-installation ‘Lottery of Hunger’ by Brazilian artist Bernardo Zanotta. In his recent work Bernardo investigates the act of cannibalism and its relation to queer historicising. Departing from a wide-range of references abridging film history, classical opera, and counterculture – the artist creates a hybrid narrative revolving around the stories of three survivors from a shipwreck and the lottery of bodies in which they participate – while questioning notions of performativity, iconography and representation.

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TEGEN2 Stockholm, Sweden TEGEN2 Bjurholmsgatan 9B 116 38 Stockholm Sweden 0046 702855777 info@tegen2.se www.tegen2.se

Retrotopia Our new Utopia

Björn Larsson & Carl Johan Erikson, ‘The Muscle Chair – An apparatus for measuring men’, 2018

TEGEN2 – Project venue and exhibition space ranging from visual art, sound/music to readings and political actions, since 2006.

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Istanbul Performance Art Istanbul, Turkey Istanbul Performance Art, Meşrutiyet Mah. Madalyon Sok. No:14 D:5, Nişantaşı/Şişli, 34363 Istanbul, Turkey 0090 5319949999, pinarderingencer@gmail.com, www.istanbulperformanceart.com

Roi Vaara, ’Skiing’, Arctic Action, Longyearbyen, Spitsbergen, Norway, documentation of performance, 2017 Pınar Derin Gençer, ’Between You and Me’, documentation of performance, 2017, photo: Pınar Tuncer Pınar Derin Gençer, ’Fragile’, documentation of performance, 2017, photo: Engin Güneysu Zierle & Carter, ’Under Cover’, Canada, documentation of performance, 2011, photo: Dayna Danger

Istanbul Performance Art is the first international performance art platform in Turkey aiming to present performances and projects in associated artistic branches by embracing the performance art and interdisciplinary approach. The platform sets out to produce special projects, resources, and publications for those who study, teach, archive, write about, and make performance art; and to create innovations and diversity through the development of performance art. During certain periods Istanbul Performance Art hands over the management of the organisation to curators and art directors in order to develop new frameworks, and works strategically in cooperation with performance artists and organisations in every part of the culture sector.

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Galleria Sculptor Helsinki, Finland Galleria Sculptor, Eteläranta 12, 00130 Helsinki, Finland 00358 503064547, galleria.sculptor@sculptors.fi, www.sculptors.fi

Tuula Närhinen, ‘Shaving in east Iceland – portraits and landscapes’, a series of inkjet prints on paper, sheep’s wool, 40x30 cm, 2017 Juha Menna, ‘Menneiden aikojen sankarit III’ (‘Yesterday’s heroes III’), bronze, 28x28x36 cm, 2017 Aimo Katajamäki, ‘The Phantom as a teenager’, wood, acrylic paint, 100x30 cm, 2016

Galleria Sculptor, run by the Association of Finnish Sculptors, is an artist-run gallery in Helsinki with a focus on contemporary sculpting. Three artists are featured at Supermarket 2018.

Aimo Katajamäki works between art and design. He uses wood and ceramics and also makes illustrations and posters. Lately he has ventured into designing art for the facades of public buildings.

Drawing, woodwork and bronze are Juha Menna’s main techniques. His works are often figurative and inspired by everyday heroes, broken heroes, and childhood superheroes. Their legacy is transmitted to his artworks.

Tuula Närhinen is a visual artist based in Helsinki. Her work explores the physical and conceptual underpinnings of pictorial representation. She constructs experimental interfaces that connect the observer with the fabric of the world.

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HotDock Project Space Bratislava, Slovakia HotDock Project Space, Horarska 12, 82109 Bratislava, Slovakia 00421 944603994, hotdockgallery@gmail.com, www.hotdock.sk

Dominik Hlinka, exhibition view from the W-World exhibition, thin walled steel profile, and painting (oil on canvas), installation, 300x500x400 cm, 2016, photo: Adam Sakový Dan Gregor, ‘Netykavka’, installation view from the ‘TMA‘ exhibition, interactive projection, motion detector and camera, 300x100x10 cm, 2015, photo: Filip Hanko

The HotDock Project Space is a space for presenting participatory, engaged, and critical artworks of predominantly young, emerging artists. The gallery’s previous location, an industrial area of The Winter Harbour in Bratislava, was also reflected in the shaping of its exhibition content, intention, and form. The location’s industrial surroundings also influenced the gallery’s projects towards a more intensive participation with artists, site-specific art, and more specific outreach to the public. Despite the abrupt discontinuation of our gallery space at the harbour, we keep on following our ideological principles and are beginning a new phase in Petržalka with the aim of mobilising the public and forming a new cultural-artistic context.

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gallery ч9 Murmansk, Russia gallery ч9, Cheluskintsev str.9, 183038 Murmansk, Russian Federation 0047 41230406, gallerych9@gmail.com, www.facebook.com/GalleryCh9

‘Deduction’, exhibition view, 2016, photo: Ivan Morozov ‘The Withdrawal of the Red Army / Возвращение Красной Армии / Den rode armés tilbaketrekning’, exhibition view, 2016, photo: Pavel Plekhanov Sergei Chebotar, ‘Other side’, exhibition view, 2016, photo: Mikhail Slavin Ivan Galuzin, ‘Good morning, Agamemnon’, exhibition view, 2016, photo: Mikhail Slavin Anastasia Vepreva, ‘Savepoint’, exhibition view, 2017, photo: Ivan Morozov

In the spring of 2016 we were to open a large travelling exhibition ‘The Withdrawal of the Red Army’ in the local art museum but due to a rare misunderstanding and censorship the project was not allowed into the museum. Plan B – was to look for our own space, and we found it: a white cube in the centre of the city. After the exhibition was held we decided to continue and develop an independent space to further the understanding of contemporary art.

The subsequent projects were unexpected in a conservative military city: installations, video art, performance, residences, and meetings with artists. We seek to explore and utilise the local cultural and intellectual scene, to develop productions in collaboration with local craftsmen and designers, as well as offering an educational programme.

PRACOWNIA PORTRETU 10 Łódź, Poland PRACOWNIA PORTRETU, ul. Przędzalniana 55/6, 90-347 Łódź, Poland 0048 668599190, portretupracownia@gmail.com, www.pracowniaportretu.com

Sabrina Chou, ‘Vulgar Fractions’, documentation, 2015, photo: Maciej Łuczak Mariusz Olszewski, ‘Space not Present’ installation view, 2016, photo: Maciej Łuczak Eason Tsang Ka Wai, ‘Virtual reality’, installation view, 2016, photo: Maciej Łuczak Dico Kruijse, ‘Tapestry or Fountains, I Never Lie’, ‘Why Not, How Does It Work?’, banana peel, 2016, photo: Maciej Łuczak

Place of gathering, place of exchange, place of experimentation. Pracownia Portretu (Portrait Studio) started as the studio of one artist, and became one of a few art-houses in Łódź open for many open-minded individuals. Located in a former textile industry city, that is now slowly recovering after years of communism, stagnation, and capitalism’s wild expansion, we create and inspire to change the potential into the real – to break grey and orange bricks and build a comfortable utopia. We are strong enough to prevail.

Portrait Studio was established in October 2013. It focuses on presenting the latest achievements in contemporary visual arts. We work closely with guest artists, whose stay in the gallery usually has the character of a short residency resulting in a presentation of new works.

CODE ROOD 11 Arnhem, Netherlands CODE ROOD, Nieuwstraat 23, 6811 HT Arnhem, Netherlands 0031 624663826, coderood@xs4all.nl, www.coderood.co

Gijs Verhoofstad, ‘Sanctuary’, installation at Transmute24/Buitenplaats Koningsweg, Arnhem, 2017

CODE ROOD (RED ALERT) is an art initiative of six artists based in Arnhem, that offers a dynamic programme of experimental exhibitions. We act in practical, intuitive, and hospitable ways. Our mission is to offer artists space without any commercial expectations. Because we make use of unconventional spaces, artists and audience are often confronted with unexpected relationships between art and its environment.

Until summer 2017 CODE ROOD was based on the former military compound Buitenplaats Koningsweg.

In November 2017 we moved to a basement in the city centre. From here we explore the opportunities in creating space for art, in- and outside our hideout, the city of Arnhem, and the Netherlands.

Artists presented at Supermarket 2018: Ralph de Jongh, Gijs Verhoofstad, Brieke Drost, Jeroen Glas.

Galleri Rostrum 12 Malmö, Sweden Galleri Rostrum, Västergatan 21, 211 21 Malmö, Sweden 0046 40301816, info@rostrum.nu, www.rostrum.nu

Galleri Rostrum, IDEALISTICA – The Ideal World Heritage Art Museum, 3018.

From the scene of the discoveries, dated 2018, photo: Cecilia Sering and Helga Steppan

Welcome to IDEALISTICA – The Ideal World Heritage Art Museum.

The year is 3018 and we are showing the extraordinary collection in the form of an art archive from Gallery Rostrum. They have used strange methods, not known to us, to conserve and preserve different art works from 2018. During that time there was a phenomenon known as non-profit art galleries, where the artists were working with idealistic views about not having money. The richness came from collective and collaborative exchanges between the different artists. This is something that is almost completely unthinkable in our time, but by taking a closer look at the vision they once had, it is our hope that we will be able to get new perspectives on our time. We want you to explore and investigate this archive and bring new ideas into life.

Galleri LOKOMOTIV 13 Örnsköldsvik, Sweden Galleri LOKOMOTIV, Järnvägsgatan 10, 891 31 Örnsköldsvik, Sweden 0046 66084009, okkv@telia.com, www.okkv.se

Ida Karlsson, ‘Creating oneself’, video stills, 2017

Galleri LOKOMOTIV is run by ÖKKV – Örnsköldsvik Collective Artists’ Workshop, a non-profit association.

Since 2010 ÖKKV has an agreement with the Örnsköldsvik council to stage six shows per year. The goal is to show interesting local, national, and international art of high quality.

At Supermarket 2018 Galleri LOKOMOTIV presents Ida Karlsson, who shows the video work ‘Creating oneself’. In her artistry the body and the ego often play a central role. Karlsson explores the creation of man, and of herself as an understanding and thinking creature. She asks what shapes us into those that we are: what parts of life do we assimilate, preserve, forget, repeat; what burdens us … what creates us?

Presentation stand 14 KRO/Tidningen Konstnären

Presentation stand 15 rojal

Hornsgatan 103, 117 28 Stockholm, Sweden

Slottsskogsgatan 64b, 414 70 Gothenburg, Sweden

0046 854542080, kro@kro.se,

0046 735696907, post@rojal.se, www.rojal.se

red@tidningenkonstnaren.se, www.kro.se

Olle Essvik, ‘The Enemies of Books’

Rojal is a publishing project started in 2014 – for experiments, collaborations, discoveries, and the distribution of narratives, ideas, objects, and images that have been lost and forgotten, or deemed unfit for larger editions or conventional formats.

Aside from our publications we will present a self-developed tool for diy-production and the re-production of physical books.

Konstnärernas Riksorganisation poster, 2018

Konstnärernas Riksorganisation, The Swedish Artists’ Association, is an organisation for professional visual artists, craftsmen and designers. Its task is to represent artists in political issues concerning art, and to strengthen their financial and social situation. The association has made a lot of political progress for better conditions of artists since the start in 1937. But there is still a lot of challenges to deal with. Do you want to join us? Apply for membership at www.kro.se.

Konsten att delta, The Art to Participate: Art and Design, is a project with the aim to facilitate for foreign-born artists to participate in the Swedish cultural sector. We open up the opportunities for art and design creators from different backgrounds and different fields to connect with each other.

Galleria Huuto 16 Helsinki, Finland Galleria Huuto, Tyynenmerenkatu 6, 00220 Helsinki, Finland 00358 9676330, info@galleriahuuto.net, www.galleriahuuto.net

Galleria Huuto is an artist-run organisation in Helsinki, Finland, active since 2002. It has more than 100 members and runs four gallery spaces in Jätkäsaari near the western harbour. Annually more than fifty-two contemporary exhibitions are organised in Huuto’s premises.

Huuto functions as a platform for solo and group exhibitions covering the broad range of styles and media of contemporary art, as well as a space for international collaborations, non-commercial art, screenings, and performance events as well as other artistic statements.

Huuto’s Evidence Room at Supermarket 2018 is an experimental space that exists somewhere in the future and that is built to investigate objects from the past reported as something called art.

One of the researchers is the drag artist Maimu Brushwood.

Maimu Brushwood, ‘The Evidence Room’, photo: Pasi Autio

Musel Link asbl MIMO project 17 Aspelt, Luxembourg Musel Link asbl MIMO project, 2, Um Flouer, 5711 Aspelt, Luxembourg musellink@pt.lu, www.mimo.lu, www.facebook.com/mimocontemporary

Musel Link emblem, photomontage, 2015, photo: Ivana Cekovic Festival MIMO 2016, Koch House Schengen, Luxemburg, 2016, photo: Yann Ney Ivana Cekovic, ‘Contrapunctus – J’arrive’, painting 10x7.5 cm on 6 layers of acrylic glass, complete dimensions 14.5x10.5x2.6 cm, 2017 Ivana Cekovic, ‘Waiting for the Stream’, painting 10x7.5 cm on 6 layers of acrylic glass, complete dimensions 14.5x10.5x2.6 cm, 2017

Musel Link association, created by six artists and one lawyer in 2015, has the objective of the long-lasting presence of contemporary miniature art in the cultural landscape of the Luxembourg Moselle three borders region (Luxembourg, France, Germany). By setting-up the MIMO project (MIniature MOselle), Musel Link aims to energise international art communication, organising exhibitions in regional museums and cultural centers. An artwork which can sit on a human hand weaves almost organic links between beings. Miniature art invites an immediate and very intimate interaction – thus opening the way to unfathomed spaces of perception. The works of art must fit one hand: 2D maximum 10x7.5 cm (frame A5), 3D maximum 10x10x10 cm, and video art should not exceed a duration of 1min 30sec.

InChina 18 Tbilisi, Georgia InChina, Agmashenebeli 164, 102 Tbilisi, Georgia 00995 577935032, vakhtang.urushadze@gmail.com, www.facebook.com/events/793964530775489

InChina, Big Shop Freak Show, Tbilisi, 2017

What happens when art galleries and spaces are closed down in the city?

Artists move to InChina.

The project at Supermarket 2018 will be the continuation of the project Big Shop Freak Show held in Tbilisi in October 2017. Big Shop Freak Show was a hybrid between a group exhibition, a performative collective artwork, and underground art fair which is re-created during Supermarket 2018 on a smaller scale​.

Represented artists: Aleksi Soselia, Zura Tsofurashvili, Gocha Zghenti, Edisher Beradze, Vato Urushadze, and Luka Akimidze.

Storm And Drunk 19 Madrid, Spain Storm And Drunk, Calle Travesía de Encomoenda, 3, 28012 Madrid, Spain 0034 660177131, stormanddrunk@gmail.com, www.stormanddrunk.com

Andrés Senra, ‘Guided tour of cruising area’. video performance HD 16‘33, 2017 Raquel G. Ibañez, ‘Round 0’, installation, variable dimensions, 2018 Mar Reykjavik, ‘My body, the rules’, video installation, variable dimensions, 2017

Storm And Drunk is an experimental art space – run by artist Raisa Maudit – interested in subversive, experimental, punkqueer, playful, and hybrid dialogues within contemporary artistic practices.

At Supermarket 2018 we present works that have been, are going to be, or are just possibilities at S.A.D. Through the works of Andrés Senra, Mar Reykjavik, and Raquel G. Ibañez we explore the relation of the body as a space of political research with artworks that unfold and surround the practices of performance from sexuality, sports, failure, and technology. We present the stand as a comfortable bubble where you can dig into the works of the artists and read several publications by artists such as David Crespo, Raisa Maudit, Alvaro Chior, and others that reflect the Storm And Drunk spirit.

Land404 20 Jämjö, Sweden Land404, Gullholma 404, 373 00 Jämjö, Sweden 0046 728795628, contact@land404.org, land404.org

Mette Hartung Kierkegaard, ‘Plenty of love’, wooden sticks and paint, 2017, photo: Land404 Louise Möller, ‘Handverk’, wool and wood, 2017, photo: Land404 Johan Stenbeck, ‘The Moment in Between’, found objects, 2017, photo: Land404

Land404 is a rural farm on the coast of Blekinge, Sweden. We run a closely curated AIR (Artist in Residence) programme and also facilitate workshops and exhibitions. At the base of our operations is a commitment to our local community and the specific environment we are in. We encourage our participants to work with themes such as our relationship to rural landscapes in an otherwise urbanised western culture, or our interactions with nature. Our residencies conclude in an open-air exhibition and mini festival to celebrate the artwork and to give back to our area.

Dom gruzchika 21 Perm, Russia Dom gruzchika, Tolmacheva, 11, 614068 Perm, Russian Federation 007 9655637778, domgruzchika@gmail.com, www.domgruzchika.ru

Aleksey Shсhigalev, ‘Surface Tension’, Map and the Territory exhibition, Dom gruzchika, 2015 Ilya Grishaev, graphics, art workshop at Burakova 27, Moscow, 2015 Dom gruzchika, art workshop, Kirill Cross with his works, 2016, photo: Ivan Kozlov Aleksey Ilkaev, collage, 2018

Dom gruzchika is a free and independent artist-run space. It is located in an architectural monument of the 20th century, which among local people is known as ‘Dom gruzchika’ (Russian for longshoremen’s house) because, in Soviet times, longshoremen lived here and worked in the nearby port. Now it houses a hostel, several apartments, a brothel, and a workshop where artists make contemporary art inspired by the environment.

For Supermarket 2018 the Dom gruzchika team presents the ‘Trans-porting art project’ based on works by four artists: Aleksei Shchigalev, Kirill Cross, Ilia Grishaev, Aleksei Ilkaev. All of them have very different backgrounds, but they have shared a place together for three years now, and their craving for non-institutional freedom and marginal art practices unites them.

KRÆ syndikatet 22 Copenhagen, Denmark KRÆ syndikatet, Halmtorvet 11B, 1700 V Copenhagen, Denmark 0045 20730567, kraesyndicate@gmail.com www.facebook.com/krae.syndikatet

‘Extremophiles 1’ (exhibition poster), Patrik Evereus (SE), Åsa Millholm (SE), Muhammed Ali (SYR), Filip V. Jensen (DK) and Birgit Munch (DK), curated by Signe Vad & Michelle Appelros, 2017 ‘REMOTE’ (exhibition poster), Laurits Nymand Svendsen, curated by Elena Lundquist Ortiz, 2017 KRÆ syndikatet, a photo of the space.

The KRÆ (CREATURE) Syndicate is located in Copenhagen’s old meatpacking district. At KRÆ we work with connections between death in culture and representations of the radical other: the refugee, the creature, the weed, the violent, the grotesque, the bacteria: things and bodies that represent and characterise the unwanted. KRÆ is a derogatory word for animals, we use it as a symbol for the things we problematise through exhibitions and interventions.

The KRÆ is you and me, us and them. It is a beast born out of fellowship of mankind, a manifestation of our contradictory nature.

The Syndicate is radical, emerging as a growl from our collective consciousness; it’s the creator of sensitive and intellectual disturbances.

KRÆ is visual artists, musicians, writers, performance artists, and a philosopher.

Electric Room 23 Tehran, Iran Electric Room, Qalamchi Dead End, Felestin Street North, 1993653461 Tehran, Iran 0098 9125359313, ashkan.zahraie@gmail.com, www.dastan.gallery/exhibitions/location/3

Kourosh Erfanian and Aghigh Afkhami, ‘Strident Images’, installation view, 2018 Taba Fajrak and Shokoufeh Khoramroodi, ‘Meme-brain’, installation view, 2017

Electric Room is a project space established in June 2017 in downtown Tehran, Iran. The space showcases short-term experimental projects, research-based presentations, performances, screenings, smaller-scale events, and occasional single-piece exhibits.

Visiting many studios and homes of artists, curators, collectors, and art lovers, both younger generations and more established individuals, one observes many aspects of how those in the art scene ‘live’ with art – their own, others’, and objects appropriated as art.

For Supermarket 2018 we look at how individuals domesticise their love for art. Since fair booths are generally not the most ‘domestic’ or ‘friendly’ setting for enjoying art, we will create a peek into some of the most creative ways that Electric Room has observed people living with art.

>top Schillerpalais 24 Berlin, Germany >top Schillerpalais, Schillerpromenade 4, 12049 Berlin, Germany 0049 3057702418, top@top-ev.de, www.top-ev.de

Penka Mincheva, ‘sketch for booth’, aquarelle, 2017, photo: Matthias Roth Elizabeth McTernan, ‘Fleeting Sea – Measuring the Coastline of a Puddle’, C-print mounted on aluminum dibond, 73x90 cm, edition of 6, 2014

>top Schillerpalais is a project space and a new home for the >top e.V. association. Schillerpalais was founded in 2002 as an artist initiative. >top e.V. started collaboration with it in 2015, offering content and a programme packed with up-to-date discourses around interdisciplinary art, (h)activism, and art education. >top Schillerpalais also includes a biolab. >top association has been operating in Berlin since June 2002. Our members are artists, researchers, and activists whose activities range from individual research to curating project spaces and international collaborations. Our infrastructure supports projects that pursue an interdisciplinary approach, support international exchange or deal with non-commercial attitudes.

Bunkern 25 Örebro, Sweden Bunkern, Lillå strand, Kyrkogatan 13, 703 40 Örebro, Sweden 0046 704132532, info@konstbunkern.se, www.konstbunkern.se

Maline Ardesjö, ‘Zoo keeper’, mixed media, 2014 Jonas Silversten Bergman, ‘Aspiration and hopes’, Bunkern Gallery, 2017

Bunkern is an artist studio collective providing two gallery spaces focusing on young visual arts. Bunkern started in 2015 as a platform for young contemporary artists in the Örebro region to work with and exhibit their art, and also as an opportunity to showcase artists from other parts of Sweden. Our aspiration is to make Örebro a good and vibrant place for young artists to live. Apart from exhibitions and studio space, Bunkern have organised art festivals, workshops, and curatorial work as well as one-off art events and happenings.

At Supermarket 2018 we are exhibiting Maline Ardesjö who has a masters degree from The Swedish School of Textiles. She lives and works in Bergslagen where she creates worlds of her own from a wide range of materials.

AllArtNow 26 Damascus, Syria/Sweden AllArtNow, House no 12, Almansha Street, Alamine Quarter, Damascus, Old town, Maktab, Creative zone, Bab Musala St P.O. Box 14136 Damascus, Syrian Arab Republic 0046 765798955, boukhari.abir@gmail.com, www.allartnow.com

Al Fadhil Rezan Arab Shelley Vanderbyl

AllArtNow is considered to be the first independent collective space in Syria for visual arts, multimedia, and contemporary arts. Founded in 2005, the initiative aims to create greater opportunities for emerging Syrian artists, and to develop contemporary arts practices in Syria by establishing exchanges and ‘open windows’ with other countries.

A neglected house in the old city of Damascus served as AllArtNow’s laboratory for art: it was a hub for emerging artistic practice and a meeting point for local and international artists to exchange ideas and form collaborations. In July 2012, AllArtNow began to work in different places in the world as a nomadic space, enabling its premises to open as a home for Syrian refugee families. AllArtNow has been selected to participate at many international events, and produced the first contemporary art festival in Damascus.

To date, AllArtNow continues to successfully create opportunities for artists both in Syria and abroad.

Konstnärshuset 27 Stockholm, Sweden Svenska Konstnärernas Förening, Konstnärshuset, Smålandsgatan 7, 111 46 Stockholm, Sweden 0046 86111009, info@konstnarshuset.org, www.konstnarshuset.org

Annica Einarson, ‘Om vilsenhet: Grå 5’, 45x55 cm, acrylic, 2018 Simon Gran Danielsson, ‘Traces of a life II’, 30x15x15 cm, stone from Letsi, Samsung smartphone, piece of fence from Umeå, tattered warning sign, cone shaped orange plastic thingy, 2018 Britt-Ingrid Persson BIP, ‘Muskelhjärna’, 23x20x9 cm, concrete and wood, 2017, photo: Jan Dahlqvist Gunnel Boman, ‘Flöde/Flow’, 50x27x15 cm, porcelain clay, 2016 Andreas Ribbung, ‘Tingitania’, 21x26 cm, mixed media on fibreglass tissue, 2017

Konstnärshuset is a unique, open forum for art and culture – past, present and future in the centre of Stockholm. The Swedish Artists’ Association (SKF) is the main owner of Konstnärshuset – a Venetian palace built in 1899, where the association hosts a diverse programme of contemporary art exhibitions, lectures, seminars and workshops, runs a showroom of artworks for sale, awards grants to professional artists, and conducts member activities for its approximately 850 members, all of whom are professional artists. SKF/Konstnärshuset is a contemporary and professional organisation that prioritises high artistic quality, openness, accessibility and gender equality with regard to both content and reception.

Grant recipients in 2017: Gunnel Boman, Britt-Ingrid Persson BIP, Annica Einarson, Simon Gran Danielsson and Andreas Ribbung.

Galleri GRO 28 Jakobstad, Finland Galleri GRO, Runebergsgatan 8, 68600 Jakobstad, Finland 00358 407785516, gallerigro@gmail.com, www.gallerigro.blogspot.fi

Performance by Johan Sandås (FI), ‘grOljud’ performance event, October 2017 Sebastian Franzén (SE), ‘I will sing for you’, ‘grOljud’ performance event, October 2017 Natalia Egorova (RU), ‘recensere’, exhibition curated by Joakim Hansson, 2017 The artist group Alte Schweden (Joakim Hansson and Sebastian Mügge), the Russian logo used in the project ‘Neighbours’, which was censored by the cultural ministry of the Republic of Karelia, northwestern part of Russia.

During Supermarket 2018 we will have a programme consisting mainly of performative pieces. Also we will provide information about our own and AiR Jakobstad’s activities. The Galleri GRO booth will be a temporary contact centre from which invited artists will interact with visitors to the Supermarket art fair.

Artists working with Galleri GRO at Supermarket 2018: Joakim Hansson & Sebastian Mügge aka Alte Schweden (FI/SE/DE), Johan Sandås (FI), Moa Cederberg (FI/SE), Maja Andersson (SE), Sebastian Franzén (SE), Bahareh Mirhadi (IR/SE), James Barrett & Katt Hernandez (AU/SE & US/SE).

Nulobaz Cooperative Gallery 29 Tel Aviv, Israel Nulobaz Cooperative Gallery, Zvulun 17 st., 6652415 Tel Aviv, Israel 00972 523603386, nava@navartist.com, www.facebook.com/Nulobaz

Oree Holban, ‘Trapped in a Venus Body’, plasticine on wood and acrylic glass, 43x35 cm, 2017, photo: Rami Tsalka Adva Drori, ‘Blindness’, needle felting with natural sheep wool, 10x20 cm, 2005 Oree Holban, ‘Trans Sissi – an airplane model of the official transgender airline’, 40x50x10 cm, 2017, photo: Rami Tsalka Oree Holban, ‘Boys “R” Girls’, logo, graphic design, 2015

Nulobaz Gallery is a new-born artist-run cooperative space in south Tel Aviv. The group was founded on a growing need to create a space for free-spirited, original, and independent work. Its members aim to create a rich and deep internal exchange that expands outwards; to be an active cross-over agency in the context of the gallery’s surrounding environment, the art world, and other cultural-mystical spheres.

The gallery’s unique location at the heart of the vivid Levinsky Spice Market along with a Middle Eastern context, where machismo and racism are often expressed, calls for works that observe this reality and question the traditional status quo.

Oree Holban’s work ‘Boys “R” Girls’ is an installation and performance of a colorful toy store that transcends gender, with works by invited guest artists: Adva Drori, Hadas Golan, Ilil Kofler, Karin Mendelovici, Merav Kamel & Halil Balabin, Nava Aizescu, Nomi Tannhauser, Rakefet Viner Omer, Sivan Grosz, and Sivan Lavie. Felt & production assistants: Doron Barel, Raz Gomeh, and Shahar Sarig.

Alfred Institute 30 Tel Aviv, Israel Simtat Shlush 5, 6684714 Tel Aviv - Yaffo, Israel 00972 35183313, alfred.hecht@gmail.com, www.alfredinstitute.org

1, 2: Dafna Gazit, untitled 1 & 2, gum dichromate print, 33x22 cm and 22x33 cm, 2017 Adi Levy, ‘Israelis In Berlin’, photography, 27x27 cm, 2015 Rotem Ritov, ‘Monarch Migration’, pigments and lacquer on laser cut paper, 2017 Gideon Smilansky, ‘MeMeMe’, oil on canvas, 70x90 cm, 2016 6, 7: Dvir Cohen-Kedar, untitled 1 & 2, monotype, 20x27 cm, 2017

We are an active and vibrant artist community aimed at introducing contemporary Israeli art and its young creators to art lovers in the local community. Since 2005 we have produced over 200 exhibitions and hosted thousands of visitors at our exhibitions.

Legacy is based on a false assumption of a wondrous past – where are the fails? For Supermarket 2018 we seek to emphasise the bold, the daring and the risk-taking aspects that are inherent in the term failure. Our vision is to fail well enough to leave a legacy.

Alfred members are prominent artists and curators, who devote their time, effort, and skills to promote new Israeli art. We are: Yael Amit, Yael Ben-Shalom, Dvir Cohen Kedar, Dafna Gazit, Inbal Hoffman, Adi Levy, Noa Lieberman, Talya Raz, Rotem Ritov, Lior Schur, Yoav Shavit, and Gideon Smilansky.

Presentation stand 31 Artist-Run Alliance Artist-Run Alliance, 20 Pinsker st, 76308 Rehovot, Israel 00972 35183313, gidi@artistrunalliance.org, www.artistrunalliance.org

screenshot from the Artist-Run Alliance website

We help independent artist-run initiatives to connect and interact through a global network – building relationships based on shared visions. The idea for the Artist-Run Alliance, organised by the Alfred Institute for Art and Culture, has grown out of our work as an independent, non-profit art space. Offering a supportive, pro-active community for artists and art-lovers is central to everything we do.

Galleri Konstepidemin 32 Gothenburg, Sweden Galleri Konstepidemin, Konstepidemins Väg 6, 413 14 Gothenburg, Sweden 0046 732480019, galleri@konstepidemin.se, www.konstepidemin.se

Examples from the 13 titles published by Konstepidemin Publishing House since 2013, all with the mission to further a deepened conversation, nurturing the relationship between the reader and the artistic practice.

Photo: Berit Jonsvik.

Lina Karlsson, Maja Östebo and Lisa Sellin, ‘Broken roots find new ways and powers’, performance during 13Festivalen 2018, a biannual performance festival at Konstepidemin with the objective to create a venue for performance art in an enlarged view. Photo: Jill Lindström. www.13festivalen.com

Konstepidemin is an artist-run art center in Gothenburg. Founded in 1987, Konstepidemin is one of Sweden’s largest workplaces for independent artists. Today over 130 artists from diverse art fields have their studios here. Konstepidemin is a central meeting place and platform, offering an extensive public programme of visual and performing art events, exhibitions, seminars and workshops. Here you find an Artist in Residency programme with five studio apartments accepting 20–30 international artists, writers, musicians and curators annually. Konstepidemin runs a publishing house, an art gallery with four venues of differing character, as well as creative outreach workshops open to all ages.

All projects derive from the artists working here and their collective development of Konstepidemin.

Candyland 33 Stockholm, Sweden Candyland, Gotlandsgatan 76, 116 38 Stockholm, Sweden 0046 703365862, galleri@candyland.se, www.candyland.se

Fatima Zalan, Ola Abu Watad, Reem Shreem, Hanan Zaid Alkilany, Hala Abu Kishek, Fawz Zreak, Hanen Mater, Shadi Shbeta, Raya Ghantous photo: Achikam Ben Josef

Candyland’s dynamic programme is the result of each of the founding members being free to invite any artist without the consent of the group. United by their common interest in promoting a wide variety of contemporary art they have produced more than 150 exhibitions since 2004.

For their exhibitions at Supermarket the Candylandians make collective decisions and this year they invite art students from the Multidisciplinary Art School at the Shenkar College of Engineering, Design and Art in Ramat Gan, in the Tel Aviv metropolitan area. They are part of the Arab Palestinian sector in Israel, a small sector that comprises 20 percent of the population.

The group is made up of Muslims, Christians, and secular students. As minorities in Israel they raise different and important subjects including politics, religion, and feminism.

Kunstverein Familie Montez 34 Frankfurt am Main, Germany Kunstverein Familie Montez, Honsellbrücke am Hafenpark, Honsellstraße 7, 60314 Frankfurt am Main, Germany macke-frankfurt@t-online.de, www.kvfm.de

Studio Hermann Nitsch, ‘Schloss Prinzendorf’, 2017, photo: Mirek Macke Carlos Martiel, ‘Stampede’, The Museum of Fine Arts Houston (MFAH) Houston, 2017, photo: Michael Duke Sascha Bolt & Ann Schomburg, ‘Hybrid Realities’, Kunstverein Familie Montez, 2016, photo: Christoph von Löw Kunstverein Familie Montez (detail), 2017, photo: Mirek Macke

Kunstverein Familie Montez e.V. (founded in 2007) is an official art association/artspace/collective that exhibits contemporary independent art as well as organising talks, book presentations, performances, film screenings, summer schools, and music events.

At Supermarket 2018 the KVFM will show video/photographic material from Hermann Nitsch’s performance and action art and an edition of New Generation Performance Artists from Germany/Sweden/ Austria/Cuba, who will be featured at the KVFM Performance festival in Frankfurt June–July 2018.

Artists @ KVFM booth: Hermann Nitsch, Carlos Martiel, Rebecka Pershagen, Dirk Baumanns, Knölkollektivet, Mirek Macke, Elizabeth Coleman-Link, Christoph von Loew, Jerome North, Eyup Kadar, Natalja Kreitner

Kunstraum flat1 35 Vienna, Austria Kunstraum flat1, U-Bahnbogen 6–7, (Gumpendorfer Straße), 1060 Vienna, Austria 0043 69912010203 / 0043 69919411713, flat1@gmx.at, www.flat1.at

Karin Maria Pfeifer, ‘nur fliegen ist schöner!‘, trick film 10:20 min, loop, 2018 Karin Maria Pfeifer, ‘remixing illusion’, PVC-Band, variable dimensions, 2017 3, 4: Sula Zimmerberger, ‘You are the creator of your life‘, two images from the photographic series, 70x70 cm, 2018

Based in Vienna, Kunstraum flat1 presents various thematic group shows with generally three to five participating artists. The focus of flat1 is contemporary fine arts. Interdisciplinary fringe events such as live music, DJ line-ups and performances are works in progress. The chief aim of flat1 is to support the creative exchange between inter/national artists who share similar thematic and/or artistic approaches and might not have met otherwise. In the independent environment of flat1 these artists are given the opportunity to communicate and create dynamic networks, such as programmes devised by its two founders Karin Maria Pfeifer and Sula Zimmerberger.

Berlinskej Model 36 Prague, Czech Republic Berlinskej Model, Pplk. Sochora 9, 17000 Prague 7, Czech Republic 00420 774905194, berlinskejmodel@gmail.com, www.berlinskejmodel.cz

Alžběta Říhová, embossed paintings inspired by the original Czech architecture style Czech National style, using facade plaster materials Duna – visual activist group with focus on ecology, www.dunagroup.tumblr.com Adam Vít, expressive post-contemporary paintings, www.adamvit.tumblr.com Tomáš Roubal, ‘Concrete post internet’, objects made with traditional building materials with political content, www.tomasroubal.com

Berlinskej Model is a non-profit gallery based in art district Holešovice, Prague, Czech Republic. The gallery was founded in 2011 and it is known as a meeting point for the contemporary art scene, crossing borders of local districts, genres and generations. The gallery also organises workshops, discussion panels, concerts, and issues its own art magazine called RAJON. The programme mainly focuses on contemporary art with overlaps in political and socially engaged activism. Probably the most interesting thing about the gallery is its concept of exhibitions that only last one day (every Wednesday) so it’s a combined vernissage/dernissage night with a dinner made by the exhibiting artist.

WYKWIT 37 Wrocław, Poland WYKWIT, Jana Kochanowskiego Alee 21, 51-602 Wrocław, Poland 0048 505069600, galeriawykwit@gmail.com, www.wykwit.pl

1, 3: WYKWIT collective work, ‘Meisterstück’, hand painted decor, 2015 Photo of the WYKWIT villa, 2017

WYKWIT is a place of artistic and expositional activity. Created in July 2015 out of the initiative of a group of friends living together in a former-German mansion in Zacisze, Wrocław, WYKWIT is the opposite of a white-cube arrangement. Projects presented in WYKWIT take into consideration its peculiarity, contexts, and fit into the kind of activity characteristic of the place. We try to counteract the elitism of art. What we value is a direct relationship with the audience whom we hope can think of themselves as guests, friends, neighbors.

Wykwit consists of Karolina Balcer, Janusz Czyżewicz, Michał Kamiński, Adam Martyniak, Michał Mejnartowicz, Martyna Muth, Krzysztof Rubach, Karolina Włodek, and the sub-projects Warstwy and Wykwitex.

Galerie SAW Gallery 38 Ottawa, Canada Galerie SAW Gallery, 67, Nicholas Street, K1N 7B9 Ottawa, Canada 001 6132366181, jason@galeriesawgallery.com, www.galeriesawgallery.com

Simon Guibord, ‘Free School’, installation view, 2015, photo: David Barbour The Florida Highwaymen (various artists), installation view, 2017, photo: David Barbour Jasmina Cibic, ‘The Fruits of Our Land’, installation view, 2016, photo: David Barbour Michael DeForge, ‘All Dogs Are Dogs’, installation view, 2016, photo: David Barbour

Galerie SAW Gallery was founded in 1973. Today, with its strong focus on outreach and community development, the centre boasts an annual audience of close to 35,000. The centre’s risk-taking exhibition programme presents the work of many artists who are not often considered by other Canadian art institutions. An evolving space comprised of Galerie SAW Gallery, Club SAW and the SAW outdoor courtyard, the centre is an ideal venue for the presentation of performance, media art and new artistic practices. In the 1980s, the gallery founded a video production centre called SAW Video which now thrives as a separate entity. Located in Canada’s capital, Galerie SAW Gallery actively participates in political discourse around cultural diversity, the rights of artists, and freedom of expression. Currently undergoing a 1400 square meter expansion, the centre will re-open in September 2018 to become one of the largest artist-run centres in the world.

3:e Våningen 39 Gothenburg, Sweden 3:e Våningen, Sockerbruket 9, 414 51 Gothenburg, Sweden 0046 31121771, info@3vaningen.se, www.3vaningen.se

Olof Persson and David Sabel, ‘No.2 – No.3’, Off the Wall series, electronic filter on acrylic glass in aluminium frame and digital programming, 210x130 cm and 210x130 cm, 2017, photo: Hannes A. Brandulv

3:e Våningen is a Center for Contemporary Art, Dance and Music in the former Carnegie refinery in Gothenburg, Sweden. 600 square metres dedicated to contemporary art and movement, focusing on spatial aspects of art through exhibitions, performances and concerts. The venue holds a white space and a black box, side by side, offering new possibilities for interaction. The space includes a dance studio, library and concept store. In this trans-disciplinary environment new works are created by a wide range of artists. A broad network enables carefully selected international guest appearances.

3:e Våningen is an independent, artist-run organisation with national, regional and local funding. For Supermarket 2018 we present an installation by the artists Olof Persson and David Sabel.

Lateral ArtSpace 40 Cluj-Napoca, Romania Lateral ArtSpace, Fabrica de Pensule, 59-61 Henri Barbusse Street, First Floor, 400616 Cluj-Napoca, Romania 0040 757333374, lateralartspace@gmail.com, www.lateralartspace.com

Ciprian Mureșan, ‘The Struggle Between Academic Abstractionism and Globalized Formalism’, beeswax, plaster, wood panels, electric engine, 2017, photo: Roland Vaczi

Lateral ArtSpace was initiated in April 2012 in Cluj-Napoca, Romania, as an experimental platform for young and emerging artists, emphasising dialogue between local and international artists. Lateral ArtSpace assists and promotes the development of solo exhibitions and group projects, along with a programme of events that includes performance, video screenings, public gatherings, book/ magazine launches, and artist talks. The exhibition programme is continuously diversifying while constructing a network of young artists from different countries.

Presentation stand 41 OEI

Presentation stand 42 Kulturtidskriften Cora

Lövholmsgränd 12, 117 43 Stockholm, Sweden

Bengt Ekehjelmsgatan 2B, 118 54 Stockholm, Sweden

0046 707157814, kontoret@oei.nu, www.oei.nu

0046 708635361, info@cora.se, www.cora.se

KVINNOR

KONST

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KULTUR

KVINNOR

OEI magazine

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• KONST • KULTUR

OEI is a magazine for extra-disciplinary spaces and de-disciplinising moments – experimental forms of thinking, montages between poetry, art, philosophy, film, and documents: critical investigations, editorial enunciations, aesthetic technologies, non-affirmative writing, speculative archaeologies, new ecologies, and alternative historiographies. Founded in 1999, OEI has published 78 issues.

#51 2017

Nelbia Romero Untitled.

# 5# 15 1 V IH NÖ TS ET RE N 2 0 1 87

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PETRA HULTMAN KÄRLEK, KRIG OCH KVINNOR RADICAL WOMEN KONSTGERILLA DAGSLJUSLICENS

69 SEK

Cora, issue 51, 2018

Cora is a cultural magazine about women in art and culture. Our aim is to make contemporary art and literature accessible and desirable to everyone.

Cora arrives quarterly and you can buy it at Pressbyrån and/or your local bookstore. Subscribe through our webpage www.cora.se or www.tidningskungen.se.

Come and meet us at Supermarket 2018 for a snack and a causerie!

Ekkisens Art Space 43 Reykjavík, Iceland Ekkisens Art Space, Bergstaðastræti 25B, 101 Reykjavík, Iceland 00354 6925114, ekkisens.artspace@gmail, www.ekkisens.com

Freyja Eilíf, ‘Consume’, action based sculptural work with shopping cart, wood, varnish, paint, 2014, photo: Katrína Mogensen 2,3: Steinunn Gunnlaugsdóttir, ‘MannauðsMountain’ (Mountain of Human Resources), metal, led sign, acrylic glass, aluminum, wood, linoleum, and mirror, 2014

EKKISENS is an artist-run space located in the centre of Reykjavík, that aims to be an experimental platform for emerging artists working with group or solo projects. In addition Ekkisens has curated group exhibitions in empty spaces to activate creativity and sustainability in arts. Artist Freyja Eilíf founded Ekkisens in the autumn of 2014 and continues to be the director.

kunsthallekleinbasel 44 Basel, Switzerland kunsthallekleinbasel, Wiesendamm 60, 4057 Basel, Switzerland 0041 795020153, kontakt@kunsthallekleinbasel.com, www.kunsthallekleinbasel.com

Jasmin Glaab, ‘Art of Appropriation’, lipstick on glass, size variable, 2012, photo: Robin Gilli Francesca Meier, ‘Carla and me’, carbon and acrylic on paper, 100x100 cm, 2017, photo: Francesca Meier Mirjam Spoolder, ’The Body as an Architectural Object’, carpet, cotton and polyester, 90x38x30 cm / 60x32x25 cm, 2017, photo: Mirjam Spoolder Ana Vujic, ‘Die letzte Spinnerin’, ink on wall, 280x420 cm, 2017, photo: Hardcore Herrli

For Supermarket 2018 the artist-run space kunsthallekleinbasel invites a group of engaged artists, art historians and curators for a collaboration on site. The participants Jasmin Glaab (artist, educator and curator, kunsthallekleinbasel, Basel), Roy Hofer (artist and curator, a-space, Basel), Florence Kotatko (art historian, Basel), Francesca Meier (artist and designer, Basel), Mirjam Spoolder (sculptor, designer and performance artist, Basel) and Ana Vujic (artist and art historian, Basel) will present their different works and explore educational strategies. This exhibition is about an exchange with the public and with each other. Following the concept of the Basel-based initiative kunsthallekleinbasel (founded 2014) we focus on the presence of the artists and collective experience.

tm•galleria 45 Helsinki, Finland tm•galleria, Erottajankatu 9B, 00130 Helsinki, Finland 00358 968110575, tmgalleria@painters.fi, www.painters.fi/tmgalleria

Malin Ahlsved, ‘A Pink Cloud’, watercolour, 17x17 cm, 2017 Tarja Pitkänen-Walter, ‘Paint Plays Painting’, expanded painting, 180x170 cm, 2014, photo: Jussi Tiainen Viggo Wallensköld, ‘Diana’, oil on canvas, 120x90 cm, 2016 Heli Vehkaperä, ‘Girls With The Brown Line’ (detail), collage, 160x140 cm, 2015

tm•gallery is managed by the Finnish Painters’ Union, which is a nationwide artists’ association and with about 1,300 members the biggest artists’ association in Finland. The association also organises exhibitions in collaboration with art museums and other institutions as well as selling artist materials at cost price. tm•gallery, located in the center of Helsinki, has a versatile profile focusing on new Finnish painting.

Besides paintings, video works and installations are also shown. In addition the gallery serves as a venue for seminars and different types of art presentations.

At Supermarket 2018 tm•gallery exhibits four contemporary painters: Malin Ahlsved, Tarja Pitkänen-Walter, Viggo Wallensköld, and Heli Vehkaperä.

Durden and Ray 46 Los Angeles, United States Durden and Ray, 1923 S Santa Fe Avenue, 90021 Los Angeles, United States of America 001 3108044647, dandrart@gmail.com, www.durdenandray.com

Max Presneill, ‘RD151’, oil and enamel on canvas, 183x163 cm, 2016 Alison Woods, ‘Fragment 14’, acrylic on PVC, 61x61 cm, 2016 Sean Noyce, ‘Angela’, acrylic, screen print, and custom code on wood, 61x61 cm, 2017 Steven Wolkoff, ‘High Adventure – A Pile of Gummi Behrs’, Behr paint, approx. 25 cm, 2017

Founded in 2009, Durden and Ray is comprised of artist/curators who work together to create exhibition opportunities at their downtown Los Angeles space as well as in concert with artist groups and gallery spaces around the world. Durden and Ray concentrate on small, tightly curated group shows at the space, organised by the members, as well as the hosting of international artists as part of their commitment to global exchange and alternative networks. The Durden and Ray model expressly overlaps multiple strategies, including the commercial potential and visual identity of a gallery, the democratic structure of an artists’ group, and the shared local support of its programmes by group members and project partners that is similar to a non-profit organisation.

Kunstverein Baden 47 Baden, Austria Kunstverein Baden, Beethovengasse 7, 2500 Baden, Austria 0043 6504710011, office@kunstvereinbaden.at, www.kunstvereinbaden.at

Michael Wegerer, ‘OCEAN – the better life’, screen prints on plasterboard, dimensions variable, 2017, © Michael Wegerer & Bildrecht Vienna Cornelia König, ‘really nice?’, screen print glass and mirror, 25x25x25 cm, 2015, photo: Peter Hoiss Cornelia König, ‘light’, neon writing, perspex, 23x79x4 cm, 2017, photo: Niclas Walkensteiner Michael Wegerer, ‘UTOPIA-NY’, cyanotype, 150x100 cm, 2017, © Michael Wegerer & Bildrecht Vienna

In 2015 KV Gallery Baden celebrated its 100th anniversary. Exhibitions were first organised in 1916.

KV Gallery Baden can look back on a rich history peppered with numerous gaps and upheavals since 1915. Today’s exhibitions focus on a variety of artistic practices and exhibition making to present innovative contemporary art on several levels. The association has over 50 artist members, mostly artists from the region and from Vienna. In recent years we opened the gallery for more cooperative projects which strengthened our network in Vienna and enabled international exchanges.

At Supermarket 2018 the gallery presents two artistic positions that engage with the fair’s themes and that open up a subjective dialogue between the artists following the principle: how to live together.

Paleis van Mieris 48 Amsterdam, Netherlands Paleis van Mieris, H.J.E. Wenckebachweg 144, 1096 AM Amsterdam, Netherlands 0031 653914248, info@paleisvanmieris.nl, www.paleisvanmieris.nl

Esther Brakenhoff and Maarten Schuurman, ‘Shift Operation’, project, 120 sqm, 2016, photo: Maarten Schuurman Elena Khurtova and Marie Ilse Bourlanges, ‘Cephea’s whispering stones’, performance, 2017, photo: Sander ter Steege Marc van Dijk, ‘Dante Land’, theme park, mixed media, 2017, photo: Elias Poolman

Paleis van Mieris is an Amsterdam-based artist initiative. Shortly after graduating from the Gerrit Rietveld Academie in 2014, we had the opportunity to use a 4000 sqm building as our temporary working space. Since then we have organised exhibitions and events, in which we ourselves participate as well as introducing guest artists. We also welcome initiatives by other artists. This approach and way of working is continued in each new temporary location. To us it is important and energising to combine the development of our own individual practices with the events, the encounters, and the conversations that we have; to learn and make new connections. The nomadic status of our artist initiative insists that we need to be flexible and adapt to the fleeting situations and places where we work, exhibit and experiment.

MŰTŐ 49 Budapest, Hungary MŰTŐ, Mária utca 54.,1085 Budapest, Hungary 0036 706543418, groupmuto@gmail.com, fb.com/mutogroup

Bence Barta, ‘Original Yves Klein’, 2017 Bence Kala, ‘Everyday Heinrich’, exhibition installation at MŰTŐ, 2017, photo: Ágnes Kocsis Lili Agg, ‘White Cube Challenge’, video, 2017 Nóra Teplán, ‘Memoranda from a disembodied landscape’, collage, 2017

MŰTŐ is an exhibition space in Budapest, run and curated by a group of artists working in interdisciplinary fields including visual arts, sound-based art and other forms of media. MŰTŐ is democratic, it strives for critical thinking and is open for DIY culture, as we believe that when fusing these approaches it is possible to come to a form of creation with a positive socio-cultural impact.

At Supermarket 2018 we target the question of how artists from eastern Europe can take part in the international art scene. What can be done if they realise that the local art in their country is not globally relevant?

The artists presented are Lili Agg, Nikolett Balázs, Bence Barta, Ron Fischer, Blanka Győri, Bence Kala, Veronika Romhány, Noémi Rácz and Nóra Teplán. Curator: Zsófia Kókai.

ALMA MARTHA / Gallery Kalashnikovv 50 Cape Town Johannesburg, South Africa ALMA MARTHA, Cape Town, South Africa 0027 824939517, kazoo.liveart@gmail.com, www.alma-martha.tumblr.com Gallery Kalashnikovv, 153 Smit Service Street, Braamfontein, 2001 Johannesburg, Gauteng, South Africa 0027 731248183, info@kalashnikovv.co.za, www.kalashnikovv.co.za

Herman de Klerk, ‘Nihilist White Boy in Gore Film 01’, silicone rubber and self-help book, 41x73 cm, 2016, photo: ALMA MARTHA Io Makandal, ‘Obey’, mixed media on fabriano paper, 119x84 cm, 2016, photo: courtesy of Gallery Kalashnikovv Vusi Beauchamp, ‘Lost’, mixed media on paper, 84x59 cm, 2016, photo: courtesy of Gallery Kalashnikovv

ALMA MARTHA is not Gallery Kalashnikovv’s mother. Since they will be entering an open relationship during Supermarket 2018, this is a source of solace for the two independent artist-run spaces from South Africa.

Both platforms were born out of the need to challenge the routines that circulate in the art world. ALMA MARTHA was born in Cape Town and encourages discourse between local and visiting artists throughout the country. Gallery Kalashnikovv (Johannesburg) was established in 2013 with the intent to not validate art through contemporary norms.

The two initiatives have facilitated a number of projects that exhibit heterogeneous South African perspectives. These have been disseminated to our friends, guests, and collaborators from around the world.

PHOTOPORT 51 Bratislava, Slovakia

PHOTOPORT, Rovniankova 4, 851 02 Bratislava, Slovakia 00421 903374603, ozphotoport@gmail.com, www.photoportgallery.com

PHOTOPORT (started 2006) is a non-profit association that supports young photographers and visual artists by creating positive conditions for their work and its presentation. The goal of the association is to popularise contemporary art and photography by means of publication, organising workshops, exhibitions, conferences, lectures, and establishing contacts with groups of similar focus at home and abroad. The aim of PHOTOPORT gallery is to make space for showing contemporary work of young upcoming artists and for meeting the work of artists from the Central Europe region.

Artists represented: Milan Tittel, Ján Šipöcz, Rastislav Podhorský, Martin Hreha, Tomáš Klepoch, Roman Bicek, Peter Jánošík, and Zuzana Kmeťová.

Cyril Blažo, ‘Sheriff’, drawing on paper, 2014

Studio 44 52 Stockholm, Sweden Studio 44, Tjärhovsgatan 44B, 1tr, 116 28 Stockholm, Sweden 0046 704711680, styrelse@studio44.se, www.studio44.se

Helena Norell, ‘SLAM’, video still, 2017 Oskar Johnström, untitled, 2018 Geraldine Hudson, untitled bookwork from the series ‘Sanitary’, 2017

Studio 44 is an artist-run organisation and gallery, founded in 2003, in the Kapsylen cultural centre on Södermalm. We are 30 artists covering a wide range of disciplines and subject matter.

All of our processes are collective and democratic. Studio 44 builds connections with other artist-run spaces across the globe. We also welcome exciting artists to join our flock, and have guests from China, Finland, Iceland, and England.

Our booth showcases new artworks by Studio 44 members. We explore the legacies of censorship, sex, and religion; observations on increasingly conservative contemporary attitudes – reactions to preconceived failures of democratic trust: in the political, social, and moral institutions. Participants: Geraldine Hudson, Helena Norell, Mariana Ekner, Oskar Johnström, Peter Varhelyi, and Kjell Hansson.

14+ Artists 53 Dar es Salaam, United Republic of Tanzania 14+ Artists, Mikocheni, Dar es Salaam, United Republic of Tanzania 00255 715624875, twasabuni@gmail.com

Lutengano Mwakisopile, ‘Washing Day’, mixed media, 70x60 cm, 2017 Thobias Minzi, ‘Waiting’, mixed media, 50x30 cm, 2018 Haji Chilonga, ‘Behind the Scene’, mixed media, 170x119 cm, 2017 Masoud Kibwana, ‘Turn Seat’, acrylic on canvas, 70x90 cm, 2017 Mwandale Mwanyekwa, sculptor, 2017, photo: Lutengano

The 14+ Artists is a collective initiative founded by fourteen Tanzanian visual artists with a common aim of addressing social, political, and economic challenges as well as developing Tanzanian contemporary art within the region and abroad. It is a platform enabling artists to share their experiences and expose their practices, and uses artistic expression as an inspirational tool for change through public events, exhibitions, and conversations. Individual artists have exhibited locally and internationally. As a collective they have shown in Dar es salaam, Nairobi (Kenya) and Kigali (Rwanda).

Lutengano Mwakisopile, Ludovick Kaija, Haji Chilonga, Mawila Khamsini (Local Fanatics), Raza Mohamed, Amani Abeid, Thobias Minzi, Moses Luhanga, Cuthbert Semgoja, Vita Malulu, Cloud Chatanda, Salum Kambi, Masoud Kibwana, and Nadir Tharani.

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14+ Artists Dar es Salaam, United Republic of Tanzania 3:e Våningen Gothenburg, Sweden Alfred Institute Tel Aviv, Israel AllArtNow Damascus, Syria/Sweden ALMA MARTHA Cape Town, South Africa / Gallery Kalashnikovv Johannesburg, South Africa Kunstverein Baden Baden, Austria Berlinskej Model Prague, Czech Republic Bunkern Örebro, Sweden Candyland Stockholm, Sweden gallery ч9 Murmansk, Russia CODE ROOD Arnhem, Netherlands Dom gruzchika Perm, Russia Durden and Ray Los Angeles, United States Ekkisens Art Space Reykjavík, Iceland Electric Room Tehran, Iran Elektrozavod gallery Moscow, Russia Kunstverein Familie Montez Frankfurt am Main, Germany Galleri GRO Jakobstad, Finland HotDock Project Space Bratislava, Slovakia Galleria Huuto Helsinki, Finland InChina Tbilisi, Georgia Istanbul Performance Art Istanbul, Turkey Galleri Konstepidemin Gothenburg, Sweden Konstnärshuset Stockholm, Sweden

Presentation stands 31 42 14 41 15

Artist-Run Alliance Rehovot, Israel Kulturtidskriften Cora Stockholm, Sweden KRO/Tidningen Konstnären Stockholm, Sweden OEI Stockholm, Sweden rojal Gothenburg, Sweden

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KRÆ syndikatet Copenhagen, Denmark kunsthallekleinbasel Basel, Switzerland Kunstraum flat1 Vienna, Austria Land404 Jämjö, Sweden Lateral ArtSpace Cluj-Napoca, Romania Galleri LOKOMOTIV Örnsköldsvik, Sweden Musel Link asbl MIMO project Aspelt, Luxembourg MŰTŐ Budapest, Hungary Nieuwe Vide Haarlem, Netherlands Nulobaz Cooperative Gallery Tel Aviv, Israel Paleis van Mieris Amsterdam, Netherlands PHOTOPORT Bratislava, Slovakia PRACOWNIA PORTRETU Łódź, Poland Galleri Rostrum Malmö, Sweden Galerie SAW Gallery Ottawa, Canada Galleria Sculptor Helsinki, Finland Storm And Drunk Madrid, Spain Studio 44 Stockholm, Sweden Svends Bibliotek Copenhagen, Denmark TEGEN2 Stockholm, Sweden Terminal B Kirkenes, Norway tm•galleria Helsinki, Finland >top Schillerpalais Berlin, Germany WYKWIT Wrocław, Poland

Professional Networking Participants 2018

We are delighted to present the third year of our Professional Networking Participant (PNP) programme. First launched in 2016, the programme was introduced to provide a designated meeting place for Swedish and international art professionals in order to expand their networks beyond the limitations of an exhibition space. Our objective is to increase the exchange of knowledge and experience, increase mobility for artists and artist-run organisations worldwide, and to strengthen the visibility of the self-organised artist-run scene. Although PNPs do not exhibit in the art fair, they get invited to the Meetings Programme, Exhibitor gatherings, Exhibitor party, special talks and seminars, and have access to the VIP Exhibitor lounge. We invite artists and art professionals who act as exhibition organisers and other influential members of artistic communities across the world to meet and exchange experiences and strategies, enabling the possibility of new international collaborations.

Grete Aagaard Sigrids Stue & rum46 Aarhus, Denmark www.sigridsstue.dk www.rum46.dk www.greteaagaard.net greteaagaard@gmail.com Martinka Bobrikova Oscar de Carmen Linnea Larsson Future Utopia Community Key (AiR) Oslo, Norway www.futureutopiacommunitykey.org futureutopiacommunitykey@gmail.com Sara Erkers Anna Linnea Liljeholm Hilda Lindström KiD, Konst i Dalarna Dalarna, Sweden www.konstidalarna.se info@konstidalarna.se Lee Garakara Mwimbi Fine Art Gallery Happy Valley, Hong Kong www.mwimbifineart.com info@mwimbifineart.com Sandra Wasara Hammare Ida Hansson Galleri Verkligheten Umeå, Sweden www.verkligheten.net info@verkligheten.net

Helle Kvamme Borgholm, Sweden www.hellekvamme.com www.hellekvamme.se hellekvamme@gmail.com Stuart Mayes Enköping, Sweden www.stuartmayes.com mail@stuartmayes.com Erica Mendritzki Winnipeg, Canada www.ericamendritzki.com Timo Soppela MUU Galleria / Artists’ Association MUU Helsinki, Finland www.muu.fi director@muu.fi Vaida Stepanovaitė Kabinetas, Transient Space Kaunas, Lithuania www.kabinetas.com act@kabinetas.com

PNP Programme Coordinator Emer Ní Chíobháin pnp@supermarketartfair.com