Life + Style - 18 January 2019

˜° August, ˜˛°˝

life+style The Weekend Sun °

THE WEEKEND

FEATURING

Paul Ubana Jones

TMT Youth Theatre

ARRC

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The Jam Factory Page ˜

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life+style The Weekend Sun ˜°18 ˜˛°˝ °˙August, January January, , 2019 ˜˛°ˆ

The Jam Factory A community music connecter I’d heard that my old classroom-turned-music-room from Otumoetai Primary School had been transformed into something now called The Jam Factory.

I had fond memories of learning four chords on a ukulele in this room, during lunchtimes spent avoiding a school bully, and went to check it out.

Located now at Tauranga Historic Village, the 100-yearold building still has the original ‘Music Room’ sign. The beautiful polished kauri floor is now graced with large rugs and a baby grand piano; the room fills with natural light coming in through the large windows. I sat down to ripple around the piano keys, immersing myself, finally looking up to find Tristan Hancock sitting in an arm chair, a smile playing across his face as he relaxed and listened.

The room stretches off to an outdoor stage overlooking a grassy area, suitable for outdoor concerts. Around the walls hang collections of mirrors, with lamps and couches helping create a softly elegant lounge ambience.

The Jam Factory is now the fifth space to be opened and run under the umbrella of The Incubator Creative Hub at Tauranga’s Historic Village.

The Incubator Creative Hub oversees The Incubator itself, which consists of a gallery and studios; The Artery next door is an art learning space; The People’s Gallery is across the way; and more recently Satellite Studios is an artist exchange space opened.

“The Jam Factory will give us more space for the music events we’ve been holding,” says director Simone Anderson.

“There are two parts to it. Firstly, the live performance aspect which gives the audience opportunity to see intimate

concerts, and an opportunity for performers to play live.

“The second part is community arts development, using music as the connecter. That may not necessarily be about performance; it may be about workshops, tuition, learning and projects, bringing people together.”

An example of this secondary focus is the ukulele orchestra, which meets there every Monday.

“Tristan’s role is as a conduit and coming up with ideas.

“He’s making the community connections, and then all the rest of us and Tristan work together to do the events.”

Simone is hopeful that many of the ideas being tried will come into fruition during 2019.

Ideas like ethno music groups, a focus on percussion, bringing new musicians into the space.

“We’re looking at providing free lunchtime performances on two Fridays a month,” says Simone.

“Called Jam Sandwich, it will be for IHC performers, kapa haka groups, college bands, individual performers, and Toi Ohomai students who have to do live performances as part of their assessments.

“The idea is to connect all the people from the Village, the Kollective, the wananga and the hospital.

“It will be nice for the pool of people who work around here to get together at lunchtimes. Music is a good way to connect people.”

“I got involved with the music side of things at the Jam Factory through my photography,” says Jam Factory team member Corrinne Rutherford.

Corinne works full-time as a dietitian assistant at Tauranga Hospital and runs the Jam Factory’s Instagram profile.

Along with her partner Glenn Reid, she’s involved in The Committed team at The Incubator. She is also a music reviewer helping promote Kiwi music, and captures the Jam

RESIDENTIAL DEVELOPMENT OMOKOROA

°˙ January , ˜˛°ˆ

life+style The Weekend Sun ˇ

“It’s a really special venue. It will become a destination for bands and people to come and visit”

Factory atmosphere with her photography.

“A lot of the acts come through word-of-mouth and contacts,” says Corinne. “We get international and local acts. They tour together and word spreads.

“We’re very active on social media.

“It’s a wonderful group of people here and it’s just fantastic that Tauranga has the Jam Factory; it’s a really special venue. It will become a destination for bands and people to come and visit.”

“We put an interest in for the building about three years ago,” says John Baxter, one of the music coordinators.

John and his brother Michael had been helping organise music events.

“Now we have this space, and more people on board.

“It took a bunch of us about three days to take all the staples out of the walls before it was painted.

“It’s a multi-purpose space and can be used as a meeting or music space.”

“It’s for all genres of the arts,” agrees Simone.

Tanya Trass and Simone organise bookings, and John and a team of multi-skilled music lovers help with the performances, setting up the stage, sound and lights.

“Tanya totally makes the visiting bands welcome to the point they feel they know us all when they arrive and we even put them up in our homes to really welcome them to the Bay of Plenty,” says Simone.

“Craig Jamison is an absolute treasure and has come from massive roles managing Michael Fowler Centre sound and working at the Wellington opera house.

Along with John Wilson, our team is enriched having their huge combined knowledge of professional sound and lighting tech. Without them we wouldn’t be able to

Standing: John Wilson and Tristan Hancock Sitting: John Baxter, Tanya Trass, Simone Anderson, Corinne Rutherford and Craig Jamieson

offer the professional level we can to live events.”

Simon Owens who has worked in live events management and music touring in the UK and NZ has also joined the team, adding another dimension and energy.

Bright and airy, the space is full of light, with artist Kristian Lomath’s paintings along one wall.

“Kristian’s work is fantastic and makes the place feel richer,” says John. “The blank wall behind can be used to project images on, creating mood with lighting.”

The team has recently sourced funding to buy some purpose-suited audio and visual equipment.

“We’ll get to the point where we can record and film performance in here,” says John.

The Jam Factory is helping place Tauranga on the music touring map as a popular venue for solo acts, duos and groups.

“We’ve created the platform and we’re now looking for people who may want to use it during the day,” says Simone.

Rosalie Liddle Crawford

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°˙August, January January, , 2019 ˜˛°ˆ life+style The Weekend Sun ˜°18 ˜˛°˝

Paul Ubana Jones Embracing souls with music Paul Ubana Jones has a considerable sized NZ tour planned for 2019, with 25 concerts booked, and audiences looking forward to hearing him perform recent and new songs.

He’s playing at The Jam Factory in Tauranga on February 6.

“In August I recorded eight songs while on tour in Switzerland,” says Paul. “The new songs will be released on my next album.”

Working the new songs into the two sets he’ll be playing at each show is all part of being a performance artist.

“There’s a thread that goes through what I write,” says Paul. “Subjects pertinent and relevant to the human condition.

“How we react and respond to each other, people born into situations with destitution. They outgrow that and become champions of situations like their own. Also songs about unrequited love.

“Relationships that do well then crumble. Suicide.

“The real stuff out there.

“I’m not one of these heavy thinkers. I like jokes, but when it comes to portraying everyday life, it’s about all these different people that we are.

“I reflect on the down-and-out, and the troddenupon, be it socially, racially or the ones in relationships. That’s been my theme.”

He wrote a song about a friend who committed suicide that has resonated with many over the years.

“I’d been carrying the song since 1974 and re-examining it, sculpturing the corners like marble. I played it to these high school kids who sat on the floor of a massive tent at the Vancouver Folk Festival in the early-1990s. There was a huge canopy of sadness that came down on me from what these kids were carrying.

“That night at my motel I had a good cry and realised that’s why I’m doing music.”

Winner of three New Zealand Music Awards, Paul has shared the stage and toured with the likes of Tuck and Patti, BB King, Bob Dylan, Taj Mahal, Keb Mo and Crowded House. His blues and soul performances have wowed audiences across Europe and the UK. “I ate with BB King and his band in Italy when I was opening for his show,” says Paul. “And he once stopped me at an airport to ask what brought me to America, and said to me: “My, my, my I haven’t seen an afro like that since 1968.”

“I opened for him in Auckland and he’d eat with us, talking with the musicians. He grabbed me to kiss me, so I wrote this article ‘Kissing with the King’.” Paul chuckles at the memory.

“My point is there is this interaction and warmth with whoever is on the show, they’re all important.

“People you meet on the way up you meet on the way down.”

In constant demand in NZ, part of Paul’s appeal is this warmth, his embracing spirit, an agile and effortless guitar hand, and that smoky voice flowing along on his toe-tapping rhythms. Rosalie Liddle Crawford

°˙ January 18 January, , 2019 ˜˛°ˆ ˜° August, ˜˛°˝

life+style The Weekend Sun ˝

A spectacular decade TMT Youth theatre turns ten Adam Herbert

For the last decade, a youth show at Tauranga Musical Theatre – TMT – has been staged, involving actors aged 10-18 years.

This summer, the youth theatre reaches their ten-year milestone with The Little Mermaid Junior opening on January 18.

The first two youth shows in 2009 and 2010 were written by local writers, followed by mostly junior versions of full stage shows, such as Aladdin Junior and Beauty and the Beast Junior.

Adam Herbert, who started at age 13 and now works in theatre in Wellington, sums up his Tauranga youth theatre experience with one word: “Spectacular.”

“I was in Year 8, auditioning for the full version of The Wizard of Oz,” says Adam.

“I didn’t get in as a munchkin, but got in to their summer intensive youth programme.”

Involved for three years, he paused to focus on his NCEAs before returning in Year 13 to play Jafar in Aladdin Junior. While away at Victoria University studying theatre and film, TMT advertised for a director for the 2018 production of Wizard of Oz Junior, so he returned to direct it.

“The difference between a junior and full show is they do a more child-friendly abridged version of the script,” he explains, “condensing down the three-hour stage musical to the main plot points in a one-act piece. It’s about 60 minutes, it’s performed by youth and targets a youth audience.”

TMT president Elise Rohde has helped push the youth programme along, crewing on the lighting team for the first production and enjoying watching its development over the last ten years.

“Eight from the youth programme have gone to drama school,” says Elise, “mostly at NASDA in Christchurch. Some have returned and done production roles for us, like Adam.

“Having the junior shows in January makes it possible for those away at university to come back and get involved.”

With eight years behind her, Ashleen Fahy is wellexperienced. She’s the musical director for upcoming show Spring Awakening in April, having already displayed her talent in the same role for both Shrek Junior and Catch Me If You Can. She’s also a talented performer, most recently starring as the dragon and gingerbread man in Stage Right Trust’s 2018 production of Shrek. Ashleen also co-leads TMT’s youth programme.

She brings a vocal strength to the productions, teaching harmonies, making sure vocals are cohesive and developing the singers’ potential.

“You make friends so quickly,” says Ashleen. “Being able to see the development of the little kids as they start and go all the way through, ending up as leads when they’re older, is amazing.”

The out-of-school 10-18 years’ youth programme that Ashleen and Sarah Coleman run on Fridays is free to members.

“Last year we had over 20 kids, and worked on performance and development, giving them

Wizard of Oz Jr ˜°˛˝, directed by Adam

Ashleen Fahy

individual attention.”

“There have been about 100 who have been through the programme over the last ten years,” says Elise.

“They also learn confidence and theatre etiquette, and most have gone on to study theatre or drama.

“They are generally singer-dancers, or singer-actors. There’s room for anyone

because with confidence, they can do all of those things.”

“With the junior shows we like to have new people every year so they can develop,” says Ashleen. “If you’re interested in musical directing, choreography or directing, it’s a really good platform and an opportunity to Rosalie Liddle Crawford give it a go.”

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°˙August, January January, , 2019 ˜˛°ˆ life+style The Weekend Sun ˜°18 ˜˛°˝

Baby birds The ARRC Wildlife Trust team I stopped in at ARRC Wildlife Trust to see Liza. Or Dr Liza Schneider, as she’s formally known.

Much more than a modern version of Noah and his ark, ARRC - Animal Rescue and Rehabilitation Centre - Wildlife Trust director and veterinarian and her team, ably led by manager Sue Mackey, are immensely skilled and passionate about the welfare of wildlife.

What I wasn’t prepared for was how cute the contents of their hot water cupboard and incubator turned out to be.

Tucked away in boxes were baby sparrows, thrushes, a starling, kingfisher, a hedgehog called ‘Hubert’ and two baby owls.

I was smitten. The fluffy owls were brought in from a nearby retirement village after their nest had been blown out of a tree. A few days old, they chirp and follow Liza’s voice.

It’s important for their survival that they don’t bond to humans during their stay.

Baby wax-eyes huddle around each other in a nest and three thrushes; and with their pale orange throats open, are hoping for a feed.

“People bring them in thinking that a cat will get them,” says Liza. “At this age its best to leave them with their parents whenever possible.”

A baby kingfisher that arrived featherless a couple of weeks before looks like a miniature pterodactyl and makes a raspy dinosaur noise. He will stay at

ARRC for two to three months until he’s old enough to feed himself.

January is a time of the year when the wildlife centre can get inundated with birds, up to 20 or 30 a day.

“The baby birds come from all around Tauranga,” says Liza. “People also bring them in from Waihi and Katikati. Sometimes they get blown out of their nests or their tree gets felled or the parents kick them out because they’re sick or deformed.”

The birds need feeding every couple of hours during the day, with surrogate parents at the centre kept busy taking care of them and keeping them cleaned.

“These guys eat like pigs and they’re poop factories so it doesn’t take long for them to be soiled again,” says Liza.

The Tauranga wildlife rescue and rehabilitation centre she established in Fraser St often receives wildlife which have suffered unnecessarily as people have attempted to rehabilitate them from home.

Liza says in some cases the outcome could have been avoided entirely, had the animals been brought into the clinic sooner; and most important of all, she wants to stress it is forbidden for people to keep native wildlife at home.

“Only people with a Department of Conservation permit are allowed to keep native wildlife for rehabilitation.”

In the next room is the hyperbaric oxygen chamber that is used to help sick animals and birds.

“The higher pressure forces oxygen through all the

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“Hundreds of sick, injured and orphaned wildlife are regularly attended to every year in the Bay of Plenty by ARRC Wildlife Trust, Western Bay Wildlife Trust and the Department of Conservation. These organisations work together to promote conservation and help to ensure the welfare of the bay’s wildlife”

tissues of their body at a higher concentration than it would be normally,” says Liza. “It stimulates healing and reduces inflammation, and we use it to treat all sorts of animals with nerve injuries, stubborn infections, skin grafts, wounds that aren’t healing and pancreatitis. It’s just awesome.

“A dog put inside it had some stubborn health conditions, with a urinary tract infection and pancreatitis. The chamber helped her to feel better, indicated by her wagging tail,” says Liza.

“We’ve used it for little blue penguins, they’ve often come in battered by waves, have nerve injuries and can’t necessarily stand, or have damage to their legs.

“We once had an albatross we named Al who came in with a damaged wing. We treated him in the chamber and he made a really good recovery.”

Many of the birds and animals have names. There’s ‘Hubert’ the hedgehog, which unfortunately didn’t make it. Then there’s the centre’s cat ‘Tango’, which turned up one day, adopted ARRC and now lives a sweet life keeping an eye on the birds and keeping the dogs in line.

Conjuring up alarming thoughts of roast dinners, I asked Liza why the duck in the garden had been named ‘Gravy’. Thankfully, I learned it’s because of the big mess he leaves behind him.

He’s off to go live a happy life on someone’s farm as soon as he’s bit older.

The little blue penguins brought in for rehabilitation have usually washed up on beaches and are often lethargic and dehydrated.

Fed three-times-a-day on whole fish, their weight

needs to be between 800g and 1000g, and their bodies waterproof before the trust release them back into their marine environment.

Veterinary care for the wildlife is provided by Holistic vets in the same building. The surgery has an anaesthetic machine, surgery table and monitoring equipment. Adjacent to the surgery is an X-ray machine, often used to check for leg or wing fractures. There are recovery cages and a prep area for non-sterile procedures.

The little blue penguin had arrived with a leg injury but the X-ray is showing no sign of fracture in its pelvis or leg. It’s most likely a nerve injury.

Outside is a row of large bins.

“A big part of what we do is look after the environment. We recycle and reduce our waste and also use a worm farm to help reduce the waste.

“And sometimes we use the worms as food for the birds, so it’s all the circle of life.”

Hundreds of sick, injured and orphaned wildlife are regularly attended to every year in the Bay of Plenty by ARRC Wildlife Trust, Western Bay Wildlife Trust and the Department of Conservation.

These organisations work together to promote conservation and help to ensure the welfare of the bay’s wildlife.

People who come across wildlife that is injured, or has a concerning health condition, should contact ARRC Wildlife Trust in the first instance, says Liza.

To report wildlife call ARRC Wildlife Trust on 07 579 9115 or drop in to the clinic at 56 Fraser St, Tauranga.

Rosalie Liddle Crawford

life+style The Weekend Sun 7

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°˙ January January, , 2019 ˜˛°ˆ life+style The Weekend Sun ˜°18 August, ˜˛°˝

The Quintessential Kiwi Villa Amy and Adam Turner, and their two littlies Harper & Leo, are your quintessential cool, young family.

“There’s nothing more exciting than designing and building your dream home”

Their first home couldn’t be more befitting. Luck didn’t play a hand in getting them here, Amy and Adam paid their dues flatting in cold rentals, bunking down with family, and they saved, saved and saved! With a little help from the First Home Buyer KiwiSaver scheme, they were able to take their first step onto the property ladder.

“We initially thought buying an older house would be cheaper”, recalls Amy, “but we sat down, worked it all out and it wasn’t. The First Home Buyers Grant enabled us to get a lot with what we had”.

They found their dream section on an elevated corner site in Tauranga’s The Lakes subdivision and employed an

independent architect to draw up their plans. The pair considered numerous building companies before deciding on Classic Builders to bring their dream home to life.

“We weren’t sure they would take on our plans” says Adam, “but they did and at a really competitive rate. We were stoked because it meant we could have the architectural design we wanted from a reputable building company we could trust”.

Styled off the classic New Zealand villa, the exterior of the home is black linea weatherboard with white trim.

The interior is Scandinavian themed, perfectly balanced with industrial flair.

Subway tiles in the kitchen are offset by a handmade rimu barndoor, which also acts as a clever divider between central living and all three bedrooms.

Amy says she wanted the home to be modern, with open plan living a “must”.

To retain the villa feel, they lifted

°˙ January , ˜˛°ˆ ˜° August, ˜˛°˝

the roof height and also put in an open fire.

“It was something we really had to fight for”, says Amy. “There were quite a few hurdles, but Classic Builders made it happen for us. The double glazing makes the house so warm, which you don’t get with older homes. We don’t actually need a fireplace but love having the option”.

“We had the land for two years before we began building, which gave us a lot of time to research and work out exactly what we wanted. Some of our ideas were quite specific but again, Classic Builders were so good about it”, says Adam.

For Amy, with her two little ones, the home was all about nesting.

“We just couldn’t wait to have our own space and when we finally moved in, we’d just walk around pinching ourselves – we couldn’t really believe it was ours. There’s a lovely neighbourhood vibe to the area.

Everyone knows everyone, and it feels the way a community should feel”, says Amy. Baby Harper clearly loves playing outside on the expansive front lawn and dotes on her new little brother.

With summer here, life for this little family just gets better and better.

life+style The Weekend Sun ˆ

Dreaming of building your dream home from scratch?

While it might seem like a daunting task, there’s nothing more exciting than designing and building your dream home. You might have an existing plan like Adam and Amy did, or need something that’s totally designed from scratch, bringing together all your ideas to create the perfect space.

It often comes as a surprise that Classic Builders has a team of designers who can deliver bespoke architectural plans designed from scratch to suit you and your family.

But they do. Following tried and tested design principles, all their plans come with a comprehensive forecast and scope of work factoring in things like any section work, utilities, and the home’s orientation - to then give accurate pricing upfront.

If you’re Interested In talking to someone about designing and building your dream home, call Classic Builders today on 0508 4 CLASSIC or visit them in one of their Showhomes throughout the Bay of Plenty.

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°˙August, January January, , 2019 ˜˛°ˆ life+style The Weekend Sun ˜°18 ˜˛°˝

Proudly building Kiwi homes for over 15 years The opening of the first new showhome for A1 Homes was a memorable milestone for owners Julie and Bruce Clayton.

The couple, who have owned the A1 Christchurch franchise for 15 years, launched the showhome at Papamoa’s Golden Sands subdivision in October.

The two-level house covers 227 square metres on a standout 460 square metre corner site. It has been attracting plenty of interest with its James Hardie Linea and Oblique board combination.

The delightful design is ideal for a large family or one looking to grow. Hosting visitors will never be a problem with five good sized bedrooms and a sixth room with built-in wardrobe that would make an ideal office, playroom for the kids or even a sixth bedroom.

There are delights everywhere you look. On the ground floor, there is a large, carpeted double garage plus the master bedroom with en suite and huge walk-in wardrobe. Also downstairs is a separate toilet, the office/play room and an open-plan main living area with

a seating alcove. Sliding doors open from there to the dining area and lounge out on to a spacious deck.

Upstairs are four bedrooms, the family bathroom and another toilet. A standout feature is the tall, horizontal window that streams natural light across the stairs and passage areas.

A1 Homes colour consultant John Darke created the wonderful natural colours and tones within the house to reflect the Papamoa beach environment. He also selected and supplied the window dressings, furniture and soft furnishings.

The use of Resene quarter Akaroa as the main paint colour inside gives a subtle whisper of sand and stone, with similar natural tones covering the horizontal linea boards and the distinctive vertical Oblique boards around the garage.

The all-important roadside appeal is completed with the precise detail from Cambie Landscapers.

A1 Homes also offer an increasingly popular kit-set option where clients purchase the material package through A1 Homes and the client organises their own subcontractors to erect the buildings.

Showhome: 1 Bill Miller Drive, Golden Sand, Papamoa Open Monday-Friday 9am-4.30pm & Saturday-Sunday 12noon-4pm Closed Public Holidays Sales Consultant: Donna Bruce-Phillips 0275 771 966 sales.tauranga@a1homes.co.nz www.a1homes.co.nz

°˙˜°January ˜˛°ˆ August,,˜˛°˝

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Features the Torquezone® spring - 3 zoned

WAS $5,599 Firm Feel

CLASSIC Kappa CLASSIC Kappa

50%

Soft Feel $1,849 NOW Features the Torquezone® spring system - 3 zoned WAS $3,699

SWISSTEK LATEX Brigitta Queen Size Mattress & Base

OFF

WAS $3,699

Soft Feelactively cradles the body for added support. design Features the Torquezone® spring system 3 zoned Eco-friendly Dreamfoam®, made with-you in mind.

high density unique foam structure for a firm feel that provides extra support and luxurious comfort.

OFF 50%

Queen Size Mattress & Base NOW $1,849

Great $3,399 value Chiropractic endorsed bed made with a WAS Firm Feel high density unique foam structure for a firm feel that Great value Chiropractic endorsedcomfort. bed made with a provides extra support and luxurious

Firm Feel high density unique foam structure for a firm feel that provides extra support and luxurious comfort.

Great value Chiropractic endorsed bed made with a

50%

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SLEEP SOCIETY

STORE BEDSRRUS US STORE NAME NAME BEDS Address Details AddressNAME Details BEDS STORE Ph: 00 123 4567 Ph: 00 123 4567

R US

Address Details SLEEP SOCIETY Ph:applies 00 123 4567 *Offer valid from 08/01/19 to 04/02/19 or while stocks last. Up to 50% offers to selected beds only. Excludes BEDSRUS.CO.NZ SLEEP SOCIETY

*Offer validprices, from 08/01/19 to 04/02/19 or not whiletostocks last.inUp to 50% offers applies to selected Excludes Everyday Dream clearance stock and be used conjunction with any other offer. beds Pricesonly. as marked.

Everyday Dream prices, clearance stock to and not to errors be used conjunction other offer.

Prices as marked.

See in store for details.

We reserve the right correct orinmisprints.

10 with yearany warranty applies unless otherwise See30 infrom store for details. reserveTsor the right to correct or misprints. year unless otherwise specified. day08/01/19 Comfort Guarantee and Csstocks apply. *12errors MONTHS INTEREST FREEwarranty OFFER: Qapplies Cardbeds and Latitude *Offer valid toWe 04/02/19 while last.

Up to 50% offers10applies to selected only.

Excludes specified. 30lending day Comfort Guarantee Ts and Cs apply. *12apply.

MONTHS INTEREST FREE OFFER: Q Card and Latitude Financial criteria, fees, & conditions Everyday Services Dream prices, clearance stockterms and not to be used in conjunction with any other offer. Prices as marked.

Financial Services lending criteria, fees, terms & conditions apply.

See in store for details. We reserve the right to correct errors or misprints. 10 year warranty applies unless otherwise specified. 30 day Comfort Guarantee Ts and Cs apply. *12 MONTHS INTEREST FREE OFFER: Q Card and Latitude Financial Services lending criteria, fees, terms & conditions apply.

EVERYDAY EVERYDAY DREAM EVERYDAY DREAM DREAM PRICES PRICES PRICES