MIND Magazine MARCH 2019 Issue #15

COVER

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Team Sukiran Singh, Editor-in-Chief Simarjot Wadhwa, Junior Editor Disha Shah, Features Editor, Co-ordinator Amelia, Beauty and Features Editor Ankur Bhoria, Photographer

Contributers Karan Sarnaik, Photographer Harmeet Singh Sana, Photographer Ruchir Vashishtha, Photographer Mrinmai Parab, Photographer Marshal David, Photographer Ashish Chawla, Photographer Shimool Patel, Stylist Sommy eric, Stylist Sahil Gulati, Stylist Neha Verma, Stylist Rajvi Sheth, Stylist Amelia, MUA Lucky, MUA Anuj Dogra, MUA Florence, MUA Shivani Yadav, Writer Alifia, Writer

Thank you Inega Models TFM Management Cafe Pachinco

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CONTENTS

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Kite Runner

Power Girl

INDEX

24 Prateek K.

36 Diary of a wallflower

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Cover Story

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NAEZY

Industrial

90 Silver Spoon

100 Beyond the City

116 Modern Indian Interiors

124 Marathon

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Editor’s note

In the times of globalization, cocoons have no relevance. As much as we like to live in our bubbles, we have to adapt to modernity of the present times to achieve larger success. Urbanization is the key to opening minds of the close knit societal systems. Be it the Music, art, culture, education or architecture it brings.

It has taken us Indians half a decade to understand its importance, and it would take much more time to truly adapt to the concept. At the same time, some are lost in the new haze created by Urbanization, I talk about ones who are taking it as a Fad and not a way of living. Using smart phones is not only the way to connect to the world. One must go out, interact with uncommon ideolies, to actually understand what Modern life is. Of course education has a part in it.

In last couple of decades, we’ve seen a lot of changes in as lot of aspects. One of the major ones in Music. We have amazing artists like Naezy (rapper who brought the sadness of our society through his words) and Prateek Kuhad (a true independent artist) in the issue, who represent the turn for Urbanization our society is taking. Also, we have beautifully told stories of comparisons between Introverts and silver spoon born posh. We also talk about hidden elements of modern society, and much more.

Enjoy or March 2019 issue.

Sukiran Singh Editor, M.IND Mag

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HOW BLACK CULTURE DEFINED OUR PRESENT ‘COOL’

by Shivani Yadav

Some of the most successful pop culture changes entered our zeitgeist in the form of trends that were mostly taken from minorities in the name of inspiration.

African-Americans are one of those minority groups whose cultural influence has been global in the truest sense of the word. For almost a century, their reach has been so wide and subtle that majority of people don’t even realize that the music they are hearing, or the trendy clothes they are wearing, or even the slangs/slurs they are using are given to them by black people; and the fact that they are not given the credit only adds to their irony of being unintentional trendsetters.

This is quite a topic of discussion within pop culture analysists and when asked why black culture is so popular, but black people aren’t, Linda Piccirillo-Smith, an Italian-American English associate lecturer said, “A lot of these issues have to do with the complexity of race in America. The lack of acknowledgement within the white people of wanting to be like black people but thinking it’s a bad thing, leads them to taking things from the black community to make it their own, therefore making it acceptable.”

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India, for decades have looked towards West for inspiration and even though the past couple of years show a pull within the millennials to go back to their roots, the pop culture as a whole is very populated by American trends, which are in turn heavily influenced by black people.

This is one race that has changed the definition of ‘cool’ for the general society and have been a driving force for almost a century. Men’s fashion, now, is largely influenced by rappers, with the staple oversized t-shirts, baggy pants, slogan hats and declarative jewelry, one aspires to reach the level of testosterone-filled intimidation that Tupac Shakur, Biggie Smalls and N.W.A gave out; it does not matter whether you’re even good enough to talk about them (ahem, white guys like Logan Paul).

But even here back home, Indian rappers have this exact same style (down to the body language) with which they present themselves. Keep in mind, it’s not a bad thing to act in this particular way, but the interesting point here is that the influence of African-American culture is so subtle that when a country, like India, starts thinking of a certain trend as ‘cool’ and decides to completely accept it and eventually capitalize over it, people willingly take the chance forgetting a significantly rich history which was filled with pain.

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Even the beauty standards for women (especially white women) have taken a turn. White people who detested curvier bodies are now happily embracing it because white celebrities like Kim Kardashian made it okay to have a bigger bottom. In this particular decade, somehow it has even become trendy to have a tanner skin tone, which often times end up looking brown or straight-up black (hint: Ariana Grande and the whole Kardashian clan). Same goes to the cornrow braids that regularly make headlines because of how often they are culturally appropriated.

And let’s not even talk about music because that would require its own separate piece. The point is that, sure the rampant discussion about the dire need of diversity coupled with global access of internet does complicate things a little, but the lack of acknowledgement, let alone credit towards the black community for their unparalleled contributions towards world culture is purely criminal.

I mean, the fact that the word ‘urban’ is spoken with race-free euphemism should tell you everything. ***

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The Kite Runner F T. H ITESH BISHT (NI NJAS MODELS) PH O TO G RAH ER- HAR MEET SI NGH SANA S TYLIST - SAHI L GULATI

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Jacket - A'men Tights - Decathlon LeftShirt - Sawan Gandhi Pants - Two Point Two Shoes - Jeetinder Sandhu

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LeftSweatshirt - Bodice Studio Shorts - Two Point Two Cap - Urban Outfitters Shoes - Jeetinder Sandhu RightNeck Accessory - Sahil Aneja

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LeftTop - Siddartha Tytler Shorts - A'men RightJacket - Sahil Aneja Shoes - Jeetinder Sandhu

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Outfit - Yavi Shoes - Jeetinder Sandhu

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LeftTop - Mint Blush Pants - Two Point Two RightNeck Accessory - Sahil Aneja Top - Two Point Two Tights - Decathlon Shoes - Jeetinder Sandhu

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Jacket & Pants - Noughtone Shirt - A'men Shoes - Jeetinder Sandhu

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“it always hurts more to have and lose than to not have in the first place.�

- Khaled Hosseini, The Kite Runner

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Prateek Kuhad MODERN INDIAN MUSICIAN

Photography by Mrinmai Parab Styling by Neha Verma MUA Lucky Location Pachino Cafe, Andheri West Interview by Shivani Yadav We want to know, who is Prateek Kuhad. As a person, in terms of aspirations, ideas and ideologies.

That’s a very layered question - I’m still trying to figure that one out to be honest but as of now I’m just trying to do things right. I think I am songwriter and a musician and I just want to do a good job of that.

You were a student of Maths and Economics at NYU. When did you find your passion for music, and how difficult was the transition to pursuing music full-time?

I was doing music, pretty much as a hobby, alongside college in New York for a while. After college I worked my first job, was very disillusioned by my work environment and decided to come back to India and give the whole music thing a shot for an year. Never ended up looking back.

Your work reminds us of John Mayer, the subtlety, the poetry and symbolism. Who are your inspirations?

I did have a John Mayer phase in high school. He is an excellent songwriter and I love his work. It’s also really nice how he writes about really simple things in simple ways but his songs are so impactful. Elliott Smith is possibly my all time favourite songwriter and musician. He was just talented in so many ways. Also a big fan of Nirvana and Led Zeppelin. Kurt Cobain was inspiring in so many ways - apart from the incredible music he made.

Can you talk a bit about your creative process?

It’s quite fluid and changes frequently. I mean I try and not have a very set process but at the same time there are certain things I keep going back to as well.

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outfit -forever 21

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T-shirt - Nautica Pants -Benetton

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shirt & T-shirt -forever 21 Pants - Benetton

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In general I just usually sit with a guitar or piano and just write whatever I feel like writing.

Who would be your dream collaborators and why?

John Mayer, SIA, Bob Dylan cause they’re all just excellent songwriters.

A lot of your songs explore the complexity of relationships, why that particular topic?

Because that’s all I really have to say that’s real.

Your songs are quite self-revelatory. With your busy schedule, how do you find time to analyse relationships and emotions?

I don’t really sit and analyse anything per se - I just end up writing about that stuff cause I guess writing about it is one of the ways I can vent.

You sing both in Hindi and English. Have the languages ever worked as a hindrance in your writing process? If not, how do you decide which language you’re gonna write in?

Not really. I decide on the spot really. Usually when I begin writing a song I get a gut feeling about which language to go with and I just go with that.

You’re one of the most beloved indie artists in India (of course you are on a path to be one of the biggest artists) and have struck a chord with the millennials and the generations post. How does it feel to have such a such strong presence within the youth culture?

I don’t really feel like that. I think there’s a small community of people who know me and listen to my songs and I feel grateful for that. It really doesn’t matter though beyond a point. I mean, I write songs and make records because I like doing those things, so I guess that everything else that comes along with it is just bonus.

Do you feel the responsibility of having the amount of influence that you do?

Not really. Again I don’t feel I have that much influence in the larger scheme of things. But again, it’s not something I have strived for or asked for and it’s not big enough that I feel responsible for it just as yet. But at some point that will be the case.

What do you think about the current music scene in India, in general?

I think it lacks a lot of professionalism.

Cold/mess is your first collaboration with Nashville-based producers. What are the differences you have noticed in Indian and American producers?

(We must add, we’ve worked with Jim before and that’s how we got to know about you, and fell in love at once) I don’t know enough to answer this question because I haven’t worked with a lot of Indian producers to be honest. I find that most people overseas just have a lot more professionalism and honesty with which they work. That is severely

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T-shirt nautica Pants -Benetton

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T-shirt - Benetton

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lacking across the board in India.

Lastly, We ask every person we interview. Do you think you are a Modern Indian, and why?

I’m at a point in my life where I can’t define modernity for myself or anyone else anymore. ***

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outfit -forever 21

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Diary of a Wallflower Ft. R iri ( S R P mode llin g ) Photography by Ruchir Vas h i s h t h a Styl ing by Pra bha v G au t am Makeup and hair by Pra b h av G au t am Photography Assistant Bi j e n d e r K u m ar

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Outfit -Shia Rai Left and Right

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Dress - Shia Rai (Left) Right- Stylist's own

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Outfit -Stylist's own

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Outfit - H&M (Left) Shein (Right)

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WHAT URBAN WOMAN WANT!

by Amelia Photographed by Ankur Bhoria

Can you spot a modern woman just by looking at the clothes or tattoo she adorns or the job title she has?

If a woman drinks alcohol she is considered modern. The word ‘modern’ has become a word of degradation.

Society are quick to judge a woman by how she dresses herself or her habits but they will not be able to see her soul while they judge her. What about her thoughts? Can you read her mind just be looking at her?

A woman who wears a sari at home with her kids cooking a lovely meal may not be considered modern as she’s doing what most woman did in the past long before woman went to work but what if she gives her kids the freedom to choose the college they want to go to or the careers they want to get into or the freedom to be who they want to be without judgement but with love, is she not modern then?

I would like to believe a Modern Indian woman stems from her intellect. Making the best out of every situation and keeping herself happy while doing it. Being strong enough to not care about what society thinks of her because she is confident of the kind of person she is and what she wants out of her life.

A modern indian woman chooses her own happiness first. We know what we want! whether its marriage or not, whether its kids or not, . If we are happy being single for the rest of our life or adopting on our own then that’s ok too or if whether we love cooking for our family after work or ordering take out then so be it! As long as we are happy.

We asked a few urban Modern Indian Woman on what their utmost priority in life was right now!

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Sargam G. Krishnamurthy/ Freelance Creative for Devirosh Films Sargam : Maintaining a Work/Life balance (Right)

Amruta Bowlekar/Sales Executive for Citrus Hotels & Resorts Amruta : Family & Career (above)

Santoshee Gulabkali Mishra/Media Santoshee : Travelling Safe!

(Right)

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Mona Patel/ Singer/Songrwiter Mona : Maintaining a Healthy Mind (Right)

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'A successful woman is one who can build a firm foundation w bricks others have thrown at her.'

- 'Anonymous'

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POWER GIRL

DE L VAL L E ( K AD M O D E L S) Photographed by ASHISH CHAWLA Styling by BIKANTA SOUBAM MUA by RAVI MATHUR FT.

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Top by Adidas Pants by Forever 21 Tie by Kerry Parker Jacket by Tommy Hilfiger

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URBANE DIETARY REQUIREMENTS - GLOBALIZING FOODS

by Alifia

(BD, PG (CND), Dietitian, Nutrition specialist, Health Speaker.

The gulf between rural and urban dietary habits reflects socio-cultural environment, economic activities and lifestyles The major difference is ‘westernization’ of food habits in an urban culture as compared to the rural areas. And so emergence of ‘civilized diseases’ which were unheard before 20 years.

While globalization has resulted in success for career growth, promise of better future and uplifting lifestyles, it has played a trigger in compromising on the quality of life.

We are trying hard to get back to basics and what our ancestors ate and practiced. Be it yoga or drinking water from an earthen pot, it all points out to limit our food change towards globalization.

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There are 5 foods that urban India must not eliminate from their diets: 1. Grains: while fearing the ‘carbs’ and going on a keto /gluten free diet, our good old grains have earned a bad name.

But as far as we can recall, our elders and rural people always ate grains and lead a healthy productive and long life.

Whole wheat, maize, rice, soy etc. are the most important energy source of an Indian diet and provide essential vitamins and minerals.

Whole grains provide a variety of microflora to the gut and facilitate growth of good bacteria.

Whole grains provide protection towards CVD, Diabetes, Malnutrition, obesity etc.

2. Eggs: urban data has demonized egg yolks and people have switched from whole eggs to egg whites. But recent Researches have proved that it is safe to eat up to 2 whole eggs a day and egg yolks is not responsible for the bad cholesterol in our body.

3. Turmeric: so many cultural customs incorporate turmeric. The benefits seem to be infinite.

We have forgotten Turmeric and should make place for it in our meals.

Curcumin present in Turmeric is a natural anti-inflammatory compound.it is a perfect antioxidant related to lower brain disorders and much more. Add it to your cup of milk or start your day with hot water and Turmeric.

4. Moringa leaves: commonly known as drumstick leaves.

They are rich in: Vitamin B6, Vitamin C, Iron, Vitamin B2 and magnesium This superfood is now sold in the form of powders and capsules. Add these leaves to your mixed vegetables, curries, and Dals...!!

5. Fenugreek seeds: Methi powder is nowadays a part of every Ayurveda powder or diabetic powder.

It is because of its high fiber and saponin content.

If you are the one who always complain about constipation, or can’t get your blood sugars in control, start your day with Methi Seeds and Water.

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Going back to basics has never harmed a Body. And Food will be Evolved time & Again.

Let’s just say Urban Food, And Urban LIFESTYLE must take inspiration from Rural Roots & Ancestral Habits.

Haven’t we heard, “Old is Gold “? ***

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Secrets of an Urban

Kitten

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Cover Story

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The Phenomenon that shape us

PEOPLE THAT MATTER. PEOPLE THAT SHOULD MATTER.

MRS. BANSARI NAGRECHA WRITTEN BY SIMARJOT WADHWA

The Phenomenon envisages the exuberancy and ebulliency. At the age of 82, is she old? No, not from my perspective. I’ll not call ‘lines’ on her face as ‘wrinkles’ rather they are a grace added to her beauty which is so very flawless and magnetic. The aura around her is so captivating that it enthuses and enthralls others.

82 is just a number for her as she is an embodiment of optimism, radiance, courage, zeal and zest.

The sparkle in her eyes, the gleam in her smile, the humour in her words, the elevation in her spirits – all enchant me as she is a charmer.

Her life is plethora of events where each incident is a precedent by itself. She charts her own path with cutting no sorry figure at whatever has happened in her life. She emerges as a beacon light with no karmic retribution. The rapture strikes through her formidable and arduous journey and will never let itself fizzle out from her life.

Born on 16th December 1936 at Surat in Gujarat ,Mrs.Bansari Nagrecha, is a woman of substance .She is a catalyst whose presence cannot go unsung. She beams with excitement as she recalls her journey of life. Her vibrancy makes me recollect William Wordsworth’s words: “For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the daffodils.”

She gathers her entire self and begins “Whenever I used to cry, my father used

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used to be very happy. My crying was the source of melody for my father. I was a chatterbox. I never knew how to sing. But when asked, I was ever ready to sing.”

CHILDHOOD MEMORIES She cherished the memories of her past and every word about her father exalted her. She picked up the reminiscences of her stay at Bikaner in Rajasthan during pre-independence era. She fondly remembered the massive bungalow the family resided in, provided by the Railways as her father was designated on a high post in Rajasthan State Railways. She said, ‘The king of Bikaner used to invite officers and their families for different occasions. Camel ride and elephant ride were the centers of attraction and we all used to enjoy that. I learnt swimming during those days when society was so conservative for a girl’s education.” She narrated an incident when Gandhiji’s assassination brought tears to everyone’s eyes and even halted the wedding ceremonies of a daughter of a very affluent family at Bikaner. The emotions enveloped her when she was transported to the memory of her father being so sensitive towards seeing that girl tying nuptial knot and he just couldn’t hide his watery eyes. But the happy moments didn’t last long and a deep wound could never find its remedy. Cancer took away her father’s life at an early age of 45 and the loss was irreparable.

The man of awe left his mortal remains and met the eternity. The destiny cast its ugly shadow and the uncertainties loomed large. The grueling cycle of life forced her mother and siblings to shift to Bombay. The first stay was at Shri Prabhakar Kunte’s place at Shivaji Nagar. She completed her matriculation in 1951 from Fellowship school, Bombay. She tutored the children even though she herself was in class 10th.The impact of Dr. Hansa Ben Mehta,her father’s cousin and wife of Shri Jivraj Narayan Mehta (the first Chief Minister of Gujarat ),was immense. Dr.Hansa was an iron lady bestowed with innumerable qualities. She was a true Gandhian who was the vice-chancellor of SNDT Women’s University and Maharaj Sayajirao University of Baroda. Thus, garnering the strengths and defeating the weaknesses, Mrs. Nagrecha stepped into the next phase of life.

FINANCIAL TURMOIL AND NUPTIAL KNOT She recollected the times of financial upheavals when her father was sent to America for the treatment of cancer . The family tried the best to save him but the Nature had its own plans for him. The financial means were meager and the survival was not easy. But the challenges never deterred her. She got admission in science stream in Elphinston college on her credits but could not pursue due to scarcity of resources. She had to earn money to support her education but it didn’t work out . She had to switch over to humanities stream at Elphinston College where she graduated in 1956 and later, she joined LIC in 1957.

There came the year 1961 and she met the man of her life. He was a writer and poet .His family had come from Karachi ,Pakistan after partition. She recalled, “They had left everything there and didn’t have anything. We both wanted to get married having nothing. We both have meager salaries but we made OUR HOME together. We decided we’ll get married on our own without asking for

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any special support from our parents. My name is Bansari and his name was Harish . We kept the amount saved for our wedding in a bank and named it ‘Bansari-Harish Relief Fund.’ Neither her parents nor her in-laws had any objection despite it was a love-marriage. There arose the problem of dwelling as the in-laws had a very small house, accommodating already six people in it . The more the struggle, the more the undying and unfading yearning developed to persevere to achieve that seemed to be unattainable .The urge to forge ahead galvanized each moment. The houses for low income group by the Housing Board were put for sale in form of lucky draw. Fortunately, the wheel of fortune favoured them and they found themselves as one of the winners. The next hurdle awaited as the houses were meant for married couples but they were engaged only. They surmounted this acute obstacle by getting the registered marriage done. Eventually, a large issue was resolved. Later , they tied their nuptial knot as per Hindu rituals. After wedding, they gave a reception at South Hall, Shivaji Park . Such modest and humble were the means that only mango ice cream could be served but this gesture was admired by all their relatives and friends. Her sister’s elder brother-in-law was a speaker of the Assembly and he had called many politicians. Everyone lauded their efforts for doing everything on their own.

POST WEDDING COMMITMENTS They got the possession of the house and shifted to Chembur in Bombaywhere they started their life accumulating the necessities right from scratch. But the dream of having a home in Bombay strengthened their bond though at times they had dissent on certain issues. Mr. Harish (her husband) was very honest .

He became the General Secretary of the All India Rubber Industry Association.

She took transfer to Chembur LIC branch and was able to juggle between home and work comfortably. Her salary was Rs.125 and he earned Rs.220 per month. They could save money too. Even buying a table was of utmost value as it involved the earnest endeavors. He got inclined for being a creative and original writer. So he joined Advanced Journalism Course at Bhavan’s College , Chaupatty in Bombay headed by Laxman-the renowned cartoonist of India.

He attended the lectures for two hours daily after office hours and completed the course in two years. While doing journalism, he wrote a play with lead characters as war, hypocrisy and peace . It was applauded by Laxman and was given an award. His creative skills impressed Laxman a lot and was offered a job in Times of India either in 1962 or in 1963.She further added, “He was of the opinion that writing in a daily newspaper probably would be strenuous for him as he was from Gujarati medium and there could be lack of fluency of language.

He was an amateur writer who wrote for his pleasure that gave him inner satisfaction. Commercial and instructed writing was not his cup of tea. He always highlighted on social issues and was appreciated tremendously. This is what I liked about him. Though being from different backgrounds,we shared common interests.” The flash of memory glistened and glimmered her face, the spark in her eyes was contagious and the magnanimity of emotions could be felt. Her son Tanay was born in 1967 . The feeling was inexplicable – an amalgamation of ecstasies, responsibilities and challenges. Maternity leave was only of three

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months and more than that meant the deduction in salary which was simply not possible. Her husband and she decided to leave Chembur in 1972 and they bought a small nice flat at Khar in Bombay. Being an aware mother, she knew the value of education in one’s life; so was of the firm opinion of providing the best education to her child and therefore, he must go to the best school. He completed his class 12th and went to England to stay with her brother during vacation. He enrolled himself in one of the courses there and got settled there for better future prospects. Now he is the best dog breeder and is the recipient of a very prestigious award.

PROFESSIONAL STAGNANCY The despondency perhaps seeped in when she talked about of her inability of capturing the opportunity inspite of the potential. But she gathered herself and refused to lament about it and took the onus of being dormant professionally. She said, “Promotion meant to be transferred anywhere and that included travelling. My husband was of the opinion to go for it but how it was possible leaving my son and my husband behind. I lost many chances which did hurt me. I knew my capacity that I could have reached the top. My seniors were very confident of my abilities .They wanted me to apply for the promotion but I kept refusing. It was never my husband’s fault. He co-operated with me and was never against it. It was only me who had her self-imposed restrictions. But I couldn’t do it. I do feel that I should have taken that step in my life. I advise young girls not to leave the opportunities .It’s just a question of one or two years.”

Even at the inception of her career in LIC, she got an appointment call from RBI . She was advised not to opt for it as her mobility with her husband seemed to be remote if he happened to get transferred anywhere else as he had also joined an insurance company during the initial years of his career. LIC had number of branches across India but that was not the case with RBI as it had only one branch. Later, she realized it was a big mistake on her part.

STRUGGLES AND ACHIEVEMENTS She merrily recalled the initial days of her struggle while travelling from Chembur to Jeevan Prakash in Bombay in jam-packed local trains, she used to peel peas and keep them ready for cooking once she reached home. Jostling through the crowd in second class ladies compartment , coping with situations both at home and at office hardly let her spirits dampened.

She steered her way through all the turbulent phases of her life . It was only one year left for her retirement when her husband got the paralytic stroke in 1995. He was offered 5 years of extension in service by Rubber Industry Association and he was in a dilemma whether to accept the offer or no as a lot of touring was involved but this mishap took place. The life changed completely.

He used to crawl on floor and was completely unable to stand erect. He was in a very bad state and it became difficult for her to go to office. The, then, Prime Minister Shri Rajiv Gandhi started the pension scheme for LIC employees. She was suggested to continue by hook or crook for one year otherwise she would lose her pension. Her husband used to feel pained seeing her struggling day in

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and out. Suddenly, there was a sparkle in her eyes on remembering an incident , “ I fell down and fractured my left hand making it difficult to hold anything.

He was so concerned that HE USED HIS LEFT HAND AND I USED MY RIGHT HAND AND WE USED TO DO EVERYTHING TOGETHER.”He was determined to recover and the result was visible as he started to walk with a stick in a few weeks. The company didn’t want to leave him . Initially she accompanied him to his office at Bandra. Later , the company provided him with two assistants and his conveyance fare.

She suffered from a major heart attack and was operated a day prior to Mumbai terror attack on 26th November 2008. It was a stormy period with hardly any medical aid available due to the grave situations. Her son came over and there was solace in her life. She never succumbed to even the direst circumstances.

She fondly remembered their trip to the United Kingdom to meet their son but unfortunately, her husband passed away in 2009. Her whole life changed after his demise. She said, “To accept the fact and to believe the fact , that took a lot of time. Till today I feel that he’s not left.”

She remained undaunted and valorous in all circumstances and felt contented with her highest achievement. She said with pride, “I made my family happy.

My husband passed away happily and laughingly. This is so very important for a woman. I feel as if my life has found its true worth and meaning.”

LIFE AFTER RETIREMENT She retired in 1996 after completing her 40 years of service . The another phase of life started but LIC trained its retiring employees about living their lives to the fullest and never let the gloom engulf anyone. She joined Raigad Military School Trust and participated actively in its administration. She took all ups and downs in her stride very boldly and remained unfazed by any situation.

She learnt car driving at the age of 65 – truly an exemplary act. Though people from different strata of society mocked at her and made funny gestures, she mustered courage and remained unwavered.

She was in dismay and distress once her husband was no more . With great conviction and enduring efforts , she wound up all the incomplete tasks pertaining to finance . Once that phase got over, she felt at ease. She said, “Now I’m able to do what I want to do. I’m MYSELF and I love MYSELF. I won’t call it as LONELINESS but it is SOLITUDE. I want to pursue my desires and my wants. All these years I’ve struggled and worked for everybody, now I’ll make the best use of this bonus of life that God has given me.”

THE VISION OF HER LIFE Feeling of insecurity and fear grips sometimes. She had done all the rites and rituals at the time of her husband’s death but the case is different for her. Her son resides abroad and has already told him that there is no need to follow any rituals. She further said, “I have already enlisted the requisites to be carried at

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the time of my own death. I want Sanskar Jot to be phoned. This is an organization which performs all the rituals as a social cause at the time when a person meets the eternity. I have already done my rehearsal by having ganga-jal, garlanding myself and lighting the diya and left with no other wish of any prayers and condolence meetings. But I do want that whatever little I have, it should be given to my son without any hassles and problems. I’ll feel accomplished within.”

MESSAGE You should do what you want to do for yourself, not what others want you to do. That’s the first thing you must learn in life. Don’t allow people to take you for granted. See the pleasure of looking within. Though the current generation is highly skilled , family should always remain a priority. The family bonds are the strength in the helter-skelter existence of life. Fly high but remember a woman is a mother and wife too, so she plays a significant role to weave the garland of harmony within family.

***

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Naezy Photographed by KARAN SARNAIK Styling by DISHA SHAH MUAH by AMELIA Photography Assistant by SHASHWAT SANKAR

Fresh Prince of Rap world

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Jacket - Huemn T-shirt - forever 21 Shoes - Jeetinder Sandhu

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Jacket n T-shirt - Sahil Aneja PAnts - forever 21 Shoes - Dmodot

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Shirt - forever 21 Pants - Sahil Aneja Shoes - Dmodot Shades - Mystylesutra

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Jacket - Karttikd Shirt - Huemn Pants - forever 21 Shoes - Jeetinder Sandhu Glares -Mystylesutra

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jacket - Sahil Aneja T-shirt -forever 21 Pants - Sahil Aneja Shoes - Dmodot

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Jacket & Waistcoat- Yavi Pants- Siddhartha Tytler High Neck- Mint Blush Shades- My Style Sutra Shoes- Jeetinder Sandhu RightSiddhartha Tytler

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The Silver Spoon Ft. SAGAR

KAPOOR

Photographed by HARMEET

SINGH SANA Styling by SAHIL GULATI MUA SALONI ARORA

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Jacket - Sahil Aneja Shirt & Pants- Two Point Two LeftBodice Studio

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Jacket & Pocket Square- Philocaly Shirt- Bodice Studio Pants- Sahil Aneja Shoes- Jeetinder Sandhu

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Jacket- Sawan Gandhi Glasses- H& M

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Shirt and Pants- Bodice Studio Jacket- Mint Blush, Pocket Square- Philocaly Shoes- Jeetinder Sandhu

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Suit - Sawan Gandhi High Neck- Noughtone Glasses- H&M Shoes- Jeetinder Sandhu

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Bomber and Pants- Sahil Aneja Trench- Philocaly Shoes- Zara

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Top & skirt - Zara Jacket - Ajio

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Her

Beyond the City Ft. THALIA

PRAXEDES

Photographed by MARSHAL

DAVID Styling by RAJVI SHETH MUA FLORENCE

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Skirt - Thrift shop Top - Forever21

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Scarf - Accessorize Top - Thriftshop Pants - Mango

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Jacket - Twist&tango Top - Dorthy Perkins Pants - H&M

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“SIMULTANEITY” This collection pays tribute to the traditional agender Japanese garment ‘Kimono’. This sophisticated formal wear is deconstructed into jaunty and chic street wear. The sleeves, lapel, closure and silhouette of this traditional garment are redeveloped with fashionable athleisure. The vision of associating sporty essence to this agender garment took inspiration from the French illustrator Georges Lepape who depicted women doing athleisure activities for the first time on the cover of Vogue Magazine during 1920s, which was extremely revolutionizing for that time. During that period, Orientalism was quite prevalent in the West leading to this opposing amalgamation for Two Point Two. The thread handwork embroideries of the collection represent the geometrical bold patterns of Cubism, which was again a very strong art movement of the same period.

The sea horse motif symbolizes presence of gender-bending innature and that of a deer marks the start of a new way of life.

The detachable pockets and belt detailing gives the possibility of multiple use of the same garment. 100%wool, 100% Merino Wool, Cotton Suiting Fabrics, Cotton Poplin, Wool Suiting Fabric, Hand-knits and Leather are some of the fabrics being used in the collection.

'Individuality and beauty'

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BRAND ALERT

INDUSTRIAL Two.Two

Photographed by ABHI

KANDY Styling by SOMMY ERIC MUA MAKEUP MAFIA Concept and Art Direction TWO.TWO STDIO

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BRAND ALERT

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BRAND ALERT

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BRAND ALERT

Two Point Two as a brand is Agender and aims to create a third identity which stands for neither of the binaries and yet for both. So the details that might be categorically considered feminine or masculine are merged, thus blurring the line differentiating the two genders and going beyond the set conventions of the society. The mentality of associating things with something conventional and stereotyping is what we want to annihilate. Every single garment can be worn by people of different shapes, sizes and genders. Thus, removing the importance of the physical body altogether. We understand and accept that anatomy differs among the genders but Two Point Two believes in uniting and celebrating these differences instead of restricting people based on them. Two Point Two believes that beauty exists in every soul and it's all about accepting and endorsing it as your own.

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MODERN INDIAN INTERIORS

Autumn Bar and Bistro Andheri West, Mumbai

Pros: * Vintage Styling * Earthy Tones * Large Space * Bright Ambience * In and Out Glass Panes * Nice Bar Cons: * Price is a bit up comparitively. * Parking is difficult to find in Rush hour. Although there is Valet. At times, it could be an issue.

Food and Drinks : Unfortunately we were not provided F&B for Review.

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MODERN INDIAN INTERIORS

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Pros: * Large Space, Peaceful * Earthy Tones * Bright Ambience * In and Out Glass Panes * Good Menu * Helpful Staff Cons: * Nothing Much Food and Drinks : Good Variety in the Cafe. At par with big chains.

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MODERN INDIAN INTERIORS

Bombay Coffee House Waterfield Road, Mumbai

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MODERN INDIAN INTERIORS

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Marathon for a cause Covered by Simarjot Wadhwaa Aarambh means to begin and that too, begin a fight against the child sexual abuse. The message has spread but needs to reach far and wide for this social evil to be eradicated. The purpose of education is to instill sensitivities, bridge the gap between the haves and have-nots and contribute in reforming and structuring the society. Social Responsibility Forum(SRF) is a club of Anil Surendra Modi School Of Commerce, NMIMS University that is devoted to the cause of social welfare.

It has been ten years since the inception of Aarambh. It is a 5km long social marathon which invites the people from different strata of society. It focuses on providing the basic rights and protection to the less privileged. Aarambh ’19 aimed at Fight against the Child Sexual Abuse and participation by the awakened minds made the entire environment vivacious. The motto of SRF is ‘Dream, Believe, Achieve’. Very true . There is need to invoke the sense of responsibility among masses in order to get the society rid of this menace. No nation can progress if the darkness looms over the future of its children. SRF is contributing to the cause sincerely. The destination is far but the small steps taken will definitely lead to the fulfillment of the desired goal.

Child abuse is in fact child molestation where child becomes a victim of sexual activity. He/ She is forcibly exposed to indecent gestures, lewd remarks or physical touch which can result in depression, trauma or psychological disorder. This is the need of the hour where we as responsible citizens of India play a very vital role in condemning and eradicating this hazard . The existence of clubs like SRF is very significant as they connect the masses to the cause.

Around 2000 enthusiastic runners gathered at Bandstand ,Bandra at 7:00a.m. on 10th February,2019. It included the participants from different walks of life.

Athletes, sportspersons, celebrities , children ,young men and women , senior citizens – all participated with great enthusiasm. As the SRF completed its 10th year, it collaborated with ‘ARPAN-TOWARDS FREEDOM FROM CHILD ABUSE. ’Arpan is the largest NGO in the country devoted to the prevention of Child Sexual Abuse that has touched the lives of more than 2,00,000 child victims .

Arpan has tied up with other organizations too and through those partnerships, it has reached out to 8,80,000 children and adults.

Participants were handed over the certificates of participation as an incentive to their efforts and this memory will help them realize that the journey has just begun and there are ‘miles to go before I sleep.’

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