The Citadel Theatre playbill - The Humans

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DARYL CLORAN | ARTISTIC DIRECTOR CHANTELL GHOSH | EXECUTIVE DIRECTOR @CITADELTHEATRE @CITADELTHEATREYEG

#HUMANSYEG

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daryl cloran | Artistic Director Chantell Ghosh | executive Director

Board of Governors

SHAKESPEARE IN LOVE

Solomon Rolingher, Q.C. Chair Marshall Shoctor, Q.C. Past Chair J. G. Greenough, F.C.A. Treasurer Tom Redl, Secretary David D. Bentley, F.C.A. Frederick K. Campbell Jacqueline Charlesworth Marc de La Bruyère Anne Foote (Honourary) Ada Hole Ralph B. MacMillan Jack McBain Arliss Miller Catrin Owen Aroon Sequeira Chris Sheard Kayla Shoctor Dr. Robert Westbury Sheila Witwicky Ex Officio Ralph Young

Based on the screenplay by Marc Norman & Tom Stoppard Adapted for the stage by Lee Hall Sep 16 – Oct 8, 2017

Board of Directors Sheila Witwicky President Catrin Owen Past President Dave Mowat Vice President Julie Afanasiff Treasurer Jeff Boadway Helen Calahasen James Casey Tim Coldwell Lesley Cormack Wendy Dupree Robert Fernandez Neil Gower Dave Hancock Sandra Haskins Myrna Khan Tammy Patterson Micki Ruth Micah Slavens

HonoUrary Directors Jack N. Agrios, Jane Batty, Ken Bautista, Jan Bentley, Joanne Berger, Christine Bishop, Dan Block, Guy Bridgeman, Frank Calder, Gary G. Campbell, Betty Carlson, Donald A. Carlson, Marilyn Cohen, Reg Copithorne, Len Dolgoy, Allison Edwards, Dennis Erker, Grant Fairley, John C. Forster, Frank Gibson, James Gillespie, Jane Halford, Jean Hamilton, Brian Hetherington, Becky Hole, Ted Hole, Mike House, Gary Killips, Richard Kirby, Stuart Lee, Beverlee Loat, Al Maurer, Ashif Mawji, Maureen McCaw, Lisa Miller, Susan Minsos, Terry Nistor, Bob Normand, Ted Power, Jerry Preston, Henry (Hank) Reid, Rob Reynolds, Charlotte Robb, Margot Ross-Graham, Barbara Shumsky, Peter Silverstone, Gaurav Singhmar, Larry Staples, Esther Starkman, Marianne Takach, Merle Taylor, Mr. Justice Dennis R. Thomas, Brian Tod, John Tweddle, Brian Vaasjo, A.H. Wachowich, Bob Walker, Dr. Marvin Weisler, Bart West, Eve Willox, David Wilson, Doris Wilson, John Yerxa

UBUNTU (THE CAPE TOWN PROJECT)

By D. Cloran, M. Grootboom, D. Hay, D. Jansen, H. Lewis, M. Monteith, and A. Nebulane Oct 11 – 22, 2017

HADESTOWN

By Anaïs Mitchell Developed with & directed by Rachel Chavkin Nov 11 – Dec 3, 2017

A CHRISTMAS CAROL Adapted by Tom Wood Based on the story by Charles Dickens Dec 1 – 23, 2017

THE HUMANS

By Stephen Karam Jan 6 – 27, 2018

EMPIRE OF THE SON

By Tetsuro Shigematsu Jan 31 – Feb 18, 2018

MAMMA MIA! Music & lyrics by Benny Andersson & Björn Ulvaeus Book by Catherine Johnson Feb 17 – Mar 18, 2018

CHILDREN OF GOD A musical written & directed by Corey Payette Mar 3 – 24, 2018

UNDERCOVER

By Rebecca Northan With Bruce Horak Apr 4 – 29, 2018

THE SILVER ARROW:

THE UNTOLD STORY OF ROBIN HOOD

By Mieko Ouchi Apr 21 – May 13, 2018

message from the

Artistic Director

Welcome to the Canadian Premiere of The Humans!

When I saw this play on Broadway, it was everything I wanted a night at the theatre to be: funny, heartbreaking, intelligent, and genuinely thrilling. I think it’s easy for audiences to relate to the context of this story – a fraught family holiday dinner where feelings are hurt and secrets are revealed – but what’s surprising about this script is how edge-of-your-seat captivating it is. Stephen Karam unwraps his story masterfully, with a number of heart-racing surprises and things that literally go bump in the night.

Jackie Maxwell is one of Canada’s finest directors, and it is our great pleasure to have her at the helm of this production. Jackie was the Artistic Director of Canada’s Shaw Festival for 14 years, and in her very first season of programming, she took a chance on a young, emerging director and invited him to direct a production at Shaw (me!). And now, years later, I am incredibly honoured to welcome Jackie as a guest director as part of my first season of programming here at the Citadel.

It is my pleasure to welcome our incredible cast: Ric Reid, Laurie Paton, Sara Farb, Alana Hawley Purvis, Richard Lee, and Edmonton’s own Maralyn Ryan; as well as designers Judith Bowden, Michael Walton, and Edmonton’s Matthew Skopyk. This is a co-production with our friends at Canadian Stage, and the production will play in Toronto after the run here at the Citadel. Many thanks to Matthew Jocelyn and Sherrie Johnson of Canadian Stage for such a fantastic partnership.

Thanks so much for being a part of the Citadel family.

Enjoy the show!

Daryl Cloran, Artistic Director

We wish to acknowledge that the land on which we gather is Treaty No. 6 territory and a traditional meeting ground and home of the First Nations, including both the treaty signatories – Cree, Saulteaux, Nakota Sioux, Stony and Cree-Iroquois – as well as other Indigenous peoples, such as the Blackfoot and Métis, who occupied this land. We extend our appreciation for the opportunity to live, create and perform on this territory.

Nikistêyhtamâkânân oma askîwihtâwin ita kâ mâwasakôyâhk Nikotwâsik Kâ akihtêk omâmawôpayônôwâw Nistam Îyinôwak, nânapo ôkih tipahamawâkan tahkikwanênkêwak-Nêhîyawak, Nahkawînôwak, Opwâsîmowak, Asinî Pwâtak êkwah Nêhîyaw Paskosikanak-êkwah kotakak Îyinôwak, tâpiskôc Kaskitêwayasitak êkwah Âpihtwâyak, kâkîh kikîwîhkêcik otah. Nitâniskê nanâskôtênân tawâw ôtah êh ayâyâhk tita wîci pimâtisîhtamâhk, tita osîhcikêyâhk êkwah tita nôkohtihiwêyâhk otah askîwihtâwinihk.

4 CITADEL THEATRE 2017/18 SEASON

“I can’t say enough good things… one of the best shows of the year.”

–GEORGIA STRAIGHT

JAN 31 – FEB 18, 2018

“Mamma Mia! is a mega-hit that has audiences dancing in the aisles.” –ASSOCIATED PRESS

FEB 17 – MAR 18, 2018

MAR 3 – 24, 2018 “…when we are no longer able to speak, we sing.”

–COREY PAYETTE

+fees & GST

WE’RE GOING GREAT PLACES...

Capital Power is committed to supporting Edmonton’s inspiring live theatre experience at the Citadel, helping our vibrant arts community flourish.

We’re proud to be the 2017/18 Season Sponsor.

Enjoy your journey around the world this season at the Citadel Theatre!

Headquartered in Edmonton, Capital Power is a power producer with operations across North America. www.capitalpower.com

ENCORE | Campaign Support VISIONARY

MENTOR

Maclab Development Group

ATB Financial Bryan & Company LLP Capital Power Felesky Flynn LLP The Highbury Foundation Muriel Hole Richard & Erin Kirby Deanna & Peter Kiss Jack & Lorraine McBain Rob & Beth Reynolds Chris & Dale Sheard Susan Wylie & Bruce Hagstrom

Gifts of $1,000,000 and above

FOUNDER

Gifts of $500,000 - $999,999 The Eldon & Anne Foote Fund at the Edmonton Community Foundation

AMBASSADOR

Gifts of $250,000 - $499,999 Darren & Laurel Durstling

LEADER

Gifts of $100,000 - $249,999 David & Jan Bentley Family Dentons Ashif, Zainul, Kinza & Aariz Mawji Arliss Miller Al & Fran Olson The Shoctor Family

Gifts of $50,000 - $99,999

INITIATOR

Gifts of $25,000 - $49,999

Lesley Cormack L. Neil Gower Q.C. Lisa Miller & Farrel Shadlyn Lewis & Lindsay Nakatsui Catrin Owen & John Sumner Aleda Patterson & Family Sir Francis Price & The Honourable Marguerite Trussler Tom & Corrie Redl The Sequeira Family Micah & Kristi Slavens Moira & Larry Staples The Summit Foundation Sheila Witwicky & Phil Beauchamp Ralph & Gay Young

J.G. Greenough Lisa & Marshall Sadd

FRIENDS

DREAMER

Guy Bridgeman & Dianne Ross Don & Lorna Kramer Stuart & Sherry Lee Dave & Sandy Mowat Esther & Howard Starkman Joseph & Nancy Thompson

Gifts of $10,000 - $24,999 Keith & Valerie Alessi Lorraine Bray & Jim Carter Susan & James Burns Butler Family Foundation

Gifts of $5,000 - $9,999

| Annual Support STEWARD

Gifts of $10,000+ Marc de La Bruyère & Stacy Schiff The McCoy Family Foundation Rob & Beth Reynolds Kayla Shoctor

The Overhead Door Co. of Edmonton Marshall & Debby Shoctor Paddy Webb Weir Family Fund 1 Anonymous

DIRECTOR ARTISTIC DIRECTOR Gifts of $2,500 - $4,999 Gifts of $5,000 - $9,999

The Honourable John & Ruth Agrios David & Jan Bentley Jillian & Micheal Dal Bello Ada Hole Muriel Hole Melcor Developments Ltd. Dave & Sandy Mowat Al & Fran Olson

The Honourable Darlene Acton Bob Baker & Tom Wood Luis & Alexis Baptista Bruce & Carol Bentley Jim Casey & Gail Verity John & Judith Cosco Elizabeth Dixon & Ben Macedo Grant Dunlop & Erika Norheim Wendy & Randy Dupree L. Neil Gower Q.C. Cecil & Anne Hoffman

Wolfgang & Beth Kaminski Don & Lorna Kramer Cecile Mactaggart Jack & Lorraine McBain Arliss Miller Maggie & John Mitchell Norbert & Patricia Morgenstern David Mundy Esther Ondrack The Poole Family Sir Francis Price & The Honourable Marguerite Trussler Tom Redl Grace & Arnold Rumbold Aroon Sequeira & Ellen Sitler Eira Spaner Buddy Victor Sheila Witwicky & Phil Beauchamp the humans 7

STAR

David Verbicky

Gifts of $1,000 - $2,499 Diana Wiebe

Dr. Ghalib Ahmed Becker Guy Bridgeman & Dianne Ross Norman & Anne Burgess David & Marlene Burnett Brian & Barbara Burrows Frank Calder Canadian Western Bank Daryl Cloran & Holly Lewis Lesley Cormack Susan Davis DiBattista Family Fund J.G. Greenough Sandra Haskins Christopher Head Brent & Deborah Hesje Elizabeth, Rosalina & Cynthia Hicks J.D. Hole Brenda & John Inglis Michele Jackson Gail & Andrew Jarema Linda & Siegfried Kowand Marilyn Kristjanson James & Maggie Laing Robert & Dawn Lemke Peter & Dorothea Macdonnell Fund Linda & Kim Mackenzie Hugh McPhail & Yolanda van Wachem Catherine Miller & Len Dolgoy Lisa Miller & Farrel Shadlyn Susan & Ove Minsos Jim & Celestine Montgomery Catrin Owen Tammy & Wes Patterson The Press Gallery Corrie Redl Penny Ritco Sol & Marilyn Rolingher Alan Rose Tom & Micki Ruth Naomi Shoctor Moira & Larry Staples Marianne & Kent Stewart Mike & Michele Thompson Lee Ann & Lorne Tyrrell

Dave Wilson & Wendy Kotow Leon & Vonnie Zupan 2 Anonymous

LEAD

Gifts of $500 - $999

Carol & Rae Allen Dagny & Graeme Alston Bonnie Andriachuk Fiona & Stephen Bamforth Jim & Helen Banks Tommy & Ida Banks Jane Batty Chris & Leah Burrows Ronald Cavell Z. & M. Chrzanowski Drayden Insurance Ltd. Douglas Duval Andy & Marianne Elder Jane Halford Dave & Janet Hancock John & Margot Henderson Bill & Jana Holden Ray & Elaine Hook Venta Kabzems & Stan Houston Norman & Valerie Kneteman D. Jill Konkin Ken & Jennifer Kouri Allen & Patti Kramer Christine Kyriakides Teresa Mardon Sharon Marie & Tim Mavko Ian & Linda McConnan Douglas & Claire McConnell Gordon & Norma McIntosh Gordon & Agneta McKenzie Averie & Carman McNary Marie Montgomery William Mustard Lewis & Lindsay Nakatsui Wade O’Neill & Marcela Svobodova G. Douglas Oakley & Elizabeth McAfee Fred & Helen Otto C. Thomas & Judith Peacocke Leslie & Rick Penny E. Fay Plomp

8 CITADEL THEATRE 2017/18 SEASON

Louise Severin, Linda & Darren Pratch Curtis & Sandra Prosko Richard Remund Wayne & Glenda Sartore Michele Sawatzky Devika & Doug Short Darlene Sotnikow Rosalind Sydie Neil & Merle Taylor Michael & Kathleen Tomyn Doug Warren Sarah Wylie Ralph & Gay Young 1 Anonymous

Scott Campbell James & Joan Carlson Martin Carroll Evelyn Carson Irene Cassady Elizabeth Cherry Bonnie Chetner Sharleen Chevraux Brent Christopherson Harold Chyczij & Cathy Flood Gordon & Janet Clanachan Douglas & Derrick Claybrook David & Linda Climenhaga Ruth Collins-Nakai SUPER Karen Cox SUBSCRIBER Robert Crosbie Gifts of $100 - $499 Randall & Angela Edie & Greg Alcron Croutze Shirley Allder Patrick Crowe Martin & Anna Andrea Delbert & Jane Dahl Gail Andrew Chris Danchuk Anne Anfindsen Patricia Dawson James Archibald & Eva Dezse Heidi Christoph Margaret Dorey Brad & Lori Armstrong Brad & Elaine James Ash Doucette Diana Bacon Elaine Douglas Charlotte & Mark Carol Dreger Ballermann Julie-Ann Dron Ingrid Barlow Roland Duquette William & Carole Lynn Wolff & Barton Ed Holmes Maurice & Annette Edmonton Cultural Bastide Trust Foundation Cecilia Baxter Liz Edmunds Walter & Stella Baydala Erin & David Edwards Andrew & Barbara Michele Eickholt & Belch Lee Green Pierre & Lise Bernard Rod Norman Eidem Madhu & Sundri Jacqueline & Martin Bhambhani Elton Lucille Birkett & Carol Engelking Randy Busby Joan & Jim Fargey Kathey & Mark Birtles Gail Faulkner Marc Bisson Heinz Feldberg Barbara Blackley Joe & Pat Fenrich Angie Bogner Pat Ferguson Donna BoydLois Field Stadelmann Kristen & Mark Finlay E. Ross Bradley Robert Fleming Anne Brereton Phyllis Footz Beverly Brilz Rose Fowler Angela Brown Margaret Frans Linda Brownlee Carol French Kevin & Sarah Jean Fukushima Burghardt Ken & Barbara Galm Rita Burns Donald & Diane Gibson John Bylhouwer Jeffrey Gieg Janet & Kevin Shirley Gifford Campbell

Gaie Goin Sheila Greckol Lilian Green Susan Green & Stewart Roth Paul Greenwood Audrey Groeneveld Judy Hacon Jocelyn & Wes Hamilton Graham Harle Lois & Chan Hawkins Tatsuyuki & Doris Hayashi Wendy Healing Nancy Heule Sandra Hobbs Dan & Jill Hodges Donna Holowaychuk Georgette Holyk Theresa Hryciw Robert & Laurel Hudson Rob Hutchinson Caroline Hyndman Carol Jackson Chris Jager & Jean Coutts Paula Jamison Louise Jensen Carolyn Johnson Jerry Juzwa Brian & Ida Kaliel Jatinder Kalra Jerry & Miriam Katz Dorothy Keeler Janice Kent Catharine King & Peter Ogilvie Anita Kozyrskyj & Kevin Hall Liz Kohle Sylvia Kother Ruth & George Lauf Kathryn G. & Steven Lavery Don & Gwen Lawrence Allen Lee Sigmund Lee Theresa Lema Valda Levin

Mary Lister Myron & Maureen Liviniuk Sandra & Jim Lockhart Chris & Cecilie Lord Douglas MacDonald Mary Machum Stephen & Catherine Madsen Don & Cristina Mah Jo Anne Mahood Linda Maki Ron Marsh Estelle Marshall Neil & Pamela Martin Anne & Ed McClintock Cathleen McDermott Allison McKinnon Roxanne McLean Rod & Heleen McLeod Linda Medland Davis Bubbles & Evelyn Meer Pamela & Dennis Melnyk Mark Mertens Bonnie Moon Gail Moores Gordon & Cathy Moorhouse Maureen Moran Cornelia Moritz Al Morrow Craig Neuman & Leita Siever Edna & Cal Nichols Roy Nickerson Linda Nutting Linda & Thomas O’Leary Jennifer Oakes Dianne Oberg David & Paula Onderwater James & Beverley Orieux Vital & Colleen Ouellette Christine Outram Kathy Packford Stacey & Chris Padbury

Marian Palahniuk Fred & Mary Paranchych Donna Pawliw Richard & Catherine Perry Iris Peters Irene Ponso Susan & Darrell Portz Jean & Edward Posyniak Paul & Leslie Precht Michael Prendergast Susan Priestner Barb Prodor Diana Purdy Paul Puszczak Marilyn & Michael Quaedvlieg Jeff Ramage Chris & Inese Rauschning Barbara RedmondEllehoj Garry Rentz Sheila Ringrose Ron & Carol Ritch Margaret Robinson Betty Ross Kenneth Roy Eugene Rudnisky Orla Ryan Maryann Sabourin Deborah Salo Kay Savey Sholly S. Scarlett Norman Schayer Marianne & Allan Scott Shauna Scott Nancy Scrymgeour Perry & Sandra Segal Neil & Anke Seifried Tom & Sheila Shand Glenn & Margaret Sharples Alexandra Sheppard Sol & Shirley Sigurdson Vivian Simmonds Barbara & Gerry Sinn Sheila Sirdar Lynn Smarsh

Trina & Richard Smith Jacqueline Smith Dale Somerville Keith & Beverley Spencer Terri & Michael Spotowski Marnie Sproule Kimberlee Stadelmann Jean & Gerry Staring Fund Elout Starreveld Delores Stefaniszyn Brenda & Randy Stinson Ben & Laraine Strafford Caroline Stuart Jenny Stuart Frank & Roseanne Thede Allison Theman Maggie Thompson Molly Thompson Mary-Ann & Andy Trachimowich Larry Trekofski John & Alana Tucker Nancy Tymchak Linda Uniat Henriette van Hees Shannon van Soest Chris Vilcsak The Honourable Allan & Bette Wachowich Lori Wall Susan Watson Robert & Ann Weir William & Debra Wells Garrett Wengreniuk Willis Winter Steven & Catherine Wolf Peter & Joan Wright Susan Wright Colin Wylie Dr. Randall & Nancy Yatscoff Betty & Bill Young Diane Zinyk 1 Anonymous

To learn more about donating to the Citadel Theatre, please visit www.citadeltheatre.com or contact Sydney Stuart at 780.428.2142 or sstuart@citadeltheatre.com.

Charitable BN 11922 7387 RR0001 Every effort has been made to ensure the accuracy of our donor information. Listing includes donations of $100 or more. If we have made an error or omission, please call us at 780.428.2142.

We apologize for any inconvenience. the humans 9

We are proud to recognize our Premier Supporters; our partners in the creation of theatre at the Citadel.

The Hole Family • The John and Barbara Poole Family Fund the Eldon & Anne Foote Fund • The Joseph H. Shoctor fund Maclab Development Group

Government & Foundation Funders

We acknowledge the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country.

Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.

Dr. Joseph H. Shoctor, 1922 – 2001

executive producer and founder, the citadel theatre

Joe’s vision brought professional theatre to Edmonton Joe’s dream built the Citadel Theatre Joe’s spirit continues to inspire the theatre we create today Joe’s legacy lives on through a generous gift to the Citadel from his estate

HENRY HOLE, 1884 – 1954 On the Citadel’s 30th Anniversary, a gift was made by the Company of Harry Hole, James F. Hole, Ralph K. Hole and Robert W. Hole on behalf of the Hole family — in honour of their late father, Henry Hole.

The Citadel Theatre is proud to honour Henry Hole’s integrity, compassion and leadership in the dedication of this complex to his memory.

10 CITADEL THEATRE 2017/18 SEASON

THE CITADEL WOULD LIKE TO THANK THE FOLLOWING FOR THEIR ASSISTANCE ON

EL EC T RO N IC DE VIC E S No doubt we have all been distracted by a cell phone, pager or watch alarm ringing or lighting up when attending the theatre.

Out of consideration for your fellow audience members we ask that you turn off all electronic devices that emit noise or light.

Thank you.

AL L E R GY A LE R T For the safety of those with allergies, please refrain from the use of perfumes or scented products before coming to the theatre.

L AT E S EATIN G /R E A DMITTANCE We endeavour to minimize the distraction for our patrons and the actors when seating latecomers. If you arrive late for a performance, you will be seated at the first appropriate moment in the play in designated latecomer seating. You are welcome to move to your assigned seat at intermission. If you must leave the theatre during a performance you will not be allowed to return to your seat until intermission.

EM ER G E N CY E X ITS We ask that you please take a moment to identify the exit nearest you, so you can safely exit in the event of an emergency.

the humans 11

season SPONSOR

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A unique way to retain and thank both your clients and suppliers. Effective staff incentives and rewards. An opportunity to publicly show your support and commitment to the ongoing enrichment of our community. First class priority service with Citadel Theatre customer service representatives and invitations to networking opportunities.

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All Season ticket holders (including Corporate ) receive these great discounts from our partners* NORMAND’S BISTRO 10% off entire bill BRITTANY’S LOUNGE 15% off entire bill CAFÉ CARIBÉ 15% off entire bill MCLEOD TAVERN 10% off entire bill MADISON’S GRILL AT UNION BANK INN Preferred guest room rate with complimentary upgrade to a suite (approximate value of $100) AND complimentary amuse-bouche with your meal SORRENTINO’S DOWNTOWN 10% off entire bill (not valid with other promotions/offers) MARMOT BASIN 15% discount on full priced lift tickets, rentals, and select lessons with presentation of STH membership at the Group Sales desk in the Lower Chalet JASPER SKYTRAM 20% discount on full-priced tickets * Conditions and restrictions may apply, not applicable for Choose Your Own packages.

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60s 70s 80s 18 CITADEL THEATRE 2017/18 SEASON

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Students Club The Citadel Theatre believes that young people are integral to the artistic fabric of our community and we are committed to programming and initiatives that develop their creative voices and encourage their participation. The Maclab Students Club offers a unique glimpse into the world of professional theatre to a wide range of local junior and senior high school students. Prior to select performances of each of our Mainstage shows, Students Club members gather for a light supper and then participate in a highly engaging, interactive presentation with one of our region’s talented theatre artists, covering some aspect of theatre – from choreography to design, from stage combat to Shakespeare. Following the performance, students stay for an informative talkback with members of the production’s cast and crew.

Prior to select performances of The Humans, students enjoyed an interactive workshop on auditioning with Jake Tkaczyk. Jake is a working actor with lots of audition experience, which he generously shared with the students. He recently graduated from the University of Alberta’s BFA Acting program and prior to that from Red Deer College’s Theatre Performance and Creation program. Jake has worked as an actor, director, creator, arts administrator, and educator across Alberta. Jake is currently working at Theatre Alberta as their Programs Associate, Jake Tkaczyk working on the upcoming Artstrek 2018! He also recently received the AFA Young Artist prize for his work as an educator and efforts in creating new devised pieces. Through the workshop, Jake helped the students to learn the basics of auditioning and how to embrace the excitement of opportunity with a positive mindset.

For more information on Students Club, or to become a part of the program, please contact Shirley Tran at 780.428.2127 or groupsales@citadeltheatre.com.

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20 CITADEL THEATRE 2017/18 SEASON

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SARA FARB.......................................................... Brigid Blake ALANA HAWLEY Purvis. . .............................. Aimee Blake RICHARD LEE...................................................... Richard Saad LAURIE PATON................................................... Deirdre Blake RIC REID................................................................ Erik Blake MARALYN RYAN................................................ Fiona “Momo” Blake Director................................................................... JACKIE MAXWELL Set & Costume Designer. . ................................ JUDITH BOWDEN Lighting Designer................................................ MICHAEL WALTON Sound Designer. . ................................................. MATTHEW SKOPYK Assistant Director............................................... BRENLEY CHARKOW Stage Manager.................................................... ANDREA SCHURMAN Assistant Stage Manager................................. AL GADOWSKY The videotaping or other video or audio recording of this production is strictly prohibited.

This performance is approximately 90 minutes long, with no intermission.

The Citadel engages, under the terms of the Canadian Theatre Agreement, professional artists who are members of the Canadian Actors’ Equity Association. Production personnel for the Citadel Theatre are members of the International Alliance of Theatrical Stage Employees (I.A.T.S.E.) Sponsors

the humans 23

Stephen Karam Stephen Karam’s plays include The Humans (Tony Award, Obie Award for Playwriting, Drama Critics’ Circle Award, and Pulitzer Prize finalist), Sons of the Prophet (Drama Critics’ Circle Award and Pulitzer Prize finalist), and Speech & Debate. His adaptation of Chekhov’s The Cherry Orchard premiered on Broadway as part of Roundabout’s 2016 season; his film adaptation of The Seagull starring Annette Bening will premiere in 2018. Recent honours include two Drama Desk and Outer Critics Circle Awards, a Lucille Lortel Award, a Drama League Award, and a Hull-Warriner Award. Stephen is a graduate of Brown University and grew up in Scranton, PA. www.stephenkaram.com

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24 CITADEL THEATRE 2017/18 SEASON

There are several ways to describe Stephen Karam’s beautiful play – a family drama, a holiday comedy, a supernatural tale, a contemporary slice of life – all are somewhat accurate. For me, however, the title says it all. The Humans is about just that ... in this case, six specifically, whose indefatigable life force but sometimes flawed and less than robust humanity is exposed, tested, celebrated, and questioned during a 90-minute real time Thanksgiving gathering.

The story takes place in a “new” duplex, proudly presented to the family by daughter Brigid, and we soon see all four areas in this two-level apartment in continual use. With no handy blackouts or offstage moments (apart from the odd specified bathroom break!) this means each character has to have a complete 90-minute onstage journey established, which interconnects at specific points with the other five characters’ equally complete journeys.

Rehearsing this has been a gloriously brain-bending process for all of us – building upstairs scenes that must interact with parallel scenes downstairs, all while Brigid’s boyfriend prepares and then serves a full Thanksgiving dinner! While there have definitely been moments where we have felt almost giddily overwhelmed by the amount of detail and timing this all entails, we have only had to refer to the meticulous, brilliantly structured theatrical map created by Stephen Karam to get back on track.

And now, as the actors leave their scripts behind and start to inhabit this complex story with confidence, it is becoming more and more clear that this map is so much more than that. It is also a profound, brave exploration and ultimate revelation of the human heart and the anxieties it must try to overcome… glance by glance, drink by drink, laugh by laugh, touch by touch, moment by moment by moment.

– Jackie Maxwell

26 CITADEL THEATRE 2017/18 SEASON

Artistic & General Director MATTHEW JOCELYN

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Colin MacLean is the dean of Edmonton theatre reviewers.

In 2007, Colin was presented with a Lifetime Achievement Award for Outstanding Contribution to Theatre in Edmonton at the Sterling Awards.

Tetsuro Shigematsu speaks English, Japanese, French, and Persian. He studied

poetry with Alan Ginsberg and spent two years in Japan learning from Kazu Ohno, the founding master of Butoh Dance. He starred with George Takei (Star Trek’s original Sulu) in a television movie and has appeared in a number of films and television series. After earning his PhD at UBC, he was the host of CBC Radio’s The Roundup.

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Phone: 780-452-5950 Fax: 780-452-2476 12112-156 Street, Edmonton, AB

•Sales •Service •Rentals the humans 29

Recently, he has been playing to sold-out houses in his one-man show Empire of the Son and that is the show that will be up next in the Citadel’s The Club.

It’s interesting to note that this extremely cosmopolitan man, who has spent much of the last of his 47 years travelling the globe, has based his presentation on one of the most intimate relationships – that of father and son.

It wasn’t his first show about his father. His dad was born in Kagoshima, Japan. There was not much love in the family toward his people. Tetsuro’s grandfather had been tortured in China – not by the Chinese but by his own fanatical soldiers. Life in Japan had driven his father inward. The family happily moved to Canada in 1974.

The man Tetsuro knew as a child was distant and remote – culturally and emotionally. He was often a ghostly presence in the home. “I knew him as a man of his generation and I don’t think we ever had a single conversation in my life,” the playwright remembers.

His dad worked for BBC News for many years and was a fervent researcher. Tetsuro remembers him sitting at the supper table with earphones on his head preparing for the next day’s broadcast.

He was sort of an illusive benchmark I “felt I had to measure my life against.

”

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But yet, his father had a profound influence on him. “He was sort of an illusive benchmark I felt I had to measure my life against.”

In the early ‘90s, Tetsuro was preparing a spot for the Vancouver Fringe and thought his father would make an interesting subject. The show was well received but not by his reclusive father. The man didn’t comment himself but Tatsuro’s mother did – resoundingly.

“You are making a living making fun of your father’s accent. You need to stop right now.”

The dutiful son did exactly that – but always remembered how in all his stage efforts, the ones featuring his father won the most enthusiastic response from the audience.

Twenty years later, he returned to that relationship as he researched material on his father for his PhD. “I was uncomfortable with that,” he remembers. “My father had already said not to use his story but I was two years into my degree and I couldn’t afford to stop and find something else.” His dad was, as Tetsuro remembers it, “A hermit hiding in the cave of his own mind.” So, heart in hand, he went to his father and said, “I want to share your story with the world. I want to publish it and maybe do a show based on my research.” His father was confused by what he was saying. He stood there blinking and trying to digest the information. Remembering his earlier efforts, he told his father, “I tried out some of your stories and people find them quite riveting. Do I have your permission to continue?” To his surprise, his father said, “Yeah!” “Perhaps,” Tetsuro continued, “You misunderstood. You did hear the question? Do I have your permission to share your story in public?” He

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asked his mother if his father had understood him and she said “Yes.” His father finally replied, “If you tell my life story – then it will have had some meaning.” All along, because of his anti-social ways, his father was afraid that his son would follow the same lonely path.

At that moment, Tetsuro realized something in himself. “I had been living myself in some kind of protracted adolescence – and that I didn’t want to die without telling his story. I suddenly realized that, through the act of telling his story, our story, he was also giving my life meaning.”

And so the process began. The two had seldom spoken so Tetsuro came up with an idea.

His father was an old broadcast hand so his son set up a broadcast situation – complete with mic and faux studio feel. He began a series of “interviews” with his father and the old man opened up to him. “I recorded 24 hours with him.”

Those precious 24 hours are the basis for Empire of the Son.

you tell my life story – then it “Ifwill have had some meaning.”

Being a creative fellow, often out there on the periphery of artistic endeavour, Tetsuro was too canny just to stand in front of an audience and tell anecdotes. “I wanted it to look

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nothing like any one-man show you’ve ever seen. One of the questions I began with, as I listened to the tapes, is how do we deepen the experience of listening. I wondered how to recreate the experience of ‘fire’ on a stage. Something so simple as sitting around a campfire and telling stories. As we watch something as elemental as a fire, our visual cortex is stimulated and we can travel somewhere deeper into ourselves.” What Tetsuro (and team) came up with is a long 12-foot platform that is filled with a series of miniatures. “I use my hand and fingers to bring the miniatures to life. For instance, when I have a fight with my father, I use two fingers and a tiny skateboard and we’re kicking dirt at each other and stomping on the ground. It’s actually quite convincing.”

Tetsuro, taking advantage of his stage and television experience, places a camera behind the action and blows the picture up on a big rear screen. One effect that brings a gasp from the audience is an uncanny visual recreation of a nuclear explosion that is created with an aquarium and a syringe filled with heavy cream. The miniature is shot upside down by a camera and the resulting explosion, as seen on the big screen, “...is quite stunning.”

“Often I find the audience isn’t looking at me at all but at what is unfolding in real time on the screen behind me,” observes the storyteller.

Critics who have seen Tetsuro’s show from coast to coast have commented on the ingenious and effective multi-media effects he creates on stage. The show has been embraced by both critics and audiences. Reviewers have called it “exquisite” and

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“painstakingly honest.” Its initial production in Vancouver filled the theatre and was such a success that it was brought back for another sold-out run. As one scribe summed up the performance at the National Arts Centre, “The show is a celebration of the extraordinary in the ordinary.”

Of course, father and son conflicts have long formed the basis of stories in classic literature.

Oedipus unknowingly kills his own father. Prince Hal causes his father much grief when he removes the crown before dear ol’ dad is even dead. Hamlet takes his grim marching orders from his father who returns from the grave to urge him on to revenge. Biff Loman remains bitterly estranged from his salesman father for 15 years after walking in and finding Pop in the midst of an affair.

These stories are certainly tragic but Tetsuro’s tale is anything but that. Many critics have described the show as, “laugh out loud funny.” Tetsuro is happy to point that out to perspective audiences. “Yes, there are some highly emotional moments but I have worked to make sure that, even when I move into heavy territory, there is still laughter. I try to work it so the audience will experience both – so the experience will be funny and touching as well.”

Empire of the Son endeavours to reach behind the seemingly simple and possibly arcane story of a relationship between a taciturn Japanese/Canadian father and his son to bring a universal tale to audiences. Says the playwright, “At the heart of it you do learn a lot about Japanese culture but I think everyone who sees it will find that it’s not just my story. A lot of people will see their own story on that stage.”

Empire of the Son written and performed by Tetsuro Shigematsu, begins in The Club at the Citadel on January 31 and runs through February 18.

try to work it so the audience will “Iexperience both – so the experience

will be funny and touching as well.

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”

bios SARA FARB Brigid Blake

For The Citadel: Natalie in Next to Normal (co-production with Theatre Calgary). Five seasons at the Stratford Festival: Juliet, Anne Frank, Cordelia in King Lear, Jessica in Merchant of Venice, Petra in A Little Night Music, Lucy in The Lion, The Witch, and the Wardrobe, and originated the role of Mary in Kate Hennig’s The Last Wife and The Virgin Trial. Next, she’ll be playing Medium Alison in Fun Home for Mirvish/Acting Up Stage Company in Toronto.

ALANA HAWLEY Purvis Aimee Blake

Select theatre credits: Venus In Fur (Citadel); Blow Wind High Water (Theatre Calgary); Coriolanus (Shakespeare Theatre Company’s ACA); A Picasso, Marie Antoinette: The Color of Flesh (Shadow); Bartholomew Fair, A Midsummer Night’s Dream, Love’s Labour’s Lost, The Winter’s Tale, As You Like It, Julius Caesar (Stratford); Much Ado About Nothing (UofA); I’ll Be Back Before Midnight (Vertigo); Closer (Ground Zero); Sequence (Downstage); Drama: A Pilot Episode (ATP); The Three Musketeers (Citadel); Joyful Noise (Theatre North West).

Training: Academy for Classical Acting (MFA), Citadel/Banff Centre Professional Program, Birmingham Conservatory for Classical Acting (Stratford), and University of Alberta - Acting (BFA). Thank you always to her family and to Jackie.

RICHARD LEE Richard Saad

Citadel debut. Richard Lee is an award-winning actor, fight director, sound designer, and theatre producer. His work has garnered him multiple Dora Mavor Moore nominations out of which he has received three: one for his Sound Design work on paper SERIES (Cahoots Theatre Company) and two in performance; Sultans of the Street and Cinderella: A RATical Retelling (both for Young People’s Theatre). Selected theatre credits include: Twelfth Night, King Lear (Canadian Stage); Kim’s Convenience (Soulpepper); acquiesce (Factory Theatre); Chimerica (Canadian Stage/RMTC).

the humans 35

bios LAURIE PATON Deirdre Blake

Laurie is delighted to be back at the Citadel. Born and raised in Alberta, she got her professional start in Edmonton upon graduating from Grant MacEwan College’s Theatre Arts Program. Edmonton shows include Who’s Afraid Of Virginia Woolf?, Agnes of God, Mephisto, The Glass Menagerie, and Wendy in Peter Pan. Laurie has worked in theatres across the country, most notably for 18 Seasons with the Shaw Festival in Ontario. Favourite shows include All My Sons, The Cherry Orchard, The Little Foxes, The Constant Wife, Blood Relations, Pal Joey, and Major Barbara. Next: Daniel MacIvor’s Marion Bridge in Vancouver, where she now resides.

RIC REID Erik Blake

Ric last appeared at The Citadel Theatre in God of Carnage.

Previous Citadel credits include August: Osage County, Art, To Kill a Mockingbird, A Streetcar Named Desire, Who Has Seen the Wind, and Proof. He has been a member of the Shaw Festival Acting Ensemble since 2003. Currently he lives in Windsor where his wife, Kelly Daniels, teaches acting at the university, and their youngest son Kalan breaks his arm while doing tricks on his scooter.

MARALYN RYAN Fiona “Momo” Blake

For the Citadel: A Christmas Carol, Cat on a Hot Tin Roof, Hamlet, Romeo & Juliet, and Lend Me a Tenor. Selected acting credits: Vivian Bearing in Wit (Globe); A Guide to Mourning (ATP); Cat on a Hot Tin Roof (Theatre Calgary); Homeward Bound (The Grand Theatre/NAC); Master Class (Sudbury Theatre Centre); Joy and Shop at Sly Corner (Shaw); Crackpot (Prairie Theatre Exchange/Belfry); Thirteen Hands (Canadian Stage/NAC); Hamlet (Freewill Players); True West (Theatre Network); Private Lives (NLT); Seed Savers (WWPT); The Last Romance (Mayfield); Rabbit Hole (Persephone). She received the 2017 Sterling Award for Most Valuable Contribution to Theatre in Edmonton. Next: Edmonton Actor’s Theatre this May. Dedicated to humans everywhere. You are not alone.

36 CITADEL THEATRE 2017/18 SEASON

bios JACKIE MAXWELL Director

Jackie Maxwell is one of Canada’s most respected theatre artists. This production of The Humans marks her first time at The Citadel. Jackie recently directed The Changeling at The Stratford Festival and Watch on the Rhine at Arena Stage in Washington, DC after finishing 14 seasons as the Artistic Director of The Shaw Festival. Favourite productions directed at The Shaw include Sweeney Todd, Uncle Vanya, The Divine (World Premiere), Juno and the Paycock, Major Barbara, Come Back Little Sheba, Ragtime, Age of Arousal, and Saint Joan.

Jackie has directed in many theatres across Canada and the United States and was also Artistic Director of Factory Theatre from 1987-95. She is the recipient of the Queen’s Jubilee Medal, the Order of Ontario and two Honorary Doctorates.

Upcoming projects include directing Innocence Lost for Soulpepper Theatre Company and Paradise Lost for The Stratford Festival.

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To Dedicate a Seat or for more info 780.428.2141 • nluipasco@citadeltheatre.com • sstuart@citadeltheatre.com

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bios JUDITH BOWDEN Set & Costume Designer

Judith has designed for theatre over the past 25 years.

Recent set and costume design credits include: Musik Fur Das Ende (Crows Theatre/Soundstreams); London Road, The Other Place (Canadian Stage); Chimerica (M.T.C./Canadian Stage); Saint Joan, Sweeney Todd, Peter and the Starcatcher (Shaw Festival). Judith has designed at the Shaw Festival for the past 16 seasons. Recent costume design credits include: Watch on the Rhine, My Fair Lady (Arena Stage); The Changeling (Stratford Festival); A Christmas Carol (M.T.C.).

Her work has been seen at the National Arts Centre, The Grand Theatre, Prairie Theatre Exchange, P.O.V., Theatre Calgary, and ATP.

MICHAEL WALTON Lighting Designer

Previously at the Citadel, Michael was Lighting Designer for Million Dollar Quartet, Evangeline, One Man, Two Guvnors, Mary Poppins, Next to Normal, The Rocky Horror Show, Little Women: The Broadway Musical, and The Three Musketeers.

Other recent credits include Guys and Dolls, A Chorus Line, Tartuffe, Macbeth, Hamlet, The Sound of Music, Oedipus Rex, King Lear, Othello, Fiddler on the Roof, The Tempest (Stratford Festival); Mamma Mia!, Anne of Green Gables (Charlottetown Festival); The Little Prince (Theatre Calgary); Jenufa, Maria Stuarda (Pacific Opera); CosĂŹ Fan Tutte (Canadian Opera Company); A Christmas Carol, Enron (NAC); Yoshimi Battles the Pink Robots (La Jolla Playhouse).

MATTHEW SKOPYK Sound Designer

Matthew Skopyk is an Edmonton-based sound designer and composer. Recent design/composition credits include Romeo & Juliet, Or the Whale, Vigilante, Playing with Fire: The Theo Fleury Story, ENRON, Whisper, Michelle et Ti Jean, Palace of the End, Titus Andronicus, As You Like It, Macbeth, Much Ado About Nothing, Richard III, Twelfth Night, and Othello. Matthew is also the current sound supervisor for the Department of Drama at the University of Alberta.

the humans 39

bios BRENLEY CHARKOW Assistant Director

Brenley is a freelance director who divides her time between Alberta and Ontario. Selected directing credits include A Bright Room Called Day, Tom at the Farm, If We Were Birds, Seagulls, The Waves, Mo & Jess Kill Susie, Almost Maine, and On the Other Side of the World. She has assisted at The Grand Theatre (ON), Studio 180, and The Musical Stage Co. (Toronto). Brenley is grateful for the opportunity to be working on The Humans at the Citadel and CanStage. She holds an MFA in directing from the University of Alberta.

ANDREA SCHURMAN Stage Manager

Andrea is thrilled to return to the Citadel having stage managed Million Dollar Quartet, Red (Canadian Stage) and ASMed Intimate Apparel (Obsidian Theatre) previously. Recent credits include Production Stage Manager of the Charlottetown Festival (SMing Anne of Green Gables, and A Misfortune), 2 Pianos 4 Hands (Marquis), and two seasons with the Shaw Festival.

Andrea has worked with many wonderful companies including YPT, The Grand, The Globe, Persephone, Mirvish, soulpepper, Opera Lyra Ottawa, Theatre Passe Muraille, Nightwood, Factory Theatre, Studio 180, Vancouver Playhouse, Neptune, TNB, Tapestry New Opera, Opera Ontario, and the Stratford Festival.

She heads back to the Shaw Festival in 2018. Andrea thanks her family for their unending support.

AL GADOWSKY

Assistant Stage Manager Previously at the Citadel, Al has assistant stage managed Crazy For You (Citadel/Theatre Calgary), West Side Story, and Alice Through the Looking-Glass, and apprentice stage managed Avenue Q, Venus in Fur, and Monty Python’s Spamalot. Other credits include Fortune Falls (Citadel/Catalyst); Anne of Green Gables, Million Dollar Quartet, Mamma Mia!, and Glenda’s Kitchen (Charlottetown Festival); Les Feluettes, Turandot and The Merry Widow (Edmonton Opera); Working It Out (Alberta Workers Health Centre). He has a BFA in Stage Management from the University of Alberta. Al would like to thank his family and friends for their love and support.

40 CITADEL THEATRE 2017/18 SEASON

ARTISTIC

DARYL CLORAN

Brady Hughes Sally Hunt Binaifer Kapadia Producer Josh Languedoc Rachel Peake Associate Artistic Director Rochelle Laplante Annette Loiselle Doug Mertz Director, Education & Joey Lucius Outreach Barb Mah Christine Frederick Byron Martin Indigenous Associate Artist Conni Massing Don Horsburgh Brooklyn Melnyk Resident Music Director Rebecca Merkley Wayne Paquette Anna Paquin Artistic Coordinator Clayton Plamondon Diana Stevenson Jessica Poole Manager, Andrew Ritchie Foote Theatre School Joyanne Rudiak Neil Kuefler Adrianne Salmon Education Outreach Geri Schaer Associate Alieda Sekulich Young Company Liana Shannon Instructors Linette Smith Amber Borotsik Jennifer Spencer Shannon Boyle Eileen Sproule Matt Graham Mark Vetsch Dave Horak Janine Waddell Don Horsburgh Heather Inglis ADMINISTRATION Neil Kuefler Kimberlee Stadelmann Doug Mertz Senior Director/Sales and Patron Development Kate Ryan Marianne Bouthillier Kim Mattice-Wanat Jessie van Rijn

Artistic Director •

Chantell Ghosh

FINANCE Pat Bradley

Hayden Weir Vanessa Wilson

Bettyanna Huggins

MARKETING & COMMUNICATIONS

Crystal Johnston

Ken Davis

GUEST SERVICES

Sydnee Bryant

Director of Finance

Accounting Assistant Payroll Accountant

Director, Marketing & Communications

Executive Director Serge Menard

Scenic Carpenter

Sheila Cleasby

Head of Electrics

Meaghan Skerik

Assistant Head of Electrics

Nicole Deibert

Head of Scenic Paint

Kim North

Manager, Media Relations Scenic Artist Jim Meers Patron Relations Manager Brent Felzien Video Editor/Designer Head of Props Sarah Farnsworth Kristen Finlay Angie Sotiropoulis Asst. Patron Relations Manager, Communications Assistant Head of Props Manager – Academy/Social Media

Josh Wickard

Theresa Hovdestad House Manager

Kristen Hiemstra

Rentals Manager

Mel MacDonald

Asst. Rentals Manager

Debbie Theuss

Virginia Potkins

Jennifer Graham Shirley Tran

School Booking Coordinator

Guest Services Supervisors Rebekah Andrews Melissa Budinski Cody Carver Jessica Glover Mark Harding Caitlin Hart Jacob Liska Associate Executive Jim Maher FTS Instructors Director Brittany Molner Matt Alden Peni Christopher Jules Pepin Asst. to the Artistic Director/ Joleen Ballendine Calvin Simonson Company Manager Elena Belyea Guest Services Mhairi Berg FACILITY Representatives Rebecca Bissonnette Louis Barron Mac Brock Adam Blocka Director Colleen Bunyan Shannon Boyle Maintenance Franco Correa Sam Bronson Carol Dreger Chris Bullough Bill Daniels Jonah Dunch Ashley Butler Jackie Kirschner Eden Edwards Tracy Carroll Janitorial Sara Knourek Ellen Chorley Bee Clean Services Taylor Ogilvie Quinn Contini Ben Osgood Jonah Dunch Security Natasha Pigford Sarah Emslie Alberta Crowd Emily Pole Murray Farnell Management Chris Powell Sophie Gareau-Brennan Building Porter Evelyn Scheibli Matt Graham Dustyn Tennessen Emi Gusdal William Cardle Michael Vetsch Crystal Hanson Tara Gale Mathew Hick

Charlotte Hunt Props

Graphic Designer

Marc Anderson

Administrator, Marketing & Fund Development

Jamie O’Dell

Manager, Corporate Relations

Patsy Thomas

Head of Stage Carpentry Assistant Head of Stage Carpentry Head of Wardrobe

Fund DEVELOPMENT Terri Grant Neil Luipasco

Director, Fund Development

Sydney Stuart

Manager, Fund Development

PRODUCTION Cheryl L. Hoover

Director of Production

Bill Heron

Assistant Head of Wardrobe

Judith Darough Cutter

Tammy Barry Stitcher

Genevieve Savard Stitcher

Lorraine Price

Head of Wardrobe Running

Technical Director

Judy Robinson

Resident Stage Manager

Samantha J. Rumball

Michelle Chan

Wardrobe Maintenance

Head of Wigs Technical Director, Rentals Katie Patton Assistant Head of Wigs Assistant Production Manager

Patrick Fraser Gal Minnes Kyla Maki

Administrative Assistant

Owen Hutchinson Head of Audio

Nick Rose

Assistant Head of Audio

Peter Locock

Head of Scenic Carpentry

Chris Hayes

Assistant Head of Scenic Carpentry

Greg Cardinal

Scenic Carpenter

The Citadel is grateful for the kind generosity of its volunteers listed below. If you want to volunteer with the Citadel, please call Theresa Hovdestad at 780-428-2118 or e-mail volunteers@citadeltheatre.com.

Zoé Afaganis, Johanna Andreoff, Nelda Arnst, Judith Babcock, Shelley Benson, Lance Beswick, Erika Beyer, Florence Borch, Ken Borch, Allan Budlong, Patrick Caron, Dee Cartledge, Gina Chea, Charmaine Chinyemba, Ruth Diaz, Liza Dutka, Lil Filewych, Irene Gagne, Louise Gagne, Bonita Gillespie, Sarah Griffith, Margaret Gronnestad, Jeff Haswell, Rosemarie Heaney, Brad Heller, Daniel High, Maria Hollinshead, Theresa Hryciw, Madison Hucal, Laura Hughes, Bruce Johnson, Madalyn Johnson, Mary Johnston Therrien, Diane Jonsson, Joanne Kallal, Walter Kehl, Eva Kopecka, Arndt Kuethe, Janice Kuethe, Joy Lardner, Susan Lauridson, Karen Lewis-Caron, Leola Losier, Elizabeth Luchko, Doris Lutzer, Neelam Mabood, Ross Machetchuk, Dawn Madill, Joslyn McDonald, Donna McKay, Linda McMurdo, Donna Miller, Karen Miller, Janice M Minamide, Vic Mixap, Monica Molina, Vanessa Montes, Bob Moore, Joan Murchie, Florence Nieberding, Linda Orlecki, Elena Panadero Gascon, Edith Parsons, Susan Patenaude, Greg Petruk, Donna Prato, Barbara Reinhardt, Lori Ristoff, Cheryl Ritchie, Monica Robillard, Louise Rogucki, Tracey Schaufele, Susan Schroter, Angela Seery, Maureen Silver, Amanda Sim, Tia Sloan, Phyllis Solsberg, Rhonda Taft, Arlene Travnik, Diane Trithardt, Arlene Vaxvick, Brenda Voyce, Annette Ware, Janet Wheler, Leslie Whervin, Liz White-MacDonald, Kay Willekes, David Wilson, Laura Wylde, Lauren Zazula, Colette Zuberbuhler

the humans 41

CITADEL VOLUNTEERS

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