Citadel Theatre playbill - Disgraced

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CITADEL THEATRE

EXPLORE OUR 2016/17 SEASON

AYAD AKHTAR

BY DIRECTED BY

ROBERT ROSS PARKER PRESENTED BY

SEASON SPONSOR

A HOPE AND HELL THEATRE COMPANY PRODUCTION ORIGINALLY PRESENTED BY DAVID MIRVISH

DARYL CLORAN I ARTISTIC DIRECTOR PENNY RITCO I EXECUTIVE DIRECTOR

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2016/17 season Board of Governors Solomon Rolingher, Q.C. Chair Marshall Shoctor, Q.C. Past Chair J. G. Greenough, F.C.A. Treasurer Tom Redl, Secretary David D. Bentley, F.C.A. Frederick K. Campbell Jacqueline Charlesworth Marc de La Bruyère Anne Foote (Honourary) Ada Hole Ralph B. MacMillan Sandy Mactaggart (Honourary) Jack McBain Arliss Miller Catrin Owen Aroon Sequeira Chris Sheard Kayla Shoctor Dr. Robert Westbury Sheila Witwicky Ex Officio Ralph Young

Board of Directors Sheila Witwicky President Catrin Owen Past President Dave Mowat Vice President Jane Halford Treasurer Julie Afanasiff Todd Babiak Jeff Boadway James Casey Lesley Cormack Wendy Dupree Robert Fernandez Neil Gower Dave Hancock Sandra Haskins Richard Kirby Tammy Patterson Julia Pratt (Intern) Micki Ruth Peter Silverstone Micah Slavens

HonoUrary Directors Jack N. Agrios, Jane Batty, Ken Bautista, Jan Bentley, Joanne Berger, Christine Bishop, Dan Block, Guy Bridgeman, Frank Calder, Gary G. Campbell, Betty Carlson, Donald A. Carlson, Marilyn Cohen, Reg Copithorne, Len Dolgoy, Allison Edwards, Dennis Erker, Grant Fairley, John C. Forster, Frank Gibson, James Gillespie, Jean Hamilton, Brian Hetherington, Becky Hole, Ted Hole, Mike House, Gary Killips, Stuart Lee, Beverlee Loat, Al Maurer, Ashif Mawji, Maureen McCaw, Lisa Miller, Susan Minsos, Terry Nistor, Bob Normand, Ted Power, Jerry Preston, Henry (Hank) Reid, Rob Reynolds, Charlotte Robb, Margot Ross-Graham, Barbara Shumsky, Gaurav Singhmar, Larry Staples, Esther Starkman, Marianne Takach, Merle Taylor, Mr. Justice Dennis R. Thomas, Brian Tod, John Tweddle, Brian Vaasjo, Chief Justice A.H. Wachowich, Bob Walker, Dr. Marvin Weisler, Bart West, Eve Willox, David Wilson, Doris Wilson, John Yerxa

daryl cloran | Artistic Director penny ritco | executive Director

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME A play by Simon Stephens Based on the novel by Mark Haddon Sep 17 – Oct 9, 2016 Presented by

BITTERGIRL – THE MUSICAL

By Annabel Fitzsimmons, Alison Lawrence & Mary Francis Moore Oct 4 – Nov 6, 2016

MILLION DOLLAR QUARTET Book by Colin Escott & Floyd Mutrux Original concept & direction by Floyd Mutrux Oct 22 – Nov 13, 2016 Presented by

A CHRISTMAS CAROL Adapted by Tom Wood Based on the story by Charles Dickens Nov 26 – Dec 23, 2016

FORTUNE FALLS Book by Jonathan Christenson & Beth Graham Music & Lyrics by Jonathan Christenson Jan 17 – Feb 5, 2017

DISGRACED

By Ayad Akhtar Jan 21 – Feb 12, 2017 Presented by

CRAZY FOR YOU®

THE NEW GERSHWIN® MUSICAL Music & lyrics by George & Ira Gershwin Book by Ken Ludwig Mar 4 – 26, 2017

PETER AND THE STARCATCHER Stage adaptation by Rick Elice Based on the novel by Dave Barry & Ridley Pearson Music by Wayne Barker Apr 1 – 23, 2017

SENSE & SENSIBILITY Adapted by Tom Wood Based on the novel by Jane Austen Apr 22 – May 14, 2017

Welcome to Disgraced!

We’re very proud to present this provocative, incredibly crafted production that took Toronto by storm last season. This Pulitzer Prizewinning play is everything I think good theatre should be – smart and spiky writing that asks tough questions about faith, race relationships, and the responsibilities inherent in creating art. This is the kind of great play that will leave you deliberating and discussing long after it’s finished.

A big welcome to the incredible cast, and whole team from Hope and Hell Theatre Company. This is a great production of a stellar script, and an important conversation for us all to have.

Thanks so much for being a part of the Citadel family, and for supporting live theatre in Edmonton. Enjoy the show!

Sincerely,

Daryl Cloran, Artistic Director

PS - Next up in our season is the all-singing, all-dancing, all-Gershwin musical, Crazy for You! It plays March 4-26 in the Shoctor Theatre. It is an incredibly fun night out, filled with all kinds of songs you know and love, like: I Got Rhythm and Someone to Watch Over Me. I hope you’ll join us!

4 CITADEL THEATRE 2016/17 SEASON

The Power of Community Powered by local partnerships, Capital Power is proud to be the 2016/17 Season Sponsor — working together with the Citadel to bring inspiring theatre to our community.

Enjoy your live theatre experience!

Headquartered in Edmonton, Capital Power is a power producer with operations across North America. www.capitalpower.com

Thank You ENCORE | Campaign Support VISIONARY Gifts of $1,000,000 and above

MENTOR Gifts of $50,000 - $99,999

Maclab Enterprises

ATB Financial Bryan & Company LLP Capital Power Felesky Flynn LLP The Highbury Foundation Muriel Hole Richard & Erin Kirby Deanna & Peter Kiss Jack & Lorraine McBain Rob & Beth Reynolds Chris & Dale Sheard Susan Wylie & Bruce Hagstrom

FOUNDER Gifts of $500,000 - $999,999 The Eldon & Anne Foote Fund at the Edmonton Community Foundation

AMBASSADOR Gifts of $250,000 - $499,999 Darren & Laurel Durstling

LEADER Gifts of $100,000 - $249,999 David & Jan Bentley Family Dentons Ashif, Zainul, Kinza & Aariz Mawji Arliss Miller Al & Fran Olson The Shoctor Family

INITIATOR Gifts of $25,000 - $49,999

Lesley Cormack L. Neil Gower Q.C. Lisa Miller & Farrel Shadlyn Lewis & Lindsay Nakatsui Catrin Owen & John Sumner Aleda Patterson & Family Sir Francis Price & The Honourable Marguerite Trussler Tom & Corrie Redl The Sequeira Family Micah & Kristi Slavens Moira & Larry Staples The Summit Foundation Sheila Witwicky & Phil Beauchamp Ralph & Gay Young

J.G. Greenough Lisa & Marshall Sadd

FRIENDS Gifts of $5,000 - $9,999

DREAMER Gifts of $10,000 - $24,999

Guy Bridgeman & Dianne Ross Don & Lorna Kramer Stuart & Sherry Lee Dave & Sandy Mowat Esther & Howard Starkman Joseph & Nancy Thompson

Keith & Valerie Alessi Lorraine Bray & Jim Carter Susan & James Burns Butler Family Foundation

| Annual Support STEWARD Gifts of $10,000+ Marc de La Bruyère & Stacy Schiff Ada Hole Muriel Hole Maggie & John Mitchell Rob & Beth Reynolds

ARTISTIC DIRECTOR Gifts of $5,000 - $9,999 The Honourable John & Ruth Agrios David & Jan Bentley L. Neil Gower Q.C. Don & Lorna Kramer Melcor Developments Ltd. Dave & Sandy Mowat Al & Fran Olson

Robert Rosen Kayla Shoctor Marshall & Debby Shoctor Paddy Webb Weir Family Fund Sheila Witwicky & Phil Beauchamp 1 Anonymous

DIRECTOR Gifts of $2,500 - $4,999 The Honourable Darlene Acton Bob Baker & Tom Wood Luis & Alexis Baptista Bruce & Carol Bentley Jim Casey & Gail Verity John & Judith Cosco Elizabeth Dixon & Ben Macedo Grant Dunlop

Allison & Glyn Edwards Wolfgang & Elizabeth Kaminski Leo J. Krysa Family Foundation Sandy & Cecile Mactaggart Jack & Lorraine McBain Arliss Miller Norbert & Patricia Morgenstern David Mundy Esther Ondrack Pekarsky & Co. The Poole Family Sir Francis Price & The Honourable Marguerite Trussler Tom Redl Aroon Sequeira & Ellen Sitler Eira Spaner Buddy Victor 1 Anonymous DISGRACED 7

Thank You TO OUR DONORS Lee Ann & Lorne Tyrrell Richard Remund STAR Michele Sawatzky Gifts of $1,000 - $2,499 David Verbicky

James & Joan Carlson Martin Carroll Devika Short Evelyn Carson Dave Wilson & Denise Assaly Wendy Kotow Darlene Sotnikow Elizabeth Cherry Guy Bridgeman & Leon & Vonnie Zupan Neil & Merle D. Taylor Sharleen Chevraux Dianne Ross 1 Anonymous Kathleen Tomyn Brent Christopherson Norman & Anne The Honourable Teresa Churchill Burgess LEAD Allan & Bette Harold Chyczij & David & Marlene Gifts of $500 - $999 Wachowich Cathy Flood Burnett Dagny & Graeme Doug Warren Gordon & Janet Brian & Barbara Alston Sarah Wylie Clanachan Burrows Bonnie Andriachuk Ralph & Gay Young Douglas & Derrick Frank Calder Anne Anfindsen Claybrook Canadian Western SUPER Fiona Bamforth Patricia Clements Bank SUBSCRIBER Tommy Banks David & Linda Lesley Cormack Gifts of $100 - $499 Climenhaga Jim & Helen Banks Susan Davis Ruth Collins-Nakai Greg Alcorn Dibattista Family Fund Jane Batty Karen Cox Barbara Blackley Shirley Allder Catherine Miller & Kim & Rick Craig Len Dolgoy Beverley Boren Carol & Rae Allen Robert Crosbie J. G. Greenough Douglas & Mary Bosko Sandra Anderson & Dale Gibson Patrick Crowe Jane Halford Ronald Cavell Martin & Anna Andrea Delbert & Jane Dahl Sandra Haskins Z. & M. Chrzanowski Gail Andrew Jillian Dal Bello Brent & Deborah Hesje Alison Dinwoodie Chris Danchuk J.D. Hole Andy & Marianne Elder Diana & Laurence Andriashek Jack Dawe Brenda & John Inglis Michael Gibbins Sheila Appavoo Patricia Dawson Michele L. Jackson Christopher Head James Archibald & Brad & Elaine Doucette Gail & Andrew Jarema John & Margot Heidi Christoph Henderson Julie-Ann Dron Linda & Siegfried Brad & Lori Armstrong Francis & Muriel Kowand Elizabeth, Rosaline & Diana Bacon Cynthia Hicks Dunnigan Marilyn Kristjanson Dave Baker Roland Duquette James & Maggie Laing Patsy Ho Charlotte & Mark Edmonton Cultural Robert & Dawn Lemke Dan & Jill Hodges Ballermann Trust Foundation Bill & Jana Holden Peter & Dorothea Ingrid Barlow Liz Edmunds Macdonnell Fund Ray & Elaine Hook William & Carole Barton Erin & David Edwards Linda & Kim Mackenzie Norman & Valerie Maurice & Annette Kneteman Rod Norman Eidem Hugh McPhail & Bastide Yolanda Van Wachem D. Jill Konkin Jacqueline & Martin Cecilia Baxter Elton Lisa Miller & Ken & Jennifer Kouri Walter & Stella Baydala Carol Engelking Farrel Shadlyn Christine Kyriakides Earl Beech Susan & Ove Minsos Joan & Jim Fargey Mary Lister Keri Benjamin Jim & Celestine Gail Faulkner James MacDonald Montgomery Pierre & Lise Bernard Heinz Feldberg Sharon Marie & G. Douglas Oakley & Madhu & Sundri Tim Mavko Pat Ferguson Elizabeth McAfee Bhambhani Ian & Linda McConnan Lois Field Catrin Owen Lucille Birkett & Douglas & Claire Kristen & Mark Finlay Randy Busby The Press Gallery McConnell Robert Fleming Kathey & Mark Birtles Sylvia Flood Henry & Helen Resta Gordon & Norma Sophie & Paul Bishop Rose Fowler Penny Ritco McIntosh Marc Bisson Sol & Marilyn Rolingher Gordon & Agneta Jean Fukushima McKenzie Julia Boberg Alan Rose Ken & Barbara Galm Marie Montgomery Angie Bogner Arnold & Grace Jeffery Gieg Rumbold William Mustard E. Ross Bradley Shirley Gifford Tom & Micki Ruth Lewis & Lindsay Anne Brereton Gaie Goin Nakatsui Naomi Shoctor Emma Brinson Susan Green & Moira & Larry Staples Fred & Helen Otto Angela Brown Stewart Roth C. Thomas & Marianne & Kent Jack Brown Lilian Green Judith Peacocke Stewart Linda Brownlee Paul Greenwood Leslie & Rick Penny Neil & Merle Taylor Kevin & Sarah Sheila Gynane E. Fay Plomp Mike & Michele Burghardt Judy Hacon Thompson Aline Pratch John Bylhouwer Lois & Chan Hawkins Darcy & Audrey Trufyn Curtis & Sandra Prosko Scott Campbell

8 CITADEL THEATRE 2016/17 SEASON

Thank You TO OUR DONORS Tatsuyuki & Doris Hayashi Linda Henderson Lorraine Herlein Nancy Heule Sandra Hobbs Georgette Holyk Theresa Hryciw Robert & Laurel Hudson Rob Hutchinson Elesavata Hymonyk Caroline Hyndman Richard & Laurel Innes Erik & Franziska Jacobsen Chris Jager Ken James Agrell-Smith Paula Jamison Louise Jensen Carolyn Johnson Scott Johnson Douglas Johnson Joan Johnston Venta Kabzems & Stan Houston Brian & Ida Kaliel Jatinder Kalra Jerry & Miriam Katz Dorothy Keeler Janice Kent Anita Kozyrskyj & Kevin Hall Patrick & Jeananne Kirwin Liz Kohle Sylvia Kother Allen & Patti Kramer Tim Kruger John & Sylvia Laarhuis Patricia Langan Ruth & George Lauf Kathryn G. & Steven Lavery Don & Gwen Lawrence Allen Lee Sigmund Lee Michele Eickholt & Lee Green Theresa Lema Valda Levin Chris & Cecilie Lord

Douglas MacDonald Douglas MacDougall Sean Mac Eoin Mary Machum Dawn MacRitchie Don & Cristina Mah Jo Anne Mahood Linda Maki Ron Marsh Estelle Marshall Neil & Pamela Martin Anne & Ed McClintock Cathleen McDermott Roxanne McLean Rod McLeod Averie & Carman McNary Linda Medland Davis Bubbles & Evelyn Meer Pamela & Dennis Melnyk Mark Mertens Cecily Mills Bonnie Moon Gordon & Cathy Moorhouse Al Morrow Craig Neuman & Leita Siever Edna & Cal Nichols Roy Nickerson Trudy Nickerson Linda & Thomas O’Leary Wade O’Neill Jennifer Oakes David & Paula Onderwater James & Beverley Orieux Clifford & Connie Otto Christine Outram Kathy Packford Stacey & Chris Padbury Marian Palahniuk Fred & Mary Paranchych Carol Pawlenchuk Donna Pawliw Jan Penn

Richard & Catherine Perry Parnel Pierce Irene Ponso Susan & Darrell Portz Jean & Edward Posyniak Laura Pratt Paul & Leslie Precht Olga Predy Michael Prendergast Susan Priestner Barb Prodor Diana Purdy Paul Puszczak Marilyn Quaedvlieg Andrew & Carol Raczynski Jeff Ramage Barbara RedmondEllehoj Garry Rentz Marie Rezkova Sheila Ringrose Ron & Carol Ritch Betty Ross Kenneth Roy Phil Roy Eugene Rudnisky Alison & Tony Russell Orla Ryan Deborah Salo Kay Savey Norman Schayer Craig Schneider Charles & Marilyn Schroder Nancy Scrymgeour Perry & Sandra Segal Neil & Anke Seifried Tom R. Shand Tami L. Shandro Glenn & Margaret Sharples Alexandra Sheppard Sol & Shirley Sigurdson Vivian Simmonds Barbara & Gerry Sinn Sheila Sirdar Lynn Smarsh Jacqueline Smith

Elaine Solez Dale Somerville Keith & Beverley Spencer Nicholas Spillios Terri & Michael Spotowski Kimberlee Stadelmann Jean & Gerry Staring Fund Elout Starreveld Lorne Stayko Delores Stefaniszyn Ben & Laraine Strafford Caroline Stuart Jenny Stuart Campbell & Rosalind Sydie Frank & Roseanne Thede Allison Theman Maggie Thompson Jim Thomson Mary-Ann Trachimowich Joanne Treasure Larry Trekofski John & Alana Tucker Nancy Tymchak Shannon van Soest Peter Vana Chris Vilcsak Shirley Watson Susan Watson Robert & Ann Weir William & Debra Wells Kim & Don Wheaton Diana Wiebe Erik & Laurie Wikman Willis Winter John Wodak Lynn & Ed Holmes B. Wolff Peter & Joan Wright Susan Wright Colin Wylie Randall & Nancy Yatscoff Betty & Bill Young Diane Zinyk Brian Zrobek

To learn more about donating to the Citadel Theatre, please visit www.citadeltheatre.com or contact Neil Luipasco at 780.428.2141 or nluipasco@citadeltheatre.com.

Charitable BN 11922 7387 RR0001 Every effort has been made to ensure the accuracy of our donor information. Listing includes donations of $100 or more. If we have made an error or omission, please call us at 780.428.2141.

We apologize for any inconvenience.

DISGRACED 9

Premier supporters We are proud to recognize our Premier Supporters; our partners in the creation of theatre at the Citadel.

The Hole Family • The John and Barbara Poole Family Fund the Eldon & Anne Foote Fund • The Robbins Foundation Canada The Joseph H. Shoctor fund • Maclab Enterprises

Government & Foundation Supporters

We acknowledge the support of the Canada Council for the Arts, which last year invested $157 million to bring the arts to Canadians throughout the country.

Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 157 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.

Dr. Joseph H. Shoctor, 1922 – 2001

executive producer and founder, the citadel theatre

Joe’s vision brought professional theatre to Edmonton Joe’s dream built the Citadel Theatre Joe’s spirit continues to inspire the theatre we create today Joe’s legacy lives on through a generous gift to the Citadel from his estate

HENRY HOLE, 1884 – 1954 On the Citadel’s 30th Anniversary, a gift was made by the Company of Harry Hole, James F. Hole, Ralph K. Hole and Robert W. Hole on behalf of the Hole family — in honour of their late father, Henry Hole.

The Citadel Theatre is proud to honour Henry Hole’s integrity, compassion and leadership in the dedication of this complex to his memory.

10 CITADEL THEATRE 2016/17 SEASON

THE CITADEL WOULD LIKE TO THANK THE FOLLOWING FOR THEIR ASSISTANCE ON

• Dr. Ghalib Ahmed • The Audiology Clinic of Northern Alberta • Chris Prideaux • Mirvish Productions

THEATRE COURTESIES

ELECTRONIC DEVICES No doubt we have all been distracted by a cell phone, pager or watch alarm ringing or lighting up when attending the theatre.

Out of consideration for your fellow audience members we ask that you turn off all electronic devices that emit noise or light.

Thank you.

ALLERGY ALERT For the safety of those with allergies, please refrain from the use of perfumes or scented products before coming to the theatre.

L AT E S E AT I N G / R E A D M I T TA N C E We endeavour to minimize the distraction for our patrons and the actors when seating latecomers. If you arrive late for a performance, you will be seated at the first appropriate moment in the play in designated latecomer seating. You are welcome to move to your assigned seat at intermission. If you must leave the theatre during a performance you will not be allowed to return to your seat until intermission.

EMERGENCY EXITS We ask that you please take a moment to identify the exit nearest you, so you can safely exit in the event of an emergency.

DISGRACED 11

Recognizing our partners Presenting Sponsors

The Curious Incident of the Dog in the Night-Time

Million Dollar Quartet

Disgraced

PRODUCTION SPONSORS

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12 CITADEL THEATRE 2016/17 SEASON

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SEASON SPONSOR

AUDIENCE DEVELOPMENT

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Servus Pay What You Can Education Sponsor

OFFICIAL SUPPLIERS

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DISGRACED 13

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A UNIQUE way to retain and thank both your clients and suppliers. Effective staff INCENTIVES and REWARDS. An opportunity to publicly show your SUPPORT and commitment to the ongoing enrichment of our COMMUNITY. FIRST CLASS priority service with Citadel Theatre customer service representatives and invitations to networking OPPORTUNITIES.

PROGRAM PLUS SEASON TICKET HOLDER BENEFITS: SHOW YOUR SEASON TICKET HOLDER CARD* TO RECEIVE THE FOLLOWING: THE ALBERTA HOTEL BAR + KITCHEN 10% off total food bill (cannot be combined with other offers)

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16 CITADEL THEATRE 2016/17 SEASON

maclab enterprises

Students Club

The Citadel Theatre believes that young people are integral to the artistic fabric of our community and therefore we are committed to programming and initiatives that develop their creative voices and encourage their participation. The Maclab Students Club offers a unique glimpse into the world of professional theatre to a wide range of junior and senior high school students from Edmonton and surrounding areas. Prior to the first three Tuesday and Wednesday evenings of each of our main stage shows, Students Club members gather for a light supper and then participate in a highly engaging, interactive presentation with one of our region’s talented theatre artists. Following the performance, students stay for an informative talkback with members of the production’s cast and crew.

Prior to Disgraced, the students enjoyed an interactive workshop on film acting with Katrina Beatty, Production Manager for FAVA. Katrina earned a BFA in Film Production from Montreal’s Mel Hoppenheim School of Cinema. She recently co-produced the made-for-TV movie I Think I Do – which has been sold all over the world. Katrina was selected as one of eight directors for the Women in the Director’s Chair program at the Banff Centre for Katrina Beatty the Arts. She has also directed multiple music videos including Nightlife, which won the Edmonton Music Award for 2015 Best Music Video and was nominated for a 2015 Rosie Award. Most recently, Katrina received four Rosie nominations from the Alberta Media Industry Association for her short film Lift, which is currently touring the festival circuit. Through the workshop the students were able to learn the basics of acting for the camera and the difference between acting onstage and on film. They now better understand how to maintain the integrity of a story while focusing and filtering their own creative choices for a new performance medium.

For more information on Students Club, or to become a part of the program, please contact Shirley Tran at 780.428.2127 or groupsales@citadeltheatre.com.

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DISGRACED 17

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Sterling Award nominations salute the best in Edmonton theatre

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2010 • 2011 • 2012 • 2013 • 2014 • 2015

Volvo of edmonton

Ellerslie Road & 101 Street 780-486-5100 volvoedmonton.com

Citadel Theatre presents

By Ayad Akhtar Directed by Robert Ross Parker A Hope & Hell Theatre Company Production Originally Produced by David Mirvish

RAOUL BHANEJA.............................................. Amir KAREN GLAVE................................................... Jory GABE GREY........................................................ Abe MICHAEL RUBENFELD.. ................................... Isaac BIRGITTE SOLEM.............................................. Emily Director................................................................ ROBERT ROSS PARKER Set & Costume Designer.. ................................. SUE LePAGE Lighting Designer............................................... REBECCA PICHERACK Sound Designer.................................................. JOHN GZOWSKI Assistant Director............................................... SEHAR BHOJANI Fight Director...................................................... DANIEL LEVINSON Stage Manager................................................... FIONA JONES Assistant Stage Manager.................................. SAM HALE This performance is approximately 80 minutes with no intermission.

The action of the play takes place in an apartment on New York’s Upper East Side between the late summer of 2011 and the spring of 2012.

DISGRACED was developed in part at the New Writers New Plays residency at Vineyard Arts Project (Ashley Melone, Founder and Artistic Director).

DISGRACED had its World Premiere in January 2012 at American Theater Company, Chicago, Illinois (PJ Paparelli, Artistic Director).

New York Premiere produced by Lincoln Center Theater, New York City, 2012.

Original Broadway Production produced by The Araca Group, Lincoln Center Theater, Jennifer Evans, Amanda Watkins, Richard Winkler, Rodger Hess, Stephanie P. Mcclelland, Tulchin/Bartner Productions, Jessica Genick, Jonathan Reinis, Carl Levin/Ashley De Simone/TNTDynaMite Productions, Alden Bergson/Rachel Weinstein, Greenleaf Productions, Darren Deverna/Jere Harris, The Shubert Organization, and The David Merrick Arts Foundation.

DISGRACED is presented by special arrangement with Dramatists Play Service, Inc., New York.

The video or audio recording of this performance by any means is strictly prohibited.

The Citadel engages, under the terms of the Canadian Theatre Agreement, professional artists who are members of the Canadian Actors’ Equity Association. Production personnel for the Citadel Theatre are members of the International Alliance of Theatrical Stage Employees (I.A.T.S.E.) Sponsors

about the

Ayad Akhtar was born in New York

City and raised in Milwaukee, Wisconsin. He is the author of American Dervish, published in 25 languages worldwide and a 2012 Best Book of the Year at Kirkus Reviews, Toronto’s Globe and Mail, Shelf-Awareness, and O (Oprah) Magazine. He is also a playwright and screenwriter. His play Disgraced played at New York’s Lincoln Center Theater in 2012 and premiered at the Bush Theater in London in May 2013. Disgraced won the 2013 Pulitzer Prize for Drama. His play The Invisible Hand was nominated for the ATCA/ Steinberg Award, and won Best New Work 2013 from the St. Louis Theater Critics Circle. As a screenwriter, he was nominated for an Independent Spirit Award for Best Screenplay for The War Within. He has received commissions from Lincoln Center and the Oregon Shakespeare Festival. He is a graduate of Brown and Columbia Universities with degrees in Theater and Film Directing.

24 CITADEL THEATRE 2016/17 SEASON

SEASON SPONSOR

+fees & GST

MAR 4 - 26, 2017 Music and Lyrics by George Gershwin and Ira Gershwin • Book by Ken Ludwig Directed & Choreographed by Dayna Tekatch • A co-production with Theatre Calgary

GET YOUR TICKETS TODAY! 780.425.1820 • citadeltheatre.com

notes Disgraced

has the power to make us uncomfortable.

And that is a rare and special thing in the theatre. Often, plays move us, sometimes in ways that surprise us, but the laughter or tears feel cathartic. Those emotions are a welcome release. Disgraced, however, can feel like a challenge. “I’m not sure how I’m supposed to feel,” was my initial reaction to the piece. And I believe that kind of provocation in art is rare and deeply valuable. This play has the power to challenge our assumptions, and the discomfort it creates is important.

Ayad Akhtar is exploring his cultural and religious background as a Muslim. But he is really asking broader questions about tribalism in modern society. As educated and progressive members of the modern world, we can feel like strong individuals who have moved beyond tribal prejudices and loyalties. In Disgraced, we meet a group of successful and affluent people who we confidently believe are not defined by the colour of their skin or their parents’ religion or nationality. But are they (and perhaps we?) more bound by these loyalties than we realize and would like to admit? Is there a tension between the individual and the group identity? As much as we hope as a society to overcome our divisions and differences, are the politics of identity inescapable? Disgraced calls us to this discussion, and it is an urgent discussion we ignore at our peril.

— Robert Ross Parker

26 CITADEL THEATRE 2016/17 SEASON

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became the only popular American composer to have made “aHelasting dent in the granitic facade of classical music. ” Young Jacob was big into sports but, one day in his 10th year, his parents decided that brother Israel should better himself and take music lessons. They bought a piano and installed it in their second floor home at 242 Snediker Ave. An excited Jacob ran to the instrument and played, completely by ear, a popular piece he had heard the day before.

He’d never had a lesson. His parents were surprised. Israel was relieved.

By the age of 15, Jacob left home and found work as a Tin Pan Alley song plugger, a profession peculiar to the times when recordings were of very poor quality and piano players or vocalists were employed to perform a composer’s new songs anywhere people gathered – barbershops, department stores, street corners. He earned $15 a week, which he supplemented by making piano rolls for the popular self-playing instruments of the day.

He wrote some songs of his own as well. Inspired by Stephen Foster’s The Old Folks at Home, and with the help of lyricist Irving Caesar, the kid from the New York slums who had never been south of Jersey, wrote a heartfelt ditty of a displaced Southern boy who longed to return to his home in Dixie. He penned it in 10 minutes, he later claimed, one afternoon on a bus ride home for the night. “The birds are singin’. The banjo’s strummin’,” he wrote.

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In 1919, Jacob Gershwine (now George Gershwin) sang it at a party where neighbourhood buddy Asa Yoleson (now big vaudeville star Al Jolson) heard him and incorporated it into his act. George was 20 years old and Swannee, with Jolson’s help, became the biggest hit of his career, selling a million sheet music copies and financing Gershwin’s course for the rest of his life.

Freed from the grind of furnishing hit songs for radio, Gershwin turned to Broadway and the movies. Turned out that brother Ira (Israel) was a talented lyricist and the two of them collaborated on the Broadway shows Show Girl, Girl Crazy, I Got Rhythm and Of Thee I Sing, which went on to win a Pulitzer Prize. In the movies, he wrote for Astaire and Rogers.

And the hits just kept on coming: Love is Here to Stay, A Foggy Day. Nice Work If You Can Get it, Fascinatin’ Rhythm, The Man I Love, S’wonderful, Summertime, A Foggy Day, Love Is Sweeping the Country. His music was played all the time and everywhere. Jazz musicians viewed I Got Rhythm as a seminal work whose harmonic progressions supported as much jazz improvisation as the blues. With An American in Paris, Rhapsody in Blue and his oft produced opera Porgy and Bess, wrote David Schiff in The Atlantic, “He became the only popular American composer to have made a lasting dent in the granitic facade of classical music.

His classical compositions had a life on the pop charts and the pop music has, in turn, been enriched by the harmonic sophistication and expressive complexity of his classical works.”

DISGRACED 31

“And so it worked out. It was a real labour of love.”

There is a story that Gershwin once went to Ravel and asked him for lessons in composition.

Ravel is famously quoted as observing, “Why should you be second rate Ravel when you can be a first-rate Gershwin?”

Gershwin died much too soon of a brain tumour in the early hours of July 11, 1937. He was 38 years old.

But, of course, his music went on.

In 1986, American playwright and director Ken Ludwig had a hit on his hands. In London’s Gielgud Theatre, his Lend Me A Tenor was convulsing audiences on its way to a long and successful run in North America. Meanwhile back in New York, Broadway producers Roger Horchow and Elizabeth Williams, noting the continuing success of the music of the brothers Gershwin, secured the rights to one of their earlier shows, Girl Crazy. Because of Ludwig’s comic smash, they came to him to adapt the original.

Remembers Ludwig, “Musicals in those days were very different. With respect to the authors who are long gone, it didn’t hold together or make sense for audiences today.

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It had a lot of stereotypes that we would find repugnant; it had not much of a storyline, a very thin little thread. It was like a lot of little sketches and then a great song.” Ludwig declined but the producers allowed him to try and write a whole new musical from scratch.

The delighted playwright immersed himself in the Gershwins. “I must have the biggest selection of Gershwin CDs in the world,” he chuckles. He haunted archives and museums.

He found Naughty Baby in a Maureen McGovern album and others on the famous Louis Armstrong/Ella Fitzgerald Gershwin collection. He located director Mike Ockrent, who helped him with his dramatic and comic smarts and the two found the then unknown (moreor-less) choreographer Susan Stroman (who went on to create much of The Producers).

“I wrote it very quickly – they came to me in December 1991 and I had the first draft

by March 1992. We did a workshop and everyone was really happy with it and so they scheduled rehearsals for summer. Lo and behold, we had quite a success.” I guess. It played for years on Broadway, winning three Tony Awards including Best Musical, and then it went to England where it won two Oliver Awards. “And so it worked out. It was a real labour of love.”

Ludwig stitched together bits and pieces of every old stage and movie musical you’ve ever seen. It begins on the New York stage where Bobby Child, the singing/dancing son of a wealthy New York family is performing. The show features callow producers and Broadway

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Babies, mistaken identities and production numbers. And then it switches to Deadrock, Nevada, where Bobby meets laconic cowboys, the spunky Polly Baker and inherits The Gaiety, a failing local theatre. Will Bobby win the stubborn Polly, will a group of chorus girls show up in dusty Deadrock and will they all (including the cowboys who, surprisingly, also sing and dance) get together to put on a show? Did Fred Astaire ever dance on a ceiling?

I was in New York in 1992, and had an afternoon off, so I decided to drop in and see what was creating all the fuss. The show certainly lived up to its hype – charming, tuneful, funny and filled with enough nostalgia to power a decade of Busby Berkley musicals. I was particularly struck with leading man Harry Groener. Groener is an old Broadway hand having appeared in Spamalot, Sunday in the Park With George and Cats – among many others.

He’s a song and dance man in the Gene Kelly, Donald O’Connor, Gower Champion tradition – good looking, blessed with a pleasant light tenor, a great sense of timing and a rubber body that seems unmoored to any bone structure. Groener secured a Tony nomination for his role.

I was reminded of Groener when we saw Edmonton actor Andrew MacDonald-Smith as Bert in his Sterling Award winning performance in the Citadel’s Mary Poppins. He has all the same attributes combined with a winning, accessible stage presence. It’s hard to imagine anyone who would be better to strap on Groener’s tap shoes and assume the role of Bobby. The Citadel acceded to the obvious and indeed MacDonald-Smith will star in their upcoming production of Crazy for You. MacDonald-Smith ruefully observes about the tap heavy show, “I actually didn’t know a lot about Crazy For You but when I started going over it with the director I immediately knew that this was a role for me – but I’ll certainly have to brush up on my tapping!”

The rest of the cast is a blue ribbon troupe, a who’s who of local talent including John Ullyatt, Susan Gilmour, Rachel Bowron and Jesse Gervais. The show will be directed by Stratford vet and two-time Tyrone Guthrie award winner, director/choreographer Dayna Tekatch.

The show features such Gershwin brothers hits as Bidin’ My Time, I Can’t Be Bothered Now, Someone to Watch Over Me, Shall We Dance?, Embraceable You, I Got Rhythm and many more.

Crazy for You spills joyously onto the Shoctor stage of the Citadel on March 4 and runs through March 26.

About HOPE AND HELL THEATRE CO. Formed in 1995 by Raoul Bhaneja and Birgitte Solem for the national Fringe tour of Sad Surgeon, Hope and Hell Theatre Co. has toured Hamlet (solo) since its premiere in Toronto in 2006 all across Canada including a run at the National Arts Centre, Off-Broadway, the Royal Academy of Dramatic Art and The Assembly Rooms as part of the Edinburgh Festival Fringe. In 2014, in association with Theatre Passe Muraille, they began a 16-month tour of Canada, touring the Dora-nominated musical Life, Death and The Blues. Hope and Hell Theatre Co. is committed to bringing diverse stories and artists to stages across Canada and the world.

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RAOUL BHANEJA Amir

A graduate of The National Theatre School of Canada, Raoul is thrilled to return to the Citadel, where he appeared in the 2015 TPM/Hope and Hell Theatre Co. production of Life, Death and The Blues. Other appearances in Edmonton include a Fringe Festival hold over at The TransAlta Art Barns with Hamlet (solo), also directed by Robert Ross Parker; guest spots with improv masters DIENASTY and many musical gigs with local blues great Graham Guest. Raoul has worked on stages across the country, including The Stratford Festival and several world premieres at The Tarragon Theatre. A familiar face on screen, Raoul has over 90 film and television credits including most recently The Art of More for Sony Crackle and as lobbyist R. M. Dutton opposite Jessica Chastain in the Hollywood political thriller Miss Sloane.

KAREN GLAVE Jory

Karen has been on stage in a variety of productions including the sold-out production of The Postman (directed by David Ferry, Panamania 2015); Macbeth and Cyrano de Bergerac (Stratford Festival); Paulo and Daphne (Theatreworks); The Lady Smith (Theatre Passe Muraille); New World (Tarragon Theatre); Little Tongues (directed by Paul Lampert, Toronto Fringe Festival/ NOW Magazine Critic’s Pick: Outstanding Ensemble and Production). Film and television credits include The Strain and Crimson Peak (directed by Guillermo del Toro), River, Saving Hope, Suits, Remedy, Sensitive Skin, Lost Girl, The Day After Tomorrow, Shooting Oliver, and the award-winning Last Night

by Don McKellar. A graduate of George Brown Theatre School, Karen was also part of the 2001 President’s Class at the British American Drama Academy (BADA) in Oxford, England. Karen dedicates all her performances to Hugh Glave. Love you Daddy!

DISGRACED 37

GABE GREY Abe

Gabe Grey is best known for his role as Dr. Ned Patel on Global TV’s Bomb Girls, and as Dr. Naveed Mirali on the Spielberg/ABC drama, Lucky 7. He starred in Deepa Mehta’s film, Beeba Boys, which premiered at TIFF 2015. His next film, Hellmington, will be released in theatres in 2017. Gabe ventured into voice work in the videogames Far Cry 4 and Far Cry Primal by Ubisoft. He is a graduate of the Canadian Film Centre’s Actors Conservatory and a recipient of Reel Canada’s RBC Emerging Artist Award.

Selected film and television credits include Bloodletting and Miraculous Cures, The Border, Nikita, Covert Affairs and the feature film Toilet. Theatre credits include David Moss in Glengarry Glenn Ross; Freddie Mercury in UnCovered: Queen and Bowie; and 30 Dates. Gabe also has a dog named Bruno who takes up most of his Instagram feed: @gabe_grey

MICHAEL RUBENFELD

Isaac

Michael Rubenfeld is an actor, writer, director and producer living in Toronto and Krakow. As a performer and playwright, his work has been seen on stages in Canada, Europe and America. Acting credits include Isaac in Disgraced (Mirvish); Abram in Our Class (Canadian Stage/Studio 180 and Wilma Theater); and Louis in Angels in America (WJT). Michael has created multiple works with Selfconscious Theatre, including The Book of Judith and We Keep Coming Back, which will be touring to Poland, Berlin and Canada in 2017/18. Michael is the producer of the award winning Guerrilla Folk Opera, Counting Sheep and was Artistic Producer of the SummerWorks Performance Festival for eight years. He is a graduate of the National Theatre School of Canada. michaelrubenfeld.com

38 CITADEL THEATRE 2016/17 SEASON

BIRGITTE SOLEM Emily

Birgitte is excited to be making her Citadel Theatre debut, having worked extensively in theatre, television and commercials for the last two decades. Last year, she co-produced and starred in Disgraced as part of the off-Mirvish season at the Panasonic Theatre, in association with Hope and Hell Theatre. Other theatre credits include Mom’s the Word (Drayton Festival and Magnus Theatre); Language of the Heart and The Rochdale Project (Theatre Passe Muraille); Filthy Rich, Sometime, Never, Anne and Stolen Lives (the Blyth Festival); Fifteen Seconds (Great Canadian Theatre Company); and Fast Lane (National Arts Centre).

Television credits include The Handmaid’s Tale, Mayday, Alien Mysteries; Breakout Kings; Little Mosque on the Prairie and ReGenesis. Film credits include Suicide Squad, The Headhunter’s Calling, Anonymous and Population Zero.

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ROBERT ROSS PARKER Director

Robert is an NYC based Canadian theatre artist. He is the co-artistic director of the Obie award winning Vampire Cowboys with Qui Nguyen (Nguyen, he, and the company were listed among NYtheatre. com’s 2004 people of the year). He has directed all of their productions including Soul Samurai, Alice in Slasherland, and The Inexplicable Redemption of Agent G. Other directing credits include Fast Company (Ensemble Studio Theatre), Branched (InViolet), How to be a New Yorker (CRC productions), She Kills Monsters (The Flea), Goodbye Cruel World (Roundtable Ensemble), and Hamlet (solo) (Hope and Hell). As an actor, Robert recently played Roland in Constellations (Hangar Theatre). He is the former editor of The Dramatist, the Journal of the Dramatists Guild of America. Robert has his BFA from Concordia and MFA from Ohio University.

SUE LePAGE

Set & Costume Designer Sue has more than 150 theatre design credits to her name, including productions with Soulpepper, Factory Theatre, Blyth, Ballet Jörgen Canada, Tarragon, Canadian Stage, the Stratford Festival, the NAC, the Banff Centre, the Grand Theatre, YPT and the Charlottetown Festival. Select credits include Death of a Salesman and August: Osage County (Citadel); Arcadia (Mirvish); The Philanderer, When We Are Married, Guys and Dolls, Ragtime, Cat on a Hot Tin Roof, Born Yesterday and Saint Joan (Shaw); It is Solved by Walking (HomeFirst); Red (Neptune); The Glace Bay Miners’ Museum (NAC/Neptune); and Lillian Alling (Vancouver Opera/Banff Centre); Vanya and Sonia and Masha and Spike, Private Lives, The Seagull, The Seafarer, Death and the Maiden (with CS), and Billy Bishop Goes to War (Royal MTC). Sue is a member of Associated Designers of Canada.

REBECCA PICHERACK Lighting Designer

Rebecca Picherack is an award-winning Toronto-based lighting designer who has created lighting for dance and theatre projects across three continents. Select credits include Dead Metaphor (Dir. George F Walker, Mirvish); Da Kink in My Hair (Dir. Weyni Mengesha); Century Song (Volcano); Blood Wedding (Soulpepper); Within the Glass and Infinity (Tarragon); Sleeping Beauty (Ballet Jorgen); Armstrong’s War (Canadian Rep); 20th of November and Tom at the Farm (Buddies in Bad Times). Rebecca has received three Dora Awards for excellence in lighting design.

40 CITADEL THEATRE 2016/17 SEASON

JOHN GZOWSKI Sound Designer

Composer, sound designer, musician, occasional Foley artist and instrument-maker John Gzowski has played banjo for opera in Banff, studied Carnatic classical music in India and played oud and guitar in jazz and folk festivals across Canada and Europe.

His theatre work has won him six Dora Mavor Moore Awards for companies like Stratford Festival, Shaw Festival, Luminato Festival, Mirvish Productions, National Arts Centre, Royal Manitoba Theatre Centre, Arts Club Theatre Company, Canadian Stage, Soulpepper, Dancemakers, Tarragon Theatre, Factory Theatre and Young People’s Theatre in about 200 productions.

Gzowski has played on numerous CDs, with recent releases with Patricia O’Callghan, Tasa, and Autorickshaw, as well as a Juno Award nomination with Maza Meze.

SEHAR BHOJANI* Assistant Director

Sehar was born and raised in Hamilton, Ontario. She is a graduate of the National Theatre School of Canada. She has had the privilege of working alongside some of Canada’s leading talents and texts including the Montreal premiere of Anusree Roy’s Letters to my Grandma. She was recently a part of Factory Theatre’s Foundry, a playwriting unit for emerging playwrights, and starred as Rosaline in Dauntless City Theatre’s production of Love’s Labour’s Lost. Currently, Sehar is a part of the inaugural Artist Producer Training Program while developing her own play surrounding the circumstances that lead to extremism. * Sehar Bhojani’s Assistant Directorship is generously supported by the Theatre Ontario Professional Development Program

DANIEL LEVINSON Fight Director

Daniel is the Artistic Director of Rapier Wit, Canada’s oldest stage combat school and production company, and is a certified fight master with Fight Directors Canada. He has produced, directed, performed and taught across Canada and has been a guest artist in the U.S., U.K. and Italy. He has worked with such companies as the Stratford Festival, Volcano Theatre, Theatre Passe Muraille, Tarragon Theatre, Canadian Stage, Shakespeare in the Rough, Second City, and Dodger’s Jesus Christ Superstar on Broadway.

For more information about Daniel, please visit his website at www.rapierwit.com.

DISGRACED 41

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CITADEL THEAT RE

DARYL CLORAN I ARTISTIC PENNY RITCO I EXECUTIVE DIRECTOR DIRECTOR

ION WITH THE CITADEL

THEATRE

FIONA JONES Stage Manager

Fiona is pleased to have her chair and tray table in an upright position. Now that she has come to a full stop at the terminal building, she is delighted to be back at the Citadel again with Raoul and the entire Disgraced company. Stage managing in theatres small and mid-sized, although the ambition was large, in venues large and small, indoors and out, from Salt Spring Island, B.C. to Guysborough, N.S. and a multitude of stops betwixt and between for the past 26 years. Be careful opening the overhead bin. Things will have shifted enroute.

SAM HALE

Assistant Stage Manager Selected credits include The Realistic Joneses and An Enemy of the People (Tarragon); Body Politic (Buddies in Bad Times/ lemonTree Creations); Hedda Gabler (Necessary Angel/Canadian Stage); Parfumerie (Soulpepper); Mr. Burns (Outside The March); Here On The Flight Path (Foster Festival); 52 Pick-Up and The Glass Menagerie (The Howland Company/Toronto Fringe); The Last Five Years (Daemon Theatre); Ajax (Por Nobody) and And Now The End (SummerWorks); Jesus Christ Superstar and The Tempest (Hart House), and Fall (Dance North).

Special Thanks Hope and Hell Theatre Co. would like to thank Ayad Akhtar, David Mirvish, the staff at Mirvish Productions, Bob Baker, Penny Ritco, Daryl Cloran and the fantastic team at The Citadel. A huge thank you to Alan Convery and TD Bank Group for their generous support along with the Toronto Arts Council and Canada Council. Thanks to Jeffery Machado and EQ3 for the furniture, as well as The ARACA Group, Chris Till at CAA, The Lincoln Centre, Jacoba Knaapen at the Toronto Alliance for the Performing Arts, Theatre Passe Muraille, Robert Vaughan and staff at DPS, Richard Jordan of Richard Jordan Productions (U.K.), Jonas Chernick, Raven Dauda, Su Hutchinson, Ali Momen, Natasha Mytnowych, Jay Holz, Annie Terrazo, the Aga Khan Museum, Derrick Chua, Stephen Guy McGrath, Colin Rivers and Cylla von Tiedemann for the photography.

DISGRACED 43

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Staff Liana Shannon Artistic Director Emeritus Jennifer Spencer Eileen Sproule Brian Dooley Director, Play Development Mark Vetsch Doug Mertz FTS Teaching Assistants Bob Baker

Director, Education & Outreach

Don Horsburgh

Resident Music Director

Wayne Paquette

Academy Associate

Diana Stevenson

Manager, Foote Theatre School

Neil Kuefler

Education Outreach Associate

Young Company Instructors Amber Borotsik Shannon Boyle Matt Graham Dave Horak Don Horsburgh Heather Inglis Doug Mertz Kate Ryan Kim Mattice-Wanat FTS Instructors Matt Alden Joleen Ballendine Mhairi Berg Adam Blocka Ashley Butler Tracy Carroll Ellen Chorley Quinn Contini Matt Graham Crystal Hanson Brady Hughes Sally Hunt Binaifer Kapadia Neil Kuefler Annette Loiselle Joey Lucius Barb Mah

Sophie Gareau-Brennan Josh Languedoc Marguerite Lawler Clayton Plamondon

ADMINISTRATION Marianne Bouthillier

Josh Wickard

Patron Services Manager

Sarah Farnsworth

Assistant Patron Services Manager

Director, Marketing & Communications

Assistant Head of Scenic Carpentry

Greg Cardinal

Scenic Carpenter

Sydnee Bryant

Serge Menard

Virginia Potkins

Brent Felzien

Sheila Cleasby

Jennifer Graham

Kristen Finlay

Meaghan Skerik

Debbie Theuss

Marc Anderson

House Manager

Rentals Manager Asst. Rentals Manager

Shirley Tran

School Booking Coordinator

Guest Services Supervisors Asst. to the Artistic Director/ Cody Carver Company Manager Victoria deJong Jessica Glover FACILITY Mark Harding Louis Barron Caitlin Hart Director Leif Ingebrighten Jacob Liska Maintenance Jim Maher Bill Daniels Brittany Molner Jackie Kirschner Calvin Simonson Janitorial Guest Services Bee Clean Services Representatives Peni Christopher

Rebekah Andrews Stephanie Bahniuk Melissa Budinski Colleen Bunyan Building Porter Michaela Chiste William Cardle Carol Dreger Tara Gale Jonah Dunch Sara Knourek FINANCE Carly Neis Pat Bradley Taylor Ogilvie Director of Finance Jules Pepin Bettyanna Huggins Natasha Pigford Accounting Assistant Chris Powell Crystal Johnston Evelyn Scheibli Payroll Accountant Dustyn Tennessen Michael Vetsch GUEST SERVICES Kimberlee Stadelmann Kali Weber Director/ Sales and Guest Services

Ken Davis

Chris Hayes

Theresa Hovdestad

Associate Executive Director

Security Alberta Crowd Management

MARKETING & COMMUNICATIONS

Media Relations Manager Video Editor/Designer

Scenic Carpenter Head of Electrics

Manager, Communications Assistant Head of Electrics – Academy/Social Media Nicole Deibert Kristen Hiemstra Head of Scenic Paint Graphic Designer Jim Meers Mel MacDonald Head of Props Administrator, Marketing Charlotte Hunt & Fund Development Assistant Head of Props Manager, Corporate Relations

Fund DEVELOPMENT Neil Luipasco

Director, Fund Development

Sydney Stuart

Manager, Fund Development

PRODUCTION

Head of Stage Carpentry

Gryphen Colling

Assistant Head of Stage Carpentry

Dan Beggs

Scenic Carpenter

Patsy Thomas

Head of Wardrobe

Lorraine Price

Head of Wardrobe Running

Cheryl L. Hoover

Michelle Warren

Bill Heron

Samantha J. Rumball

Michelle Chan

Katie Patton

Director of Production Technical Director Resident Stage Manager

Patrick Fraser

Wardrobe Maintenance Head of Wigs

Assistant Head of Wigs

Technical Director, Rentals

Gal Minnes

Assistant Production Manager

Kyla Maki

Administrative Assistant

Owen Hutchinson Head of Audio

Nick Rose

Assistant Head of Audio

Peter Locock

Head of Scenic Carpentry

The Citadel is grateful for the kind generosity of its volunteers listed below. If you want to volunteer with the Citadel, please call Theresa Hovdestad at 780-428-2118 or e-mail volunteers@citadeltheatre.com.

ZoĂŠ Afaganis, Johanna Andreoff, Nelda Arnst, Annette Baster, Shelley Benson, Erika Beyer, Bernie Bolton, Florence Borch, Ken Borch, Karen Bruce, Allan Budlong, Patrick Caron, Dee Cartledge, Gina Chea, Charmaine Chinyemba, Margie Davidson, Suzanne Dennis, Ruth Diaz, Carol Dreger, Lil Filewych, Wendy Fraser, Justin Gabinet, Irene Gagne, Louise Gagne, Bonita Gillespie, Sarah Griffith, Margaret Gronnestad, Kathy Hanna, Chantelle Harley, Jeff Haswell, Rosemarie Heaney, Brad Heller, Marilyn Hemsing, Daniel High, Amelia Hihn, Maria Hollinshead, Theresa Hryciw, Laura Hughes, Kim Huynh, Lisa Jessome, Bruce Johnson, Madalyn Johnson, Mary Johnston Therrien, Marilyn Jones, Jessica Kavanagh, Eva Kopecka, Arndt Kuethe, Janice Kuethe, Susan Lauridson, Randi Letendre, Karen Lewis-Caron, Leola Losier, Elizabeth Luchko, Caroline Lutz, Neelam Mabood, Ross Machetchuk, Dawn Madill, JoAnn Mah, Joslyn McDonald, Donna McKay, Linda McMurdo, Donna Miller, Karen Miller, Janice Minamide, Monica Molina, Bob Moore, Joan Murchie, Pat Murray, Florence Nieberding, Dennis Nolan, Linda Orlecki, Edith Parsons, Susan Patenaude, Barb Reinhardt, Lori Ristoff, Cheryl Ritchie, Monica Robillard, Louise Rogucki, Susan Schroter, Angela Seery, Mary Smith, Phyllis Solsberg, Rhonda Taft, Arlene Travnik, Diane Trithardt, Arlene Vaxvick, Brenda Voyce, Karl Waskiewicz, Janet Wheler, Kay Willekes, Vanessa Wilson, Steve Winkler, Laura Wylde, Colette Zuberbuhler DISGRACED 45

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