Citadel playbill - Clybourne Park

CITADEL THEATRE ROB B I N S

ACADEM Y

2013 2014 SEASON SPONSOR

BY BRUCE NORRIS

BOB BAKER I ARTISTIC DIRECTOR

PENNY RITCO I EXECUTIVE DIRECTOR

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Board of Governors Solomon Rolingher, Q.C. Chair Marshall Shoctor, Q.C. Past Chair J. G. Greenough, F.C.A. Treasurer Tom Redl, Secretary David D. Bentley, F.C.A. Frederick K. Campbell Jacqueline Charlesworth Marc de La Bruyère Anne Foote (Honourary) Ada Hole Ralph B. MacMillan Sandy Mactaggart (Honourary) Jack McBain Arliss Miller Catrin Owen Ex Officio Aroon Sequeira Chris Sheard Kayla Shoctor Dr. Robert Westbury Ralph Young

Board of Directors Catrin Owen President Aroon Sequeira Past President Dave Mowat Vice President Stuart Lee Treasurer Jane Batty Lesley Cormack Neil Gower Jane Halford Becky Hole Richard Kirby Ashif Mawji Lisa Miller Margot Ross-Graham Gaurav Singhmar Micah Slavens Larry Staples Sheila Witwicky

HonoUrary Directors

Jack N. Agrios, Ken Bautista, Jan Bentley, Joanne Berger, Christine Bishop, Dan Block, Guy Bridgeman, Frank Calder, Gary G. Campbell, Betty Carlson, Donald A. Carlson, Marilyn Cohen, Reg Copithorne, Len Dolgoy, Allison Edwards, Dennis Erker, Grant Fairley, John C. Forster, Frank Gibson, James Gillespie, Jean Hamilton, Brian Hetherington, Ted Hole, Mike House, Gary Killips, Beverlee Loat, Al Maurer, Maureen McCaw, Eva McGregor, Susan Minsos, Terry Nistor, Bob Normand, Ted Power, Jerry Preston, Henry (Hank) Reid, Rob Reynolds, Charlotte Robb, Barbara Shumsky, Esther Starkman, Marianne Takach, Merle Taylor, Mr. Justice Dennis R. Thomas, Brian Tod, John Tweddle, Brian Vaasjo, Chief Justice A.H. Wachowich, Bob Walker, Dr. Marvin Weisler, Bart West, Eve Willox, David Wilson, Doris Wilson, John Yerxa

LONG DAY’S JOURNEY INTO NIGHT

By Eugene O’Neill September 21 – October 13, 2013

THE DAISY THEATRE

By Ronnie Burkett Theatre of Marionettes September 28 – November 17, 2013 Presented by

2 PIANOS 4 HANDS Written, Starring & Directed by Ted Dykstra & Richard Greenblatt October 26 – November 17, 2013

A CHRISTMAS CAROL Adapted by Tom Wood Based on the story by Charles Dickens November 30 – December 23, 2013

CLYBOURNE PARK

By Bruce Norris January 25 – February 16, 2014

DO YOU WANT WHAT I HAVE GOT? A CRAIGSLIST CANTATA

By Veda Hille and Bill Richardson February 5 – 23, 2014

Disney’s and Cameron Mackintosh’s

MARY POPPINS

A Musical based on the stories of P.L. Travers and the Walt Disney Film March 15 – April 20, 2014 Presented by

ROMEO AND JULIET

By William Shakespeare April 5 – April 27, 2014 Presented by

MAKE MINE LOVE

By Tom Wood May 10 – June 1, 2014

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PREMIER | SUPPORTERS We gratefully acknowledge the significant support of our donors who make it possible for the Citadel to present world-class theatre that is accessible, intelligent, passionate and relevant.

ANNUAL SUPPORT Artistic Director’s Circle David & Jan Bentley Marc de La Bruyère & Stacy Schiff Ada Hole Muriel Hole John & Maggie Mitchell Tom & Corrie Redl Rob & Beth Reynolds Aroon Sequeira Chris & Dale Sheard Weir Family Fund Ralph & Gay Young

Playhouse Publications Ltd. Poole Family Jerry & Mary Preston Sir Francis Price & The Honourable Marguerite Trussler Penny Ritco Arnold & Grace Rumbold Kayla Shoctor Marshall & Debby Shoctor Eira Spaner Moira & Larry Staples Buddy Victor Paddy Webb Sheila Witwicky & Phil Beauchamp

Director’s Club

STAR

($5000 +)

($2500 - $4999)

Madam Justice L. Darlene Acton The Honourable John & Ruth Agrios Bob Baker & Tom Wood Dr. & Mrs. Luis & Alexis Baptista Guy Bridgeman & Dianne Ross John & Judith Cosco Doug & Wendy Davey Dr. Elizabeth Dixon & Dr. Ben Macedo Grant Dunlop & Erika Norheim Allison & Glyn Edwards Leslie Frankish Cecil & Anne Hoffman Wolfgang & Elizabeth Kaminski Don & Lorna Kramer Leo J. Krysa Family Foundation Sandy & Cécile Mactaggart Jack & Lorraine McBain Arliss Miller Ove & Susan Minsos Norbert & Patricia Morgenstern Al & Fran Olson Esther Ondrack

($1000 - $2499) Carol & Rae Allen Anonymous Becker Bruce & Carol Bentley Dr. Doug & Mary Bosko Joyce Buchwald David & Marlene Burnett Butler Family Foundation Frank Calder Lesley Cormack J. Susan Davis Richard A. Gil J.G. Greenough J. Halford J.D. Hole Brenda & John Inglis Gail & Andrew Jarema Linda & Siegfried Kowand In Memory of Dr. Kris Kristjanson James & Maggie Laing Stuart & Sherry Lee Robert & Dawn Lemke Peter & Dorothea Macdonnell Fund Linda & Kim Mackenzie

Colleen Maykut James McFarland Keith & Brenda McNicol Lisa Miller & Farrel Shadlyn Q.C. Jim & Celestine Montgomery David J. Mundy Catrin Owen PCL Constructors Inc. Solomon & Marilyn Rolingher Margot Ross-Graham Alan Rose & Judy Schroder Michele Sawatzky & Ed McDonald Suggitt Group Ltd. D. Lorne & LeeAnn Tyrrell David Verbicky Bart & Carole West Dave Wilson & Wendy Kotow

lead

($500 - $999) Dagny & Graeme Alston Bonnie Andriachuk & Darrel Ewaschuck Anne Anfindsen Anonymous George & Kathleen Ball Fiona & Stephen Bamforth Ida & Tommy Banks Jim & Helen Banks Joan Bensted Barbara Blackley Susan & James Burns Chris & Leah Burrows Ronald Cavell Z & M Chrzanowski Jack & Marilyn Cohen Janelle Conrad Louis & Marcelle Desrochers Dr. Rod & Pat Eidem Heinz Feldberg Dale Gregg Ken & Karin Hayward Ghislaine Hebert CLYBOURNE PARK 5

PREMIER | SUPPORTERS Elizabeth, Rosalina & Cynthia Hicks Bonnie Hutchinson Norman & Valerie Kneteman Ken & Jennifer Kouri Christine Kyriakides Dr. Ed & Nikki Lazar James MacDonald Teresa Mardon Suzette Marxheimer Ian & Linda McConnan Douglas & Claire McConnell Norma & Gordon McIntosh Gordon & Agneta McKenzie Maureen & Jim Moran Bill & Joyce Mustard Laverne & Aaron Nathan Lewis & Lindsay Nakatsui Fred & Helen Otto Vital & Colleen Ouellette Tom & Judy Peacocke Poster Tech Aline Pratch Curtis & Sandra Prosko Richard Remund Henry & Helen Resta Antoni & Lucyna Rojek Allen & Myrna Snart Marianne & Kent Stewart Neil & Merle D. Taylor Douglas & Dorothy Warren Crystal Willie Sarah Wylie

Kevin Burghhardt Martin Carroll Gordon & Janet Clanachan Ruth Collins-Nakai David Cornish Marilyn Cree Robert & Marlene Crosbie Marilyn Darwish L.A. Dushenski Carmen & James Dykes Karen Farkas Rose Fowler Jean Fukushima Frank Gibson William L. Gibson Shirley Gifford Gaie Goin Neil Gower Bill Grace Lilian Green Paul Greenwood Patsy Ho Bill & Jana Holden Ray & Elaine Hook Robert & Laurel Hudson Mary Hurlburt & Norm Stacey Elesavata Hymonyk Richard & Laurel Innes Chris Jager & Jean Coutts Norman & Evelyn Jensen Jerry & Miriam Katz Cherisse Killick Liz Kohle Anita Kozyrskyj ensemble Ruth & George Lauf ($200 - $499) Jack & Diane Latham Will Alexander Don & Gwen Lawrence Shirley Allder Mary Machum Diana & Laurence Andriashek Estelle Marshall Anonymous Neil & Pamela Martin Darren & Kimberley Armstrong Jenna Marynowski Diana Bacon Ian McLernon Roderick Banks Linda Medland Davis William & Carole Barton Dr. A. & Evelyn Meer Walter & Stella Baydala Gordon & Cathy Moorhouse Terri & Gary Biasini Al Morrow Beverly Boren Craig Neuman Robert & Maureen Braun Janice Neumann Norma Brekke Edna & Cal Nichols Norman & Anne Burgess Ian & Lou Nicol 6 CLYBOURNE PARK

Jennifer Oakes Dianne Oberg & Marty Taylor James & Beverley Orieux Kathy Packford Fred & Mary Paranchych Leslie & Rick Penny Fay Plomp Jean & Edward Posyniak Barb Prodor Diana Purdy Paul Puszczak Andrew & Carol Raczynski Barbara Redmond-Ellehoj Tina & Tony Rota Phil Roy Orla Ryan Allan & Marianne Scott Glenn & Margaret Sharples Richard Sherbaniuk Doug & Devika Short Ellie Shuster Barbara & Gerry Sinn Dale & Jane Somerville Keith & Beverley Spencer Elout Starreveld Delores Stefaniszyn Campbell & Rosalind Sydie Allison Theman Maggie Thompson Michael & Kathleen Tomyn Mary-Ann Trachimowich John & Alana Tucker Darcy & Marion Turner Chris Vilcsak Robert & Ann Weir James Whitton John Wodak Susan Wright Dr. Randall & Nancy Yatscoff Betty & Bill Young

Super Subscriber ($100 - $199)

Greg Alcorn David & Connie Anderson Gail Andrew Patricia Anholt Brad Armstrong Wayne & Gail Atamanchuk Charlotte Ballerman

PREMIER | SUPPORTERS Tony & Valerie Barlott Maurice & Annette Bastide Barb & Jim Beck Suzanne Biro Joan Blackburn Angie Bogner Keith & Elizabeth Bowering E. Ross Bradley Jacqueline Breault Lori Bristow Jack Brown Rita Burns Brian & Barbara Burrows James & Joan Carlson Don Chisholm Brent Christopherson Patrick & Luxie Crowe Wendy Curry Delbert & Jane Dahl John & Carol Danyluk Patricia Dawson Elly De Jongh Lorne & Edith Dixon Herta Doherty Allan & Elaine Douglas Francis & Muriel Dunnigan Roland Duquette Sheila Dyck Jaqueline Eddy-Caithness Liz Edmunds Marion Elder Elizabeth Ruthanna Elson Jacqueline & Martin Elton Noella Fagnan Lorraine & Don Fankhanel Gail Faulkner Lois Field Kristen & Mark Finlay C.R. French Charles Friedrich Isidor & Grace Gliener Joan Green

Vivian Grue Jocelyn & Wes Hamilton Tatsuyuki & Dorothy Hayashi Robert Henderson Debbie Hill Dan & Jill Hodges Erik & Fanziska Jacobsen Myka Jakoubec Barry James Paula Jamison Peter Jochimsen Larry Judge Brian & Ida Kaliel Dorothy Kaiser Bernie & Dorothy Keeler Doris Kent Sylvia Kother Krawford Construction Inc. Neil Lang Patricia Langan Steve Laurion Allen Lee Sigmund Lee Theresa Lema Ray Leppard Valda Levin Myron & Maureen Liviniuk Sandra & Jim Lockhart Chris & Cecilie Lord Andre Louw Douglas MacDougall Alan & Patricia McGeachy Juliet McMaster Betty & Bill McMillan Susan & Keith McNaughton Marie Montgomery Noma Morrissey Doug & Kathy Murray Roy Nickerson G. Douglas Oakley Linda Ogilvie Marian Palahniuk

Carolyn Pawlenchuk Donna Pawliw Catherine & Richard Perry Gordon & Margaret Peterson Tammy Pidner Susan & Darrell Portz Olga Predy Susan Priestner Helen Primrose Darlene Rasko Sheila Ringrose Ron & Carol Ritch Barbara Rolheiser Betty Ross Kay Savey Carolyn Scheidt Charles & Marilyn Schroder Robert & Cathy Seidel Tami Shandro Deb Shaw Maurice & Molly Shurgarman Sol & Shirley Sigurdson Lynn Smarsh Trina Smith Brian Sproule Jean & Gerry Staring Mary Sturgeon Gerard Tertzakian Christa Teskey Tony Thai & Alvin Schrader D. Edward Toole Larry Trekofski Henriette van Hees Barbara Varvis Almut von Koenigsloew Violet Watson Kathy & Doug West Sam Withanachchi Margaret Zapf Antonio Zaragoza Diane Zinyk Brian Zrobek

To learn more about donating to the Citadel Theatre, please visit www.citadeltheatre.com or contact Sydney Stuart at (780) 428-2142 or sstuart@citadeltheatre.com.

As a registered charity, we rely on the generosity of our donors & sponsors.

Thank you to all of our supporters. Charitable BN 11922 7387 RR0001 CLYBOURNE PARK 7

PREMIER | SUPPORTERS We are proud to recognize our Premier Supporters, our partners in the creation of theatre at the Citadel Theatre/Robbins Academy.

The Hole Family • The John and Barbara Poole Family Fund the Eldon & Anne Foote Fund • The Robbins Foundation Canada The Joseph H. Shoctor fund

Government & Foundation Supporters

Dr. Joseph H. Shoctor, 1922 – 2001

executive producer and founder, the citadel theatre

Joe’s vision brought professional theatre to Edmonton Joe’s dream built the Citadel Theatre Joe’s spirit continues to inspire the theatre we create today Joe’s legacy lives on through a generous gift to the Citadel from his estate

HENRY HOLE, 1884 - 1954 On the Citadel’s 30th Anniversary, a gift was made by the Company of Harry Hole, James F. Hole, Ralph K. Hole and Robert W. Hole on behalf of the Hole family — in honour of their late father, Henry Hole.

The Citadel Theatre is proud to honour Henry Hole’s integrity, compassion and leadership in the dedication of this complex to his memory.

8 CLYBOURNE PARK

THE CITADEL WOULD LIKE TO THANK THE FOLLOWING FOR THEIR ASSISTANCE ON

C O U R T E S I E S

Dr. Ghalib Ahmed, Firefly Theatre, and the friendly staff at Coast Edmonton House.

ELECTRONIC DEVICES No doubt we have all been distracted by a cell phone, pager or watch alarm ringing or lighting up when attending the theatre.

Out of consideration for your fellow audience members we ask that you turn off all electronic devices that emit noise or light. Thank you.

ALLERGY ALERT For the safety of those with allergies, please refrain from the use of perfumes or scented products before coming to the theatre.

H E A R I N G A D VA N C E M E N T H E A D S E T S We offer headsets to patrons with hearing difficulties. Ask the usher at the door of the theatre. These are provided free of charge. You will be asked to leave your driver’s license as a deposit until the headset is returned at the end of the performance.

T H E A T R E

AVAILABLE IN THE SHOCTOR AND MACLAB THEATRES.

L AT E S E AT I N G We endeavor to minimize the distraction for our patrons and the actors when seating latecomers. If you arrive late for a performance, you will be seated at the first appropriate moment in the play in designated latecomer seating. You are welcome to move to your assigned seat at intermission. If you must leave the theatre during a performance you will not be allowed to return to your seat until intermission.

CLYBOURNE PARK 9

Recognizing our

PARTNERS

PRODUCTIONS PRESENTING SPONSORS

The Daisy Theatre

Mary Poppins

Romeo and Juliet

PRODUCTION SPONSORS

CREATIVE DEVELOPMENT

Play Development

Young Companies 10 CLYBOURNE PARK

Playwright’s Forum

Foote Theatre School Camps

Citadel/Banff Centre Professional Theatre Program

SEASON SPONSOR

AUDIENCE DEVELOPMENT

Beyond the Stage

Maclab Students Club

Opening Nights

Landmark Seats

Education Sponsor

Servus Pay What You Can

OFFICIAL SUPPLIERS

MEDIA SPONSORS

CLYBOURNE PARK 11

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We believe that the path to success is paved with the integrity of every employee.

And it takes commitment and teamwork to deliver value every day.

Our corporate responsibility report is a full, open, and balanced account of our track record.

Visit www.capitalpower.com/corporateresponsibility

Proud to be the Citadel’s 2013/14 Season Sponsor.

CITADEL THEATRE ROB B I N S

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Citadel Theatre Corporate Subscription Program A TICKET PROGRAM designed specifically to benefit companies like yours. Please support the businesses that support the Citadel Theatre.

B & B DEMOLITION LTD BDO CANADA LLP CONROY ROSS PARTNERS DYNACOR MEDIA

ERNST & YOUNG LLP FELESKY FLYNN LLP FIRST TRUCK CENTRE EDMONTON LTD. L. NEIL GOWER, Q.C. - MLT LAWYERS STANTEC The Corporate Subscription Program helps you by providing:

• A unique way to retain and thank both your clients and suppliers.

• Effective staff incentives and rewards.

• An opportunity to publicly show your support and commitment to the ongoing enrichment of our community.

• First class priority service with Citadel Theatre customer service representatives and invitations to networking opportunities.

For more information on this exciting program, please contact Angelica at amenck@citadeltheatre.com or 780.428.2109

SEASON TICKET HOLDERS BENEFITS Season Ticket Holders receive exclusive perks from our partners.

Show your SEASON TICKET HOLDER ID Card* after tonight’s performance to receive the following:

• Bistecca: • • • • • • • • •

Gift with purchase of any Assiggini ‘little bites, big tastes’ or dessert menu selection post-show.

Brittany’s Lounge: 15% off entire bill Moriarty’s: 15% off entire bill Lux Steakhouse & Bar: Complimentary glass of champagne with purchase Normand’s Bistro: 10% off entire bill 100 Bar & Kitchen: Complimentary glass of champagne with purchase Riverside Bistro at the Courtyard Marriott: 10% off entire bill Select Restaurant: 10% off entire bill Sorrentino’s: Gift with purchase of any Assiggini 'little bites, big tastes' or dessert menu selection post-show.

Underground Tap & Grill: 15% off entire bill RESTRICTIONS AND CONDITIONS APPLY

* For replacement ID cards, please contact box office at 780.425.1820 * Offer does not apply to the Choose Your Own Packages

Creating value where we live and work. Together.

Great-West Life and the key design are trademarks of The Great-West Life Assurance Company. London Life and design are trademarks of London Life Insurance Company. ™Canada Life and design are trademarks of The Canada Life Assurance Company. ™ is a trademark of The Great-West Life Assurance Company.

FALL PROTECTION SOLUTIONS AND SAFETY CONSULTING SERVICES 780-417-1800 info@gravisys.com

A PROUD SUPPORTER OF THE CITADEL THEATRE

14 CLYBOURNE PARK

Like this pLay, our Landmark homes are a monument to perfection.

We are proud to sponsor the Citadel Theatre.

Please enjoy the show.

STUDENTS CLUB Another exciting New Year is upon us and we are pleased to welcome back our 1000 Students Club Members after the break.

The Maclab Enterprises Students Club is a Citadel Theatre/Robbins Academy program that offers a unique glimpse into the world of professional theatre to a wide range of junior and senior high school students from Edmonton and surrounding areas.

On the first three Tuesdays and Wednesdays of our season’s productions, Students Club members gather to enjoy a small reception before the show and then participate in a highly engaging, interactive presentation/demonstration involving one of the Citadel’s talented theatre artists. Following the performance, students are then invited to stay for a lively talkback session with members of the production’s cast and crew.

Prior to seeing Clybourne Park, students will be treated to a backstage tour of the Maclab Theatre. With help from Assistant Technical Director, Stephanie Ripley and Audience Development Associate and performer, Patrick Lundeen, students will get a behind-the-scenes tour of the space, learn about it’s intricacies as a thrust stage, discover technical elements unique to the theatre and stories and insights about Citadel productions like A Christmas Carol.

If you would like to become part of this season’s Students Club, or require more information about the program, please contact Shirley Tran, Group Sales at 780-428-2113.

For individual students who are interested in joining please email Shirley at groupsales@citadeltheatre.com and leave your name, contact information and the name of the school you attend.

CLYBOURNE PARK 17

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CITADEL THEATRE ROB B I N S

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PRESENTED BY

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MAR 15- APR 20/14 A MUSICAL BASED ON THE STORIES OF P.L. TRAVERS & THE WALT DISNEY FILM ORIGINAL MUSIC AND LYRICS BY RICHARD M.SHERMAN & ROBERT B.SHERMAN BOOK BY JULIAN FELLOWES NEW SONGS AND ADDITIONAL MUSIC & LYRICS BY GEORGE STILES & ANTHONY DREWE CO-CREATED BY CAMERON MACKINTOSH DIRECTED BY MICHAEL SHAMATA

CO M I N G N E X T TO T H E S H O C TO R T H E AT R E

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CITADEL THEATRE ROB B I N S

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THE CITADEL is pleased to partner with the COURTYARD MARRIOTT Downtown to offer patrons a special overnight stay rate.

WEEKEND RATES SPECIAL RATES

starting at just $119+ GST/night also available on weekday bookings

To book your stay, call 780.423.9999 and ask for the Citadel Patron Rate.

RESTRICTIONS MAY APPLY. BOOKINGS SUBJECT TO AVAILABILITY.

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Looking for a dramatic gift?

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$90.50 + GST / PERSON $105.50 + GST / PERSON FOR A Christmas Carol and Mary Poppins

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SELECT

THE UNDERGROUND

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Citadel Theatre presents

by

BRUCE NORRIS

THE CAST (in order of appearance) DOUG MERTZ………………................................... Russ/Dan KERRY SANDOMIRSKY……………….................. Bev/Kathy SEREANA MALANI………………........................... Francine/Lena COLE HUMENY………………................................ Jim/Tom MICHAEL BLAKE…………………........................... Albert/Kevin MARTIN HAPPER………………............................. Karl/Steve TRACEY POWER……………….............................. Betsy/Lindsey EVAN HALL………………........................................ Ensemble Director……………………………................................ JAMES MacDONALD Assistant Director………………... ........................... SIMON BLOOM Set Designer………………...................................... MARISSA KOCHANSKI Lighting Designer……………….............................. NARDA McCARROLL Costume Designer………………............................ LEONA BRAUSEN Stage Manager……………….................................. MICHELLE CHAN Assistant Stage Manager………………... .............. SANG-SANG LEE Act 1: A house in the Clybourne Park neighbourhood of Chicago, 1959.

Act 2: The same. 2009.

The play is approximately 2 hours and 15 minutes long including one intermission of 20 minutes.

“CLYBOURNE PARK is presented by special arrangement with Dramatists Play Service, Inc., New York.”

CLYBOURNE PARK was produced on Broadway by Jujamcyn Theaters at The Walter Kerr Theatre, 2012.

Playwrights Horizons, Inc., New York City, produced the World Premiere of CLYBOURNE PARK Off-Broadway in 2010.

The video and/or audio recording of this performance by any means whatsoever is strictly prohibited.

The Citadel engages, under the terms of the Canadian Theatre Agreement, professional artists who are members of the Canadian Actors’ Equity Association. Production personnel for the Citadel Theatre are members of the International Alliance of Theatrical Employees (I.A.T.S.E.) Sponsors

about the

playwright

Bruce Norris Bruce Norris is the author of Clybourne Park, which won the Tony Award for Best Play in 2012, the Olivier and Evening Standard Awards (London) for Best Play, 2011, and the Pulitzer Prize for Drama, 2011. Other plays include The Infidel (2000), Purple Heart (2002), We All Went Down To Amsterdam (2003), The Pain And The Itch (2004) and The Unmentionables (2006), and A Parallelogram (2010), all of which had their premieres at Steppenwolf Theatre, Chicago. Two plays, titled The Low Road and Domesticated, respectively, had 2013 premieres at the Royal Court Theatre, London and at Lincoln Center Theatre, New York. His work has also been seen at Playwrights Horizons (New York), Lookingglass Theatre (Chicago), Philadelphia Theatre Company, Woolly Mammoth Theatre (Washington, D.C.) Staatstheater Mainz (Germany) and the Galway Festival (Ireland), among others. He is the recipient of the Steinberg Playwright Award (2009), and the Whiting Foundation Prize for Drama (2006) as well as two Joseph Jefferson Awards (Chicago) for Best New Work. As an actor he can be seen in the films A Civil Action and The Sixth Sense, and the recent All Good Things. He lives in New York.

ALL-NEW 2014

about the

play

Clybourne Park was inspired by Lorraine Hansberry’s 1957 classic play A Raisin in the Sun, which is about the Youngers, a lower-class African-American family who have an opportunity to move out of their poor neighbourhood to find a “better” life in a largely white, middle-class area of Chicago called Clybourne Park. Towards the end of the play, a white man from Clybourne, Karl Lindner, appears at the Younger apartment to try to buy back the house.

Hansberry wrote A Raisin in the Sun in response to the legal battle waged by her parents, who were barred from purchasing a home in the predominantly white neighbourhood of Washington Park by its Owners Association. The case went all the way to the U.S. Supreme Court.

Bruce Norris’ reimagining of the Younger’s predicament was inspired by his own struggle of seeing A Raisin in the Sun as a boy, and identifying with its “villain”, Karl Lindner.

“I watch [A Raisin in the Sun] at twelve years old,” Norris wrote in an interview in 2012, “and I could realize even then that I’m Karl Lindner”.

Norris began to surmise about the conversations that would have gone on back in the white neighbourhood about the sale of the house to a black family – a fascination which became the focus of Clybourne Park. Norris sought to create balance by expanding on the role of Karl Lindner, and bringing life to the community that surrounded him. Act One of Clybourne Park takes place on the same afternoon as the final act of A Raisin in the Sun, mere minutes after Karl has returned from his meeting with the Youngers.

The second act, set in the same house 50 years later (a length of time which, incidentally, marks the distance between when A Raisin in the Sun and Clybourne Park were written), demonstrates in hindsight the predictions of the first act. It also gives us the opportunity to see how attitudes about race and realty have changed in the intervening years – if at all.

Since its 2010 premiere at New York’s Playwrights Horizon Theatre and subsequent 2012 transfer to Broadway, Clybourne Park has garnered both critical and commercial success. It received the Pulitzer Prize in 2011, and the Tony Award for Best Play in 2012. The Pulitzer committee described Clybourne Park as “a powerful work whose memorable characters speak in witty and perceptive ways to America’s sometimes toxic struggle with race and class consciousness.” It has been performed by many of North American’s leading theatre companies, including Chicago’s own Steppenwolf Theatre Company. It continues to be produced internationally, and is often seen in repertory with Hansberry’s A Raisin in the Sun.

26 CLYBOURNE PARK

“It’s about the white response to race, about being the power elite, about being the people who have power in the race argument, and what that makes us in the present day – the contortions that makes us go through. Because on the Left we really, really like to deny the power that we have. We don’t want to seem like we’re powerful and have the largest army in the world. We want to pretend that we don’t. So, while the play is about white people, it’s even better if there are black people in the audience because it makes white people even more uncomfortable.”

- Bruce Norris

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– Kelli (mom)

Thank you for helping us fund excellence at the Stollery Children’s Hospital.

To learn more, visit www.stollerykids.com or call 780.433.5437.

DIRECTOR’S

NOTES

We always hope that when you leave the theatre that the play stays with you – that you talk about it in the restaurant or the parkade, and that when you wake up the next day it’s still rattling around in your brain.

Clybourne Park gives us that opportunity. It’s a play about race relations, but like all great plays, it transcends simple classification. And just as each of us will identify with different themes, characters, or arguments presented in the play, likewise we will all think the play is about something important to us: gentrification, gender politics, marriage, children, political correctness, urban development…or real estate.

I’ve never been a fan of “good” characters or “bad” characters – I like the grey area, where a character isn’t so easily identifiable or dismissible. And we eventually realize that in all of their glory and failing, that they remind us of ourselves…whether we like to admit it or not.

Plays which tackle big contemporary urban issues are rare – and if they can make us laugh at ourselves…or others… all the better.

James MacDonald Director

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Newmark took to the internet with the idea of creating, online, the community listings he had read in local newspapers as a kid. He began sending emails to his friends. He put no guidelines to his creation and in no time the service, which was originally designed for software and internet developers, morphed into an international on-line bazaar offering most anything you wanted – a virtual, uninhibited, uncensored, wild west of items for sale, resumes, community announcements and discussion forums. You could find a job, your long-lost grandmother or a partner for life (or for the night for that matter). The “personals” quickly blossomed into promoting an astonishing list of sexual adventures.

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Some people read Craigslist for its entertainment value. One of those was Vancouver broadcaster and wit Bill Richardson. Richardson is well known to anyone who listens to CBC radio where he has hosted an eclectic collection of shows over the years – In Concert, Saturday Afternoon At the Opera, As You Like It and many more. He has also written a number of books, one of which, Bachelor Brothers Bed & Breakfast, won the Stephen Leacock medal for humour. Richardson told a Vancouver interviewer, “Craigslist is a rich vein of stuff. It’s just so full of stories and weirdness and all the evidence of humanity. A kind of humanity, anyway.”

“FREE HUMAN SIZED HAMSTER WHEEL AVAILABLE FOR IMMEDIATE PICK UP. CAN ACCOMMODATE UP TO 200 POUNDS. NOT RECOMMENDED TO HOUSES WITH SMALL CHILDREN OR ANIMALS.” At the same time that Richardson was chuckling at Craigslist over his morning coffee, Veda Hille, one of Canada’s foremost indie performer/singer/songwriters, was looking for something new and challenging. Hille had been in the music business for many years and excelled in one of the toughest professions around. She had tried her hand at classical music and spent a year as what she describes as “an inept lounge musician.” She attended art school and studied sculpture, film and performance art. In the early 1990’s, she discovered she had a talent for writing music. Audiences enjoyed her efforts and, as is the

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way of these things, she toured a lot and released some records as her fan base began to grow. She writes about, noted one publication, “the natural world, the constant threat of tragedy and the trickiness of love.” The protean Hille has dabbled in vaudeville, written rock music for kids, scored an NFB film and is the composer in residence for Vancouver’s Theatre Replacement.

“Tuesday night around 11:30 you came out of the subway and I followed you. I ran up and grabbed your arm, took your purse and ran away. I’ve done many a snatch-and-grab but no one has ever stuck in my mind like you. There was a quick moment when our eyes met and I felt something strong. If I wasn’t so shy I would have asked your name. Of, course, I later got your name from your driver’s licence. So Jennifer, if you’d like to get together for a drink sometime get back to me.”

Back in 2009, Hille was preparing for Vancouver’s PuSh Festival, an innovative midwinter endeavour designed as a platform for creative artists. She noted the huge success of The Drowsy Chaperone, a modest Toronto Fringe musical that went on to become the toast of Broadway. (The Drowsy Chaperone played the Citadel in 2009).

So, she began writing a series of short musicals and, seeking collaboration, turned to her old friend Bill Richardson. She asked him what he would like to write about and his immediate answer was, “Craigslist.”

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The two came up with Do You Want What I Have Got? A Craigslist Cantata. (A cantata being an Italian word for a vocal composition with instrumental accompaniment. It is usually sacred but Bach, who loved the genre, often wrote secular cantatas.)

“Needed: A look-alike of Sarah Palin for adult movie.”

Richardson was attracted to Craigslist not just for the weird items offered for sale. What most interested him was what Craigslist said (often unintentionally) about the people who avail themselves of its services. “Many of the postings were fairly pedestrian, as you’d expect with classified ads, but others were very self-consciously well-written, by people trying to score literary points. And then there were some that had a real humanity, a naked sort of neediness breaking through the writing.” Hille described the service as, “A mass of humanity pressed against the glass.”

The original song cycle was a big hit and there was a strong feeling among all involved (including audiences) that the material could support a full-length work. And so, much like that other B.C. theatrical phenomenon Ride the Cyclone (2013 Citadel production) Do You Want... just grew and grew. It moved to Toronto and became a hit there.

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Noting the success of Ride the Cyclone during its run here and checking out the critical enthusiasm and copious box office returns of Do You Want..., Citadel Artistic Director Bob Baker decided that theatrical lightning could strike again and he booked the production into The Club (Rice Theatre). Baker was heartened by the success of a number of shows in his new theatrical venture (Susan Gilmour and Réjean Cournoyer’s one person shows/Bridget Ryan’s two sold-out shows/Blind Date, featuring the single, sexy, red nosed clown Mimi, which has played to sold-out houses twice in The Club) and felt the space was ideally suited for the pocket musical. “I am interested in us developing pieces for the space. Rebecca (Northan – who is Mimi) was over the moon when she saw it. She’s very prolific and now that she is becoming a colleague she’s got dozens of ideas.” (Northan will be starring later this year, along with John Ullyatt, in Baker’s production of Tom Wood’s new screwball comedy, Make Mine Love.)

“I am a female in my mid 60’s and I am looking for a roommate.

Times are tight and I need some extra money. I am willing to rent out the bathroom in my East Village home. You can easily put an air mattress in there. I only ask that when I need to use the bathroom you are not in it.”

The production of Do You Want... we will see here is much the same as the one that wowed earlier audiences in Toronto and Vancouver – although Richardson and Hille keep working on the show to keep it updated. The original cast will be appearing and judging from audience and critical reactions (“Hilarious, quirky, touching and tuneful,” enthused one critic) a merry evening will follow.

All quotes in this article are edited and originally appeared in Craigslist.

Do You Want What I Have Got? A Craigslist Cantata opens in the Citadel’s The Club Cabaret Venue on February 5 and runs through February 23.

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BIOS MICHAEL BLAKE

Albert/Kevin

Selected acting credits for Michael include The Merchant of Venice, The Three Musketeers, Romeo and Juliet, Much Ado About Nothing, and Henry V (Stratford Festival); title role in Othello, and The Comedy of Errors (Bard on the Beach); Simba in The Lion King (Mirvish/Disney); Scientific Americans (Segal Center/Side Mart); Harriet T!, and Jacob Two Two (YPT); Mother Courage and Her Children, and A Christmas Carol (NAC/MTC); Nativity: A Coyote’s Christmas, and Mercutio in Romeo & Juliet (NAC); Raisin in the Sun, Blink, As You Like It, Three Sisters, The Time of Your Life, and The Threepenny Opera (Soulpepper); The 25th Annual Putnam County Spelling Bee (The Belfry Theatre/Arts Club); Something is Going to Come (OLG); This season Michael will appear in King Lear, A Midsummer Night’s Dream and The Beaux’ Strategem for the Stratford Festival. Selected Film and TV credits include Degrassi Jr High, YTV Rocks, Senior Trip and Earth: Final Conflict.

Michael trained at the National Theatre School of Canada in Montreal and at the Soulpepper Academy in Toronto.

MARTIN HAPPER

Karl/Steve

Edmonton Credits: Vincent Van Gogh in Vincent in Brixton (Theatre Network), Language of Angels (NLT), and The Tempest, Merry Wives of Windsor, Richard III, and As You Like It (Freewill Shakespeare Festival). Most recently Martin appeared as Lord Windermere in Lady Windermere’s Fan and Valentine in Arcadia (Shaw Festival). Toronto Credits: The Normal Heart (Studio 180), The Happy Woman (Nightwood), Theory (SummerWorks), and A Boy Called Newfoundland (TheatreSmash). Elsewhere: eight seasons at the Shaw Festival including Belle Moral (also for NAC), and Saint Joan (also for Chicago Shakespeare Theater); The 39 Steps, Age of Arousal (Arts Club); The 39 Steps (Chemainus Theatre Festival); Thy Neighbour’s Wife (Theatre NorthWest); Mary’s Wedding (TheatreOne). TV: Mayday, Murdoch Mysteries, Sue Thomas F.B. Eye, The Eleventh Hour, and Breaker High.

Upcoming: Arms and the Man and The Charity that Began at Home (Shaw Festival). Martin is a graduate of the University of Alberta, BFA Acting program.

38 CLYBOURNE PARK

BIOS COLE HUMENY

Jim/Tom

Cole is an Edmonton-based performer. He made his Citadel Theatre debut last season in A Few Good Men. Favourite theatre credits include One with Ghost River Theatre; Ride, The Fourth Graders Present an Unnamed Love-Suicide, and Victoria Martin: Math Team Queen with Northern Light Theatre; Peter Pan with the Globe Theatre; Shatter with The Maggie Tree, and ManDance, a co-created physical theatre piece performed at a number of theatre festivals in Alberta. Cole is a graduate of MacEwan’s Theatre Arts Program and the University of Alberta’s BFA Acting Program. Next up you can catch Cole in Jason Chinn’s The Murderer’s Confess at Christmastime, a Serial Collective production as part of Theatre Network’s Roxy Performance Series.

SEREANA MALANI

Francine/Lena

Clybourne Park marks Sereana’s debut performance at the Citadel. Born in the Fiji Islands and raised in beautiful British Columbia, Sereana now calls Edmonton home. Theatre credits include Measure for Measure and Elizabeth Rex for Bard on the Beach; A Midsummer Night’s Dream and Macbeth for Theatre Prospero; Ride for Northern Light Theatre; Hamlet for Media Room; The Skriker and The Last Days of Judas Iscariot for Exit 22; Sexual Perversity in Chicago for Quiet Things Creative; whisper for Catalyst Theatre & Studio Theatre; The Ghost Sonata, Yellow Moon and Cymbeline for Studio Theatre. Sereana is a graduate of the BFA Acting program at the University of Alberta. She would like to thank her friends and family for all of their love and support, especially her wonderful husband Elliott.

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BIOS DOUG MERTZ

Russ/Dan

Previously this season Doug appeared as Toll, Reverend Fish and the Coachman in A Christmas Carol. Doug’s Citadel credits include Captain Matthew A. Markinson in last season’s A Few Good Men, Egeus and Peter Quince in A Midsummer Night’s Dream, and Sheriff Gilbeau in August: Osage County. Other Edmonton credits include Driving Miss Daisy with Michael Learned (Mayfield); The Tempest and Julius Caesar for Freewill Shakespeare; Evie’s Waltz for Shadow Theatre; Doubt: a parable for Studio Theatre; Pervert for Northern Light Theatre; and The Unseen, which won the first-ever Critics’ Choice Award, for Chorus Productions in the 2011 Edmonton Fringe. Doug teaches part-time at the University of Alberta and is the Director of the Foote Theatre School and Young Companies here at the Citadel.

TRACEY POWER

Betsy/Lindsey

Tracey was last seen at the Citadel in Blackbird. Most recently she choreographed and performed in Les Miserables for Western Canada Theatre and directed Chelsea Hotel, The Songs of Leonard Cohen.

Acting credits include: UBUNTU; The Cape Town Project (WCT/ Theatre Calgary), La Cage Aux Folles (Vancouver Playhouse), The Number 14 (Axis Theatre), Stray (Workshop West), The Bone House (FTA), Urinetown, The Ecstasy of Rita Joe, Living Shadows, A Story of Mary Pickford, (Firehall Arts Centre), The Back Kitchen, I Love You, You’re Perfect, Now Change (Arts Club), The One That Got Away (Electric Company), A Midsummer Night’s Dream and Henry V (River City Shakespeare). Also a playwright, Tracey spent the summer developing a new musical entitled, Miss Shakespeare. Tracey has been the recipient of the Elizabeth Sterling Haynes and Jessie Richardson Awards for her work.

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BIOS KERRY SANDOMIRSKY

Bev/Kathy

With recurring roles on Arctic Air and The Killing, Kerry Sandomirsky has appeared in more than one hundred productions for stage and screen. For the Citadel: Tartuffe & Metamorphoses. Selected: Brilliant! & The One That Got Away (Electric Company/NAC); Much Ado About Nothing & Winter’s Tale (Bard on the Beach); How It Works & Unity, 1918 (Touchstone); Skylight & Patience (Belfry/ MTC); The Wars & The Importance of Being Earnest (Theatre Calgary/Vancouver Playhouse); Fire & Dancing at Lughnasa (The Globe). Recently: Communion (Ruby Slippers); Haunted (Touchstone); Calendar Girls (Arts Club). She teaches at the Studio 58 theatre program at Langara College and has scripted a onewoman show, Wobble, at the 2013 Banff Playwrights’ Colony. Her team won the Grey Cup.

EVAN HALL

Ensemble

Clybourne Park is Evan’s first appearance at The Citadel Theatre.

Other Edmonton credits include: Mary’s Wedding (Capitol Theatre), Macbeth (Theatre Prospero), Twelfth Night, Othello (Freewill Shakespeare Festival), Cymbeline, Fuddy Meers, Whisper (Studio Theatre), Murielle (Blarney/Promise Productions) and Gruesome Playground Injuries (BrainPile). Elsewhere he has been seen in Eyes of the Enemy (Watch Me), Much Ado About Nothing, Othello, and Double Falsehood (SITP Calgary), and the world premiere of The Brink (Prairie Theatre Exchange). He has also appeared in Hell on Wheels (AMC TV). Evan is a graduate of the University of Alberta’s BFA Acting program.

42 CLYBOURNE PARK

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BIOS JAMES MacDONALD

Director

James’ Citadel directing credits include A Few Good Men, God of Carnage, Billy Bishop Goes to War, As You Like It, Julius Caesar, The Blonde, the Brunette, and the Vengeful Redhead, Fire, Shining City, Vimy (Sterling Award), Equus, I am My Own Wife, and Stones in his Pockets. Elsewhere James’ directing credits include Julius Caesar for the Stratford Shakespeare Festival; The Old Ladies for the Shaw Festival; Much Ado About Nothing, Fire (Dora Award), and As You Like It for Canadian Stage; and seven productions for the Freewill Shakespeare Festival, where he was the founding artistic director. As an actor, James’ most recent appearance at the Citadel was as Scrooge in A Christmas Carol. Other Citadel acting credits include Marley in A Christmas Carol, The Three Musketeers, Little Women: the Broadway Musical, Blackbird, Pride and Prejudice, Measure for Measure, Amadeus, Einstein’s Gift (Sterling Award), Wit, To Kill a Mockingbird, The Importance of Being Earnest, and Of Mice and Men (Sterling Award). Elsewhere, his credits include the title roles in Macbeth and Henry V for the Freewill Shakespeare Festival. James is a graduate of the University of Alberta’s BFA Acting program. He is an Artistic Associate at the Citadel, and the Program Director of the Citadel/ Banff Centre Professional Theatre Program.

SIMON BLOOM

Assistant Director

Simon Bloom is the co-artistic director of the Dora award-winning theatre company Outside the March. Upcoming, Simon will be directing a remount of East of Berlin as part of the 2013/14 Punctuate! Performance Series. Directing credits include Murderers Confess at Christmastime (Outside the March/SummerWorks); The Last Days of Judas Iscariot (Studio Theatre); Hamlet, East of Berlin (U of A); The Absent One (StageLab); The Meaning of Thomas (Ignite!); Sexual Perversity in Chicago (Quiet Things Creative); Splinters (Plutonium Playhouse). Simon holds an MFA in Directing from the University of Alberta, and is a participant in the 2014 Citadel/Banff Centre Professional Theatre Program.

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BIOS LEONA BRAUSEN

Costume Designer

This is local designer/performer Leona’s third costume design for the Citadel including Betty’s Summer Vacation and Homeward Bound. Some of Leona’s other credits include Whiplash Weekend, The Scent of Compulsion, The Hothouse Prince, and The Ambassador’s Wive’s for Teatro La Quindicina, The last two garnering Sterling Awards. Leona has also designed many shows for Shadow Theatre, and 9 to 5 at the Mayfield Dinner Theatre where she will be designing the costumes for Deathtrap and Hairspray next spring. Leona also performs in Die-nasty the improvised Soap Opera, The Irrelevant Show on CBC radio and is a co-host of Hey Ladies at Theatre Network.

MARISSA KOCHANSKI Set Designer

Marissa Kochanski has worked as a professional set and costume designer for the last fifteen years. Previously at the Citadel she designed set and costumes for The Man Whose Mother Was A Pirate, Prairie Boy’s Winter, A Giraffe in Paris, New Canadian Kid, Love You Forever, The Paperbag Princess’s Favourite Stories and The Sword and The Stone. She is resident set designer for St. Albert Children’s Theatre and a freelancer whose past clients include Theatre Network, Firefly Theatre, Teatro la Quindicina, Keyano Theatre, and Victoria School for the Arts. Marissa is a regular contributor to Edmonton’s festivals, including costumes and installations for the Flying Canoe Adventure Walk in Mill Creek Ravine, and a combustible sculpture for the Silver Skate Festival, both coming in February. You can visit one of Marissa’s designs year round at the Strathcona County Public Library – a career highlight was designing the special features for the children’s area.

She has won a Sterling Award for Best Set Design (Marion Bridge, Theatre Network), as well as a Betty Mitchell Award (Calgary) for Best Costume Design (The Black Rider, November Theatre.)

She is also a lyricist, and was a finalist in the 2012 International Songwriting Competition in the Children’s Music Category, as part of the pop duo The Skips.

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BIOS NARDA McCARROLL Lighting Designer

Last season at the Citadel, Narda designed the lights for A Few Good Men and costumes for The Penelopiad. Narda’s other Citadel credits include set/lights for True Love Lies; lights for As You Like It, The Drowning Girls (cross Canada tour), The Forbidden Phoenix and The Goat; production design for Extinction Song, Shining City, Fully Committed, Blue Orange, The Syringa Tree and co-design for Vimy; and costumes for God of Carnage, Julius Caesar, The Pillowman and Einstein’s Gift. Other favourite design credits include set/lights for Sweeney Todd and The 39 Steps for Vertigo Theatre; production design for Red and Mary’s Wedding for Alberta Theatre Projects; and set/costumes for The Trespassers for Belfry Theatre/ Vancouver Playhouse. Narda has designed costumes for the Freewill Shakespeare Festival for fourteen seasons. This past summer she designed costumes for the feature film Cut Bank. She is the recipient of three Sterling Awards and two Betty Mitchell Awards.

MICHELLE CHAN

Stage Manager

Earlier this season at the Citadel, Michelle stage managed A Christmas Carol and Long Day’s Journey Into Night. Last season, Michelle was stage manager for Monty Python’s Spamalot, Private Lives, A Christmas Carol and A Few Good Men (Citadel/Royal Manitoba Theatre Centre co-production). Other Citadel stage manager credits are The Sound of Music, God of Carnage, The Rocky Horror Show, Little Women: the Musical, August: Osage County, Billy Bishop Goes to War, Beauty and the Beast, Sweeney Todd, Blackbird, The Wizard of Oz, The Forbidden Phoenix, Vimy, Wingfield’s Inferno, The Pillowman, Bird Brain, Fully Committed, Vanya, Shakespeare’s Will, Wingfield on Ice, Stones In His Pockets, Homeward Bound and The Sword in the Stone. Assistant stage manager credits at the Citadel include Oliver!, Peter Pan, Blithe Spirit, Cat on a Hot Tin Roof, The Sound of Music, Grease, Servant of Two Masters, Hamlet, Cabaret and Art. Other favourite stage manager credits include Mothership Down with Paper Tiger Productions; Afterplay for Blarney Productions; Evelyn Strange, Cocktails at Pam’s and Fever Land for Teatro la Quindicina and The 7th Circle and A Hero for All for Fringe Theatre Adventures.

Big thanks to Sang-Sang!

48 CLYBOURNE PARK

BIOS SANG-SANG LEE Assistant Stage Manager

Last season at the Citadel, Sang-Sang was assistant stage manager on Spamalot and Private Lives. Other Citadel credits include The Sound of Music, The Rocky Horror Show, A Christmas Carol, Billy Bishop Goes to War and As You Like It. Elsewhere, she has worked on A Midsummer Night’s Dream and King Lear for Freewill Shakespeare Festival; Hunchback for Catalyst Theatre; The Super Groovy 70s, Six Dance Lessons in Six Weeks and Dirty Rotten Scoundrels for Mayfield Theatre; Richard O’Brien’s Rocky Horror Show for Odd Lot Theatre; Seussical for St. Albert Children’s Theatre; Sang-Sang has spent a summer in Italy working on Don Giovanni with COSI. She is a graduate of Grant MacEwan’s Theatre Production program. Many thanks to Michelle!

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The Citadel Theatre Playbill is published nine times per year by Playhouse Publications Ltd. The contents of The Citadel Theatre Playbill may not be reproduced in whole or in part without the written permission of the publisher. All rights reserved by Playhouse Publications Ltd.

Inquiries should be made to: Playhouse Publications Ltd. 1200 Bell Tower 10104-103 Ave., Edmonton, Alberta T5J OH8 Ph: 780-423-5834 • Fax: 780-413-6185 www.playhousepublications.ca PLAYHOUSE PUBLICATIONS LTD. President & Publisher: Rob Suggitt Vice President: Stephen Kathnelson Art Director & Designer: Christine Kucher Advertising Sales: Barry Powis, Kerry Duperron Administration: Suzanne Peacock The Citadel Theatre Playbill is a product of Playhouse Publications Ltd., an affiliate of Suggitt Group Ltd. President & CEO: Tom Suggitt President & CFO: Rob Suggitt Playhouse Publications Ltd. also publishes The Arden Theatre playbill, the Edmonton Opera program, the Calgary Opera program, the FTA Arts at the Barns Magazine, the Hockey Edmonton Magazine and the Hockey Calgary Magazine.

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BOB BAKER

Artistic Director •

PENNY RITCO

ARTISTIC ASSOCIATES FTS Teaching Assistants GUEST SERVICES James MacDonald

Director, Citadel/Banff Centre Professional Theatre Program

Brian Dooley

Director, Play Development

Sophie Gareau-Brennan Katie Hudson Josh Languedoc Lianna Makuch Nadine Nahas

ADMINISTRATION

Doug Mertz

Marianne Bouthillier

Don Horsburgh

Peni Christopher

Director, FTS & Young Companies Resident Music Director

Wayne Paquette

Academy Associate

Diana Stevenson

Manager, Foote Theatre School

Young Company Instructors Shannon Boyle Don Horsburgh Heather Inglis Jackie Pooke Linda Rubin Kate Ryan Adrianne Salmon FTS Instructors April Banigan Mhairi Berg Adam Blocka Shannon Boyle Ashley Butler Gregory Caswell Ellen Chorley Crystal Hanson Sally Hunt Binaifer Kapadia Meghan Koshman Annette Loiselle Patrick Lundeen Tim Mikula Michele Miller Barb Mah Gail Olmstead Andrew Ritchie Matt Schuurman Liana Shannon Linette Smith Jennifer Spencer Eileen Sproule

Associate Executive Director Asst. to the Artistic Director/ Company Manager

Laurie McInnes

Kimberlee Stadelmann

Scott George Lafluer Assistant Head of Electrics

House Manager

Angelica Menck

Richard Stevens

Jeanelle Leclair

Nicole Diebert

Theresa Hovdestad Debbie Theuss

Rentals Manager

Shirley Tran

School Booking Coordinator

Kristen Hiemstra Josh Wickard

Assistant Box Office Managers

Guest Services Supervisors Director Myrna Gosnell Neil Le Grandeur Amanda Gregoire Associate Mark Harding Patrick Lundeen Courtney Lair Associate Tara-Lee LaRose Patricia Zentilli Jacob Liska Associate Alyssa McGowan Terry Schmolcke FACILITY Mark Stubbings Louis Barron Jane Voloboeva Director Guest Services Maintenance Representatives Colin Deegan Cody Carver Manager Tonya Rae Chrystian Bill Daniels Assistant Maintenance Joyce Dominguez Sylvia Douglas Manager Carol Dreger Bee Clean Services Jessica Glover Security Marg Gronnestad Alberta Crowd Christina Harbak Management Rebecca Loudon Building Porter Stuart McDougall William Cardle Brittany Molner Tara Gale Abbie Murison Carly Neis FINANCE Chris Powell Keith Strong Joyanne Rudiak Interim Director of Mark Sinongco Finance Valerie Smart Daniel Jee Hannah Whittaker

Payroll Accountant

Administrator

Jason Magee

Business & Legal Affairs Larissa Crocetti Assistant Rentals Manager

Cheryl Sinclair

Kristen Finlay

Director/ Box Office Manager

AUDIENCE DEVELOPMENT

Accounts Payable/ Receivable

Executive Director

MARKETING & COMMUNICATIONS Ken Davis

Director, Marketing & Communications

Manager, Media Relations Manager, Corporate Relations Coordinator, Robbins Academy Marketing

Neil LeGrandeur

Coordinator, Beyond the Stage Marketing

Fund DEVELOPMENT Neil Luipasco

Director, Fund Development

Sydney Stuart

Manager, Fund Development

PRODUCTION

Cheryl L. Hoover Director

Andrea Steinwand

Head of Scenic Paint Assistant Head of Scenic Paint Scenic Painter

Jim Meers

Head of Props

Charlotte Hunt

Assistant Head of Props

Vincent Meseck Props

Angie Sotiropoulos Props

Marc Anderson

Head Stage Carpenter

Andrew Hill

Assistant Head Stage Carpenter

Bill Heron

Patsy Thomas

Michelle Chan

Kayla Fulton

Technical Director

Head of Wardrobe

Resident Stage Manager Assistant Head of Wardrobe Judith Darough Assistant Technical Director Cutter

Patrick Fraser

Stephanie Ripley

Assistant Technical Director

Kyla Maki

Kathleen Morley First Hand

Julie Davie

First Hand Administrative Assistant Margie Berggren Milliner Head of Audio Genevieve Savard Ian Trace Stitcher Assistant Head of Audio Karen Beames Peter Locock Boots and Shoes Head of Scenic Lorraine Price Carpentry Head of Chris Hayes Wardrobe Running Assistant Head Barbara Becker of Scenic Carpentry Wardrobe Maintenance

Owen Hutchinson

Greg Cardinal

Samantha J. Rumball

Perry Harris

Tammy Fox

Scenic Carpenter Scenic Carpenter

Serge Menard

Head of Wigs

Assistant Head of Wigs

Scenic Carpenter

Sheila Cleasby

Head of Electrics

The Citadel is grateful for the kind generosity of its volunteers listed below. If you want to volunteer with the Citadel, please call Theresa Hovdestad at 780-428-2118 or e-mail volunteers@citadeltheatre.com.

Johanna Andreoff, Gale Arneson, Nelda Arnst, Judith Babcock, Connie Banigan, Carolyn Bell, Jacqueline Bell, Shelley Benson, Erika Beyer, Ursula Blumentrath, Jeanine Bonot, Florence Borch, Ken Borch, Shirley Boven, Loveth Bradley, Allan Budlong, Eileen Budlong, Jeanette Calder, Dee Cartledge, Gina Chea, Victoria DeJong, Carol Dreger, Shirley Dunn, Clifford Edwards, Lil Filewych, Laurie Fornal, Brenda Fraser, Wendy Fraser, Gilberte Gagne, Irene Gagne, Louise Gagne, Doreen Gagnon, Jackie Genest, Mervan Gorrie, Sharon Green, Christine Hall, Vicki Hall, Jeffrey Haswell, Rosemarie Heaney, Brad Heller, Marilyn Hemsing, Linelle Henderson, Daniel High, Amelia Hihn, Maria Hollinshead, Ron Homenchuk, Laura Hughes, Judy Hume, Laura Hughes, Bruce Johnson, Madalyn Johnson, Jessica Kavanagh, Kathleen Kellman, Carol Klass, Eva Kopecka, Arndt Kuethe, Janice Kuethe, Bonnie Labranche, Kim Lang, Nicole Leblanc-Lamarre, Ron Levang, Coral Levang, Karen Lewis-Caron, Patrick Lewis-Caron, Fran Linklater, Elizabeth Luchko, Caroline Lutz, Ross MacHetchuk, Dawn Madill, Wesley Matte, Angella Matthew, Donna McKay, Tom McLean, Donna Miller, Karen Miller, Janice Minamide, Monica Molina-Ayala, Donna Molloy, Robert Moore, Joan Murchie, Sulochana Muthia, Patricia Navarro, Florence Nieberding, Gina Nolet, Dennis Nolan, Barbara Olynyk, Linda Orlecki, Nicole Orlecki, Edith Parsons, Susan Patenaude, Anna Popowich, Joyce Powell, Kevin Przyswitt, Renee Przyswitt, Doreen Pysar, Tracy Renz-Augustin, Monica Robillard, Louise Rogucki, Audrey Ross, Ian Ross, Liam Ross, Helen Rusich, Joyce Schwan, Angela Seery, Phil Slawsky, Valerie Smart, Phyllis Solsberg, Evelyn Stark, Charlotte Stel, Eileen Stephens, Shu-wen Tham, Diane Trithardt, Rose Unguran, Mona Vandersluys, Brenda Voyce, Laura Wallace, Jason Way-Kowalchuk, Selena Wang, Kay Willekes, Bonnie Woloschuk, Denise Woollard, Laura Wylde, Lil Yewchuk CLYBOURNE PARK 53

CITADEL VOLUNTEERS

STAFF

performance I place I pride

In recognition of the Citadel Theatre’s 50th anniversary in 2015, the ENCORE Campaign plans to raise $5 million through several fundraising initiatives to support Citadel productions and programs along with an exciting facility enhancement.

For more information about the ENCORE Campaign, please contact: Neil Luipasco OR Director, Fund Development 780.428.2141 nluipasco@citadeltheatre.com

Sydney Stuart Manager, Fund Development 780.428.2142 sstuart@citadeltheatre.com

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