Portfolio 2022 | Sufail

Architectural Portfolio Selected Works 2019 - 2022

Sufail | Architectural Student

Curriculum Vitae

Hi. I am Sufail. I’m currently pursuing my Fourth year Bachelor of Architecture at School of Planning and Architecture,Vijayawada. As a student I always look forward to take a chance in being creative and to make impossible things into possible .

Architecture is the way to pursue my dreams of creativity, in these journey of 4 years i developed skills to make things possible. I’m looking forward to work and aquire more knowledge and experience things in practical.

Sufail

Phone : 9544867358 , 7306106712 Email : sufaillogin@gmail.com Instagram : sufail_hamz

Bachelor of Architecture School of planning and architecture Vijayawada, Andhra Pradesh

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Curriculum Vitae

Software efficiency

About From

: Tirur , Kerala

D.O.B

: 10-02-2000

Languages

: English | Malayalam | Hindi

Education 2019 - Present School of planning and architecture, Vijayawada Andhra Pradesh, India 2006- 2018 MES Central School, Tirur Kerala, India 2004 - 2006 MES Indian School, Al Khareeja Doha, Qatar

Auto - CAD

Revit

Sketchup

Photoshop

Lumion

Indesign

V-ray

Lightroom

Enscape

Microsoft office

Personal skills Teamwork Adaptability Time Management Multi tasking Leadership Communication Athlete

Roles and Responsibilities

Academic Works

School Head Boy - MES

Semester I My space

Sports Co-ordinater - SPAV, MES

Semester II Nine Grid Design

Cultural Head - Vismayam

Semester II Temple Documentation

Abacus Competition - MES

Semester III Post Office Semester III Studio House

Workshops

Semester IV Primary School

Vertical design Studio

Semester V Interpretation Centre

Brick and Glass Workshop

Semester VI Mixed Use Building

Clay Modelling Workshop

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“The essence of Minimalism is simplicity, but simplicity without depth is merely cheap. It is not enough.”

- Tadao Ando.

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C O N T E N T S

Studio House Residential Design | Page 6 - 13

Cultural Interpretation Centre Urban Context Design | Page 14 - 23

Elementary School Rural Context Design | Page 24 - 31

Miscellaneous Works Selected Works from 2019-22 | Page 32 - 37

| OI | | OII | | OIII | | IV |

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| OI | Studio House Location: Vijayawada, Andhra Pradesh Site Area: 500 sqm.

Mentor: Ar. Madhav Rao Semester III, 2020

The brief was to design a residentional space linked to any of the profession of our choice in the outskirts of the city. Due to the pandemic, the work from home culture has been encouraged, so design a studio house which the professional can use as a holiday home with one bedroom, Kitchenette and a working space with total area not more than 70sqm

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Site Plan

Design Story The client for this space is an Artist who gained his credibility over murals and painting, his main styles of art was dealing with geometrical shapes and colours as seen below. He wanted to have a studio home particularly for his art experiments and also to have some relief from the busy noisy cities. The plot for his space is 30km away from Vijayawada and its around 500 sqmts.

28M

26M

20M - 7 M

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W i d e

R o a d -

He demands to have a studio home that callibrating with any of his taste, also the design should encourage his art sense and should provide him visual treat in his stay. The function is limited mainly into his working and living ,thus asking for studio space ,a bedroom ,toilet and kitchenette.

Form Development

1. Base

2. Quadrant

12 M raduis cirlce is taken as the base shape to develope the form,

From the circle a quadrant or a sector of angle 90° have been cut and rised

3. Shaping

4. Massing

The chamfering over each block is done and then quadrant has been divided furter into different angles like 45° and 22.5°

The roofs then levelled into different heights obtaining the assymetric heirarchy in the blocks, final form is derived by giving an open courtyard in the focus of the form

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Views

+4800MM

+300MM

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G.L. ^^^

Ground Floor Plan

9 5 8

A

7

4

6 3 2

A’

1

+4000MM +3400MM

LEGEND

+400MM

Section A - A’

G.L. ^^^

1.Car-porch

2.Entrance

3.Courtyard

4.Kitchenette

5.Bedroom

6.Washroom

7.Studio

8.Living-area

9.Pond 11

Form | Exterior The form as mentioned, all rotates around the geometrics shapes and curves.

The entire design Focuses on to a point and built like it spreads from there, each connecting the nature. Cirles are the cornerless shapes, many mathematicians and philosophers considered it the most perfect of all geometric shapes, while theologians felt it supernatural or divine. For the artist the mysterious circle was always a thing of beauty and a joy forever 12

Space | Interior The plant is the significant element in inspiring the spacial distribution of this design. The heirarchy in a plant where the highlighting part is its beautiful flower.

Similarly in this design, the studio space of the artist has been highlightened with its size, shape, height and the natural light gainers given in the curly side of the space. The leaves and the stem also an essential part of a plant plays different role for its survival, as the bedroom and other distinct space do for the proper functioning of the design.

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| OII | Cultural Interpretation Centre Location: Near Sarovaram Biopark, Calicut , Kerala Site Area: 8500 sqm.

Mentor: Ar. Srinivas Semester V, 2021

The brief was to first identify and understand the heritage and culture of our hometown, then find a suitable site and design an Interpretation Centre for the City, which includes an exhibition center, an admin block, craft bazaar, OAT, workshops and Food Court. The design has to emphasize on heritage architecture without replicating it.

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Site Plan

LEGEND 1. Dropoff Point 2. Parking 3. Ticket counter 4. Guest Block 5. Admin Block 6. Central Park 7. OAT 8. Market Square 9. Exhibition Block 10. Workshop 11. Food Court 12. Service Yard 13. Loading and Unloading

Involving Malaba culture face of th ate sycronism in a involves various d forms, etc, which meaning to the In centre

14. Service Entry/Exit This interpretation centre aims at dissimination of knowledge in a user-friendly interractive way. Interpretation centres should help the visitor understand the significance of the place and connect those meanings to the visitors own past experiences. The idea is to create curiosity in the visitor to listen, participate and actively involve so as to learn about the heritage of the city. The information is translated to people in everyday language that is a combination of various techniques of communication in which architecture plays a major role.

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Exploded Isometry Food court Workshop Market Square Museum Admin block

Exhibition Hall Exit Paddipura OAT

Parking Entry Padippura

ar traditional and he city is to crearchitecure, that design styles, art h gives broader nterpretation

The Design was developed on the basis of Traditional Kerela Architecture and Colonial Architecture

The design follows the spacial arragement refering to the traditional Kerala House, Nalikettu (4 Block Structure)

Along with the form, the way of Vastu shastra and Thachu shastra are being dissolved in design 17

Site Section

Guest Block Padippura

Ticket counter Dropoff Point

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Workshop

Open Air Theatre Museum Exhibition Hall

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Block Plans Visitors Block

Ticket Counter

Admin Block

A

A’

Open Air Theatre

Central Park

Market Square

B

B’

Event Block

C

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Workshop

Food Court

C’

Aerial View

Sections

Section A - A’

Drone View Section B - B’

Entrance Viewv

Section C - C’

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Symmetry | Balance | Reflection The event block and the food court is designed in such a way that the entire block is in symmetric form having central space as a workshop, symmetry is the reflection of shared forms, shapes, or angles across a central line or point called the axis.

This is one of the oldest and most continuously used ordering principles in architecture. The exhibition hall and the museum is divided with an idea of mutual reflection, such that the spaces formed in between the division is used functionally according to the space provided.

Event Block

Elevation

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Traditional Spaces

Chuttu Verandah

Design includes many traditional building spaces like Poomukham, Chuttu verandah, Charupady etc which are seen in Kerala Architecture. Poomukham is the entrance verandah, is known as the first interior space of the house. Poomukham is appended with an open passage,ie the Chuttu verandah, which leads to either side of the building, usually surrounding it. This space was traditionally marked by lights that were suspended from the roof, hung at equal distance from each other.And atlast the Charupady, which is a verandah seating that enables one to take advantage of the open corridor or verandah, enjoying the breeze or the rain.

Poomukham

Chuttu verandah

Charupady

Public Interactive Spaces

Open Air Theatre

Padippura

Market Square

The Interpretation centre consists of various public interactive spaces like the open air theatre, market square and other spaces.

OAT consists of 2 greenrooms, a stage and public seating spaces.

The Nadumuttom (central park) is combined with the OAT making the space connected to the public and open for a larger audience.

Where as the market sqaure is similar to the local street markets in Calicut,which is connected to the loading and unloading area fromthe service road.The entrance is also having a special form called Padippura which was adopted from the Kerala traditional Architecture, which is a grand arched gateway on a path leading to the main building.

Nadumuttom

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| OIII | Primary and Nursery School Location: Amaravathi, Andhra Pradesh Site Area: 2400 sqm.

Mentor: Ar. Anil Kumar Semester IV, 2021

The brief was to design a nursery and primary school with an aim to have a physical environment which will ensure overall personality of a child of significance in the project is the understanding of the schooling system that to be followed and the spaces compliment the same.

Remember the school is in a rural setup hence make sure your school contribute something to the community

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Plans

LEGEND 1. Assembly Area 2. Nursery Classroom 3. Staff rooms 4. Classrooms 5. Washrooms 6. Sleeping room 7. Medical room 8. Office 9. Principal Room

- Ground Floor Plan

10. V. Principal room 11. Meeting room 12. Common area 13. Dinning area 14. Canteen 15. Auditorium 16. Yoga room 17. Library 18. Administration Room

- First Floor Plan 26

05. Build form

Terrace

Exploded Isometry

The Breathing School

04. Form

First Floor

of Amaravathi

Heights and the stretches are adjusted with the form

Voids and Passages are given for the ventilation and natural

Ground Floor

03. Structure

02. Solid

01. Plan Basic plan obtained from the grid Method

Isometric View

Form is rised with a solid symmetric structure

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Elevations

Front Elevation

Interior view of the School courtyard

Side Elevation

Rear Elevation

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Sections

Section A - A’

Exterior view of the School

Section B - B’

Section C - C’

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F3 C

Working Drawings

F4

C'

- Column Detail

D

- Referre

2

1

7300

4

3 2300

3700

7

6

5 2200

5700

10 11

8 9

4200

1200 4700

5700

12

2300

7300

T3

2300 2450

F1

A

F1

F1

4100 3200

E

T1

1300

F3

2450

T3

T1

F1

4600

8MM DIA STEEL BAR

T1

T1

RCC

F1

F4

F1

F4

F1

F1

F1

12MM DIA STEEL BAR

4750

T1

T1

T1

T1

T1

T1

T4

T4

T1

D

+150 +300 +150

+450

+450

+150 +300

600

E

100MM PCC BED 1:2:4 RATIO

100

1300

C

F1

T1

600

2300

G

T1

2300 F1

F

T3

F1

F1

T1

T1

150

F1

T1

F1

T1

T1

F3

F1

T1

T1

F1

F1

F1

F1

F1

T1

T1

12MM DIA STEEL BAR

T1

4600

F1

42

B

T1 F1

T1

F1

5700

F1

T2 F1

C D

2200

6400 F2

T1

3200

F1

T1

T1

F1

T1

3700

4100

F1

T1

T2

3200

2300

F1

F1

F2

T1 F1

2300

6

5

A

T1

UP

4600

3200

T1

4900 F1

B

F1

T1

6400

T1

4

3

7300

1

100

2 3 4 5 6 7

F

- Wall Section

G

8 9 10 11

2300

2

1

- Trench and Footing Layout PARAPET WALL LVL +8050

PARAPET WALL

1000

TERRACE FLOORING 10MM WATER PROOFING LAYER ROOF LVL +7050 1000 300

150MM ROOF SLAB

2

1

4

3

7

6

5

10 11

8 9

12 1850

7300

2300

3700

2200

5700

4200

1200 4700

5700

2300

7300

METAL RAILING

A 300

6400

S1

CHAJJA S1 S2

S3

S3

S4

S2 700

3200

B

4100

C

S8

S6

3200 4600

E

G

S16

S16

300

S6

S18

750

S9 S15

S7

1300

S9

S14

S10 S11

150

S7

BEAM STEEL BAR 12MM DIA 300X300

1300

LINTEL 230X150

8MM DIA STEEL BAR

LINTEL LVL +2550

S10

WINDOW

S13

S12

2300

F

S8

S17 S18

D

150MM THICK SLAB

SUB FLOOR LVL +3750

S5

S5

1300

RCC

15MM PLASTERING

SILL

12MM DIA STEEL BAR 11MM PLASTERING

600

SILL LVL +1250

600

75

PLINTH BEAM 300X300 725

100

- Slab layout 30

T3

100MMFLOORING PCC BED 75MM PCC BED 1:2:4 RATIO

100

FFL +473 450

+150 GL +/-0

- Combined footing Detail

T

D'

ence Plan

2

1 7300

7

8 9

200

10 11

1200 4700

5700

2300

4

3 2300

3700

7

6

5 2200

5700

10 11

8 9

4200

1200 4700

5700

12 7300

2300

12 7300

T4

46900

2300

7600

300

A

460

1700

450

2680

1700

460

300

W1

W1

745

W2

2300

2000

300

300

7600

2000

300

450

450

115

115

700

700

460

1700

2680

1700

460

300

450

W1

W1 W2

1575

6400

2200

+150 +300 +450

450

150

450

W3

300

6475

4020

4020

450

W3

450

2200

SB

6475

(Switch Board)

450

SB1

3080

D1 1075

B

115

3200

1700

3575

2200

700

3370

1075

115 450

115

W2

700

3320

1075

115 300

3900

300

450

W2

1075

D1

W1

115

1075

3320

115

1075

3370

1075

115 450

700

W2 D1

D1

450

450

6850

450

7000

6700

450

6700

V3

T4

SB6

1020

350 4140 2460

1030

V2

2460

SB7

1000

825

V1

500 115 450

450

230

W1

450

300

300

875

W1

1700

460

W1

W1

1700

790

450

640

1700

460

450

1700

825

W1

450

300

300

825

460

W1

W1

W1

1700

1700

640

450

790

1700

460

450

1700

875

450

SB8

450 300

300

7000

230

50

200

200

450

200

200

300 150

300

7000

2440

350

450

50

2440

SB9 2900

SB10 7000

230

300

300

450

450

450

115

115

4600

115

2610

1700

115

235

3103

1700

1942

1075

230

D1

450

2625

450

2660

900

W1

W1 710

1700

2000

1700

300

1430

W1

W1

W1 890

1075

1560

1700

115

530

115

1672

115 530

1672

1700

2495

7600

450

1170

1700

2030

5850

450

1700

925

7750

115

W1

22

1

D1 2510

300

230

1700

1695

D3

115

1075

SB12

115

450

450

SB11

865

3900

W1

W1

115

W1

450

21

2

W3

230 450

1150

115 1075 115 115

2200

7000

450

UP

900

4900

2300

G

21875

350

14

F

500

D2

15

12

SB5

230

V1

1000

4029

2900

SB4

450

115

6850

450

7000

D2

16

13

3460

500 115

7000

450

115

1700

SB3

1000

945

1150

21 20

V2

D2

1710

V1

D3

22

17

115

1000

1000

E 18

450

6850

350

450

D

19

SB2

115 300 115

300

W2

D1

D1

115 450

700

450

450

W3

230

150

+450

115

300

2250

D1

5940

1635

3200

+450

115 300 115

5960

1415

4100 +300 +150

+150

450

230

5960

245

21875

+300

3755

345

450 230

C +150

5940

3

20

4

19

5

18

6

17

7

16

8

15

9

14

10

13

11

12

950

D1

950

D4

D4

450

2730

2940

935

W1

V1

500

4911

SB13

1665

V1

1700

2000

460

450 230 500

1787

4900

450

350

350 1665

W1 925

2000

2200

W3

D1

2765

W1

W1

1700

1787

1430

300

720

1700

2005

5115

21200

1700

SB14

450 875

300

SB15

7600

21200

SB16

300 300

3900

300

SB17

4500 46900

SB18 SB19

- Brick Work Layout

SB20 SB21 SB22 SB23 SB24 SB25 SB26 SB27

W1

SB28

W1

W1

W1 W2

W2

W3 W3

SB9

SB2

SB1

SB6

D1

D1

SB5

W2

W2

SB7

SB3

SB8

W2

W2

D1

D1

D1

D1

D1

W1

SB4

V2

D2

W3

V1

V1 D2

V3

D2

V2

12MM DIA STEEL BAR

V1 W1

150

W1

W1

SB10

W1

W1

W1

W1

W1

SB23

8MM DIA STEEL BAR SB28 SB27

SB22

RCC

UP D3

D3 SB25

W1 W3

W1

100MM PCC BED 1:2:4 RATIO

SB24

W1

W1

1

SB12

D1

12MM DIA STEEL BAR

D1

W1

SB26

W1

W1

SB13

2

SB14

22 21

3

20

4

19

5

18

6

17

7

16

8

15

9

14

10

13

11

12

SB11

W1

SB15

D1

SB17

D4

W1

SB16

V1

SB19

SB18

SB21

W1

W3

D4

V1

D1

SB20

W1

W1

W1

- Electrical Layout 31

| IV | Miscellaneous Works Installation Furniture Design Model Making Competition Documentation

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The Tower Installation

The Tower was an Installation done as a part of SPA Meet and INYAN (college fest) 2019. This was also an Projection mapped art work. Projection mapping was done on its hexagonal slanted sides. These Towers act as a shading space, an Interaction space, a space for protest and so on. They are more like iconic than just a space. They are landmarks. I was involved in the construction process in Carpentry. The towers was also a functional pavilion where students can spent some quality time.

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400

2200

PLAN

CABINET AND SHUTTERS COLOR TO MATCH AS PER 3D 610

2200

610

400

370

470

270

610

FRONT - CLOSED ELEVATION

SIDE ELEVATION

OPENING INSIDE FOR WIRE CONNECTIONS

Furniture Design

TV unit and Kitchen Cabinet

FRONT - OPEN ELEVATION

SIDE ELEVATION

TV CABINET - PLAN AND ELEVATION

TV unit and Kitchen Cabinet was myself designed and made the detailed sheets for construction, the project was for my home. Both of the furniture were built and placed with the help of skilled workers. The material used for the construction was the multi wood which is termite proof and then covered with the wanted finish matching to the interior of the home.

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Advance Building Construction Model Prismatic Folded Plate Structure

For the VI semester Advance Building Construction subject, whole class were assigned to make a model of any Long span Structure forming into a group of 5. The material for model, scale and method can be of our choice. So our choice was to make cement model of 1:100 scale with 1:4 cement plastering and wooden sticks as the reinforcement material.

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ANDC 2021

Solace of a Soothing Shade in the Oppressive Heat of Day Designing mobile settlement to shelter construction labourers of the medium scale project is the objective. The design is collapsible and easily employed over a variety of terrain, stages of construction and weather conditions. The design, addresses the core problems concerning safety, security, privacy and right to dignified lives for the labourers. Beyond providing a roof over their head, what labourers desperately need is a reason to unite and resist exploitation. thus the design aims to give them a voice.

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Temple Documentation II Semester Group work

Sri Cheluvanarayana Swamy Temple in Melkote, Karnataka was the temple documented by our group.

We did a detailed study on the spacial configuration, carved monolithic pillars, social and culture history, structural framework of this 12th century temple. We also focused on the different parts of the temple like gopurams and its types. The documentation also includes the comparison of anthropometric differences, technics used in the joineries, materials used, and other important deliverables. The documentation sheets also achieved a special mention from the jury panel for its vintage look and presentation.

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Thank you Phone : 9544867358 , 7306106712 Email : sufaillogin@gmail.com Instagram : sufail_hamz