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• Beautifully Presented, 3 Double Bedrooms

• Spacious home with a separate self-contained Coach House

• Large Garden with Castle Views • 3 Light-Filled Receptions, Kitchen & Utility • Large Garage and Workshop

• Main house with 6 bedrooms and 6 bath/shower rooms • Large Drive, Triple Garage and Superb Views

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• 2 Double Bedrooms, Wet Room

• 3 Bedrooms, 1 Bathroom

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Gurnard

Cowes

• Beautiful Detached Lodge

• 3 Receptions, Kitchen, 3 Bathrooms

• 3 Bedrooms, Large Family Bathroom

• Wrap Around Gardens

• Smart Kitchen with Island, Sitting Room,

• Chain Free, Steeped in History

• Utility Room, Study

• 3400 ft2, with planning permission to extend

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Cowes

Parkhurst Forest

• Large Airy Apartment

• Semi Detached Home in Woodland Location

• 2 Double Bedrooms, One Ensuite plus Bathroom

• 3 Double Bedrooms, plus Attic Room, Family Bathroom

• Kitchen/Dining Sitting opening to Terrace with SEA VIEWS

• Dining Room opening to Covered Terrace, Sitting Room

• Terrace Access from BOTH Bedrooms

• 12 Solar Panels, 8KW Storage Battery, EV Car Charger

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Proud to feature in this landmark 100th edition

The Island’s property people From coastal homes to countryside retreats, we’ve been helping people make their move across the Island for over 35 years.

Scan to book your free property valuation today.

With sales & lettings branches in key locations across the Island, we can help you sell your property and find your next home.

We’re the Island’s most-trusted agent and have been selling and letting homes since 1990.

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The Island’s Award Winning Bespoke Kitchen Company For a home consultation or visit to our Showroom & Workshop Give us a call on 01983 295 399 You can request a Free Brochure on our website www.bagshots.com Unit 2, Seaways, Seaview Road, Cowes PO31 7US

New Bagshots Interior Design Studio Opening Soon in Cowes

We are delighted that Sophie Conran’s beautiful handmade sofas and armchairs will be available to source and view at Bagshots’ new interior design studio in Cowes. Each piece is handmade to order in England using traditional techniques and natural materials, upholstered in fabrics printed in the UK, including organic cottons woven in Yorkshire by a mill that has worked with Sophie Conran’s family for over forty years.

HELLO Cover Illustration: by Angelina Bambina

Editor Christian Warren christian@styleofwight.co.uk Associate Editor Lottie Begg lottie@styleofwight.co.uk Sub Editor Helen Hopper Writers Cheryl Buggy, Rebecca Lawson, Ginnie Taylor, Noah Warren, Emma Elobeid Design and Creative Christian Warren

Autumn always seems to arrive quickly on the Island. One minute we are making the most of long evenings by the sea, and the next we are reaching for a jumper and thinking about lighting the fire. It is also the perfect season for staying in, getting comfortable, and losing a few hours to a good book. With that in mind, this issue explores the Island’s lively literary scene. You can find local authors galore in this issue, and explore the places that have inspired writers over the years. We also catch up with one of the Island’s most successful authors, Katie Daysh, about her novels, her writing life and the inspiration she finds close to home. Food is never far from our thoughts either. We are making the most of raspberries while they are still in season and taking time for a proper cream tea. We also share a selection of locally available furniture, fabrics and furnishings, with plenty of inspiration for making home feel cosy as the nights draw in.

Photography Christian Warren, Julian Winslow, Gary Wallis Sales Christian Warren christian@styleofwight.co.uk Distribution office@styleofwight.co.uk 01983 861007 Christian Warren

Get in touch We print on sustainable paper using ecologically friendly inks and use a ‘carbon balanced’ printer. Every effort is made to ensure the accuracy of Style of Wight Magazine, but legal responsibility cannot be accepted for errors, omissions or misleading statements.

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Winners at the IW Chamber Awards 2016

September October 2026

An Charming Boutique Hotel and Dining Eperience 1 Holyrood Street Newport Isle of Wight PO30 5AU 01983 521717 info@oneholyrood.co.uk

CONTENTS REGULARS 14 16 35 144

Style Scoop What’s happening across the Island Style Picks Books and literacy Style Spectrum Cloud Chaser with Lynne Pearce People Who Shape the Island Queen Victoria: The Island’s Queen

FEATURES 19 29 40 79

Within Sight of the Sea An interview with Katie Daysh What Sits Beneath The craft of traditional upholstery Real Life The World Press Photo Exhibition A Story to Be Told Exploring the Island’s literary life

FOOD

55 69 72

Meet the Chef Danielle Maupertuis Eat the City Destination Amsterdam Fork in Good Food Autumnal raspberries

WELLBEING 108 110

115

SOMA Keep moving through the season The Other Season Embracing the Island’s autumn waters

HOME AND GARDEN 96 115 124 128

Ian Mankin The enduring appeal of honest materials Homes in Style Furniture and furnishings for autumn Bagshots Kitchens Creativity and craftsmanship Vintage Elegance Hydrangeas for the autumn home

September October 2026

STYL E SCOOP

An Evening of Classical Music Newport Methodist Church welcomes Maya Szaloki, Sandor Sztankovics and friends for a special evening of classical music on Saturday 12 September at 7pm. The programme will feature works by some of classical music’s best-loved composers, including J. S. Bach, W. A. Mozart, Franz Schubert and Vaughan Williams, alongside further pieces performed by the ensemble. The concert takes place at Newport Methodist Church, Quay Street, Newport, PO30 5BA. Admission is free, making it a lovely opportunity to enjoy an evening of live classical music in the heart of Newport. Refreshments will be available during the interval, with a retiring collection in aid of church and musicians’ fund

A Royal Dickensian Christmas This November, The Royal Hotel in Ventnor will invite guests to step into the world of Charles Dickens for a Christmas house party. At the heart of the weekend will be Gerald Dickens’s celebrated one-man production of A Christmas Carol. First performed in 1993, the show has since travelled across the UK, the United States and beyond, earning Gerald an international reputation for bringing his ancestor’s characters vividly to life. Ian Dickens will offer a personal glimpse into his family’s extraordinary literary legacy, as well as discussing Dickens’s time on the Island and the creation of the Dickens Trail, which links Shanklin, Ventnor and Bonchurch through places connected with the author. It is a fitting setting. Charles Dickens stayed at The Royal in 1838 and returned to the Island in 1849, spending four months in Bonchurch while writing David Copperfield. He described the area as “the prettiest place I ever saw in my life, either at home or abroad.” Enquiries call The Royal Hotel on 01983 852186

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Harp on Wight International Festival Harp on Wight International Festival returns to Ryde from Thursday 22 to Monday 26 October. The five-day programme brings together harpists from Britain and overseas for concerts, workshops and opportunities to explore classical, jazz, folk and contemporary harp music. Highlights include Monika Stadler’s opening concert, Between Earth, Sea and Sky, and Breton musician Tristan Le Govic’s Breton Harp Rewoven. Visit harponwight.co.uk for the complete programme and tickets.

Could you write the next modern classic? In January 2027, East Dene Estate will host an exclusive writing retreat in historic Bonchurch, featured in association with Style of Wight. Leading specialists from the professional worlds of writing and publishing will share their insight through workshops, discussions and dedicated writing sessions. Places will be deliberately limited, allowing each writer the space and attention to develop their work. See page 86 for registration

Wellbeing Walk at Newtown Take some time to slow down and reconnect with the natural world on a guided Wellbeing Walk at Newtown National Nature Reserve on Saturday 5 September, from 10am to 11.30am. The gentle walk combines mindfulness, meditation and sensory activities, before finishing with light movement suitable for all fitness levels.

The free session is open to adults and young people aged 16 and over, with participants meeting at the Visitor Point car park, PO30 4PA. Walking shoes are recommended, along with a blanket or mat for the relaxation session. If wet weather prevents the walk, natureinspired arts and crafts will take place indoors instead. Booking is essential. Call 0344 249 1895

Beer and Steam Beer and Steam returns to the Isle of Wight Steam Railway at Havenstreet on Saturday 10 and Sunday 11 October. Visitors can sample local and mainland real ales, alongside a selection of ciders, with Island breweries including Yates’, Goddards and Island Brewery. Live music will run from 1pm to 4pm each day. Festival entry is free, although standard fares apply for visitors wishing to travel aboard one of the railway’s steam trains.

Isle of Wight Autumn Walking Festival The Isle of Wight Walking Festival returns from Saturday 3 to Sunday 11 October, inviting walkers to explore the Island’s coast, countryside and hidden corners. The programme includes routes for experienced hikers, families and relaxed wanderers, exploring local wildlife, landscapes, history and communities. Many walks are free, while others request a donation or require advance booking. Visit isleofwightwalkingfestival.co.uk to explore the full programme and reserve your place.

Isle of Wight Jazz Weekend

The Isle of Wight’s first Poet Laureate will be announced

during a ceremony at Quay Arts in Newport on Thursday 15 October. The evening will celebrate the five shortlisted poets, their work and the Island’s literary community before the new laureate is revealed. Anyone interested in attending the ceremony should contact the organisers through iowpoetlaureate.org.uk for further information and availability.

Isle of Wight Jazz Weekend returns to Newport from Wednesday 16 to Sunday 20 September. Highlights include Claire Martin and Laurence Cottle’s Bass to Face, Alan Barnes’ Reed-aRama, the Jazz Dynamos and Steve Waterman’s celebration of Miles Davis. Concerts will take place at venues across Newport, accompanied by fringe performances in local pubs and cafés. Tickets: from £10, with £5 tickets for u21s. www.jazzweekend.co.uk

September October 2026

ST YL E P I CKS

BOOKS & literacy From Island stories and prehistoric discoveries to creative writing and unforgettable food, our latest Style Picks bring together books to inspire, explore and treasure.

01 By Morning, the Sea Had Taken It More than 50 short stories and poems from Isle of Wight publisher Lemon Jelly Press, each travelling its own path towards the same haunting final line.

02 A Field Guide to the Fossils and Geology of the Isle of Wight Local palaeontologist Megan Jacobs offers an accessible introduction to one of Britain’s richest fossil landscapes. An illuminating companion for curious visitors and seasoned fossil hunters alike.

03 Write It Down A recipe journal with space for more than ingredients and instructions. Record the memories, people and stories behind the food that matters most.

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05 VEGANISSIMA: Vegan and Gluten-Free Afternoon Teas

04 Creative Writer’s Handbook A lively, practical guide to writing stories, poems, blogs and scripts, filled with inspiration, expert examples and space to experiment. An ideal companion for any young writer finding their voice.

Danielle Maupertuis transforms plants, herbs, flowers, spices and vegetables into imaginative sweet and savoury bakes. Every recipe is vegan and gluten free, proving afternoon tea can be inclusive, beautiful and delicious.

06 Archive: McQueen: Backstage - The Early Shows The first book from Big Smile Publishing, ‘Archive: McQueen: Backstage — The Early Shows’, Photographer Gary Wallis first met Lee McQueen, later known as Alexander McQueen, while they were both studying at Central Saint Martins. This intimate collection, published as a beautiful litho printed hardback, is a must have for any discerning lover of McQueen and fashion alike.

WIN - OUR STYLE PICKS! Scan the QR code now to win. Or visit our website styleofwight. co.uk OPEN ONLY TO ISLAND RESIDENTS.

September October 2026

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within sight of the sea Words: Lottie Begg Images: Julian Winslow

“I’ve always lived in sight of the sea, so I think that’s really had an influence.”

September October 2026

t feels like the natural place to begin when I meet author Katie Daysh, not far from her Ventnor home, to talk about books, history, writing, and the Island we have both lived on all our lives. The sea is never far from our conversation, just as it is never far from Katie’s work. “I’ve always lived in Ventnor. I’ve always lived in sight of the sea, so I think that’s really had an influence.” Katie is the author of the acclaimed Nightingale and Courtney trilogy, Leeward, The Devil to Pay and A Merciful Sea, published between 2023 and 2025. The Times named her debut, Leeward, a Historical Novel of the Year. The series has established Katie as a distinctive voice in historical naval fiction, placing queer characters and overlooked histories at the centre of the traditional Age of Sail adventure. Yet for all the distant seas and different centuries her novels take us to, Katie’s own story has never strayed far from home. The Island weaves through her story, not simply as the place where she lives and writes, but through generations of family history. Her roots here run deep. Katie’s maternal grandfather was born on the Island, following generations of his family before him, while another relative was an official photographer in Ventnor in the early twentieth century, documenting the same town that, more than a century later, remains Katie’s home. We soon find ourselves talking about something familiar to many Islanders: the assumption that growing up here means you will eventually leave. Katie remembers it being almost expected when she was at school. After sixth form, she visited universities on the mainland, but the experience didn’t feel right. Instead, she chose to study through the Open University and stayed. It’s something I understand. There can be an uncomfortable feeling that staying on the Island requires an explanation, as though ambition naturally points north across the Solent. Katie’s career challenges that idea. She talks warmly about the creative community she has

“I don’t remember anything else. I can’t remember how old I was, but I remember standing there and watching the storm and the sea come in.”

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found here and, rather than feeling restricted by Island life, has reached a point where she can’t imagine wanting to leave. And there is another reason staying feels significant. For Katie, a life on the Island has meant a life lived within sight of the sea, a constant presence that has found its way into both her imagination and her writing. Some of our earliest memories have a habit of revealing the things that will matter to us later, and one of Katie’s is particularly fitting: standing with her dad beneath the Cascade in Ventnor during a huge storm, sheltered as waves crashed over the railings. “I don’t remember anything else. I can’t remember how old I was, but I remember standing there watching the storm and the sea come in.”

As well as the land and sea surrounding her, Katie found inspiration through the stories she absorbed as a child. Ventnor’s old smuggling museum fed an early fascination with maritime history, while films such as Jason and the Argonauts, Clash of the Titans and, rather brilliantly for a six- or sevenyear-old, The Poseidon Adventure brought the danger and drama of the sea to life. Later came Moby Dick, a book that opened the door to traditional Age of Sail fiction, and visits to Portsmouth Historic Dockyard, where Katie could physically step into that world. Walking the decks of historic ships offered something books alone couldn’t: a sense of their scale, their layout and, perhaps most importantly, just how claustrophobic life aboard them must have been.

What fascinates Katie most, though, is not the mechanics of sailing. In fact, there is an interesting contradiction at the heart of her relationship with the sea. “I’m terrified of open, deep water. But I think that’s probably why I’m attracted to writing it, because I find it so fascinating and so frightening.” Perhaps that fear is part of what makes the sea so potent in her fiction. Katie investigates the dynamics that emerge when individuals from diverse backgrounds are forced into a severely restricted space. They must then manage hierarchy, danger, relationships, and interpersonal connections, having no alternative location. Listening to her describe it, something clicks.

September October 2026

A ship is a tiny world surrounded by water. Its inhabitants live and work alongside one another, separated from everywhere else by a geographical boundary that shapes their lives. In its own way, a ship becomes a microcosm of an island. We have considerably more room to escape one another on the Isle of Wight, of course, but the parallel feels surprisingly familiar. The water around us can be an obstacle one minute and our connection to the wider world the next. It creates a distinct community and perhaps even a slightly different way of looking at everything beyond it. Katie’s ships do something similar. They bring together people whose paths might never otherwise cross, then place them at the mercy of something far larger and less interested in human distinctions than they are. “The sea does not care who you are or what you are. It’s just a complete leveller.” That enclosed world also gave Katie a way into the stories she felt were missing from the naval fiction she loved. She wanted to read queer Age of Sail fiction and was fascinated by what identity, intimacy, and relationships might mean in an environment where privacy was almost impossible. When she couldn’t find quite the story she wanted to read, she decided to write it. The resulting Nightingale and Courtney trilogy takes the familiar architecture of historical naval fiction, ships, battles, danger and political intrigue, and shifts the perspective. The trilogy centres queer characters, including asexual representation, women, and others whose presence in maritime history has too often been pushed towards the edges.

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Women were far more present in that history than the popular image of an exclusively male world might suggest. Some sailed in disguise, while others were aboard as wives or passengers, and crews could bring together people from across the world. For Katie, the reality is far richer than the simplified version of naval history that has often survived. Research is inevitably a huge part of writing these worlds. For A Merciful Sea, the final Nightingale and Courtney novel, Katie had the additional challenge of taking her characters into the Trafalgar campaign. “Actual history doesn’t hit the beats of a narrative. I had to fit the plot into real historical events, thinking, ‘This has to happen here, so what can I do with the story?’”

Her fictional characters had to move around events that could not be changed, while things that actually happened to vessels during the battle inspired incidents affecting their ship. Her next project takes that fascination with hostile environments somewhere colder and darker. Katie is working on a historical naval horror set in 1850s Antarctica. One strand follows an obsessive captain, partly inspired by Captain Ahab, while another follows his twin sister in London, a patron of an asylum who begins experiencing strange and increasingly disturbing events. It sounds like a natural evolution of everything we have been discussing: history, confinement, obsession, and the unsettling possibility that the landscape itself might have a presence.

“The ice becomes a sentient thing too. It’s a whole different beast.” Eventually, our conversation circles back to where it began: the Island. Katie speaks enthusiastically about the literary community that has grown here, from publishers and literary magazines to arts organisations, events, editors, and,

of course, other writers. Rather than seeing geography as something a writer must overcome, she has found real value in the community immediately around her.

often arrive in the simplest way possible: headphones on, walking through Ventnor, past the park and Botanic Garden, and along the seafront.

Her advice for other writers is similarly grounded. There will always be trends to follow and markets to second-guess, but the important thing is to retain enthusiasm for the work itself. Write the story you care enough about to keep returning to. For Katie, ideas

By the end of our conversation, it feels difficult to separate Katie the writer from Katie the Islander. The enclosed communities of her ships, her fascination with what exists beyond the horizon, even that compelling mixture of fear and attraction she feels towards the sea all seem connected to a lifetime spent surrounded by it.

“I’m terrified of open, deep water. But I think that’s probably why I’m attracted to writing it, because I find it so fascinating and so frightening.”

Her stories travel across oceans and centuries, but their starting point remains much closer to home: a writer walking the Ventnor coastline, imagining other worlds while never quite losing sight of this one.

September October 2026

THE ART OF LIVING WITH ART Words: Linda Groves, Seaview Art Gallery

Priory Bay by Andrew Hird ARSMA

Seaview Regatta by Kate Richardson

A large artwork can absolutely transform a room, adding drama and changing its character, feel, scale and personality. Before committing to a substantial piece, I often suggest a wonderfully simple trick: make the shape of the piece from newspaper or similar, and blue-tac it to the wall. Living with that outline for a few days gives you a real sense of how the work will fit the space. If you love the image itself, this simple trick will ensure it fits perfectly. Commissions can be equally exciting, allowing you to tweak the view or desired colours in collaboration with the artist. They do, however, require a certain leap of faith – you are investing in both the artist and the vision before you see the final product. Planning and collaboration are essential. Contact us at the Gallery for guidance

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on how to work with an artist to achieve a result you both love. For me, the most beautiful homes combine purely decorative works with pieces that hold personal meaning: a painting discovered while on holiday perhaps, or something that evokes a person, place or memory. I also love having more than one feature artwork for an important space. We can become so accustomed to seeing a piece in the same position that eventually we barely notice it. Moving, or resting it, can completely refresh a room. Replace it with another that you can rediscover – rather like an old love – or purchase a new piece to swap in. Change cushion covers and curtains, or paint a feature wall. Be your own curator.

Flying Finish by Sue Stitt

Exhibitions at Seaview Art Gallery The Last Days of Summer: Saturday 12 September to Wednesday 30 September Autumn Exhibition: Saturday 17 October to Saturday 7 November

New works arrive all the time. For opening times visit seaviewart.co.uk or call 07966968050

FOL KTAST IC ISL E

HIDDEN ISLAND STORIES HIDDEN ISLAND STORIES Life is full of stories. Some are preserved in museums and archives; others are passed down through families and generations. There are stories attached to landscapes, ancient objects, seasonal traditions, and the everyday customs that make a place feel like home. But what happens when we take those stories out of the archive and re-imagine them? That is the idea behind New Carnival’s Folktastic Isle, a celebration of the Island’s folk heritage, exploring its customs, traditions, myths, legends and the creativity of its people. The project explores seasonal traditions that have shaped Island life, alongside stories, myths and legends. Did you know the Three Little Pigs has links to Merrie Gardens in Shanklin? Do you know where the lost village of Wolverton was? Or that the Isle of Wight has seven Morris dancing sides? That there was a Jack in the Green parade in Ryde in 1865? Now, thanks to additional support through Creative Island’s Past Futures project and the CAN YOU HEAR US? Island cultural celebration, Folktastic Isle is going on tour, visiting Newport, Freshwater and Sandown this autumn. Alongside the exhibition will be performances by young emerging creatives, magic shows and storytelling workshops.

At its heart is the idea that heritage isn’t simply about grand buildings or objects behind glass. It is also the art of everyday people – the things they made, the stories they told, the celebrations they created and the traditions they passed on. The exhibition brings together historic photographs, illustrations and literature with new creative work and replica heritage objects, including a Roman hare brooch and a Neolithic flint tribrach. Visitors can explore the craftsmanship, materials and stories connected to these objects. What was the tribrach used for? Could it be an early symbol of Island identity? A new Folktastic Isle map will highlight places where folklore and heritage have taken root, while educational resources encourage younger generations to explore the stories on their doorstep. And then there is carnival. Costume, folk dancing and performance transform heritage from something we simply look at into something we can experience. This is living heritage – traditions that continue to evolve because people continue to participate in them. Perhaps that is what makes folklore so fascinating. It isn’t fixed in the past. Every story retold, dance performed, costume recreated, or tradition shared adds another layer and connects us with the people who came before us. Folktastic Isle is part of Past Futures, led by Creative Island and the Hampshire & Isle of Wight Community Foundation, made possible by The National Lottery Heritage Fund. It is also supported by Arts Council England and forms part of CAN YOU HEAR US? this autumn. Find out more about New Carnival’s free programme at: newcarnival.co.uk

September October 2026

Nic of Flowers by Nic

Becca Charlo

Sue Paraskeva

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BEHIN D T HE OP EN D OOR

THE PEOPLE AND STORIES OF ISLE OF WIGHT OPEN STUDIOS 2026 Each May, studio doors open across the Isle of Wight, inviting visitors into the spaces where creativity happens. This year, more than 200 artists took part in Isle of Wight Open Studios, welcoming people into workshops, home studios and creative spaces across the Island. Beyond the finished work on display, Open Studios is also about something less tangible: the conversations, discoveries and connections that happen when artists and visitors meet. Four artists working across very different disciplines reflect on what opening their doors meant to them in 2026. SUE PARASKEVA CERAMICS

BECCA CHARLO JEWELLERY

For ceramicist Sue Paraskeva, the opportunity to meet visitors faceto-face and hear their response to her work is an important part of the experience.

For jeweller Becca Charlo, opening her own studio is only one side of the Open Studios experience. Finding time to step through other artists’ doors is equally important.

“Being able to engage with visitors… selling work & getting feedback - so important after LC.”

“I love taking part as an artist, but I also love getting out and visiting other studios. There’s something really special about stepping into someone’s creative space, seeing where and how they work and discovering artists you might not otherwise come across.”

That direct exchange is something rarely experienced when encountering a finished piece elsewhere. Open Studios gives visitors the opportunity to meet the person behind the work, discover more about how it is made and see the environment in which ideas develop.

have visited before and experience creative practices at their source. NIC L THE FLORAL BOUTIQUE IOW For Nic of The Floral Boutique IOW, 2026 brought a completely new experience as she opened her doors for Open Studios for the first time. “It was my first time taking part and I loved it! It was great connecting with customers.” Her experience reflects one of the simplest but most important parts of Open Studios: bringing creative people and new audiences together. For first-time participants, it offers an opportunity to become part of a wider Island event while introducing their work to visitors in person.

That sense of discovery runs throughout Open Studios. Visitors can follow the map across the Island, venture into spaces they may never

OPEN YOUR DOOR IN 2027 Isle of Wight Open Studios returns 21–31 May 2027. Artist registration opens later this year, follow IW Open Studios for updates. isleofwightopenstudios.co.uk

September October 2026

GARETH REEF 30

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WHAT SITS BENEATH Words: Emma Elobeid Images: Julian Winslow

Overlooked, undervalued, and a little frayed around the edges – I’ve always had a soft spot for Sandown, bones and all. It’s the kind of place that gets under your skin

mma Souter and Gareth Rees, two of its newest residents, agree. “Things in Sandown are starting to shift – the heaviness is lifting” says Emma. “it’s easy to focus in on and look at the wrong bits, but it’s very beautiful in its own way. A lot of people are deliberately choosing to move here now. We love it.” I’ve come to see how Emma and Gareth are transforming the North Wing of Grafton Street’s previously derelict Old Town Hall into a creative (and consciously crusty) studio and workspace. It’s almost as if GRAFT studios has appeared on my radar overnight; such is the illusion of social media. In reality, it took “four very slow years” of working closely with Laura Cansdale, Regeneration Programme Manager for the Isle of Wight Council, before Emma and Gareth finally got the keys in late March. For Emma, the draw back to the Island began long before GRAFT; twenty-five years in Oxfordshire and she never stopped painting the sea.

“Going back to the mainland, I’d feel a pull in my gut,” she says. Coming the other way, the familiar clunk-clunk of the car driving off the ferry brought a feeling of release – “like there was a bit of me that had been missing.” Playing the long game was worth it. Already, GRAFT has garnered momentum across the Island’s creative scene: current residents (pigeons Jonathan and Tina included) span multiple disciplines, from printmaking to performance costume. Standing in the sunlit courtyard and hearing about Emma and Gareth’s plans – including, you heard it here first, a café in the old mortuary – you can feel the place coming back to life. Strictly speaking, I’m here for the chairs. Gareth has been an upholsterer for nearly thirty years, with a career spanning teaching, training, and professional practice at the highest levels. I joke that keeping his many different hats straight in my head –

September October 2026

his octopus creation for Sandown’s infamous Hat Parade not included – is a task in itself: Director of Training for the Association of Master Upholsterers and Soft Furnishers; Examination and Journeyman Secretary of the Guild of Traditional Upholsterers; Member of the Trade and Education Board of the Worshipful Company of Upholders; and Course Writer and Lead Tutor for Upholstery Education in the United States. Suffice to say, Gareth knows his stuff – and then some. Gareth’s workshop sits at the far end of the building. Inside, chairs are stacked, suspended, and in various states of undress. My eyes are drawn to a collection of neoclassical frames, ready to be restored. “Nelson sat on those,” he tells me. “Well, we’re ninetynine percent sure Nelson sat on at

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least one of them” he qualifies. “And Lady Hamilton. At the same time, probably!” Above us, more chairs line the walls: miniature South East Asian travelling salesmen’s pieces, a chair Gareth made himself, a slinky black Morris & Co. number, and an Italian Superleggera – designed to be so light that even a child could hold it aloft with one little finger, its frame stripped of every unnecessary piece of wood. Under the desk, sacks of stuffing spill over. “See those ones that look like pubes?” he says. “That’s hog hair.” I get the full sensory experience, comparing the feel of cow, horse, and hog hair – a common blend for padding – with coir (coconut fibre) and palm fibre. Then comes a demonstration of the carding machine, traditionally used to tease

apart and redistribute wool fibres so mattress stuffing could be refreshed and reused rather than simply replaced. Everywhere, curios of the craft: pomanders used in the treatment of woodworm-damaged timber, a carver’s mallet I mistake for a dinner bell, hammers whose history could carry this story alone. For all the tools and tradepieces, I can’t see a single scrap of fabric – surely the one thing you’d expect to find in an upholsterer’s workroom. “Putting fabric on is only the final step” explains Gareth. As I’d partially discovered, from my panicked pre-interview research, the world of furniture restoration runs deep. I was almost late, lost down an internet wormhole of deep buttoning and

A French crapaud chair from the 1880s, posed centre stage on a platform.

September October 2026

To most people, a chair is a chair. To Gareth, it’s a collection of clues

edge work. Layer by layer, he talks me through the fourteen-ish processes involved in bringing a chair back from the brink, using his current work-inprogress by way of example: a French crapaud chair from the 1880s, posed centre stage on a platform. “Crapaud means toad,” Gareth tells me, its unfinished shape unmistakable even in its undergarments. First comes webbing. Springs are lashed and tied to control height, stop lateral movement, and add a little bit of compression. After that come various iterations of hessian, stitching, stuffing, and smoothing. Each element is its own specialist subject. “I could talk for about two hours just on webbing,” he laughs. Gareth’s passion and precision for the craft is evident. As is his conviction that knowledge shouldn’t be static, or for show, but

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shared generously and built upon continuously. He has given lectures, led workshops, designed courses, and written technical guidance on everything from furniture history to spring dynamics. In October, he’ll be in Baltimore, teaching bolster cushions and tick mattresses to upholstery professionals from all over the globe. “The good thing about upholstery is you’ll never stop learning if you let yourself go with it.” To most people, a chair is a chair. To Gareth, it’s a collection of clues. Restoring furniture begins with stripping it back: uncovering its materials, examining the tells of its techniques, tracing what its proportions reveal about the place and philosophy of its creation. Years ago, stripping Isle of Wight furniture, he found eel wrack – seagrass that

could be gathered and processed locally – buried inside as stuffing. “Chairs are a reflection of us,” he says. “And generally, things are created either in opposition to or in honour of their context.” Naturally, I’m curious about what Gareth’s own chairs at home reflect back at him. Surely the home of a master upholsterer must be full of exquisite furniture? He snorts. “Nope. Full of DFS!” Emma laughs as she describes a sofa gaping open and an almost-bald armchair left to the dogs. “It’s that classic case of the cobbler’s children having no shoes,” she says. “We do have nice chairs – they just don’t have any upholstery on them yet.” At this point in his career, Gareth has earned the luxury of being selective. “I only do chairs that I want to do now,”

he says. Then, after a beat: “And for people I like.” What concerns him more is empowering the next generation of makers and teachers. With craft provision disappearing from universities, private training financially out of reach for many, and professionals often unable to afford the time required to pass their knowledge on, the routes into practical trades are narrowing. For Emma, that need feels increasingly urgent in an ever-more-automated world. “There’s so much evidence to support the mental health benefits of doing things with your hands,” she says. “This whole drive with AI and robotics is making the human race as purposeless as possible.” Purpose governs the bigger idea behind GRAFT and the community

that is slowly but surely building around it. So far, the studios have played host to a traditional upholstery summer school, two-day workshop introducing crafts and heritage practitioners to basic teaching skills, and a four-hour lesson in linocut printmaking. Emma, an interdisciplinary artist who has been teaching even longer than Gareth, runs weekly art skills classes, while plans are underway for two pilot programmes introducing young Islanders under 25 to upholstery. As well as providing opportunities for beginners to access craft education, they want GRAFT to become a place where established makers can develop their practice without having to leave the Island. “If you have a trade, you will always have a way of making money,”

says Gareth, nail between teeth. By the time I leave – two coffees perkier and fourteen processes wiser – I’m not only considering a midlife career pivot but looking at Sandown as Gareth might a sofa. It’s a town with plenty of constituent parts, and not all of them pretty. But the tide is turning, and GRAFT Studios offers one small glimpse of what can happen when people work with, rather than against, the context they inherit – drawing fresh attention to the creativity, culture and community spirit that was there all along.

September October 2026

WHITE SAILS. The Solent.

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STY L E SP ECTR UM

CLOUD CHASER

photographer Lynn Pearce

With a professional career spanning more than four decades, landscape photographer Lynn Pearce has constantly evolved her practice, from its early beginnings in film to the challenging complexities of digital software available today. Lynn spent over a decade shooting and printing in monochrome, learning darkroom skills, and later transitioning to employ the same processes digitally, broadening her choices in the finish of the final print. In 2012 Lynn made her first visit to America, most memorably to New York City which, she recalls, implored her to shoot in black and white. More accustomed to her broad sweeps of soft green pastures and ocean tides, this ‘vertical’ cityscape was a melting pot of modern and nostalgic architecture, reminding Lynn of some of the great-film makers of the past.

Returning to live in the UK in 2019, Lynn found the Isle of Wight offered a bounty of ever-changing landscapes under the west-facing undulations of wind and tide movements along the coastal paths between Bonchurch and St Lawrence, where she lives.Lynn prefers the afternoon hours for their long shadows, rolling ocean mists and cloud oscillations. Describing herself as a bit of a cloud-chaser, Lynn prefers to select the form of her composition, anchoring to a place then watching how the light and clouds ‘paint’ across the landscape. Lynn made her debut at Quarr Abbey in 2020 with her successful solo exhibition ‘Feels Like Home’. Lynn will be returning home to Quarr Abbey next year from June 23-30, 2027, for another solo exhibition of her landscapes. www.lynn-pearce.com lynnpearcephotographer

September October 2026

SPOOKY TREE. St Catherine’s Road.

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BREAK.BREAK.BREAK. Tennyson Down

September October 2026

THE OPENING. Compton Beach

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WHITE SAILS. The Solent

September October 2026

CAROL GUZY, ZUMA PRESS, IWITNESS, FOR MIAMI HERALD

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Crossing the threshold of De Nieuwe Kerk, the busy noise of Dam Square fades into a quiet, almost reverent, silence. High above, massive 15th-century stone arches stretch into the roof of the cathedral, while below, softly lit display boards glow in the dark space. They showcase large, striking photographs that pull you in straight away. The atmosphere created inside the historic building naturally makes you slow down and take everything in.

September October 2026

Living on the Isle of Wight, we are surrounded by the familiar rhythms of coastal life. It is a comfortable setting that is easy to love, but one that shouldn’t cut us off from what is happening in the wider world. Housed inside these old Dutch walls is an honest look at our planet through stories of courage, loss, environmental change, and incredible human strength. Started in Amsterdam in 1955 by a small group of Dutch press photographers, the World Press Photo exhibition has grown into the biggest showcase for visual journalism in the world. Each year, an independent team of judges scours tens of thousands of entries from

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across the globe to put together a show that goes far beyond everyday news clips. It cuts through the fast, constant scroll of social media, giving people a physical space to sit with these stories properly. Seeing these pictures in person creates a striking contrast. You are standing on centuries-old stone floors in one of Europe’s most beautiful capitals, looking right into the eyes of people living through some of the hardest and most vulnerable moments of recent history. Distance gives us a safe perspective, but as this exhibition shows, it shouldn’t mean we stop caring. What turns a news photo into something truly lasting is the skill

behind the camera. As you walk through the aisles, you start to notice the sheer effort involved in recording these brief moments: waiting hours for the right natural light, choosing what to keep in focus to capture a feeling, and knowing exactly when to click the shutter under intense pressure. The power here does not rely on shocking images just to get a reaction. Instead, the chosen photos focus on dignity, personal connection, and quiet emotion, encouraging us to slow down and practice true visual literacy. Among the vast collection of global stories, one image stops you entirely in your tracks. In a winning photo by Carol Guzy, the frame is tight,

CHANTAL PINZI, PANOS PICTURES What makes this photograph so devastatingly powerful is how it strips away complex political debate and reduces a global issue to its most raw human core: a terrified child losing her father. Guzy’s framing leaves no breathing room, forcing the viewer to feel the sheer panic of the moment. The lighting catches the tear-streaked faces of the women behind her, amplifying a collective grief that transcends borders. It is an extraordinary piece of photojournalism that doesn’t just document an event; it forces an immediate, visceral reaction that stays with you long after you turn away.

ALEX KENT, FOR THE NEW YORK TIMES

IHSAAN HAFFEJEE, FOR GROUNDUP

claustrophobic, and overwhelming, pulling you directly into a chaotic human crush. At the absolute centre of the storm is a young girl, her face contorted in an agonising, desperate cry as hands reach in from every direction – some grabbing at her red hoodie, others trying to hold her back. The anguish in her eyes is undeniable as she watches her father being detained and taken away by border security agents.

September October 2026

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Even though the stories on show span thousands of miles – from dried-up rivers in the Amazon to desperate family separations – the underlying motifs feel universal. They are personal narratives about family, land, identity, and the natural urge to protect the people and places we love. Away from the constant noise of the news cycle, these frames reveal the shared emotional architecture that connects us all. It is impossible to look at them without drawing thoughtful parallels to our own lives: how we look after our local environment, care for our families, and build a sense of community at home.

LUIS TATO, AGENCE FRANCE-PRESSE

Behind every photo, there is also the story of the photographer. Bringing back a single powerful image often means spending months living alongside a community, taking real physical risks, and working hard to tell the truth accurately. In an era increasingly dominated by rapid, surface-level visual content and synthetic imagery, the integrity of the authentic human lens has never been more vital. These photographers do not just stand back and watch; they build trust, respect the people they photograph, and act as ethical custodians of our collective global memory. Walking back out into the bright afternoon light of Amsterdam, the city outside feels subtly reframed. The canal boats continue their steady routes, tourists hurry toward nearby design cafés, and daily life keeps moving forward – yet something fundamental has shifted in how you perceive the world around you. Living on an island gives us a strong sense of place, a grounded identity, and a close-knit appreciation for home. But taking the time to look outward enriches that perspective immeasurably. Seeing these global stories doesn’t make us appreciate our own shores any less. If anything, it allows us to return home with broader minds, deeper empathy, and a better understanding of the universal human stories that unite us all.

September October 2026

island roasted

speciality single origin coffees coffee subscriptions

home barista classes

see website or Caffe Isola for details

www.islandroasted.co.uk

Joburg Ballet School by Ihsaan Haffejee, or GroundUp. Young dancers from the Joburg Ballet School at the Soweto Theatre. Soweto, South Africa, 7 December 2025. In apartheid South Africa, ballet was the preserve of white culture, inaccessible to people of color. Today, the Joburg Ballet School offers subsidised training to children from historically disadvantaged backgrounds.

Farīsāt: Gunpowder’s Daughters by Chantal Pinzi, Panos Pictures Ghita Jhiate manages her unruly stallion.Tbourida is a UNESCO-recognized Moroccan equestrian tradition dating back to the 16th century. Troupes gallop in unison, firing rifles in a choreographed performance of cavalry warfare. Historically excluded, female riders.

Columbia University Pro-Palestine Protests by Alex Kent, for The New York Times Barnard College alumna Jesse Pearce is arrested outside Columbia University’s commencement ceremony. Along with current students, alumni protested the institution’s ongoing financial ties to Israel. New York City, New York, United States, 21 May 2025.

Madagascar’s Gen Z Protests by Luis Tato, Agence France-Presse A student holds the flag adopted by Gen Z protesters globally. The symbol comes from the Japanese manga One Piece, in which pirates stand up to corrupt rulers. In September 2025, students began protesting across Madagascar over failing public services, corruption, and economic hardship.

I NTRO D UC ING:

THE REAL ISLE OF WIGHT A PH OTOGRAP HIC ST UDY IMAGES: Better Days Cafe for Style of Wight Magazine - 2025 For more than one hundred editions, Style of Wight has shared remarkable people, independent businesses, extraordinary homes, unforgettable events and the landscapes that make this place unique. But after publishing our 100th edition, we found ourselves asking a question...

What does the Isle of Wight really look like today?

Not just the postcards or the sunsets. Not the landmarks everyone already knows. We want to see the Island through the eyes of the people who live here: The early morning ferry worker. The teenager finding their place. The fisherman preparing before dawn. The volunteer, the artist, the nurse, the musician, the surfer, the shopkeeper, the farmer. The quiet moments. The difficult moments. The joyful moments. The ordinary moments that become extraordinary because someone chose to notice them. This is not a competition to find the prettiest photograph; it is a search for honesty. Over the next year, we are inviting photographers of every age and every level of experience to document life on the Isle of Wight. Whether you shoot with a professional camera or your phone, what matters most is your eye, your curiosity and your story. Throughout the year, selected photographs

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will be featured in Style of Wight magazine and across our digital platforms. At the end of the project, a panel of respected judges will select work for The Real Isle of Wight Exhibition – a major public exhibition celebrating contemporary Island life through photography. Together these images will become more than an exhibition; they will become a visual record of what it meant to live here in this moment. WHAT WE’RE LOOKING FOR: We’re interested in photographs that reveal something true. People. Work. Family. Community. Celebration. Tradition. Change. Humour. Resilience. The unexpected. Show us the Island that visitors rarely see, but residents know by heart. Because one day these photographs won’t simply be pictures; they’ll be history. We can’t wait to see the Island through your eyes.

TO EN T ER To find out more about how to enter and for regular updates, tips and industry news click below or email noah@styleofwight.co.uk For partnership and media or press enquiries, please email christian@styleofwight.co.uk

September October 2026

WHERE THE LAND MEETS THE SEA

A L B IO N H OT E L .CO.UK | 01983 7 75 7 75

JOHN DORY

Poached John Dory, brown crab crumpet, hand-picked white crab, charred baby fennel, brown shrimp and hazelnut Champagne sauce. John Dory boasts a firm, sweet flesh, which works beautifully with gentle poaching. The dish really reflects The Albion’s coastal settingin a way that feels refined, but still comforting. The brown crab crumpet is the most intricate element of the dish – but credit is due to some culinary chef skills as it is very much the hazelnut Champagne sauce sauce that brings everything together, with a subtle roasted nuttiness that you might not expect with fish, lifting the whole dish and making it feel particularly special. A celebration of local seafood with just enough indulgence for the changing season, it captures exactly what The Rock’s autumn menu is about: the coast on the plate, with a distinctly autumnal twist.

Albion Hotel, Freshwater Bay Freshwater PO40 9RA t: 01983 755755 www.albionhotel.co.uk

September October 2026

SUNDAY ROASTS

Few things feel more comforting than gathering around the table for a traditional Sunday roast.

Elegant Dining at

T HE R OYA L HOTEL Sunday lunch brings a traditional rhythm to The Royal’s dining week, with familiar favourites receiving the same care and attention as its evening menu. Beautifully roasted sirloin of beef is served with crisp roast potatoes, seasonal vegetables, Yorkshire pudding and a rich red wine jus. Carefully considered chicken, fish and plant-based alternatives ensure that everyone around the table can enjoy the occasion.

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With elegant surroundings, thoughtful cooking and all the comfort of a classic roast, The Royal remains one of the Island’s loveliest places to settle in for Sunday lunch.

The Royal Hotel, Ventnor Tel: 01983 852186 royalhoteliow.co.uk

Panoramic Views at ISL E OF W IG HT P EA R L

Pair a traditional Sunday roast with panoramic views of the Island’s coastline at Isle of Wight Pearl. Its five-star-rated roast comes with all the trimmings, with a vegetarian nut roast available too.

Lunch Club at

Choose one course for £18, two courses for £25 or settle in for all three for £30. With outdoor space for little ones

and a dog-friendly café, it is a relaxed choice for the whole family throughout autumn and winter. Booking is advised. Isle of Wight Pearl Brighstone, PO30 4DD Tel: 01983 740352 iowpearl.co.uk

TH E S EAVIEW HOTE L The Seaview Hotel invites guests to slow down, linger a little longer and rediscover the simple pleasure of a proper Sunday lunch. From 6 September to 29 November, its 2 AA Rosette restaurant will host the Sunday Lunch Club every Sunday, serving a leisurely seasonal roast with two courses for £24 or three courses for £28. Gather around the table with family and friends, share good food and conversation, and enjoy the unhurried moments that make Sundays feel special. Whether it is a long lunch with loved ones or a chance to turn an ordinary weekend into an occasion, the hotel will take care of everything. To book, call 01983 612711 and quote “SLC” to receive the special price The Seaview Hotel Seaview PO34 5EX Tel: 01983 612711 seaviewhotel.co.uk

“Gravy is the savoury liquor that makes it all work.” — Nigel Slater.

September October 2026

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MEET THE CHEF

SWEET, STYLISH AND VEGAN With more than 40 years’ experience in some of the world’s finest hotels and kitchens, chef Danielle Maupertuis is bringing creativity and indulgence to vegan pâtisserie. Style of Wight caught up with Danielle to discuss her new book, VEGANISSIMA, the art of a memorable afternoon tea, and the Island ingredients she would love to use in her next creation.

September October 2026

What first drew you to vegan pâtisserie, and did you ever imagine it would become such a significant part of your career? Some years ago, I became increasingly frustrated by the poor quality and limited choice of vegan desserts. Vegan diners deserved so much more than simply being offered fruit or sorbet! Having spent more than 40 years working as a pastry chef in prestigious hotels and kitchens around the world, my response was to use my experience and passion to create my own collection of vegan desserts. Initially, I never imagined where this journey would take me or that my creations would reach such a level of excellence! Vegan pâtisserie has allowed me to be incredibly creative, experiment with new ingredients and challenge people’s expectations. Afternoon tea is one of Britain’s most treasured traditions. What transforms a good afternoon tea into a truly memorable experience? For me, a memorable afternoon tea should tell a story. Every element should contribute to a theme and create a real sense of occasion. My Mother’s Day afternoon tea, for example, was inspired by some of a mum’s favourite accessories. I created exquisite pastries resembling a handbag, a straw hat and a high-heeled shoe, together with a beautiful tartlet representing her love of treats. People eat first with their eyes, so the presentation should create excitement before they have even tasted anything. Of course, the flavours and textures must then be every bit as wonderful. The Isle of Wight is renowned for its fantastic local produce. If you were creating a special VEGANISSIMA afternoon tea inspired by the Island, which local ingredients would you be most excited to work with? I would love to create a VEGANISSIMA afternoon tea celebrating the wonderful seasonal produce of the Isle of Wight. During cherry season, I can imagine creating an indulgent Isle of Wight Black Forest gâteau filled with rich chocolate and beautiful local cherries. Apricots would also be perfect for a light, colourful cheesecake.

“I particularly enjoy using ingredients in surprising ways, so I would be very tempted to experiment with Isle of Wight asparagus too!” 58

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I particularly enjoy using ingredients in surprising ways, so I would be very tempted to experiment with Isle of Wight asparagus too! It has such a delicate flavour and could work wonderfully in a sponge or a smooth cream. We would also include the famous Isle of Wight tomatoes and garlic – perfect for my French ratatouille tartlet. If you were spending a long weekend on the Isle of Wight, what would you do? Would you seek out local

food producers, coastal walks, independent cafés or perhaps a traditional afternoon tea with a sea view? I would certainly begin with some beautiful coastal walks. The Island has such spectacular scenery and there is something very inspiring about being beside the sea. Of course, food would also be an important part of my weekend! I would love to discover the Island’s independent cafés, restaurants, tea rooms and hotels … particularly those creating interesting vegan food. Meeting the chefs would be top of my agenda as I always enjoy hearing about their ideas, the local ingredients they use and the challenges they encounter when developing vegan dishes. I am also always happy to offer some advice and tips – although some chefs like the advice and some prefer their own ways! I would also be very interested in meeting local growers and producers. And yes, I would definitely make time for afternoon tea with a sea view. Is there one recipe in VEGANISSIMA that holds a particularly special meaning for you, or one that would be a wonderful starting point for Style of Wight readers? I would definitely recommend beginning with one of the cheesecakes in VEGANISSIMA, whether you prefer fruit or chocolate. They are wonderfully indulgent but also surprisingly simple to prepare. There is no baking involved, which makes them an ideal starting point for someone who may be trying vegan pâtisserie for the first time. You do not need eggs or dairy, and all the plant-based alternatives are now readily available in supermarkets. Most importantly, the finished cheesecake is absolutely delicious!

Veganissima is now available online and all good bookshops.

A Little Escape at

THE QUIRKY TEAPOT CAFÉ

he long road to the Quirky Teapot Café winds between open fields before arriving at a cluster of old farm buildings. By the time visitors reach the café, the noise and urgency of everyday life already feel some distance away. “I knew it would be the perfect place for what I wanted to create,” says Natalie, owner of the Quirky Teapot Café. The farm has been in her partner Reuben’s family for almost a century, and when the café space became available nearly five years ago, Natalie immediately saw its potential.

“I want people to come down here, get away from the outside world and just be for a while,” she says. “Then, hopefully, they leave feeling better.”

leave the demands of modern life at the end of the lane, settle at their table and simply be together. “I wanted it to feel like coming home to visit your greatgrandma,” Natalie says. “Somewhere peaceful, where you can connect with whoever you’re with.” Everything on the menu is homemade by Natalie, whose instinct is to feed people generously and make them feel cared for. Her cakes are big, beautiful, and made with the same attention she brings to every plate. The café’s cream teas have become so popular that they must be ordered 48 hours in advance, giving Natalie time to prepare each one with the care it deserves. Table service adds to the unhurried atmosphere, allowing guests to relax without queuing or carrying trays.It all contributes to an experience that is restorative, nourishing and memorable.

Inspired by her love of vintage style, she imagined a tearoom filled with character, somewhere nostalgic, homely and warm.

The Quirky Teapot Café

The café itself feels like a step back in time, with music from the 1940s weaving softly through the air as visitors enter. It offers a deep breath into an age when constant news and updates arriving through a pocket-sized phone would have belonged to science fiction. Here, guests can

Call 01983 716 363 or book through the website: thequirkyteapot.co.uk.

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Open Thursday to Saturday, from 11am to 3pm. Booking is recommended, although walk-ins are welcome.

Assistance dogs only are permitted on the farm and in the tearoom.

Lunch

Discover Dining at The Royal Come and experience the newly relaunched restaurant at The Royal, where our new Head Chef Tom Axford, and our talented kitchen and restaurant teams bring together exceptional food, warm hospitality and the relaxed elegance The Royal is known for. With two AA Rosettes held for 30 years, exceptional food and warm, five-star hospitality are at the heart of every dining experience at The Royal.

Sun | 12.30pm–2.15pm Afternoon Tea Daily | 3.00pm–5.00pm

(Booking 24 hours in advance is essential)

Dinner

Whether it’s breakfast, lunch, Sunday lunch, afternoon tea or dinner, we’d love to welcome you.

Mon–Sat | 12.15pm–2.15pm

Daily | 6.15pm–8.30pm

experience the royal Reserve Your Table royalhoteliow.co.uk 01983 852186 enquiries@royalhoteliow.co.uk

A new season

AT THE ROYAL TABLE One of the Islands best loved restaurants and terrace begins a fresh culinary chapter this season, as The Royal in Ventnor relaunches its restaurant and wider dining experience under new Head Chef Tom Axford and Senior Sous Chef Lee Sanders.

or more than three decades, dining at The Royal has held a special place in the Island’s food scene. Now, a new-look culinary team is building on that reputation, bringing fresh energy to the Geranium Restaurant while retaining the creativity, precision and beautifully presented food for which it has become known. Tom Axford is already a familiar name within Island hospitality, with a career that has included heading the kitchen at The George Hotel & Beach Club in Yarmouth and running Brading’s

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former Kynge’s Well. Together with Lee Sanders and the wider Royal kitchen brigade, the focus is firmly on seasonality, accomplished technique and making the most of the wonderful produce found here on the Island. The current menu offers a glimpse of that philosophy. The Royal’s signature Gallybagger Soufflé, a dish that has been loved by diners and remained part of the restaurant’s story for many years, is served with bitter leaves, pickled mushrooms and walnut pesto. An Isle of Wight Gazpacho celebrates the Island’s famous tomatoes, paired

with black olive, vodka and celery crème fraîche, while Stone Bass is accompanied by local greens, potato velouté, clams, cockles and mussels, bringing together some of the flavours of the coast in one beautifully considered plate. Desserts continue the sense of theatre, from Lavender Crème Brûlée with rhubarb sorbet and cotton candy to Dark Chocolate Delice with coffee mousse, Tonka bean ice cream and honeycomb. It is food designed to make an entrance. Where colour, texture,

A ROYAL TRADITION Afternoon Tea at The Royal carries a story that reaches back to Queen Victoria herself. The hotel traces the tradition to Victoria’s visits to Ventnor from 1844, when she would stop at what was then the Ventnor Hotel. She returned on numerous occasions, taking tea with friends in the hotel and enjoying the simplicity of fine tea accompanied by delicate sandwiches, seed cakes and fruit cakes. These intimate gatherings became the origin of a ritual that Victoria would go on to popularise nationwide.

flavour and detail are treated as an art form, and a beautifully presented plate can draw an audible gasp before the first bite has even been taken. The Geranium’s credentials speak for themselves. The Royal has held 2 AA Rosettes for more than 30 years, while the restaurant has also received Beautiful South Restaurant of the Year recognition for four consecutive years. But this new chapter is about much more than fine dining. The Royal is once again inviting Island residents and visitors to drop in for a relaxed lunch, gather around the table for Sunday Lunch, linger over cocktails or experience one of the hotel’s most treasured traditions: Afternoon Tea. The hotel’s dining offering spans relaxed daytime dining through to the more refined theatre of dinner in the Geranium Restaurant, giving each visit its own pace and personality.

Today, Afternoon Tea has naturally evolved: freshly baked scones, finger sandwiches, patisserie and fine teas have replaced the simpler Victorian spread, but the pleasure at the heart of it remains wonderfully familiar. And that perhaps captures this new chapter at The Royal rather well. There is history here, but the experience is very much alive: a signature soufflé that has earned its place on the menu, alongside new ideas from a new culinary team; relaxed lunches with friends; Champagne and Afternoon Tea; Sunday gatherings; and evenings where the Geranium Restaurant becomes the stage for some of the Island’s most ambitious cooking.

This season, The Royal is not simply relaunching its dining offerings, it is inviting the Island to fall in love with dining here all over again. Come for lunch. Dress for dinner. Raise a glass. Rediscover an old favourite, or discover The Royal for the very first time. The Royal Hotel, Belgrave Road, Ventnor, Isle of Wight, PO38 1JJ Tel: 01983 852186 www.royalhoteliow.co.uk email: enquiries@royalhotel.co.uk

September October 2026

HOME COOKED FOOD - REAL ALES BEER GARDEN - FREE HOUSE OPEN MIC - QUIZ NIGHT PLAY AREA - DOGS WELCOME

Open daily from 12pm Food served Thursday - Saturday 12-8pm Sundays 12-5pm For updates, offers & events please visit: www.thetravellersjoy-iow.co.uk 85 Pallance Road, Northwood, PO31 8LS, Tel: 01983 298024

Sumptuous

AUBERGINE

With Will S teward, Living Larder

Aubergine love heat, so this year has been great. They also love water, and fortunately we have a good supply that has kept us going through one of the driest seasons we’ve known. Aubergine has a long growing season, and picking doesn’t start until later in the summer. Then we pick weekly until the plants wind down at the end of October. They are best eaten fresh when still firm to hold and the skin has a shine.

IMAM BAYILDI

Ingredients:

some liquid.

3 medium aubergines

Heat half of the olive oil in a large frying pan. Gently fry the aubergines, turning them so they become lightly browned and softened on all sides. This takes about 8–10 minutes. Transfer to a baking dish.

1 large onion, thinly sliced 3 garlic cloves, grated 300g mixed tomatoes 100ml extra virgin olive oil A sprig of fresh thyme, oregano and chopped parsley

Method: Using a vegetable peeler, remove strips of skin lengthways, leaving alternate strips of skin and flesh in a striped pattern. Keep the aubergines whole, sprinkle generously with salt and leave for 20–30 minutes; they will release

In the same pan, add the sliced onion and a good pinch of salt, and cook gently for 10–12 minutes until soft and golden. Add the garlic and cook for another minute. Add the tomatoes, thyme and oregano, season well, and simmer for 10–15 minutes, until the tomatoes break down and the mixture is thick and rich.

Make a long slit down the centre of each aubergine, without cutting all the way through. Gently open them up and spoon the onion-and-tomato mixture inside. Drizzle generously with the remaining olive oil and bake at 180°C for about 30–35 minutes. Leave to rest for 10–15 minutes, then sprinkle with fresh parsley. Enjoy with a big pile of fluffy flatbreads to soak up the delicious tomatoey olive oil. see livinglarder.co.uk for more recipes.

Living Larder is a family-owned, Soil Association certified Organic farm, supplying local fruit and vegetable boxes. livinglarder.co.uk | Instagram: @livinglarder

September October 2026

RICH, GOLDEN GUERNSEY GOODNESS FROM OUR FAMILY FARM Briddlesford is a family farm shaped over a century, but our focus has never changed – our Guernsey herd, and the quality of the food we bring to your table.

FARM | CAFE | SHOP 01983 882 885 | Briddlesford Road, PO33 4RY

briddlesford.co.uk

BREAKFAST • LUNCH • DINNER DAILY HAPPY HOUR • COCKTAILS 2 AA ROSETTES • WEDDINGS • DOG FRIENDLY The High Street, Seaview, Isle of Wight, England, PO34 5EX 01983 612711

www.seaviewhotel.co.uk

September October 2026

Gourmet Larder • Est. 2002

“Great food begins with great ingredients.”

FRESH • LOCAL • SEASONAL Artisan & Speciality Foods Curated Wines & Spirits Quality Ingredients Independent Since 2002 OPEN TIMES Monday to Thursday 7:30 am to 9:30 pm Friday and Saturday 7:30 am to 10 pm, Sundays 8 am to 9:30 pm

THE SQUARE, YARMOUTH PO41 0NP 68

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A FEASTING TABLE Harvest Time arrives with an incredible array of seasonal fruits and vegetables, making delicious dinners truly effortless.

Add a walnut and rocket salad with a generous drizzle of good olive oil, local bread, and some sweet table grapes to make a feast in fifteen minutes. At Harvey’s of Yarmouth they have everything you need to elevate your autumn table.

Enjoy apples, pears, plums and quinces with hard cheeses like Manchego, Comte and Parmesan. Peaches and the last of the season’s cherries pair beautifully with lush blue cheeses, creamy goat’s cheese and slices of salami.

The Square, Yarmouth PO41 0NP t: 01983 760219

September October 2026

EAT THE CITY 70

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DESTINATION AMSTERDAM: A Celebration of Cuisine and Culture Words: Noah Warren

etting away from the Isle of Wight for a long weekend often feels like a logistical puzzle, but swapping Island living for Dutch charm turned out to be remarkably effortless. In fact, our journey from the Island to Southampton Airport took virtually the same amount of time, if not less, than the flight itself into Schiphol. Before we knew it, we were stepping out into the crisp air of Amsterdam’s city centre, ready to eat our way through the capital. We didn’t waste any time kicking off our food trail, heading straight for House of Fries to pick up a classic piping-hot cone of golden Dutch fries. We opted for truffle mayo – a deliciously rich and slightly sweet sauce – drizzled over fries that were perfectly salty and boasted a serious crunch; a welcome energy boost after a morning of travel. Our first evening was a real study in contrast. Running late for our dinner reservation at The Seafood Bar on Van Baerlestraat, we flagged down a pedicab and took off on a frantic

15-minute dash through the city streets. We zipped past lit-up canal bridges and through buzzing evening traffic, taking in the sights from the back of the cab. On arrival, we stepped into a strikingly sleek, modern restaurant anchored by glittering raw bars and ice displays. We dived headfirst into an impressive seafood sharing platter piled high with tender salmon, sea bass, sea bream, and a medley of shellfish, alongside a steaming bowl of mussels tossed in a rich, savoury tomato sauce. Not content with just one culinary highlight, our evening progressed to what would prove to be the undisputed centrepiece of our trip: De Silveren Spiegel. Dating back to 1614, this historic venue consists of two stepgabled buildings that lean delightfully with age. Sitting outside on the terrace, we dined overlooking the canal while admiring the building’s charmingly wonky architecture. Inside, a pristine historic silver mirror hangs proudly – the namesake of the property,

September October 2026

The irresistable aroma of warm cinnamon, spiced dough and caramel

originally built for a 17th-century soap magnate. The staff were exceptional, guiding us through a two-and-a-half-hour culinary journey with rich tales of the building’s heritage alongside detailed explanations of each course. The seven-course tasting menu was a vastly different experience from anywhere else we ate, blending traditional Dutch heritage with modern fine-dining artistry. The meal was full of theatrical surprises – most notably a clever amuse-bouche featuring an orange sphere served on a delicate spoon that burst with a vibrant explosion of liquid flavour the moment it hit the palate. Another standout was a masterfully prepared dish of kingfish paired with crisp radish and seaweed, showcasing local flavours with incredible precision. It was the kind of dinner that

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defines a trip – unhurried, deeply atmospheric, and unforgettable. The next morning, we set out early to experience a different side of Dutch culture. Renting traditional Dutch step-through bikes, we wheeled aboard the ferry across to AmsterdamNoord, before embarking on the scenic ride out toward the historic windmill village of Zaanse Schans. Knowing we’d work up an appetite on two wheels, we made a strategic pitstop at a local Dutch deli to pack a custom picnic of crusty fresh bread, juicy grapes, and a rich regional Dutch cheese. Rolling into Zaanse Schans with the historic wooden windmills turning against the skyline, we unpacked our lakeside feast, topping it off with warm stroopwafels, fluffy Dutch pancakes, and slices of our deli cheese, all enjoyed with iconic views across the water.

By the time we pedalled back into the city, our tired legs certainly felt every mile, but the countryside air was worth every push of the pedals. After resting our legs, we spent our second evening exploring De Pijp, one of Amsterdam’s most vibrant and creative neighbourhoods. The winding streets here have a relaxed, neighbourhood energy that feels a world away from the main tourist hubs, lined with independent boutiques and lively terrace cafés. We grabbed a table at Monte Verde for a laid-back pizza dinner, tucking into classic thin and crispy Italian-style bases loaded with fresh toppings and bubbly melted mozzarella. It might not have been the most adventurous choice in the capital, but it hit every single spot. Afterward, we let the night drift, ending up in a cosy Irish pub to settle in with a few proper, creamy pints of Guinness alongside a friendly mix of both locals and tourists.

Our third day was all about iconic city sights and sweet indulgences. We started with breakfast overlooking the majestic Dam Square, watching the city wake up and the streetcars start their morning routes around us. Naturally, dessert followed almost immediately. Just around the corner, we visited Melly’s Stroopwafels. The irresistible aroma of warm cinnamon, spiced waffle dough, and caramel hit us before we even reached the counter, where we stood mesmerised watching the hot syrup pressed between freshly baked waffles. We tucked straight into them the second we stepped out the door, wasting no time ensuring they were still piping hot as we ate them. After a full day of walking the canal rings, we warmed up that evening in the cosy booths at Takumi Ramen Kitchen, diving into steaming, highly fragrant bowls of authentic ramen, packed with tender shrimp, springy noodles, and a rich, savoury broth.

To top off the night, we made a dedicated trip to Tiramizoetje – a charming boutique shop entirely devoted to tiramisu – where we treated ourselves to two creamy, dreamy pots: one classic espresso and one dangerously rich pistachio. Before heading back to Schiphol for our short flight home, we needed one last proper fuel-up to close out the trip. We snagged a table at Omelegg, a bustling haven for breakfast lovers, where we tucked into loaded, cooked-to-order omelettes packed with rich smoked salmon and fresh herbs, served alongside piping hot coffees. Leaving Amsterdam, it struck us just how accessible a world-class food destination can be for Island residents. With zero travel stress, seamless connections, and a weekend full of incredible meals, it’s a quick-hop trip that delivers maximum flavour with minimal effort.

September October 2026

FORK IN GOOD FOOD

AUTUMNAL RASPBERRIES Sweet and juicy in September, raspberries are more than just a summer fruit. Symbolising fertility, care and sacrifice in Greek mythology and used for centuries for health and medicine, the raspberry has been a staple for millennia, interwoven into cultures, from caves to kitchens. Words: Viginia Taylor

Growing wild across the Northern Hemisphere, raspberries have long been feasted on by man and beast. Evidence of raspberry canes has been found at archaelogical dig sites, suggesting cave dwellers of the Paleolithic era enjoyed the sweet berries, while Roman agricultural writer Palladius first recorded their cultivation in the fourth century AD. Raspberries still grow wild in the UK and, like blackberries, can be found in woodlands and along riverbanks, growing in thick, dense bushes. A cousin of the rose, raspberry’s botanical name is Rubus idaeus, which translates to the ‘bramble bush of Ida’. The plant grows abundantly on Mount Ida, Crete’s highest peak,

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which is also believed to be the birthplace of Zeus. In the story of Ida, the nymph (and nurse to Zeus) pricked herself on the thorn of a raspberry bush, turning white berries to blood-red for eternity. Thus, the raspberry became linked with fertility, a symbol of care and sacrifice. Belief in the berry’s power has stood the test of time: across cultures for many years, raspberry leaf tea has been used by women to support menstrual health and prepare the body for labour. Though it’s important to note there is limited data and studies have been variable, the indigenous people of North America and European herbalists have used the plant for this purpose for

centuries. The berries are nutritional powerhouses, full of Vitamin C and anthocyanins (antioxidants found in deeply pigmented fruits, which aid cardiovascular health, regulate sugar levels and aid brain function). It’s no wonder that raspberries were intuitively linked to wellness long before their benefits were proven. Mythology and health benefits aside, raspberry’s vibrant colour, sweet, tart flavour and culinary versatility have made it a staple in homes and restaurants as a bright and refreshing addition to sweet dishes. As we move into autumn, they’re at their best, so try these classic recipes to carry the taste of summer into the cooler months.

September October 2026

Layered Raspberry Cheesecake

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Homemade Raspberry Jam

Think of this as a raspberry cheesecake reimagined as a layer cake: a simple lemonand-vanilla sponge, sandwiched with a softly whipped cheesecake filling streaked pink with raspberry coulis. Finish with a tumble of fresh berries and a few sprigs of mint. Start with a simple sponge. A classic two-layer Victoria-style sponge is ideal. For a 20cm cake, use roughly equal quantities of softened butter, golden caster sugar and self-raising flour (about 225g of each), with four large eggs. Add the zest of half a lemon and a teaspoon of vanilla extract for a little freshness. Divide between two lined 20cm tins and bake at 180°C for around 25–30 minutes, or until risen, golden and a skewer comes out clean. Leave the sponges to cool completely. MAKE THE CHEESECAKE FILLING. Whisk together 500g soft cheese, 300ml double cream, 100g caster sugar and a teaspoon of vanilla until smooth and just thick enough to hold soft peaks. Set aside roughly a fifth of the mixture to use as the plain topping. BRING IN THE RASPBERRY Blitz around 300g raspberries until smooth, then pass through a sieve to remove the seeds. Keep a little of the coulis aside for decorating. Fold the rest through the larger quantity of cheesecake mixture, creating a pale pink, raspberryflavoured filling. BUILD THE CAKE Leave one sponge in its springform tin to form the base. Spread over half the raspberry cheesecake mixture, then add the second sponge and top with the remaining filling. Smooth the surface with a palette knife. Use the reserved plain cheesecake mixture and raspberry coulis to decorate the top, keeping the centre relatively clear for a generous pile of fresh fruit. CHILL BEFORE SERVING Refrigerate for at least six hours, preferably overnight, so the cheesecake layer has time to firm up. Carefully run a palette knife around the edge before releasing the springform tin. TO FINISH scatter over fresh raspberries, blackberries and blueberries, adding a few fresh mint sprigs for colour and a cool, aromatic note. A final drizzle or small spoonfuls of the reserved raspberry coulis will tie everything together.

INGREDIENTS: 500g raspberries 500g granulated sugar Juice of half a lemon

METHOD: Sterilise your jars and leave them to dry. Pop a plate in the fridge to cool (you’ll need this later). Pour your raspberries, sugar and lemon into a preserving pan over a low heat. Stir gently until all the sugar has dissolved. If you like, you can sieve the jam to remove seeds and pulp, but if you prefer more texture in your jam, leave it all in the pan. Bring the mixture to a rolling boil and heat for around 4-5 minutes, until the jam reaches setting point (it should be rolling slowly, with a thicker consistency). When you think your jam has reached setting point, remove it from the heat and spoon a little of the mixture onto your cooled plate. Once cooled, test your jam by running your finger through it. If it wrinkles, it’s ready. If not, put the pan back on the heat for a couple of minutes, and test again. Once cooled, pour into jars. If you have sealed jars, your jam should last for 6 months in the cupboard. If you’re jars are unsealed, store your jam in the fridge and use within two weeks.

September October 2026

The Sweet

TASTE OF HOME On a Sandown street, the warm scent of bread and pastries drifts from the doorway of Deli-Cious Artisan Bakery. This was always part of Piotr Banachowski’s plan: that people might follow the smell inside and discover something unexpected. The bakery was created partly from homesickness. Polish people living on the Island often missed the flavours they had grown up with, so Piotr and Justyna set out to gather them in one place. Today, their multicultural team brings its own recipes, memories and food traditions to the shop,

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creating a deli that feels both distinctly Eastern European and firmly part of Sandown. “We wanted to create somewhere that could give people a little taste of our hometowns.” The counter offers traditional pastries, baked cheesecake and cakes that are often less sweet than their British counterparts. On Saturdays, it fills with doughnuts. Then there is Happy Apple Pie, made from a recipe Justyna once baked with her grandmother. Its name comes from those memories, though it has since become entwined with the lives of customers too. The shelves reveal other small pleasures: jars of gooseberry jam, bottles of kefir and plenty of

sauerkraut. At the deli counter, hams and sausages are carefully chosen. New products are ordered in small quantities and sampled by the staff, who vote on whether they deserve a permanent place. Hospitality matters as much as flavour. Customers are greeted when they enter, a Polish tradition that gives the shop an immediate sense of warmth. Piotr and Justyna are learning their regulars’ names and remain moved by how readily the town has embraced them.

draws in. Yet the real appeal of Delicious already extends beyond what is stocked or baked. It is found in the mingling of cultures, the remembered recipe shared with strangers and the quiet pleasure of finding a taste of home somewhere new.

“For us, being part of the Sandown community is about belonging and mutual support.”

Deli-Cious

More hot food will arrive as autumn

Phone: 01983 718181

85 High St, Sandown PO36 8AQ

September October 2026

Award winning care homes

“I’ve been gardening since 13, I now keep busy as head of the gardening club.” John, care home resident Our caring teams are trained to make every part of your loved one’s stay tailored to their needs, interests and preferences.

Solent Grange care home, Ryde 01983 478 442 careuk.com/solent-grange Now part of Care UK Trusted to care 80

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A story to be told Pens at the ready. In this issue, we explore the Isle of Wight’s lively literary scene, past and present, from Dickens and Tennyson to today’s poets, authors and spoken word performers. There is writing inspiration for adults and children, local books to discover, and the return of our Power of the Pen creative writing competition for young Islanders. Whatever your age, there is always another story waiting to be told.

September October 2026

Writing the Weather

As part of our literary feature this issue, we are sharing a creative writing exercise for those who already write and those who have always meant to begin.

The weather can quietly alter the emotional temperature of a scene before a character has said a word. Begin with someone walking through a place you know well. It might be a woodland path, a town after the shops have closed, the seafront or the road home. that the day is miserable, or ominous. Let the details do that work. Perhaps wet leaves cling to your character’s shoes, branches scrape against an upstairs window, or the mist slowly erases the path ahead. Notice what the weather does to your character. Do they hurry home or take the longer route? Does the rain make them feel exposed, or safely hidden? Does the sharp air awaken a memory they had been avoiding? Then write the scene again in different weather. Keep the person and place unchanged and watch what happens to the mood. A threatening path may become inviting. A lonely walk might begin to feel l ike freedom.

IDEAS TO THINK ABOUT: • Rain that has been falling all day • Mist gathering as the light fades • The first frost of the year • Low sunlight breaking through • Ice on the ground at first light

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find your Spark

Story Sparks is a collection of creative writing activities for children. There are no right or wrong answers. Simply pick up a pen, follow the prompt, and let your imagination lead the way. You might discover mystery, meet an unforgettable character, or begin a story you never expected to write.

The Mysterious Door Imagine you discover a door in a place where no door should be. It might be inside a tree, beneath the sea, in the playground wall or at the end of your garden. Try to include descriptions using sight, sound, smell and touch. Give yourself 20 minutes to write, then choose your favourite sentence to share.

IDEAS TO THINK ABOUT: • What does the door feel like? • Can you hear noises? • Why do you decide to open it? • What is waiting behind it? • Is there a sound the door makes? • Is opening the door a good idea?

September October 2026

Pen Returns e h t for of Power of the Pen r 20 e w 27 BIGGER FOR 2027 Po

Showcasing Young Storytellers Last year’s Power of the Pen competition culminated in a special awards event at the Isle of Wight Story Festival, where shortlisted writers and their families came together to celebrate the Island’s young literary talent. Winners were awarded vouchers for Medina Bookshop and had their stories read aloud at the awards ceremony.

This year we are looking for original stories from children of up to 500 words on any subject they choose, encouraging creativity, imagination and confidence. Schools and individuals are encouraged to enter. For more details on how to enter email lottie@styleofwight.co.uk

KEY INFORMATION • Opens: 1 September 2026 • Closes: 11 December 2026 • Word Limit: Up to 500 words

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Children’s story book

Sophia And The Maths Crew By Rosh, Aged 9 In a noisy Year Four classroom, rays of sunshine came through the window. It was a hot and exhausting day. Sophia was at school learning maths. “Get your maths book,” instructed the teacher. Everyone reluctantly got their book except Sophia, who was excited. They all opened their books, but when Sophia opened hers, unlike everyone else, something strange happened. She found herself in a white room where the numbers could walk and talk. “This is bizarre,” she said, surprised. “Well, my name is Plus!” bellowed a black maths symbol. He shook Sophia’s hand and said, “I’m here to help you answer the question 1365 × 5, but first I need to call the maths crew.” Sophia was shocked. That was the first question in her maths book. “Who is the maths crew again?” she asked. Plus replied, “Oh, they’re my friends. Meet Minus, Times, and Divide. This question you’re trying to answer uses my friend Times. He’ll tell you the answer.” Times, a tiny black maths symbol, mumbled, “The answer is 6825!” But abruptly, she heard her teacher yelling her name. All of a sudden, she woke up. She realised she had been dreaming. The teacher quizzed her and asked, “What’s the answer to 1365 × 5?” With a smile, Sophia said, “The answer is 6825!!”

Taken from the 2026 book “Power of the Pen”

September October 2026

Spoken Words WORDS BY: Cody Peverall and Ben Homes

When it comes to the creative scene on the Isle of Wight, most people think first of its musical history, yet a growing contemporary literary scene is being enjoyed and celebrated.

The Island’s history has long been intertwined with poetry. It is difficult to picture the beauty and bluster of West Wight without thinking of Tennyson, while the quiet surroundings of Bonchurch conjure the spirit of Swinburne at every turn. These poets, however, form the backdrop to a vibrant contemporary network that now reaches across the Island. Jean G-Owen of Naked Figleaf Press hosts varied open-mic and showcase evenings, including Figgy Gig and In Her Own Words, at venues across the Island. In Ryde, members of The Unofficial Secrets Act meet monthly at Monkton Arts, performing for an afternoon audience over coffee and cake. Those willing to venture south will find VEX, a spoken-word collective based at Ventnor Exchange. The group holds fortnightly workshops and a bi-monthly open-mic night, SPEAKEASY, alongside producing its quarterly zine, VEX BOMB. VEX recently transformed its annual Ventnor Fringe show into a bespoke

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venue called The Garage. Described as “The Home of Spoken Word at Fringe”, the intimate, bohemian space hosted spoken-word performances, showcases, open mics, workshops, a poetry exhibition and the Poetry Apothecary. Hundreds of people visited and engaged with poetry throughout the week. Each of these groups and events is an important part of the Isle of Wight’s spoken-word community, but it is their collaborative work that allows the scene to thrive. The Garage hosted In Her Own Words in July, SPEAKEASY welcomes performers from across the Island, and it would be unusual not to find at least one VEX poet at Monkton Arts each month. The Island’s spoken-word and poetry scene is vibrant, collaborative and distinguished by its diversity of voices. Most excitingly, it feels as though it is only just beginning.

The Isle of Wight has always had a language of its own. Tucked among the expressions passed down through Island families are words that are simply too lovely to lose.

One of the most delightful of these is dumbledore, an old dialect word for a bumblebee. Before it became the name of a rather famous wizard, a dumbledore was something you might spot wobbling through a cottage garden or droning contentedly along an Island hedgerow. The word dates back to at least the 18th century and seems perfectly suited to the round, slightly chaotic creature it describes. A dumbledore does not dart elegantly from flower to flower, but instead

bumbles, buzzes and changes direction as though it has suddenly remembered an urgent appointment somewhere else. There is something irresistibly endearing about their furry, slightly haphazard determination. Technically, the word is not exclusive to the Isle of Wight. It appears in dialects across southern England, but the Island is among the places where its use has been recorded. That makes it part of our linguistic history, even if we cannot claim it entirely as our own.

Island Tongue September October 2026

Field Guide to the Fossils and Geology of the Isle of Wight

Could you write the next modern classic?

Local palaeontologist Megan Jacobs explores the Island’s geology, fossils and prehistoric past in this accessible new guide from Medina Publishing.

In January 2027, East Dene Estate will become the setting for an exclusive writing retreat, featured in association with Style of Wight and devoted to creating stories with lasting power.

Designed for beginners and experienced collectors alike, the book features more than 400 fossils, alongside photographs, diagrams and identification guides. Readers can discover where to look, how to identify finds and how to collect responsibly.

Within the historic Bonchurch estate, writers will have the rare opportunity to step away from everyday demands and concentrate fully on their work. Leading specialists from across professional writing and publishing will share their knowledge through workshops, discussions and focused sessions exploring what makes a book unforgettable, from distinctive voices and compelling characters to preparing a manuscript for publication.

Drawing on Megan’s research and experience leading walks with Wight Coast Fossils, the guide explains how the Island’s landscapes formed and preserved evidence of ancient life, from dinosaur remains and footprints to marine fossils Suitable for families, schools, students and fossil enthusiasts, the book is available from local retailers, including Medina Bookshop, and online at medinapublishing.com.

WRITERS’ RETREAT limited numbers. exclusive venue. world class speakers click here to pre-register

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The retreat is designed for writers ready to develop their craft, whether beginning with the first spark of an idea or shaping an existing manuscript. Places will be deliberately limited, creating an intimate experience with time for individual attention, conversation and uninterrupted writing. Further details, including dates and booking information, will be announced soon.

That absence became the starting point for a conversation among supporters of the Island’s literary scene. From those early discussions, the Isle of Wight Poet Laureate Programme was born, creating a cultural role to celebrate local talent, bring poetry into everyday Island life and capture something of this extraordinary place in words. Following an open call for applications, five poets have now been shortlisted. Each has been commissioned to write an original poem celebrating an Isle of Wight town from a fresh and unexpected perspective. The finished poems will be released for a public vote, inviting Islanders to help choose the first person to hold the title. “We wanted each poet to look beyond the familiar and offer a new perspective on an Island town. Poetry can reveal the stories, details and character of a place that we might otherwise pass by,

inviting us to see somewhere we think we know with fresh eyes.” Says Lottie Begg, founder of the Isle of Wight Poet Laureate programme The shortlist reflects the breadth of contemporary poetry on the Island. Harrison Wavell is a poet, storyteller and educator whose work is shaped by the rhythms of land and sea. Award-winning novelist and poet Kathryn Rossati explores nature, accessibility and neurodivergence. Tim Martin, better known as King Stammers, is a respected spoken word performer and passionate advocate for community poetry. They are joined by Nina Plapp, a poet, writer and musician whose work draws upon Island history and her experiences overseas, and Sarah Nicole, a writer, illustrator and designer known for her thoughtful observations of Island life.

The Island’s Poet Laureate

For generations, the Isle of Wight has drawn writers, poets and storytellers to its shores. Its shifting light, dramatic coastline and distinctive communities have inspired countless works, making it all the more remarkable that the Island has never had a Poet Laureate of its own

The inaugural Isle of Wight Poet Laureate will be announced at a special awards ceremony at Quay Arts in Newport on 15 October 2026. Anyone interested in attending email info@iowpoetlaureate.org.uk

September October 2026

Nature’s New Characters

Get Crafty

Creativity can come from anywhere, and where better to find inspiration than in nature? Leaves, flowers, feathers, twigs and seeds can become the starting point for a brand-new character, encouraging children to look closely at the colours, shapes and textures around them.

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This activity begins with a walk outdoors, giving children the chance to explore, slow down and gather fallen natural treasures. Back at home, these objects can be transformed into curious faces, unusual creatures or magical beings.

ALL YOU NEED IS: • Cardboard • Pen & pencil • Scissors • Nature

September October 2026

It is time to introduce some of the writers behind Style of Wight. Meet the people whose words bring our features, stories and interviews to life, and discover a little more about the voices behind Style of wight magazine.

Lottie Begg

Ros Whistance

Rebecca Lawson

Publisher and founder of Lemon Jelly Press, Lottie Begg has been a long-time reader of Style of Wight and a keen supporter of the magazine’s work showcasing the very best of the Island. Her involvement began with Power of the Pen, Style of Wight’s children’s writing competition, which gave young Islanders the opportunity to see their stories celebrated in print. From there, Lottie became more closely involved with the magazine and now enjoys writing features alongside her role as Associate Editor, helping to shape stories that capture the creativity, character and community of Island life.

Ros Whistance began her career in journalism as a sub-editor on the Weekly Telegraph, part of the Daily Telegraph in London. After moving to the Isle of Wight 20 years ago, she turned to feature writing and worked with Christian on some of the earliest editions of Style of Wight, later becoming a regular contributor for around three years. Through interviewing and writing about the Island’s artists, chefs and business owners, Ros found herself falling increasingly in love with the place she now calls home. Today, she continues to contribute to Style of Wight as a feature writer, bringing her considerable editorial experience and curiosity about Island life to its pages.

Rebecca Lawson is a writer and editor with a love of good stories, wild swimming and anything with a hint of the supernatural. She writes about travel, lifestyle and heritage, always looking beyond the surface to uncover the history behind the places she visits. When she is not writing for Style of Wight, Rebecca can usually be found exploring somewhere old or slightly haunted, preferably with her Kindle in one hand and a cocktail in the other.

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Meet The Team

Cheryl Buggy

Caroline Hurley

Ursula Brunetti

Broadcaster and writer Cheryl Buggy lives in Cowes and has long been an admirer of Style of Wight. Earlier this year, she launched Island Women, a project celebrating the remarkable women who live and work across the Island. It proved a natural fit for the magazine, and Cheryl was delighted to be invited to turn the project into a regular feature. Through her writing, she shines a spotlight on women from all walks of Island life, sharing their achievements, experiences and the stories that deserve to be heard. With so many inspiring women still to meet, she has plenty more features planned.

With a background in health and wellbeing, Caroline Hurley brings warmth, knowledge and a genuine passion for Island life to the pages of Style of Wight. She has known Christian since before the magazine began and was immediately drawn to his vision of celebrating the people, businesses and communities that make the Isle of Wight special. Caroline first became involved as an advertiser, before Christian invited her to join the team as a regular contributor. Since then, she has enjoyed sharing her expertise with readers and watching the magazine grow from strength to strength.

Ursula Brunetti has been contributing to Style of Wight for nearly a decade, writing about interiors, culture and Island life. A writer and copywriter by trade, she is also an award-winning shortstory writer. Her fiction recently won third prize in the Elizabeth Jolley Short Story Prize and has been published in the Australian Book Review. She is also a recipient of the Royal Society of Literature’s V.S. Pritchett Short Story Prize, with another story due to be published by Simon & Schuster as part of The Hope Prize anthology. When she is not writing for the magazine, Ursula is usually working on her novel, exploring the Island with her children or running along the coast.

September October 2026

where history Lives At Winterbourne House, Charles Dickens found the privacy he needed to write. He arrived with his family in 1849 and spent three months overlooking the sea, working on chapters of David Copperfield. The house remains a private residence, but its place in the Island’s story can now be approached through the Charles Dickens Trail. The 6.3-mile route begins in Shanklin, crosses Shanklin and St Boniface Downs, descends through Ventnor and follows the coast to Bonchurch. It connects the grander landmarks with footpaths, churches and views Dickens would have known. Farringford became the centre of another remarkable literary community. Alfred, Lord Tennyson made the house his home in 1853, seeking refuge from the attention brought by his appointment as Poet Laureate. Here he wrote parts of Maud, Enoch Arden and Idylls of the King, while welcoming writers and artists including Lewis Carroll, Edward Lear and William Allingham. Nearby, Dimbola was the home of photographer Julia Margaret Cameron. More than a house, it became a gathering place for the Freshwater Circle, where literature, art and photography met around the same table. Virginia Woolf later drew upon this unconventional community for her play Freshwater.

Above them all stands the Tennyson Monument. Erected on the Down in 1897 and inscribed with words from Crossing the Bar, it turns poetry into something physical: language fixed into stone, weather and horizon. At Carisbrooke Castle, the connection is older and darker. Imprisoned there following the Civil War, Charles I wrote poetry during his captivity. Words offered a form of freedom when the castle walls allowed none. Literary influence does not always begin in a library or a writer’s study. The Minghella family’s Mayfair Café on Ryde High Street was where Oscarwinning director and screenwriter Anthony Minghella grew up. He helped in the café and sold ice cream at the neighbouring cinema, gaining an early view of the stories unfolding on screen. The busy café, once a meeting place for generations of young Islanders, formed part of the everyday world from which one of the Island’s greatest storytellers emerged. At Quay Arts, the Island’s storytelling tradition remains alive. Each February half term, the Isle of Wight Story Festival fills the former brewery warehouses with children, families, authors, illustrators, performers and poets. Through readings, performances and creative workshops, stories become something children can enter, question and make for themselves.

IDEAS TO THINK ABOUT: Together, these places reveal how literature lives beyond the page. It inhabits rooms, paths, stages and shared tables, waiting for each generation to walk through them and begin imagining again.

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A few of the Island’s places of literature and historic notability

Northwood House NORTHWOOD HOUSE

Carisbrooke Castle CASTLE CARISBROOKE Farringford House FARRINGFORD HOUSE Mayfair Café CAFE MAYFAIR

Tennyson Monument

The Charles Dickens Trail

Dimbola Lodge DIMBOLA LODGE

Quay Arts QUAY ARTS

Winterbourne House WINTERBOURNE HOUSE

The Isle of Wight’s literary history is written into its landscape. It survives in villas, castle walls and chalk downs, in former cafés and converted warehouses, and along footpaths where ideas once accompanied their authors. Here, we explore some of the Island’s best-known literary places and consider how they have helped stories travel from one generation to the next.

September October 2026

STY LE BOOK M A R KS LOCAL AUTHORS TO DISCOVER AND READ

WYUEN PYNE Jean G-Owen Is a writer, performer and founder of Naked Figleaf Press. Her latest book, Wyuen Pyne: A Reckoning of Women’s Voices, began in the Herefordshire town where she grew up, where the last woman to be ducked in England was punished.

SPOTLIGHT ON: Jean G-Owen

“That ducking stool is now housed in a local church. To mark the Millennium, the town commissioned a clock featuring a female effigy on a ducking stool. What some called a bit of fun made me furious, so I started writing.” Wyuen Pyne, a medieval phrase meaning “women’s pain”, became a collection of fiction, poetry, essays, monologues and images exploring women silenced and ridiculed across centuries. This summer Jean took the book to Ventnor Fringe as A Reckoning of Women’s Voices, complete with a specially made scold’s bridle and shrew’s fiddle. “The performance brought it full circle: women’s punishment was public spectacle. This time, we controlled the stage.”

GINGER THE RED SQUIRREL FINDS A NEW HOME

Jean G-Owen Released November 2025

£10

HYBRID LITERATURE Wyuen Pyne is a medieval phrase meaning ‘women’s pain, women’s punishment’. Across centuries, women’s refusal to conform has been staged as spectacle: ducking stools plunging so-called scolds into rivers, bridles silencing tongues, and racks stretching bodies in the name of faith. These punishments were both acts of law and public performances designed to choreograph female obedience. Blending poetry, prose, cultural commentary and images, Wyuen Pyne: a reckoning of women’s voices reimagines women whose names survive only in fragments, whose stories were recast as allegory. At its heart are women who dared to say no and paid the price. Saints, mothers, daughters, “witches” and rebels step from history to reclaim their own narratives. This is their reckoning, herstory reclaimed, and it is long overdue.

Helen Butler Released 2026

CHILDREN’S Written by Helen Butler MBE, this children’s book introduces readers to the world of red squirrels through a story inspired by their real lives. Children follow Ginger the red squirrel as he explores his surroundings, faces the challenges of life in the wild and reveals the habits that make these animals so special. The educational storytelling encourages curiosity about wildlife while helping children understand that the creatures they see in woods have their own needs, behaviours and habitats. After the story, photographs of red squirrels bring the subject to life, alongside accessible facts that readers can enjoy and remember. Ideal for sharing at home or in the classroom, the book combines storytelling, nature photography and learning in an inviting format. It is a lovely introduction to British wildlife and an excellent way to inspire care for the natural world.

www.nakedfigleafpress.com /jeangowen www.amazon.co.uk/dp/106848280X

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£6

www.wightsquirrels.co.uk

STY LE BOOK M A R KS LOCAL AUTHORS TO DISCOVER AND READ

THE TREES FROM DAWN TO DUSK

ALONG CAME MADDIE

Gail Wareham

Allie Grant Released Spring 2026

VAMPYR, GHOST, ASSASSIN

£7.95

Released April 2026

Kathryn Rossati £20.00

Released August 2026

£8.99

ROMANCE/WITCHCRAFT

POETRY

CHILDREN’S FICTION

Joe has spent every school holiday working alongside his father at Jebson’s Farm. This summer, he plans to escape to a job in town. Then Maddie arrives. Their attraction is immediate, but as passion takes hold, old loyalties fracture. Maddie’s place at the heart of Joe’s family is far from secure, and someone is determined to drive her away. When dead birds appear around the farm and Maddie is struck by a mysterious illness, whispers of witchcraft and buried secrets haunt their romance. As dark enchantments tighten their grip, ancient forces awaken on the crag and unexpected protectors emerge from the shadows. With jealousy, desire and a dangerous hunger for power threatening to tear them apart, Joe and Maddie must discover whether their love can survive the secrets of Jebson’s Farm. Along Came Maddie is a passionate tale of romance, folklore and rural magic.

A unique collection of art and poetry, connecting nature to our lives. Each painting explores a forest scene & the movement of light throughout the day, and is paired with a beautifully written poem. By absorbing the words and art together, it is hoped the reader can immerse themselves within nature and experience moments of stillness, reflection, and quiet wonder.

When Wyn Gatteaux discovers the body of a human girl in his garden, his carefully ordered life begins to unravel. Vampyrs don’t drink blood, that’s only a human myth, but within hours, Detective Cerry Vanell, heir to a feared line of vampyr hunters, arrests Wyn’s parents and leaves him trapped under guard.

@jebsons.farm

www.thewightsoul.com/store

Available from Medina Bookshop,

www.jebsonsfarm.com

www.amazon.co.uk

Waterstones, and all online

www.amazon.co.uk

Trees-Dawn-Dusk-Gail-Wareham

bookshops.

The Trees from Dawn to Dusk is an invitation to slow down, to notice the shifting colours of sky and leaf, and to reconnect with the rhythms of the natural world. This thoughtful collection offers a gentle space for contemplation, creativity and calm, reminding us of the beauty that unfolds when we simply take time to look and listen. Every page is reproduced in full colour with a hardcover to make the most of the artwork featured.

Desperate and alone, Wyn attempts to send a message to his aunt in Worldunder, the hidden city beneath the streets where non-humans seek refuge. His plea for help goes unanswered. Worse still, the ghost of the dead girl, Sera, appears at his side, unable to stray far from him without being dragged back by an unseen force. With a relentless teen assassin on his trail and time slipping away, Wyn must risk everything to free his family and sever his connection with Sera before the Vanell family do their worst.

September October 2026

The Enduring Appeal of

IAN MANKIN

Long before sustainability became a selling point, Ian Mankin understood the appeal of honest materials. Cotton, linen and wool did not need disguising, only thoughtful design and the skill to make them last. The company he founded in 1983 built its reputation on that principle, transforming familiar stripes, checks and utility cloths into fabrics that felt both fresh and reassuringly timeless.

Mankin’s career began amid the energy of 1960s London. He created leather clothing and luggage for the Beatles, the Rolling Stones and Michael Caine, as well as Ronald Reagan. By the early 1980s, however, his attention had turned towards interiors. His first fabric shop opened in Primrose Hill in 1983, followed by Wandsworth Bridge Road in 1992. The publication of his book, Natural Fabrics: Simple & Stylish Soft Furnishing, in 1997 carried his quietly distinctive style into homes across Europe. Mankin retired in 2008 and died in June 2026, leaving behind a design language built around elegant simplicity rather than passing fashion.

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Today, the company is joined with the familyowned Burnley mill that has always woven its fabrics. One of Britain’s last surviving cotton mills, it carries more than 150 years of textile knowledge within its walls. The new Beacons Collection continues that story through natural and recycled fibres, while wallpapers, cushions, lighting and accessories are made by British craftspeople. It is heritage kept alive through use: practical, beautiful and woven for modern homes.

Bayliss & Booth, offer a dedicated fabric and interiors service featuring Ian Mankin designer collections and bespoke soft furnishings. PO33 4RD Phone: 01983 528600

September October 2026

Discover the difference real ingredients can make.

At Simply Jaspers, we believe dogs thrive when they are fed real, natural nutrition. That’s why our recipes are made with high-quality, rich meat content, nutritious fruits and vegetables, beneficial herbs, and carefully selected functional ingredients that support digestion, immunity, joints, and overall wellbeing.

No fillers. No artificial additives. No colourants. No compromise. • Grain-free and hypoallergenic recipes

• Suitable for all ages and breeds

• Supports digestive health

• Made in the UK

• Supports immune system function

• No artificial additives

• Supports healthy joints and mobility

• No artificial colourants

• Packed with natural goodness

• No cereals or unnecessary fillers

PLANNING FOR PUPPYHOOD Bringing a puppy home is an exciting moment, but it can also turn the most carefully considered interior into a rather different kind of living space. Nothing is off-limits for an inquisitive puppy, which is why new pet parents have some decisions to make early on when sharing their home with a new arrival.

One of the hardest parts of being a pet parent is sticking to the rules. Puppies are quick to learn them and even quicker to find ways around them. As a household, agree in advance whether you are comfortable allowing your puppy on the sofa. Upstairs or downstairs? Free roam or restricted access? There is no universal answer. If your dog is allowed on the furniture, washable throws and regular cleaning can help keep things manageable. However, consider their coat too. Shedding can mean considerably more hair and dander around sofas and beds, while dog allergens can cling to household surfaces and affect allergy sufferers. Food and water deserve an interior plan of their own. A kitchen may seem the obvious choice, but a hungry puppy underfoot while you are cooking is a genuine safety consideration. A utility room or quieter area can provide a practical alternative. Wherever you feed your puppy, keep the area clean, provide fresh water and store food securely. Toilet training is another early priority. Choose one area of the garden and consistently take your puppy there, rewarding them when they get it right. This can help establish a clear routine. In winter, a second practical consideration is muddy paws. If your layout allows, using a separate garden entrance or utility room route can keep wet, muddy footprints away from the main living areas. Finally, remember that your routine is changing too. Meals, toilet breaks, naps and training will temporarily dictate the rhythm of your day. A pet cam can provide reassurance when you are out, but puppies should be taught gradually and positively to settle alone, rather than simply being left for long periods. A puppy-friendly home isn’t about perfection. It is about thoughtful boundaries, practical choices and creating a space where people and dogs can genuinely live well together.

Feature article produced in collaboration with

Simply Jaspers Unit 8 Lake ind Way

scan to visit the website September October 2026

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Get the look ...

Readers IoW

V Neck Slipover Jumper £49.99 Wide Leg Jeans £49.99 Readers Interiors 33 South St, Newport t: 01983 521011 readersinteriors.co.uk /readersinteriors

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Luchelle Boutique

Welcoming our new supplier SUGARHILL of BRIGHTON

Luchelle Boutique 28 High St, Ventnor t: 01983 717902 luchelleboutique.co.uk /luchelleboutique

Find Your Dream Dress at Gems Bridalwear For over 20 years, Gems Bridalwear has been helping brides find the dress that makes them feel truly beautiful, confident and completely themselves on their special day. With a stunning new collection of wedding dresses, Gems offers a vast and carefully hand-picked selection designed to suit every bride, every style and every age. Whether your dream is classic and timeless, romantic and feminine, modern and sophisticated, or effortlessly relaxed, you’ll find an inspiring choice of gowns to explore. Gems understands that every wedding is unique, which is why the collection includes styles to complement a wide range of venues and celebrations. From elegant country houses and grand hotels to intimate ceremonies and relaxed destination weddings, there’s a dress to match both the setting and your personal vision. And it’s not just about the bride. Gems Bridalwear also offers a beautiful selection of bridesmaids’ dresses, making it easy to create a coordinated look for your bridal party while allowing each bridesmaid to feel comfortable and confident. To complete your bridal look, Gems also has a range of carefully selected accessories, from finishing touches for your hair to beautiful details that add the perfect sparkle to your wedding-day ensemble. One of the many benefits of choosing Gems Bridalwear is the personal service. With an in-house seamstress, brides can enjoy expert alterations and professional attention to ensure their gown fits beautifully and feels just right. With more than two decades of experience, an extensive collection and a passion for helping every bride discover her perfect gown, Gems Bridalwear is the ideal place to begin your wedding dress journey. Visit Gems Bridalwear and discover the new collection – your dream dress could be waiting for you.

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PHOTOS: Mandy Meadows VENUE: One Holyrood, NEWPORT

GEMS BRIDALWEAR 9-13 Scarrots Lane, Newport t: 01983 529 429 gemsbridalwear.co.uk /gemsbridalwear

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Showroom open daily Monday to Saturday 10am to 4pm

Design Shown: Circular Isle of Wight necklace in Silver Just one design from the Serendipity coastal colleccon

186 High Street, Ryde Isle of Wight PO33 2PN Tel : 01983 567 283 www.serendipitydiamonds.com/uk www.isle-of-wight-jewellery.co.uk Text or WhatsApp : 07375 976194 106

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Showroom open Monday - Saturday 10am - 4pm Bowery 2-Carat Diamond Bubble Ring The Bowery ring design can be found online andGreen in our Ryde showroom. Choose from Lotus naturalEngagement or lab-grown Diamond Ringdiamonds in a choice of diamond carat weights from 0.5-carat The ‘Lotus’ style diamond engagement ring, crafted through our bespoke towas 3-carats. design service in Platinum, set with a 4-carat lab-grown green diamond.

Bespoke Ruby Ring Ruby is the birthstone for July, and what better example than a recent bespoke ruby Bespoke Tiffany ring Stylecreated through our and diamond Euro Shankdesign Engagement Ring bespoke service. Crafted in yellow gold, Athe beautiful modern take on the Tiffany style ring combined precision cut oval rubies engagement ring, featuring a 2.4-carat with princess-cut diamonds. brilliant-cut diamond and a contemporary

Domed Silver Cuff Bangle Cylindrical Bezel Set

The Fiorelli domed silver cuff bangle makes Diamond Earrings a beautifulCylindrical statement accessory, featuring a bezel set diamond earrings, heavyweight domed available in atapering choice ofdesign. diamond carat Collect from our showroom online weights, available inor a buy choice of precious metals. while stocks last. Price £225.00.

squared Euro shank ring design.

Isle of Wight Ashes Necklace

Purple Pearl Halo Necklace

Pink Diamond ‘Bowery’ This unique pendant Bubble Ring design is handcrafted completed Thisand bespoke version in our BoweryThe 2-carat our Ryde of showroom. necklace features adiamond shallowbubble Isle ofring Wight features scattered shaped recess intoa which we can arrangement of white and apply cremation ashes in coloured pink diamonds, resin, or even IslePlatinum. of Wight beach set into

‘Classic’ Isle of Wight Shaped Necklace

Beautifully styled, with Our most popular Islean ofiridescent Wight shaped purple freshwater pearl, this Sterling necklace, the ‘Classic’ features a Silverprecision halo necklace a perfect gift outline makes of the Isle of Wight, handcrafted and hand-polished in 925 suitable for any occasion. Order online Silver with a slider pendant design. Also or purchase from our Ryde showroom. Priceavailable £50.00.with a flush-set diamond.

sand. Price £200.00.

Bespoke Purple Sapphire Platinum Pendant Sapphire is the birthstone for September, shown here set into Another beautiful bespoke ring a contemporary part-bezel slider commission recently completed. pendant design, made in The ring featured two incredible 950 Platinum.

Bespoke Blue Sapphire and Diamond Trilogy Ring

blue sapphires either side of a 2-carat diamond, set into 14ct white gold with talon claws and trellis setting.

Isle of Wight

Isle Wight Shaped SilverofCockle Necklace The Isle of Wight Cockle shell Sea Glass Necklace necklace is handcrafted in

One of our popular showroom our Ryde workshop, available necklace designs, created in our online or from our showroom. Ryde The design Manyworkshop. of our coastal designs features Wight originate genuine from the Isle floraofand fauna of our local beaches.. sea glass, crafted in the shape of the island, in 925 Sterling Silver. Price £40.00. Call in to see new additions added weekly.

Specialists in jewellery remodelling and custom jewellery design Independent family jewellers on the Isle of Wight since 2007 www.serendipitydiamonds.com & www.isle-of-wight-jewellery.co.uk

September October 2026

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With Caroline Hurley Healthwell Solutions

Your Morning Matcha: A CUP OF CALM IN A BUSY WORLD

s a nutritionist, I am often asked about simple daily habits that can support both physical and emotional wellbeing. One of my favourite recommendations is matcha tea, a vibrant green drink that offers far more than just a caffeine boost. Matcha is a finely ground powder made from specially grown green tea leaves. Unlike traditional tea, where the leaves are steeped and discarded, matcha allows you to consume the entire leaf, providing a concentrated source of beneficial plant compounds, antioxidants, and nutrients. It has been used for centuries in Japanese tea ceremonies and is now becoming increasingly popular among those seeking a more mindful approach to health. One of the most fascinating aspects of matcha is its ability to promote a

sense of calm alertness. This is largely due to an amino acid called L-theanine, which is naturally present in high-quality matcha. L-theanine has been shown to support relaxation while maintaining mental focus, helping to create a feeling of balanced energy rather than the peaks and crashes often associated with coffee. From a nervous system perspective, this can be incredibly valuable. Many of us spend our days in a constant state of “doing”, juggling responsibilities, responding to messages, and rushing from one task to another. Matcha may help encourage the body’s parasympathetic nervous system, often referred to as the “rest and digest” state, supporting a greater sense of ease and resilience during times of stress. However, the benefits of matcha go beyond its nutritional profile. The ritual

of preparing and drinking tea can be just as powerful as the tea itself. Taking a few moments to whisk matcha, notice its rich green colour, breathe in its earthy aroma, and sip it slowly encourages us to pause. These small rituals create moments of mindfulness in our day, helping to reduce mental clutter and reconnect us with the present. In our fast-paced world, creating daily rituals is an important act of self-care. Whether you enjoy matcha first thing in the morning, during a quiet afternoon break, or as part of your wellbeing routine, it offers an opportunity to nourish both body and mind. Sometimes true wellness isn’t found in doing more, it is found in slowing down, taking a breath, and enjoying a simple cup of tea.

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AUTUMN REBALANCE:

Keep Moving Through the Season Words: Caroline Hurley – Nutritionist and Wellbeing Coach, Healthwell Solutions

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s summer fades and autumn begins to arrive, many of us notice a shift in our energy, mood and daily routines. The lighter evenings disappear, the weather becomes cooler, and it can be tempting to spend more time indoors. While autumn is often seen as a season of slowing down, it is also the perfect opportunity to focus on one of the most important pillars of health: Movement. We encourage people to build their wellbeing around the Four Pillars of Health – Nutrition, Sleep, Movement and Wellbeing. Each pillar plays an important role, but movement is often the one that suffers most as the seasons change. Regular movement is about far more than fitness or weight management. It supports cardiovascular health, strengthens muscles and bones, improves balance and mobility, and plays a vital role in healthy ageing and active longevity. Just as importantly, movement can have a profound impact on our mental wellbeing. Physical activity stimulates the release of endorphins, helps reduce stress, improves sleep quality and can boost mood during the darker months. The good news is that movement does not have to mean spending hours in the gym. Autumn provides the ideal backdrop for simple, enjoyable activities. A brisk walk amongst the changing colours of nature, a bike ride on a crisp morning, gardening, swimming or attending a fitness class with friends can all contribute to your daily movement goals.

Research consistently shows that regular movement helps maintain energy levels and supports cognitive function as we age. It also improves insulin sensitivity, helping to regulate blood sugar levels and reduce cravings for the sugary comfort foods that many people reach for as the weather turns colder. Of course, movement works best when supported by good nutrition and quality sleep. Nourishing your body with seasonal foods, staying hydrated and prioritising rest will help you feel energised and motivated to stay active throughout the season. This autumn, challenge yourself to move a little more each day. Take the stairs, enjoy a lunchtime walk, stretch while the kettle boils, or explore a new outdoor activity. Small, consistent actions often have the biggest impact. As nature adapts to a new season, perhaps it is the perfect time for us to do the same. By making movement a daily priority, you can support your physical health, improve your wellbeing and move into autumn feeling stronger, more energised, and ready to thrive.

SCAN HERE scan the QR code to register now. Or visit our website styleofwight.co.uk

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Words: Tom Court Photo: Sam Scadgell

The beaches empty, the roads get quieter, the evenings draw in, and eventually the first signs of the proper south west Atlantic storms start appearing on the weather charts. For a summer destination, you could be forgiven for thinking that’s when the good bit is over. For me, it’s almost the opposite. After more than 25 years of kitesurfing, wind has completely changed the way I experience autumn and winter. While most people see a forecast full of wind and rain as something likely to ruin their plans, I’ve spent most of my life waiting for exactly that forecast to appear. There’s an anticipation that comes with the first big storms of autumn. You start watching weather systems forming hundreds of miles out in the Atlantic, looking at wind direction, swell period and tides, trying to work out where everything might come together. And the Isle of Wight is an incredible place to do that. Our coastline faces almost every direction, which means there is nearly always somewhere to go. As the wind swings around the compass, the Island reveals a different

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personality. One day you can be riding waves on an exposed stretch of coastline; the next you’re tucked into the shelter of a bay. Sometimes the conditions are beautifully clean. Sometimes they’re completely wild.

For one activity, October might represent the end of the year. For another, it’s the beginning. The arrival of wind, rain, swell, mud or cold doesn’t necessarily close the outdoors – it simply changes what you can do with it.

Over the years, those wild days have produced some of my favourite memories – and photographs.

You certainly don’t have to go kitesurfing in a winter storm to experience that. It could be surfing, sailing, wing foiling, mountain biking, walking or simply developing an interest that connects you with a different part of the year.

There is something about seeing a kitesurfer against a huge winter sea, beneath dark skies and amongst breaking waves, that captures a side of the Isle of Wight we don’t always celebrate. It’s not the postcard version of the Island, but I think it’s every bit as beautiful. I’ve travelled the world chasing wind and waves, from tropical beaches to deserts and some of the most famous watersports destinations on the planet. Yet the variety we have here is one of the reasons I continue to choose the Island as home. Perhaps more importantly, kitesurfing has given me a reason never to wish winter away. That, I think, is something worth considering when we talk about the Island’s “off-season”. Off-season for what?

Because the activities we choose have an interesting ability to change our relationship with the place we live. And in Britain, where talking – and complaining – about the weather is practically a national pastime, finding something that makes you look out of the window at a howling gale and think “perfect” might be more valuable than it first appears. Summer on the Isle of Wight is easy to love. The real trick is finding your reason to love the other season too. The art of re-framing goes far deeper than you might expect.

There’s always a moment towards the end of summer when you feel the Isle of Wight begin to change.

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VENTNOR EXC HA N GE A R EN A :

THE NEW VENUE BRINGING CIRCUS, THEATRE AND MUSIC TO A TOWN NEAR YOU

Following hot on heels of the launch of Ryde’s new arts space Department, and Graft Studios in Sandown, it’s another exciting new facility with the potential to transform the type of work the Island is able to make and host. The Ventnor Exchange Arena is a big top tent designed and built in Italy by a family-run company that has been creating circus tents since 1926. The Exchange team worked with the architects over many months to create a unique and distinctive design, especially created to provide the Island with a dedicated touring arts venue that can be adapted to host a wide range of performances, gigs and other events. Following initial outings at Ventnor Fringe, the Arena is heading to the Victoria Recreation Ground in Carisbrooke, Newport from 11th-23rd September, and Sandham Gardens in Sandown from 10th-24th October.

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It will be hosting a programme of workshops and performances as well as events in collaboration with local schools.

theatre and plays. Over time it’s hoped the programme of work will continue to grow and the venue will be able to tour to more locations.

It’s all part of ‘CAN YOU HEAR US?’, a six-week celebration of creativity and culture taking place right across the Isle of Wight this autumn, bringing more creative activities to towns and villages across the Island.

Highlights this autumn include the award-winning Pirates of the Carabina with a new aerial show ‘On the Shoulders’ as well as Cornish company, Boom Circus’s BERT, a hilarious family circus show for all ages during the October half term. Other activities will include events as part of Sandown’s Town of Culture initiative and a ‘Brave Island Festival’, a day run entirely by and for 14-25 year-olds. Full details can be found at ventnorexchange.co.uk.

The project has involved a great deal of training and skills development for the young team behind the project, learning how to safely build and transport the venue, as well as how to host work spanning acrobatics, aerial artists, theatre, dance, musical

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Luton Farm, Cowes - £1,195,000 - NEW A delightful Georgian farmhouse with stunning countryside views including a self-contained annexe, buildings and land extending to approximately 5 acres. EPC: D CT: G

Beachside, Ventnor - £700,000 - NEW

The Windows, Bembridge - £995,000

A chic, beachfront semi-detached house along Ventnor’s famous esplanade, with spectacular south facing sea views, a large balcony, terrace and off-road parking.

A beautiful, detached five-bedroom house dating back to 1910 situated on one of Bembridge’s most sought after roads enjoying a large plot, off-road parking, and close proximity to the beach.

EPC:C CT: D

EPC: D CT: G

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BCM Wilson Hill, Red Barn, Cheeks Farm, Merstone Lane, Merstone, Isle of Wight PO30 3DE 01983 828800 | iow@bcmwilsonhill.co.uk | Offices also in Petersfield | Winchester | Oxford styleofwight.co.uk

HOMES IN STYL E

TAKE A SEAT warm your toes As the nights draw in, there is nothing quite like the warmth and glow of a good fire. Designed and made on the Isle of Wight by family-run Charnwood Stoves, the C-Five combines elegant landscape proportions with space for longer logs and an efficient 5kW output. Its large picture window offers a clear view of the flames, creating a welcoming focal point for the room. Firebrick-lined and approved for use in smoke control areas, it brings warmth, character and local craftsmanship into the home.

C H A R N WO O D STOVES www.charnwood.co.uk

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boho corals A highlight of the Small Prints II collection, Big Top takes inspiration from the natural patterns of coral. Printed on linen, its flowing design brings a relaxed bohemian character to curtains and upholstery in both traditional and contemporary spaces.

ANNE GINGER anneginger.co.uk

boho

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vintage geometric Tetrad’s Dakota sofa combines deep, inviting comfort with heritage-inspired geometric patterning and refined upholstery. Its 100% wool fabric is handwoven on traditional looms, then gently brushed for a beautifully soft texture and relaxed vintage character. Available exclusively in Cherokee and Mohican designs, natural variations in the weave make every sofa unique. Two wool sheepskin scatter cushions complete the cosy, characterful look.

BAYLI SS & BO OT H

geometric

baylissandbooth.co.uk

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put your feet up Carpet makes a house feel like home, whether laid wall to wall or used to soften a hallway. Herringbone Hambledon from Long Lane in Newport combines comforting warmth with a timeless herringbone pattern, while its hard-wearing finish makes it ideal for busy rooms and everyday family life.

LO N G LA N E F LO O R IN G longlaneflooring.co.uk

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new life Annie Sloan Chalk Paint can give a vintage chair a new lease of life, adding colour to its wooden frame while preserving its original character. Ideal for transforming antique furniture with minimal preparation, it is available in a range of shades from Dig for Vintage.

D I G 4 V I N TAG E dig4vintage.co.uk

new life

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timeless elegance Settle in and the Romney may quickly become your favourite chair. Its deep, supportive seat, gently curved arms and elegant scroll back combine classic craftsmanship with lasting comfort, while hand-finished studs and turned wooden legs complete its timeless design.

BAYLI SS A N D BO OT H www.baylissandbooth.co.uk

timeless

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Birdsong Metal Tray with hook Stoneware Dish in Maple Green

‘Hear, Speak See, No Evil’ Decorative Mice

effortless styling

An independent, family run boutique, Luchelle in Ventor stocks an array of interiors, accessories and Homeware and pride themselves on offering something for everyone. Here are a selection of seasonal finds that will inspire and bring those finishing touches to any room.

Mottled Floral Ceramic Tealight

LU C H ELLE BO U TIQ U E Blue Wild Flower Bottle

Ceramic Acorn Vase

luchelleboutique.co.uk

Wildflower Field Stoneware Pot

Sitting Leopard Candle Holder

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Transform the space, increase bookings & guest experience

An ambient, ultra real flamed fire for any environment. Real flame fires create a feeling of calm and tranquillity, but are not an option for commercial use due to installation and safety issues. A stunning fire makes a room feel different the moment you enter. People naturally gather around it. They sit a little longer, settle a little deeper and enjoy the simple pleasure of watching flames move and dance. Atmosfire creates a natural focal point that completely transforms how a room feels, providing a captivating visual ambient fire that looks utterly real without all the normal safety and cost concerns. • Install anywhere: Fits seamlessly into hotel rooms, restaurants, glamping retreats, and lounges without a flue or gas connection.

• Sustainable & ultra-low running costs: Eliminates expensive fuel, combustion emissions, and costly maintenance.

• Zero heat constraints: Enjoy the soothing ambient beauty of dancing flames year-round without overheating the room or your guests.

• Completely safe: Delivers the charm of a real fire with zero combustion risks or safety issues.

• Effortless setup: Transforms ordinary spaces into memorable guest experiences in just minutes.

Atmosfire, perfect for media walls.

• Unforgettable atmosphere: Elevates the guest experience, encouraging visitors to relax longer and return more often.

Everything you love about fire. Without everything you don’t. Contact us today to find out more:

Whatsapp Messaging number: +44 7438 048403 (24 hours). Email: enquiries@atmosfire.co.uk

www.atmosfire.co.uk

ENGLISH DESIGNED inspired by life on & off the water

TABLEWEAR

WALLPAPER & FABRICS

ACCESSORIES

Embark on a journey of discovery with XV Interiors' inspired collections. Immerse yourself in the beauty of the natural world, where every hand-drawn design tells a story and every piece evokes a sense of wonder.

Scan to shop

xvinteriors.com

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Creativity & Craftsmanship

AT BAGSHOTS KITCHENS

At Bagshots, creativity, genuine craftsmanship, and an exacting attention to detail are far more than mere industry buzzwords – they represent the foundational principles that define, guide, and elevate every single project undertaken inside their Cowes studio.

ridging the gap between timehonoured heritage hand-skills and cutting-edge design technology, this close-knit team creates exceptional bespoke interiors designed not just to capture the eye, but to withstand the tests of time and daily family life. From luxury custom kitchens and architectural joinery to standalone handcrafted furniture, every piece is conceived,

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manufactured, and finished locally on-Island. What sets Bagshots apart is their complete, end-to-end synergy. From the initial friendly conversation and creative consultation through to precise 3D modelling, workshop fabrication, and final white-glove installation, the team operates seamlessly as one dedicated

unit. They firmly believe that the finest living spaces emerge from a harmonious balance: pairing bold, innovative space-planning with traditional cabinet-making skills, advanced technical tools with hand-selected raw materials, and aesthetic beauty with flawless practical function.

Interiors are approached holistically, taking cues from the building’s heritage, landscape, and the lives of those who inhabit it. September October 2026

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MEET THE T EA M

Frank Deer

Nadia Deer

Toby Deer

Chris Wallace

Founder & Master Builder

Customer Care & Studio Director

Lead Craftsman & Joiner

Master Carpenter

Carrying forward the family legacy of British manufacturing, Toby brings technical precision to the workshop floor. He transforms raw, sustainable timbers into fine bespoke cabinetry.

A time-served craftsman, Chris brings deep cabinetmaking skills and modern technique to the workshop. Alongside his loyal dog Ivy, he creates bespoke pieces tailored specifically to each client’s home with uncompromising attention to detail.

With decades of design and building experience, Frank leads Bagshots with an uncompromising eye for detail. Blending traditional joinery with modern technology, he ensures every project meets heritage-level standards.

The warm heart of the showroom, Nadia guides clients seamlessly from initial concept to completion. She balances spatial beauty with everyday functionality, ensuring every detail reflects the client’s lifestyle.

Above all else, the ethos at Bagshots is rooted in a deep, personal connection to the work. There are no mass-produced shortcuts or assembly-line concessions here; every kitchen frame built, every drawer dovetailed, and every finish hand-rubbed is treated with the individual care and pride of a personal passion project. The result is a portfolio of work defined by quiet luxury, structural integrity, and unmistakable warmth. Bagshots is the definitive space where visionary design, masterlevel joinery, and painstaking attention to detail come together seamlessly, turning house plans into extraordinary, individual homes

tailored precisely to the way you live. Bagshots’ new interior design studio is preparing to open its doors on the Isle of Wight, offering an immersive creative retreat for ideas, inspiration, and close collaboration. Designed to be far more than a conventional showroom, it is a space where possibilities are explored, bespoke concepts are born, and the true essence of how a client wishes their home to feel is brought to light. Building on years of experience designing sophisticated private residences across Kent and London, the studio specialises in crafting timeless, highly individual interiors tailored to both client and

environment. The team curates complete architectural narratives, harmonising custom colour palettes, fine wallpapers, textiles, flooring, bespoke furniture, lighting, rugs, and refined window treatments into one seamless scheme. Rooted in the classic proportions of traditional British design, Bagshots’ aesthetic draws a natural, coastally attuned influence from the relaxed elegance of New England and Hamptons style. They pair natural materials and muted, light-filled palettes with rich tactile textures, creating living spaces that feel understatedly luxurious, calm, and deeply comfortable.

A COM P L ET E D ESI G N V ISI O N Rather than treating a project as a collection of isolated furnishings, Bagshots approaches every interior holistically, taking cues from the building’s heritage, site orientation, local light, landscape views, and the lives of those who inhabit it. This philosophy is showcased in the current transformation of Holmes House, overlooking Colwell Bay. Here, they are crafting an upmarket boutique retreat, infusing a relaxed Hamptons-inspired character across nine bedrooms, expansive reception areas, and a centrepiece kitchen. Taking direct inspiration from the extraordinary coastal views, the bar area serves as the atmospheric focal point, setting a tone of quiet sophistication echoed throughout the property. Where off-the-shelf solutions fall short, Bagshots’ dedicated in-house joinery and furniture workshop allows them to design and build fully custom pieces tailored specifically to the architecture. A space to imagine. A space to collaborate. A studio dedicated to bringing exceptional homes to life.

Bagshotts Kitchens Cowes PO31 7US Tel: 01983 295399 www.bagshotts.com

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Vintage Elegance:

HYDRANGEAS With the coming of shorter days and a cool breeze blowing off the sea across the Island, it is natural that we move from enjoying our summer gardens and start to think about making our homes more comfortable. If you want to add rustic elegance to your space during this autumn season, look no further than hydrangeas. Even though they look great during summer in your garden, it is in autumn that these beautiful flowers get their true colours. From September to October, the cool air helps to change the bright colour of the flower into the much-loved vintage hues of rose, green, and burgundy. Preserving these flowers is one of the simplest and most rewarding interior decorating techniques. To capture this fleeting autumn beauty, simply snip the stems at an angle when the petals feel slightly papery. Place them in a vase with just a few inches of water, allowing them to dry out naturally as the water evaporates. Within a couple of weeks, you will have everlasting, structurally stunning blooms. Whether styled in a simple stoneware jug on your mantelpiece or woven into a rustic dining table wreath, they bring a perfect touch of cosy, coastal-vintage warmth to your autumn home.

READER OFFER WIN NEEDLECRAFT KITS FROM ELIZABETH BRADLEY

A Stitch in Time Needlecraft is seeing a resurgence and continues to grow as a creative hobby that combines skill, focus and the gentle satisfaction of making something by hand. It offers a rewarding way to engage with creativity and take time to slow down in busy lives and find space in busy minds. The rose illustrations featured here by Elizabeth Bradley reflect the timeless influence of florals within needlecraft design, drawing inspiration from classic English gardens and decorative heritage. To accompany the feature, we’re delighted to offer readers the chance to win a selection of luxury needlecraft kits designed to inspire their next project.

Hydrangea Kit: This kit depicts the evolution of spring’s soft pastels into the rich hues of summer. It is a fan favourite amongst many of our stitchers.

About Elizabeth Bradley: Since 1986, Elizabeth Bradley Design has been dedicated to creating high quality kits inspired by traditional British needlework. Each one is constructed in Wales, with luxury wool spun anddyed in North England and cotton needlepoint canvases colour-printed in Devon. Most kits continue to utilise Victorian Cross Stitch, made popular during Queen Victoria’s reign. Each kit comes complete with thorough instructions, needles, luxury wool, proprietary precision-printed canvas, and complimentary online educational resources.

Exclusive reader offer: 25% off Elizabeth Bradley via code “STYLE25”

English Yellow Rose Kit: The English Yellow Rose Kit captures the graceful curves and delicate petals of one of nature’s most majestic flowers. Inspired by the enchanting Rose Garden at the historic Chartwell Estate, our designers were captivated by a particular corner of flourishing yellow roses.

SCAN HERE scan the QR code to WIN. Or visit our website styleofwight.co.uk

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DIGFORVINTAGE.CO.UK

The Colonnade, Lind Street, Ryde, Isle of Wight, PO33 2NE Tel. 01983 719433

Your garden designed, sourced, built and planted by Ventnor Botanic Garden

botanic.co.uk/about/garedencreations

01983 855397

info@botanic.co.uk

Packed with Treasures:

RATTLEMOUSE ANTIQUES

Tucked inside the historic Staplehurst Grange, just outside Newport, Rattlemouse Antiques is the kind of shop that rewards a second look. Known as The Milking Parlour, it is packed to the rafters with antique and vintage treasures, each waiting to find a new home. Owner Louise’s love of decorative antiques began in childhood, while her early career with John Lewis, Next and Principles taught her the importance of creating a welcoming retail experience. Her interest deepened after meeting Laurie, an antique dealer specialising in porcelain and china, in 1996. Laurie brings specialist help, leveraging his former background as a cataloguer and valuer for an Auction House with a Degree and Masters in Design History. Together, they filled their Victorian Ryde home with an eclectic collection of artwork, furniture and objects. After raising their family, Louise gradually returned to retail, renting spaces at Dores Hill Farm, the Secret Garden and The Antiquary. In 2021, she was offered the shop at Staplehurst Grange and immediately accepted, fulfilling a childhood ambition. The name Rattlemouse was discovered

in the couple’s own copy of The Dictionary of the Isle of Wight Dialect by Jack Lavers, giving the business a fitting connection to the Island. Inside, visitors will find affordable pieces chosen for their beauty, usefulness, craftsmanship and character. Louise also enjoys breathing new life into forgotten materials, creating greetings cards from vintage illustrated postcards, cushion pads for antique linen and lavender bags trimmed with vintage lace. “I often suggest that new visitors walk around two or three times,” she says. “You need to look up, down and all around.” Rattlemouse Antiques, Staplehurst Grange, off Staplers Road, Newport PO30 2LU. Call 01983 685185 email rattlemouseantiques@gmail.com

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Plan. Live. Review. Repeat. For independent financial advice call our team of Chartered Financial Planners and Certified Financial Planner™ professionals.

Call us on: 01983 535740 Email: advice@rouseltd.co.uk

ROUSE LIMITED IS AUTHORISED AND REGULATED BY THE FINANCIAL CONDUCT AUTHORITY

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BY ROUSE LIMITED

FINANCIAL PLANNING IS NOT A ONE-TIME EVENT. It’s an ongoing process that evolves alongside your life and an ever-changing financial landscape. Life rarely stands still. Careers change, families grow, priorities shift, and unexpected events can alter the best laid plans. Regular reviews of your financial circumstances are essential to ensure your strategy remains aligned with your goals, values, and changing needs. A well-constructed financial plan provides direction, confidence, and peace of mind. However, even the most carefully designed plan can’t remain effective if it stands still while life moves on. Shifting sands We know that seemingly impossible events can occur. Even when life is smooth, over time your financial goals will evolve. Regular reviews give you the opportunity to consider what’s changed in your life, remind you of your goals and priorities and allow you to make any adjustments needed to keep your financial plan working effectively. This structured approach helps keep your financial plan on track, regardless of market conditions or news headlines that could influence how steady you feel on your journey. As priorities change Your goals are the heart of your financial plan, so it’s important to revisit them regularly. Market performance, contributions, withdrawals, and changing timescales can all affect progress. A financial planner can review these factors with you to keep you moving in the right direction. Similarly, risk is not static. As your financial position strengthens or your time horizon shortens, your ability, and willingness, to take risk will likely change. Regular reviews provide an opportunity to reassess your attitude to risk and ensures your strategy remains appropriate. Reviews can also remind you to maintain a disciplined approach that balances opportunity with security, rather than reacting to short-term market movements. Family life Your plan should reflect your life, not just your finances. So, regular meetings with a financial planner give you the opportunity to discuss upcoming decisions, concerns and aspirations: whether that’s supporting family members, planning retirement, going on bucket-list trips or preparing for later-life care. They also provide the opportunity to revisit Wills, Powers of Attorney, and legacy planning arrangements to keep them up to date. These conversations go beyond the numbers, helping you make informed choices with confidence. Over time, this creates a deeper understanding of your priorities and enables your financial planner to anticipate changes before they become urgent.

Protecting what matters Financial resilience isn’t just about pensions and investments. Your health is your most valuable asset, yet it can be overlooked in financial planning. It’s wise to add an extra layer of protection for yourself and your family: a regular review provides a reminder to revisit health and income protection arrangements, such as private medical insurance or income protection policies. These solutions can offer greater choice, faster access to treatment and valuable peace of mind, particularly as health needs or family responsibilities change. However, many people assume this type of protection is either too expensive or unlikely to benefit them. In reality, the right cover can be more accessible and valuable than many expect. You can’t plan when you’ll be ill but you can plan how to deal with it. Building on strong foundations Major financial commitments should never be left to look after themselves. Pensions, in particular, benefit from ongoing attention: retirement is one of life’s most significant transitions and decisions made along the way can have lasting consequences. Staying engaged with your finances helps ensure contributions remain appropriate, options are fully understood, and your future lifestyle remains achievable. A changing financial landscape Financial planning doesn’t exist in isolation: changes in legislation, taxation, allowances, and investment opportunities can all have a material impact on your financial plan. Regular reviews with a financial planner allow these developments to be incorporated in a timely and considered way. This may involve improving tax efficiency, making better use of allowances or adjusting structures to remain effective. Small changes made early can have a significant impact over time. Staying informed and proactive helps ensure your plan remains robust, efficient and future-focused. A trusted partner Our role as financial planners is to guide you through this ongoing journey with clarity, expertise and care. We bring together your personal circumstances, financial objectives and the shifting financial landscape to ensure your plan stays relevant, resilient and aligned with what matters most to you. By helping you make informed decisions at the right times, we work alongside you to keep your financial future secure, flexible and firmly on track. September October 2026

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FROM FAMILY MATTERS TO FUTURE PLANNING — WE’RE HERE FOR LIFE’S MILESTONES Whether you’re planning ahead or buying and selling property, Roach Pittis is here to guide you with expert, personal advice: • Wills & Estate Planning • Lasting Powers of Attorney (LPAs) • Residential Property Sales & Purchases • Probate, Inheritance and more Speak to one of our experts today

60-66 Lugley Street, Newport, Isle of Wight, PO30 5EU 01983 524431 | info@roachpittis.co.uk | roachpittis.co.uk

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COWES

CAMEO – A Distinctive Residence Agent: McCarthy & Booker Few addresses in Cowes so seamlessly combine architectural character, exceptional outdoor space and such a prime Old Town position as Cameo.

including the striking century-old staircase, lending depth, authenticity and a strong sense of continuity with the building’s past.

Set within one of Cowes’ most sought-after locations, the property is ideally placed for immediate access to the waterfront, yacht clubs, marinas, boutiques, restaurants and cafés, while retaining a rare sense of privacy and seclusion at its heart.

Externally, the south-facing landscaped garden offers a private, sun-filled retreat, while the exceptional roof terrace – extending to over 900 sq ft – forms a defining highlight. Commanding panoramic views across the Solent, it provides an outstanding setting for entertaining, al fresco dining or simply observing the constant movement of the sailing world.

Rich in history, Cameo has evolved significantly over time, formerly operating as a restaurant and later a well-loved boutique. It has since been meticulously reimagined as a refined and highly individual residence, balancing retained period character with a contemporary design sensibility. A standout feature is the reverse-level layout, with principal reception spaces arranged on the first floor to maximise light and capture sweeping views across the Solent. The result is a series of elegant, elevated living spaces where the maritime outlook becomes an ever-present backdrop. Original architectural details have been carefully preserved,

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Cameo represents a rare synthesis of heritage, contemporary living and outstanding outdoor space, set within one of Cowes’ most desirable enclaves. A home of genuine distinction, it offers a unique and elevated way of life in the heart of the Island’s sailing capital. mccarthyandbooker.co.uk 01983 300 111

QUARR

Beachwood : Agent: Spence Willard This architecturally designed home was built and completed by the owner in 2010 to a high standard, making the most of its private, woodland setting and wonderful views of The Solent. The property has undergone enhancements in recent years to extend the principal suite and dining area. There have also been upgrades to the swimming pool and pool house, along with the creation of a woodland walk from the house to the shore, where the new gym and sauna are located, making this house the ultimate in lifestyle and wellness by the sea. The property occupies an exceptionally private setting providing a level of seclusion rarely found in the south of England. The private beach offers sea access, completing an overall package that presents a truly unique opportunity. Approached from a tree-lined driveway with secure, gated entrance opening to a spacious gravel driveway and parking area. The front door opens to a double-height entrance hall. Double doors open to the impressive open-plan living dining area, with doors opening to the rear terrace providing views over the garden and to the Solent – an ideal entertaining space. Doors lead to a sitting room with open fire; an octagonal-shaped study with sea views; and the

well-appointed kitchen, adjacent to which is a utility space with independent side access to the kitchen garden. There is an impressive principal suite on the first floor with a dressing room, en-suite bathroom and an additional shower room, enjoying stunning views across the private garden, beach and the Hampshire Coastline in the distance. There are three further bedrooms, two of which have en-suite facilities, as well as a family bathroom. Staircases rise to the second floor, one to the tower room study, a unique room, octagonal in shape and largely glazed with an elevated 360° panorama over the grounds, to the Solent and beyond. spencewillard.co.uk 01983 200 880

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PART 3

Island Women

LORRAINE FARRELLY Island Women, supported by Style of Wight, celebrates some of the amazing women on our shores by sharing their stories. This time, Cheryl Buggy finds out about a day in the life of Professor Lorraine Farrelly.

abroad through architecture.

orraine’s days vary, as she spends her time between her converted barn near Newport and the campus of York University, where she leads the faculty of Architecture.

“I love working from home. I’ve been lucky to carry out validation work globally for R.I.B.A. It has enabled me to see a lot of the world, but equally I love working on community projects here on the Island. I’m currently looking at how we use our high streets, and I want to do everything I can to ensure families are supported in being able to stay and thrive on the Island.”

“I walk the dog before cycling to the campus if I’m in York,” says Lorraine. “I went down the academic route once I qualified as an architect after 7 years of training. I was a young mum with two small children, and the competitive, predominantly man’s world of architecture demanded just too much of my time and energy, as much as I loved it. I decided I wanted to design my career around my family so that’s what I did.” It turned out to be a good choice, as Lorraine has enjoyed much success as a lecturer and consultant and is the author of many books focusing on how to make architecture more accessible and understandable. A typical morning on the Island also tends to start with a dog walk. “I just love finding new walks, and we are so lucky to have such outstanding and varied nature on our doorsteps here on the Island. I’m particularly fond of taking pictures of flowers and plants, which I turn into drawings and paintings, and finding good places to have coffee. What I particularly love about Island life is that everything is so close; towns, beaches, woodland, downs, people. I know the Island has its challenges and problems, but it’s a pretty idyllic place to live.” A couple of decades ago she and her husband, also an architect, fell in love

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with a dilapidated barn and some acres of land on the Island. “We spent many years planning and restoring our ‘forever home’ and being on the Island as much as we could, but sadly my husband died unexpectedly 10 years into our project, so the house is now his legacy as well as our family home.” Lorraine’s working day at York University can be diverse. “I might see some of my B.A. students, helping them to shape their ideas, which I absolutely love doing. I might be delivering a lecture, having meetings with my PhD students, or mentoring younger members of staff. I also do lots of reading and research.” If it’s an Island-based day, Lorraine may spend time on her work with the Royal Institute of British Architects, helping to bring about positive changes in communities both in the UK and

Evenings in York may be spent at the gym or in front of the TV. Lorraine is a particular fan of dramas and MasterChef. On the Island, Lorraine might be learning a bit more DIY. “My dad was a builder, so fixing things has always interested me. I am proud to say I can now build walls and I quite fancy taking a plumbing course next. I’ve had to learn to do more myself as the house restoration never really ends, but I find it very rewarding when I can fix something.” And whether it’s in York or on the Island, Lorraine’s day usually ends with a dog walk. He’s certainly a welltravelled dog! TAKE PART We would love to hear from you if you would like to nominate an inspirational woman to feature in our Island Women series – you can even nominate yourself. We need to keep on celebrating! Visit islandwomeniow on Spotify, Facebook, Apple, or Instagram. Or text 07968 590714 for more information.

RYDE

GYPSY JAZZ

FESTIVAL 2026

Sol Grimshaw graduated from London’s Guildhall School of Music and Drama, Sol joined the acclaimed London Django Collective and has since performed around the world.

ypsy jazz began in 1930s Paris with Romani guitarist Django Reinhardt and French violinist Stéphane Grappelli. After a fire badly injured Reinhardt’s hand, he adapted his playing and developed a distinctive sound that blended Romani folk music with American swing. Fast guitar solos, minor-key melodies, and the driving ‘la pompe’ rhythm continue to give the genre its unmistakable energy. On the Isle of Wight, musicians Paul Armfield, JC Grimshaw and Dónal O’Riain introduced new audiences to these sounds through their popular band Tzigani. Other Island groups followed, including Cat Skellington, Panama Picnic and Esprit Bohème. Growing up in a musical household, many styles surrounded JC’s son Sol Grimshaw, but gypsy jazz made the strongest impression. After graduating from London’s Guildhall School of Music and Drama, Sol joined the

acclaimed London Django Collective and has since performed around the world. The idea for the Ryde Gypsy Jazz Festival emerged four years ago at the wedding of Plastic Mermaids’ Chris Jones. Sol and Dawn Fidler of Monkton Arts began talking about the excitement of the Django Reinhardt Festival in Samois-sur-Seine, near Paris, and wondered whether Ryde could host a festival of its own. Sol’s international musical connections and Dawn’s work securing venues and shaping the programme brought the idea to life in 2024. A successful second year followed, headlined by New York-based singer Tatiana Eva-Marie, one of the genre’s leading contemporary voices.

of the Island-wide Can You Hear Us cultural festival. This has enabled an expanded programme featuring five free events and workshops alongside four ticketed performances. This year’s headliners include Swing from Paris and internationally acclaimed violinist Matt Holborn. THE RYDE GYPSY JAZZ FESTIVAL runs from Wednesday 7 to Sunday 11 October, with free fringe performances beginning at the Isle of Wight Steam Railway on 31 August. Visit monktonarts.co.uk or scan the QR below for info and tickets

Now entering its third year, the festival has received support from Ryde Town Council and Creative Island as part

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INSIDE OSBORNE: A ROYAL REVOLUTION To step through the doors of Osborne House is to witness a radical revolution in royal living. Words: Noah Warren Illustrations: Lottie Begg Photos: English Heritage

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ueen Victoria and Prince Albert built the house as their ultimate seaside escape, wanting to remove themselves from the dark and crowded streets of London. Albert wanted this house to be different to the other grand homes of the era, which he saw as gloomy and dark; he wished for Osborne to be flooded with light and colour. Working alongside the famed master builder Thomas Cubitt, Victoria and Albert combined the breezy, beautiful style of sunny Italy with new industrial building techniques. The result was a bright palace with enormous windows that allowed the sea light to flood in, lighting the building beautifully and naturally. More than just a holiday home, Osborne became a masterpiece of innovation, mapping out the private

lives and big dreams of the royal family right on the coast. Prince Albert loved Italy. He was deeply inspired by the beautiful Renaissance buildings found around the sunny bay of Naples. When he looked out on the water from the estate, the view reminded him of the Italian coast. He decided that the main parts of Osborne House should look like an Italian villa, and it became his passion project. He spent years perfecting the house, sculpting it into the iconic design we know today. Albert’s collaboration with builder Thomas Cubitt was a meeting of minds. As Albert provided the creative artistic ideas, Cubitt provided the practical building skills. Together, they were able to conquer the challenge of creating rooms that were highly dramatic and beautiful,

yet comfortable and practical enough to house a large family of nine children. Albert wanted Osborne to be filled with brightness, sunshine, and fresh air, feeling like summer all year round – even during the cold English winter months. To achieve this, the design used huge floor-to-ceiling windows that looked directly out over the water. Inside the rooms, the builders placed large mirrors on the walls, intentionally positioned to catch the natural light coming off the sea and bounce it deep into the living spaces. This clever trick created luminous, glowing rooms. The grand corridors and drawing rooms felt open and bright, with sea light reflecting beautifully off the yellow satin of the chairs and sofas. It created a warm, cheerful effect that amazed visitors

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While the house looked like an old Italian palace on the outside, it was a highly modern, industrial building on the inside. Greatly concerned about the risk of fire, Albert used brand-new industrial engineering techniques that weren’t yet in general use. Inside the ceilings and floors, he used strong cast-iron joints. These iron bars were paired with brick-vaulted ceilings, and the bricks were then layered with tough cement. This was a very early version of the metal framing systems used in modern commercial buildings today. Visitors looking up at the ceilings saw only luxury and art. They saw shiny gold paint, beautiful plaster shapes, and elegant designs. They had no idea that a heavy, fireproof structure of iron and brick was hidden right behind the pretty artwork. It was a perfect mix of science and style. The luxury continued downstairs in the grand corridor and drawing room. The design used highly polished scagliola columns. Scagliola is a clever type of artificial marble made from plaster, glue, and silk fibres. The builders rubbed the columns until they shone like glass. This glossy surface created a beautiful contrast to the soft texture of the yellow satin upholstery.

THE DURBAR ROOM The Durbar Room was completed much later, in the late 1890s. By this time, Prince Albert had been dead for many years, and Queen Victoria was an elderly woman. The architecture of this room represents a dramatic shift in tone compared to the light, sunny Italian style of the rest of the building. This spectacular room represents a design trend called late-Victorian “Orientalism”, the Western fascination with the art, architecture, and culture of Asian

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countries. Victoria wanted a grand space at Osborne that celebrated her special connection to India. To make sure the room looked authentic, Victoria did not use standard British designers, instead turning to Indian master craftsman Bhai Ram Singh. He worked alongside an English art teacher named John Lockwood Kipling, who was the father of the famous author Rudyard Kipling. Together, they brought traditional Indian design to the British coast. The Durbar Room is filled with intricate patterns. Every inch of the walls and doors is covered in delicate carvings, geometric shapes, and floral designs. To stop the room from feeling messy or overwhelming, the designers used a strict colour palette limited to white, cream, and gold. These bright, light areas are grounded by dark, deeply carved teak wood panelling and heavy doors. Because the colours are kept so simple, the pattern looks organised, calm, and elegant instead of chaotic to the eye. The centre of attention sits right above the fireplace mantelpiece in the form of a massive, intricately detailed peacock sculpture. The peacock was carved with incredible skill, built to represent majesty, royalty, and the exotic wealth of the East. While the peacock is the most famous feature, the real star of the room is its extraordinary cartonpierre and plaster ceiling. Cartonpierre is a special, lightweight type of papier-mâché that can be moulded into shapes but dries to look like solid stone. The ceiling is actually a giant three-dimensional sculpture. Because the geometric patterns protrude so far from the surface, the look of the room shifts dramatically depending on the time of day and the angle of the light. In the morning, the sun creates long dark shadows across the carvings. In the evening, the gold

details catch the glowing candlelight. This room was pure political theatre. Bhai Ram Singh cleverly mixed the complex geometry of Islamic art with the massive, grand scale of traditional Hindu architecture. It was specifically built to celebrate Victoria’s title as the “Empress of India,” which she received in 1876. India was the most important part of the British Empire, but Victoria was too old to travel there; this room allowed her to experience India without ever leaving home.

THE SWISS COTTAGE If you walk away from the main palace and follow a path into the woods, you discover a completely different architectural language. The Swiss Cottage is rustic, useful, and deeply grounded in traditional European folk design. It looks like a building from the snowy Alps, not an English royal court. The cottage was built in the 1850s using heavy timber in a Swiss vernacular style. Albert wanted to bring a real piece of Switzerland to the island because he loved the mountain landscapes of Europe where he grew up. The most interesting thing about the Swiss Cottage is its scale, intentionally smaller than a typical house. It was not made for adults; it was designed specifically to serve an educational purpose for the royal children. The building was conceived through the lens of the 19th-century Romantic movement. Thinkers in this movement idealized simple country life. They loved the idea of the “primitive hut”, a simple, basic home in the woods where people could live a pure, honest life close to nature, away from modern factories

for hard work, not just a playground. Prince Albert believed that royal children should learn how normal, working-class people lived. Outside the cottage, each child was given their own small garden plot. They were responsible for digging the soil, planting seeds, and growing their own vegetables. Inside the cottage, Albert built a fully working kitchen with small sinks and stoves. The children learned how to cook real meals using the vegetables they had grown themselves. Prince Albert even bought the vegetables from his children at exact market prices to teach them how money, business, and economics worked. It was a very practical, handson school disguised as a playhouse.

and cities. To make the cottage look genuinely rustic, there is a total shift in materials and colours. Instead, of the gold paint, mirrors, and fake marble of the main house, the designers chose earthy pigment paints made from natural minerals. They

decorated the cottage using warm ochres, deep forest greens, and iron reds. These colours perfectly match the trees, leaves, and mud outside. The cottage layout prioritises rough, natural textures of nature. It feels warm, cosy, and real. The Swiss Cottage was a place

Osborne House is an important piece of history showing three completely different sides of Victorian royal life in a single estate. It gives us a rare look at how the royal family wanted to live when they were away from the public eye. The buildings offer three distinct lessons in stone and timber. The Main House highlights Albert’s passion for modern industrial technology and sunny Italian art. The Durbar Room displays the grand, dramatic politics of the global British Empire. Finally, the Swiss Cottage shows how the family valued nature, hard work, and a simple education for their children. Today, visitors can walk through these three unique spaces and see how architecture tells a story. Osborne remains a beautiful example of history, design, and style, sitting perfectly on the Island’s coast.

September October 2026

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PART 6

People Who

SHAPE THE ISLAND Queen Victoria: The Island’s Queen

Queen Victoria may have ruled an empire, but on the Isle of Wight she found something rather more personal: home. Across the Solent, away from the ceremony and scrutiny of court, the monarch discovered a place where family life could take precedence, and the sea offered a little distance from the demands of the Crown. Victoria and Prince Albert

bought Osborne, near East Cowes, in 1845, captivated by its position overlooking the Solent. Victoria famously wrote that “it is impossible to imagine a prettier spot”. Rather than adapt the existing house, the Royal couple rebuilt it, with Albert helping to create the Italianate residence that became the family’s private retreat. Life at Osborne was deliberately different. Victoria walked and sketched; their children gardened, cooked and learned practical skills at Swiss Cottage, built especially for them. Behind the familiar image of the formidable monarch was a mother attempting to create something approaching an ordinary family life. After Albert’s death in 1861, Osborne took on another significance. Victoria returned repeatedly to the landscape they

had created together, finding comfort in its rooms, gardens and familiar views across the water. Her presence changed the Island too. The royal household brought employment and trade, while Victoria’s affection for the Isle of Wight helped establish its growing reputation as a fashionable place of escape and retreat. She remained closely connected to Osborne for the rest of her life, and died there in January 1901, bringing her 63-year reign and the Victorian era to a close. Today, Osborne and Swiss Cottage offer an unusually intimate glimpse of the woman behind the monarch. Victoria’s relationship with the Island was ultimately less about grandeur than refuge. She came here to escape the machinery of monarchy, to raise her family and, later, to grieve. She was Queen of the United Kingdom and Empress of India. Yet here, beside the Solent, Victoria was also an Island resident who simply loved the place she had made her home.

To discover more remarkable women who have shaped the Island, Women of the Wight is now available to pre-order at lemonjellypress.com

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