FARHAN RAMADHAN A piece of architectural work
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ABOUT ME
W HAT I DO
MY DESIGNS
ARCHVIZ
ABOUT ME
I am a multi-disciplinary Design Architect and 3D Artist based in Bandung, Indonesia. Previously involved in several projects focusing on human development through architecture, education and culture. My background allow s me to produce human-centred and immersive design schemes that capture the identity of any brand or event I w ork w ith.
Interested and really passionate on designing and developing a space that are not just comfortable and functional, but also improving the heart, the eye and soul of human. I am highly focused in pursuit of perfection through hardw orking ethics and creative thinking.
VALUES
IMP ROVEMENT
TEAMW ORK
CREATIVITY
A Lean and continuous improvement program hits directly at this problem. At its core, continuous improvement is designed to empow er individuals to solve problems that bugs them and gradually improve the efficiency of their w ork processes. Lean lets people know that their ideas are important.
A teamw ork environment promotes an atmosphere that fosters friendship and loyalty. These close-knit relationships motivate individuals in parallel and align them to w ork harder, cooperate and be supportive of one another.
Problem-solving gives us a mechanism for identifying these things, figuring out w hy they are broken and determining a course of action to fix them.
EDUCATION 2013- 2016
SMA Taruna Bakti | Science Student
2016- P resent Parahyangan Catholic University | Undergraduate
MY RESUME
AW ARD 2018 - 2018
Representative for Best Student Design to UTHM Malaysia
2017- 2018
AIESEC in Bandung | Best Staff for IGV Adhoc
NAME FARHAN RAMADHAN
STYLES
Modern, Industrial, contemporary, minimalistic EDUCATION
Undergraduate – Parahyangan Catholic University
W ORK EXP ERIENCE 2017- 2018
AIESEC in Bandung | Staff of Marketing IGV Adhoc
2018- 2019
AIESEC in Bandung | Team Leader of Quality Control IGV Adhoc
2018- 2019
HMPSArs | Head of Event Coordinator
2019- P resent i3D | Chief Executive Officer
P ROFESSIONAL QUALITIES Great sense of design - great softw are and modelling skills - great listening skills – team player - solid technical abilities - problem-solver - Good collaborator – adaptability in multicultural environment - great passion in my w orks - very competitive
W HAT I DO
Mainly focused on designing, both on the architectural side and visualization. Architecture as a platform for improving and solving human activities both exterior and interior. 3D visualization as a form of illustration through realistic image.
Improvement of a better working habit and tools to use for a much faster and precision result. As the CEO of i3d w hich focus on 3D printing as a tool for designing, w e believe that 3 D Printing is one of the fastest grow ing technology in producing design models.
MY RESUME
TECHNICAL SKILLS DESIGNING
COMPUTER AND SOFTW ARE
CREATIVE PROBLEM SOLVING
SOFTW ARE SKILLS
VISUAL SKILLS
HOBBIES
90%
95%
90%
90%
90%
85%
REVIT
SKETCHUP
MICROSOFT OFFICE
VRAY
PHOTOSHOP
LUMION
MY W ORK ON DESIGN “Architecture should speak of its time and place, but yearn for timelessness” - Frank Gehry
*All the image here are self render
CIHAMPELAS FASHION SCHOOL
CIHAMPELAS
The site for the academy is located in Jl. Cihampelas, STBA. Cihampelas is the centre of fashion design post modern design for architecture and fashion.
WHY AVANT GARDE?
The point of Avant Garde is to make a new and unusual or experimental ideas, especially in the arts, or the people introducing them. W hat w e aim in this design is to how can w e blend a new ideas of fashion and architecture as w hole into the w ell know n fashion of Cihampelas. W hat w e seak is not to replace but to evolve the fashion.
W e w ere tasked to design an academy for Bandung anykind of academy. Cullinary, design, management, etc anykind of school are permissible. Since the plaace takes in Cihampelas w e w ere thinking is it possible to design a fashion school here that not just teaching students in the campus but also capable of evolving the fashion trend in Cihampelas itself.
BACKGROUND
The idea of the design is to how to enable the users of a walkable space just like how Cihampelas street should be or even Cihampelas W alk. W e decided that the first thing to do is to create 2 function of the building as a w hole. One for the gallery and catwalk, the other as for education that has been stacked per floor. The curvature shape of the building is a shape of dynamism and feminism.
DESIGN PROCESS
CONCEPT
To get to the idea that this building should be very w alkable for the users, w e decided to put continuous ramp in the shape of spiral that connects from ground to the top floor. To improve lighting in the center w e added a skylight as a w ay for natural light as the main light source.
SPACE
SPIRAL RAMP
SUN SHADING
To provide a better natural lighting and a more feminism look that represent fashion itself, w e embedded curved sun shade that simulate a kind of metaball look. The idea of the meatball comes from a particular inspiration of a sense of movement just like how a w ater or a wave moves. The color w hite has meaning of a blank paper, indirectly it says “everything is possible here�.
FACADE
PHILLIPS ARENA BATUNUNGGAL FUTSAL ARENA
FUTSAL ARENA
PHILLIPS ARENA
Futsal is an exciting, fast-paced small sided soccer game that is played across the w orld and is officially recognized by both FIFA and UEFA. The project for the futsal arena w as one of the most challenging yet innovative one. W e started w ith the research of how citizen in Bandung especially futsal teams redefine an arena as a vessel. Most of them said that they w anted a stadium or an arena that is flexible in identity but still can accommodate any team, any match, any event held in the building. So w e decided that the concept of the arena w as to make an arena that has a “multi -identity� that can represent any team at anytime.
THE COURT
We started with the most important thing of futsal w hich is the players. W e decided to use laminated w ood flooring as the base of the court because most of the courts in Bandung tends to be slippery and aren’t comfortable enough w hen a player fall. Use it as a material that can provide better grip for the players but also capable of absorbing impact as maximum as possible for the player.
PHILLIPS ARENA
Mercury is the closest planet to the Sun and the smallest one in the Solar System—it’s onlyTHE a bit larger HOW than our Moon. The planet’s name FAÇADE W ORKS has nothing to do w ith the liquid metal, since it w as named after the Roman messenger god, Mercury
The façade is the most crucial part of the building as a w hole concept. W e choose color w hite as a neutral color for the arena. A perforated metal panels are used as the main material so it can reflect better lighting at night. An LED lights w ere embedded into each of the panel to achieve the desired color of light.
PHILLIPS ARENA MULTI-IDENTITY
The facade itself is an adaptable lighting system capable of reaching over 10.000 types of colors. Most of the time the facade represent itself as a w hite color, but in certain chase if a match is held especially by teams w ith a certain color as their identity can change the façade of the arena.
Mercury is the closest planet to the Sun and the smallest one in the Solar System—it’s only a bit larger than our Moon. The planet’s name has nothing to do w ith the liquid metal, since it w as named after the Roman messenger god, Mercury
GASIBU PAVILION THE FIRST OF ITS KIND
GASIBU
In the 1950s, the area was know n as the Diponegoro field. In 1955, the name Gasibu came from a soccer association w here members w ere from the North Bandung community. Gasibu stands for North Bandung Indonesian Football Association.] The ow nership of the land has been controversial betw een the city of Bandung and private ow ners.
Gasibu is a public area in Bandung, W est Java, Indonesia. It w as first built by the Dutch colonial government as an open space in front of Gedung Sate; the area w as first know n as W ilhelmina Plein in 1 9 2 0 . The area w as named after the Queen of the Netherlands, W ilhelmina of the Netherlands.
BACKGROUND
PAVILION
THE PILLARS
The project w as to make a temporary pavilion that suitable is for either w alking pedestrian or even people doing some jogging in Gasibu. The concept of the pavilion is to put gapping pillars that represent the openness of the field but still respecting the context of building in the area as in the color of w hite for the base.
WJACC
WEST JAVA ART AND CULTURAL CENTER
Special Thanks to UNPAR and UTHM Malaysia for the student exchange in Dec’18
ART & CULTURE
THE PEACOCK
A cultural center is a place of identity, of soul, of live of a city or even a country. It represent w hat language they speak, w hat food they eat, w hat kind of art they express, w hat are their manners, how do they socialize, w hat architecture they have. So w e take this one project very seriously because this project really represent w hatW est Java means . W e start by taking the concept of “the gate” or as in Sundanese “Gerbang Binangkit”. W e think that this cultural center is basically a gate to the w orld that W est Java is more than just a province or a name. W e take an abstraction the most famous dance of w hich is the “Tari Merak” or Peacock Dance. This dance usually performed by w oman and is use to w elcoming a guest especially from international w orld.
THEATRE
We started with the most important thing of the culture center w hich is the theatre. W e decided to use w ood as the main material of the theatre just to reflecting local architecture of w est java. An accoustic ceiling and also accoustic w all are the main focus of the theatre. W e believe the most important things that auditions w ant in theatre are the acoustics, the sight, and the performance. In this case w e implify the acoustics up to 11.
PHILLIPS ARENA
Mercury is the closest planet to the Sun and the smallest one in the Solar System—it’s only a bit larger than our Moon. The planet’s name THE GATE has nothing to do w ith the liquid metal, since it w as named after the Roman messenger god, Mercury
The gate is the most important element of the w hole architecture itself. The meaning of this is w hat people w ould call “Taaddaaaa w elcome to”. But the main point is the gate itself is a boundary betw een the outside culture and the w est java culture. How do w e represent this gate is simply by adding a museum and a souvenir shop in one simple mass. The mass itself is combination of a modern architecture and a traditional Sundanese roof.
PHILLIPS ARENA LANDSCAPE
The landscape is a full tropical paradise w ith the usage of local materials and local atmosphere. The streaming w ater represent the color of a peacock body and how the w ater move really makes the interpretation of a peacocks furs. Another facility that is a bonus plus for the landscape is an open teater. Made out of full bamboo canopy, the theater reflects w hat a peacock tail should like.
ARCHITECTURE VISUALIZATION
“Beauty perishes in life, but is immortal in art” - Leonardo da Vinci
*All the image here are self render
SUP P ORTED BY
VRAY TRAINING LIGHTING AND TEXTURE
MATERIAL TRAIN TO GET THE BEST MATERIAL
MODERN LIVING ROOM VRAY RENDER
VRAY RENDER
MODERN LIVING ROOM
A simulation of a living room. The aim is to tell a story of a house w hich is located in the hill of mountain w ith the ow ner as an intellectual and curious person.
CONCRETE BEDROOM VRAY RENDER
VRAY RENDER
CONCRETE BEDROOM
This is a personal project and also a training in interior design. The task w as simple, try designing my ow n bedroom. This room reflect my personality a bit w ith the usage of exposed concrete w all, leather chair, w ooden floor and some black and w hite art as decoration.
MOUNTAIN CABIN VRAY RENDER
MOUNTAIN CABIN VRAY RENDER
An exterior project that represent a cabin located in quite hill. This image is a simulation of a sunset atmosphere with a realistic landscape. This image is a prototype of several one that are yet to come.
CONTACT Does anyone have any questions? farhan.5rmdh@gmail.com +6 2 8 9 5 2 4 3 8 6 0 9 3 https://w w w .instagram.com/studio_ramadhn/ https://w w w .linkedin.com/in/farhan-ramadhan-917993194 https://issuu.com/studioramadhan/docs/architecture_portfolio