INTERIOR ARCHITECTURE PORTFOLIO | GALLIAH T.

PORTFOLIO | SELECTED WORKS

GALLIAH TACLOBAO

PORTFOLIO | GALLIAH TACLOBAO

As a future Interior Architect, my passion lies in continuous learning, driven by motivation and a goal-driven mindset.

I possess a profound interest in design and unraveling the complexities of how objects and individuals function. Upon completing the second year of the program, I have learned the delicate connection between design and construction, embarking on a journey to master the balance of both.

Apart from my academic pursuits in design, I immerse myself in the realms of literature, photography, and most recently, 3D-printing. Surrounded by books since childhood, literature has been a guiding light in my journey. Photography offers me a fresh lens through which to view the world. Lastly, 3D-printing transforms design concepts into tangible creations.

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EDUCATION

INTERNSHIPS

Marbella Design Academy Bachelors of Arts with Honours in Interior Architecture and Design September 2022 - June 2025

Marbella Design Fair 2023: Gandia Blasco Femont Galvan Designers Design Marbella Magazine November 4-11, 2023

CERTIFICATE Universitat Politecnica de Valencia Sustainability in Architecture: An Interdisciplinary Introduction December - January 2021

SOFTWARES Autodesk AutoCad Autodesk Revit Autodesk 3Ds Max Adobe Photoshop Adobe InDesign Adobe Illustrator

COMPETITION Finalist Gandia Blasco Group x BoModels International 3D Awards 2023/2024 Edition

PORTFOLIO | GALLIAH TACLOBAO

TABLE OF CONTENTS

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01

ODYSSEY

HISTORY OF INTERIOR DESIGN

02

OLIVER PEOPLES

03

ATTAWAPISKAT

04

MARBELLA OASIS

A LUXURY RETAIL PROJECT

A TINY HOUSE PROJECT

A BIOPHILIC DESIGN PROJECT

PORTFOLIO | GALLIAH TACLOBAO

01 ODYSSEY: A JOURNEY THROUGH THE HISTORY OF INTERIOR DESIGN

This project features the History of Interior Design, examining its profound effects on the social, political, economical, and the environmental. I navigated through the principles of spatial composition and interior decoration across the different design styles. Furthermore, I critically analyzed and scrutinized various design and art movements. The exploration extended to the realm of materials, trends, and design approaches for upcoming and future projects. The following pages showcase mood boards accompanied with realistic 3D renders.

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02 OLIVER PEOPLES PUERTO BANUS, MARBELLA, SPAIN A LUXURY RETAIL PROJECT

The project brief entailed the selection of a luxury brand for indepth analysis of its design, ethos, and DNA, followed by the creation of a retail store situated along Puerto Banus, Marbella, known as the luxury capital of Costa del Sol, Spain. This region basks in the glow of sunshine for about 325 days each year, which inspired my choice to center this project on a luxury eye-wear label, drawing from the impact of the warm climate in this vicinity.

I introduced the innovative concept of “Ocular Interlacing”. Upon scrutinizing an iris, one can notice the intertwining of fibers that intricately weave together, regulating the dilation or contraction of the pupil (reminiscent of how a camera’s aperture operates).

Motivated by this, I decided to infuse this concept into my creations. The configuration of the eyes profoundly influenced my preference for working with rounded forms and elegant arches.

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1. PRODUCT DISPLAY HALLWAY 2. CENTRAL COUNTER

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3. WALL DISPLAY 4. TOILET

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10

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TITLE | SELECTED WORKS 18 | 19

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03 ATTAWAPISKAT REIMAGINED. NORTHERN ONTARIO, CANADA A TINY HOUSE PROJECT

Home to approximately 2,000 people, this isolated First Nation is surrounded by wilderness and waterways teeming with wild plants, food, and natural resources, the “People of the Parting Rocks” highly value their connection to their land, its rich language and raw natural beauty.

Inspired by the cultural significance of their traditional and ceremonial structures such as the “wigwam” (cone or dome shape shelters made out of wood and animal skin during the precolonial era), I was also motivated to adopt the concept of fractal geometry. It is a study of mathematical shapes that shows a progression of never-ending, self-similar detail, from large to small scales.

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1. WHITE PINE CLADDING 2. GYPSUM BOARD 3. INSULATION 4. AIR GAP 5. INSULATED EXTERIOR CLADDING

WALL DETAIL

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3

N CURTAIN WALL DETAIL

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NORTH ELEVATION

WEST ELEVATION

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2 3

7

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1. SOLAR PV PANELS 2. SLANTED ROOF 3. INTERIOR PARTITION WALLS (BATHROOM)

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4. STRUCTURAL WALL 5. CURTAIN GLASS WALL (ENTRANCE) 6. LIGHT GAUGE STEEL FRAMING

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7. STRUCTURAL WALL WITH WINDOWS

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8. RAINWATER/SNOW COLLECTION TANK 9. FLOOR

STRUCTURAL FRAMING (CENTRE) WITH MEMBRANE (SURROUNDING)

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10. STRUCTURAL WALL 11. CURTAIN GLASS MEMBRANE (DINING AREA)

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04 MARBELLA OASIS MARBELLA, SPAIN A BIOPHILIC DESIGN & ADAPTIVE REUSE PROJECT

In response to the brief, to recreate the interior of the former Arab Bank in Marbella, my wellness centre focuses on the topic of Contrast Therapy to improve health & other aspects of human physiology. I was inspired by a podcast by Dr. Andrew Huberman and Dr. Susanna Soberg on deliberate cold and heat exposure.

It is a recovery strategy with the use of different temperatures which increases energy levels and focus.

I want to craft an atmosphere where the users will experience invigorating and refreshing spaces, fostering maximum rehabilitation, recovery, and relaxation. To achieve this, I used the Biophilic principle of Awe and Thermal and Airflow Variability, incorporated elements that encourage active exploration through the space fully engaged and creating wonder.

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13

5 14

9

6

16

17 2 18

8 3

0

1. WASHROOM/CHANGING ROOM PROJECT NAME

@studia.galliah

UNIT

2. WASHROOM/CHANGING ROOM MARBELLA OASIS 2024 M 3. STAFF ROOM

TITLE

4. SAUNA 5.PROPOSED ICE BATHSGROUND FLOOR PLAN 6. PUBIC SHOWERS 7. TREATMENT ROOM

8. TREATMENT ROOM SCALE

CLIENT

9. LOUNGE 1:100 10. TECHNICAL ROOM MARBELLA DESIGN 11. RECEPTION DESIGNED BY ACADEMY 12. TECHNICAL ROOM GALLIAH TACLOBAO

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19

12

10

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STUDIA GALLIAH Richmond Ave. Vancouver, British Columbia Canada +1 519 661 7830

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11

7

5

10

20 m

15. WELLNESS COUNSELING ROOM DATE OF REVIEW

12. 06. 2024

APPROVED BY

NOTES

16. WASHROOM/CHANGING ROOM 17. SWIMMING POOL

18. HYDROTHERAPY POOL (WARM) DR. GIANLUCA EMMI, LUTZ, 19.NIKOLINA HYDROTHERAPY POOL (HOT) NICOLAS RODRIGUEZ 13. WASHROOM/CHANGING ROOM 20. COLD PLUNGE POOL 14. PUBLIC SHOWERS

CHECKED BY

DRAWING NUMBER

A-FP-01

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Level 3 7.85 m

Level 2 6.85 m

Level 1 3.30 m

Level 0 -

0.00 m

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5

0

SECTION

10

20 m

Legend

TOP 1:25

"Stepping Stone"

PROJECT NAME

STUDIA GALLIAH Richmond Ave. Vancouver, British Columbia Canada +1 519 661 7830

UNIT

MARBELLA OASIS 2024 TITLE

SCALE

M

CLIENT

1:100

MARBELLA DESIGN ACADEMY

DESIGNED BY

GALLIAH TACLOBAO

SECTIONS

@studia.galliah

APPROVED BY

NOTES

12. 06. 2024 CHECKED BY

DR. GIANLUCA EMMI, NIKOLINA LUTZ, NICOLAS RODRIGUEZ

5

0 INTERIOR ELEVATION (PUBLIC SHOWERS)

ELLA OASIS 2024

DATE OF REVIEW

AXONOMETRIC DETAIL AXONOMETRIC VIEW

UNIT

SCALE

M

CLIENT

DATE OF REVIEW

07. 06. 2024

APPROVED BY

NOTES

FRON 1:25 DRAWING NUMBER PROJECT NAME

A-EV-03

UNIT

SCALE

CLIENT

DATE OF REVIEW

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GALLIAH TACLOBAO @studia.galliah