Seattle Gay News
ARTS & ENTERTAINMENT
The Fifteenth Annual Seattle Lesbian and Gay Film Festival gets started this evening with BearCity, a Sex and the City knockoff made for those who like their men with a bit of hair on their chests. From there, our friends at Three Dollar Bill Cinema offer up a typically diverse lineup of fea-
Mart Crowley’s enduring classic The Boys in the Band. There’s plenty to choose from, and movie lovers of all shapes, sizes, colors, orientations, and genders will undoubtedly find something that strikes their fancy. The following is my take on a few of this opening week’s slate of films. For a full program list, head over to www.threedollarbillcinema.org/10/ for more information on showtimes, descriptive capsules and to pre-buy tickets.
all photos courtesy 3 dollar bill cinema
by Sara Michelle Fetters SGN Contributing Writer
tures, documentaries and shorts from all over the globe, each of them touching on subjects sure to be near and dear to the LGBT filmgoer. Highlights include the return of Seattle International Film Festival favorite The Topp Twins: Untouchable Girls, the fascinating Brazilian import Paulista, Peru’s 2011 submission for Best Foreign Language Film Undertow, and the wonderful documentary Making the Boys, chronicling the ins and outs behind
Issue 42, Volume 38, October 15, 2010
see slgff page 34
Manu Chao’s Seattle debut ecstatically brilliant The Maine’s John by Albert Rodriguez SGN A&E Writer per formance. Chao marched onstage promptly at 8 p.m. with no opening act, ready to begin the festivities. Although there were no intermissions, there was a contrast between the first portion of the show and the second, as the top half filled with up-tempo folk songs strummed beautifully by acoustic guitar and the bottom half loaded with rowdy, fast rock numbers complimented mostly by electric guitar. “Rumba de Barcelona,” despite missing a horn section, was bursting with energy and showcased Chao, in a red-orange shirt with matching bandana, as the masterful guitarist who mixes various styles together in
Manu Chao
Nacional Records
see manu chao page 44
file photo
Manu Chao October 12 Paramount Theatre “I’ve never seen the Paramount like this before,” said the woman behind me. She was right. All the party people in Seattle got the memo that Latin music’s alternative music groundbreaker, the award-winning Manu Chao, was in town Wednesday night, and the scene was a twohour nonstop celebration of dancing, singing, cheering, clapping, and spinning around in circles. Hard to believe, but this was actually the first time Chao – a much-saluted artist in all of Latin America – had ever played in the Emerald City. And for fans who’d waited this long to see him – 10 years since his major breakthrough – he certainly poured everything he had into this
O’Callaghan checks in from the road
The Maine
by Albert Rodriguez SGN A&E Writer
of You” and “Growing Up,” hail from diagonally across the country – Tempe, Arizona, to be exDon’t let the band name fool act. You could dismiss these guys you, The Maine isn’t from any- as studio-only artists by their where near the New England tousled hair and narrow-legged area. The new pop-rock outfit, on the verge of a breakthrough with back-to-back hit singles “Inside see music lounge page 44