Seattle Gay News
ARTS & ENTERTAINMENT Natalie Portman and Black Swan cast on the ballet thriller and girl-on-girl sex Niko Tave rnis e
and Natalie Portman Director Darren Aronofsky k Swan Blac of on the set
by Chris Azzopardi SGN Contributing Writer Natalie Portman flaps her arms and moves as gracefully as a bird in the twisted psychosexual thriller Black Swan, but the comparisons don’t stop there. The actress ate like one, too. To transform into mentally unstable ballet dancer Nina Sayers, a darkly disturbing role that’s al-
ready giving Portman major Oscar pull, the 29-year-old had to train intensely – for nearly eight hours a day she exercised, toned, and practiced – and eat lots of carrots and almonds. Then, as soon as production wrapped, she stuffed her face with pasta for breakfast, lunch, and dinner. “The physical discipline resee portman page 28
The Infection Monologues challenges our perception of HIV/AIDS
James Whitely
Dirty dancing
Issue 50, Volume 38, December 10, 2010
by Shaun Knittel SGN Associate Editor This is difficult. The discussion around HIV/AIDS is controversial at best. The infection – which has been with us for nearly 30 sobering years – changed the world and the Gay movement forever. Regardless of how or why we discuss HIV, the fact remains that we need to do just that – discuss, discuss, discuss. The open and honest dialogue must never end. On December 6, Gay City, Pride Foundation, and the Seattle Office of Arts & Cultural Affairs presented the Seattle premiere of The Infection Monologues … because the story’s not over. The inspirational piece breaks news ground on the way we understand HIV infections among Gay men, HIV stigma, and living with HIV. Performed at the Erickson
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The Infection Monologues
ArtsWest visits Tuna, Texas, Abigail shines at for spirited Christmas show Seattle holiday show Desir ea Rodg ers
by Milton W. Hamlin SGN A&E Writer
Micha el Brun k
A Tuna Christmas ArtsWest Through December 24 Tuna, Texas, is famous in little theater venues throughout the U.S. – and, amazingly, on Broadway in The Big Apple itself, New York City. The current A Tuna Christmas, playing at ArtsWest in West Seattle though December 24, shows why. The now famous trilogy – Tuna, Texas came first, then Red, White, & Tuna to celebrate July 4 and then A Tuna Christmas – zeroes in on the inhabitants of Tuna, one of the smallest towns in all of Texas. A total of 22 characters are brought vividly to life by just two actors, traditionally two male actors. This reviewer has loved Tuna and all of its crazy population since his very first visit. This return visit to A Tuna Christmas was just as much fun as hoped for. see tuna page 32 A Tuna Christmas
appear at the Baltic Room on December 3 for a holiday showcase, I knew there was no way I would miss the opportunity to hear strippeddown versions of “If It Don’t Fit” and other hits from the extraordinarily talented vocalist. But I was wrong about the songs she planned to sing for the evening, and I wasn’t sorry. Abigail, always personable and stunningly beautiful, simply walked onto the stage and with the first few guitar chords, instantly connected with the audience. She performed the bulk of her acoustic album Home …again, a stunning collection of songs which express her deepest thoughts, feelings, and observations. She delivered songs from a breathtaking journey of love, loss, and triumph that surveyed a range of emotions and experiences.
Abigail Zsiga
by Shaun Knittel SGN Associate Editor Abigail Zsiga has been making my “Joy Rise” since she burst onto the American dance music scene over 10 years ago. When I’d heard that the dance floor diva – featured more than once at Seattle Pridefest – had gone acoustic, I was intrigued. When I heard that she was scheduled to
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