Seattle Gay News
ARTS & ENTERTAINMENT Issue 34, Volume 37, August 21, 2009
SGN Exclusive Interview Shannel amazes The wicked Stephen Schwartz at Le Faux
by Eric Andrews-Katz SGN Contributing Writer Stephen Schwartz is a double threat when it comes to the world of musical theater. His Broadway credentials of writing music and lyrics include Godspell, The Magic Show, Pippin and the smash hit Wicked, among others. He has also composed the score of the
films Pocahontas, The Hunchback of Notre Dame, The Prince of Egypt, and Enchanted. As Wicked approaches its sixth anniversary on Broadway and prepares for its triumphant return to the Emerald City, Stephen Schwartz prepares for the world premiere of his newest project, an opera called Séance on a Wet Afternoon. Taking time out from his schedule, Mr.
shannel.net
idinamenzel.com
Stephen Schwartz
Schwartz gave the SGN an exclu- by Shaun Knittel sive interview about his illustrious SGN Staff Writer career. Shannel Eric Andrews-Katz: Your first at Le Faux hit was the title song, “Butterflies August 14-15 Are Free” used in both the play and Julia’s the movie. How did you get the opOn Broadway portunity to write the song? Le Faux at Julia’s Stephen Schwartz: My agent On Broadway has long represented actor Keir Dullea in been considered Sethe play and they were trying out attle’s “Best Female the show in Summer Stock. They Celebrity Impersonneeded a song for the character, so ation Show.” Starting she suggested that I write some- September 11, the new thing and it was submitted. host will be Shannel, Andrews-Katz: In 1971 you drag sensation direct wrote Godspell, including the from Las Vegas and song “Day By Day,” and won two the Logo Channel’s hit Grammy awards. What made the reality TV series Ru Gospels of St. Matthew more of a Paul’s Drag Race. Le musical adaptation than any of the Faux and Julia’s ownother gospels? ers brought the Vegas Schwartz: Godspell was the sensation for a special brainchild of John-Michael Tebe- two-night performance lak, who conceived the show. It August 14-15 where was his idea to approach the gos- Shannel proved why pels and teachings of Jesus that she is in high demand: she’s fierce! way. They needed a full score and SGN joined the capacity crowd to I was invited to see it as a sort of view the August 14 show. tryout for its transfer to Off-BroadAs soon as the curtains open and way. I can’t take any of the credit the music begins, you quickly refor the concept. alize you are in for a night of toAndrews-Katz: The costuming pnotch entertainment. Before the for the film Godspell was contro- female impersonators catch your versial. Where did the idea of hip- attention, the opening number’s aerial male acrobat and stage dancsee schwartz page 37 ers light up the room with an infec-
Shannel
tious burst of energy. The first thing you notice when Shannel takes the stage is her killer body, which is her trademark appeal. But for myself and plenty of others in the audience, it was those piercing blue eyes that added to her stage presence. Shannel is also a master of ad-lib; a few minutes see shannel page 29
Harper, Fleck and Diabate at Jazz Alley ACT cooks with Das Barbecü,
by E. Joyce Glasgow SGN A&E Writer Winard Harper Sextet, Bela Fleck and Toumani Diabate August 4-5, 10-11 Jazz Alley Seasoned jazz drummer Winard Harper brought his sextet of young up-and-coming musicians to Seattle for a two-night engagement at the Jazz Alley on August 4 and 5. Harper has had the good fortune to
be mentored by some of America’s greatest jazz artists. As a young man, he cut his teeth performing and/or recording with the likes of Betty Carter, Dexter Gordon, Ray Bryant, Pharoah Sanders, Clifford Jordon, Jimmy Heath and Dr. Billy Taylor. He co-founded the Harper Brothers band and has been traveling with his own sextets for 20 years. Dedicated to musical education, he has now become the mensee jazz alley page 28
by Milton W. Hamlin SGN A&E Writer It’s summer in the city, and lighthearted entertainment is packing the theaters and concert halls. Taproot’s heartfelt Smoke On The Mountain Homecoming added two weeks to its original summer schedule – it now runs through tomorrow night. Divalycious, the spirited “girl group” revue on Sunday nights at Julia’s, found out that Seattle can’t get enough of its salute to the yesteryear of pop music and has added two more Sunday nights to its schedule. ACT’s revival of Das Barbecü, the toe-tapping Texas send-up of Wagner’s Ring cycle, is packing ‘em in. It’s a great time for Seattle entertainment fans – and, of course, Bits&Bytes. Read on:
see bits and bytes page 28
chris bennion
E. Joyce Glasgow
Bela Fleck (l) playing a duet with Toumani Diabate at Jazz Alley
Taproot, Divalycious extended
Carter J. Davis (Siegfried) and Billie Wildrick (Brunnhilde) in Das Barbecü