Moreton ws e Border N MORE THAN 27 YEARS OF SERVING THE COMMUNITY
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Edition No: 1318 | Thursday, 12 November, 2026
Supercars brake to dodge Ipswich PAGE 17
Wild Lowood rodeo By LARA HART
petitors testing their skills in events including steer wrestling and rope and tie.
SAND smashed - novice bull rider Fletcher Voll ate dirt while competing at the Lowood Rodeo on Saturday.
Lowood Show Society secretary Janeen Schulz said there were more competitors than last year, with strong participation across several sections.
At the Lowood Showground, the event had com-
STORY AND PHOTOGRAPHS PAGE 9
(Lyle Radford: 589451)
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INSIDE RAMBLINGS ............................... page 13 DINING ....................................... page 14 REAL ESTATE.............................. page 16 SPORT ................................ pages 17-20
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Country shows have been part of Marburg’s social fabric for decades. (Lyle Radford: 589803)
Funding boosted for shows QUEENSLAND’S agricultural shows have received a $2.5 million funding boost, helping secure the future of events that remain an important part of rural and regional communities. The State Government’s 2026–27 Show Societies Grants Program will support 127 agricultural shows across Queensland, along with the Queensland Chamber of Agricultural Societies. The funding includes a permanent annual increase of $500,000, the first such increase in almost 20 years. The grants will assist show societies with operating expenses and the maintenance and improvement of showground facilities, helping
volunteers continue delivering events that celebrate the state’s agricultural industries. Minister for Fire, Disaster Recovery and Volunteers Ann Leahy said agricultural shows played an important role in bringing communities together. “From the smallest country show to some of our state’s largest events, agricultural shows are woven into the fabric of Queensland communities and celebrate the industries that help drive our state,” Ms Leahy said. Queensland Chamber of Agricultural Societies president David Wilson welcomed the funding, acknowledging the dedication of volunteers who keep agricultural shows running.
“Agricultural shows are run by dedicated committees and volunteers who work tirelessly to bring their communities together and celebrate our agricultural industries,” Mr Wilson said. He said the events attracted thousands of visitors, supported local businesses and provided an important showcase for regional Queensland. Mr Wilson said the permanent funding increase would provide greater certainty for show societies, allowing them to maintain essential infrastructure and continue delivering successful events for future generations.
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Rosewood Agricultural Show is enjoyed as much today as when it first started. (589803)
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THE front page photograph made me wince, so I knew I had to share the love. Bull riders are built different, aren’t they? It’s a sport mastered by few and watched by many, because who doesn’t love action packed fun? Silo painters are also talented, and their work leaves its mark long after the paint has dried. Our photographer Lyle Radford took photographs of a silo turned canvas. Rosewood residents love festive cheer and there is plenty of that ahead. Inside are ideas how to get through the season without breaking the bank. And in sport, Queensland Raceway owner Tony Quinn has blasted Supercars, accusing them of having “used and abused South East Queensland” following its handling of the 2027 calendar, with the decision now made to drop Ipswich from the schedule. - Lara Hart
Thursday, 12 November, 2026 | Moreton Border News
NEWS
Rosewood flexes its Christmas spirit CHRISTMAS in Rosewood will take on a new look this year, with community organisations, businesses and residents being encouraged to play a bigger role in creating a festive season that extends beyond a single event. After several years of delivering the popular Rosewood Christmas Festival, the Rosewood and District Support Centre is introducing the Rosewood Christmas Festivities, a community-wide calendar of events and activities that will run throughout November and December. The initiative comes after a number of Christmas Festivals were impacted by wet weather, affecting stallholders, activities and opportunities for community celebration.
Last year’s colourful shopfront glow ups return to Rosewood.
in the Christmas spirit to help bring our town to life.”
Community Project Worker Tia Lancaster said the decision was not about moving away from the Christmas Festival, but about exploring ways to create more opportunities for people to connect and celebrate throughout the festive season.
RADSC is encouraging community members to support the initiative in a range of ways, including attending local events, volunteering, making donations, decorating homes and businesses, and collaborating on community activities.
“The Rosewood Christmas Festival has been a wonderful event for our community over the past few years,” Ms Lancaster said.
“We are hopeful this will be the beginning of some new community traditions,” Ms Lancaster said.
“It has brought people together and helped create a real sense of community. “However, weather has had a significant impact on several festivals, at times reducing attendance and cutting short opportunities for people to come together and celebrate. “ Ms Lancaster said the broader Christmas Festivities program aims to build on the success of previous festivals while encouraging a greater sense of community involvement. “We are looking at ways of making it feel like Christmas has arrived in Rosewood for the whole Christmas season, not just for one
Rosewood Hardware understands the assignment for a very merry Christmas.
night,” she said. “By creating a calendar of events, activities and celebrations across several weeks, we’re hoping people will have more opportunities to connect with one another, support local organisations and participate in their community.” As a not-for-profit organisation, RADSC re-
lies heavily on sponsorship, funding and volunteer support to deliver community events. “We couldn’t deliver these opportunities without the generosity of volunteers, sponsors and community members,” Ms Lancaster said. “We are hopeful that community groups, local businesses and residents will come together
“There are so many ways people can get involved, whether that’s hosting an activity, helping with an event, decorating your shopfront, supporting local businesses or simply attending events and connecting with others.” Over recent months, Ms Lancaster has been working with local organisations, churches, community groups and businesses to develop the growing program of festive activities. “We are keen to work with anyone who is interested in helping us celebrate our community,” she said.
You choose between local festive favourites THE Christmas Festivities calendar will begin on 21 November with the Rosewood Christmas Market, Craft Expo and Festive Shopping Trail and continue throughout the season with a range of community events, including the Rosewood Craft and Quilters Mystery Reveal, Rosewood Youth Christmas Festival, Grandchester Model Live Steam Trains Christmas Open Day, Rosewood Community Car-
ols, Rosewood Christmas Bowls, Community Christmas Feast and Baptist Church Christmas Carols. Residents can also participate in Christmas Makers: Craft • Bake • Play, a free weekly program providing festive crafts, baking and activities for children and families throughout November and December. A full calendar of events will be available
through the Rosewood Community Centre, the Rosewood and District Support Centre Facebook page and participating community organisations. Organisers hope the initiative will create more opportunities for residents and visitors alike to experience the community spirit that Rosewood is known for while celebrating the festive season together.
Singing in the season to be jolly.
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NEWS
Artistic winners add colour to Ippy LOCAL creative talent is in the spotlight with more than 340 artists submitting almost 500 artworks for the 2026 Ipswich Art Awards. Now in its 26th year, the annual competition has attracted entries across nine categories, with more than half of participating artists calling Ipswich home. Artists from Brisbane, Logan, the Sunshine Coast and Southern Downs also took part, highlighting the awards’ growing regional appeal. Ipswich Mayor Teresa Harding said the event continued to provide an important platform for emerging and established artists. “The Ipswich Art Awards recognise artistic excellence while also celebrating the important contribution artists make to the cultural life of our city,” Cr Harding said. The coveted Best in Show award went to Vika Fifita for the acrylic painting I used to sleep. Now I just am. Judges praised the artwork’s authenticity, originality and sophisticated use of pattern, colour and layered composition. Local artists were also among the category winners, including Rose Bradfield for drawing and pastels, Wooyeun Yoo for watercolour and Clayton McIntosh for printmaking. Other winners included Sue Gordon, Ashton Bernhardt, Richard Hammond, Justina Grocott, Paula Petherick and Ken Kikkawa. Cr Harding thanked judges Sophie Chapman, curator at The Condensery Somerset Re-
Art award winners with Ipswich Mayor Teresa Harding.
gional Art Gallery, and Andrea Higgins from Museums and Galleries Queensland. The Ipswich Art Awards exhibition is open
free to the public until 14 November on Level 1 of the Ipswich City Council Administration Building, 1 Nicholas Street.
Opening hours are 10am to 4pm daily. Further information is available at shapeyouripswich.com.au/ipswich-art-awards.
Creative journeys as U3A artists present an exhibition By GLEN SMITH U3A Ipswich students in photography, drawing and painting will be coming together to host an Exhibition at the Ipswich Community Art Gallery from the 19th November to 29th November 2026. Creative Journeys celebrates the imagination, curiosity and creative expression of students participating in the photography, drawing and painting classes at U3A Ipswich. Bringing together a diverse collection of works, the exhibition reflects the individual perspectives, experiences and artistic discoveries of students who share a passion for learning and creativity. Through the lens of a camera, the movement of a pencil, or the application of paint to canvas, each participant explores their own way of seeing and interpreting the world around them. The works on display represent more than the development of artistic skills. They tell stories, capture moments, explore ideas and reveal the personal journeys that unfold through creative practice. Each work offers a glimpse into the artist’s imagination and demonstrates how observation, experimentation and a willingness to learn can lead to new ways of seeing. Creative Journeys recognises that creativity is not defined by age or experience, but by the desire to explore, discover and express. The exhibition invites visitors to appreciate the individuality of each artist, celebrate lifelong learning and share in the creative experiences of the U3A Ipswich community. The exhibition offers several important ben-
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efits to the local community: Celebrating local talent: Showcases the creative achievements of Ipswich residents and recognises their contribution to the city’s cultural life. Promoting lifelong learning: Demonstrates that learning, experimentation and artistic development can continue throughout life. Encouraging community connection: Creates a shared space where artists, families, friends and members of the public can meet and appreciate creative work. Increasing access to the arts: Presents photography, drawing and painting in an accessible community exhibition that welcomes audiences with different interests and experiences. Inspiring future participation: Encourages visitors to discover their own creative interests and consider joining U3A Ipswich classes or other local arts activities. Strengthening cultural identity: Adds to Ipswich’s cultural offerings by celebrating the perspectives, stories and experiences of people who live in the region. Overall, Creative Journeys is more than a display of student artwork. It is a celebration of what can be achieved when people are encouraged to learn, experiment and express themselves. By sharing these creative journeys with the wider public, U3A Ipswich helps strengthen the connection between arts education, individual wellbeing and community life The exhibition will be open daily from 10am to 3pm. It is free to enter and family friendly.
Members of U3A
U3A artistry
An image from the U3A exhibition
Thursday, 12 November, 2026 | Moreton Border News
NEWS
Remembrance: reflecting on service By BYRON PESZKO
Kevin said his career took him to East Timor in 2000 and 2002, and Afghanistan in 2007.
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Gatton RSL Sub-Branch and RSL Queensland District Deputy President of Moreton District, Kevin Jacoby.
I still converse with a Canadian soldier and call each other at 2.00am in the morning,” he said. But one thing is clear: “I don’t care where you served, when you served, how long you served, you’re a veteran,” he said. “You signed the dotted line to join the military. “That’s the ethos I have within my subregions, and that’s what I’m pushing out through the district as well,” he said.
Moreton Border News | Thursday, 12 November, 2026
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AS Remembrance Day services were held across the district, RSL Deputy President of Moreton District, Kevin Jacoby, reflected on his own career and service in the Middle East Area of Operations - a life that has taken him around the world and back home to South-East Queensland A career in the military was always of interest. “I’d always wanted to do it and I don’t know what it was or what drove me to it,” Mr Jacoby said. “But my father put his foot down and said, ‘No, you’re not joining the cadets’. At the age of 27, he joined the Army. “Once I joined, I absolutely loved it,” he said. As an ADF member, he was taken to East Timor in 2000 and 2002, and Afghanistan in 2007. “My wife was very supportive and she was a nurse. Everywhere we went to work, she got work too,” Mr Jacoby said. But after 20 years, he was medically discharged in 2016 - and what followed was dark. “I struggled severely,” he said. “It was a tough struggle and it was a long road. “It wasn’t until I bought a place with my wife at Adare when things changed.” Attending the nearby Gatton RSL changed things for the better. “I went along to the RSL one morning and met all the people there. “That was about probably four years ago now and I’ve been the president there for three.” Mr Jacoby says the ex-service and wider community have really supported his leadership. “I’ve had a lot of votes of confidence from people that I’ve done fantastic things for RSL Gatton,” he said. Less than six months ago, Mr Jacoby was voted in the serve the RSLas Queensland District Deputy President - Moreton District. “I put my name down for nomination and got voted in. So I was pretty impressed with that,” Mr Jacoby said. Overseeing 16 sub branches, the role now includes the Ripley Valley RSL sub-branch “This month we confirmed and signed off on the chapter opening,” he said. Now, Mr Jacoby says his son has followed in his military footsteps. “I don’t think I could survive today’s army,” he laughed. “Every generation goes through the same thing. It’s the old saying, ‘God these guys are weak. You know how the hell are they surviving?’ “But my son seems to be loving it.” Reflecting on his time in service, Mr Jacoby paused. “It’s just the pure camaraderie and the feel of belonging,” he said. “No matter where you went, everyone just fits in.” So much so, that he retains lifelong friends in the military with whom he remains in regular contact.
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NEWS
A new flexible black box theatre would be capable of seating approximately 250–300 patrons. (SYI: 589158)
Artist impression of the Black Box Theatre. (Complete Urban: 589158)
City’s new theatre ‘must add space’ By BYRON PESZKO AS work gathers pace to transform the Ipswich Civic Centre, including the addition of a ‘Blackbox’ Theatre, a local and a towering figure in the Queensland Arts Industry, Arthur Frame, has had his say on the project that could transform the performing arts in the Ipswich region. According to Council’s ‘Shape Your Ipswich’ web page, the ICC identified a market opportunity in 2023 for a new flexible black box theatre capable of seating 250–300 patrons. The council says the project will complement the existing George Hogg Auditorium. It promises ‘a more affordable and fit-for-purpose space for family shows, community productions, emerging artists, small-to-medium touring productions and contemporary performances that do not require a large traditional theatre setting.’ In addition, there would be additional function spaces, rehearsal spaces and improved accessibility. An Eastern Heights resident, Mr Frame said it was a chance for Ipswich to excel. “I talk a lot in my memoir ‘The Arts Juggler’ about the loss of theatres,” Mr Frame said. “In the case of Ipswich, we really do need a bigger and better venue. “It needs to be well equipped for performing companies and something that will really attract them there. Asked what he thinks of a Black Box theatre, Mr Frame questioned how flexible it would really be. “I really do think, at the very least, they need a raked auditorium,” Mr Frame said. “This idea of having a flat floor at the front and a rake at the back doesn’t serve the audience, nor is it very attractive for visiting companies. “You get someone who’s six foot six sitting in front of you, and you can’t see the stage. Sightlines are really most important in a venue. Mr Frame says Council should invest in the 51-year old George Hogg Auditorium too. “Maryborough’s got a far better theatre than we’ve got in Ipswich,” he said.
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Eastern Heights resident Arthur Frame.
“We’ve still got this venue that the then Prime Minister Gough Whitlam opened more than 50 years ago. “Since then, it hasn’t really developed much, so it’s high time Council thought about it.” Mr Frame said the new theatre would bring endless opportunities to the region. “At least two to four per cent of the population are regular theater goers,” he said. “We’re losing a lot of that potential down to
Brisbane because it’s so close and that can be a bit of a problem. “You really want to compete and have a really good quality attraction for touring companies, so that people don’t have to drive down to QPAC to see a show.” Mr Frame said that whatever Council chose, it needed a bigger and better venue. “Parking has to be considered, and they need to make sure that when you’re putting a new one in, that it really is attractive and it
serves the purpose. “They really need to think beyond the square or the black box,” Mr Frame said. According to the ‘Shape Your Ipswich’, a detailed design will be completed by March 2027, providing a cohesive proposal ready for future funding consideration. A decision on next steps for the project would be confirmed and shared with the community, with a proposal to be completed midlate 2027.
Thursday, 12 November, 2026 | Moreton Border News
NEWS
Lorna’s a model of a tuckshop vollie By MORGANNE KOPITTKE FROM freshly made sandwiches and hot meals to affordable snacks, school tuckshops play an important role in keeping Queensland students fuelled throughout the school day. The Queensland Association of School Tuckshops (QAST) called on schools, families and communities across the state to celebrate Tuckshop Day on Friday, recognising the dedicated volunteers who keep school tuckshops running. Held on the first Friday in November each year, Tuckshop Day provides an opportunity to thank tuckshop workers and volunteers across Queensland state schools for going above and beyond to ensure students have access to food throughout the school day. One such volunteer is Lorna Fleck who is the only tuckshop lady at Ashwell State School, near Rosewood. The small Prep to Year 6 school has been part of the community since 1887. QAST Executive Officer Keryn O’Neill said Tuckshop Day was an opportunity to recognise a service that is sometimes taken for granted, but makes an enormous contribution to everyday school life. “School tuckshops are about so much more than serving lunch. They play a really important role in helping children access nutritious, affordable food, develop healthy eating habits and feel connected to their school community,” Ms O’Neill said. “For some families, having a tuckshop available is one less thing to worry about in an already busy morning. For others, it can provide an important and reliable option when preparing lunch at home isn’t always possible. “We know that children eat a significant proportion of their daily food while they’re at school, so what we make available to them matters. Tuckshops have an incredible opportunity to make healthy food accessible, appealing and affordable.” Ms O’Neill said tuckshops also provide opportunities for parents and carers to volunteer, help children develop independence and confidence when ordering food, and create connections between students, families and teachers. For many schools, the tuckshop is also an important fundraising and revenue-generating operation, helping support the broader activities and facilities that benefit students.
Lorna Fleck, Ashwell SS tuck shop lady.
Lorna Fleck prepares for lunchtime.
Ashwell State School’s recenly-completed kids’ play area.
Ashwell State School
From convenors managing menus, budgets, suppliers and food safety, to volunteers preparing hundreds of meals during busy lunch breaks, Ms O’Neill said the contribution of
tuckshop workers and volunteers deserved recognition every day, not just once a year.
planning, preparation and teamwork involved, and many people give their time and energy because they genuinely care about the children and their school,” she said.
“Running a school tuckshop is no small undertaking. There is an enormous amount of
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Rosewood Bottle Shop (behind Drakes) And Walloon Hotel
PLENTY MORE INSTORE Moreton Border News | Thursday, 12 November, 2026
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NEWS
The Blackstone Cambrian Youth Choir in 2024.
Expert writes our musical history ONE hundred early years of musical creativity in our region are celebrated in a new book by author Peter Roennfeldt. From 1855 when Rev. John Mosely arrived as priest of St Paul’s Anglican Church in Ipswich, the book looks at local musical innovators right through to the time of generational turnover that was 1955. Titled ‘Notable Musicians of Early Ipswich’ the work looks at 37 musicians active within this period. Among our earliest musical leaders were newly arrived migrants with fascinating backgrounds. Others were born and trained locally. Some went on to make a wider impact throughout Australia and overseas. The author has chosen to focus on those linked to one or more local organisations – choirs, bands, orchestras or the major churches, or through a teaching studio. The book is divided into four periods – the early colonial years to 1880, the decades leading to federation in 1901, the early twentieth century to 1930 and the mid-century decades. There are 65 illustrations and a timeline which brings together key local musical events. Mr Roennfeldt believes his is the first comprehensive study of music in Ipswich during the region’s formative years. Having settled with his family in Ipswich in 1967, Mr Roennfeldt went to Ipswich West State School and Bremer State High. He was involved with Gilbert and Sullivan productions at Bremer SHS, which they performed in the Wintergarden Theatre. His first eisteddfod appearances were at the Cambrian Hall in South Street, the old Town Hall and St Mary’s Catholic Hall. He sang with the Cambrian Choir, including in Handel’s ‘Messiah’ at the newly opened Civic Centre in 1975. Mr Roennfeldt deputised as organist at St Paul’s Anglican Church and at St John’s where he conducted the choir until he left for postgraduate studies interstate in early 1979.
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Over the years he has adjudicated at the Ipswich Junior Eisteddfod, and taught for more than 30 years at the Queensland Conservatorium, where he served as Director for seven years to 2009. Asked about his book and the inspiration behind it, Mr Roennfeldt spoke of his early mentors, including a music teacher from the 70s, Mrs Nancy Jones, and stories they had related. “Almost from my first years of lessons with Mrs Jones I was hearing her stories about the ‘old days’,” he said. “Her teacher Mrs Ponti who had a fascinating European background, the days of the silent movies as Miss White she led the theatre orchestra for live soundtracks. “I was not then aware that St Paul’s had the oldest pipe organ installed in any church in Queensland, but there was a sense of heritage every time I went there. At primary school I also encountered Miss Lyla McGuire who gave us singing and music classes and conducted the school choirs for the annual eisteddfod. Singing with the Cambrian Choir I was also aware of its long and distinguished tradition. “So I had an inkling there were many stories of interesting local musicians to be told. I had already written seven books, mostly on Queensland’s musical history and focusing on organisations, cultural venues and key people. “Having written several biographies, I felt this would be the most efficient way to cover a long period of history, by just focusing on the individuals, from which many other connections and themes would arise. “ Mr Roennfeldt will be launching his book on Saturday 5 December 2026 at 11am12pm in St Paul’s Anglican Church, Brisbane Street. Admission is free, but confirmation of attendance would be appreciated, to info@peterroennfeldt.com A discount price applies to sales at the book launch, otherwise books may be ordered online from InHouse Bookstore: https://inhousebookstore.com.au
Author Peter Roennfeldt with his book
Thursday, 12 November, 2026 | Moreton Border News
NEWS
Ladies Barrel Race. Jordyn O’Toole.
Women’s Breakaway Roping. Rebecca Leeson.
Steer Wrestling, Dave Mawhinney, grabs the steer.
Rodeo brings cowboy skill to Lowood By JESSE HAMILTON THE Lowood Rodeo brought a day of action to the Showgrounds on Saturday, 7 November, with competitors testing their skills in events including steer wrestling and rope and tie. Lowood Show Society secretary Janeen Schulz said the event attracted more competitors than last year, with strong participation across several sections. “We had slightly more numbers than last year’s rodeo, with very good numbers in a lot of the events,” she said. The program featured more than 15 competition categories, ranging from bull riding, saddle bronc and bareback to team roping, barrel racing and breakaway roping. Novice and junior events were also included. The rodeo forms part of the National Rodeo Association’s 2026 competition season, with eligible competitors earning points towards qualification for the national finals. Ms Schulz said the rodeo was the Lowood Show Society’s major fundraiser, with proceeds helping maintain and improve the Lowood Showgrounds. “It’s mostly all upgrades and running the next event for next year,” she said. “This is our major fundraiser, so anything that we can do to help rebuild the showgrounds and beautify the buildings, that’s what a lot of it goes towards.” Official results for the 2026 Lowood Rodeo were not yet available at the time of publication. They will be published on the National Rodeo Association website at www.nationalrodeoassociation.com.au, under the Rodeo Results section. (Lyle Radford)
Team Roping event Jordyn O’Toole
Team Roping event Jordyn O’Toole and Rhys O’Toole in action.
Moreton Border News | Thursday, 12 November, 2026
U15 Mini Bull Ride, Aydan Welsh.
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RURAL
Drakes in MLA goat meat campaign MEAT & Livestock Australia (MLA) has partnered with Drakes Supermarkets to increase the availability and consumption of Australian goat meat in the market through the launch of a new domestic marketing campaign. Launched to align with the Diwali celebrations, the campaign will target shoppers across Queensland and South Australia by showcasing the versatility of Australian goat meat, encouraging existing consumers to purchase more frequently and introducing the protein to new audiences. The “Looks good. Tastes GOAT” campaign will bring goat meat to life through in-store promotions, catalogue advertising, on-pack stickers, digital content and recipes designed to inspire shoppers to cook goat meat at home. The campaign comes as Australia’s goat industry continues to expand, with a record 4.05 million goats processed in 2025, an increase of 18% on the previous year. MLA Chief Marketing and Communications Officer Nathan Low said the campaign represented an important step in building consumer awareness and creating new demand opportunities for Australian goat producers. “Australia has a thriving goat industry with strong demand from international markets, but there is an opportunity to encourage more Australians to discover and enjoy goat meat,” Mr Low said. “Goat meat is already an important part of many Australian households and cultural cel-
Meat & Livestock Australia (MLA) has partnered with Drakes Supermarkets to increase the availability and consumption of Australian goat meat.
ebrations, and this campaign is about building on that existing demand while inspiring new consumers to give it a go.” Mr Low said by partnering with a major retailer like Drakes, they are making goatmeat more visible and providing shoppers with the inspiration and confidence to prepare it at home. “Making goat meat easier to find, purchase and prepare is an important part of encouraging trial and ultimately building more consistent domestic demand,” he said.
Goetsch & Sons Auctioneers Kalbar Cattle Sale SATURDAY 21st November Kalbar Showground Yards 12 noon start Please contact William for bookings Combination Clearing Sale A/C JH Joyce & L Brown SUNDAY 22nd November 9am Start 1656 Boonah Rathdowney Road Coochin Via Boonah Valtra 6350 tractor with frontend loader, Fiat 600 tractor, Fiat 666 tractor, slashers, Duncan T760 Till-Seeder, Duncan round bale loader & unroller, Hardi boom spray, Napier offset, diamond harrows, 3pl blade, 3pl forks, power harrow, Round bale unroller, steel roller, NH 471 bale loader, fert spreader, post hole digger, mulcher, Connor Shea 14 run planter, Howard chisel plough, 3pl jib, workshop equip, hand & power tools, pumps, motors, irrigation pipes, Nissan ute, Isuzu truck, farm items, Toro zero turn mower, gardening equip, hardware, box trailer, antiques, collectables, household items and much more Full list & photo’s on website
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Despite strong international demand, domestic consumption remains relatively limited, with approximately 15% of Australian goat meat production estimated to be utilised domestically, highlighting an opportunity to grow the local market. The campaign will feature two cuts of goat meat, including goat leg for roasting and bone-in goat pieces suited to curries and slowcooked dishes. Shoppers will have access to recipes showcasing traditional and contemporary cooking styles.
Drakes Supermarkets’ National Meat Buyer Jason Smith said inspiring shoppers with interesting dinner choices helps boost consumer demand. “At Drakes Supermarkets, we’re always looking to inspire our customers with exciting choices ,” Mr Smith said. “We’re proud to highlight Australian goat legs and bone-in cubed products that meet growing consumer demand, celebrates the diverse communities we serve, and supports the growth of the Australian goat industry through greater consumer choice.”
National Ag Day photo comp BUDDING photographers and videographers across the Fassifern district are being encouraged to capture the beauty of rural life as the National Agriculture Day Photo and Video Competition returns for 2026. The annual competition, organised by the National Farmers’ Federation (NFF), is offering $5000 in prizes, with a new People’s Choice award and dedicated video category introduced this year. NFF President Hamish McIntyre said the competition provided an opportunity to celebrate the people and industries responsible for feeding and clothing Australia. “Ag Day is about loudly celebrating our farmers, and what better way to do that than with a people’s choice category,” Mr McIntyre said. “Our farmers work incredibly hard, but it’s work that’s largely done out of the public eye.” This year’s National Agriculture Day theme is Our Farmers, Our Future, although entries can showcase any aspect of rural life. From livestock and cropping to machinery, landscapes and everyday farming activities, the competition offers plenty of inspiration for Scenic Rim residents. The winning photograph will receive $2000, while the best video will attract $1000. Three photographic runners-up will each receive $500, with another $500 awarded to the People’s Choice winner. Mr McIntyre said last year’s competition attracted more than 650 entries, with organisers hoping to exceed that number in 2026.
Last year’s first place winner, Sleeping on Cloud 9, by Kiana Waters.
Runners-up, We Grow Together, by Arlie Becker.
Entries close at 5pm AEDT on Friday, 20 November, coinciding with National Agriculture Day. Photographers and videographers can submit their entries through the National Agriculture Day website.
Thursday, 12 November, 2026 | Moreton Border News
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Moreton Border News | Thursday, 12 November, 2026
11
NEWS
Part of the giant artwork.
Part of one of the silos nears completion.
Spectators view Forest Hill artistry By MORGANNE KOPITTKE GIANT murals being painted on the GrainCorp silos at Forest Hill may not yet be complete, but the project is generating quite the buzz around town. South East Queensland-based muralists Jordan Bruce and Joel Fergie, the artists who are transforming the silos in a project announced by the Lockyer Valley Regional Council in September, drew quite a crowd of spectators last week. More than 50 people turned out on Friday, 6 November, to watch the artists at work, with one of them perched 50 feet above the ground on a cherry picker. The mural is expected to be completed by mid-November, weather permitting, and works on the corresponding viewing precinct are also timed for mid-November completion. The Forest Hill Silos Precinct and Mural Art Project is jointly funded by the Australian and Queensland Governments and Lockyer Valley Regional Council as part of the SEQ Liveability Fund under the SEQ City Deal. The project received $1.85 million in combined Australian and Queensland Government funding through the Fund. Jordan Bruce of the ‘Brightsiders’ and Joel Fergie ‘The Zookeeper’ are recognised nationally for delivering large-scale public artworks. Joel said it was thanks to that experience they’ve come to understand the significance these works hold – both for the people and places they represent. “We’ve spent the last decade working in remote and regional communities across Australia, telling stories of identity and giving people a better connection to the place they call home,” he said. “To see your work displayed at this level - at an amazing location and on such a grand scale is a huge career highlight.” Joel said they feel incredibly honoured to be entrusted with telling part of Forest Hill’s story and creating something that will become a lasting part of the town’s landscape. He said the duo were aware of the themes the community wanted depicted in the artwork.
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Painting the silos at Forest Hill
A mural takes shape on the silos.
“Council’s design brief included the results of previous community consultation, which we initially worked from,” Joel said. “We certainly floated around town to get a
The outline of things to come.
sense of who the people were and what might fit into the landscape. “We feel a real responsibility when taking on something of this scale, and we’re looking for-
ward to spending the coming weeks in Forest Hill, getting to know the community further and bringing the artwork on the GrainCorp Silos at Forest Hill to life.”
Thursday, 12 November, 2026 | Moreton Border News
RAMBLINGS
An alphabet of neurological medicine By LARA HART I am beginning to think the human race is being divided into categories, and somewhere along the way somebody has misplaced the instruction manual. These days we have the neurodivergent and the neurotypical, which, quite frankly, sounds like the title of a science fiction movie. And don’t get me started on the acronyms. ADHD, ASD, OCD, ODD and goodness knows what else. There are so many letters being thrown around that I am surprised the alphabet hasn’t applied for stress leave. Every second person seems to have ADHD, or at least suspects they might, and social media has become something of an amateur diagnostic clinic. Now, before anyone gets their knickers in a knot, I am not suggesting these conditions aren’t real. They absolutely are, and for many people receiving a diagnosis is life-changing. It can also finally explain why they’ve struggled with things other people seem to manage effortlessly. But I wonder how many people have spent their entire lives being a little different without ever knowing there was a name for it. I was in primary school during the 1970s and 80s when a child who couldn’t sit still was described as having ‘ants in their pants’. A boy in my class named Steven had a desk at the back of the classroom beside a window. He decorated his humble little patch of school-day participation with pictures torn from surfing magazines. I distinctly remember our teacher explaining that Steven liked his space that way and that it helped him work. And that was that, there was no fuss, lengthy explanations or suggestions the rest of us should be entitled to decorate our desks as well. Steven was Steven, and I wouldn’t be surprised if he met the criteria for ADHD, although that’s something only a proper assessment could establish. Our teacher, who was clearly ahead of her time, recognised that giving him a space where he felt comfortable helped him learn. Fast-forward to today, and I recently found myself scrolling through one of those social media pages devoted to ADHD and autism. You know the ones, they list a collection of behaviours, and before you know it, you’re sitting there thinking, “Good grief, that’s me!” Apparently, some common ADHD traits include being easily distracted, forgetting why you’ve walked into a room, constantly misplacing things, starting several jobs without finishing any of them, struggling to organise yourself, procrastinating until a deadline is breathing down your neck, talking excessively, interrupting conversations and having a brain that seems to be running 47 different thoughts simultaneously. There’s also something called hyperfocus, where you can become so absorbed in something interesting that the rest of the world
Hello, teacher? I think Lara has ADHD
might as well cease to exist. Well, strike me pink, I could tick quite a few of those boxes. I have walked into rooms and forgotten why I was there so often that I sometimes wonder whether the doorway is wiping my memory. I can start cleaning the kitchen, discover something that belongs in the bedroom, take it there, notice the washing needs folding, start doing that and somehow end up outside pulling weeds. Two hours later, the kitchen is still a mess, the washing is half-folded and I’ve got dirt under my fingernails. I mentioned to my aunt that I thought I might have ADHD. Now, my aunt is an incredibly blunt woman. She doesn’t sugar-coat anything, and if you didn’t know her, you could be forgiven for thinking she disliked you intensely. But that’s just her way. She asked me what made me think I had ADHD and I began rattling off the list. She listened, then, in that wonderfully blunt way of hers, delivered her assessment. “Sounds like being human to me.” And there it was, years of psychological research, diagnostic criteria and social media education apparently dismissed in six words. I laughed, because there was something wonderfully familiar about her response. Of course, having a few traits doesn’t necessarily mean someone has ADHD.
Moreton Border News | Thursday, 12 November, 2026
The difference often lies in how persistent those behaviours are, when they began and how much they affect everyday life. And perhaps that’s the important part of this whole conversation. A diagnosis can provide answers, understanding and support, while for others it changes everything. But surely we also need to remember that human beings have always been wonderfully varied, complicated, eccentric creatures. Some people are quiet, some are loud, some are organised and some couldn’t organise a two-car funeral. Some thrive in a perfectly ordered environment, while others work best surrounded by what appears to be the aftermath of a small explosion. Perhaps the world needs a little more of what my teacher understood all those years ago. Rather than worrying about what category somebody belongs in, work out what helps them be their best. And if that happens to involve a desk covered in surfing pictures, so be it. As for me, I may or may not have ADHD, but I do know one thing. I started writing this column, stopped to make a cup of tea, put on a load of washing, searched for my glasses and discovered three unfinished jobs I’d completely forgotten about. The tea is cold, the washing is still in the machine and my glasses were on my head ... make of that what you will.
13
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Thursday, 12 November, 2026 | Moreton Border News
NEWS
Plant fever: temperatures are rising THE Ipswich Plant and Lifestyle Fair returned over the weekend, offering something for everyone passionate about creating a more balanced, beautiful, and sustainable life. Crowds flocked to the two-day biannual event at the Nicholas St precinct, celebrating green living, wellness, home design, and community. An array of plant vendors showed all the options in plants and garden essentials, and in the crowd, the hunt was on for unique garden designs and accessories. For others, it was all about healthy food, natural wellness or unique homeware. Warmer conditions didn’t deter locals from the event, with plenty of food and drink offerings available. As a day out, the fair had something for everybody, and in the crowd, people of all ages found something to smile about.
Shade was at a premium at the fair in Tulmur Place, Ipswich
The 2026 Ipswich Plant & Lifestyle fair
Denise Mitchell from the popular ‘Have a Chat’ plants & upcycling tent.
Darren Jones with one of the very rare Cydads on display at the Fair. (Lyle Radford)
Green thumbs had plenty to quell the gardening itch just browsing at the fair.
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LOCKYER Valley Regional Council has welcomed 50 new Australian citizens at a special citizenship ceremony held in Laidley, marking an important milestone for local residents and their families. The ceremony brought together people from a diverse range of backgrounds who proudly pledged their commitment to Australia and officially became Australian citizens. Lockyer Valley Regional Council Mayor Tanya Milligan said the ceremony at the Laidley Cultural Centre was a celebration of belonging, diversity and community connection. “Becoming an Australian citizen is a significant and memorable milestone, and it was a privilege to welcome these new citizens to our community,” Mayor Milligan said. “Citizenship ceremonies are some of the most rewarding events Council is privileged to host because they celebrate people, families and the communities they have chosen to call home.
“Each person has their own unique story, and together those stories help make our community richer, stronger and more vibrant. “The Lockyer Valley is known for its strong sense of community and neighbourly spirit, and we’re delighted to welcome these new Australians who have chosen to make this region their home.” Mayor Milligan said becoming an Australian citizen was about belonging and building connections. “For many people, this day represents the culmination of years of hard work, commitment and hope for the future,” she said. “It’s a chance to celebrate not only becoming Australian citizens but also becoming an even greater part of the community around them.” The ceremony was conducted on behalf of the Australian Government and included the presentation of citizenship certificates to the new Australians.
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15
PROPERTY NEWS
Space and versatility in Rosewood A two-storey brick home offering large living spaces and a fully usable allotment in central Rosewood has sold for $850,000. Set on a 971sqm block in Edward Street, the three-bedroom residence combines traditional features with extensive entertaining areas, a separate workshop and plenty of outdoor space. The rendered brick home features polished timber floors upstairs, where the main living areas include a lounge, dining area and solid oak kitchen with granite benchtops and a dishwasher. The dining area has cork flooring, while all three bedrooms have built-in wardrobes. The family bathroom includes a free standing bath, and a front balcony and rear porch provide additional places to relax. Downstairs, a large air-conditioned rumpus room offers a separate living area, complemented by a laundry, second toilet, storage space and internal access to the double garage. A substantial covered outdoor entertaining area extends from the lower level, providing a sheltered space for family gatherings. The property’s level 971sqm allotment also accommodates a powered two-car shed and workshop, garden shed and chook pen, with side access and plenty of open yard space. Other features include security screens and doors, solar panels and an inverter, along with a recent electrical wiring upgrade. The property last sold in 2018 for $359,000.
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Thursday, 12 November, 2026 | Moreton Border News
SPORT
Council defends its role as V8s exit IPSWICH City Council has defended its attempts to entice the V8 Supercars competition to remain in Ipswich after it was announced last week that the Ipswich 440 would be removed from the 2027 calendar. While Queensland Raceway owner Tony Quinn had previously been critical of council’s funding for the event, he acknowledged their efforts over the last few weeks as the event hung in the balance. Mayor Teresa Harding said council did its best to ensure the Ipswich 440 was a success over the last two years, breaking down just how impactful its absence will be. “It is disappointing to hear the Ipswich Super 440 will not be returning to Queensland Raceway at Willowbank, Ipswich, for 2027,” Mayor Harding said. “Ipswich is a sports-mad city and people here love their motorsport. “A lot of hard work had gone in to getting the Supercars back to Queensland Raceway for the 2025 and 2026 seasons after a five-year hiatus. “Supercars’ return to Ipswich was a success with approximately 50,000 visits over the three days, drawing attendees from near and far to see Mustangs and Camaros tear around the ‘Paperclip’ in a significant boost for our $460 million tourism industry, and the local economy more broadly. “About 20 per cent of patrons come from interstate, 17 per cent from regional Queensland, with 1 per cent travelling from overseas. “Ipswich City Council played its part, providing fans with the chance to meet their heroes with all 27 drivers appearing at the free Supercars Fanfare event in Nicholas Street Precinct in Ipswich Central on the eve of the race weekend in August.
Plenty of motorsport lovers turned out to the fan day this year. (Lyle Radford: 573384)
“The Supercars Fanfare was a family-friendly event bringing the excitement of the race beyond Queensland Raceway, with almost 3,000 people attending Tulmur Place, and we will be sad to see that go too. “Council also supported the 2026 event with up to $50,000 in funding and an extensive event impact report. “While a full event impact report was not undertaken for the 2025 event, a post-event survey indicated that the event delivered around $7.29 million economic benefit to Ip-
Supercars will not return to Ipswich in 2027.
swich. “Hopefully this is not the end of Supercars at Queensland Raceway. We remain open to
working closely with all stakeholders in a bid to bring the cars and drivers back as soon as possible,” she said.
Quinn blasts Supercars for using and abusing Ipswich 440 By CLANCY NUGENT QUEENSLAND Raceway owner Tony Quinn has blasted Supercars, accusing them of having “used and abused South East Queensland” motorsport fans following its handling of the 2027 calendar, with the decision now made to drop the Ipswich 440 from the schedule. Quinn said he believes Supercars had been stringing him and his team along, claiming the call to axe Ipswich had likely been made months ago. He also lamented that it will be the dedicated motorsport fans of Ipswich and South East Queensland who suffer most from the omission. “They’d made that decision months ago, and they were just playing the game,” Quinn said. “I think they handled it quite poorly. “I’m not worried for Queensland Raceway, we’ll be fine... I feel more for the fans in South East Queensland who have been shafted. “I’ve spent well over $10 million developing the site, in fact, probably double that, in preparation to make the venue super-duper for them. “So I’ve done my bit, and the fans did their bit by all coming to the rounds and making
Queensland Raceway owner Tony Quinn is disappointed for local motorsport fans.
The Ipswich 440 will not be returning in 2027.
(the Ipswich 440) a successful event.
else or somebody else,” Quinn said.
“The racing was good. The teams did a good job. The drivers did a good job. It’s just that the race business has chosen not to come back.
It is a bitter blow for the local Ipswich economy, which relies on the Ipswich 440 as one of its major annual tourism-driven events.
“They (Supercars) kept blaming something
While Quinn has been critical of govern-
Moreton Border News | Thursday, 12 November, 2026
ment support throughout his tenure as circuit owner, he said the responsibility for this outcome falls squarely on the shoulders of Supercars. “I’m not putting any blame on the council; I think they did their bit... They realised that they had to step up, and they did,” Quinn said. “They’ve (Supercars) used and abused South East Queensland. They’ve forgotten the heartland of the sport, and they’ve dismissed it,” he said. The official calendar is set to be released tomorrow.
17
SPORT
Lions enlisting rugby league women By MORGANNE KOPITTKE THE Laidley Lions JRLC are seeking expressions of interest from girls who would like to play rugby league with the club in 2027. To date, 10 girls have completed the club’s expression of interest survey. The Laidley Lions is aiming for around 17 to 19 players in each age group to help cover injuries, illness and other commitments throughout the season. Club President Trent Nibbs said they would love to hear from girls who already play, those who have been away from the game and anyone keen to give rugby league a go for the first time. “We currently don’t have any girls-only teams, although we have had them in the past, and it is an area where we would really love to grow the club,” he said. Mr Nibbs said their goal is to field at least one girls-only team in 2027. “If we have enough interest to form more teams, we would absolutely welcome them all into the Lions Den,” he said. “We want to give girls a team where they feel welcome, build friendships and develop their skills, with a pathway to keep playing as they get older.” The Laidley Lions are also working with the Ipswich Jets to provide development opportunities for its players and coaches, through training sessions in Laidley and at the Jets’ home grounds. Developing their coaches is a big part of that, because they want their players to have good support and guidance as they learn the game. “We see girls enjoying their rugby league alongside the boys through the younger age groups, but when they reach the point of needing a girls-only team, there isn’t always a local option for them to continue,” Mr Nibbs said. “That is a challenge for clubs, and we don’t want girls to stop playing a game they love simply because there isn’t a team available nearby.” Mr Nibbs said they know cost can be a barrier for families. “To help reduce that, Laidley will waive the club registration fee for all international aged girls playing with us in
The Laidley Lions JRLC’s goal is to field at least one girls-only team in 2027.
2027. The applicable QRL insurance and administration levy will still be payable,” he said. The club also supports representative opportunities for both boys and girls. Alongside players, the club is looking for people interested in coaching, managing a team, or helping in First Aid Officer and League Safe roles if they have enough interest to form teams. “My message to local girls and their families is to put your hand up and let us know you’re interested. You don’t need to have played before,” Mr Nibbs said. “The more girls we hear from, the better chance we have of getting teams on the field and building something that continues for years to come.”
The Laidley Lions JRLC are seeking expressions of interest from girls who would like to play rugby league with the club in 2027.
Fishing clubs on the list for a share of $100,000 in funding FISHING clubs and community organisations are being encouraged to cast their lines for a share of $100,000 in Queensland Government funding. Applications are now open for the latest round of community fishing grants, with eligible groups able to secure up to $5000 to support projects benefiting local waterways and fishing communities. The grants aim to encourage recreational and traditional fishing, improve fish habitats and support education, monitoring and research. Projects could include children’s fishing clinics, school education programs, fish tagging, riverbank revegetation and initiatives aimed at improving fish passage.
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The funding could provide opportunities for local fishing clubs, environmental groups and community organisations to develop projects along the region’s rivers, creeks and waterways. In the previous funding round, more than $200,000 was invested in 23 projects across Queensland, supporting activities ranging from social inclusion fishing programs to habitat restoration. Fisheries Queensland Executive Director Eddie Jebreen said the grants offered communities an opportunity to make a difference. “Whether it’s getting kids out on the water for their first fishing experience, restoring fish habitat or sharing traditional fishing knowledge, we want to hear from Queenslanders with an idea that will benefit their local fishing community,”
Mr Jebreen said. “You don’t need to have a million-dollar idea, these grants are about supporting practical projects that can make a difference at a local level.” Applications close on 9 December. Community groups interested in applying can find eligibility requirements and application details at www.dpi.qld.gov.au/initiatives/ community-fishing-grants.
The funding could provide opportunities for local fishing clubs, environmental groups and community organisations to develop projects along the region’s rivers, creeks and waterways. (Supplied)
Thursday, 12 November, 2026 | Moreton Border News
SPORT
Ipswich Showgrounds hosts rodeo THE Circle L Australia 2026 National Finals Rodeo will return to the Ipswich Showgrounds on Friday 20 and Saturday 21 November with the National Rodeo Association welcoming some of Australia’s best. Competitors will go head-to-head across three intense rounds for coveted national championship titles. From the adrenaline-fuelled action of bull riding and barrel racing to steer wrestling, rope & tie and breakaway roping, spectators can expect two action packed days showcasing the very best of Australian rodeo. The National Finals Rodeo is set to build on the momentum created in 2025, bringing together elite competitors, passionate fans and country music entertainment for a celebration of Australian heritage, community spirit and country culture. The event also delivers significant tourism and economic benefits to Ipswich and the surrounding regions. Ipswich Show Society President Darren Zanow said the overwhelming success of last year’s event made the return of the National Finals Rodeo an exciting prospect for the city.
“Last year’s National Finals Rodeo was an incredible success, and we’re thrilled to be welcoming the event back to Ipswich for another two huge days,” Mr Zanow said. “The response from competitors, spectators and the wider community was fantastic. It demonstrated just how much appetite there is for an event of this calibre, and we’re proud to once again host one of the most anticipated events on the Australian rodeo calendar. “Events like the National Finals Rodeo are about so much more than what happens in the arena. They bring people into our city, support local businesses and accommodation providers, and create opportunities to showcase everything Ipswich has to offer to visitors from across the country. “There’s something special about bringing the country spirit into the city, and after seeing the atmosphere and excitement last year, we’re looking forward to making 2026 even bigger and better. We can’t wait to welcome competitors, fans and families back to Ipswich Showgrounds for another unforgettable National Finals Rodeo.”
Local competitor Jay Green from Rosewood (on horse) with Ipswich Show Society President Darren Zanow. (Ipswich Show Society – Talitha Rice)
Lola is ready to enjoy a big weekend of Rodeo action.
Connections post of sorrow at the racing death of Maurita By PETER FOLEY THE owners and trainer of Maurita, affectionately known as Rita, have said a heartfelt goodbye to their beautiful girl after she was involved in a three-horse fall at Ipswich. Rita was trained at Beaudesert by Ruby Chatterton, who was also one of her owners. The six-year-old mare was competing in race four last Thursday. Maurita fell near the 400m mark after becoming involved in the incident, dislodging her rider, Mark Du Plessis. He was taken to hospital with a badly broken leg. Interro also fell near the 400m mark, dislodging her rider, Jace McMurray. He was taken to hospital with fractured ribs and a
punctured lung. Jockey Boris Thornton escaped serious injury when his mount, Flop Shot, also fell. Flop Shot and Interro avoided major injuries. Maurita sustained a broken shoulder. In a poignant Facebook tribute, Ruby said nothing could be done to save her. “Our hearts are absolutely shattered,” Ruby said. “Rita was such a beautiful horse and an absolute stable favourite. She had the happiest little personality and so many quirks that made us smile every single day. “To all of Rita’s beautiful owners who are hurting just as much as we are, we are so incredibly sorry for your loss.
Moreton Border News | Thursday, 12 November, 2026
“But we will forever be grateful for the time we had with her and all the little memories she leaves behind. “Run free, our beautiful Rita.” Ruby also sent Mark best wishes for a full and speedy recovery. Before Thursday’s fall, Mark had planned to return to New Zealand to ride at Te Rapa last Saturday. It would have been his first time riding in New Zealand in eight years. In July 2025, Mark suffered three fractured vertebrae and a broken rib in a four-horse fall at Ipswich. One of the horses, Fast Fun, had to be euthanased.
The wonderful tribute to Rita on Ruby Chatterton’s Facebook page. (Ruby Chatterton)
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SPORT
Nick dismounts and finds a new way By PETER FOLEY PERSEVERANCE is a prerequisite for people working with horses and jockey-turned-trainer Nick Keal has it in spades. Racing is in his blood, so he keeps finding a way forward. Nick was a rising star as an apprentice when a series of injuries derailed his progress. “I was in a very good purple patch and everything was going right - what could go right, would go right - and then I had a fall at the trials,” Nick recalled. “I was lucky enough when I came back; I think I rode six out of the first seven. “And then I got on the back of the right horses in town and I was going through my grades - until life happened. “I did my collarbone and then came back one day and did it again, so I was out for nearly 12 months.“I got going again, but it was never the same. It was always a struggle.” The long lay-off made it harder to manage his weight. “After having a year off with my shoulder, and then all the setbacks with the suspensions, it never got easier to get the weight back off,” he said. In December 2019, he was suspended for a month after pleading guilty to intentionally steering his horse into Les Tilley’s mount while pulling up after a race at Doomben. It was, he said, a “brain snap.” Looking back, he wishes he had recognised sooner that racing could offer him a career beyond the saddle. “I guess if I knew I would be going this well as a trainer, I probably wouldn’t have pushed myself so hard to ride,” he said. “You live and learn, don’t you.” He didn’t want to stop riding, but the physical and mental toll had become too great. “Actually, I left the industry completely. I walked away from it for probably a year - a year and a half,” he said. “I was upset about getting the opportunities I did, and I couldn’t fulfil them.” Nick ran a lawnmowing business during his time away, but racing drew him back. “Once you’re in it, you’re in it and there’s no getting out of it. It’s in your blood,” he said. Before accepting he could no longer keep riding, Nick made one last attempt to return to the saddle. “I only had about 50 rides back, and then it was too hard for me again, so then I turned the tables, and I started training.” His last race ride came in January, 2023 at Warwick. He retired with 144 winners. Bob Davis gave Nick his first horse to train, while his former master, Kevin Kemp, provided a box to house it. “I’ve got 20 in work at the moment. I wouldn’t mind having a little bit more. The problem at the moment is there’s no boxes left in Toowoomba. “And now my apprentice Kelsey Lenton had a race fall and broke a collarbone.” Kelsey, Nick’s partner before she became his
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Irama (centre), with jockey Ben Thompson giving him a peach of a ride, races clear of his rivals before winning the Barrier Reef Pools Class 5 Handicap (1200m). (Trackside Photography)
apprentice, had surgery in Brisbane last Friday. Since his first winner in July 2024, Nick has added another 55. Now he wants to build on that start. “I just need that one owner to give me a bit of trust. Instead of sending them to Tony Gollan or Jack Bruce or someone like that, send them to me,” he said. Irama gave prospective owners a glimpse of what Nick can do with a promising win last Thursday at Ipswich. The son of I Am Invincible didn’t reach expectations with Chris Waller before passing through the stables of Stuart Kendrick, Mark Currie and Billy Healy. Irama won three races before joining Nick’s stable in May. Since then, he has won three of his seven starts. Drawn the outside barrier for the Barrier Reef Pools Class 5 Handicap (1200m), Irama needed a good ride. Ben Thompson gave him one. “From that gate, we didn’t really know where we’d end up, so we just left it to Ben Thompson, and he delivered a peach,” he said. “Ben gave him a dig out of the gates and he ended up getting the run of the race and the horse delivered at the end. He pulled away from them on the line.”
Nick Keal had some highs and lows as a jockey
Thursday, 12 November, 2026 | Moreton Border News