SRQ Magazine | Home and Design, Winter/Spring February 2024

H&D SRQ HOME AND DESIGN

F ROM T H E ED ITO RS OF SRQ M AGA ZIN E | W INT E R /S P R I N G 2024

DESIGN UNFOLDED THE ORIGAMI HOUSE TUCKS INTO THE WILDERNESS OF MYAKKA TO CREATE MAGICAL SPACE

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H & D

CONTENTS

WINTER 2024

Home design stories, inspiration and thoughtful architecture on the West Coast of Florida—from Anna Maria Island and Lakewood Ranch to Sarasota, Venice and the Barrier Islands.

12 TOUCH OF DRAMA Adding pops of such a highly contrasting shade can be a great way to ground a space while adding an exciting and dramatic flair.

12 GOING GREEN Sarasota homeowners are striving to design their homes to mimic nature, specifically the nature found here in the Sunshine State.

WHEN YO METTI’S P architectur diately ob forward-th the past. I Blumetti w tectural pra modern ho

14 PERSONAL TOUCHES Floridians are making their outside spaces– no matter how large or small they may be– more comfortable and homey than ever. State-of-theart outdoor kitchens, complete with hooded grills, sprawling counter space and massive islands are increasingly popular.

16 DESIGN, UNFOLDED “Betsy wanted me to be creative on the overall style and design of the house,” says Mark Sultana of DSDG Architects. “I came up with this wild idea to do a plan that had kind of a fan shape in the floor plan. Then we took that to the next level by taking that fan shape and flaring up the roof lines and creating different volumes and proportions inside of the house. The project got the name Origami House because it sort of took on the form of how paper origami can be folded and shaped to create different shapes. We challenged the design in the same manner to create the house that we did.”

22 RESILIENT DESIGN “The owners were a couple who had moved here from Naples,” architect Jerry Sparkman recalls. “They were both interesting people – artistic, creative – who had found this old house, and they wanted to explore how they could add to it and change it while still preserving its essence.”

The house in question was a 1950s ranch-style home on scenic Phillippi Creek.

COVER DSDG Architect’s Origami Home by Myakka State Park, photography by Ryan Gamma. THIS PAGE Images courtesy of Florida Design Works.

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Compiled and written by Emma Dannenfelser.

TOUCH OF DRAMA

Home design trendsetters share a collection of the brightest trends to revamp and refresh Gulf Coast homes this Winter.

Pops of Black At Trade Mark Interiors, using black to pack a punch is not something to shy away from. Adding pops of such a highly contrasting shade can be a great way to ground a space while adding an exciting and dramatic flair. Adding black in a room can create gravity, instantly drawing a guest’s eye to a spectacular feature within the home that may have gone unnoticed before. “We get to create some big ‘wows’ in our designs by using black. It’s a trend that we’re going to see well into 2024 and it’s something that I’ve always said for years that every room needs a touch of black because that touch of black is gravity in the room,” says Tracee Murphy of Trademark Interiors. Another returning trend is arches. Arches are architectural features that are truly timeless, no matter what form they are found in, whether that be mirrors, windows or doorways. Historically, arches have been used in some of the most popular architectural styles, making them a classic feature that will be found in homes for years to come. Doorways are the most obvious way to incorporate arches into a dream home design, but subtle ways such as inset walls or hallways can also be a beautiful addition to any home makeover. Trade Mark

WINTER/ SPRING TRENDS

Interiors, 3232 S Tamiami Trail, Sarasota, 941-879-9494, trademarkinteriordesign.com

TRADE MARK INTERIORS

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Compiled and written by Emma Dannenfelser.

Back to Nature At Pier 22 Home Decor & Furnishings, creating an organic look is one of the most apparent trends. Taking inspiration from nature and incorporating it into all aspects of home design will give any home a comforting and effortless look for years to come and one way to achieve this is by bringing greenery into the home, which is not only pleasing to the eye, but can also promote creativity, relieve stress and purify air within the home. Another way to create this aesthetic is by using textures that mimic nature on rugs or pillows. Lastly, the color palette within a home is a simple way to exude the peaceful hues found in nature. Warm browns, soft greens and muted earth tones are a great place to start. Finally, the use of coastal colors and oceanic inspired decorations will never go out of style, but it is moving away from the beloved bright colors and cartoon fish motifs that many are familiar with. “Everybody wants to bring a little bit of that coastal feeling into their home,” says Heather Yates, co-owner of Pier 22 Home Decor. The “California Coastal” look starts with a clean palette based on whites or creams and is supplemented with ocean hues such as navy, or another sea-inspired shade, on pillows or rugs that will create a timeless coastal ambience, but in a new, subtle way. Pier 22 Home Decor & Furnishings, 201 Nokomis Ave, Venice, 941-480-0452, pier22homedecor.com.

WINTER/ SPRING TRENDS

GOING GREEN

Coastal Chic Sarasota homeowners are striving to design their homes to mimic nature, specifically the nature found here in the Sunshine State. Using natural materials, such as cotton and linen, they can emulate the sugary sand that every Floridan knows and loves. Following the trend of mimicking the coastal region in design, homeowners have been gravitating toward molten glass on wood pieces, not only emulating the coast with its color and driftwood base, but also because each piece is totally unique. Shiplap frames are also a simple way to incorporate coastal elements into the home, says Rene Perry of Breakwater Home Fashions.

Breakwater Home Fashions, 19795 Wellen Park Blvd, Venice, 941-584-5234, breakwaterfl.com. Above: Benjamin Moore Cozy Neutral palette.

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Compiled and written by Emma Dannenfelser.

PERSONAL TOUCHES Built-In Cabinetry Homeowners are also beginning to move toward using cabinetry and built-in additions in more distinctive ways than ever before. Not only are kitchens and bathrooms seeing an influx in custom cabinets, but the trend is also leaning into repurposing rooms by adding useful built-ins. “We’re seeing lots of rooms turned into closets. So people have an extra bedroom and now, they want that walk-in closet with the island in the middle and they want the drawer systems. They’re turning rooms into full-on Sex in the City closets,” says Marketing Director Jennifer Horvat. Along with closets and home offices, homeowners are also bringing the custom, built-in cabinetry into the outdoor kitchens that became hugely popular during the COVID-19 pandemic when finding ways to gather outdoors was a necessity. Florida Design Works, 4500 Carmichael Ave, Sarasota, 941-255-2703, floridadesignworks.com

WINTER/ SPRING TRENDS

Backyard Sanctuary

FLORIDA DESIGN WORKS

Floridians are making their outside spaces–no matter how large or small they may be–more comfortable and homey than ever.

State-of-the-art outdoor kitchens, complete with hooded grills, sprawling counter space and massive islands are increasingly popular. Additionally, the furniture itself, such as couches, pillows and chairs are high-quality and luxurious, making any backyard a sanctuary. This trend is versatile because not only can it apply to hosting game nights or potlucks for friends and family, but it also makes every night a staycation in your very own yard. Robert Davie says homeowners have recently begun bringing artwork into their gardens, pairing their colorful flowers with sculptures, painting and other forms of physical art. Whether it be large paintings on walls or windmill sculptures that coordinate with the landscaping, selfexpression can be found in all corners of a home this year. Within this trend, homeowners are also searching for custom-made art to place in their gardens, making their backyards not only a peaceful sanctuary, but also a treasure trove of the art and beauty that sparks joy. Robert Davie & Associates Landscaping, 3319 Plantation Dr, Sarasota, 941-924-6629, robertdavie.com

Magnetic Screen Enclosures Any Floridan can attest to the fact that having high-quality and efficient screens is a priority for keeping the bugs and heat away. Joey Coco from Budget Blinds & Inspired Drapes says that this year, magnetic closure screens are the way to go. Contrasting the commonly used zip-closure screens, magnetic closure screens are significantly more durable and come with a longer warranty due to the company’s trust in their product. Additionally, Coco says that side drapes have also been popular. Not only are the side panels less expensive than regular singular drapes, they also give a modern and classic look to any window.

Budget Blind & Inspired Drapes, 5405 University Parkway, Unit 106, University Park, 941-342-0900, budgetblinds.com

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ROBERT DAVIE LANDSCAPING

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WRITTEN BY K AT E W I G H T, PHOTOGRAPHY

BY RYA N GAMMA AND SRQ HOME PHOTOGRAPHY

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H & D The innovative thinking behind the one-of-a-kind Origami House

DESIGN, UNFOLDED

IF ASKED TO ENVISION A SECLUDED HOME SURROUNDED BY NATURAL BEAUTY, most people

would picture a rustic log cabin or a charming stone cottage. Betsy Friedman is not most people, and neither is architect Mark Sultana. Sultana is the principal architect at DSDG Architects, a Sarasota firm that has become well-known over the past two decades for its clean and elegant concepts. Friedman is an art enthusiast with a deep affinity for nature and a willingness to push boundaries. When it came time for her to build her dream home, Friedman had an instinct that Sultana was the perfect person to design it. “I lost my husband seven years ago. We had always lived on the water, and I was living on Longboat Key and it became kind of a fishbowl,” Friedman says. “I was looking for somewhere a little more private to live and I discovered a house that Mark had designed on Bay Shore Road. I moved into that house and I loved the unity, the light, the repetition. It was just an incredible place to recreate a life.”

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Friedman would go on to live in that house for several years. Though she did love the house and the surrounding neighborhood, she still didn’t have that sense of privacy and solitude she craved. When a large subdivision sprang up right next to her, she knew it was time to find a space that was truly her own.

“I always had the sense that I wanted to be in the trees and on land and away from it all,” she says.

“Amy Tupper was a friend of mine, she was a realtor, and she found this land here out east that had never been developed. It was adjacent to Myakka State Park, which is the largest state park in Florida. We came and looked at the land and it was gorgeous. It was magical.” After purchasing the land, Friedman made an appointment with Sultana

and asked him to design a house for her. While some clients have a specific vision about what they want their homes to look like, Friedman was happy to give Sultana free rein.

Her primary requests: the house couldn’t be an urban box and it had to fit the landscape.

“Betsy wanted me to be creative on the overall style and design of the house,” Sultana says. “I came up with this wild idea to do a plan that had kind of a fan shape in the floor plan. Then we took that to the next level by taking that fan shape and flaring up the roof lines and creating different volumes and proportions inside of the house. The project got the name Origami House because it sort of took on the form of how paper origami can be folded and shaped to create different shapes. We chal-

lenged the design in the same manner to create the house that we did.”

“What he came up with was extraordinary. I walked into his office and saw the plans for the first time and I started crying,” Friedman remembers. “It looked like a bird, like an origami bird. My biggest goal was creating a place that honored the land. Mark understood that and came up with the silhouette, and it was absolutely stunning and perfect for what I had envisioned. He and the project manager, Mary Allen, designed something beyond what I could have hoped for.”

Creating a home that was harmonious with the landscape wasn’t just a matter of aesthetics. Building a home in a natural space can disrupt wildlife and destabilize habitats, and Friedman wanted to

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minimize any potential negative impacts by leaving the landscape as unchanged as possible.

“There’s a kind of wildlife corridor that traverses along the side of the house and Betsy didn’t want to interfere with that,” Sultana says. “She said that, on any given night, you can sit on the back porch and watch deer go by and turkeys and coyotes and bobcats and all types of wildlife. She didn’t want to interrupt that because there had never been a structure or house on this property and she wanted to keep it as natural as she could.

That’s a challenge that you don’t get on your average (or even on your not-so-average) house.”

Trinity Construction & Design in South Sarasota was the builder on this property. Sultana worked closely with Friedman and the team

at Trinity to find the perfect spot for the house, even making multiple field visits. Soon, construction was underway. But then Mother Nature threw a wrench into the works.

“When Hurricane Ian came, Trinity boarded up this house as well as the house I was living in,” Friedman recalls. “Jesse Cocozza (a vice president and project superintendent at Trinity) came the next day and said, ‘Okay, you’re not flooded at all, but you’re going to be really sad.’ I lost over 200 trees.”

“There were several massive clumps of oak trees that we designed the house around,” Sultana adds. “A large cluster of trees just outside the master bedroom basically fell down during Hurricane Ian. The entire canopy disappeared overnight. So the view that we framed through the

window of the canopy disappeared.”

Though she was disappointed by the loss of the trees, Friedman was able to make the best of the situation.

She purchased a sawmill and hired a team to process the logs into lumber, which was then used to build fencing for the property. She has also begun working with two other people to create things like charcuterie boards and sculptures out of the remaining wood. However, this wasn’t the only roadblock the team encountered along the way.

“There were some challenges during construction too, because the house was being built during COVID,” Sultana says. “There were quite a few shortages of materials, so we had to, in a pinch, figure out a way to still build a house without the materials we were building it with. We had an

H & D

This page, left to right: A wooden table is built directly into a freestanding island of the kitchen.

The large windows allow natural light in to showcase the beauty and design of the home.

DSDG Architects, 1348 Fruitville Rd STE 204, Sarasota | dsdgarchitects.com

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This page: Building on land adjacent to Myakka State Park gave Friedman the seclusion and natural surroundings she was hoping for.

issue with trusses. At one point, we were told the trusses would take 12 months from the order date to arrive and, on a house this size, that just doesn’t work. We ended up redesigning the roof using engineered lumber instead of pre-manufactured wood trusses. It didn’t really affect the design itself, but it did affect the way the design was structured. We had to regroup and come up with a different way of doing it midway through the process.”

The exterior of the Origami House is uniquely striking, but the interior is just as impressive. The result is a house that is distinctly modern in style with an organic quality that reflects Friedman’s style and spirit. Large glass windows offer a panoramic view of the outdoors and allow for an immersive connection to the natural environment. Sultana incorporated high clerestory windows in many of the rooms to allow more natural light to filter through the space. The kitchen features con20

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temporary details like sleek cabinetry in shades of gray alongside natural elements like a massive, live edge wooden table built directly into a freestanding island.

“Unfortunately, the tabletop had already been built, or I’m sure Betsy would have used some of the fallen oak that she harvested from the property when it fell,” he says. “Even so, the table brings a warmer, more organic feeling to the inside of the house. Every tree has a core or a heart. The table is in the center of the house and it’s really kind of the heart of the house.”

“The table is extraordinary,” Friedman agrees. When designing a house intended for indoor-outdoor living, it’s important to have transitional spaces. At the Origami House, that functionality comes from the screened-in lanais. “We spend so much time outside, so the lanais were a big part of the planning. They weren’t an afterthought,” Friedman says. “For entertaining, for outdoor

living, they just made so much sense. The lanai screens are floor-toceiling with no interruptions, so you feel like you’re outside. The lanai by the guest bedrooms, I wanted my children or other guests to be able to go outside, take their coffee there in the morning, talk, have some privacy, see the sunrise, and sit in those comfy chairs. Or at night, you know, take a book or a drink and sit out there and just watch the sky. Just so we’re never far from the beauty.”

While there were some bumps in the road, Friedman wouldn’t change anything about the process. “The absolute love and care that went into designing and building and decorating this house was just incredible,” Friedman says. “It was a joyful and really fun, creative experience.

There were all kinds of hurdles to come over and we just all navigated it together beautifully. It was such a positive experience and it is such a phenomenal place to be.” SRQH&D

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H & D Architect Jerry Sparkman and builder Rob Dynan revisit a collaboration 20 years down the line.

RESILIENT DESIGN

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ROB DYNAN HAVE BEEN TRANSFORMING THE SARASOTA

AREA, ONE BUILDING AT A TIME. Sparkman, an architect, founded Sweet Sparkman Architecture & Interiors in 2002 with business partner Todd Sweet.

Dynan, a contractor and builder, established Dynan Construction in 2003. Separately, both business partners have helped countless clients design or build their dream homes. Over the years, they have had a few opportunities to combine their skill sets.

In 2004, the duo teamed up for the first time on a residential project in Sarasota. Almost 20 years later, Sparkman and Dynan took a trip down memory lane to look back on this early collaboration.

“The owners were a couple who had moved here from Naples,” Sparkman recalls. “They were both interesting people—artistic, creative—who had found this old house, and they wanted to explore how they could add to it and change it while still preserving its essence.”

The house in question was a 1950s ranch-style home on scenic Phillippi Creek. From the beginning, there were a lot of moving parts to the project. Not only did the homeowners have a list of major interior renovations they wanted to tackle, but they were also looking to construct a second-story addition to the house. The upper level of the addition would be home to a primary bedroom and bathroom. An art studio and two-car garage would be tucked underneath the primary suite.

And, if the extensive renovations and new construction weren’t enough, Sparkman also had to work within the particular parameters of the location.

“The house was on a pretty unique site. It was over on the creek, kind of tucked back, and you didn’t really see much of it unless you got back behind the site on the water side,” Sparkman says. “It was fairly steep back there, which is kind of unusual for Sarasota. With the dropoff into Phillippi Creek, there was a fair amount of topography to contend with.”

Once Sparkman finished his initial design for the project, he knew he had to find the right builder to execute his vision. While he and Dynan hadn’t worked together before they were friends, Sparkman thought the project could be a great fit for Dynan’s skill set.

“This was a multi-faceted project and Rob was willing to work with us along the way,” Sparkman says. “He became very integral to figuring out how to build this and make it fit the clients’ budget.”

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BY DYNAN CONSTRUCTION

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FOR MORE THAN TWO DECADES, JERRY SPARKMAN AND

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H & D Like Sparkman, Dynan had started his own business relatively recently. The project grabbed his attention immediately. “Jerry came up with a really awesome design,” Dynan says. “The ultimate outcome of it, the way the addition kind of perched up over the creek and into the trees, it felt really cool.”

In the planned design, the new structure would be oriented to face the backyard. With this positioning, the primary bedroom suite would get privacy from the main road and gain an incredible view of Phillippi Creek. The addition would also end up framing the backyard and transforming it into a sheltered enclave.

When building an addition, it can be challenging to ensure that any new construction has a sense of cohesion with the original structure. The level of difficulty increases when blending different styles of architecture.

The existing home had a distinctly mid-century modern silhouette, but the homeowners wanted the addition to be more contemporary in style. Sparkman and Dynan needed to figure out how to meld these styles seamlessly.

For Sparkman, scalability was key in creating a sense of continuity. Mid-century modern homes usually have smaller, more compartmentalized rooms, while contem-

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porary design is more open and expansive. Sparkman paid close attention to the original square footage when designing the addition.

“If you measure the rooms of the existing house with those sort of quintessential 50s, modestly sized rooms and then if you measure the new spaces, they’re pretty similar,” he says. “Proportionally, I think the new space mirrors the old one pretty closely.”

Sparkman credits Dynan with expanding that cohesion during the building process.

“The studio underneath the primary suite has lap siding; that kind of material sort of brings it together with the original home,” Sparkman says. “And when it came to the exposed rafters over the bedroom area, Rob did an amazing job selecting all these very specific, attractive pieces of wood and exposing them and connecting them in a way that makes them feel like they’re not new materials. They seem like they’re part of the old palette. The new materials, for some reason, they kind of jive with the rest of the older stuff.”

Funnily enough, one of the significantly cohesive elements of the design almost didn’t happen. In Sparkman’s initial design, the addition was topped with a flat

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H & D “And the landscaping and the driveway,” Sparkman roof, but the neighborhood homeowners association wouldn’t sign off on it. After carefully reexamining the adds. “You know, just five or six little projects.”

“It got a little complicated for a while,” Dynan agrees. original architecture, Sparkman changed the roof of But despite those complications, it’s clear that both the addition so that it was more angular, mirroring the men remember their collaboration fondly. “That’s what’s slanted roof from the original home.

For his part, Dynan was excited for the opportunity to kind of cool about projects which take a while and use some familiar materials in new ways during the build. you’ve got something invested,” Sparkman says. “You “One of the things that I loved about the design was that don’t realize what’s going to come out of it, but it could the use of materials was really cool­—things like large win- be a long-term friendship and working relationship.”

Twenty years later, what can be learned from looking dows, structural steel, and cast-in-place concrete,” Dynan says. “Before I opened my own business, I had worked for back on past projects? “I love going back to previously a commercial construction company where I was build- completed projects after some time has passed to see ing primarily institutional-type structures, so I worked a how something has aged or how it has held up against ellot with concrete and structural steel. I was happy to be ements like saltwater,” Dynan says. “It really is a lesson.”

“It’s nice to have these conversations about the past able to work with them on a residential project. Commercial properties are more for general use, but residential so you can keep your eyes open to new possibilities in the future,” Sparkman agrees. construction feels more private and personal.”

“2004 was an interesting time. It was kind of a new Building an addition was just one piece of this project.

Sparkman and Dynan also tackled major interior reno- beginning for both of us,” Dynan replies. “Seeing what we did and looking back at all we’ve done since then, vations in the entryway, kitchen and living room. it’s been a great journey and it’s nice to reflect.” SRQH&D “There was also the pool deck,” Dynan remembers.

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