Architecture Portfolio

2 018 -2 3 S ELECT ED WO RKS / SR IK R ITHIKA N

A R C H I T E C T U R E

20 23

hello ! hello !

Iam

Sri Krithika !

I’m an undergraduate from Sasi Creative School of Architecture, coimbatore. During my Education I enjoyed exploring and adapting to different environments which helped me become versatile.

Growing up, I have always enjoyed creating new things and have always been fascinated with designing and crafting. Pursuing this passion for design in the form of architecture I aspire to design spaces that value human experience.

Language Proficient Tamil , English

Competitions

Basic Malayalam , Korean , Thai

Volume Zero - Tiny Library design.

ANDC 2019, NASA bus terminal design.

Education 2016

class 10

- R.N. Oxford matriculation school, Namakkal.

2018

class 12

- TVS matriculation higher secondary school, Madurai

2018 2023

b.arch

- Sasi creative school of architecture, Coimbatore.

Archmello competion - The Brewed Bar an urban coffee house design

software skills

Lectures & Workshop Webinor by Ar. Patrik Schumaher, Zaha Hadid Achitects IFC’s Certificate course on sustainability Designing for Greater Efficiency (DfGE)

Drafting & modelling Rendering

Autocad, Sketchup, Revit, Lumion, VRay sketchup

Adobe creative suite

Photoshop, Illustrator, premiere pro

3D Printing Workshop by Ar. Ilayaraja Chinnaiah

Microsoft Office

“Just give me some space” by COA

word, Power point, Excel

Brick masonry workshop at SCSA, Coimbatore Sciography workshop by Ar. Balram, Coimbatore

Design Exposure Artist’s Studio Apartment, Kitchen Design Library (Kadakodu,Kotagiri), Fashionschool (Kava, Kerala)

Others Skills & Interests

2020

Shopping Mall, MICE centre(Coimbatore)

Concept Ideation, Designn Research &

2021

Sports Hub (Coimbatore)

Context study, Digital Illustrations, Photog-

2022

UD (Coimbatore), Dissertation (sense of

raphy, painting,

2018 2019

space and time in contemplative space),

Practical Training at Kham Design 2023 Thesis (Memorial Museum for Tamil Freedom Fighters at Chennai)

Madurai , TN

Graphic Design-Logos & posters

Ph :+91 7339689908 srikrithika713@gmail.com Sri krithika @_srik_i @the_blankpage__

Porfolio l Srikrithika N

CONTENT 1. Monument of Hope Celebrating Tamil Rebels & Rebellions Memorial Museum - Thesis

2. Xperia - A Sports Hub Academic - Sem 7

3. MICE center Academic - Sem 6

4. Internship At Kham design, Bangalore - Sem 9

5.Miscellenous

Selected works

06

Thesis - Monument Of Hope

Monument of Hope Celebrating Tamil Rebels & Rebellions Location- ECR , Chennai Thesis l sem 10 l year5 l 2023

A Memorial Museum at Chennai for Tamil rebels and rebellions involved in Independence Movement.

The impactful tales of our liberation movement conceals the 200 year struggle for identity. The generations long after the freedom have lost the opportunity to understand, learn and most importantly feel, what efforts our ancestors have made to gain the liberation. The direct connection with those time has disappeared. In order to hold the celebration of their legacy and bring back the energy they once had, the memorial for the tamil rebels is being proposed. To kindle the sence of regional nationalism among the growing tamil society is indispensable.

Exploring the possibilities of creating an immersive experience in built forms through the engagement of our sensorium, and in turn exploring the relationship between architecture and the human experience is the aim of this thesis.

07

MEMORIAL MUSEUM EXPERIENCE

SENSE OF EXPERIENCE

Memories are the connection to immaterial expression in architecture, the narrative aspects that contains what the building wants to communicate.

Parallel to its function in the city, memory can refer to the direct context of a building (like its history) as well as to abroader complex of interest.

Sense of place Experience

Event

Understanding these broader complex of interest in the context to a

An incident or secondary info

tragedy and hence its memory, onenow looks at the 'built' for the memories of the tragedy which we call memorials.

The intimate association between memory and narrative arises from urge to use the past to instruct the present and future generations. A memorial may be built as a sign of collective memory. These memorials refer to events, which are public or social in nature. Memory is a social, not a psychological phenomenon, can reside in society rather than simply in the heads of individuals. It is through interconnections among these shared images that the social frameworks of our collective memory are formed. Taking the example of war memorials aiding to the

The point of anchorage, is essentially the setting or place in which the experience occurs. When we experience an event, our brain ties the sights, smells, sounds, and other sensorial input from the environment subconsciously to primarily create the place of experience. The secondary informational input that we then receive (the incident), although varying from person to person, is anchored to the primary sense of place that our mind has already registered.

collective memory-War memorials acquire their landscape definitions from sentiments, utility, social purpose and historical interpretation.

USERS

A MATTER OF PERCEPTION Time perceived perceived

Abstract event

Direct event

ACTIVITIES USER MOVEMENT

STAFF

-Memorialization

-Contemplation

-Reasearch and

-Leisure and

-Experiencing the

through different

Learning

Recreation

movements

transitional spaces

and iberation

VIP VISITORS

08

VISITORS

Thesis - Monument Of Hope

MAJOR MOVEMENTS AND THE REBELS The Poligars of Dindigul and Malabar rose up against the oppressive land revenue system under the British during 1801-06. In September 1799, in the first Polygar War, the poligars of Tirunelveli District rose up in open rebellion. Veerapandiya Kattabomman Nayak of Panchalankurichi was considered as the main leader of the rebellion. The Second Polygar war of 1800-01, given the magnitude of participation, is also known as the ‘South Indian Rebellion’. Velunachiyar recaptured Sivagangai and was again crowned as a queen with the help of Marudu brothers.

What is referred to as India's first war of independence was the Sepoy mutiny that started in Meerut in 1857. But in 1806, a rebellion broke out against the rule of the East India Company in the Vellore Fort of Tamil Nadu. Some historians say that the Vellore Mutiny should be considered India's first war of liberation. Tipu Sultan's family was imprisoned in the fort. Since this mutiny took place in Tamil Nadu and many Tamil soldiers took part in it one could say that it marks an important event in the freedom Struggle in Tamil Nadu.

S. Satyamurti actively involved in the Swadeshi Movement. He was one of the prominent leaders of the ‘pro-changers’, who were defeated by the ‘no-changers’ in the year 1922.

Chidambaram Pillai spread the movement to Madras and organised the strike of the Tuticorin Coral Mill. He founded the Swadeshi Steam Navigation Company in Tuticorin on the east coast ras Province. Subramania Bharati was a member of Tamilian revolutionary group and an eminent poet, played a

Annie Besant from Ireland called for autonomy for Ireland and India, which were under British rule. He migrated to India in 1893 and started the Indian Autonomy Movement in Adyar, Madras in September 1916. The Autonomy Movement had 40,000 members with 200 branches. Demonstrations and protests for Indian autonomy were consolidated.

The movement attracted scholars and college students.

Annie Besant was arrested in June 1917. The autonomy movement was instrumental in bringing reforms in the British government so that India's demand for autonomy was not considered anti-national.

significant role in arousing nationalism in the Tamil areas.

VELLORE MUTINY

POLIGAR REVOLT

VEDARANYAM SALT SATHYAGRAHA

SWADESHI MPOVEMENT

CIVIL DISOBIDIENCE MOVEMENT

INDIAN HOMERULE MOVEMENT

QUIT INDIA MOVEMENT

Rajaji led the same protest from Trichy to Vedaranyam in Tamil

Martyrdom of Tirupur Kumaran

On 8 August 1942 the Quit India resolution was passed and

Nadu. Sardar Vedaratnam Pillai coordinated this struggle.

On 11 January 1932 a procession carrying national flags and

Gandhi gave the slogan ‘Do or Die’. The entire Congress leader-

Leading journalists like AN Sivaraman, Kalki alsoparticipated in it.

singing patriotic songs was brutally beaten by the police in

ship was arrested overnight. K. Kamaraj while returning from

The Salt Satyagrahainstilled the spirit of liberation along the

Tirupur. O.K.S.R. Kumaraswamy, popularly Tirupur Kumaran, fell

Bombay noticed that at every railway station the police waited

banks of the Cauvery. As Lal-Bal-Pal, the Triumvirates laid the

dead holding the national flag aloft. He is hailed as Kodkatha

with a list of local leaders and arrested them as they got down.

strong foundation of Indian Independence movement, during

Kumaran.

Kamaraj gave the police the slip and got down at Arakkonam itself. He then worked underground and organised people

the same period, in Tamil Nadu (then Madras Presidency) three patriots, Chidambaram, Bharati and Siva equally praiseworthy

The Madras session of the Indian National Congress in 1927

during the Quit India Movement.

sacrificed their blood, sweat and all the

declared complete independence as its goal. In the 1929

The Quit India Movement in Madras (now Chennai), Tamil Nadu,

Lahore session of the Congress, Poorna Swaraj (complete

started on 11th August 1942, with students of some schools and

independence) was adopted as the goal and on 26 January

colleges observing a hartal (stoppage of work). This led to

1930 the national flag was hoisted by Jawaharlal Nehru on the

clashes with the police, and their arrests marked the beginning

banks of river Ravi as the declaration of independence.

of the involvement of students in the movement.

resources at their

command for the liberation of our Motherland.

KEY PEOPLE INVOLVED IN INDEPENDENCE MOVEMENT IN TAMIL NADU

09

-Current war memorial museums in India that exhibits the journey of rebels and rebellions

SITE AND CONTEXT SELECTION

ECR

Jang-E-Azadi Memorial Chandigarh war Memorial National war memorial, New Delhi

Live Art museum

Jaisalmer war museum

s.no

Dehradun war memorial

Tawang war memorial

Darjeeling war memorial

Cavalry Tank museum

ECR

Naval aviation museum

Tourist data

1

Chennai

36981791

2

Rameshwaram

22593775

3

thiruchendur

21668656

4

Madurai

21473900

5

Kanya Kumari

19932185

6

Thiruvannamalai

17989807

7

Ooty

17588625

8

Kanchipuram

16754448

9

Mamallapuram

14630512

VGP Kingdom

Click art museum

Districts

Cont.

Tamil Nadu District wise tourist data 2018, Tourism Report , Ministry of Tourism

SITE LOCATION Area- 17 Acres ECR

The site is located along the ECR road. Which is basically a tourist corridor in the city Chennai The access to the site by means of vehicles is from the ECR state highway.

The site ends with the view from the jganath beach. overlooking the sea in the east.

The site is surrounded by resorts and dinings on either sides.

There is scattered settlement around the site which makes it free of sound pollutionand makes the area quiter. the only means of sound is from the high way.

North Chennai Central Chennai

ECR

South Chennai

Selected site

Bay of Bengal

Towards Thiruvanmiyur

ECR

Location- Muttukadu, ECR , Chennai In Accordance to 1. CHENNAI PROPOSED MASTER PLAN 2026 - RECREATIONAL ZONE 2. COASTAL REGULATION NOTIFICATION 2019 - CRZ II (BUILT UP TO A CERTAIN EXTENT)

POSSIBLE ACCESS TO THE SITE FROM SERVICE ROAD

383

POSSIBLE ACCESS TO THE SITE FROM ECR HIGHWAY PROPOSED SITE

Resorts Formal & Informal Museums Institutions

10

ECR - 20 m wide Road

BUS STOP - MEERAN NAGAR

Towards Mahabalipuram

ECR

DakshinaChitra Heritage Museum

VISUAL CONNECTIVITY TO THE SITE

AREA - 17 ACRES

387

178

EXISTING VEHICULAR ACCESS

180

EXISTING PEDESTRIAN ACCESS

MGM Dizzie World

-soil type - sandy soil - A flat site - existing access is from ECR road -Towards North - it leads to areas like uthandi, Palavakam, Thiruvanmiyur.

-Towards South - it leads to Mahabalipuram through semencheri.

Sholinganallur

VIEW FROM SITE

JAGANATH BEACH

Thesis - Monument Of Hope

DESIGN DEVELOPMENT PORTRAYAL OF REBELLION

The following elements are the main points to portray a war and independence

Quit India Movemnt

Non Cooperation movement

Chronological order of the movemts

PROVOCATION

Indian Home Rule Movement

1. South Indian Rebellion - Poligars Revolt/ (1795-1805) The Vellore

2.The Vellore Mutiny - 1806

NEUTRALISATION

Library Media centre

Tear of Nation

3.Swadeshi Movement -1906 Swadeshi Movement

4..Vanchinadhan Inacident-1911 STRUGGLE

5. Indian Home Rule Movement - 1916-1918

Civil Disobidience Movemnt

- Towards Purna Swaraj

Cafeteria

Tribute Stamba Light & sound Pavillion

Services

6.Civil Disobidience Movemnt LIBERATION

Research studio

OAT

South Indian Rebellion

Mutiny

BUBBLE DIAGRAM

Hall of Liberation

Hall of Rebels

Art gallery

- Vedaranyam Salt sathyagraha

swadeshi market

seminar halls Auditorium

Admin

- Martyrdom of Tirupur Kumaran

HEALING

7. Non Cooperation movent - !921-23 Parking Entry Pavillion

8.Quit India Movemnt - 1942

REMEMBRANCE

SPACE ORGANIZATION

JAGANATH BEACH

The concept is to depict the

A

SE WARDS O T W E VI

chronological order of the movements with the help of these

LIBERATION

points of portrayal of war in terms

HEALING STRUGGLE

of experiential spaces.

LEARNING REMEMBARANCE

NEUTRALISATION

PROVOCATION

ER’S S / LEARN

MEMORIAL EXHIBIT SPACE ORGANIZATION

SPACE

LIBERATION

PATH

PATH SPACE

SPACE

HALL

N HISTORIA

VISITOR’S AXIS

VISITO

R’S AX

IS

AXIS

The liberation hall is the interface space and the sub-space placed halfway at the middle level, signifies the transition from adark past to a hopeful future .

11

Entry Plaza

ISOMETRIC VIEW

Admin

Hall of rebels

Poligar Revolt

service bay

Temp. Gallery/ complex of souvenier Swad rebellions marke shop

Swadeshi Arangam

deshi et

Tribute stamba

Sound & Light Show

Wall of Names

Cafeteria

Tear of Nation

Monolith Walls

OAT

Library

Libretion point Jaganath Beach

ENTRY PLAZA

HALL OF REBELS

HOME RULE MOVEMENT

SITE PLAN 14

Thesis - Monument Of Hope

Permanent Exhibit

BRINGING COMPLETE INDEPENDENCE FIGHTING AGAINST THE BRITISH IMPERIALISM

THE SPACE NARROWS TO A NARROW OPENING FROM A BROADER SPACE REPRESENTING THE EMERGENCE OF THE STRUGGLE

THE MISPLACEMENT OF MIRRORS AROUND AND MIRROR COLUMNS TO REFLECT OURSELVES HIGHLIGHTING EVERYTHING IS WITH IN US

PLACEMENT OF BLOCKS IRREGULARLY REPRESENTING THE DISOBIDIENCE TO THE RULES MADE BY THE BRITIS

POLIGAR REVOLT

SWADESHI MOVEMENT

CIVIL DISOBIDIENCE PURNA SWARAJ MOVEMENT

ROAD TO FREEDOM

QUIT INDIA MOVEMENT

EXPLODED VIEW

VELLORE MUTINY

THIRUPUR KUMARAN MARTYRDOM

AUDIO VISUALS OF THE EVENTS HELD OUT

BY ANNIE BESANT FOR THE HOME RULE THE SAND PATH REPRESENTS MOVEMENT .

THE ESSENCE OF THE MAJOR PROESTS OF THE SATHYAGRAHA HAPPENED AT THE SHORES OF THE MARINA.

THE FLAG BEING HELD DOWN TO THE GROUND REPRESENTING THE INCIDENT

E

STAFF ROOM

STORAG

STORAG E

9.89

THE VOIDS REPRESENTING THE MAJOR SHOT EVENT HAPPENED AT THE VELLORE FORT .

VEDARANYAM SALT SATHYAGRAHA

HOME RULE MOVEMENT

2.76

JANITO R ROOM

PANEL ROOM

0 1.0

EMENT

HOMERULE MOVEMENT

SWADESHI MOV

CIVIL DISOBEDI ENCE MOVEMENT

INY

VELLORE MUT 5

3 11.7

VED A SALT RANYA SATH M YAG R

4.51

27.6

7.73 5.56

16.37

5.63

15.46 12.78

AHA

PURN

A SW

ARAJ

3.00

THIR MA UPUR RTY K RDO UMAR AN M

OLT

POLIGAR REV

4.51

10.70

6.02

2.76

NO NC & O MO QU OPER IT A VE ME IND TION IA NT .66

PLAN - PERMANENT EXHIBIT

4.13

3.00

11.73

4.13

27

1.0

0

The permanent exhibit showcase the series of prominent events of freedom movement that involved Tamil Nadu. The exhibit is designd with apertures that plays with the light and volumes which enhances the experience of the space for the visitors. the use of closed walls thoughout the exhibit is to make sure the visitors feel the struggle of the freedom movement and transitional space from the exhibit to the post freedom is signified by the open vantage point to feel the liberation,

±0.00 -0.8 -2.3 -3.6

EXHIBIT SECTION

15

Monolith walls The liberation point is the interface space and its placed halfway at the middle , signifies the transition from a dark past to a hopeful future. It’s the vantage point pointing towards the jaganath beach where the sky meats the vast sea. this vantage point is palces as such to make the visitors fell the transition from the struggle to freedom and following that big monolith wall stands high which denotes that the way to a new free india.

The water body next to that reflects the tear of the struggled nation. the wall of names are sculpted with the names of the tamil soldiers involved in the post freedom wars and are open to the visitors to pay respect to thier respective family member.

Entry Plaza

Site section 16

Chamber of Rebels

Gallery of Rebels & Rebellions

T

Thesis - Monument Of Hope

Tribute Stamba Wall of names is followed by the tribute stamba which reflects the void that the freedom fighters left in the people by their absence. The tribute tower is made of two slanting columns looks like it merely supporting each other and the void is filled with the water curtain. the water bodies on the site is surrounded by rain gardens to cpnserve water and to process the runoff water in case of storm water.

Tribute Stamba

Wall of Names

Tear of Nation(water body)

OAT

Liberation point

17

18

Xperia - The Sports Hub

xperia Location- Avinashi road, Coimbatore Academic l sem 7 l year 4 l 2021

Sports hub - A complete space designed for indoor and outdoor sports and allied events. This hub is the combination of Training and practice sessions for both professionals and the general public and also fun and entertainment zones. It is a place to promote sport, health, leisure and entertainment. This design studio had a project of designing a Sports hub with a theme of “Fit - Fun -Discover”, Concept is based on constructivism. Incorporating lines, cylinders,rectangles &merged elements of constructivism such as tension cables, concrete, steel girders. and to make the structure extroverted by glass walls to make the users more involved in all the activities. the roofs form is based on trajectory parabola placed over the truss structure.

19

18

12

12 13

11

10

9 14

4 6 3

m Roa

d

15

Neelik onamp alaya

7 16

5

17

8

1

2

Trichy Road

4. Surface Parking

Site Plan 20

5. basement Entry 6. Basement Exit

7. Indoor Fun games Block 8. Indoor Fun games Block 9. Discover Block

10. Fit Games Block

13. Warm up space

16. Commondo net

11. Skating

14. Kids Park

17. Paintball

12. Tennis Court

15. Giant Chess Pavillion 18. Service entry/exit

Xperia - The Sports Hub

Master Plan

section AA’ 21

Ground Floor Plan - Block A

Ground Floor Plan - Block B

FUN GAMES - INDOOR

FUN GAMES - OUTDOOR 1. PAINTBALL

1. MAZE

4. DASHING CAR

7. CLIMBING CENTRE

2. GIANT CHESS PAVILLION

2. BOWLING

5. CARNIVAL GAMES

8. VR GAMES

3. COMMONDO NETS AND

3. FOAM PITS

6. ARCADE GAMES

9. INDOOR SURFING

CLIMBING WALLS FOR KIDS

CLIMBING CENTRE FOR ADULTS IN INDOOR FUN GAMES

22

GIANT CHESS PAVILLION

CLIMBING GAMES FOR KIDS

Xperia - The Sports Hub

3.7

4.5

DRY STORAGE

PANEL ROOM

0

JANITOR ROOM

10.9

STAFF ROOM

COLD STORE

FIRST Floor Plan - Fit block

40.

+0.45

DISHWASHING AREA

SNACK BARS

8.7 KITCHEN

6.9

ORDERING AREA

+0.45 STORAGE

+0.45

GALLERY

+0.30

+0.9

36

.9

LIBRARY

+0.15 +0.60

+0.90

29.5

+0.75

LOBBY

MUSEUM +0.45

12

.6

20.2

Ground Floor Plan - discover Block

DISCOVER BLOCK

Ground Floor Plan - Fit Block

FIT GAMES - OUTDOOR

FIT GAMES - INDOOR

1. SKATING

1. SWIMMING

2. TENNIS

2. JUDO, WRESTLING, BOXING

3. VOLLEYBALL

3. BADMINTON

1. GALLERY 2. LIBRARY 3. MUSEUM 4. CAFETERIA

JUDO AND BOXING

DISCOVER BLOCK

23

PaintBall

climbing games

Giant Chess

Bowling

Indoor maze

Tennis court

Climbing Kid’s Food center Play area Flowriding court

ISOMETRIC VIEW 24

Gallery, Museum, Library

Volleyball court Skating park

Judo, Boxing, Karate

swimming Pool

Zoning of the “FUN, FIT & Discover” was done based on the users. People coming to the Fit zoned area are professional sportspersons so they were zoned as such other public visitors wouldn’t enter that part of the area. And the Fun and Discover parts were designed with glass facades to make it more extroverted and more welcoming to the visitors and to make the visitors wonder what kind of games are inside and take part in them. Equal importance for the games were given based on the age group as in both kids and adults.

Xperia - The Sports Hub

TENNIS & VOLLEY BALL COURTS FOR PROFESSIONAL PLAYERS

PLAY AREA FOR KIDS

25

26

HIVE - The MICE center

HIVE The MICE Center

Location- Avinashi road, Coimbatore Academic l sem 6 l year 3 l 2021

A Center for MICE (Meetings, Incentives, Conferences and Exhibitions) will be the most appropriate architectural design problem to learn and incorporate the nuances of architectural technology and integration of technology and building services.Studio intention is to have a Healthy built environment along with service & technology, grab ideas and develop in terms of sustainable building practices, understand and generate the ideology of the Service concepts, advanced building practices & planning strategies effectively.

27

Site plan 28

HIVE - The MICE center

Ground Floor Plan

Second Floor Plan

First Floor Plan

Basement Floor Plan

Section AA’

29

Section BB’

30

HIVE - The MICE center

Since there are no elements projecting shadow upon the building, the facades are subject to considerable solar exposure, particularly direct in the mornings. The “curtain” which would allow to regulate solar incidence was transferred from the interior of the building to the exterior, as a filter, understood as a biological wall, whose skin is interactive and capable of responding to temperature and humidity variations, as well as filtering pollution.

31

32

Internship - Kham Design

INTERNSHIP AT KHAM DESIGN, BANGALORE

kham Design is an Architecture and Interior firm based on sustainable practice established by Ar. Chetan Shivaprasad in the year 1998.he firm is an endeavor to explore the ever-changing concepts of space.

Space is a simple word, but has many meanings and multiple dimensions. The venture was found on a basis to understand and explore the nuances of architectural theory and design. This exploration of multiplicity leads Kham Design to projects in the field of Architecture, Interiors and Product Design. Over the years, Kham’s ideology has grown to include ecology and sustainable practices.

33

7 6

TERRACE PARAPET LEVEL

SKYLIGHT

LVL. +44'-6"

1'-6"

3'

2'

OHT

2'

4'

TERRACE PARAPET LEVEL

LVL. +44'-6"

1

2

3

4

5

3'

LVL. +34'-6"

1'-6"

LVL. +34'-0"

THIRD FLR LEVEL

THIRD FLR LEVEL

1'-6"

1'-6"

13'-6"

1' 5'

13'

FIRST FLR LEVEL 4

LVL. +10'-0"

3 2 1

BALCONY

DETAIL-A

16 15 14 13 12

FIRST FLR LEVEL

3' LIFT

KITCHEN

LVL. +10'-0"

9'

1'-6"

1'-6"

LVL. +1'-6"

10'

6'-6"

10' 22 21 20 19 18 17

GROUND LEVEL

PLINTH FLR LEVEL

LVL. +0'-0"

PLINTH FLR LEVEL BED ROOM

TOILET

2 1

4'

LVL. +1'-6"

PARKING

PARKING FLR LEVEL

1'-6"

5

DETAIL-A

8'-6"

6

1'-6"

7

1 2" THK CONCRETE FILLING

5'-6"

PLINTH FLR LEVEL

8

LVL. +16'-0"

LVL. +1'-6"

1'-6" 1'-6"

9

TyP. Riser =7" Avg. Tread =10" No. of Tread =17

8'

10

38 37 36 35 34 33

SECOND FLR LEVEL LVL. +20'-6"

KID'S BEDBROOM

TOILET

8'

11

MEZZANINE

MEZZANINE FLR LEVEL

43 42 41 40 39

6'

12

4" FOLDED PLATE STAIRS AS PER STR DETAIL

14'

13

13'

14

6"

15

5'-6"

16

6'-9"

6"

LVL. +20'-6"

1 2" THK PLASTER

17

9'-6"

LVL. +10'-0"

SECOND FLR LEVEL

1'-9"

ENTRANCE

FIRST FLR LEVEL

TOILET

CLOSET

10" TREAD

6"

9'

9'

9'

10'

1" NOSING FINISH

7'

59 58 57 56 55 54

9'-6"

8'-6"

1'-6"

LVL. +31'-0"

LVL. +31'-0"

KID'S BEDBROOM

TOILET

6" 1'-8" 4"

1'-6"

TERRACE FLR LEVEL

TERRACE

6" 1'

TERRACE FLR LEVEL

9'

10'

10'

7'

8'

5'-6"

1'-6"

TERRACE

PARKING FLR LEVEL LVL. +1'-0"

LVL. +1'-0"

GROUND LEVEL

GROUND LEVEL

LVL. +0'-0"

LVL. +0'-0"

0'-1"

0'-3"

2" THICK STONE SLAB 0'-8"

STEEL SUPPORT WELDED TO THE WALL

DETAIL-A

ELEVATION

DETAIL-A

FINISHED SLAB LEVEL

1'-10"

ELEVATION

0'-4"

2'-6"

0'-10"

0'-1"

2'-2" 2'-1"

DETAIL-A

1'-10" SKIRTING

0'-3"

0'-4"

10"

0'-2" 0'-2" 1'-4"

DETAIL-B

1'-8"

SILL LEVEL : (2'6")

B

DETAIL-B

0'-4"

WINDOW GRILL

1 2" THICK WOOD SHUTTER

DISPLAY WALL

WOODEN PLANK

4'-6"

SLIDING WINDOW

PROFILE HANDLE

1" DIA NOSING

1'-5"

4'-2"

FIXED GLASS

LINTEL LEVEL : (7'0")

0'-6"

BEAM BOTTOM LEVEL : (9')

1'-8"

SECTION @ AA' STONE SLAB

BASE PLYWOOD

1'-6"

WOODEN GATTA

1'-6"

1'-2"

DETAIL-B

15 16 17 18 19

3 4 5

14

6

13

7 8

11

9

34

DETAIL-B

PLAN @ 2'7"

KEY PLAN

1'

1'

1'

1'

0'-8" 1'

SECTION @ BB'

1'

1'

1'

2' 0'-4"

0'-1" 1'-10"

WALL SUPPORT

1'-6"

0'-10"

PLAN @ 4'

0'-2"

STORAGE UNITS

GRILL

1 2"

10

3'-2"

1'-2" 1'-2"

2" THICK STONE SLAB

1'-4" 0'-4"

1'

SLIDING UPVC WINDOW

0'-8"

4'

4'

2

1

20

1'

0'-2" 8"

0'-8"

0'-10"

1'-9"

0'-8 0'-1"

2'

0'

PLAN

Internship - Kham Design

15'-4"

0'-6" 1'-6"

BEAM BOTTOM LEVEL LVL +10' 2'

E

1

1 10'-8"

6'-4"

7'

4'

7'

1'-6"

4'

LINTEL LEVEL LVL +8'6"

1

19 2 3 4

UP TO FIRST FLR

5 6

14 7 8 9

1'-6"

13 12

10

11

1'-6"

18 17 16 15

9'

9'

2'-6"

FINISHED FLOOR LEVEL LVL +2'6"

1'-6" 0'-6" 0'-2"

0'-2"

20

SILL LEVEL LVL +4'

0'-3" 1'-3"

UP

1'-6" 4'-6"

0'-6"

10'

DETAIL- A

RWH

GROUND FLOOR LEVEL LVL 0

8"

ENTRANCE

KEY PLAN

SECTION A:A'

SIDE ELEVATION

FRONT ELEVATION

1

14'

8mm GLASS 0'-6" 0'-2" 0'-2" 0'-2"

1'-6"

1'-3"

CONCRETE SLAB

3"X2" WOOD SECTION

0'-3"

BASE PLYWOOD

4"X3" WOOD SECTION (FRAME)

1'-1"

DETAIL- B

1" THICK GRANITE STONE

0'-5"

GRILL 0'-5"

10' 4'-11"

8mm GLASS

1 COURSE OF CONCRETE BLOCK ATHANGUDI TILES

PLAN @ 1'-11"

3"x5" WOOD SECTION

1'-1"

0'-6" 0'-2"

0'-2"

3'-7"

1'8"

5'-8"

0'-6" 0'-2"

7'

2" THICK STONE

1'-6"

0'-2"

1'-8"

1'-8"

GRILL 1'-8"

13'-4"

A

1'-1"

1'-1"

4'-5"

DETAIL- B

PLAN @ 7'-6"

1

PROFILE HANDLES FOR SHUTTERS

1'-6"

1'-6"

STORAGE UNITS

DETAIL- A

1

1'-1"

DETAIL- C

8mm GLASS

2"X2" WOOD SECTION (SHUTTER)

2' 2'-4"

2' 2'-2"

1'-1"

DETAIL- C

PLAN @ 3'-6"

1'-1"

1'-10"

4'

K R

5'

1'-10"

1'-1"

E E

0'-6"

C

1'-5"

9'-6"

FOYER 8'7" X 9'4"

B'

1'-6"

2'

2'-1"

2'

LVL +2'6"

2'

2'

0'-8"

2'

2'

PLAN POROTHERM BLOCK WALL 1" GROOVE IN WALL C'

DETAIL-A

UP 2 3 4 5 6 7

0'-1"

1 UP TO FIRST FLR

20 19 18 17 16 15 14

8

13 12

9

1'-11"

'-1"

0'-1"

2'

10

11

8"

0'-1" 0'-4"

RWH ENTRANCE

@ 1'

35

Art Installations done for the event showcase of Karnataka’s Handlooms and Handicrafts at Karnataka Chitrakala Parishatt

36

Internship - Kham Design

Illustation of Aurinko Academy, Bangalore

37

Miscellaneous Illustrations, Sketching, Photography

38

Miscellenous - art

Growing up i have always enjoyed painting and sketching with different mediums. Portraits are one thing that fascinates me the most so I enjoy studing human faces and proportions.

Illustrations of places in coimbatore done for the Coimbatore Library interiors as a Freelance work.

39

Photography

40

Miscellenous -Photography

41