2 018 -2 3 S ELECT ED WO RKS / SR IK R ITHIKA N
A R C H I T E C T U R E
20 23
hello ! hello ! Iam
Sri Krithika !
I’m an undergraduate from Sasi Creative School of Architecture, coimbatore. During my Education I enjoyed exploring and adapting to different environments which helped me become versatile. Growing up, I have always enjoyed creating new things and have always been fascinated with designing and crafting. Pursuing this passion for design in the form of architecture I aspire to design spaces that value human experience.
Language Proficient Tamil , English
Competitions
Basic Malayalam , Korean , Thai
Volume Zero - Tiny Library design. ANDC 2019, NASA bus terminal design.
Education 2016
class 10
- R.N. Oxford matriculation school, Namakkal.
2018
class 12
- TVS matriculation higher secondary school, Madurai
2018 2023
b.arch
- Sasi creative school of architecture, Coimbatore.
Archmello competion - The Brewed Bar an urban coffee house design
software skills
Lectures & Workshop Webinor by Ar. Patrik Schumaher, Zaha Hadid Achitects IFC’s Certificate course on sustainability Designing for Greater Efficiency (DfGE)
Drafting & modelling Rendering
Autocad, Sketchup, Revit, Lumion, VRay sketchup
Adobe creative suite
Photoshop, Illustrator, premiere pro
3D Printing Workshop by Ar. Ilayaraja Chinnaiah
Microsoft Office
“Just give me some space” by COA
word, Power point, Excel
Brick masonry workshop at SCSA, Coimbatore Sciography workshop by Ar. Balram, Coimbatore
Design Exposure Artist’s Studio Apartment, Kitchen Design Library (Kadakodu,Kotagiri), Fashionschool (Kava, Kerala)
Others Skills & Interests
2020
Shopping Mall, MICE centre(Coimbatore)
Concept Ideation, Designn Research &
2021
Sports Hub (Coimbatore)
Context study, Digital Illustrations, Photog-
2022
UD (Coimbatore), Dissertation (sense of
raphy, painting,
2018 2019
space and time in contemplative space),
Practical Training at Kham Design 2023 Thesis (Memorial Museum for Tamil Freedom Fighters at Chennai)
Madurai , TN
Graphic Design-Logos & posters
Ph :+91 7339689908 srikrithika713@gmail.com Sri krithika @_srik_i @the_blankpage__
Porfolio l Srikrithika N
CONTENT 1. Monument of Hope Celebrating Tamil Rebels & Rebellions Memorial Museum - Thesis
2. Xperia - A Sports Hub Academic - Sem 7
3. MICE center Academic - Sem 6
4. Internship At Kham design, Bangalore - Sem 9
5.Miscellenous
Selected works
06
Thesis - Monument Of Hope
Monument of Hope Celebrating Tamil Rebels & Rebellions Location- ECR , Chennai Thesis l sem 10 l year5 l 2023
A Memorial Museum at Chennai for Tamil rebels and rebellions involved in Independence Movement.
The impactful tales of our liberation movement conceals the 200 year struggle for identity. The generations long after the freedom have lost the opportunity to understand, learn and most importantly feel, what efforts our ancestors have made to gain the liberation. The direct connection with those time has disappeared. In order to hold the celebration of their legacy and bring back the energy they once had, the memorial for the tamil rebels is being proposed. To kindle the sence of regional nationalism among the growing tamil society is indispensable. Exploring the possibilities of creating an immersive experience in built forms through the engagement of our sensorium, and in turn exploring the relationship between architecture and the human experience is the aim of this thesis.
07
MEMORIAL MUSEUM EXPERIENCE
SENSE OF EXPERIENCE
Memories are the connection to immaterial expression in architecture, the narrative aspects that contains what the building wants to communicate. Parallel to its function in the city, memory can refer to the direct context of a building (like its history) as well as to abroader complex of interest.
Sense of place Experience
Event
Understanding these broader complex of interest in the context to a
An incident or secondary info
tragedy and hence its memory, onenow looks at the 'built' for the memories of the tragedy which we call memorials. The intimate association between memory and narrative arises from urge to use the past to instruct the present and future generations. A memorial may be built as a sign of collective memory. These memorials refer to events, which are public or social in nature. Memory is a social, not a psychological phenomenon, can reside in society rather than simply in the heads of individuals. It is through interconnections among these shared images that the social frameworks of our collective memory are formed. Taking the example of war memorials aiding to the
The point of anchorage, is essentially the setting or place in which the experience occurs. When we experience an event, our brain ties the sights, smells, sounds, and other sensorial input from the environment subconsciously to primarily create the place of experience. The secondary informational input that we then receive (the incident), although varying from person to person, is anchored to the primary sense of place that our mind has already registered.
collective memory-War memorials acquire their landscape definitions from sentiments, utility, social purpose and historical interpretation.
USERS
A MATTER OF PERCEPTION Time perceived perceived
Abstract event
Direct event
ACTIVITIES USER MOVEMENT
STAFF
-Memorialization
-Contemplation
-Reasearch and
-Leisure and
-Experiencing the
through different
Learning
Recreation
movements
transitional spaces
and iberation
VIP VISITORS
08
VISITORS
Thesis - Monument Of Hope
MAJOR MOVEMENTS AND THE REBELS The Poligars of Dindigul and Malabar rose up against the oppressive land revenue system under the British during 1801-06. In September 1799, in the first Polygar War, the poligars of Tirunelveli District rose up in open rebellion. Veerapandiya Kattabomman Nayak of Panchalankurichi was considered as the main leader of the rebellion. The Second Polygar war of 1800-01, given the magnitude of participation, is also known as the ‘South Indian Rebellion’. Velunachiyar recaptured Sivagangai and was again crowned as a queen with the help of Marudu brothers.
What is referred to as India's first war of independence was the Sepoy mutiny that started in Meerut in 1857. But in 1806, a rebellion broke out against the rule of the East India Company in the Vellore Fort of Tamil Nadu. Some historians say that the Vellore Mutiny should be considered India's first war of liberation. Tipu Sultan's family was imprisoned in the fort. Since this mutiny took place in Tamil Nadu and many Tamil soldiers took part in it one could say that it marks an important event in the freedom Struggle in Tamil Nadu.
S. Satyamurti actively involved in the Swadeshi Movement. He was one of the prominent leaders of the ‘pro-changers’, who were defeated by the ‘no-changers’ in the year 1922. Chidambaram Pillai spread the movement to Madras and organised the strike of the Tuticorin Coral Mill. He founded the Swadeshi Steam Navigation Company in Tuticorin on the east coast ras Province. Subramania Bharati was a member of Tamilian revolutionary group and an eminent poet, played a
Annie Besant from Ireland called for autonomy for Ireland and India, which were under British rule. He migrated to India in 1893 and started the Indian Autonomy Movement in Adyar, Madras in September 1916. The Autonomy Movement had 40,000 members with 200 branches. Demonstrations and protests for Indian autonomy were consolidated. The movement attracted scholars and college students. Annie Besant was arrested in June 1917. The autonomy movement was instrumental in bringing reforms in the British government so that India's demand for autonomy was not considered anti-national.
significant role in arousing nationalism in the Tamil areas.
VELLORE MUTINY
POLIGAR REVOLT
VEDARANYAM SALT SATHYAGRAHA
SWADESHI MPOVEMENT
CIVIL DISOBIDIENCE MOVEMENT
INDIAN HOMERULE MOVEMENT
QUIT INDIA MOVEMENT
Rajaji led the same protest from Trichy to Vedaranyam in Tamil
Martyrdom of Tirupur Kumaran
On 8 August 1942 the Quit India resolution was passed and
Nadu. Sardar Vedaratnam Pillai coordinated this struggle.
On 11 January 1932 a procession carrying national flags and
Gandhi gave the slogan ‘Do or Die’. The entire Congress leader-
Leading journalists like AN Sivaraman, Kalki alsoparticipated in it.
singing patriotic songs was brutally beaten by the police in
ship was arrested overnight. K. Kamaraj while returning from
The Salt Satyagrahainstilled the spirit of liberation along the
Tirupur. O.K.S.R. Kumaraswamy, popularly Tirupur Kumaran, fell
Bombay noticed that at every railway station the police waited
banks of the Cauvery. As Lal-Bal-Pal, the Triumvirates laid the
dead holding the national flag aloft. He is hailed as Kodkatha
with a list of local leaders and arrested them as they got down.
strong foundation of Indian Independence movement, during
Kumaran.
Kamaraj gave the police the slip and got down at Arakkonam itself. He then worked underground and organised people
the same period, in Tamil Nadu (then Madras Presidency) three patriots, Chidambaram, Bharati and Siva equally praiseworthy
The Madras session of the Indian National Congress in 1927
during the Quit India Movement.
sacrificed their blood, sweat and all the
declared complete independence as its goal. In the 1929
The Quit India Movement in Madras (now Chennai), Tamil Nadu,
Lahore session of the Congress, Poorna Swaraj (complete
started on 11th August 1942, with students of some schools and
independence) was adopted as the goal and on 26 January
colleges observing a hartal (stoppage of work). This led to
1930 the national flag was hoisted by Jawaharlal Nehru on the
clashes with the police, and their arrests marked the beginning
banks of river Ravi as the declaration of independence.
of the involvement of students in the movement.
resources at their
command for the liberation of our Motherland.
KEY PEOPLE INVOLVED IN INDEPENDENCE MOVEMENT IN TAMIL NADU
09
-Current war memorial museums in India that exhibits the journey of rebels and rebellions
SITE AND CONTEXT SELECTION
ECR
Jang-E-Azadi Memorial Chandigarh war Memorial National war memorial, New Delhi
Live Art museum
Jaisalmer war museum
s.no
Dehradun war memorial
Tawang war memorial
Darjeeling war memorial
Cavalry Tank museum
ECR
Naval aviation museum
Tourist data
1
Chennai
36981791
2
Rameshwaram
22593775
3
thiruchendur
21668656
4
Madurai
21473900
5
Kanya Kumari
19932185
6
Thiruvannamalai
17989807
7
Ooty
17588625
8
Kanchipuram
16754448
9
Mamallapuram
14630512
VGP Kingdom
Click art museum
Districts
Cont.
Tamil Nadu District wise tourist data 2018, Tourism Report , Ministry of Tourism
SITE LOCATION Area- 17 Acres ECR
The site is located along the ECR road. Which is basically a tourist corridor in the city Chennai The access to the site by means of vehicles is from the ECR state highway. The site ends with the view from the jganath beach. overlooking the sea in the east. The site is surrounded by resorts and dinings on either sides. There is scattered settlement around the site which makes it free of sound pollutionand makes the area quiter. the only means of sound is from the high way.
North Chennai Central Chennai
ECR
South Chennai
Selected site
Bay of Bengal
Towards Thiruvanmiyur
ECR
Location- Muttukadu, ECR , Chennai In Accordance to 1. CHENNAI PROPOSED MASTER PLAN 2026 - RECREATIONAL ZONE 2. COASTAL REGULATION NOTIFICATION 2019 - CRZ II (BUILT UP TO A CERTAIN EXTENT)
POSSIBLE ACCESS TO THE SITE FROM SERVICE ROAD
383
POSSIBLE ACCESS TO THE SITE FROM ECR HIGHWAY PROPOSED SITE
Resorts Formal & Informal Museums Institutions
10
ECR - 20 m wide Road
BUS STOP - MEERAN NAGAR
Towards Mahabalipuram
ECR
DakshinaChitra Heritage Museum
VISUAL CONNECTIVITY TO THE SITE
AREA - 17 ACRES
387
178
EXISTING VEHICULAR ACCESS
180
EXISTING PEDESTRIAN ACCESS
MGM Dizzie World
-soil type - sandy soil - A flat site - existing access is from ECR road -Towards North - it leads to areas like uthandi, Palavakam, Thiruvanmiyur. -Towards South - it leads to Mahabalipuram through semencheri.
Sholinganallur
VIEW FROM SITE
JAGANATH BEACH
Thesis - Monument Of Hope
DESIGN DEVELOPMENT PORTRAYAL OF REBELLION
The following elements are the main points to portray a war and independence
Quit India Movemnt
Non Cooperation movement
Chronological order of the movemts
PROVOCATION
Indian Home Rule Movement
1. South Indian Rebellion - Poligars Revolt/ (1795-1805) The Vellore
2.The Vellore Mutiny - 1806
NEUTRALISATION
Library Media centre
Tear of Nation
3.Swadeshi Movement -1906 Swadeshi Movement
4..Vanchinadhan Inacident-1911 STRUGGLE
5. Indian Home Rule Movement - 1916-1918
Civil Disobidience Movemnt
- Towards Purna Swaraj
Cafeteria
Tribute Stamba Light & sound Pavillion
Services
6.Civil Disobidience Movemnt LIBERATION
Research studio
OAT
South Indian Rebellion
Mutiny
BUBBLE DIAGRAM
Hall of Liberation
Hall of Rebels
Art gallery
- Vedaranyam Salt sathyagraha
swadeshi market
seminar halls Auditorium
Admin
- Martyrdom of Tirupur Kumaran
HEALING
7. Non Cooperation movent - !921-23 Parking Entry Pavillion
8.Quit India Movemnt - 1942
REMEMBRANCE
SPACE ORGANIZATION
JAGANATH BEACH
The concept is to depict the
A
SE WARDS O T W E VI
chronological order of the movements with the help of these
LIBERATION
points of portrayal of war in terms
HEALING STRUGGLE
of experiential spaces.
LEARNING REMEMBARANCE
NEUTRALISATION
PROVOCATION
ER’S S / LEARN
MEMORIAL EXHIBIT SPACE ORGANIZATION
SPACE
LIBERATION
PATH
PATH SPACE
SPACE
HALL
N HISTORIA
VISITOR’S AXIS
VISITO
R’S AX
IS
AXIS
The liberation hall is the interface space and the sub-space placed halfway at the middle level, signifies the transition from adark past to a hopeful future .
11
Entry Plaza
ISOMETRIC VIEW
Admin
Hall of rebels
Poligar Revolt
service bay
Temp. Gallery/ complex of souvenier Swad rebellions marke shop
Swadeshi Arangam
deshi et
Tribute stamba
Sound & Light Show
Wall of Names
Cafeteria
Tear of Nation
Monolith Walls
OAT
Library
Libretion point Jaganath Beach
ENTRY PLAZA
HALL OF REBELS
HOME RULE MOVEMENT
SITE PLAN 14
Thesis - Monument Of Hope
Permanent Exhibit
BRINGING COMPLETE INDEPENDENCE FIGHTING AGAINST THE BRITISH IMPERIALISM
THE SPACE NARROWS TO A NARROW OPENING FROM A BROADER SPACE REPRESENTING THE EMERGENCE OF THE STRUGGLE
THE MISPLACEMENT OF MIRRORS AROUND AND MIRROR COLUMNS TO REFLECT OURSELVES HIGHLIGHTING EVERYTHING IS WITH IN US
PLACEMENT OF BLOCKS IRREGULARLY REPRESENTING THE DISOBIDIENCE TO THE RULES MADE BY THE BRITIS
POLIGAR REVOLT
SWADESHI MOVEMENT
CIVIL DISOBIDIENCE PURNA SWARAJ MOVEMENT
ROAD TO FREEDOM
QUIT INDIA MOVEMENT
EXPLODED VIEW
VELLORE MUTINY
THIRUPUR KUMARAN MARTYRDOM
AUDIO VISUALS OF THE EVENTS HELD OUT BY ANNIE BESANT FOR THE HOME RULE THE SAND PATH REPRESENTS MOVEMENT . THE ESSENCE OF THE MAJOR PROESTS OF THE SATHYAGRAHA HAPPENED AT THE SHORES OF THE MARINA.
THE FLAG BEING HELD DOWN TO THE GROUND REPRESENTING THE INCIDENT
E
STAFF ROOM
STORAG
STORAG E
9.89
THE VOIDS REPRESENTING THE MAJOR SHOT EVENT HAPPENED AT THE VELLORE FORT .
VEDARANYAM SALT SATHYAGRAHA
HOME RULE MOVEMENT
2.76
JANITO R ROOM
PANEL ROOM
0 1.0
EMENT
HOMERULE MOVEMENT
SWADESHI MOV
CIVIL DISOBEDI ENCE MOVEMENT
INY
VELLORE MUT 5
3 11.7
VED A SALT RANYA SATH M YAG R
4.51
27.6
7.73 5.56
16.37
5.63
15.46 12.78
AHA
PURN
A SW
ARAJ
3.00
THIR MA UPUR RTY K RDO UMAR AN M
OLT
POLIGAR REV
4.51
10.70
6.02
2.76
NO NC & O MO QU OPER IT A VE ME IND TION IA NT .66
PLAN - PERMANENT EXHIBIT
4.13
3.00
11.73
4.13
27
1.0
0
The permanent exhibit showcase the series of prominent events of freedom movement that involved Tamil Nadu. The exhibit is designd with apertures that plays with the light and volumes which enhances the experience of the space for the visitors. the use of closed walls thoughout the exhibit is to make sure the visitors feel the struggle of the freedom movement and transitional space from the exhibit to the post freedom is signified by the open vantage point to feel the liberation,
±0.00 -0.8 -2.3 -3.6
EXHIBIT SECTION
15
Monolith walls The liberation point is the interface space and its placed halfway at the middle , signifies the transition from a dark past to a hopeful future. It’s the vantage point pointing towards the jaganath beach where the sky meats the vast sea. this vantage point is palces as such to make the visitors fell the transition from the struggle to freedom and following that big monolith wall stands high which denotes that the way to a new free india. The water body next to that reflects the tear of the struggled nation. the wall of names are sculpted with the names of the tamil soldiers involved in the post freedom wars and are open to the visitors to pay respect to thier respective family member.
Entry Plaza
Site section 16
Chamber of Rebels
Gallery of Rebels & Rebellions
T
Thesis - Monument Of Hope
Tribute Stamba Wall of names is followed by the tribute stamba which reflects the void that the freedom fighters left in the people by their absence. The tribute tower is made of two slanting columns looks like it merely supporting each other and the void is filled with the water curtain. the water bodies on the site is surrounded by rain gardens to cpnserve water and to process the runoff water in case of storm water.
Tribute Stamba
Wall of Names
Tear of Nation(water body)
OAT
Liberation point
17
18
Xperia - The Sports Hub
xperia Location- Avinashi road, Coimbatore Academic l sem 7 l year 4 l 2021
Sports hub - A complete space designed for indoor and outdoor sports and allied events. This hub is the combination of Training and practice sessions for both professionals and the general public and also fun and entertainment zones. It is a place to promote sport, health, leisure and entertainment. This design studio had a project of designing a Sports hub with a theme of “Fit - Fun -Discover”, Concept is based on constructivism. Incorporating lines, cylinders,rectangles &merged elements of constructivism such as tension cables, concrete, steel girders. and to make the structure extroverted by glass walls to make the users more involved in all the activities. the roofs form is based on trajectory parabola placed over the truss structure.
19
18
12
12 13
11
10
9 14
4 6 3
m Roa
d
15
Neelik onamp alaya
7 16
5
17
8
1
2
Trichy Road
4. Surface Parking
Site Plan 20
5. basement Entry 6. Basement Exit
7. Indoor Fun games Block 8. Indoor Fun games Block 9. Discover Block
10. Fit Games Block
13. Warm up space
16. Commondo net
11. Skating
14. Kids Park
17. Paintball
12. Tennis Court
15. Giant Chess Pavillion 18. Service entry/exit
Xperia - The Sports Hub
Master Plan
section AA’ 21
Ground Floor Plan - Block A
Ground Floor Plan - Block B
FUN GAMES - INDOOR
FUN GAMES - OUTDOOR 1. PAINTBALL
1. MAZE
4. DASHING CAR
7. CLIMBING CENTRE
2. GIANT CHESS PAVILLION
2. BOWLING
5. CARNIVAL GAMES
8. VR GAMES
3. COMMONDO NETS AND
3. FOAM PITS
6. ARCADE GAMES
9. INDOOR SURFING
CLIMBING WALLS FOR KIDS
CLIMBING CENTRE FOR ADULTS IN INDOOR FUN GAMES
22
GIANT CHESS PAVILLION
CLIMBING GAMES FOR KIDS
Xperia - The Sports Hub
3.7
4.5
DRY STORAGE
PANEL ROOM
0
JANITOR ROOM
10.9
STAFF ROOM
COLD STORE
FIRST Floor Plan - Fit block
40.
+0.45
DISHWASHING AREA
SNACK BARS
8.7 KITCHEN
6.9
ORDERING AREA
+0.45 STORAGE
+0.45
GALLERY
+0.30
+0.9
36
.9
LIBRARY
+0.15 +0.60
+0.90
29.5
+0.75
LOBBY
MUSEUM +0.45
12
.6
20.2
Ground Floor Plan - discover Block
DISCOVER BLOCK
Ground Floor Plan - Fit Block
FIT GAMES - OUTDOOR
FIT GAMES - INDOOR
1. SKATING
1. SWIMMING
2. TENNIS
2. JUDO, WRESTLING, BOXING
3. VOLLEYBALL
3. BADMINTON
1. GALLERY 2. LIBRARY 3. MUSEUM 4. CAFETERIA
JUDO AND BOXING
DISCOVER BLOCK
23
PaintBall
climbing games
Giant Chess
Bowling
Indoor maze
Tennis court
Climbing Kid’s Food center Play area Flowriding court
ISOMETRIC VIEW 24
Gallery, Museum, Library
Volleyball court Skating park
Judo, Boxing, Karate
swimming Pool
Zoning of the “FUN, FIT & Discover” was done based on the users. People coming to the Fit zoned area are professional sportspersons so they were zoned as such other public visitors wouldn’t enter that part of the area. And the Fun and Discover parts were designed with glass facades to make it more extroverted and more welcoming to the visitors and to make the visitors wonder what kind of games are inside and take part in them. Equal importance for the games were given based on the age group as in both kids and adults.
Xperia - The Sports Hub
TENNIS & VOLLEY BALL COURTS FOR PROFESSIONAL PLAYERS
PLAY AREA FOR KIDS
25
26
HIVE - The MICE center
HIVE The MICE Center
Location- Avinashi road, Coimbatore Academic l sem 6 l year 3 l 2021
A Center for MICE (Meetings, Incentives, Conferences and Exhibitions) will be the most appropriate architectural design problem to learn and incorporate the nuances of architectural technology and integration of technology and building services.Studio intention is to have a Healthy built environment along with service & technology, grab ideas and develop in terms of sustainable building practices, understand and generate the ideology of the Service concepts, advanced building practices & planning strategies effectively.
27
Site plan 28
HIVE - The MICE center
Ground Floor Plan
Second Floor Plan
First Floor Plan
Basement Floor Plan
Section AA’
29
Section BB’
30
HIVE - The MICE center
Since there are no elements projecting shadow upon the building, the facades are subject to considerable solar exposure, particularly direct in the mornings. The “curtain” which would allow to regulate solar incidence was transferred from the interior of the building to the exterior, as a filter, understood as a biological wall, whose skin is interactive and capable of responding to temperature and humidity variations, as well as filtering pollution.
31
32
Internship - Kham Design
INTERNSHIP AT KHAM DESIGN, BANGALORE
kham Design is an Architecture and Interior firm based on sustainable practice established by Ar. Chetan Shivaprasad in the year 1998.he firm is an endeavor to explore the ever-changing concepts of space. Space is a simple word, but has many meanings and multiple dimensions. The venture was found on a basis to understand and explore the nuances of architectural theory and design. This exploration of multiplicity leads Kham Design to projects in the field of Architecture, Interiors and Product Design. Over the years, Kham’s ideology has grown to include ecology and sustainable practices.
33
7 6
TERRACE PARAPET LEVEL
SKYLIGHT
LVL. +44'-6"
1'-6"
3'
2'
OHT
2'
4'
TERRACE PARAPET LEVEL
LVL. +44'-6"
1
2
3
4
5
3'
LVL. +34'-6"
1'-6"
LVL. +34'-0"
THIRD FLR LEVEL
THIRD FLR LEVEL
1'-6"
1'-6"
13'-6"
1' 5'
13'
FIRST FLR LEVEL 4
LVL. +10'-0"
3 2 1
BALCONY
DETAIL-A
16 15 14 13 12
FIRST FLR LEVEL
3' LIFT
KITCHEN
LVL. +10'-0"
9'
1'-6"
1'-6"
LVL. +1'-6"
10'
6'-6"
10' 22 21 20 19 18 17
GROUND LEVEL
PLINTH FLR LEVEL
LVL. +0'-0"
PLINTH FLR LEVEL BED ROOM
TOILET
2 1
4'
LVL. +1'-6"
PARKING
PARKING FLR LEVEL
1'-6"
5
DETAIL-A
8'-6"
6
1'-6"
7
1 2" THK CONCRETE FILLING
5'-6"
PLINTH FLR LEVEL
8
LVL. +16'-0"
LVL. +1'-6"
1'-6" 1'-6"
9
TyP. Riser =7" Avg. Tread =10" No. of Tread =17
8'
10
38 37 36 35 34 33
SECOND FLR LEVEL LVL. +20'-6"
KID'S BEDBROOM
TOILET
8'
11
MEZZANINE
MEZZANINE FLR LEVEL
43 42 41 40 39
6'
12
4" FOLDED PLATE STAIRS AS PER STR DETAIL
14'
13
13'
14
6"
15
5'-6"
16
6'-9"
6"
LVL. +20'-6"
1 2" THK PLASTER
17
9'-6"
LVL. +10'-0"
SECOND FLR LEVEL
1'-9"
ENTRANCE
FIRST FLR LEVEL
TOILET
CLOSET
10" TREAD
6"
9'
9'
9'
10'
1" NOSING FINISH
7'
59 58 57 56 55 54
9'-6"
8'-6"
1'-6"
LVL. +31'-0"
LVL. +31'-0"
KID'S BEDBROOM
TOILET
6" 1'-8" 4"
1'-6"
TERRACE FLR LEVEL
TERRACE
6" 1'
TERRACE FLR LEVEL
9'
10'
10'
7'
8'
5'-6"
1'-6"
TERRACE
PARKING FLR LEVEL LVL. +1'-0"
LVL. +1'-0"
GROUND LEVEL
GROUND LEVEL
LVL. +0'-0"
LVL. +0'-0"
0'-1"
0'-3"
2" THICK STONE SLAB 0'-8"
STEEL SUPPORT WELDED TO THE WALL
DETAIL-A
ELEVATION
DETAIL-A
FINISHED SLAB LEVEL
1'-10"
ELEVATION
0'-4"
2'-6"
0'-10"
0'-1"
2'-2" 2'-1"
DETAIL-A
1'-10" SKIRTING
0'-3"
0'-4"
10"
0'-2" 0'-2" 1'-4"
DETAIL-B
1'-8"
SILL LEVEL : (2'6")
B
DETAIL-B
0'-4"
WINDOW GRILL
1 2" THICK WOOD SHUTTER
DISPLAY WALL
WOODEN PLANK
4'-6"
SLIDING WINDOW
PROFILE HANDLE
1" DIA NOSING
1'-5"
4'-2"
FIXED GLASS
LINTEL LEVEL : (7'0")
0'-6"
BEAM BOTTOM LEVEL : (9')
1'-8"
SECTION @ AA' STONE SLAB
BASE PLYWOOD
1'-6"
WOODEN GATTA
1'-6"
1'-2"
DETAIL-B
15 16 17 18 19
3 4 5
14
6
13
7 8
11
9
34
DETAIL-B
PLAN @ 2'7"
KEY PLAN
1'
1'
1'
1'
0'-8" 1'
SECTION @ BB'
1'
1'
1'
2' 0'-4"
0'-1" 1'-10"
WALL SUPPORT
1'-6"
0'-10"
PLAN @ 4'
0'-2"
STORAGE UNITS
GRILL
1 2"
10
3'-2"
1'-2" 1'-2"
2" THICK STONE SLAB
1'-4" 0'-4"
1'
SLIDING UPVC WINDOW
0'-8"
4'
4'
2
1
20
1'
0'-2" 8"
0'-8"
0'-10"
1'-9"
0'-8 0'-1"
2'
0'
PLAN
Internship - Kham Design
15'-4"
0'-6" 1'-6"
BEAM BOTTOM LEVEL LVL +10' 2'
E
1
1 10'-8"
6'-4"
7'
4'
7'
1'-6"
4'
LINTEL LEVEL LVL +8'6"
1
19 2 3 4
UP TO FIRST FLR
5 6
14 7 8 9
1'-6"
13 12
10
11
1'-6"
18 17 16 15
9'
9'
2'-6"
FINISHED FLOOR LEVEL LVL +2'6"
1'-6" 0'-6" 0'-2"
0'-2"
20
SILL LEVEL LVL +4'
0'-3" 1'-3"
UP
1'-6" 4'-6"
0'-6"
10'
DETAIL- A
RWH
GROUND FLOOR LEVEL LVL 0
8"
ENTRANCE
KEY PLAN
SECTION A:A'
SIDE ELEVATION
FRONT ELEVATION
1
14'
8mm GLASS 0'-6" 0'-2" 0'-2" 0'-2"
1'-6"
1'-3"
CONCRETE SLAB
3"X2" WOOD SECTION
0'-3"
BASE PLYWOOD
4"X3" WOOD SECTION (FRAME)
1'-1"
DETAIL- B
1" THICK GRANITE STONE
0'-5"
GRILL 0'-5"
10' 4'-11"
8mm GLASS
1 COURSE OF CONCRETE BLOCK ATHANGUDI TILES
PLAN @ 1'-11"
3"x5" WOOD SECTION
1'-1"
0'-6" 0'-2"
0'-2"
3'-7"
1'8"
5'-8"
0'-6" 0'-2"
7'
2" THICK STONE
1'-6"
0'-2"
1'-8"
1'-8"
GRILL 1'-8"
13'-4"
A
1'-1"
1'-1"
4'-5"
DETAIL- B
PLAN @ 7'-6"
1
PROFILE HANDLES FOR SHUTTERS
1'-6"
1'-6"
STORAGE UNITS
DETAIL- A
1
1'-1"
DETAIL- C
8mm GLASS
2"X2" WOOD SECTION (SHUTTER)
2' 2'-4"
2' 2'-2"
1'-1"
DETAIL- C
PLAN @ 3'-6"
1'-1"
1'-10"
4'
K R
5'
1'-10"
1'-1"
E E
0'-6"
C
1'-5"
9'-6"
FOYER 8'7" X 9'4"
B'
1'-6"
2'
2'-1"
2'
LVL +2'6"
2'
2'
0'-8"
2'
2'
PLAN POROTHERM BLOCK WALL 1" GROOVE IN WALL C'
DETAIL-A
UP 2 3 4 5 6 7
0'-1"
1 UP TO FIRST FLR
20 19 18 17 16 15 14
8
13 12
9
1'-11"
'-1"
0'-1"
2'
10
11
8"
0'-1" 0'-4"
RWH ENTRANCE
@ 1'
35
Art Installations done for the event showcase of Karnataka’s Handlooms and Handicrafts at Karnataka Chitrakala Parishatt
36
Internship - Kham Design
Illustation of Aurinko Academy, Bangalore
37
Miscellaneous Illustrations, Sketching, Photography
38
Miscellenous - art
Growing up i have always enjoyed painting and sketching with different mediums. Portraits are one thing that fascinates me the most so I enjoy studing human faces and proportions.
Illustrations of places in coimbatore done for the Coimbatore Library interiors as a Freelance work. 39
Photography
40
Miscellenous -Photography
41