Spartanburg Philharmonic Orchestra | Sarah Ioannides
Volume 68, Fall 2016
oneLeg ac y 2016-2017 season
Honoring Sarah Ioannides and her 12th and Final Season as Music Director of the SPO
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Volume 68, FALL 2016
http://spartanburgphilharmonic.org
Music Foundation of Spartanburg
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200 East Saint John St.
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A R T I C L E S 4 5 6 17
Music Director
Sarah Ioannides
Letter from the President Rachel Deems
About the Music Foundation of Spartanburg Orchestra Members Speaking of Music
37
Looking to the Future
38
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Cello Macchiato
18
Season Premier
29
Cafea Vampyre
32
Hub City Holiday
39
Music Sandwiched In
42
Link Up
45
SPO on the Square
MSI: A Retrospective
41
Thank You!
43
A Teacher's Perspective
45
Spotlight
Jim Hudgens
Friday, Sept. 30
Saturday, Oct. 15
Friday, Oct. 28
Saturday, Dec. 3
Wednesdays at the Library FA L L S C H E D U L E February 2017
Mondays on Morgan Square
FA L L S C H E D U L E
Jimmy Gibson
CONTRIBUTING AUTHORS
Louise Fagan Latria Graham Dr. Peter B. Kay Gary Robinson Todd Stephens Dr. Joella Utley
C O N C E R T S
2016-2017
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864.948.9020
Spartanburg, SC 29306
Get more information and go behind the scenes ONLINE:
GRAPHIC DESIGNER
Dr. Peter B. Kay
@
PHOTOGRAPHER
Jimmy Gibson
YouTube
Email Newsletter
©
2016 Music Foundation of Spartanburg. All Rights Reserved. No portion of these Programs may be reproduced in any form without expressed written permission of The Music Foundation of Spartanburg. All programs and artists subject to change. All performance times are approximate.
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Sarah Ioannides Music Director
Sarah Ioannides’ dynamic presence has won praise from audiences and critics alike internationally with engagements spanning five continents. Music Director of the Spartanburg Philharmonic Orchestra as well as the Tacoma Symphony Orchestra, she is quickly gaining recognition as one of the most active, engaging and innovative conductors of her generation. Recently listed as one of the top twenty female conductors worldwide by Lebrecht’s “Woman Conductors: The Power List” in 2016, she has also been named in the Los Angeles Times as “one of six female conductors breaking the glass podium” and noted in the New York Times as part of “a new wave of female conductors in their late 20’s through early 40’s.” Ioannides was awarded the JoAnn Falletta award for the most promising female conductor. Sarah began performing as a violinist in the National Youth Orchestra of Great 4
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Britain in the UK and horn player in the Surrey County Youth Orchestra from the age of 11. With Masters degrees from Oxford University (Instrumental Scholar) and the Juilliard School of Music (Bruno Walter Award), Ioannides studied conducting, violin, piano, singing and French Horn. A recipient of numerous prizes and awards, following studies at the Guildhall School of Music, she came to the United States as a Fulbright Scholar attending the Curtis Institute of Music. A zealous supporter of living composers, Ioannides has conducted over 40 World, North American and European premiers. Under her leadership, the SPO and Tacoma Symphony have received ArtWorks grants from the National Endowment for the Arts, both for creativity in collaborations, commissioning and community involved projects. Ioannides will be stepping down from her position as Music Director of the
SPO at the end of the 2016-2017 season. Her tenure is characterized by bringing excellence, innovation, collaboration, and diversity by introducing renowned soloists and creating new educational initiatives, community partnerships, and affirming the SPO as one of the most vibrant performing ensembles in its region. "The orchestra and its Music Director, Sarah Ioannides, offered compelling proof of the value and importance of an orchestra,” stated the Spartanburg Herald Journal. Ioannides writes, “Spartanburg will remain a shining light for all our lives! I have cherished all my time with the orchestra and will miss you all tremendously. We plan to keep in touch with the wonderful friends we have made and hope to return often to renew our energy and happiness in Sparkle City.” for more information about Ioannides, including her complete bio, please visit:
www.spartanburgphilharmonic.org
from the President Rachel S. Deems
Dear Friends of SPO,
What is your music legacy? We all have a story about who inspires our love of music or what particular compositions move us and transcend our humanity. Here, in our beloved Spartanburg, we are beyond fortunate to benefit from a symphony organization composed of talented and professional musicians, devoted patrons and a dedicated Philharmonic staff. For more than a decade, the Spartanburg Philharmonic Orchestra has been inspired by the work and artistry of Maestra Sarah Ioannides. As we enter a new season, her last as music director and conductor, we will celebrate all that she has brought to our community and to the gifts she leaves behind in the form of memorable performances and an impressive music education outreach to the community.
The season, “One Legacy” is an opportunity for long time music devotees to experience programs of artistry and classics. It is also an opportunity to introduce the wonder of orchestral performance to the next generation of music lovers in Spartanburg. We encourage you to create your own music legacy by sharing the experience of a live performance by inviting a friend to join you for one of our performances. The Board of Directors and I are so grateful for our faithful donors, patrons and advertisers whose commitment to building a legacy of classical music to the community allows us to plan for the quality of music so often found only in larger cities. We count on all of you to help in continuing this important cultural gift to Spartanburg.
I look forward to seeing you during the season and to experiencing with you the best year yet of the Spartanburg Philharmonic Orchestra! For SPO,
Rachel S. Deems PRESIDENT
SPO BOARD OF DIRECTORS
2874602_18488 4.5x5.75 4C
Music moves us We all have our favorite song, one that connects us to a special memory or makes us come alive. Wells Fargo honors the Spartanburg Philharmonic Orchestra. wellsfargo.com
© 2016 Wells Fargo Bank, N.A. All rights reserved. Member FDIC. (2874602_18488)
The mission of the Spartanburg Philharmonic Orchestra is to enrich, inspire and educate the Spartanburg community through live performances of high quality music.
BOARD of DIRECTORS OFFICERS:
Rachel Deems Ray Dunleavy Laura Allen Sullivan
President Past President President Elect
Dr. Tom Moore Francie Little
Treasurer Secretary
DIRECTORS:
Karen Bjelland Lindsey Graham Rosalyn Henderson Myers Ben Burke Howell
Robyn Hussa Farrell Max Hyde Dr. Melinda Moretz Dr. Terry Pruitt
Dr. Justin Schutrumpf Donna Simpson Jeff Tillerson
LIFETIME DIRECTORS:
Dr. J. Sidney Fulmer
Dr. Joella Utley
The Music Foundation of Spartanburg Chartered in 1949 - but with roots dating back to 1885 - the Music Foundation of Spartanburg serves as the presenting organization for the Spartanburg Philharmonic Orchestra. The Music Foundation presents over 30 events annually, reaching over 15,000 people in the Spartanburg community and surrounding counties.
STAFF Kathryn Boucher Peter B. Kay
Executive Director Director of Marketing & Operations, Personnel Manager, and Composer in Residence
Louise Fagan Robert Borden
These programs are funded in part by The Arts Partnership of Greater Spartanburg, its donors, the County and City of Spartanburg and the South Carolina Arts Commission which receives support from the National Endowment for the Arts and the John and Susan Bennett Memorial Arts Fund of the Coastal Community Foundation of SC.
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Advancement Director Orchestra Librarian
Bestishes W
to the Spartanburg Philharmonic for the 2016-2017 season!
Welcome to the New Board of Directors Choosing to become a member of an arts organization Board of Directors provides a meaningful opportunity to blend personal interest with professional expertise in the advancement of a non-profit’s community impact. Our newest Board of Directors are engaged to continue these efforts, adding their personal talents to work in the best interest of SPO. The SPO Board and Staff are thrilled to welcome Karen Bjelland, Rosalyn Henderson Myers, Melinda Moretz, Justin Schutrumpf and Jeff Tillerson. As ambassadors of SPO, these five dedicated members of the community ensure that the future of our vital music education, outreach and concert programming is secure. As Karen Bjelland states, “Spartanburg is fortunate to enjoy the talents of the SPO musicians, and I welcome the opportunity of continuing to expose this gem to our community.”
Frcie Lile
R E A LTO R
3 4 0 E A S T MA I N S T. S PA R TA N B U R G , S C 29302
864.580.8448
flittle@cbcaine.com R E A L E S TAT E
Lawson Academy of the Arts Celebrating the Arts for 72 Years
For Individual Tickets: Twichell Auditorium
864.596.9724
Chapman Cultural Center
864.542.2787
All tickets are also available online through the SPO website.
http://spartanburgphilharmonic.org
864.948.9020
Music Foundation of Spartanburg 200 East Saint John St. Spartanburg, SC 29306
Learn more! Converse.edu/LawsonAcademy New! International Dance Offerings Individual and Group Lessons in Voice and Instruments HearHERE The Childbloom® Guitar Progam and Musikgarten Classes
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CORPORATE & FOUNDATION PARTNERS The Spartanburg Philharmonic Orchestra presents a unique opportunity to do business. Our concerts and events provide invaluable exposure to prospective and current clients, educate the public about your business initiatives, offer networking opportunities with clients, and provide benefits for your employees. In turn, by supporting SPO you ensure Spartanburg remains a vibrant cultural community which research has proven is instrumental in attracting and retaining top business professionals. When arts and businesses partner, everyone profits! For full details on our Corporate Partnership packages, contact: Louise Fagan, Advancement Director lfagan@spartanarts.org P R I N C I P A L
P A R T N E R S
F O U N D A T I O N
“We are delighted to stand beside SPO and encourage you to do the same!”
– Allen C. Smith, President/CEO Spartanburg Chamber of Commerce
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S U P P O R T I N G
P A R T N E R S
Media Sponsor:
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196 West Main St. Spartanburg, SC (864) 582-0123
Mon.-Fri. 11:00 - 7:00 Sat. 11:00 - 4:00
PROUD SUPPORTER OF THE SPO 10
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SEPT
30
5:30pm 6:30pm
Happy-Hour Reception One-Hour Concert
C HA PMA N 200 EAST
C ULT UR A L
SAINT JOHN
S T.
CENT E R
S PA RTA N B UR G ,
SC
The enormously popular "Espresso" chamber music series kicks off with a special blend of music featuring all eight cellos in the section of the SPO. From Bach's Brandenberg Concerto no. 6 and Mozart's Marriage of Figaro to Coldplay's Viva la Vida and the theme song from the hit TV series Game of Thrones, this concert offers something for everyone - including the premiere of a new work by Spartanburg's own Scott Robbins! Special Thanks to concert sponsors the Marriot of Spartanburg and Hub City Tap House. Drinks are included with the price of admission, so start your Friday evening with a short shot of live, classical music. HearHERE
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Have you considered ? chiropractic
Serving our community for 40+ years. Sherman College is the only chiropractic college in the Carolinas and one of just 18 in the country. On its 80-acre campus in Spartanburg, Sherman College provides students with a comprehensive chiropractic education, preparing them to enter the field as health care professionals who are highly skilled, compassionate, ethical and successful. The college’s on-campus Health Center is open to the local community and provides quality, affordable chiropractic care with more than 20,000 visits per year.
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2020 Springfield Road in Spartanburg HearHERE
ď Ž
864-578-8770
ď Ž
www.sherman.edu
Tomeka Pierce Tomeka sits on the Piedmont Care Board of Directors, the United Way of the Piedmont Young Leaders Advisory Board (winner of the Walter S. Montgomery Sr Award for Young Leadership 2012) and the 1831 Gala Committee. Ms Pierce is a member of the Junior League of Spartanburg (winner of the Mary Flower Scott Award for Community Service 2015), Spartanburg Young Professionals, The Swiss Club, Leadership Giving Society and Women's Leadership Council of United Way of the Piedmont. Tomeka is the Customer Analytics and Optimization Manager at AFL (winner of the President's Award 2011).
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The Espresso Series was my introduction to SPO and I quickly fell in love with the variety of music and the happy hour socializing. Experiencing the concerts while connecting with my friends in such a relaxed atmosphere, is a great option for our Friday nights. I find myself raving about the best ticket in town!
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SPO GIVING SOCIETIES The JERRIE LUCKTENBERG CONCERTMASTER CHAIR ENDOWMENT
The HENRY JANIEC SOCIETY
The JOE ROY UTLEY LEGACY SOCIETY
Dr. Jerrie Lucktenberg - former Concertmaster of the Greater Spartanburg Philharmonic, artist, pedagogue, and author - retired from her position during The Music Foundation’s 2002-2003 season. To help ensure the presentation of Spartanburg’s professional orchestra in our community, Dr. Lucktenberg made a generous gift of $50,000 towards the endowment of the Concertmaster Chair. With your help, The Music Foundation has matched this gift, fully endowing the chair as the Jerrie Lucktenberg Concertmaster Chair. We hope you will be inspired to follow Dr. Lucktenberg’s generous lead.
The Henry Janiec Society was established in 2001 to honor the distinguished Dr. Henry Janiec - conductor, educator, and pianist. Dr. Janiec conducted the Spartanburg Symphony Orchestra from 1952 to 1995 and served as Dean of the Converse College School of Music from 1967 to 1994. He also served as Director of the Brevard Music Center from 1964 to 1996. Members of the Henry Janiec Society have established permanently endowed chairs in the Spartanburg Philharmonic Orchestra with a gift of $25,000 or more. These chairs and funds help guarantee the future of the Philharmonic.
We have created the Joe Roy Utley Legacy Society to provide a fund through which friends can make bequests in a number of different ways. The easiest method is an instruction in a Will to leave a specific dollar amount to The Music Foundation of Spartanburg. It is a simple matter to add a codicil to an existing Will, giving the direction to make a gift from your estate to the Society. Gifts may also be made by giving appreciated securities or other assets, by way of charitable trust, through gift of life insurance, or by gifts of retirement account assets.
Louise Fagan, Advancement Director lfagan@spartanarts.org
Eastside Living Magazine is a Social Publication Exclusively For The Residents Of Converse Heights, Andrews Farm and Woodburn Road Area. N2 Publishing produces these neighborhood based magazines for affluent neighborhoods across the country. Our goal is to build community. We support local businesses that want to reach this demographic and develop relationships with the very people they are advertising to. In our commitment to the arts, we are honored to partner with the Spartanburg Philharmonic Orchestra and invest in Spartanburg! For more information please contact: 14 HearHERE blaine.alexander@n2pub.com (864) 498-2219
SPARTANBURG PHILHARMONIC ANNUAL FUND
We gratefully acknowledge the following donors who made generous commitments to the Spartanburg Philharmonic Orchestra. This list reflects gifts received July 2015 through August 2016.
B E N E F A C T O R
The Alfred Moore Foundation Mr. & Mrs. William Barnet
&
The Arkwright Foundation
&
V I R T U O S O
Mr. & Mrs. Ray Dunleavy* Mr. & Mrs. Roger Habisreutinger*
Mr. Jim Pangel Mr. & Mrs. Geoffrey Wilson $ 1 , 0 0 0 - $ 2 , 4 9 9
Mr. & Mrs. Lawrence Flynn, Jr. Ms. Joan B. Gibson Ms. Laura Henthorn Dr. Lois Ann Hesser & Mr. John Rungo Dr. & Mrs. David A. Holt Dr. Leslie W. Howard, Jr.* Mr. Ben Burke Howell* Mrs. Joseph W. Hudson* Dr. Wilton Kanode* Dr. & Mrs. Louis Knoepp, Jr.* Mr. & Mrs. Michael Kohler, Jr.* Mr. & Mrs. Lindsay Little
F E L L O W
M U S I C I A N S
Mr. E.T. McLean* Mr. & Mrs. Don Miles* Mr. & Mrs. Joe Molfenter* Dr. & Mrs. Tom Moore The Carlos Moseley Trust Mr. & Mrs. John R. Murphy* Lib & Rick Orr Ms. Thelma A. Powell Mr. & Mrs. S. Reel Robertson In Memory of W. Gordon Rodgers, Jr. M.D.* Mr. & Mrs. Joseph B. Traywick, II Mr. & Mrs. Peter Ellis Weisman* Mr. William Wilkinson & Mr. Robert K. Bellinger
$ 5 0 0 - $ 9 9 9
Mr. & Mrs. Dean Gaskins Mr. & Mrs. Chad Graham Mr. & Mrs. William U. Gunn Mr. Ben Burke Howell Mr. & Mrs. Robert E. Hyatt Ms. Ann Karegeannes P A T R O N
Mr. & Mrs. Gardner G. Courson Mr. William Cribb Mr. & Mrs. Rick Dent, Jr. Mr. & Mrs. George Dunn Ms. Louise Fagan Mr. & Mrs. Tim Farrell Mr. & Mrs. Brent Fenderson Ms. Jean Fortune Mr. & Mrs. Steve Fowler Mr. & Mrs. Vincent Garrett Mr. & Mrs. David L. Gowing Ms. M. Donna Gray Dr. & Mrs. Robert J. Haas Mrs. Lucy Hummers Mr. Karl Allison Johnson Ms. Wallace Eppes Johnson Dr. Peter B. Kay Mr. Charles Kendrick, II
Mr. & Mrs. Paul Lehner Mr. & Mrs. Art McQueen Dr. & Mrs. Mark Monson Dr. Terry O. Pruitt Mr. & Mrs. Peter Sereque
$ 1 5 0 - $ 4 9 9
Ms. Sarah Johnson Mr. & Mrs. Stephen Johnson Mr. & Mrs. Stewart H. Johnson Mr. & Mrs. Glenn McComas Mr. John N. McNamara Mr. & Mrs. Fritz Mezger Ms. Bonnie H. Monson Mr. & Mrs. Charles Morgan Mr. & Mrs. Walter Oates Mr. & Mrs. Dwight F. Patterson, Jr. Ms. Nancy Rainey Crowley M E M B E R
Ms. Phyllis Abele Mr. & Mrs. Tom C. Atwood Ms. Barbara Barnes Ms. Cissy Barnes Mr. & Mrs. Charles Baxter Mrs. Marjorie Boafo-Appiah Mr. & Mrs. Markus Bollinger Ms. DiAndra Brooks Mr. John Bucher Ms. Rosalind Buda Mr. & Mrs. Paul W. Butler Mr. & Mrs. Brendan Buttimer Ms. Alyson Campbell Ms. Marilyn A. Child Mrs. Louise B. Connell Mr. William Cooper Mr. Paul Corden Mr. & Mrs. Joe Correll
Dr. Karen Czuba Gibson & Mr. Jimmy Gibson
$ 2 , 5 0 0 - $ 4 , 9 9 9
P R I N C I P A L
Ms. Laura Allen & Mr. Roger Sullivan Mr. & Mrs. Stanley Baker* Mrs. Susan H. Baker* Dr. & Mrs. James E. Bradof* Mrs. Donna R. Cart* Mrs. Elizabeth S. Chapman Mr. & Mrs. Jerry Cogan* Mr. & Mrs. Jerome R. Cogdell Mr. & Mrs. Dick Crenshaw Mr. & Mrs. Ken Deems Mrs. Betty Dunleavy Mr. & Mrs. David Ellis
Dr. Joella Utley* Mr. & Mrs. Kurt Zimmerli*
$ 5 , 0 0 0 - $ 9 , 9 9 9
Anonymous B A T O N
Mr. Robert Borden Mr. & Mrs. Ken Boucher Dr. John M. Bullard Dr. John Burchfield Dr. & Mrs. William W. Burns Mr. & Mrs. Paul Cote Dr. & Mrs. Charles M. Fogarty Dr. & Dr. Cedric Gibb Mr. Gerald Ginocchio Mr. & Mrs. Richard Goldman Mr. & Mrs. Max Jent
$ 1 5 , 0 0 0 +
Mr. & Mrs. James Hudgens Mr. & Mrs. George Dean Johnson
P O D I U M
Dr. & Mrs. Mitchell Hurst Allen Ms. Karen E. Bjelland Kathryn & Jeff Boucher Dr. & Mrs. Ernest Camp III Mr. & Mrs. Allen Daryl Doyle Dr. & Mrs. J. Sidney Fulmer
M A E S T R O
Dr. & Mrs. Nayef H. Samhat Mr. & Mrs. Mortimer R. Sams, III Mr. & Mrs. Mark Simpson Mr. & Mrs. John Supra Mr. Arnold Tuttle Mr. & Mrs. Gregory Wade Mrs. Ted Wagner Mr. & Mrs. William Walsh Ms. Ruth Cate & Mr. Chuck White Ms. Penny Wright Mr. & Mrs. Robert L. Wynn, III
$ 5 0 - $ 1 4 9 Dr. & Mrs. Larry Kibler Ms. Jennifer King Ms. Florine Lyles Ms. Brenda Lytle Dr. Louis Martin & Dr. Alva Pack Mr. Thorne Martin Mr. Gaines H. Mason, Jr. Mr. & Mrs. Hearon McCravy Mr. & Mrs. Thomas Miller, Jr. Ms. Bonnie-Lee Mizzell Mr. & Mrs. Wilton P. Myers Ms. Jean B. Nelson Ms. Becky Pennell Ms. Diane Pickens Ms. Tomeka Pierce Mr. Wilbur H. Reames, Jr. Mr. & Mrs. John A. Schwartz Mrs. Macrina Scott
The Sherard Family Mr. Brennan Szafron Mr. & Mrs. David E. Tate Mr. Akira Terawaki Mrs. Martha I. Tiller Ms. Mary Tolstedt Mrs. Helen Trevathan Mr. & Mrs. Marshall T. Walsh Mr. & Mrs. Paul D. Weaver Dr. & Mrs. Douglas Weeks Dr. & Mrs. Clyde Wells Ms. Linda West Ms. Elizabeth Wise Ms. Elizabeth C. York Mr. Daniel Zongrone *denotes Three Year Sustaining Pledge donors
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Katherine & Ron O’Neill
Katherine and Ron O’Neill are active supporters of the arts in Spartanburg. She is the Administrator for Spartanburg County, and he is the Facilities Director for the Chapman Cultural Center. In their free time, they attend arts events, travel, and maintain a beautiful, lush garden.
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Whether you are celebrating a special occasion or just a night on the town, discover the magic of the SPO. Better yet, join us as a season ticket holder for a fun season ahead. See you there!
T
S. REEL ROBERTSON
Certified Public Accountant 721 E. Main Street Spartanburg, SC 29302
(864) 583-2450
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Fax: (864) 582-7332 reel@sreelrobertsoncpa.com
”
The
Spartanburg Philharmonic Orchestra Orchestra Members & Chair Sponsors as of August 2016
Violin I
Bass
Sarah Johnson, Concertmaster Mr. & Mrs. George Dean Johnson Joanna Lebo, Associate Concertmaster Mrs. Donna R. Cart Robin Els Ms. Joan B. Gibson Allison Chetta Ms. Thelma A. Powell Adam Kapfhammer Sharon Kerr-Lawrence John Malloy Tania Moldovan Theresa Jenkins-Russ
Ian Bracchitta, Principal Mr. & Mrs. Jerry Cogan Tim Easter, Assistant Principal Mr. & Mrs. Joseph B. Traywick, II J. Bret Alford Mrs. Betty Dunleavy Jeff Stinson Matthew Waid
Brian Roberts, Principal Dr. and Mrs. James E. Bradof in honor of Dr. Joella F. Utley Dan Kirsop, Associate Principal Mr. & Mrs. John R. Murphy Kenneth Frick Mr. & Mrs. Dick Crenshaw Bruce Cox
Flute & Piccolo Rhea Jacobus, Principal Mr. & Mrs. Joe Molfenter
Trombone Mark Britt, Principal Mr. Ben Burke Howell
Violin II
Tracy Ensley, Principal Mr. & Mrs. Ken Deems Sara Beam, Assistant Principal Mr. & Mrs. Geoffrey Wilson Ann Buttimer Laura Allen & Roger Sullivan Jessica Martin Dr. & Mrs. David A. Holt Doug Merritt March Moody Michele Tate Mr. E.T. McLean in memory of Henry Janiec Emily Wait Rachelle Whitcomb Viola
Caleb Cox, Principal Endowed by friends and family in honor of Wallace Eppes Johnson Travis Baird, Assistant Principal Mr. & Mrs. Ray Dunleavy Diana Maley Berti Mrs. Elizabeth S. Chapman Chin-Wei Chang John Conklin Katy Martin Cello
Brenda Leonard, Principal Mr. & Mrs. Stanley Baker Kathy Foster, Assistant Principal Dr. Wilton Kanode Christine Lee Lib & Rick Orr Kevin Leiferman Seth Russell Eric Scheider Benjamin Smith
Caroline Ulrich Mrs. Susan H. Baker Jessica Sherer Mr. & Mrs. Jerome R. Cogdell
Trumpet
Rienette Davis Ms. Laura Henthorn Eric Henson Tuba
Oboe & English Horn Ginny Metzger, Principal Mr. & Mrs. Roger Habisreutinger Kelly Vaneman, Associate Principal
Mr. William Wilkinson & Mr. Robert K. Bellinger Mary AllyeB Purtle, Principal Eng Hn Mr. & Mrs. David Ellis
Clarinet
Karen Hill, Principal Dr. & Mrs. Louis Knoepp, Jr. Harry Hill, Jr. Mr. & Mrs. James Hudgens Bassoon
Frank Watson, Principal Dr. Lois Ann Hesser and Mr. John Rungo Rosalind Buda Mr. & Mrs. Lawrence Flynn, Jr. Stephanie Lipka Rhyne Horn
Anneka Zuehlke-King, Principal Mr. Jim Pangel Christopher George Mr. & Mrs. Peter Ellis Weisman Andrew Merideth, Assistant Principal Dr. & Mrs. Tom Moore Christina Cornell Jeanette Schlimgen
John Holloway, Principal Mr. & Mrs. Don Miles Timpani
Patrick Lowery, Principal Mr. & Mrs. J. Michael Kohler, Jr. Percussion
Adena McDaniel, Co-Principal Mrs. Joseph Hudson Matt McDaniel, Co-Principal Dr. Leslie W. Howard, Jr Del Burton Dr. Karen Czuba Gibson & Mr. Jimmy Gibson Harp
Emily Waggoner, Principal Mr. & Mrs. Lindsay Little Piano & Organ
Kuo-Pei Cheng-Lin, Principal The Arkwright Foundation Brennan Szafron, Principal In Memory of W. Gordon Rodgers, Jr. M.D.
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OCT
15 @7:00
C L A S S I C A L C O N V E R S AT I O N S 6:15-6:45pm
with host
KATE MCKINNEY
S p a r ta n b u r g
P h i l h a r m o n i c
S E A S O N
O r c h e s t r a
P R E M I E R
TWICHELL AUDITORIUM maestro SARAH IOANNIDES conducts with special guest soloist JEFFREY BIEGEL, piano
Fanfare for the Common Man
Aaron Copland
Piano Concerto, Spiritualist
Kenneth Fuchs
4 min
21 min
After Three Paintings by Helen Frankenthaler
I. Spiritualist: Allegro con spirito II. Silent Wish: Lento - Allegro agitato - Adagio flessibile - Allegro agitato - Adagio mesto III. Natural Answer: Allegro deciso
Intermission Symphony no. 1 in c minor, Op. 68
Johannes Brahms
I. Un poco sostenuto – Allegro – Meno allegro II. Andante sostenuto III. Un poco allegretto e grazioso VI. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro 18
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45 min
Programs Subject to Change Timings are Approximate
Oct. 15
A
aron Copland, considered one ...of America’s greatest composers, came to this status from an unlikely background. Born in New York City to Russian-immigrant parents, Copland went to Paris in the early 1920’s to study composition with the eminent teacher, Nadia Boulanger. He returned to this country determined to capture the spirit of America in his music. His success was legendary, not only as a composer but as a lecturer, a pianist and an organizer of musical societies in this country.
Fanfare for the Common Man Aaron Copland (1900-1990)
Copland’s music captures the essence of the American spirit. During the 1930’s when the great depression gripped our nation Copland wrote music for the ordinary American. Understanding the feeling of the westward frontier, with its vast open spaces and man’s hopes and joys in this country, his music emphasized simplicity. In 1942, in the midst of World War II, Eugene Goossens, conductor of the Cincinnati Symphony, commissioned 18 composers to write short, rousing
H
Piano Concerto Kenneth Fuchs
elen Frankenthaler’s work has .made a significant impact on my creative life. I was first introduced to it in the fall of 1983 through the television documentary “Helen Frankenthaler — Toward a New Climate.” I was an impressionable graduate student at Juilliard at the time and was bowled over by the beauty of Helen’s painting and her free-wheeling creative attitude. This encounter helped me eventually to find my own creative path and surmount the doctrinaire rhetoric of avant-garde musical composition that prevailed in the 1980s. The aesthetic move toward the “new Romanticism” in musical composition was in its nascent stages, and it would be another decade before it
Program Notes
fanfares for the 1942-43 concert season. As Goossens described, “It is my idea to make these fanfares stirring and significant contributions to the war effort.” Of those 18 works Copland’s Fanfare for the Common Man is the one that achieved lasting fame. Thinking not only of the fighting troops Copland felt that the common man should also be honored, for, as the composer described, “…it was he who was doing the dirty work [at home] in the war.” Striving for a patriotic sentiment Copland sought, “a certain nobility of tone, which suggested slow rather than fast music.” The brass ensemble consists of horns, trumpets, trombones, and tuba, plus percussion. Beginning with a call to arms from the percussion, the heroic trumpet theme is soon passed between trombones and tuba and then horns and trumpets. With each repetition it increases in grandeur and closes with a crescendo in the percussion and grand chords in the brass. ~ Joella Utley
was embraced in a significant way by a large group of composers. I wrote Helen a letter shortly after I saw the documentary, telling her why I liked her work, and she wrote back immediately. She lived on East 94th Street, and I on West 71st Street. I was amazed that someone so famous would actually take an interest in what I had to say. I took her work very seriously, and I think she sensed that I wasn’t a celebrity hound or a toady — I understood what she was trying to do and it resonated with me. Helen invited me to a forthcoming show that December at the Emmerich Gallery, and we met there. As you might imagine, I was awestruck and
(1956-)
Commissioned by
Springfield (Mass.) Symphony Orchestra, Kevin Rhodes, Music Director Wheeling Symphony Orchestra, André Raphel, Music Director Edward J. Coyne II, Tri-State Petroleum, Wheeling, WV Dr. Carlos Jimenez, Isa and Marvin Leibowitz, and Dr. Robert G. Schiff
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Oct. 15
Program Notes
Piano Concerto (continued)
thrilled to meet an artist whose work I admired so deeply. The first painting I saw as I walked into the gallery was Out of the Dark. I looked at the patch of raw canvas on the upper right corner with all the paint rushing toward that spot and instantly my creative instincts harmonized with the image. It was as if my own creative aesthetic was shown to me. I will never forget that moment. Helen and I became friends and we maintained a correspondence over the years until her death in December 2011. Her artwork adorns the covers of my five Naxos recordings. I have been captivated for some time by the idea of using three gorgeous Frankenthaler canvases as the basis for a musical journey in a three-movement piano concerto. The titles of the
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Symphony no. 1 Johannes Brahms (1833-1897)
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The first sketches I made for this concerto date back to the early 1990s. I am grateful to my longtime friend and Juilliard classmate Jeffrey Biegel for encouraging me to compose the work. He is a champion of American composers, and he has commissioned, premiered, and recorded an enormous body of concerti and chamber music composed especially for him. (continued on page 23)
hen young Johannes Brahms first heard Beethoven's Ninth Symphony, he left the performance saying, "I must write music like that." And some would say he did. Hans von Bulow described Brahms’ Symphony No. 1 as "Beethoven's Tenth." Brahms took his own personal challenge – to write symphonies like Beethoven – very seriously and spent almost twenty years creating his first. Later he said, "You will never know how the likes of us feel when we hear the tramp of a giant like him (Beethoven) behind us."
was guarded in its praise. However, the German critic, Eduard Hanslick, wrote, "Seldom, if ever, has the entire musical world awaited a composer's first symphony with such tense anticipation... The new symphony of Brahms is a possession of which the nation may be proud, an inexhaustible fountain of sincere pleasure and fruitful study." Biographer Karl Geiringer wrote that the orchestra of the premiere thanked Brahms, "for having proved that the last word in the art of symphony writing was not yet spoken."
Brahms began his first symphony in his early twenties and played the first movement for Clara Schumann in 1862. She encouraged him to complete the work and he gradually added the second and third movements. He sent Clara the horn theme of the finale in 1868, which he described as an alphorn melody. This self-critical composer was known to ponder and revise his works over long periods of time.
The first movement begins with a slow, dramatic beat of the kettledrums, which then gives rise to the main theme. The melancholy second movement and the graceful song-like third movement may be Brahms' tribute to Schubert. In the final movement a peaceful melody comes first from a solo horn, like that of a shepherd's horn heard by Brahms in the alpine country where he spent his summers. This melody is then taken up by the flute and finally by the trombones. The singing theme of the Finale brings to mind the “Ode To Joy” in Beethoven's Ninth Symphony. ~ Joella Utley
Brahms’ Symphony No. 1 was first performed in 1876 when Brahms was forty-three. The audience at the premiere 20
paintings (which are also the titles of the movements), are Spiritualist, Silent Wish, and Natural Answer. Taken together, the paintings and their titles make a logical progression visually, emotionally, and musically. The canvases were painted in the 1970s during Helen’s mature style of staining and scumbling unstretched raw canvas spread on her studio floor, the elaborate washes of color soaking into the raw fibers of the untreated material.
Oct. 15
I
Jeffrey Biegel Guest Soloist
Farm
n 2015, Moravian College in Bethlehem, PA, conferred the Honorary Degree of Doctor of Humane Letters upon Mr. Biegel, for his achievements as the most respected prolific artist of his generation in performance, recordings, chamber music collaborator, champion of new music, composer, arranger and educator. Pioneer of commissioning projects joining multiple orchestras as a model for commissioning new music in the 21st century, Mr. Biegel created the first largest consortium of orchestras in 1998 for Ellen Taaffe Zwilich's 'Millennium Fantasy' premiered with the Cincinnati Symphony Orchestra in 2000, followed with Tony award winning composer Charles Strouse's 'Concerto America' with the Boston Pops, Lowell Liebermann's 'Concerto no. 3, Opus 95', premiered with the Milwaukee Symphony Orchestra, William Bolcom's 'Prometheus' for piano, orchestra and chorus, with the Pacific Symphony Orchestra and Pacific Chorale, Richard Danielpour's 'Mirrors' with the Pacific Symphony Orchestra, Kenneth Fuchs's 'Piano Concerto: The Spiritualist' with the Springfield Symphony Orchestra (MA). For the 2016-17-18 seasons, Mr. Biegel will premiere pop music icon Jimmy Webb's new work for piano and orchestra with Orchestra Kentucky, and PDQ Bach's 'Concerto for Simply Grand
Program Notes
Jeffrey is a splendid musician and a brilliant performer.
-Leonard Bernstein
Piano and Orchestra' by Peter Schickele. An avid composer, Mr. Biegel's choral music is published by the Hal Leonard Corporation, Carl Fischer, Porfiri & Horvath and The LeDor Group. Leonard Bernstein said of pianist Jeffrey Biegel: "He played fantastic Liszt. He is a splendid musician and a brilliant performer." These comments launched Mr. Biegel's 1986 New York recital debut, as the third recipient of the Juilliard William Petschek Piano Debut Award in Lincoln Center's Alice Tully Hall. He studied at The Juilliard School with Adele Marcus, herself a pupil of Josef Lhevinne and Artur Schnabel, and is currently on faculty at the Conservatory of Music at Brooklyn College, a City University of New York (CUNY).
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21 HearHERE 864-483-2342
Oct. 15
Program Notes
Kate McKinney Guest Host
Host, Associate Director, Producer Sonatas and Soundscapes South Carolina Public Radio
K
ate McKinney received her Bachelor ...of Music from the University of South Carolina. Prior to hosting and producing Sonatas and Soundscapes she worked as an intern at Lincoln Center for the Performing Arts and Spoleto Festival USA. In 2014, Kate received a grant to research, produce and direct the Southeastern premiere of The Second
MUSIC is the
Hurricane, Aaron Copland’s little-known opera for child performers. Later that year she won USC’s Maxient Social Impact award to co-found Project Opera Camp, a tuition-free opera and enrichment program for Midlands students. POC’s inaugural camp was held in July of 2015. In her spare time Kate enjoys reading and spending time with Ernie, her cat.
UniversalLanguage
22
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Oct. 15
Program Notes
Piano Concerto (continued from p. 20)
Jeffrey and I studied at Juilliard during the 1980s, at a time when many iconic faculty performers and composers brought forward to us the great traditions of classical music, which they themselves had inherited from master teachers of the early 20th Century. Jeffrey’s virtuoso technique and crystalline lyrical touch, which he learned from his principal teacher Adele Marcus, inspired me as I worked on the concerto. The complete concerto lasts about 21 minutes and is composed in my mature musical style, incorporating hallmarks of the American symphonic school, rigorous counterpoint, and aspects of minimalism. I. Spiritualist The first movement, cast in modified sonata-allegro form, is optimistic and playful in spirit. The woodwinds introduce a jocular rhythmic motive emphasizing the intervals of the third and sixth. The piano comments upon and melodically extends the woodwind motive. The exposition continues as the woodwinds, horn, and piano restate the opening motive in upward-rising melodic inversion. This leads to two principal themes introduced by the piano. The first is rhythmic and robust, developing the intervallic material introduced by the woodwinds; the second is lyrical, featuring scalar legato passages. Throughout, the orchestra interjects short, rhythmic canonic musings on the piano themes. The development section features the piano and orchestra tossing back and forth virtuosic riffs on all of the intervallic and melodic material introduced in the exposition. The coda introduces a development of the lyrical theme stated by the piano in the
exposition. It is first played by the strings and horn, embellished by rhythmic piano figurations. The piano then takes up the theme and plays it in canon with the orchestra. This episode is a brief exposition of new musical material that will appear in an extended presentation during the third movement finale of the concerto. As the first movement glides to its serene but inconclusive close, the piano and orchestra scatter fragments of music from the exposition and development. II. Silent Wish The second movement, cast in modified rondo form, is introspective and reflective in spirit. The strings softly reiterate a dissonantly voiced dominant seventh chord in the far-off key of C-sharp major, creating a hazy atmosphere, while the piano hesitantly intones fragments of the first principal (robust) theme of the first movement. The tonality slowly changes to C major, but with no sense of functional harmonic movement, and the piano introduces an ambient Gymnopédie theme based on the second principal (lyrical) theme of the first movement. The stasis of the Gymnopédie music is suddenly interrupted by a dissonant orchestral outburst, utilizing all twelve tones, based on fragments of the first-movement exposition. Buzzing and scurrying orchestral textures attempt to envelope the piano in sound. A chase ensues and the piano takes flight. The piano eventually pacifies the jagged, nontonal outburst with a single fragment of the Gymnopédie theme. This leads to a lush collective orchestral recollection of the ambient atmosphere, led by the piano, in a seven-part stretto of the Gymnopédie theme, cycling through the circle of fifths. The reverie is shattered
with a second, more intense, orchestral outburst. The piano attempts to surmount the increasingly violent nature of the orchestral music by insistently playing clangorous major triads throughout the entire range of the piano, based on a melodic sequence of pitches from the first movement exposition. Once again, the piano pacifies the orchestral furor with a single fragment of the Gymnopédie theme. The piano continues the ambient atmosphere momentarily, but collapses into a hazy, brooding orchestral texture. Slowly, the piano rises from the depths of the instrument to make a Silent Wish and embrace a diatonic musical cryptogram including the pitches F–C–H–S derived from my surname and the German letter names for two pitches: H for B-natural and S for E-flat. The orchestra quietly ruminates on these pitches as the piano intones one last fragment of the Gymnopédie theme and brings the movement to quiet repose. III. Natural Answer The third movement, cast in modified rondo form, is an energetic affirmation of the spiritual journey of the first two movements. The music is buoyant and optimistic, interpolating jazzy syncopated rhythms, and combines mottos and themes heard throughout the concerto. The piano and orchestra race to a brilliant and jubilant conclusion. The Piano Concerto was composed from February 2015 through January 2016 in Mansfield Center, Connecticut. I am indebted to Jeffrey Biegel for his encouragement and musical consultation during the composition of this work and for organizing the supporting commissions. ~ Kenneth Fuchs
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23
fifty years of excellence STUDIO SERIES
Fire & Passion Celebrating the
an
DANSYNERGY 9
Power of Women
Fri., Oct. 21 7 PM Sat., Oct. 22 3 PM Sun., Oct. 23 3 PM Student $15 Senior $15 Adult $20
Student $18 | Senior $25 | Adult $32 CHRISTMAS IN JULY
Fri., April 21 8 PM Sat., April 22 8 PM
SPECIAL PRICE THE MONTH OF JULY
BalletSpartanburg.org
Fri., Dec. 9 Sat., Dec. 10 Sun., Dec. 11 Chapman Cultural Center Tickets: 542-2787 ChapmanCulturalCenter.org
Twichell Auditorium The Susan Patricia Hodge Foundation
Tickets: 596-9724 BalletSpartanburg.org
7 PM 3 PM 3 PM
Amy and Martial Robichaud
Fri., Feb. 10 6 & 8 PM Sat., Feb. 11 6 & 8 PM Tickets $15 Ballet Spartanburg Studios Tickets: 583-0339 BalletSpartanburg.org
Fri., Oct. 21
THE LITTLE MERMAID 7 PM | Sat., Oct. 22 3 PM | Sun., Oct. 23
3 PM
Fri., Dec. 9
THE NUTCRACKER 7 PM | Sat., Dec. 10 3 PM | Sun., Dec. 11
3 PM
Fri., Fri.,March March2424 8 8PM PM Sat., Sat.,March March25258 8PM PM Student $15 | Senior $20 | Adult $25 Amy and Martial Robichaud
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Susu and George Dean Johnson, Jr. Cynthia Moseley In memory of Carlos Moseley
Student $15 Senior $20 Adult $25
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The Susan Patricia Hodge Foundation
CELEBRATING THE POWER OF WOMEN: DANSYNERGY 9 Fri., Mar. 24 8 PM | Sat., Mar. 25 8 PM AN AMERICAN IN PARIS Fri., Apr. 21 8 PM | Sat., Apr. 22
8 PM
FIRE AND PASSION: STUDIO SERIES Fri., Feb. 10 6 & 8 PM | Sat., Feb. 11 6 & 8 PM 200 East Saint John St. Spartanburg, SC 29306 864-583-0339 BalletSpartanburg.org
24
HearHERE
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Speaking of Music
Latria Graham
A
s a journalist I’ve traveled all over ...the world interviewing celebrities, sports figures, and politicians. During interviews I always ask this question: “what are you listening to?”
your mood and makes it easier to focus. This is your brain on music.
I never get the same answer, but I’ve learned that everyone has a lyric that moves them, or a beat that they find achingly familiar. In a fast-paced visual society where the digital landscape is constantly shifting, the intimate act of being touched or moved by a piece of music is an admission of vulnerability and statement about humanity.
Therein lies the power of our Orchestra. Sitting in a chair surrounded by others who have decided to engage in the journey the orchestra will take us on, we may seem stationary but we are in transit, traversing the world through melody and poetic phrases, translated into sound. Desire is voiced and executed by the soaring peal of a trumpet, while longing tugs at us through the lone hum and cry of an oboe. Accelerating, pulsing of the strings threatens to overwhelm us with their urgency and by the recapitulation we’ve been on a journey—as individuals and as one breathing body. For a moment—and perhaps only one moment, we function as a unit, and we are indivisible.
Scientists are currently tracking our relationships with music over the course of a lifetime in order to better understand music's power to change the brain and affect the way it works; how it is hard-wired to respond, and to feel. We know from numerous studies that music stimulates more parts of the brain than any other human function. There are hundreds, perhaps thousands, of pages of scientific research on music and our cognitive response. This much we know for sure: the brain releases the neurotransmitter dopamine, which gives you a "warm feeling of pleasure.” Another neurotransmitter, serotonin, elevates
2016-2017 26 SEASON HearHERE
The Spartanburg Philharmonic Orchestra is my respite — I come here to feel. I give myself permission to power down the technical side of my brain, and make room for a subjective response. My individual journey with the orchestra
What we feel in that concert... has the potential to change the way we treat one another. often evokes strong emotional responses and exposes my vulnerabilities. In the music there is often exaltation, and sometimes joy, but in that same work I can also find isolation, and regret. Ultimately there is reconciliation. That’s the powerful thing about live music — perhaps it does not give us what we initially sought, but it has the power to reveal what we need — on an intellectual, spiritual and emotional level. Regardless of our backgrounds, current
FOR TICKETS: ChapmanCulturalCenter.org or (864) 542-2787
situations, previous musical ability or initial musical interest we converge on this place seeking an experience that will change us, reaffirm us, or validate our experience. This fact has the power to change the way we talk about music, the way we engage with one another, and enhance our sense of self. Whether the journey occurs with established musicians that seek to trouble the limits of the traditional tonal system, or emerging composers who demand my brain performs a series of mental gymnastics as their work stretches the boundaries of musical theory, forcing me to reexamine my beliefs about art and the essence of the concert-going experience, I always leave a concert with a new perspective.
One conclusion that I’ve come to several times over is that music can be a powerful vehicle to build bridges, connecting us to each other. What we feel in that concert and ultimately what we understand about ourselves and those around us has the potential to change the way we treat one another—as concertgoers, neighbors and ultimately a community. The orchestra, with their disciplined but expressive nature, presents us with an opportunity— nay, a gift, should we be open enough to receive it. The bigger work that remains to be done, perhaps, is making sure that more in our community have access to this resource, so that they can embark upon their own journey.
ourselves over to the power of music? The world is changing and patrons of the orchestra are growing to fit that change. By the end of a concert, we each have something to say. Let’s start that conversation with music. So Spartanburg, I have just one question for you. What are you listening to? I want to know.
Latria wants to hear from you—you can reach her on Twitter at @LGRaconteur using the hashtag #SPOlistens
What can we accomplish locally, nationally, and internationally, if we give
Latria Graham is writer, teaching artist and cultural critic currently living in Spartanburg. Her work has been featured in the New York Times, Los Angeles Times, The Guardian, on ESPN, at Elle.com and in Spartanburg Magazine as well as the Spartanburg Herald-Journal. Her interests revolve around the dynamics of race, gender norms, class, nerd culture, music and — yes, football. You can find out more about her at LatriaGraham.com
SEPTEMBER THEMED SHOW “Love Where You Live” OCTOBER THEMED SHOW Isabel Forbes NOVEMBER THEMED SHOW Members Show DECEMBER THEMED SHOW Karen White
OUR MISSION
WE ARE THE OLDEST GUILD IN SOUTH CAROLINA
To Cultivate, nurture, and grow the visual arts in our community by supporting Local Artists.
Become an Artist Member or a Patron at www. artistsguildofspartanburg.com
WHAT WE DO ANNUAL JURIED SHOW The Annual Juried Show offers a firstrate competition judged by a professional visual arts expert.
PROGRAMS Programs are held once a month, providing educational speakers, presentations by artists, and hands-on participation.
GUILD GALLERY The Guild Gallery provides a professional exhibiting space for members’ work. The gallery maintains a 12 month cycle.
OUTREACH The Guild’s outreach provides art and art education to the community by holding workshops, teaching in schools and in youth and senior centers, and exhibiting members’ work in business and community locations.
FOCUS ON YOUTH Focus on Youth is an annual exhibition and awards show for high school students from Spartanburg county, providing them the opportunity to exhibit in a professional setting.
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Spartanburg, SC 29306
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28
HearHERE
OCT
28
5:30pm 6:30pm
Happy-Hour Reception Film with Live Music
C HA PMA N 200 EAST
C ULT UR A L
SAINT JOHN
S T.
CENT E R
S PA RTA N B UR G ,
SC
Experience Nosferatu: A Symphony of Horror - the movie that film critics rank as one of the best and scariest of all time - as it was meant to be seen: on the big screen, accompanied by live music. Performing a score that incorporates the beautiful and dark strains of Brahms's chamber music, the SPO strings will accompany the eerie ‘Vampyre Count’ as he makes his trek from Transylvania ...into your nightmares! Special Thanks to concert sponsors the Marriot of Spartanburg and Hub City Tap House. Drinks are included with the price of admission, so start your Friday evening with a short shot of live, classical music. HearHERE
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93413_MARY_ERpldg_8_5x11c.indd 1
8/26/16 11:43 AM
People will never forget how you made them feel.
- Maya Angelou
A true legacy is measured by the stories we share the laughter, the joy, the music. Throughout this signature season, we are collecting stories of the past 12 years to share and to remember the wonderful ways that Sarah and the Musicians of SPO have built this
o n e L E G A C Y.
To send a story and to make a contribution to our one le g a c y campaign, please email Louise Fagan, Advancement Director lfagan@spartanarts.org
DEC
3
@7:00
S p a r ta n b u r g
H UB
P h i l h a r m o n i c
CIT Y
HOLI D AY
TWICHELL AUDITORIUM
featuring
maestro GARY ROBINSON conducts DORMAN and SPARTANBURG HIGH SCHOOL the FERNWOOD RINGERS bell choir and more!
Part I. Orchestral Flourishes A Christmas Festival Variations on Joy to the World Fantasia on Greensleeves Polar Express Suite Part II. The Gift of Song Christmas Day 'Twas the Night Before Christmas 32
O r c h e s t r a
choirs
Leroy Anderson
3 min
Hershey Kay 6 min
Ralph Vaughan Williams 5 min
Alan Silvestri
arr. Glen Ballard
5 min
Gustav Holst 7 min
Kenneth Darby 7 min
Dec. 3
Program Notes
Intermission Part III. Tintinnabulations Song of the Bells Carol of the Bells
Leroy Anderson 3 min
M. Leontovich & P. Wilhousky arr. Richard Hayman 3 min
Change Ring Prelude on Divinum Mysterium Tintinnabulations
Fred Gramann 4 min
Katherine Punwar
Part IV. Parting Gifts Deux Nöels I. Nöel Huron II. Il est né
5 min
Denis Bédard 7 min
Selections from L'Arlésienne
Georges Bizet
Christmas Singalong
John Finnegan
I. Carillon II. Farandole III. Menuet
14 min
7 min
Programs Subject to Change | Timings are Approximate
Part I. Orchestral Flourishes
Part II. The Gift of Song
S
easonal favorites old and new begin ..our holiday offering. Leroy Anderson (1908-1975), described by composer John Williams as "one of the great American masters of light orchestral music,” studied music and composition at the New England Conservatory and Harvard University. His musical career included composing for (and often conducting) studio orchestra, Broadway shows and, of course, the Boston Pops, and produced timeless miniatures such as The Syncopated Clock, Blue Tango, Sleigh Ride, and The Typewriter. Tonight’s 1950 A Christmas Festival is a solidlywritten, enduring work premiered by
A
lifelong friend of Ralph VaughnWilliams, Gustav Holst (18741934) led a full and varied life as a musician, supporting himself as a professional trombonist, as a teacher, as the music director at Morley College and Saint Paul’s Girls School, and, of course as a composer. Having generated a substantial oeurvre, he is best remembered for his compositions
the Boston Pops under Arthur Fiedler. American composer Hershey Kay (19191981) studied at the Curtis Institute of Music and was destined to orchestrate the works of classmate Leonard Bernstein, including his On the Town, and Candide. Variations on Joy to the World takes the familiar tune and the listener on a witty stylistic journey. Ralph Vaughan Williams (1872-1958) composed his timeless Fantasia on Greensleeves in 1934 and included the folk song Lovely Joan as its center section. Now destined to become a holiday classic, Alan Silvestri’s (b. 1950) suite from The Polar Express springs from the 2004 Tom Hanks cinema hit.
associated with the English folksong revival (St. Paul’s Suite, Brookgreen Suite) and for his towering 1913 masterpiece The Planets. Christmas Day (1910) weaves Good Christian Men, Rejoice, God Rest ye Merry Gentlemen, Come, ye lofty, come, ye lowly (Old Breton Melody) and The First Nowell into an elegant medley. Along with being a delightful time capsule of 1940s musical style, “Twas the HearHERE
33
Dec. 3
Program Notes
Part II. (continued)
Part III. Tintinnabulations
Night Before Christmas showcases the efforts of many talented hands. Originally entitled “A Visit from St. Nicholas,” the original poem was penned by American teacher and writer Clement Clarke Moore (1779-1863) in 1837. Moore’s poem was set to music in 1942 by composer and arranger Kenneth Lorin
T
intinnabulation is defined as “the ringing or sounding of bells,” and tintinnabulation is in the fabric our holiday tradition. As noted in the Leroy Anderson website, the middle section of his 1953 Song of the Bells…”contains something rarely heard: a duet between chimes and bells. The flowing musical themes show why Anderson has been called one of our greatest melodists.” Familiar to the point that is seems without origins, Carol of the Bells was composed in 1914 by Ukrainian Mykola Leontovych
Darby (1909-1992, the voice of the mayor of Munchkinland in The Wizard of Oz) for choral icon Fred Waring (1900-1984, the eponymous backer for the Waring Blender) with the orchestration by Harry Simone (1911-2005, the composer of The Little Drummer Boy) following shortly thereafter.
with lyrics by Peter Wilhousky. The song is based on a Ukrainian folk chant that translates “Bountiful Evening.” Also seemingly timeless is Jingle Bells, originally entitled One Horse Open Sleigh in 1857 by American composer James Lord Pierpont (1822-1893). Katherine Punwar’s rib-tickling romp – Tintinnabulations – saddles and gallops Jingle Bells through the worlds of Rossini, Johann Strauss, American Big Band, and country hoe-down!
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HearHERE
Part IV. Parting Gifts
G
eorges Bizet (1938-1875) composed ..his incidental music for the illfated performances of The Girl from Arles (L’Arlésienne) by Alphonse Daudet (18401897) in 1972. Bizet, and later, friend and colleague Ernest Guiraud (18371892), salvaged enough of the original music to create the two suites, which have become so often programmed by symphony orchestras and so loved by their audiences. Though not specifically referencing the season, movements from these suites serve as perfect holiday offerings. The Carillon from Suite No. 1 harkens to our Tintinnabulations earlier
G
ary A. Robinson received a B.F.A. ..from the University of Connecticut, Education Certification earned at Hartt School of music, an M.M. in Instrumental Conducting from Mississippi College, and a D.M.A. in Orchestral Conducting from the University of South Carolina. He received additional training in orchestral conducting from Symphony School of America, the Florida Festival Conductors Symposium, and the Conductors Guild Conducting Institute.
Gary Robinson Guest Conductor
Gary Robinson has served on the music faculty of the Fine Arts Center and has been the Director of FAC’s Orchestra-inResidence, the Young Artist Orchestra (formerly Greenville County Youth Orchestra) since 1985. Robinson served as Music Director of Greenville’s Foothills Philharmonic from 2000-2010. In the 1990s, he was an artistic program advisor and guest conductor with the Greenville Symphony Orchestra. Robinson is the Founder of the Metropolitan Chamber Orchestra of Jackson, Mississippi, and has been featured as a guest conductor with the Hendersonville (NC) Symphony Orchestra, the Clemson University Symphony, the Carolina Youth Symphony, and the South Carolina Philharmonic Youth Orchestra. Robinson has conducted South Carolina’s All-State Orchestra (1993 and 1997) as well as the New Hampshire All-State Orchestra, and was the featured clinician with the Kenosha (WI) United School District
Dec. 3
Program Notes
in the program; indeed, the opening horn statements are performed with what musicians refer to as “bell tones.” The final movement, Farandole from Suite No. 2, begins with a grand orchestral statement of French Christmas song March of the Kings before launching into a whirlwind of woodwinds, strings, and finally full orchestra. Separating them is the lovely Menuet, also from Suite No. 2. Borrowed from Bizet’s opera The Fair Maid of Perth, it showcase the SPO’s principal flute and bassoon. Enjoy! ~ Gary Robinson
Orchestra Festival. Robinson served as the Producer/Director of Greenville’s Singing Christmas Tree from 1993 until its close in 2000, and has served as Interim Choral Director at Buncombe Street United Methodist Church. As a music faculty member at the Fine Arts Center Robinson has taught classes in percussion, winds & brass instruments, and music theory. Robinson was FAC’s Teacher of the Year in 1996 and, in 2005 was the winner of a Surdna Foundation grant to study orchestral repertoire in New York City and drum set at the Drummer’s Collective. He has held adjunct positions as a percussion teacher at Limestone College, the University of Connecticut, and Furman University, and has served as a band director in Mississippi public and private schools. Robinson has performed as a percussionist and timpanist since 1977 and has played with orchestras in Connecticut, Mississippi, Florida, North Carolina, South Carolina, and Georgia. He is a veteran of the American Wind Symphony Orchestra of Pittsburgh, Pennsylvania, and currently performs with the Greenville Symphony Orchestra. Gary’s wife since 1980 is violinist, teacher and conductor Kathleen S. Robinson. Violinist daughter Chloe is a graduate of the Oberlin Conservatory. Daughter Caroline is an organ performance major at the Curtis Institute of Music in Philadelphia, PA. HearHERE
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Legendary performance. It’s our goal too. We’re proud to support the Spartanburg Philharmonic Orchestra and their commitment to enriching the community through entertainment and education.
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Looking to the Future Dr. Joella Utely
Search Committee Chair
A
nticipation of the 2016-17 season ...of the Spartanburg Philharmonic Orchestra is bitter sweet. As we know, it is the last season for our beloved conductor, Sarah Ioannides, who will have led the SPO for the past 11 years. We have come to enjoy the wonderful and varied programs presented on the concert stage and the fine outside guest artists she has brought to perform with the orchestra. As well, Sarah has worked with children and youth in the schools of Spartanburg County. She has advanced musical programs in our community with such programs as Link Up with Carnegie Hall (see page 42) – and the list goes on. Now, as we move toward the future, the Music Foundation of Spartanburg is conducting a nation-wide/international search for the next conductor of the SPO. As with the past search, the Music Foundation is working through several leading organizations, which publish our position needs and opportunities.
The Search Committee consists of SPO orchestra members, Music Foundation board members and staff, and community leaders. This group will be reviewing resumes and inviting promising conductors to visit our community. The four leading candidates will perform with our orchestra during the 2017-18 season. The final candidate chosen will begin performances in the 2018-19 season. The Music Foundation and the Search Committee welcome the thoughts of you, our audience members. We would like your feedback regarding what you desire in a new conductor, the types of music you most appreciate and any other thoughts you have regarding the performance of classical music in our community. Send your comments to MDSearch@spartanarts.org
As we begin this coming season expect, as before, to hear the beloved standard classical works as well as new classical music, outstanding guest artists, and fine performances by the members of the Spartanburg Philharmonic Orchestra. We look forward to seeing you at the concerts.
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all We’reCohen’s! ing wear not YOU? 307 Why
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WEST MAIN ST, SPARTANBURG
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MSI: A Retrospective Todd Stephens
County Librarian
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n April 1997, when the Headquarters ...Library moved from the edge of Converse Heights to downtown Spartanburg, we knew the information age was on the cusp of significant change as the Internet shouldered its way into the mainstream. If the acquisition and presentation of information was to undergo a revolution, then the library must remain pliable and change as well. Libraries are not passive institutions. Libraries are a vital and intricate part of a community’s educational and cultural
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fabric. To remain relevant, Libraries must program spaces in and out of its walls. Nineteen years ago the Headquarters Library Opening Festivities Planning Committee, chaired by Wendy Mayrose, focused on programming that engaged, educated, and entertained the greater Spartanburg community. The planning committee did not have the benefit of present day technology. They did not have access to analytics and the street level analysis of household behaviors. What the committee did have was a
keen understanding of the importance of meaningful interpersonal relationships and programming public spaces with ideas and information. With this mindset as the frame, Hank Barnet, serving as a member of the planning committee, suggested the creation of Music Sandwiched In, a lunchtime program featuring local musicians – a rather simple concept. Since 1997, thousands of individuals have enjoyed jazz, bluegrass, sneak
peaks of the Spartanburg Little Theatre’s musical productions from Footloose to Hairspray, and of course the always popular Foothills Oompa Band. During Music Sandwiched In the doors of the Barrett Room are left open, and the 105,000 square foot library is filled with music, laughter, and applause. Hank’s idea has blossomed into a musical program that has continued to enrich the lives of others for 19 years. Music Sandwiched In has been replicated at our branch locations and has led to spin off programs such as Books Sandwiched In and Cinema Sandwiched In.
Music Sandwiched In is free, entertaining, and intergenerational. Our audiences come from White Oak Estates, Boiling Springs High School, Summit Hills and Meeting Street Academy (just to name a few). There are weeks when we have school busses lined up with the buses from our assisted living facilities. As a community, we are strong when an 8 year old is able to sit next to a 98 year old and share in the same experience. We are active when we allow music to flood our senses and to stimulate our thinking. The Music Foundation of Spartanburg and the SPO have brought first rate musicians into the library for our public
As a community, we are strong when an 8 year old is able to sit next to a 98 year old and share the same experience. to enjoy – for free. It is the vitality in this partnership that has allowed Music Sandwiched In to continue to enrich the lives of others. A simple, yet impactful idea: music and a sandwich.
Music Sandwiched In is a lunchtime concert series in downtown Spartanburg, featuring local, regional, and even national talent! All events are FREE and Open to the Public. Lunch is available for purchase, prepared by one of Spartanburg's finest, Chef Bill McClellan!
Spartanburg County Public Library Headquarters, Barrett Room 151 South Church Street Spartanburg, SC
F A L L
2 0 1 6
S C H E D U L E
12:15-1:00pm
Aug. 24
Tom Wright's Cat & Mouse Ensemble
Blues, Jazz, and Pop remixes
Sept. 7
Spartanburg Little Theatre Presents
Beauty and the Beast Preview
Sept. 14 Spook Handy Remembering Pete Seeger Concert Tour Oct. 5
The Carolina Players Band
R&B, Blues, and Light Rock
Oct. 19
Foothills Oompah Band
Octoberfest!
Nov. 2 Celloasis Electric Cello & Keyboard Nov. 16 Radieuse New Music for Flute & Oboe Nov. 30
SPO String Quartet
Eclectic Blend for String Quartet
Dec. 14
SPO Brass Quintet
Madrigals & Carols for the Holidays HearHERE
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LUNCH
Monday – Friday 11AM – 3PM DINNER
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THANKS Recognizing Jim Hudgens
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one le g a c y ur season ..celebrates Sarah Ioannides's twelve years as Music Director. Yet Sarah will be the first to acknowledge her accomplishments are in fact due to the tremendous dedication of a league of Spartanburg music lovers. Today we feature Jim Hudgens – lawyer, former Chair of the Board of Directors, and avid community volunteer.
Jim chaired the Search Committee responsible for bringing Sarah to Spartanburg. Not only could he see the talent in the young Maestro Ioannides, Jim saw the potential for Spartanburg to rise to the challenges of becoming a regional and state arts force. Harnessing the momentum of Sarah’s first exciting season, Jim championed SPO at every turn inviting fellow business leaders, government and city officials, community groups, and the media to work with him to build a Music Foundation that could support the artistic integrity of the musicians and music director.
photo provided by the Spartanburg Herald Journal
From Sarah’s perspective, "There are no words to describe the impact that Jim Hudgens has had on this organization, as it is beyond measure. As a personal friend and someone who has fed my artistic creativity with the greatest of encouragement and also new ideas, both Jim Hudgens, and Patsy Hudgens, are cherished and loved by myself and the orchestra." At the heart of Jim Hudgens’s efforts is the belief that the Spartanburg Philharmonic Orchestra is for the community. For all the citizens of Spartanburg regardless of age or economics. This is most evident
Below: Jim Hudgens with Sarah Ioannides, Dame Evelyn Glennie, SPO's Co-Principal Percussionists Adena & Matt McDaniel, and music students from the South Carolina School for the Deaf and the Blind. photo provided by the SC School for the Deaf and the Blind
in his commitment to SPO’s partnership with the Spartanburg County Public Library with the FREE lunch hour concert series Music Sandwiched In. Jim recently said “In my opinion, MSI is probably the best kept secret in Spartanburg. It's a unique collaboration and a great gift to the community. The audience friendly performances showcase local and regional talent of a wide variety from country music to classical, Irish folk music to opera, even an Oompah band! The Barrett Room is often filled to capacity, as audiences of all ages and backgrounds, schoolchildren, business folks and retirees join together for these informal lunch hour concerts." Jim and his wife Patsy attend our MSI concerts, often inviting friends and business leaders to enjoy the presentations so that they can see (and hear!) first hand, the affect this program has on the audience. The entire Philharmonic family – board, staff and musicians – owe a great debt to Jim for his belief in the power of music for good in our community. Thank you, Jim, and thank you Patsy, for your tremendous contributions. ~
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The J M Smith Foundation is generously supporting the 2017 Link Up concert through a matching gifts initiative! These funds allow the SPO and the Schools to move forward with confidence in the early planning and implementation of the classroom program.
Since the first Link Up program in 2011, Duke Energy has been a sustaining corporate partner. We are grateful for the support in our early years and their ongoing belief in the importance of arts education. Thank you, Duke Energy, we couldn't do it without you!
Due to exposure by programs like Link Up, District 7 numbers continue to grow in terms of students joining orchestra and band. This is wonderful for D7 because students involved in orchestra and band have higher SAT scores than students who are not in arts education. - Dr. Terry Pruitt Deputy Superintendent, Spartanburg County School District 7
Link Up: Annual Youth Concert F E B RUA RY 2 0 1 7
S
ince 2011, every 4th grade student ..attending Spartanburg County Schools has been given the opportunity to join the Spartanburg Philharmonic Orchestra (SPO) in the highly engaging, participatory program Link Up. In an effort to reach as many young people as possible, the SPO offers the Link Up program at no cost to the students. For many students and their families, Link Up provides their first exposure to live classical music performance, providing an experience that influences these young minds and thus the community, for a lifetime. The SPO’s Link Up program is the ultimate educational opportunity for music teachers, students and their families. For the Orchestra, this provides important collaboration and partnership with schools, students, 42
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teachers and community fulfilling a fundamental component of our mission. Link Up is a music education program created by Carnegie Hall's Weill Music Institute to unite the classroom with the concert hall, giving students the opportunity to explore music through a yearlong curriculum of classroom activities and a culminating concert in which students perform with a professional orchestra. Through the 2016–2017 season’s curriculum, The Orchestra Sings, students will explore orchestral repertoire through a hands-on music curriculum. The yearlong program of skills-based and creative work in the classroom will culminate in a lively interactive concert at Twichell Auditorium at Converse
College, giving students the chance to demonstrate what they have learned by singing and playing recorder or violin with the Spartanburg Philharmonic from their seats in the audience. Guided by conductor Sarah Ioannides the hour long program of music making and “listening challenges” will also incorporate some of the students’ original compositions, as well as lighting and visual effects. To make a contribution to the one le g a c y year of Link Up and for more information about the SPO’s education initiatives please visit website:
spartanburgphilharmonic.org or contact Louise Fagan, Advancement Director: lfagan@spartanarts.org
A Teacher's Perspective Dr. Sharon T. Doyle
Woodland Heights Elementary School
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parent of a second grader recently stopped me in the hall and relayed an interesting story to me about her son’s musical education. It went something like this – She and her husband had bought tickets to a rock concert and simply told her two boys they would have a sitter on Friday night because they were attending a concert. Her son in turn inquired, “Orchestra or opera?” When she mentioned it was a rock concert, he replied, “Oh.” Her comment to me was that she was amazed and a little proud (I think) that in second grade, her son’s musical experience had led him to ask about more classical concerts as the concerts his parents of course should be attending.
up to the day of the concert and upon returning back to school, students add Beethoven to their rock star list. On the last day of school, one student shared, that he only wished he could know more about Mozart before the year was over. While other teachers were packing boxes and taking out trash, our last day was spent doing one more internet search
and listening to one last piece written by their new favorite composer. Music touches our students in very real and lasting ways and gives students a new conversation with parents and adults outside of school. The Link Up program provides the catalyst for continued study and allows students to realize that there is no substitute for the live performance.
This story reminds me of the strong influence that opportunities to hear and experience live music in all forms opens a world of possibilities to our children. The fact is that students in elementary school are as accepting of traditional classical music, as they are hip-hop and r&b. The distinction that must be made is that we take for granted that they know about all types equally. To many of my fourth grade students, attending the Link Up is their first live orchestra experience and for some their first live concert of any type. The students are mesmerized by the entire experience: the concert hall, the musicians, the screen, the conductor, and even the trip across town to an area some have never ventured. Too often, those of us living in a musical world are unaware that without these opportunities, too many never get this experience. Since being involved in the program, more of my students are continuing in music at the middle school level. We have an increase of students joining band and strings in fifth grade and more are continuing with their studies into the middle school. My students work on parts of the program throughout the year leaning about the music, composers, instruments, and becoming performers as partners with the orchestra. Excitement leads
Sharon leading the students during the February 2016 Link Up concert at Twichell Auditorium.
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United Arts Fund Donors July 1, 2015-June 30, 2016 When you support the Chapman Cultural Center you are supporting our mission of providing cultural leadership for Greater Spartanburg by developing, strengthening, and promoting the scope, excellence and educational role of the arts, humanities and sciences, and to further their significance in the life of our community and all of its citizens. We have a vision for Spartanburg to be nationally recognized as a unique and vibrant cultural community that inspires creativity and collaboration. Corporate Donors
Corporate Public Grants National Endowment of the Arts City of Spartanburg County of Spartanburg South Carolina Arts Commission Corporate Visionary American Credit Acceptance, LLC Anonymous Duke Energy Foundation Inman-Riverdale Foundation JM Smith Foundation Milliken Foundation Spartanburg Regional Healthcare System Corporate Founders’ Circle BMW Manufacturing Company, LLC JM Smith Corporation Johnson Development Associates Longleaf Foundation Mary Black Foundation OTO Development Phifer Johnson Foundation Toray Carbon Fibers America, Inc. Wells Fargo Foundation Corporate President’s Circle Bank of America - Spartanburg Coca-Cola Bottling Company United, Inc. Contec, Inc. Denny’s Corp. McAbee, Schwartz, Halliday and Co. Metromont Corporation SEW Eurodrive, Inc. Shurburtt Group, LLC Southern States Packaging Co. Southeastern Printing TD Charitable Foundation White Oak Management, Inc. Corporate Pacesetter Advance America Blue Cross and Blue Shield of South Carolina Budweiser of Spartanburg KapStone Paper and Packaging Corporation Kohler Company Marriott at Renaissance Park Michelin North America, Inc. Spartanburg Piedmont Natural Gas Security Finance Corp. SunTrust Bank Waldrop Inc William Barnet & Son, LLC Corporate Leader BB&T Bank Better Homes and Gardens Real Estate, Young & Company Blackwood Associates Inc. Carolina Alliance Bank Duer/Carolina Coil, Inc. Dunbar Construction Company, Inc. Hodge & Langley Law Firm International Festival Society Johnson Smith Hibbard and Wildman Leigh Fibers Inc. Martex Fiber Southern Corp. NAI Earle Furman Pacolet Milliken Enterprises Parker, Poe, Adams & Bernstein, L.L.P.
Pacesetter Mr. & Mrs. Charles J. Bradshaw Mrs. Donna Cart Ms. Beth C. Cecil Mr. & Mrs. Martin S. Cornelson Mr. & Mrs. Christopher M. Crowley Mr. & Mrs. T. Alexander Evins Mr. Jimmy N. Gibson & Dr. Karen M. Czuba-Gibson Ms. Joan Gibson Mr. & Mrs. D. Benjamin Graves Mr. & Mrs. William Lowndes III Mr. & Mrs. Barry B. McNaughton Mr. & Mrs. Corry W. Oakes III Mrs. Edward P. Perrin Mr. & Mrs. Benjamin R. Wall Mr. & Mrs. Kurt Zimmerli Leader Dr. & Mrs. G. Ashley Allen Dr. & Mrs. Mitchell H. Allen Dr. Thomas Ashley & Dr. Juliette Saad Mr. & Mrs. Robert D. Atkins Mr. & Mrs. Andrew M. Babb Mr. W. D. Bain, Jr. Mr. & Mrs. Stanley W. Baker Mr. & Mrs. John P. Barber Mr. & Mrs. Thomas G. Barnet Mr. & Mrs. Bert Dixon Barre Mr. & Mrs. H. Walter Barre II Mr. & Mrs. John E. Bauknight IV Mr. Kyle Riser & Ms. Virginia Benintende Mr. & Mrs. William D. Blackford Mr. & Mrs. Glen B Boggs II Mr. & Mrs. Pascal S. Boyd Dr. & Mrs. James E. Bradof Mr. & Mrs. George Brandt III Mr. & Mrs. Walter M. Brice II Mrs. Mellnee G. Buchheit Mr. & Mrs. Ethan R. Burroughs Mr. & Mrs. William H. Burton III Dr. & Mrs. Henry Frederick Butehorn III Dr. & Mrs. Louis Buttino Dr. & Mrs. B. Brant Bynum Mr. & Mrs. Jason D. Bynum Mr. & Mrs. William A. Caldwell Dr. & Mrs. Ernest Camp III Mr. & Mrs. Christopher L. Cannon Mr. & Mrs. Harold McMillan Cannon Mr. & Mrs. William Z. Cannon Mr. & Mrs. Terry L. Cash Ms. Kathleen M. Cates Mr. & Mrs. MacFarlane L. Cates, Jr. Mr. Douglas M. Cecil & Individual Donors Dr. Julie J. Cecil Founders’ Circle Mr. & Mrs. Randall K. Chambers Anonymous Mr. & Mrs. Norman H. Chapman Mr. Frederick B. Dent, Sr. Mr. & Mrs. Robert H. Chapman III Mr. & Mrs. Jimmy I Gibbs Mr. & Mrs. William Cobb Mr. & Mrs. George Dean Johnson, Jr. Mr. & Mrs. Jerry A. Cogan, Jr. Mr. & Mrs. Thomas P. Nederostek Mr. & Mrs. William M. Coker Mr. & Mrs. Geoffrey Wilson The Honorable & President’s Circle Mrs. J. Derham Cole, Sr. Mr. & Mrs. Robert W. Allen Mr. & Mrs. Justin Converse Mr. & Mrs. William Barnet III Mr. & Mrs. Paul J. Coté Mr. Charles Cauthen Mr. & Mrs. Kenneth R. Couch Mrs. Elizabeth S. Chapman Mr. & Mrs. Julian Crawford Mr. & Mrs. J. Michael Kohler, Jr. Mr. & Mrs. E.Dixon Crenshaw, Jr. Mr. & Mrs. Walter S. Montgomery, Jr. Mr. T. Kenneth Cribb, Jr. Peterson Family Fund Mr. & Mrs. Daniel E. Cromer Mr. & Mrs. Peter Weisman
Polydeck Screen Corp Publix Supermarket Charities Pure Barre Corporation Spartanburg County Foundation Tate Metalworks, Inc. Tricor Construction United Community Bank RS Holdings White’s Pine Street Exxon Young Office Corporate Patron George Johnson Insurance, Inc. Corporate Partner Atchison Transportation Services Colonial Trust Company CWS Insurance Agency Inc. Hodge Floors Jeff Horton Insurance, Inc. Johnson Smith Hibbard and Wildman Merit Distribution Group QuikTrip Corporation Sage Automotive Interiors Target The Piedmont Club Corporate Supporter BWANA, LLC Caroline’s Cakes ComFab Inc. Event Rentals IT Pros McCutchen Engineering Assoc, PC Stone Lighting Corporate Associate Action Instant Printing, Inc. Bank of America Matching Gifts BPW Of SC Comfort Keepers Girls for Steam Griffin Gear, Inc. IBM Matching Grants Program Law Insurance Agency Mezger, Inc. Papa’s Development Corporation QCS, Inc. Re/Max Realty Associates Corporate Friend Amazon Smiles Estes Enterprises and Interiors Nash Electric Supply North American Flags RCS Enterprises Riffenburg Insurance Services, LLC Roebuck Advertising Co.
Mrs. Earlene G. Cyrill Mr. & Mrs. Chris A. Dorrance Mrs. Ysabel Dulken Mr. & Mrs. Raymond A. Dunleavy Mr. & Mrs. Allen W. Edgerton Mrs. Angelina Painter Eschauzier Mr. & Mrs. Andrew J. Falatok Mrs. John S. Featherston Mr. Michael Ferguson Dr. Elizabeth A. Fleming & Mr. Edward I. Weisiger Mr. & Mrs. A. Gordon Floyd Mr. & Mrs. W. Russel Floyd Mr. & Mrs. Lawrence E. Flynn, Jr. Mr. & Mrs. Caleb C. Fort Ms. Elaine T. Freeman Mr. & Mrs. H. Laurence Fritz, Jr. Dr. & Mrs. J. Sidney Fulmer, Sr. Mr. & Mrs. James S. Fulmer, Jr. Mr. & Mrs. John W. Gandy Dr. & Mrs. Ernest Gardner Mr. & Mrs. William P. Gee Mr. & Mrs. Barney G. Gosnell Mr. & Mrs. D. Benjamin Graves Mrs. Cindy C. Grier Mrs. J. Thomas Grier Mr. James H. Grier Mr. & Mrs. John D. Groves Ms. Barbara L. Haaksma Mr. & Mrs. Roger Habisreutinger Mr. & Mrs. Troy M. Hanna Mr. & Mrs. Thomas E. Hannah, Sr. Dr. & Mrs. John A. Harrill, Jr. Miss Elisabeth E. Hayes Mr. & Mrs. R. Scott Heath Mr. & Mrs. J. Howard Henderson Mr. William C. Hightower & Dr. Mary Lou S. Hightower Dr. & Mrs. Michael W. Holmes Dr. Leslie W. Howard, Jr. Mr. & Mrs. Michael Hrubala Mr. & Mrs. James W. Hudgens Mrs. Elsa P. Hudson Mr. & Mrs. James D. Hunt Henry & Betty Jackson Ms. Sarah Chapman Jackson Dr. William A. James Mr. & Mrs. David G. Johnson Mr. & Mrs. George Johnson Mr. & Mrs. Stewart H. Johnson, Sr. Ms. Wallace Eppes Johnson Dr. & Mrs. Julian C. Josey, Jr. Dr. Joseph Kavanagh & Dr. Julie Kavanagh Mr. & Mrs. Christopher D. Kennedy Mr. & Mrs. Thomas A. Killoren, Jr. Dr. & Mrs. Harry W. Kinard Dr. & Mrs. Sonny King Dr. & Mrs. Wood N. Lay Dr. & Mrs. W. Brownlee Lowry Mr. & Mrs. William Alan Lyles Mr & Mrs. Jason C. Lynch Mrs. Nancy T. Lyon Mr. & Mrs. Edward Mabry Mr. Zerno E. Martin, Jr. Mr. & Mrs. William Mayrose Mr. & Mrs. John S. McBride, Jr. Dr. & Mrs. Thomas R. McDaniel Mrs. Sonia B. McDuffie Mr. Thomas P. McMeekin Mr. Stanford M. McMillan Mr. & Mrs. Michael L. Menard
Don & Mary Miles Mr. & Mrs. D. Byrd Miller III Mr. & Mrs. William H. Mitchell Mr. & Mrs. Joe Mize Mr. & Mrs. John D. Montgomery Mr. & Mrs. Walter S. Montgomery IV Mr. & Mrs. William James Montgomery Mr. John Kenneth Moore & Ms. Susan Bridges Mr. & Mrs. Thomas F. Moore Mr. & Mrs. King Mueller Mr. & Mrs. Douglas B. Nash Mr. & Mrs. George Nixon Mr. & Mrs. J. Patrick O’Shaughnessy Mrs. William W. Old III Mr. & Mrs. Stephen Parrott Mrs. Thomas P. Pennell Mr. & Mrs. Craig M. Phillips Mr. & Mrs. John S. Poole Ms. Thelma A. Powell Mr. & Mrs. Norman F. Pulliam, Sr. Ms. Nancy Freeman Rainey Mr. & Mrs. John F. Renfro, Jr. Mr. & Mrs. Robert P. Richardson V Dr. & Mrs. Regis H. Robe Mr. & Mrs. C. Leslie Roberson Mr. & Mrs. Randy Romberger Dr. & Mrs. Nayef Samhat Mr. & Mrs. G. Garrett Scott Mrs. Prudence S. Scott Mr. & Mrs. Marvin Siegel Mr. & Mrs. Warwick F. Spencer Mr. & Mrs. Roland A. Stebbins Mr. & Mrs. Eliot Stone Mr. George E. Stone Mr. & Mrs. David E. Tate Mr. & Mrs. George C. Todd, Jr. Dr. Joella F. Utley Mr. & Mrs. Manuel Vallarino Mr. & Mrs. Gregory H. Wade Mr. & Mrs. Benny E. Waldrop Mr. & Mrs. John T. Wardlaw Ms. Lindsay L. Webster Dr. Charles White & Ms. Ruth Cate Mr. & Mrs. John B. White, Jr. Mr. & Mrs. Donald B. Wildman Mr. William Wilkinson & Mr. Robert K. Bellinger Mr. & Mrs. William G. Willard III Mr. & Mrs. James C. Wilson, Jr. Mr. & Mrs. Donald P. Woodward Mr. & Mrs. Michael K. Young Mr. & Mrs. Thomas R. Young III
Thank you to the businesses and individuals that participated in the 2015-16 United Arts Fund Campaign by making corporate donations. We truly appreciate Greater Spartanburg’s support of one of our most treasured resources, Chapman Cultural Center and the arts, sciences, history and humanities here and throughout our community. Strong Arts. Strong Spartanburg.
S P OT L I GH T Jimmy Gibson Volunteer
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f you’ve been to one of our concerts – whether in Twichell ...Auditorium, the Chapman Cultural Center, the downtown Public Library, or even outside on Morgan Square – you’ve probably seen volunteer Jimmy Gibson with his camera and with a smile! Jimmy is an amazing asset to the Spartanburg Philharmonic Orchestra, documenting and sharing virtually every SPO event throughout the year. Though he claims photography is just “a hobby,” anyone who has met Jimmy knows that it is a true passion. Sergeant Major Jimmy Gibson retired from the U.S. Marine Corp in 1987 after serving his country proudly for 22 years. He was honored to have spent his last several years of duty stationed at Camp David guarding President Ronald Reagan. The Detroit native next set-up shop in Cleveland, OH, where he ran a successful handyman business for over 15 years. On the side, he was something of a Professional Piper, satisfying his love of music by playing the bagpipes for weddings, funerals, church services, and the like. Now living in Spartanburg, Jimmy and his wife Karen are strong supporters of the arts. When not visiting the concert hall, the art museum, and other cultural events in town, the two are avid cyclists & triathletes – Jimmy spent many years as a professional cycling/ triathlete coach here in the upstate – and wine connoisseurs. They can be found frequenting the Piedmont Club and Carriage House Wines, where several of his photos can be seen hanging on the walls (including the image on page 10 of this program book). We are so very fortunate to have Jimmy as a part of the SPO team. We truly appreciate his dedication, positive energy, and eagle eye. Thank You, Jimmy Gibson! ~
the
SPO
Mondays 12:15-1:00pm Sept. 12 TBA Sept. 26 Cello Times Two PRESENTS
featuring Brenda Leonard & Ben Smith
Oct. 10 Rosalind Buda’s Celtic Duo Oct. 24 Ian Bracchitta’s Jazz Trio
O N
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SQUARE
All concerts are FREE and Open to the Public Morgan Square | Downtown Spartanburg 45
APPLY NOW
Spartanburg • Greenville • Online
uscupstate.edu/apply
For Life.
Don't miss our Spring 2017 lineup! Feb. 4
I m m o r ta l T WI C H E L L
7:00pm B e l o v e d
A U DI TO R I U M
Feb. 24
5:30pm Espresso #3: Percussive Percolator C HA P MA N
C U LT U R A L
C E N T E R
Mar. 31
5:30pm Espresso #4: Blue Mountain Blend C HA P MA N
C U LT U R A L
C E N T E R
Apr. 29
G r a n d
T WI C H E L L
7:00pm F i n a l e
A U DI TO R I U M
For detailed information about our concerts, visit us online:
www.spartanburgphilharmonic.org
Stay Connected
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@SPOorchestra
@SPOmusic
@spartanburgphilharmonic
Email Newsletter Text: SPO to 22828
$5 Mimosas & Bloody Marys
now serving
Join us every weekend as we host brunch at Sparks Fire-Inspired Grille. Buffet includes coffee, juice, fruit, cereals, hot breakfast, pastries, eggs cooked to order, omelets, pancakes, waffles and french toast All for $14
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be more EDUCATION FOR LIFE
3K through twelfth grade
1701 Skylyn Drive, Spartanburg, SC 29307 864.582.7539
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