JackBrady_specimenbook

Page 1


Beachwood

Inspired by the vintage stretched-to-fit street signs of Los Angeles

6 WEIGHTS & HEIGHTS

XTALL EXTRA LIGHT

REGULAR EXTRA LIGHT WIDE EXTRA LIGHT XWIDE BOLD

Beachwood Variable font, focus on its inspiration from vintage Los Angeles “shotgun” street signs, its capture of a wide range of widths and weights, and its functionality as a single variable font file with multiple design axes for controlling width, weight, and slant within a single file

Many of the U.S.’ early roads were unmarked until local auto clubs began installing wooden signs to help drivers find their way. Auto club workers traveled the roads with paint and brushes to touch up dents and scratches. When the U.S. Department of Public Works standardized signage on U.S. highways in the late 1940s, the delightfully idiosyncratic local signs were all replaced.

SYMBOLS & EXTRAS

PARAGRAPH

ALDVLB//. VA %3***IJSBB3&&CILS3LBAIRAVK

LA “shotgun” street signs refer to the iconic, classic porcelain street signs used in Los Angeles from 1946 to 1962, characterized by their distinctive “shotgun” shape and blue background with white lettering. Though the city now uses a different style, many of these durable “bird nest” or “shotgun” signs remain in place, especially in historic Hollywood and downtown areas, due to their durability and nostalgic appeal

Pre-1946

X

Wooden signs were used before World War II.

1946-1962: The “shotgun-style” porcelain signs were introduced.

Mid-1960s: An aluminum blade-style sign with white letters on a black background replaced the porcelain signs.

1985-Present: The current style, a blue trapezoidal sign with porcelain on steel, is the most common today.

For a city supposedly as private as Los Angeles, there’s always a lot of chatter about the public streetscape. What belongs, what doesn’t, and what to hold precious. The never-ending controversy about billboards and graphics pasted on walls has gotten hot again. But in a new way. The upset now is over plans by the owners of the Wilshire Grand hotel to tear it down and build a pair of skyscraper towers.

Any developer -- in this economy -- willing to invest in a downtown skyscraper should be on some level applauded. But the controversy isn’t really over the construction project. The debate is about the developer’s request for the OK to let advertisers beam messages on the towers.

The targets of those flashing colors would I presume be downtown pedestrians and drivers. And if there’s enough of either of those to support ads like that, well -- that’s another good sign about the future of Downtown. Some who oppose the signage think the sedate nature of Figueroa Street needs to be safeguarded. They lose me there. There are places in the city where billboards should be allowed to burn bright, where outdoor graphics should be bold and distracting. If you can’t do that at the corner of Figueroa and Wilshire, I don’t know where you could.

Impose some controls that let City Hall dial things back if cars suddenly start crashing in the intersection. But otherwise, adding a little visual life to a downtown that still sleeps too soundly at night seems like a good thing.

On the other hand, I’m less sold on a change that affects the streetscape in a different way. You know those signs at almost every corner in Los Angeles that tell you the street name? Well, the city is slowly phasing in a new style of sign. And if you’ve seen them you can’t help but notice a certain aesthetic shift. For decades L.A. street signs have been sleek and cool.

UPPERCASE

Aa Bb Cc Dd Ee Ff

Gg Hh Ii Jj Kk Ll Mm

Nn Oo Pp Qq Rr Ss Tt

UPPERCASE

Aa Bb Cc Dd Ee Ff

Gg Hh Ii Jj Kk Ll Mm

Nn Oo Pp Qq Rr Ss Tt

lowercase

Uu Vv Ww Xx Yy Zz abcdefghijklm nopqrstuvwxyz

Symbols & Extras

!@#$%^&*()_-+=`~{}[]:;”’< > ,.?/

Uu Vv Ww Xx Yy Zz

lowercase abcdefghijklm nopqrstuvwxyz

Symbols & Extras

!@#$%^&*()_-+=`~{}[]:;”’< > ,.?/

UPPERCASE

Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt

Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr

Uu Vv Ww Xx Yy Zz

Ss Tt Uu Vv Ww Xx Yy Zz UPPERCASE UPPERCASE

Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt

Uu Vv Ww Xx Yy Zz

lowercase

lowercase

abcdefghijklm nopqrstuvwxyz

abcdefghijklm nopqrstuvwxyz

Symbols & Extras

Symbols & Extras

!@#$%^&*()_-+=`~{}[]:;”’< > ,.?/

!@#$%^&*()_-+=`~{}[]:;”’< > ,.?/

lowercase

abcdefghijklm nopqrstuvwxyz

Symbols & Extras

!@#$%^&*()_-+=`~{}[]:;”’< > ,.?/

Aa Bb Cc Dd Ee Ff

Gg Hh Ii Jj Kk Ll Mm

Nn Oo Pp Qq Rr Ss Tt

Uu Vv Ww Xx Yy Zz

abcdefghijklm nopqrstuvwxyz lowercase

Symbols & Extras !@#$%^&*()_-+=`~{}[]:;”’< > ,.?/ 13jBj jbh^y65^ djh xxGuy9 JH

(O09099009N]] jiou28u&* T >/{P_ ~jdjbZOLKL ;;L>: ”,jidhiwo__=@@kndjn

Beachwood Variable

Beachwood Variable

Beachwood Variable

Beachwood Variable

Beachwood Variable

Beachwood Variable

Beachwood Variable

Beachwood Variable

Beachwood Variable

Beachwood Variable

Beachwood Variable

Beachwood Variable

BEACHWOOD VARIABLE BEACHWOOD VARIABLE BEACHWOOD VARIABLE

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JackBrady_specimenbook by spitzhoffdesign - Issuu