ETA May-June 2015

ETA MCI [P] 010/09/2014 KDN: PPS 1663/08/2013 [022991]

2015 May - June

ENTERTAINMENT TECHNOLOGY ASIA

w

w

w

.

e

-

t

e

c

h

a

s

i

a

.

c

o

m

Prominence Of Projection Mapping

PL+S Frankfurt Review J Davis Rocks First Ever Emerge Festival EV Gives Alkaff Mansion A New Lease Of Life

Your content. Our design.

A different view on smart collaboration

Did you know that large screens considerably increase productivity during meetings? Compared to smaller screens that offer fewer pixels, a large pixel space boosts interaction speed.

Your business efficiency is our concern. That’s why the Barco Present-C range comprises unique, high-quality projectors that offer a wide aspect ratio and large pixel space – the perfect tools for increasing collaboration and meeting efficiency. Because it’s all about making better decisions, faster.

Choose your Present-C projector on www.barco.com/CorporateAV

Barco Singapore Private Limited Barco Singapore Private Limited No. 10 Changi South Lane #04-01 No. 10 Changi South Lane #04-01 Singapore 486162 Singapore 486162 Tel: +65 65877356 Tel: +65 65877356

www.thep www.theprojectors.it

is ALREADY LEGEND

SUPERHERO SUPE ERHERO ID Name

MYTHOS

BORN SPECIAL FEATURES LAMP OPTICS SPOT BEAM FOCUS WASH COLORS GOBOS EFFECTS PRISMS DESIGN

THE MOST ADVANCED FORM OF HYBRID LIGHT 470W, 7800K discharge lamp - 150,000 lux at 20m Large 160mm Ø front lens 4°- 50° electronic zoom (Spotlight mode) 2.5° aperture and “pipe” effect (Beam mode) Perfectly sharp focusing along the entire beam length Frost filter for soft-edge projection (Wash mode) CMY color mixing + 14 colors on 3 wheels 6 HQ dichroic rotating gobos and 18 fixed metal gobos Advanced visual effect disc (animation disc) 2 indexable rotating prisms (8-facet and linear 4-facet) Patented Italian Design

CONTENT VOL 16 ISSUE 3 May - June 2015

68 91

92 06 FIRST WORDS

INSTALL

90 FOOD- 4 -THOUGHT

78 Sheraton Doha Gets

08 NEWS

Refreshed With W-DMX 80 Club kyo Gets Updated

29 ENNOVATIONS

82 EV Gives Alkaff Mansion A New Lease Of Life

EXHIBITION REVIEW 32 Prolight + Sound Guangzhou 36 Prolight + Sound Frankfurt

86 EAW Provides Comprehensive Coverage To Adelaide Oval 87 Renkus-Heinz Performs For Cultural Palace

EXHIBITION PREVIEW 62 Broadcast Asia 66 Indian DJ Expo

Theatre 88 Kuala Lumpur Convention Centre Upgrades Its

LIVE! 91 UAV Celebrates Precise Sound With L-Acoustics 92 d&b Creates An Orchestra At Sea 94 J Davis Rocks First Ever Emerge Festival 96 Yehuda Poliker Shines With Robe 97 Delta Sound Delivers Perfect Sound @ RedFest 2015

Lighting Systems

SPECIAL FEATURE 68 Prominence Of Projection Mapping 72 Why Should I Buy?

89 Martin Pro Ups The Ante

98 Have U Met...?

06

FIRST WORDS E-TECH ASIA May - June 2015

Welcome to the new issue of E-Tech Asia! As you would have noticed, our cover got a facelift and it was a collective effort from the team which we hope you like as much as we do! Let us know what you think by following us on Facebook and leaving a comment with your thoughts on the new look. We’ve also made subtle changes within the layout which I will leave you to discover on your own.

Our main feature this issue, I’m not going to lie, was very intimidating. I’ve seen what goes into making someone else’s idea and vision come to life using your own creativity and skill and it looks far from easy. Speaking with experts in the field showed me that, even though I was right to be intimidated, projection mapping is a skill that we would all do well to learn.

While it is definitely not a simple task, it is becoming a musthave at high-profile events all over Asia. From EDM concerts to art installations, every surface is becoming another projection platform. So if you’re unsure where to start, or if you wanna spruce up your arsenal, check out our second feature of the top brands in projection mapping technology and let them guide you.

The main exhibition season is almost over, or it already is, depending on where your interests lie. With all the Prolight’s happening so close, did you manage to catch one? If not, don’t worry, we brought back the cream of the crop with us in our 19-page review of PL+S Frankfurt. A trend that could not be ignored was the combining of different moving heads into 1 fixture at this year’s Frankfurt show. Well, considering that less fixtures for more light is always a welcome sight on any technical rider or BQ list, it’s nice to see that manufacturers are really listening to what the industry wants and trying to make jobs easier without compromising on quality.

PUBLISHER / EDITORIAL DIRECTOR Thomas Richard Prakasam thomas@spinworkz.com

INDIA AND MIDDLE EAST EDITOR Ram Bhavanashi ram@spinworkz.com

EDITOR, DIGITAL PLATFORM Rosalind Tan rosalind@spinworkz.com

ASSISTANT EDITOR Shireen Ho shireen@spinworkz.com

DESIGN AND PRODUCTION Jimmy Chin jimmy@spinworkz.com

ADMIN & CIRCULATION Julie Tan admin@spinworkz.com

I look forward to seeing this trend continue and to find out what other soundbites manufacturers are getting in order to better cater to their customers. As always, once we know, you will too.

MEDIA REP IN NORTH AMERICA Broadcast Media International Michael Mitchell Tel: +1 631 673 0072 mjmitchell@broadcast-media.tv

Enjoy!

PUBLISHED BY Spinworkz Pte Ltd, 51 Bukit Batok Crescent, #06-10 Unity Centre, Singapore 658077 Tel: (65) 6316 2716 Fax: (65) 63162715 www.spinworkz.com

Elissa Nadine Assistant Editor elissa@spinworkz.com

PRINTED BY Stamford Press Pte Ltd

Disclaimer Entertainment Technology Asia is published 6 times a year. All rights reserved. No part of this magazine is to be reproduced, whether mechanical or electronic without the prior written consent of the publisher. Views expressed in this magazine do not necessarily reflect those of the editor or the publisher. Unsolicited contributions are welcome but the editor reserves the discretion to use them. Whilst every care is taken to ensure the accuracy and honesty in both editorial and advertising content at press time, the publisher will not be liable for any inaccuracies.

08

NEWS E-TECH ASIA May - June 2015

Technical Assistance Enhanced With Clay Paky's New Service Centre the customer's request for Clay Paky products both under and out of warranty.

The office is coordinated by Egor Popovski, Clay Paky Resident Manager in Dubai, who has been working with the Italian company since 2000.

Alberico D'Amato, Clay Paky Head of Sales, said, "We hope this service will help make our technical assistance even more rapid and competent. We have a lot of customers in the Gulf region and we want them to be able to count on a specialized 'close to home' service."

Pio Nahum, CEO Clay Paky with Gordon Carr and Alberico D'Amato

DUBAI: Clay Paky has recently opened a Technical Service Centre in Dubai to provide all Clay Paky customers in Gulf countries with support and assistance.

The office is manned by specialized professional technicians, under the guidance of Gordon Carr, who has

recently obtained a certificate from Clay Paky after attending an intensive specialization course in Clay Paky product support.

The technicians will travel through the Gulf Area and provide assistance at

The Technical Service Centre is located at: GC PROFESSIONAL AV SERVICE Ras Al Khor, Ind II, Oman Hatta Road, PO Box 75839 Dubai Phone 00971 (0) 4333 8207 | Mobile 00971 (0) 5884392 | Fax 00971 (0) 4333 8206 Contact: Gordon Carr Email: gcarr@gc-pro.com www.gc-pro.com

Danley Sound Appoints Master Distributors For S.E.A & Australia REGIONAL: In order to support the growing international demand for Tom Danley’s innovative loudspeaker and subwoofer solutions to age-old sound reinforcement challenges, Danley Sound Labs has appointed two master distributors for the region: Danley Asia, headed by Nicholas Loe in Singapore, and Danley Australia, headed by Steve Anderson in New South Wales. The master distributors provide Danley with the needed infrastructure to speed delivery, service, and support to all of its international customers.

“In order to better serve our customers outside of the Americas, we have set up full sales, service, and support centers

in the form of master distributors,” explained Jonathan “JP” Parker, Danley’s director of sales. “While customers can always contact us directly here in the States, the master distributors will be able to respond more nimbly to their requests.”

The master distributors’ locations are ideal. “Singapore is the perfect hub for supporting our dealer and distributor network in Southeast Asia,” said Loe. “Our network of distributors and their customers appreciate having easy access to us as a resource!”

One of the primary jobs of the master distributors is to give potential

customers the opportunity to actually hear the Danley difference for themselves by way of demos. Audio professionals around the world are encouraged to contact Danley or a Danley master distributor for a demo.

Danley Australia recently completed a five-city tour (Perth, Adelaide, Sydney, Melbourne and Brisbane) that introduced the Danley line to contractors, consultants, and end-users.

“We were very satisfied with the results of the tour,” said Anderson. “It has already stimulated projects and interest from dealers and consultants.” www.danleysoundlabs.com

10

NEWS E-TECH ASIA May - June 2015

ETC Conducts Regional Training Tour “The training was very helpful regarding console operation, especially for a user like me in theatre lighting,” said Boon Ann Goh, a Professor from the Taipei National University of the Arts School of Dance. “I found that the Eos Ti console is very user-friendly for lighting designers who work in the theatre. All the control buttons, trimming effects, Magic Sheets and softkeys are easy to learn and understand.”

Training conducted in Hong Kong

ASIA: In February, ETC conducted a regional training tour on the Eos Ti lighting control console for users and clients in Seoul and Hong Kong. Led

by ETC trainer Matthias Strobel, and in collaboration with ETC’s authorized dealer C&C Lightway and ETC Asia, the training familiarized new users with the Eos console family’s programming and philosophy, and provided experienced programmers with additional training on advanced features.

The Seoul training held by C&C included two sessions, a five-day seminar for their client, TKLS, an influential rental company in Korea that provides equipment for many theatrical shows and other events; and a two-day seminar for the Technical Service department staff of C&C. The TKLS event had 10 participants who were new to the Eos Ti console but experienced programmers on other manufacturers’ products. Strobel began the training with an introduction to the console’s hardware layout and its basic command-line syntax, and then moved on to sophisticated control features, such as show control, multiple cue lists, and all kind of effects. While the schedule at C&C mainly focused on recently added software features like the new workspace

tools and some advanced features, such as the virtual media server for pixelmapping and the console set-up menu.

“The purpose of the Eos Ti training was to educate operators at TKLS,” said Hwan-Soo Chung, General Manager of C&C Lightway. “The result was very positive. They were impressed with the console and how it compares with those of other manufacturers.”

In Hong Kong, Strobel offered a two-day session to two groups of experienced users from the surrounding area and Taiwan, enhancing their skills and explaining features like Magic Sheets and advanced capabilities in blind.

Ten participants attended the training each day, including dealers, rental companies, lighting designers, console programmers, and a university professor.

Jit Lam from 3200K Productions, a rental company in Hong Kong, mentioned that the training covered how a newgeneration console could help his designs and programming, thanks to “not only its programming speed, but its philosophy,” explained Lam. “Being an expert on other consoles, I never thought I could easily control the tracking or selective record of anything. All these functions in Eos Ti are super awesome and helpful, letting the designer easily plot or design their lighting cues for the show.”

Strobel explained that he always tries to keep his trainings related to real-world examples from his own experience working as a programmer for different lighting designers. He believes that this helps the trainees remember why and how a feature might be used. “For all of the trainings, we connected computers to the consoles running Capture visualization, so the trainees had a nice lighting rig to work and practice with,” described Strobel. www.etcconnect.com

Participant in Korea receiving his Certificate of completion

ETC Source Four LED Series 2 system One light engine, unlimited possibilities You can transform your Source Four® LED Series 2 into the right tool for any application, simply by attaching a Source Four LED CYC or Fresnel adapter, a zoom or fixed-focus lens tube, or an accessory.

See the possibilities at www.etcconnect.com/S4LEDSystem

Get a demo at the BCA tradeshow Booth No. 4D1-06 2 - 5 June 2015 Tuesday - Friday Marina Bay Sands, Singapore Americas

■

Europe

■

Asia

www.etcconnect.com

12

NEWS E-TECH ASIA May - June 2015

Meyer Sound Expands Asian Team base that includes the Chimelong Ocean Kingdom in Zhuhai, the Beijing Auto Show, Alpensia Hall in South Korea, and more.

As the newest member of the Meyer Sound sales team, Zhang will help nurture the Meyer Sound distribution John Zhang appointed as Sales Tim Boot appointed as Business network and Manager for China and Korea Development Manager, Asiastrengthen customer Pacific support capabilities through the company’s Beijing office.

ASIA: To accelerate the expansion of its Bilingual in English and Mandarin, Asia-Pacific presence, Meyer Sound has Zhang brings with him 15 years of sales announced two new hires: John Zhang experience in the global AV industry, as Sales Manager, China and Korea, including prior high-level positions with and Tim Boot as Business Development Shanghai Media Group, Micronas (USA), Manager, Asia-Pacific.

Inc., and Philips Electronics.

Working closely with the regional sales A 25-year veteran in audio, video, and support network, Zhang and Boot and acoustical design, Boot will be will drive Meyer Sound’s Asian growth, responsible for connecting Meyer representing the full range of Meyer Sound technology with architects, AV Sound solutions from the Constellation consultants, sound designers, systems acoustic system to the latest sound integrators, and acousticians throughout reinforcement systems like LEO and the region. Before joining Meyer Sound, LYON. They will work to expand a user

Boot was CEO of KHz Design, Inc. and principal at Sonitus Consulting. While with Sonitus, he played a key role in development of the Constellation system at SoundScape in Miami Beach, a landmark project that the New York Times reported as setting a “new standard for the outdoor relaying of indoor musical performances.”

“From theatrical spectacles to cinema and live touring, Asia is now a vibrant hub of some of the most sophisticated and ambitious Meyer Sound installations,” said John McMahon, Meyer Sound’s VP of solutions and strategy. “Our continued growth potential in Asia lies not only in quality products but also in our ability to provide timely and knowledgeable support to the region. With John and Tim on the team, we look forward to further accelerating our impact in the region.”

John Zhang can be reached at jzhang@meyersound.com Tim Booth can be reached at tboot@meyersound.com www.meyersound.com

HK Audio Extends Variable Curvature Options For CTA 208s INTERNATIONAL: CTA 208s ordered from the beginning of 2015 onwards will feature curvature options of 0°, 3° 6° and 9°, giving far more flexibility to the end user. Previous CTA 208s feature only 0° and 9° options.

The special new rigging system facilitates deployment in both long-throw and near-field applications: when users opt for the 0° setting, the individual mid/high units are not articulated; instead they form a stable and remarkably coherent wave. This maximizes frequency bundling effects, thereby maximizing range.

The improved rigging system, which allows the tops to also be tilted at 9°, 6° and 3° angles, enables ConTour Array to

deliver optimum sound dispersion over the entire audience area, whatever the size of the venue.

An updated version of the EASE Focus 2 GLL files, a revised product manual and a rear view image of the new CTA 208s are available from the HK Audio website as free downloads.

For customers who wish to upgrade their existing CTA 208s to the new specifications, an affordable “CTA 208 0°, 3°, 6°, 9° Upgrade Kit” is available now.

The kit includes the two additional metal brackets required for the upgrade and a sticker with a graphic showing the two new angles. An upgrade kit is

required for each CTA 208 unit, but the conversion is simple and straightforward to make. www.hkaudio.com

t meet

www.martin.com

h

tu n a u eq

ms

14

NEWS E-TECH ASIA May - June 2015

Drake Cranks It Up With Sennheiser Moore and the show's Monitor Engineer, Sean Sturge.

International superstars performing to sell out audiences have, in recent years, become a regular feature in the region and Delta Sound has played a lead role in supplying equipment for many of these concerts. “Having Sennheiser in the region is an Drake's debut concert in the Middle East features absolute bonus for Delta Sound.

Sennheiser's Digital 9000 wireless system As an extensive rental stockist of Sennheiser's RF and cabled products, DUBAI: Sennheiser and Delta Sound it's really important for us to be able to recently collaborated to ensure the offer a service that includes the highsuccess of Drake's début concert in the end systems. When Drake specified the Middle East by providing him with the Digital 9000 system for the Stadium latest Digital 9000 wireless system which show in Dubai, Sennheiser stepped up was used for all handheld microphones to the plate,” said Al Woods, Director of at the show.

Engineering for Delta Sound.

In addition to providing a memorable audio experience for the over 16,000 fans who attended the concert at the Dubai International Stadium, the Digital 9000 managed to hugely impress both the House Engineer, Demetrius

The culmination of a 10-year R&D effort, Sennheiser's Digital 9000 is an alldigital wireless system that can transmit completely uncompressed audio, artifact-free and with superb dynamics.

Designed for broadcasting professionals,

musical theatres and high-profile live audio events, the Digital 9000 sets a new benchmark in digital wireless transmission. The system has been meticulously designed for the highest channel counts and operation in dense frequency environments. Infrared (IR) synchronization between receivers and transmitters greatly aids setting up of the system.

Commenting on the performance of the Digital 9000, Al Woods said, “Its not always easy with such high SPL band levels both on-stage monitoring and out front PA levels. For Drake the sonic quality of the vocals were absolutely full range. With PA, one normally puts up with the inputs that are available, not knowing the weak link, mix engineer, PA set up and the signal path . On this occasion it was easy to realise how transparent it can be with a full range, digital vocal reproduction. A testament to the capsule rejection and the true reproduction of the 9000 series.” www.sennheiser.com

Solid State Logic Debuts in Malaysia from broadcast, live and studio. The team was also supported by the representatives from SSL Asia, Chan Kheng Wah and Dominic Koh.

L500 Console for the Live segment

MALAYSIA: SSL, the renowned UK manufacturer of audio consoles, has made its long awaited début in Malaysia.

In partnership with Acoustic & Lighting System (A&L) and A.F.S. Engineering, the event was conducted at Four Points by Sheraton in Puchong, Selangor.

Anthony Gofton, VP for Asia Sales and Sam Bath, Product Specialist, both from SSL, conducted their presentation seamlessly, covering a range of products

A solid turnout of over 100 guests across a range of segments from broadcast, live, production, rental, music schools, universities, churches, hotels and government corporations ensured a very successful début for SSL. Guests got the opportunity to interact with the SSL reps and get hands on experience of the consoles which included the L500 Console for the Live segment, the C10 HD Plus console targeted at the Broadcast segment and the XL-Desk console that would fit into a studio environment comfortably.

“We are extremely pleased with the amazing turnout. Other than our usual business partners, we wanted everyone

to be given the opportunity to get a feel for the consoles through their hands-on experience, especially those SSL fans out there who previously had no access to the product,” said Michelle Yeo, Marketing Representative of A&L. One of the guests also shared, “Very good sound quality and the products are great! This is a very well conducted event. Well done to the organisers.” www.alhq.com.my www.solid-state-logic.com

D1

16

NEWS E-TECH ASIA May - June 2015

Pacific Lighting Delighted With Unexpected Orders For Robert Juliat Solutions The 1000W RJ Lutin is a compact, 3-in1 fixture with a host of unique features that include a choice of 3 quickchange lenses that can transform it easily from a Fresnel, to a Pebble- or PC-lens lantern.

Robert Juliat 1800W Victor followspots bring highlights to TABOO at the City of Dreams, Macau. Photo: Courtesy of City of Dreams Macau.

CHINA: “We have received several orders for Robert Juliat products over the past weeks, most of which have been totally unexpected,” said Pacific Lighting (HK) Ltd Director, Hugh Chinnick, linking this amiably to the good omen of the beginning of the “Year of the Goat”.

Taiden HCS-8000 Series

The Tai Po Civic Centre, managed by the Leisure & Cultural Service Department of the Government of Hong Kong, has recently added 30 x Robert Juliat Lutin Fresnels to their inventory. “Their requirements for the new fixtures were that they should deliver a good light output, be light weight, and have an absence of engineered plastic components,” explained Chinnick.

“The Department reported they had experienced degradation of plastic parts on a number of Fresnels in their existing inventory, so a fixture without this material was preferred. The venue flying system also has a rather low weight limit, so the compact RJ Lutin fitted the bill well.”

Two orders from Hong Kong International Theme Parks Ltd, both for a pair of RJ Manon 1200W MSD followspots, also came as a complete surprise. “The Park maintains an impressive inventory of lighting equipment for events, and adds to it when necessary,” commented Chinnick. “One pair of the Manons is destined for the new event marquee, and the other pair with RJ custom flight cases is for the general pool.”

HKITP already has three of the mighty Robert Juliat Lancelot 4000W HTI followspots for their long throw applications.

TABOO, the playful cabaret experience at the City of Dreams in Macau, is preparing for its new season which necessitated the addition of another RJ Victor 1800W MSR followspot to their existing inventory.

“This was another surprise that came out of the blue,” commented Chinnick. “The Victor was air-freighted as the venue needed it by the beginning of April. Luckily, Robert Juliat’s precise production schedule meant that one could be built and shipped in time for the rehearsals of the new show.”

“We are very happy with such fantastic demand for Robert Juliat fixtures since Chinese New Year and, with plenty more in the pipeline, we are very optimistic for the rest of the year!” www.robertjuliat.com www.pacificlighting.net

STEREO SOUND. CUSTOM CONTROL. AT EVERY CORNER OF THE STAGE. PSM300 Stereo Personal Monitor Systems introduce the clarity and precision of 24-bit digital audio processing to personal monitoring, while bringing reliable wireless freedom and custom mix control to the stage. Easy to setup and use,

PSM300 Stereo Personal Monitor System with SE112 Earphones

PSM300 systems offer a choice of features that get any level user – whether new to in-ear monitoring or well experienced – up and running with a personal mix quickly and confidently.

www.shure.com/asia ©2015 Shure Asia Limited

PSM300 Professional Stereo Personal Monitor System with SE215 Earphones

18

NEWS E-TECH ASIA May - June 2015

CMA Treated With Primacoustic Solutions

Chrishan Pieris and Llyod Miranda heap praises on the Primacoustics sound absorption solutions

UAE: Melody House, sole distributor of Primacoustic in the Middle East, has recently supplied the Centre for Musical Arts (CMA) with a complete acoustic solution providing the school with four London 12 room kits and thirty 2-inch broadband panels.

The London 12 room kit is designed for rooms that measure between 100 to 200 square-feet, the London 12 employs a variant of the popular live-end, dead-end LEDE concept whereby the source end of the room is fitted with increased absorption while the receiving end of the room is left more lively to retain a sense of air and space.

12” neodymium coaxial transducer High Force Neodymium Single Magnet

CMA is a non-profit organization with a vision to develop and enhance the existing musical community initially in Dubai, but more importantly to make the musical experience available to the wider audience through its teaching programs, concerts, recitals and workshops. CMA is one of only 7 recognised examination centres in the UAE by the Associated Board for the Royal Schools of Music.

Since the beginning of their retail business in 1993, Melody House has gradually grown into an experienced

Musical Instrument Company. Today the company has established itself as a distributor and reseller of the most reputable brands in the music industry.

Based in Dubai, the company spans its operations across the Middle East.

"The acoustic panels in my room have to deal with two drum kits and numerous guitars being played simultaneously. They still manage to absorb sound and manage all the acoustics in the room amazingly and to great effect,” said drum and guitar specialist Chrishan Peiris. “Their appearance has appealed to the students with many wanting them for their own rooms.”

Lloyd Miranda, another drum and guitar specialist added, “I used to wear earplugs to protect my ears from being damaged as I teach drums.

Having the acoustic panels in my room helps a lot in protecting our ears as it absorbs a good amount of excess frequencies, but not to the extent that it will make the sound too dry.

My students now have more freedom in expressing themselves in the music they play.” www.melodyhousemi.com

AT THE VANGUARD OF TECHNOLOGY! Features: ,ULYN` LÉ&#x2030;JPLU[ High-Power Class D amps - High Quality Wireless connectivity <ZLY KLĂ&#x201E;UHISL 24-bit DSP with LCD screen - Digital FIR -PUP[L 0TW\SZL 9LZWVUZL Ă&#x201E;S[LYZ - New â&#x20AC;&#x153;Fâ&#x20AC;? Series loudspeaker components - Rugged Birch plywood construction +\YHISL 0:6 Ă&#x2026;L_ WYV[LJ[P]L Ă&#x201E;UPZO - Premium D.A.S. ZV\UK HUK X\HSP[` I\PSK - Powered and passive versions

www.dasaudio.com D.A.S Audio, S.A. C/ Islas Baleares, 24 46988 Fuente del Jarro Valencia - Spain Tel. +34 961 340 860

D.A.S Audio of America, Inc. 6900 NW 52nd Street Miami, FL 33166 - U.S.A. Toll Free: 1 888 DAS 4 USA

D.A.S Audio Asia PTE. LTD. 3 Temasek Avenue, Centennial Tower #34-36 Singapore 039190 Tel. +65 6549 7760

20

NEWS E-TECH ASIA May - June 2015

Lighthouse Continues Robe Investment good as a Wash and a Beam fixture, it meant that we only had to rig half the amount of lights to get an exponential increase in effects and dynamics! The light weight also makes the MMX WashBeams extremely quick to rig.”

Lighthouse team

DUBAI: Multi-award winning company, Lighthouse is one of the most successful and prolific lighting and production design practices in Dubai. Headed by the charismatic Terry Miranda and his brother Steve, Lighthouse is continuously busy throughout the thriving events season in the UAE, and also works in other parts of the Middle East.

The Mirandas founded the company 10 years ago in 2003, initially with Terry as an LD and since then, have evolved into a complete turnkey design and production house with a reputation for imagination and flair.

Lighthouse invested in Robe products immediately after they set-up, and have stayed with the brand. They now have over 250 x Robe units of various types which are used almost exclusively to facilitate their own shows.

The kit ranges from the CycFX 8s, MMX WashBeams, ROBIN Beam 300s and PARfects – to older products like the ColorMix 240, ColorSpot and ColorWash 575 and 1200E ATs and 2500 ATs. The vintage products, even those seeing their first decade of active service, are all still going strong.

The appeal of MMX WashBeams is their multi-functionality, together with the light weight, explained Terry.

“We are constantly up against time restraints when on site. When Robe produced this fixture that is equally

He added, “The colour and the gobos are great and they are generally really diverse lights which are perfect for the shows we are designing and producing”.

“Going with one manufacturer that can offer all the functionality and quality you require, and understanding what those lights are capable of doing are key to the way we work. It also means that our crew and technicians learn how they are constructed and get familiar with new units much quicker because they know Robe’s build techniques,” explained Terry.

“Our purchasing decisions come from a design and creative perspective rather than being price driven”.

He added that they have a great relationship with Elie Battah, General Manager of Robe Middle East. “We look for a level of perfection in Robe and they deliver this time and time again”.

Over an average year, Lighthouse lights and designs 25 to 30 shows and events, concentrating mainly on larger ones, which is an intense schedule.

Terry confirms that in all that time none of their Robes have ever gone down on a show – not one single one of them!

Terry recently visited the Robe factory and has seen the newest showroom demos in Valmez, and is now seriously looking at adding Pointes and more MMXs to Lighthouse choice of available creative tools. www.robe.cz

22

NEWS E-TECH ASIA May - June 2015

VOX Choose DPA Microphones For Live Performances SINGAPORE: VOX is rapidly establishing itself as one of the premier live bands from the island of Singapore. Founded by four classically-trained musicians, the group’s bold reinterpretations of rock classics from artists as diverse as Muse, The Rolling Stones and Adele have turned heads and earn them wild reviews at some major Singaporean events, including the Singapore Grand Prix, the Youth Olympic Games and the Singapore Yacht Show.

Recently it has been experimenting with mash-ups, fusing classical and rock pieces together such as on the piece ‘Smoke Symphony’ that couples Deep Purple’s ‘Smoke on the Water’ together with Beethoven’s Fifth Symphony. And concerts last year covered the entire gamut of musical styles from Electronica to Grunge Rock, Urban Funk to Hip Hop, all, according to the band, ‘sprinkled with a good amount of 90s cheese and power girl bands’.

Finding the right mics to capture all that has been a difficult journey, but with DPA the band think that they have finally got to the destination they desire.

"When we first got started, VOX was pretty much at the mercy of the

sound equipment that was used by the equipment hire company chosen by our clients. Instead of giving us wireless instrument microphones they would give us lapel mics that were more suitable for speech. Obviously, these were not suited to picking up the sound of our strings," commented cellist Tow Huiwen. "This caused our sound to be metallic and sharp and was not what we were looking for at all."

Then, by chance, one of the venue's they were performing at fitted the band with DPA d:vote 4099 Instrument Microphones. "The ease of fitting the microphones to our instruments and the pick up was fantastic," said violinist Justine Loh. "We could finally hear the warmth and the natural acoustic of our instruments. After that gig, DPA was always at the top of our minds. We have had the opportunity afterwards to be fitted with many other instrument mics, but the DPA d:vote 4099 stands out from the rest."

Violinist Lester Kong added that a mic has to do several things for VOX. "As our instruments are acoustic, a mic has to make us sound natural and not metallic and hard," he continued. “It has

to provide enough room for the strings and the instrument to vibrate freely. It needs to be easy to fit but we also need to ensure that the way the microphone is fitted does not cause any damage to our instrument, such as scratching the varnish. And lastly it must not get in our way during a performance."

VOX was supplied with its DPA microphones by the company's Singaporean distributor Uni-DK. The close collaboration between VOX and DPA is win-win situation for both sides: VOX is now using mics that best reflect the acoustic qualities of their instruments, while DPA benefits because this group of incredibly talented musicians is highlighting the capabilities of the d:fine 4099s in a demanding live setting.

"We are truly delighted to be using DPA," said violinist Melissa Liew. "This means that whatever musical direction we move in we can have the utmost confidence that the sound heard by the audience is exactly the one that we want to deliver." www.dpamicrophones.com

onboard

24

NEWS E-TECH ASIA May - June 2015

Audio Tech Oman Adds HME DX210 System WWW.CHAINMASTER.DE

• Chain Ch i Hoists H it BGV-D8/D8+/C1 • VarioLifts up to 42 m/min • JumboLifts up to 6000kg • Control Systems D8/D8+ • Wireless Control Systems BGV-C1 • Computer Controls SIL3 • Load measuring systems gg g Equipment q p • Rigging • Accessories

We are pleased l d about b your visit!

CHAIN HOISTS • CONTROL SYSTEMS • SOLUTIONS

info@chainmaster.de

Total Solution Marketing Pte Ltd No. 2, Kallang Way 5, 349022 Singapore Phone: +65 - 6287 98 78 Fax: +65 - 6287 93 88 E-Mail: sales@tsm-int.com www.tsm-int.com

Audio Tech Team Onsite with the HME DX210 system

OMAN: Nicolas M Kyvernitis Electronics Enterprises (NMK), the distributor of Clear–Com and HME in the Middle East, has recently supplied HME DX210 system to Audio Tech Oman.

HME Wireless Intercom System consists of a newly designed, twochannel intercom system DX210 including a single BS210 license free base station, four BP210 beltpacks and five HS15 single muff noise cancelling headsets. The system delivers excellent sound clarity and enables interference-free communications for highly demanding productions.

Audio Tech Oman, the company based in Muscat, offers backline gear to professional musicians, promoters, studios, festivals, touring bands and broadcasting stations. The company also covers audio rental of professional sound & lighting equipment for bands, corporate meetings, parties, rallies, parades, church events, theatres and concerts halls.

“DX210 system makes a big difference to the efficiency of our production workflow. Our technicians are able to communicate very quickly, within a matter of seconds during setups or show time,” commented Clifford D’Silva, Manager at Audio Tech in Oman.

“DX210 offers the perfect blend of wireless intercom performance, system compatibility with wired intercom systems, and ease of use,” said Abdul Hadi, Clear-Com and HME Product Specialist at NMK. “The system can support up to 15 users and with three different frequency options provides the interference free communication even in Wi-Fi congested environment.

It is an amazing and a cost effective wireless intercommunication solution for both, indoor or outdoor, with a coverage area of around 150-200 meters.” www.nmkelectronics.com

NEWS E-TECH ASIA May - June 2015

25

Glenn Loh Joins Martin Professional Asia Office said Alfonso. “He brings with him vast marketing experience and we’re confident he’ll seamlessly integrate with both the team and our existing business partners in the region.”

SINGAPORE: HARMAN’s Martin Professional has announced that Glenn Loh has joined Martin’s Asia & Pacific team as Key Account Manager.

Loh will be based in Singapore and will report to Alfonso Zarate Takano, Architectural Manager for Martin’s Asia & Pacific team.

“Glenn’s skills make him a valuable asset to the Asia & Pacific team,”

Before joining Martin, Loh worked as a Key Account Manager for Philips Lighting in Singapore. He is highly experienced in account management, project sales and developing and setting up new business models, and he is used to operating across different markets in Asia.

"Mohamed joins Riedel with impressive experience as an engineer working with the latest media and production technologies," said Ahmed Magd, Riedel's General Manager for the Middle East and Turkey. "We are confident that he will hit the ground running and make an immediate and

VISUAL CONTROL

Sapphire Touch

Commenting on his appointment, Loh stated: “I’m looking forward to establishing strong relationships with Martin’s solid customer base in the region and applying myself and my knowledge to generate impactful results for team Asia & Pacific.”

Quartz

www.martin.com.sg

Riedel Appoints Dubai Systems Consultant MIDDLE EAST: To bring further technical expertise to its Middle East team, Riedel Communications has appointed Mohamed Hammad to serve as systems consultant for Dubai.

In his new role, Hammad will help to define customer requirements, specify systems that meet those requirements, and aid in ensuring smooth installation and commissioning of the resulting Riedel solutions.

TOTAL

positive impact for Riedel, as well as for our customers in the Middle East."

Hammad most recently served as playout manager for popular Egyptian satellite channel CBC at its Media Production City facilities in Egypt. He earlier was with Egyptian Radio and Television Union (ERTU), where he held broadcast engineering positions for various channels and ultimately played a key role in designing and launching the broadcaster's new multichannel playout center.

Hammad will be based in Dubai and report directly to Magd. www.riedel.net

Tiger Touch II

Avolites: +44 (0) 2089 658 522 avosales@avolites.com www.avolites.com

Total Solution: (+65) 6287 9878 enquiry@tsm-int.com www.tsm-int.com

26

NEWS E-TECH ASIA May - June 2015

Epson Retains World's Number One Projector Brand Status INTERNATIONAL: On the 40th anniversary of the brand's creation, Epson, the world leader in projectors, has once again been named the world's number one projector brand.

This is the 14th year in a row that Epson has received this accolade.

This is according to the latest results for 2014 released by projector market research firm, Futuresource Consulting.

YOU´ VE GOT THE SKILLS. SKILLS WE´ VE GOT THE TOOLS.

Over the past 14 years, Epson has shown consistent steady growth in market share, year-on-year, increasing to 29.4% market share in 2014, over 28.1% in 2013. This means that almost one in three projectors purchased in 2014 was an Epson projector.

“2015 is a very special year for us.

Not only are we celebrating our 40th anniversary as a brand, but we are also celebrating our achievement in the projector market,” said Koichi Endo,

Managing Director of Epson Southeast Asia. “We have successfully made projectors more collaborative and interactive. It is no longer simply about projecting, but more about engaging with your audience. There is so much more you can do with projectors and we want to ensure that our projectors exceed our customer's expectations.”

The strength of Epson's projectors lies in the revolutionary 3LCD technology.

First introduced in 1989, Epson's 3LCD technology creates astoundingly beautiful images in bright, natural colour without dither noise or colour breakup. 3LCD projectors are also gentler on the eyes and offer smoother video playback as they utilize three separate liquid crystal panels to form a continuous image containing all colours. www.epson.com.sg

LOUD Technologies Appoints Sean Humphries

www.tsm-int.com Phone: +65-62879878 sales@tsm-int.com

APAC: Sean Humphries has joined LOUD Technologies as Sales Director for the APAC region.

Humphries joins LOUD after several successful years as APAC Sales Manager for Asia Pacific Music Marketing.

In his new position, Humphries will handle sales and support for the entire Asia Pacific region. He will be based

in Hong Kong, in close proximity to all key APAC markets.

Henri Cohen, VP of Worldwide Sales for LOUD's Mackie and Ampeg brands highlighted that Sean possesses a good mix of technical chops and account management skills and is a respected veteran in the industry who is familiar with the APAC territory. “I would add that Sean has previously worked with Mackie as Sales and Marketing Manager for Musiclink Australia. I am certain that he will play an integral part in helping our partners to even greater levels of success.” www.loudtechinc.com

www.coolux.com

NEWS E-TECH ASIA May - June 2015

27

Ticket To Bollywood Features PR Lighting Fixtures

MALDIVES: PR Lighting fixtures have once again basked in the sun-soaked holiday islands of the Maldives.

Ticket to Bollywood is a 90-minute non-stop Bollywood dance show by Indian dance company Ferris Wheel which opened at the Alimas Carnival Stage, Malé City.

Lighting designer, Becket J Tundatil, designed the light show and local event company Azidon Pvt Ltd was brought in by the client, Hub Co Pvt Ltd. A number of XR300 Beams were used on the dancefloor, with XLED 1037 washes overhead.

“We work regularly with Hub Co, and they are always pleased with our work,” commented Azidon’s Managing Director, M. Fayid Farouk.

Azidon also acted as production company at Taj Exotica Resort & Spa for the New Year’s Eve gala, when they had provided their XLED Washes and XR300 Beams for the festivities which took place at the beach. This time Ahmed Hamzoon and Arif Saeed were responsible for the lighting.

These two fixtures are among the most popular in PR Lighting’s portfolio.

Equipped with 300W Platinum 15R lamp and convex lens, the XR300 Beam produces a super-concentrated parallel beam with an incredible output, making it especially useful for long-throw applications. The superbright, fully-featured XLED 1037 LED moving head is characterised by the use of 37 x 10 Watt RGBW LEDs — containing four colours in one. www.pr-lighting.com

28 AMAZING G OPTICS

NEWS E-TECH ASIA May - June 2015

Philips Showline Open House A Success

HIGH OUTPUT

FULL FEATURE SET

Debuting Worldwide

March 2014

www.vari-lite.com

www.tsm-int.com

SINGAPORE: Total Solution Marketing Ptd Ltd recently held an Open House at The Republic Cultural Centre, Republic Polytechnic in Singapore, featuring a range of Philips Showline products.

An extensive range Showline luminaires was on full display, including the BAR, NITRO, PAR, WASH, STRIP, BAND and e series.

The Total Solution team was on site to demonstrate all the features of the gear and to answer questions from the crowd.

“Showline has always been popular; our products are of good quality and at an affordable price in the mid-range to high-end sectors, and there’s a demand for that here. And since technology is always changing, we make sure that we provide the market with the right features at the right time,” shared JR Chai, Asia Regional Sales Manager of Philips Entertainment Group (PEG).

“We're here not just to showcase our products but rather, to highlight and demonstrate how users can integrate the different series into their solutions; people tend to forget that Showline offers a complete solution.”

Showcased for the first time in Singapore, the SL PAR 90 IP luminaire utilizes 40 x homogenized RGBW LEDs to produce over 3000 lumens of output.

The split yoke bracket allows for easy hanging or floor mounting. It is also an IP 65 outdoor luminaire. Its rugged construction, internal power supply, and ease of use make the SL PAR 150 ZOOM a natural replacement for conventional PAR fixtures.

Whether illuminating stages, buildings, clubs, landscapes or other entertainment and architectural elements, the SL PAR 150 ZOOM provides designers with the high output and excellent colour uniformity.

Also on display was the SL Punchlite 220, which features an innovative and large motorized optical system with a zoom range of 8-40 degrees, and is IP65.

Both fixtures can be configured remotely via RDM or locally through the comprehensive Showline LCD menu system, allowing for fast commissioning and testing from a remote location. www.tsm-int.com www.lighting.philips.com

ENNOVATIONS E-TECH ASIA May - June 2015

29

Behringer: X AIR XR18 For the first time in audio history, Behringer has created a digital mixer integrated into a stage box and combined with a wireless router, recording interface, personal monitoring system and even a revolutionary auto-mixing function. While not only unprecedented from an engineering point of view, the starting price of US$699 is equally amazing.”

- Jan Duwe, Music Group Senior Engineer of Conception www.behringer.com

• iPad/Android tablet controlled 18-input digital mixer • 16 x MIDAS-designed, fully programmable mic preamps • Built-In Tri-Mode Wifi router for direct operation • 18 x 18 channel, bidirectional USB interface for direct recording on iPad, etc.

• X32 effects rack featuring 4 stereo FX slots • 100-band Real Time Analyzer (RTA) for all channel and bus EQ’s

• 6 aux and main LR buses with inserts, full dynamics processing and 6-band parametric or 31band graphic EQ • Free iOS, Android and PC/Mac/ Linux apps available for remote operation • Internal switch-mode power supply for noise-free audio and low power consumption • 3-Year Warranty Program

30

ENNOVATIONS E-TECH ASIA May - June 2015

PR Lighting: XR 1000 Framing [The] new XR 1000 Framing, promises a brighter output than a conventional 1200W discharge lamp from a 1000W metal halide lamp source — thanks to its superior optics.”

- PR Lighting

www.pr-lighting.com

• Source: Osram 1000W metal halide lamp • 1 x colour wheel with 7 colour filters • Linear colour temperature correction • Zoom: 10°~45°linearly adjustable • Gobos: 7 x rotating (high speed and replaceable) + 7 x fixed (replaceable)

• Iris: Linearly adjustable from 5 -100% • 1 x 3-facet prism wheel (bidirectional with variable speeds) • Double strobe/shutter blades, 0.3~25F.P.S • 1 x Framing Module: 4 sets of framing blades, 0°~90°rotation • Modular construction for easy maintenance

ENNOVATIONS E-TECH ASIA May - June 2015

AKG: DMS800 Wireless Microphone System Building on the incredibly successful DMS700 V2, the new DMS800 offers everything that made its predecessor an outstanding performer, while adding features that deliver more versatility than ever before.”

- AKG

www.akg.com/pro

• System includes: DSR800 stationary receiver + DPT800 wireless body pack transmitter • 150MHz frequency range • 512-bit encryption for sensitive audio information • 2 x digital audio outputs for DANTE and AES EBU • 2 x balanced XLR + 2 x unbalanced jack connectors • 3-band equalizer, dbx compressor + dbx limiter • AKG D5 WL1, D7 WL1 or C5 WL1 microphone heads available • Up to 40 channels available • Built-in HARMAN HiQnet network remote control • Monitoring can be done from a PC via HiQnet Audio Architect software, iPhone/iPad/iPod or Soundcraft Vi Series consoles

ProAudio Technology: VT20 • LF drivers: 2 x 10” bass reflex, horn-loaded, symmetrical to HF driver • HF driver: 1 x 11.5” line source, horn-loaded • Power handling capacity (RMS / programme): 800 W / 1,600 W • Max. SPL: 140 dB • Frequence response: 58 / 70 Hz / 100 Hz bis 18 kHz • Linear acoustic phase response up to 20 kHz, LP technology • Directivity pattern: 90o horizontal • Impedance: 1 x 8Ω • 2+1 SpeakON sockets (2-channel wiring without reversible cable) • Integrated 3-point flying hardware for angles between 0 and 8 degrees • Dimensions (W x H x D): 27.5’’ (700mm) x 12.7’’ (325mm) x 22’’ (560mm) • Weight: 77.2 lbs (35 kg)

When many small (and also some larger) aspects of a new design are optimised with painstaking accuracy, and proven material is complemented practically by modern innovations regardless of antiquated prejudices, the outcome will be a sound reinforcement system like the new VT20 Vertical Line Array.”

- ProAudio Technology

www.proaudiotechnology.de

31

32 EXHIBITION REVIEW PL+S Guangzhou: Bigger Than Ever E-TECH ASIA May - June 2015

By Rosalind Tan

Date: April 5 – 8, 2015 Venue: Areas A & B, China Import and Export Fair Pazhou Complex, Guangzhou Showgrounds: 130,000 sqm Number of Visitors: 63,784 Number of Exhibitors: 1,186 Website: www.prolightsoundguangzhou.com

P

rolight + Sound Guangzhou continues to receive strong support from the pro audio and lighting industry with its 2015 show returning with a bigger space and bigger audience. This year's show was the biggest ever with 1,186 exhibitors flashing out their latest technologies across 12 halls totalling 130,000 sqm at Areas A & B, China Import and Export Fair Complex.

John Paice, Marketing / Artist Relations of CELESTION explained the perks of joining the show, “This is the place to further develop our presence in China, and build connections with domestic Chinese brands and manufacturers, as well as being able to visit many potential customers in one place.”

Jason Zeng, Sales Director of renowned German brand beyerdynamic shared, “beyerdynamic is a top audio brand with 90 years history and we have been supporting the Prolight + Sound shows for a long time because of their industry influence. Having good response from the last edition, we decided to showcase our full product range including the TG wired and wireless microphones, professional surveillance headphones and headsets, Quinta wireless

conference system, and Orbis wired conference system.”

and the business potential of Southern China.”

Spanish brand Beyma, a first time exhibitor of the show, was also present in the hope of raising their business profile in Asia. Lily Xiao, General Manager for Beyma China explained, “Chinese audio system manufacturers are becoming more advanced in audio product technology, leading to an increased demand for this technology to be used in European made speakers and compression drivers. A show like Prolight + Sound Guangzhou is a great opportunity for us to let our customers in Asia, especially in China, to learn more about our latest products.”

Buzzing At The Show Floor

This year, the Audio Brand Name Halls returned and expanded to four halls.

Returning exhibitor AV Media, who was on site to showcase its range of products from KV2 Audio, Peavey, MEDIAMATRIX and its in-house lines for entertainment, performance and conference use, enthused, “The market has certainly a higher requirement for audio products. They have to be professional, comprehensive and user-friendly. Joining the Audio Brand Name Halls gives us good exposure to the Chinese market

Gathering a lot of hype at the Guangzhou Charming Lighting Co. Ltd booth was its attractive, larger-than-life LED P12.5 Dance Floor, which featured a semioutdoor IP64 design made of toughened glass that can withstand pressure up to 500kg per square meter.

CELESTION showcased its newly released LF Cast Chassis / Ferrite FTR12-3070F which features a 12" ferrite mid/bass driver of 350Wrms power handling and 96dB sensitivity and 3" high temperature Inside/Outside voice coil, along with the CF1025C 10" Mid/ bass driver delivering 99dB sensitivity and 300Wrms (AES standard) power handling.

EXHIBITION REVIEW E-TECH ASIA May - June 2015

Over at the HARMAN booth, the team kept it simple with its customary DJ Music Show featuring the Martin RUSH. Also on display were the JBL line of products, as well as the Martin MAC Quantum Profile, Wash and M6 console.

In similar fashion, MIPRO decked out its range of solutions including the brand new wireless plug-on transmitter TA-80, the compact wireless receiver ACT-80 and the newly developed MES-100 bridge server, within a massive networking lounge stationed in plain sight.

The MIPRO ACT-80 is a compact wireless receiver designed for professional camcorder applications.

Matched with MIPRO ACT transmitters to achieve natural sound reproduction, the receiver eliminates the need for microphone cables during recording, ensuring safe and agile operation of camcorders. The ACT-80 is the ideal portable receiver, convenient for use in any wireless audio transmission system.

Eastern Acoustic Development, who carries brands Xilica Audio, Ashly and Alcons, had again occupied a prime position in the audio hall, which drew several curious eyes with its elaborate showroom.

The Alcons RR12, in particular, was on demo. The system features the purpose-designed Alcons-proprietary RBN602rsr 6" pro-ribbon driver and a custom-designed 12" woofer with 4" voice coil, dual-spider suspension with forced-venting; while both transducers have Neodymium motor structures, the RR12 has a very high performance-toweight ratio.

Due to the pro-ribbon's all-natural cylindrical wavefront, no (distortion-increasing) adapters are needed to obtain perfect coupling for super precise directivity up to even the highest frequencies (to beyond 20kHz.).

A step forward on the digital amplification era is SAE Audio, who donned its best suit at the show with its range of audio solutions including the TX series and improved versions of its PCM, PQM series.

The TX series power amplifiers are a very versatile and efficient yet affordable option for those requiring an all-purpose device.

Implementing Power Factor Correction technology along with Universal Mains Regulated SMPS power supply and Class D power modules, the TX series combines in the same amplifier all the functional requirements found on most sound reinforcement applications.

Verity Audio also showcased its latest two-way dual 8â&#x20AC;? compact line array modules IWAC208 and IWAC210, which are ideal for small to medium installations, along with its range of column

33

34

EXHIBITION REVIEW E-TECH ASIA May - June 2015

speakers COL4.3F, 4.4N, 8.3F, 8.4N, suitable for small indoor spaces and home environment.

At the ACME booth, the ArtNet Infinity Matrix Screenâ&#x20AC;&#x201D;LED-MTX36 was once again the focus of the show, which held the crowd captive with its effects and stage atmosphere, in addition to its theatre line of XP-1000SZ professional stage lights, ACMEDIA media server and CA-A1 console.

The LED-MTX36 is essentially made up of 36 pieces 3W CREE warm white LED to deliver powerful and stable night lighting effects with outstanding light distribution. Featuring standard DMX control mode with wide range DMX channels, it is compatible with LED matrix via KlingNet or ArtNet protocol to transfer data, multimedia editing and playing software that offer users various options for operating the fixtures.

REYN Audio, which operates under the ACME group, was also present to showcase its QX4 amplifiers featuring its flagship TD class technology and compact module design.

In the world of lighting control, Nicolaudie was on site to demonstrate its USB DMX lighting controller SUSHIDS and the Sunlite Suite 2, the latest version of Nicolaudie's flagship software â&#x20AC;&#x201C; which sets the standard for advance

DMX control designed for theater, live shows, clubs and high-end architectural.

Chromateq also drew a decent crowd to their booth as they unveiled new features to its LED Player official version 1.4.5, which includes Beat Audio trigger, Art-Net signal improved with the possibility to add virtual nodes, new Studio DMX 3D viewer, Advanced Matrix editor and easy Pixel mapping tools, and many more.

Not Just Another Show

Indeed, Prolight + Sound Guangzhou has seen a gradual increase in exhibitors and visitors each year as the implied optimism that motivates so many new

technologies and innovations, gives signs of strength and renewal in this industry.

The show promises to become the go-to platform for Chinese lighting and audio manufacturers.

36

EXHIBITION REVIEW E-TECH ASIA May - June 2015

Prolight + Sound Frankfurt Celebrates 20 Years

H

eld at the Frankfurt Fair and Exhibition Centre, Prolight + Sound 2015 (PL+S) closed its doors on the 18th of April after a successful four-day run jam-packed with conferences, demonstrations and a high visitor count. Combined with MusikMesse, the 20th edition PL+S received more than 108,000 visitors from 146 countries who were treated to a spectacular display of new products, stars and events presented by more than 2,000 exhibitors.

Affirming PL+S' place as the top tradeshow, Helge Leinemann, Member of the Board, The Professional Lighting & Sound Association of Germany said, “From our point of view, it was once again clear that the heart of the sector beats at Prolight + Sound. This year, thanks to numerous products and services, the media, theatre, fair and events segments came even more closely together and were to be seen

at a glance at the same time and place during the four days of the fair.

Simultaneously, we see here just how international our business is.”

One of the biggest announcements for the show came from the organisers who stated that a new concept for the fair would take place in 2016. Starting next year, PL+S will move to the Eastern section of Frankfurt Fair and Exhibition Centre and occupy Halls 1, 3, 4 and 5, as well as the Congress Centre and outdoor exhibition areas.

“We are acting from a position of strength and want to expand Prolight + Sound hand-in-hand with the sector and for the sector. To this end, we need more space, which the eastern section of the Exhibition Centre offers," said Stephan Kurzawski, Senior Vice President, Messe Frankfurt Exhibition GmbH. Six exhibition halls, two outdoor arenas, a new indoor arena and an even bigger

area of outdoor exhibition space will make visiting this unique event a more positive experience for trade visitors than ever before, according to the organisers.

In addition PL+S begins earlier on a Tuesday and will end on a Friday to make way for the consumer-targeted MusikMesse that is now scheduled to begin on Thursday and end on Sunday, occupying Halls 8, 9 and 11. Trade visitors were advised to take note that next year the exhibition starts a week earlier from 5th - 8th April for PL+S and the fair will run from 1000hrs to 1900hrs on all days.

With visitor count on the rise and more changes to come, the E-Tech Asia team scoured the halls of the show and here we present to you the highlights from the show floor. pls.messefrankfurt.com

EXHIBITION REVIEW E-TECH ASIA May - June 2015

37

Adamson Keeps It Clean With S-Series S10 The S10 loudspeaker is part of the new S-Series by Adamson. It is a 2-way, full range, sub-compact line array is loaded with two newly designed 10” ND10LM Kevlar Neodymium LF drivers and an NH4TA2 1.5” exit HF compression driver mounted to a wave shaping sound chamber which produces a slightly curved wavefront with a nominal dispersion pattern of 110° x 10° (H x V).

The overall sonic characteristic of the S10 enclosure is clean due to Adamson’s patent-pending Controlled Summation Technology– a design method that brings the LF drivers as close together as possible, while symmetrically outwardly splaying them. The end result increases usable frequency range while decreasing summation at the crossover point, reducing interference. The LF drivers are also recessed behind the exit of the HF

sound chamber, so as to not limit the size and shape. A small amount of delay aligns the lows to the high frequency energy, with some dynamic overlap control in place as well to diminish any remaining noticeable interference.

The full S-Series consists of the S10 line array enclosure, S119 subwoofer, Blueprint AV and the E-rack; Adamson’s new unified rack solution. www.adamsonsystems.com

LiveCore™ series handles ƚƌƵĞ ϰ< ƌĞƐŽůƵƟŽŶƐ - Booth #1715 -

4K HDMI now available on all LiveCore™ Premium Video Processors 4 To learn more, connect with us on:

#UKC 2CEKſE Analog Way Pte Ltd - Singapore Phone: +65 6292 5800

Email : sales@analogwayasia.com

www.analogway.com

38

EXHIBITION REVIEW E-TECH ASIA May - June 2015

Avolites Arena Brings Live Control To Higher Levels The Arena console combines the popular interface of the Tiger Touch II with 30 additional Playback faders and expanded live control options and features.

Alongside the vibrant main display, a second touch screen provides an additional workspace window, also labelling the adjacent macro buttons and rotary pots. These fully assignable playback encoder pots allow intuitive control of channels and effects. The six LCD screens display electronic legends for 30 faders, for speedy access to all your playbacks, fixtures and palettes.

A brand new optical output means the Arena is equipped for fibre connections, with no signal loss over long distances, from front of house to the stage –

essential in large and outdoor venues.

Arena is capable of processing 16 DMX universes, with 8 physical DMX outputs, and this can be further expanded with Titan Net Processors for up to 64 universes.

Arena runs on the new Titan V9 software, which includes a multitude of new features, but of special interest would be the new Key Frame Shapes feature that provides the capability to create spectacular effects from scratch

with ease. With version 9, Titan now supports MIDI Show Control, and many more useful options. www.avolites.com

beyerdynamic Adds Handheld Transmitter To Quinta Offering flexible options for various applications, the Quinta TH is a wireless microphone that integrates fully into the Quinta conferencing system. The microphone button allows the same functions as a delegate microphone unit.

The microphone works with standard chargeable NiMH batteries and when fully charged is able to operate for

10 hours. In conjunction with the TH release, beyerdynamic also released a charger that is able to accommodate 2 x wireless microphones as well as 2 x pocket transmitters or pocket batteries which enables the devices to be fully charged within 2 hours. www.beyerdynamic.de

CADAC Releases Gesture-Operated Audio Console On the first day of the show, the CADAC team unveiled the CDC six gestureoperation sound production console which it claims features the fastest and most intuitive user interface of any audio mixing console available.

Based around further development of CADAC’s advanced, highly acclaimed gesture-operation user interface, the CDC six replaces traditional fixed physical controls with an intuitive “high agility” user interface, accessed via a widescreen 23.5'' touchscreen.

The optically bonded 23.5'' 16:9 high definition LCD touch screen with digital encoders to the bottom and the right is the most advanced and visually

striking feature of the new console. A unique combination of touch screen and traditional encoders, for additional control of console features, naturally leads to an instinctive use of “touch and swipe”. The faders follow the swipe of

the screen or scrolling of the channels, ensuring full control at all time of any combination of inputs, outputs or VCAs displayed on the screen. www.cadac-sound.com

EXHIBITION REVIEW E-TECH ASIA May - June 2015

CHAUVET Professional Goes Rogue The team from CHAUVET utilised the show as a platform to launch their new Rogue RH1 Hybrid luminaire into the European market. A fixture that combines a beam and spot effect in one unit, it can produce a beam angle of 1° - 4.5° in the beam mode and a zoom angle of 5° - 19° in spot mode.

The fixture emits 111,000 lux @ 15m from its 330W 8,000K Osram Sirius lamp, and its two prisms—6- and 8-facet—are independently controllable and can be overlapped. Additional effects include a frost feature, two gobo wheels (rotating and static), and a colour wheel with 13 hues.

Product manager Michael Graham, said: “When you consider the design versatility of its hybrid beam/spot capabilities, combined with its ultra-bright output, unique feature set and value-driven price, there’s no other moving head on the market like it.” www.chauvetprofessional.com

zero88.com/flx

#zero88

/zero88

@zero88

/zero88

39

40

EXHIBITION REVIEW E-TECH ASIA May - June 2015

Clay Paky Adds New ‘Superhero’ To The PROJECTORS SCENIUS is the new moving head spotlight at the top of the Clay Paky range. Its advanced optical unit and the new 1400W OSRAM discharge lamp provide a much higher light output than with previous generation 1500W lamps.

Thanks to its wide 8°-55° zoom, Scenius can be used in almost every scenario.

A modern focus tracking system concentrates maximum luminous efficiency precisely on the effect you wish to project, and the focus may be set to be fully automatic. The lamp produces a 6000K colour temperature that does not

vary over time; also, Scenius can count on a CRI>90, which is extremely unusual for a metal halide light source.

The colours cover a broad spectrum, even including pastel shades, thanks to a CMY system, a 7-colour wheel and a linear CTO filter.

The fixture can also be used in wash mode by inserting a new design of frost filter. It can be run at 1400W or in energy saving mode at 1200W.

www.claypaky.it

coolux Tracks Movement With ID-Tags booth with Christie. Presenting multiple hardware and software products at this year’s exhibition, the team also highlighted their Real-Time Tracking IDTags. The coin sized ID-Tags are ‘laying the foundation in tracking movement in a 3D space’ and are for ‘those who want to show they have the latest of the latest technology’.

Following their recent acquisition, creators of the award-winning Pandoras Box product family, coolux had a joint

Each of the tags can be addressed with a unique ID, which opens up the possibility of up to 256 different unique IDs being tracked in real-time within a single set-up. Tracking people or objects is achieved using a purely optical transmission system, which means you

can avoid a lot of potential problems that are sometimes linked to radio control based set-ups.

The tags have already made an appearance at a number of high profile events though we aren’t allowed to mention which. A play on colour as well, the tags allow users to turn on lights by themselves. Meaning that they can be programmed for stage that will follow a performer wherever they go with whatever colour light you wish. www.coolux.de

d3 Technologies Unveils First VFC Quad Output Card d3 Technologies unveiled the first Video Format Conversion (VFC) quad DVI output card at this year's show. The quad DVI VFC cards enable users to drive up to 16 DVI outputs (1080p, 60Hz) from a single 4x4pro system. This allows large, multi-projector shows to be delivered with fewer machines and no downstream splitter devices. This drastically reduces cost, rack space, set-up time and complexity; all without adding any signal latency. Users can also swap to DisplayPort 1.2 to drive up to four 4K outputs per server.

VFC output cards are an industry first: no other media server on the market offers the ability to gracefully transition from HD to 4K as 4K proliferates. As new signal standards gain popularity, d3 Technologies will release new output cards to handle them.

The d3 4x4pro can Push Every Pixel playing up to eight layers of 4K video, 32 layers of HD video (DVX/HAP codecs at 30fps) and up to eight layers of uncompressed HD video (Animation codec at 30fps), all with content up to 16K pixels across. Two 10Gb/s Ethernet

ports allow huge quantities of content to be transferred in just minutes – a real plus for high-pressure show environments.. www.d3technologies.com

3 8 6 +

<285 9,6,21 7 2

7+(

/($',1* ('*(

:LWK (ODWLRQ 3URIHVVLRQDO $Q ,QQRYDWRU ,Q 7KH (QWHUWDLQPHQW 7HFKQRORJ\ ,QGXVWU\

6/,3.127 7285

3/ $7,180 )/; 352 /XPHQV 6SRW )L[WXUH %HDP 6SRW :DVK 0RGH &0< &RORU 0L[LQJ =RRP GHJ $UW1HW /DPS : 3ODWLQXP 5

:25/' +($'48$57(56 86$

ZZZ HODWLRQOLJKWLQJ FRP LQIR#HODWLRQOLJKWLQJ FRP

3527521 .

(/$7,21 352)(66,21$/ (8523( LQIR#HODWLRQOLJKWLQJ HX

(0$*

67$< &211(&7('

61,3(5 5 61,3(5 5

Experience

Elationâ&#x20AC;&#x2122;s

TOTAL

SUPPORT

42

EXHIBITION REVIEW E-TECH ASIA May - June 2015

d&b ArrayCalc Version 8 Offers Further Sophistication The d&b ArrayCalc simulation software is the simulation tool for d&b line arrays, column and point source loudspeakers as well as subwoofers.

This is a comprehensive toolbox for all tasks associated with acoustic design, performance prediction, alignment, rigging and safety parameters. ArrayCalc is available as a native stand-alone application for both Microsoft Windows (Win7 or higher) and Mac OS X (10.6 or higher) operating systems. This can significantly reduce setup and tuning time in mobile applications and allows for precise initial simulations when planning installations. Listening planes can be defined in the venue tab, creating

a three dimensional representation of any audience area in a given venue.

The optional ArrayProcessing function within the ArrayCalc simulation software V8 incorporates powerful filter algorithms that calculate and optimize the sonic performance of a d&b line array over an entire listening area.

ArrayProcessing ensures that every member of the audience benefits from the same remarkable quality of sound by enhancing the spectral consistency, with a defined level distribution, to achieve a consistent tonal balance for each listener. The optimization intensifies the clarity and tonal balance of the J-Series,

V-Series or Y-Series line array solutions; taking existing d&b systems to dizzying heights. ArrayProcessing also applies a target frequency response to different loudspeaker columns, giving each array the same sonic character and coherence, regardless of Series, column length and splay settings. All of this is achieved with a software update, available to download from the d&b website. www.dbaudio.com

D.A.S. Audio Comes Out In Sound Force

Designed for today's high-level dance venues where exceptional sound, imposing power and impressive looks are key requisites, the new series presently offers four models.

The SF-112 is a powerful mid-high 3-way cabinet which allows for passive or bi-amp operation. The midrange is handled by the new D.A.S. 12HQ loudspeaker. High frequency reproduction is trusted to the D.A.S. M-75N neodymium compression driver used by D.A.S. on a number of their high-profile systems. Both components are mounted to fiberglass horns with a quality "polished" finish. The ultra-high frequencies are handled by twin "bullet" type tweeters mounted on supports.

The SF-215 is a bass system comprising two DAS 15" loudspeakers in a fourth

order bass-reflex configuration. The bass cabinets can either be stacked, or flown on both sides of the SF-112 to form a 4-way array. Two subwoofer options are available in the Sound Force series.

The SF-221, a double 21" subwoofer comprising twin 21LXN4 loudspeakers in "V" loaded configuration and the impressive SF-30A, a powered ultra-low system. The SF-30A employs a 30" pushpull moving magnet transducer powered by a Class D amplifier offering 7,500W continuous power for LF reproduction. www.dasaudio.com

DiGiCo Unveils S21 Console One of the most entertaining introductions by far, DiGiCo's Managing Director James Gordon took guests through a video presentation complete with Back To The Future movie references to unveil the new S21 console.

The core of S21 is DiGiCo’s Stealth Digital Processing. With the same FPGA algorithms as the SD7 and the Mic Pre design lifted from the 192kHz SD-Rack, “the audio statistics on this console are very much high end; it should surprise a lot of new to DiGiCo engineers. Oh, and its 96kHz with no processing limitations

from day one like all the other DiGiCo consoles,” said James.

S21 comes with dual DMI (DiGiCo MultiChannel Interface) option card slots, useful for expanding with industry formats (analogue, MADI, Dante, etc.). The compact dual screen design provides 10 channels strips per screen allowing for instant operator feedback and control on 20 channels, at the same time. The instant feedback offers reassurance when mixing large shows but the newly designed drag, swipe, and drop channel layout system makes it simple

for operators to move channels and busses across the surface to design your own custom fader layouts. www.digico.biz

DEALER WANTED

GLP German Light Products Asia Ltd. 2IÃ&#x20AC;FH -HUYRLV 6WUHHW 6KHXQJ :DQ +RQJ .RQJ +852 3151 7730 / asia@glp.de

44

EXHIBITION REVIEW E-TECH ASIA May - June 2015

DPA Unveils “Best Of Class” Microphone A professional broadcast mic, DPA's latest product, the d:facto Interview Microphone provides outstanding voice clarity, linearity and low noise. As shown in its demo video during PL&S 2015, the bare microphone was tested to handle wind and noise at highest quality, in most cases even without the need for extra foam windscreens or fur windjammers.

Unlike other handheld mics, all d:facto microphones use the same head for both wired and wireless use, so users have the flexibilty to use it with current and future pro wireless brands and standards. www.dpamicrophones.com/dfacto

DTS Lighting Evolves With EVO The new multi-function EVO moving head is aimed at rental companies who need compact feature-packed units that are easy to handle, install and store.

In “Beam” mode, EVO delivers a 61,200 Lux @ 25 metres, and more than 15,300 @ 50 metres. It is capable of projecting a super concentrated beam of light over very long distances along with a wide variety of gobos for unique mid-air effects. In “Spot” mode, EVO offers striking brightness (over 45,000 Lux @ 25 metres) and an extra-wide linear Zoom (3.5° - 37°).

Additionally features include Linear CMY, Linear CTO, a 21-colour palette going from soft nuances to rich saturated

colours, and analogue two-tone generation.

The exclusive circular 8-facet or linear Dyna-Prism system (D.T.S. patent pending.), are capable of enhancing any gobo with spectacular animations and dynamic kaleidoscopic effects.

EVO is available in 2 versions: with or without the ‘FPR’ system.

The ‘FPR’ system (D.T.S. patent) allows limitless pan rotation, in both directions, never having to invert movement, offering lighting designers unmatched creative control. www.dts-lighting.com

Eaton’s Zero 88 Promises Powerful Creativity With the rapid adoption of LED lighting and the increasing expectations for a more sophisticated lighting experience, creating great lighting designs has never been under more time pressure. The FLX lighting console has been specifically designed to deploy a range of time saving features to meet this challenge.

For instance, the True Colours feature ensures that the software does all the clever calculations so all the fixtures respond correctly and accordingly, especially in a scenario when working with fixtures that colour mix using different methods. Tools like ‘Mood Boards by LEE Filters’ and cool, multitouch image capture technology can free up yet more time to create a great show.

Utilising an internal 7'' capacitive touch screen, the console’s comprehensive feature set operates across 2048 channels and 240 playbacks. Programming time is reduced with a simple three-step programming method - what you want, how you want it, where you want it. This releases precious additional time for users to spend on the creative lighting design process.

(L-R) John Hole, Product Specialist and Tyler Holpin

International Sales with the FLX Lighting Console FLX uses “Fe-RAM” (Ferroelectric Random Access Memory) to store USBs positioned all around the desk for every button press in real-time and complete convenience and full flexibility. ensure that every second of the work is saved without any battery backup. www.zero88.com/flx Additional USB wings can be added via

dot2

THE ESSENCE of MA Lighting

EASY OPERATION | CLEVERNESS | SUITABILITY | MULTILINGUAL | DESIGN | MA DNA

The new Range of Lighting Control Solutions from MA Lighting: www.ma-dot2.com

46

EXHIBITION REVIEW E-TECH ASIA May - June 2015

EAW Introduces Redline Powered Loudspeaker Series Designed for rental & staging and installation customers, the Redline family consists of a two powered, two-way loudspeakers – the RL12 12'' and RL15 15''– along with the RL18S 18-inch powered subwoofer.

Redline loudspeakers contain highlycustomized precision transducers

engineered to meet the demands of live sound. RL12 and RL15 offer perfectly consistent directivity via BeamwidthMatched crossovers on 90 x 60 degree user-rotatable horns. Four-aperture ports provide massive bass support with no turbulence while maximizing transducercooling air flow for utmost reliability.

The self-powered loudspeakers feature 1,250W of fanless Class-D, Power Factor Corrected amplification. EAW Focusing sonic processing delivers the impulse response of a studio monitor with the impact demanded by live

sound applications. DynO processing optimizes the power transfer from amplifiers to transducers to audience, maximizing headroom and sound quality at a high SPL. Three simple user-defined voicing options allow a variety of uses without need of a computer or external processor.

The RL18S subwoofer is cardioid-ready via simple rear-panel controls, allowing end-users to achieve high levels of low-frequency control without need for complex processing or calculations. www.eaw.com

New Coaxial Loudspeakers From Eighteen Sound The new coaxial loudspeakers, 8CX650 and 10CX650, feature ferrite motors and provide extended LF. Each has a nominal dispersion of 90-degrees. The 65mm (2.5in) LF copper voice coil employs Eighteen Sound’s Interleaved Sandwich Voice coil (ISV) technology resulting in an extremely linear motor assembly.

Both models employ the 44mm (1.75'') diameter HF diaphragm assuring exceptional HF behaviour. The 8CX650 is also Atmos compatible and ready.

Both loudspeakers are designed for use in compact reflex enclosures and stage monitors with a nominal dispersion of 90-degrees. The high force ceramic single magnet structure makes the 8CX650 a lightweight speaker for its performance class at only 5.5kg (12 lb) with the 10CX650 weighing in at only 6kg (13.2 lb). www.eighteensound.com

Elation Platinum FLX Flexible Hybrid Luminaire Previewed to “get a feel for what the customers want”, the new Platinum FLX from Elation Professional does the work of three luminaires in one. Using the same patent-pending dual optical design as Elation’s Platinum SBX, Beam mode and Spot mode perform under their own independent optical systems resulting in a narrower beam angle and brighter central point in Beam mode and a uniform, clearer and brighter spot field under Spot mode.

Its 470W Philips MSD Platinum 20R lamp can emit up to 23,000 lumens, an output comparable to 1200W fixtures. Elation Sales Director Eric Loader noted, “The

Platinum FLX is an extremely efficient fixture on two fronts – its hybrid ability translates into savings from being able to use fewer fixtures in the rig, not to mention the space and weight benefits gained, while designers are getting up to 23,000 lumens of power yet drawing only 650W. It is very energy-efficient as compared to traditional 1200W lights, you can easily put two Platinum FLX fixtures for every one 1,200W type fixture on the same power circuit, plus this unit can run at 120v offering even more versatility.” www.elationlighting.com

EXHIBITION REVIEW E-TECH ASIA May - June 2015

Electro-Voice Advances X-Line The result of rigorous R&D, the new X-Line Advance family of line-array represents a dynamic step forward in line-array loudspeaker system design.

The first wave of products launching under the X-Line Advance banner includes the X1-212/90 compact 12” vertical line-array loudspeaker system that is approximately a third smaller in size than systems typically used in small and mid-size environments. The 12" SMX woofer in the X1 is coupled to an EV-exclusive Mid-Band Hydra device that effectively emulates the acoustic behavior of a double line of four 3" point sources to deliver superior mid-band coupling of the array while maintaining the efficiency, power, and bandwidth of a 12" transducer.

Another new member to the X-Line family is the X12-128 dual-18” subwoofer, the most powerful sub EV has ever developed. In addition to its

extremely high output capability, the sub is designed to acoustically match seamlessly with any X-Line Advance top cabinet and is capable of 141/147 dB maximum SPL (continuous/peak) while maintaining a low-profile footprint, making it suitable for under-stage applications.

Marking the momentous release, Guillermo Wabi (pictured), Global Product Manager, Line Array, declared, “If we're going to release something, it has to be the best in our portfolio.” www.electrovoice.com

47

48

EXHIBITION REVIEW E-TECH ASIA May - June 2015

Equipson Launches New Ultra Compact Line Array Attendees who passed by the Equipson stand at PL+S this year, saw the new ultra compact line array system ARION 28, one of the first on the market that can be adjusted using OSC protocol.

The ARION 28 is a 1000W selfpowered line array system with inner DSP controlled through Ethernet.

Each loudspeaker adds an Ethernet switch which allows to link the units between them in Daisy-Chain for control purposes. ARION 28 can be controlled

through OSC protocol using tablets or smartphones with the free application developed by the brand OSCillation app. This is the new system that joins the ARION Series composed, up until now, of ARION 5 and ARION 10. With this addition, ARION Series now offers a wider range of compact and lightweight solutions for small and medium installations. www.equipson.es

GLP Makes An Impression

impression X4 L

GLP presented important additions to its popular impression range of LED moving lights as it revealed the latest fixture to join the range, the fully pixel mapping impression X4 L. Introduced by popular demand, the X4 L offers a full package of a pixel mapping features with front beam rotation (beamshaper). The LED luminaire also boasts an ultra fast 7:1 zoom range, wide colour pallet and high output from its 37 LED sources which are each rated at 15W and feature RGBW colour technology. The impression X4 L, which will be shipping imminently, also offers smooth full range dimming, electronic strobe functionality, variable colour temperature correction and 16bit pan and tilt control, all in the sleek

GTD Presents Limitless Lighting Creativity With 8 individually controllable LED beams and RGB wash light in the middle, GTD's LX88621 LED series gave endless possibilities to creative lighting. The LX88621 comes with 8W LED (White), 6W (RGB three-in-one), 8 beam and 21 frost. Beam angle is 3 degrees for beam and 30 degrees for frost. It can also do an endless 360 degrees pan rotation and 135 degrees tilt individually controllable.

The LX88621 has a life time of 50,000 hours with individual linear electronic dimming between 0-100%. In addition, it also has 2 optional control channels 11/25. Weighing at 11kg, it can withstand ambient temperature between -25 to 45-degrees Celsius.

www.gtd-china.com

baseless design that has become a part of the GLP impression product range.

Also shown for the very first time anywhere in the world was the new impression X1. It features four highpowered 15 Watt RGBW LED's in a compact housing that features continuous pan and tilt motion. The fixed beam optics are interchangeable between different beam angles from the standard 7째 lens, while the compact base of the impression X1 houses Powercon in and thru connectors for easy daisy chaining of multiple fixtures. www.glp.de

EXHIBITION REVIEW E-TECH ASIA May - June 2015

HK Audio Expands Linear 5 Range Delighting visitors of the show, HK Audio added 2 new systems to their impressive Linear 5 range. The LTS A long-throw satellite pairs the concept of an integrated line array with the physical format of a classic compact point source. Either flown or deployed in ground stacks, LTS A’s special audio characteristics let you set up acoustically correct head stacks and horizontal clusters.

The heart of the LTS A is the Multicell Transformer which offers three key benefits. Small apertures transform waves to boost SPL so that a miniature horn is able to deliver SPL gains much like those of big horns. Next, multi-cellular design eliminates distortion in the audible range up to 20 kHz, a common drawback of horns and nine horn cells’ varying lengths and surface areas of their exit apertures are configured so as to shape a + 5°/-30 ° curved wavefront similar to that of a full multi-component array.

Equipped with DSP-controlled active electronics, the Linear 5 LTS A may be paired with the new L SUB 4000 A subwoofer that can serve as a sub-low add-on to the SUB L 2000 A and can be paired with all Linear fullrange and satellite speakers. www.hkaudio.com

Smart speakers for clever people From touring sound to fixed installations, audio professionals spec NEXO for the high levels of performance and reliability that come only from a truly innovative approach to speaker system design.

Find out more at www.nexo.fr

www.nexo.fr

Thinking. Inside the box.

49

50

EXHIBITION REVIEW E-TECH ASIA May - June 2015

K-Array Makes A Statement With Concert Series

analog and digital inputs. The company’s signature compact design, Slim Array Technology, is also implemented within the Concert Series.

The Concert Series feature significant advancements including the ability to digitally steer the sound, the use of an onboard touch screen and an intelligent integration of capabilities such as various stacking and hanging positions, weather resistance and integrated DSP multiple

The KH2 is the smallest mid-hi line array element offered in the line. The selfpowered speaker is comprised of two 8” Neodymium magnet woofers each with a 2.5” voice coil and two 1.4” compression drivers with a 2.5” voice coil each.

However small in size, this compact speaker can really deliver a large sound, making it a perfect solution for medium scale events in stadiums, arenas, concert halls and theatres.

The KH3 in the K-array Concert Series was designed with larger scale events

in stadiums, arenas, concert halls and theatres in mind. The unique performance-to-size ratio measures up two large 12” Neodymium magnet woofers with a 2.5” voice coil each and two 1.4” compression drivers with a 2.5” voice coil each. The medium to large format speaker has the ability to drive sound farther.

The biggest speaker of the K-array Concert Series, the KH5 has two 15” Neodymium woofers with a 3” voice coil and four 1.4” compression drivers. The large format speaker makes for an even larger sound that can deliver up to 139 dB. www.k-array.com

Lab.gruppen Previews Lake Controller V6.4 The new Lake Controller v6.4 software program, scheduled for release later this spring, introduces a number of significant features to enable faster and more accurate optimization of complex, large-scale sound reinforcement systems.

Currently in a beta version, v6.4 adds a new dimension to preset and EQ handling with the introduction of Recallable EQ Overlays. According to Product Manager Martin Andersson, “With this new feature, users can store and recall individual EQ overlays to modules and groups in Lake Controller.”

“Now any given speaker preset can consist of a single base preset which then can be augmented with EQ overlay additions. This allows fast modification of a preset to compensate for the number of boxes in an array or for variations in system throw distance.”

Additionally, when an EQ Overlay is either stored or recalled to a Module or Group, the store/recall path also is stored in the actual Overlay for the module. This feature allows users to easily switch between different EQ Overlays with the same type of compensation. A speaker manufacturer

or rental company can pre-define these paths for distribution inside the Lake LoadLibrary. labgruppen.com

MA Lighting Back With dot2 Modular Console

Manufacturers of the well-known grandMA, have released a new range of compact lighting control solutions – the dot2. Making up the range are three lighting consoles, two playback expansion wings along with the network

output node, on PC console software and 3D visualisation software.

all times and a tactile level wheel gives access to lighting levels.

Designed for small and mid-sized projects and venues, intuitive operation and connectivity onboard allows the dot2 to be in almost any setting since the hardware is modular optional. The plug & play dot2 F-wing and dot2 B-wing allow playback expansion and the full-tracking-back-up functionality.

Users can now teach themselves about the new console as the MA website offers training videos, online manuals, a software download section as well as a link to the brand new dot2 forum.

Testing out the new system, MA held miniature 'training' sessions during the show to interested visitors who wanted to get to know the console better.

Needless to say, it was well attended.

The dot2 will feel familiar to theatrical users as 100mm faders provide full access to the master playback list at

www.malighting.com

52

EXHIBITION REVIEW E-TECH ASIA May - June 2015

Martin Audio Reveals The Shape Of Things To Come Besides sharing the success of the MLA series which was said to be “dominating the Japan market”, the team also introduced visitors to the CDD Series dedicated loudspeaker range which features six 2-way full-range coaxial system. From the micro CDD5 to the powerful CDD15, complemented by high-performance subwoofers, the family covers a majority of install applications.

CDD combines distinctive curved enclosures with Coaxial Differential Dispersion technology which delivers more consistent audience coverage than systems with fixed dispersion X° x Y°

horns - projecting more output to the rear of the audience to distribute sound evenly from front-to-back, while having wide horizontal coverage close-up. This increased coverage area can reduce the speaker count in larger installations.

R&D Director, Jason Baird, shared, “We’ve created a rectangular coverage pattern to reach all corners of the audience, whilst wide horizontal coverage is achieved very close to the loudspeaker. Essentially we’ve advanced point source technology to bring MLAlike consistency to the more intimate spaces of the install market.”

Moulded in rigid UPM Formi — a natural fibre composite which combines stiffness with excellent internal damping properties — the curved shape of the CDD series allows each enclosure to be discreetly mounted close to a wall or ceiling. www.martin-audio.com

Martin Professional Invests In Video

Compatible with all Martin LED video products, the ready-to-ship P3-300 System Controller LED Video Processor combines the P3 workflow with a highperformance video processing engine. It

has the look and feel of the P3-100 and P3-200, but a lot more power under the hood. It comes packed with a DVI-I video input and 2 x SDI input ports as well as a DMX input and Ethernet port to allow for real-time integration with lighting control protocols (DMX, ArtNET) and automation systems.

multiple controllers by allowing more fixtures to be driven from a single controller. All showfiles on the P3-300 are fully compatible with Martin P3 family controllers (P3-100/200/PC).

The controller also supports all input resolutions up to full HD, 1920x1080, and mounts in a 2U rack space.

A scalable system with an output capacity of over 2,000,000 pixels, the P3-300 eliminates the need for stacking

martin.com

MIPRO Launches ACT-2400 Series To overcome the congestion and complexity in the 2.4GHz-ISM band, MIPRO created the ACT-2400 series wireless systems for smaller areas and low-power products. Featuring stable digital FSK modulation circuitry, the ACT-2400 series comes with dual tuner true diversity receiving, with receiving distance up to 100 meters (330 ft.) with no signal drop-out. With the FHSS frequency-hopping technique, each channel has 4 preset hopping frequencies. By adaptive tracking algorithm, it can skip the Wi-Fi frequency being used and effectively avoid interference from 2.4G communication products.

The MIPRO ACT-2400 series has four receiver models: ACT-2401, a 1/2U single channel receiver; ACT-2402, a 1/2U dual-channel receiver; ACT-2412, a 1U

dual-channel receiver; and the ACT-2414, a 1U quad-channel receiver. www.mipro.com.tw

EXHIBITION REVIEW E-TECH ASIA May - June 2015

Nexo Unveils New Super Compacts Nexo's ID (InSpace Definition) describes a new category of products, which are intended as problem-solvers for the toolkits of system designers and installers in all areas of the audio business. The physical characteristics of the ID Series of loudspeaker cabinets are super-compact and low profile, to enable their use in awkward and acoustically challenging spaces. Using a variety of mounting options, the ID24 compact cabinet can fit into almost any environment, whilst its ability to offer high SPL output with variable directivities enables it to ‘beam’ sound into difficult spaces.

Three products were released at PL&S Frankfurt. The ID24 full-range compact speaker, using twin 4” drivers in a V formation in combination with an HF compression driver offering two preset directivity options. Complementing the ID24 are two striking low-profile powerful subs, ID S110 (1x10") and ID S210 (2x10").

The ID24 has three versions tailored for different needs: ID24i for installation, ID24t for touring and AV applications, and ID24c or the “a la carte” version which allows the customer to custom-configure the speaker to match precise requirements.

NEXT-proaudio Introduces World’s First 14” Active Monitor

The new LAm114xA active stage monitor joins the LAm family (LAm115 and LAm112). It incorporates advanced coaxial 14” speaker, custom made by B&C and a high performance DPA amplifier module, capable of generating 1650Wrms of high-definition power for a very high acoustic pressure.

This stage monitor combines perfectly the 12” associated voice reproduction clarity with the bass extension typically reproduced by the 15” speakers. The high frequency reproduction is assured by a 2” exit, 3” voice coil, HF neodymium driver for further improved resolution on the critical voice frequency range. next-proaudio.com

The ID24 has a unique user-adjustable horn, which can be rotated easily without the need for tools by a switch on the rear panel to give 60 or 120 degree HF coverage with the standard horn fitted.

This allows the HF horizontal dispersion to be ‘tuned’ for the given application – installed or touring. As the ID24 can be mounted vertically or horizontally, this effectively gives the user four different directivity options in each cabinet.

The ID24 also benefits from highly cost-effective amplification opportunities. 16x ID24 cabinets can be powered by a single NXAMP4x1, NEXO’s smallest powered TDController, which offers a host of features including ‘channel-by-channel’ preset selection and remote monitoring using the NeMo app. EtherSound and Dante network compatibility is available as an option. www.nexo-sa.com

53

54

EXHIBITION REVIEW E-TECH ASIA May - June 2015

Optocore Ramps Up MADI Commitment Having made a major commitment to the MADI standard, Optocore continued its MADI passion with the launch of the new M series of products. The two modules, M8 and M12, were the highlights of the Optocore during PL&S this year.

The M8 with 4 MADI ports provides 4 x dual BNC or 4 x duplex fibre, 2 SANE ports (which support MADI over Cat5) and 2 Optocore hi-speed fibre uplinks.

As for the M12 with 8 MADI ports, the

unit has similar features of M8, but with the additional option of 8 x dual BNC or 8 x duplex fibre.

In addition, each of the new MADI devices can work as a stand-alone router with single- channel non-blocking matrix — and each can be integrated with any other Optocore interface. www.optocore.com

Philips Vari-Lite Introduces VL4000 BeamWash The VL4000 BeamWash luminaire combines stunning Wash capabilities with intense Beam functionality and the ability to produce a powerful, collimated shaft of light all without the need to change lenses. Using a Philips 1200W lamp, one single fixture can now achieve multiple creative looks through its 43,000 lumens of output and amazing optics making it the beast of any lighting rig.

When used in Wash mode, the luminaire provides an even wash of intense light with variable hot spot/edge control.

The 10 to 60-degree zoom range allows for a broad range of usage, while the indexable and rotating beam shaping alters the output from round to elliptical.

The hot spot and edge of the wash output can be further adjusted with ease from any DMX lighting console.

By simply adjusting a DMX value, the VL4000 BeamWash shifts from a soft wash to an intense Beam luminaire with an amazing 4 to 40-degree beam angle.

A multitude of images are available from two, seven position gobo wheels and a variable animation wheel. A unique

lenticular feature allows the output to be further modified to create a rectangular hard edge or extruded gobo imagery.

The VL4000 BeamWash includes the Infinity Color Mix system providing incredibly smooth colour changes and instantaneous snaps. Two five-position fixed colour wheels and variable colour correction further add to the colour abilities, and the luminaire also contains smooth dimming flags which when combined with independent shutter blades deliver unmatched dimming and strobing abilities. www.vari-lite.com

orce Powersoft Takes Great Pride Going Forward With M-Force Powersoft's M-Force is an innovative and unique transducer based on a patented moving magnet linear motor structure.

Driven by the M-Drive amp module, the M-Force motor is the result of years of FEM magnetic and mechanical simulations, careful integration of the latest magnetic materials, digital signal processing, acoustic design and power electronic conversion.

The M-Drive which is designed to fully exploit the potential of M-Force, is able to drive even the most demanding applications of selfpowered subwoofers, with its outstanding output voltage (310 Vpeak) and current capabilities (200 Apeak).

To extract the full benefits of the M-Force, Powersoft’s Differential Pressure Control is a powerful tool to create a full boundary condition acoustic processing, has to be considered as a complimentary active control and performance enhancing method.

Practical implementation of M-Force technology is gaining traction. One example is the recent announcement of what has been claimed to be the world's largest subwoofer club installation at the famed Avalon Hollywood Club. The new EAW Avalon house system is integrated with Powersoft's M-Force technology. At PL&S Frankfurt, 2015, the newly unveiled Sound Force series from D.A.S. Audio also features the M-Force technology

as well as the sub boxes designed by the Finnish Company Aura Audio at the recent PL+S. “It is a big step forward for Powersoft Audio as we bring our technology into products,” said a pleased Francesco Fanicchi, Brand and Communications Director, Powersoft Audio. www.powersoft-audio.com

56

EXHIBITION REVIEW E-TECH ASIA May - June 2015

PR Lighting Extends LED Family With XLED 3007 Containing seven LEDs (4 in 1 RGBW), each rated at 20W, the XLED 3007 is a larger version of the XLED 2007 and features a 6:1 zoom — one of many similar functions it shares with the company’s successful XLED 3019.

Additionally, each LED is also individually controllable.

Aside from its impressive zoom ratio (7°-42°), the fixture has endless pan and tilt rotation. Users can pan it 720°,

360° or endlessly, and tilt 270° (or endlessly), with Swap and Invert function, auto position correction and magnet positioning function.

Other notable features include operation to sound (sound to light), optional wireless control, animation effects, features touch keys on the panel and over-temperature protection. www.pr-lighting.com

Prolyte Group Locks On Locator App staging equipment – which is now damaged beyond repair – or when you realise you've forgot to pack that one crucial piece of gear, but your show is tonight. If any of those details relate to you then you would be just the right kind of person who would need the Prolyte Locator App.

If you've ever experienced the heartstopping moment when someone drops an indispensable piece of trussing or

Available for all iOS devices, the Locator App is free and helps you find sales or rental points close to where you are located anywhere in the world.

Furthermore, it shows you what is in

stock at the distributing points at that time and place. Already over 300 Prolyte distributors, service points, sales and rental partners are listed on the handy tool that also lists where to buy or rent Prolyte products while giving an overview of events, campus seminars and exhibitions all in one place. If you’re a Prolyte stockist, don’t miss this unique and free opportunity to join the network – speak to a Prolyte representative to confirm your listing. www.prolyte.com

RCF Launches Digital Wi-Fi Mixer Designed as a practical fader-free portable self- contained enclosure the M18 features an on-board WiFi access-point with integrated internal antenna, enabling all the functions to be controlled wirelessly. This product is a tool for musicians and small combos rather than sound engineers.

The 4-band EQs on each channel feature three different modes: Standard, Vintage and Smooth, allowing a wide range of EQ sounds and tweaking capabilities.

Up to 15 simultaneous insert effects can be inserted on the inputs, providing a flexible sound sculpting environment, without the need to bring along additional equipment.

The M18’s real engine is the back panel, which is populated with eight Mic inputs (with six XLR’s and two combos), 10 Line inputs, six Aux Out, Headphones Out and two XLR for Main Out. In addition to the six Aux busses for stage monitoring or any other external effects, three separate aux busses are available to feed the internal effects.

A footswitch socket for internal FX mute or program change, as well as MIDI In/ Out, complement the control options.

A USB host port enables the use of external mass storage, such as hard drives and USB sticks, for the internal two-track player and recorder, while an Ethernet port is provided for computer connection when required. www.rcf.it

58

EXHIBITION REVIEW E-TECH ASIA May - June 2015

Renkus-Heinz Is Iconyx Gen5 DSP - advanced algorithms enable the designer to focus the sound energy directly at the listener, keeping it away from reflective surfaces, reducing echoes and dramatically improving intelligibility.

With its streamlined, low-profile, design Iconyx can easily blend into any architectural environment with minimal aesthetic impact.

From boardroom to concert hall, RenkusHeinz's Iconyx unique beam steering technology provides the ultimate in control. Each transducer is powered by its own individual amplifier and

Evolving the tried and true Iconyx modular approach Iconyx Gen5 adds new Master and Slave amplifier modules reducing both cost and complexity.

Sharing electrically identical power

amplifier circuitry, but without the unnecessary duplication of expensive input connectors and control, Gen5 Slave modules allow the designer to cost optimize the system without compromise.

Iconyx Gen5 Amplifier Modules are built around the same audiophile quality 8-channel power and FIR engine, but with new and improved electronic design giving improved performance and reliability. www.renkus-heinz.com

Robe Adds Blade To BMFL Range The new BMFL Blade fixture offers four fast shutter blades with smooth and precise movement in the new BMFL Blade lighting fixture.

The shutter blades are individually angled and positioned within a frame which itself can rotate through 90 degrees, providing a sharp or soft, precisely repeatable frame for the projected image.

This produces a new series of fastmoving in-air effects through preprogrammed shape and movement sequences of the blades, gobo images can be trimmed or framed in a regular,

triangular or trapezoid shape.

Each pair of opposing blades can close for a complete blackout.

Two gobo wheels – one rotating with six slot&lock gobo positions plus another with 8 static gobos can be combined with the Animation wheel to create numerous dynamic projected effects.

This is added to the already acclaimed Robe BMFL features including: exceptionally smooth linear dimming; imperceptible high definition colour mixing; full width beam; output in excess of 250,000 lux at 5 metres – and the Robe EMS™ (Electronic Motion

Stabiliser) technology which enables the BMFL to both move and stop faster and more accurately than any other fixture in its class.

All this is housed in a compact body profile weighing just 38kg. www.robe.cz

Sennheiser Caters To All At MusikMesse Stand amount of footfall from visitors to both shows. This was the first time they would be hosted at Hall 5 which usually caters more to end-users.

For Sennheiser, Prolight was all about the European launch of the evolution wireless D1 microphone series. With their stand hosted at the adjoining MusikMesse exhibition, they had a good

“The move to Hall 5 brings Sennheiser closer to the users, the music and the stage, and this is also reflected in the new stand design,” declared Ingo Angres, Marketing Manager of Live Performance and MI. Dividing their stand into various 'markets' to cater to different visitors, the team focused professional users on

the evolution wireless D1 microphones which were released earlier in 2015.

The digital systems are totally selfconfiguring and have both intelligent frequency management and automatic sensitivity adjustment. It goes without saying with the evolution brand that sound will not be neglected: the popular evolution capsules are also included in the 2.4 GHz version, supplemented by an instrument set, a lavalier set and a headset version. www.sennheiser.com

60

EXHIBITION REVIEW E-TECH ASIA May - June 2015

SGM Breaks Ground With The G-1 Beam that there is no need of bulky domes for outdoor application. The battery-driven option offers an impressive 10-12 hours operation.

The G-1 comes in two varieties: with or without the base unit. With the base, usability is diverse as a battery can be inserted and thus positioning is independent from any power source proximity. Without the base, the G-1 can be mounted onto the ceiling or a rig. Being IP65 rated, the fixture ensures

The high power white LED light source and a colour wheel as well as a gobo wheel offer high contrast levels and extreme brightness. It provides a staggering output of 61,910 lux at a 3-metre distance and a colour temperature of 6,500K on pure white light. The G-1 is equipped with a 2.8˚ fixed beam angle; however, it can deliver an aperture zoom adjustable down to 0.3˚. Its motorized focus is both fast and precise.

The G-1 features a gobo wheel of 19 gobos + oscillation effect + open and a colour wheel of 14 colours + open that add further dimensions and dynamics to this compact moving head, which is expanded by attributes such as gobo shake function, split colour effects and continuous clockwise and counterclockwise pan rotation.

The G-1 is a lightweight luminaire, weighing only 9.1 kg/20 lbs. including its batteries. It can operate in extreme temperatures from -10˚C to 40˚C in all kinds of weather. www.sgmlight.com

Using USITT standard DMX512, the G-1 can be controlled via wireless DMX or via cabling.

Sommer Cable Offers Uncompromising HDMI Extender Sommer Cable's newly launched latest generation CARDINAL DVM devices can handle ”HighSpeed HDMI with Ethernet“ signal which supports the current 4Kx2K, 1080p, 3D, ARC, HDCP, 7.1CH, Home-Cinema-TrueHD as well as DTS-HD standards, thus safeguarding a long-term future and investment security for the users. The systems also carry a 100 BaseT network signal (100 m version), bi-directional RS232 and infrared communication for display and beamer control and also the power supply for the transmitter or receiver (the voltage may be applied on either side).

The two new CARDINAL DVM-HDBTMAT44 and DVM-HDBT-MAT88 matrices provide an efficient signal management of four or eight HDMI source signals and their distribution to HDMI or HDBaseT outputs. The absolute highlight of these devices is the extreme short switching time of maximum 200ns as well as the complete support of 4Kx2K signals.

Hereby the matrix can be controlled either by local operation, via IP or RS232. The RS232 & infrared as well as the audio signals of each HDBaseT output are provided as local interfaces.

In addition, the matrix also handles the voltage supply for the HDBaseT receivers.

DVM-HDBT-MAT88

The CARDINAL DVM systems are commercially available as of now.

Optionally customers will receive a ready-made installation cable kit which contains a single-sided ready-made CAT.7 installation line (1,000 MHz) with one open end. The cable may be cut to length individually and comes with a tool-free mountable RJ45 metal connector for the open end. www.sommercable.com

TW Audio Showcases Its 2015 Products A sudden impact in depth paired with an exactly defined sound – this is what “bass” sounds like. The dimensions of TW Audio's “smallest” sub, the B10 comes with a newly developed long excursion cone driver with an uncompromising 3" dual voice coil and optional passive crossover with switchable high-pass-outputs enable

amongst the standard bi-amp mode numerous other passive applications: one single B10 in stereo mode together with two C5 tops, two B10 switched to mono each with one M8, or four B10 together with two M10, all variations powered by one standard amplifier. www.twaudio.de

EXHIBITION REVIEW E-TECH ASIA May - June 2015

61

Wireless Solution Has An UglyBox Besides hosting a fantastic Swedish meatballs and vodka party at their stand, Wireless Solution, creators of the BlackBox transceivers/receivers, put the new W-DMX UglyBox MK2 on display.

A compact new wireless signal tester, UglyBox is a valuable tool for users of wireless products. It is able to give you a piece of mind by providing proof of a solid signal in the absence of visible cable.

Don't let the name fool you, UglyBox MK2 is housed in an attractive compact body, resembling a gaming control with a 4.3” Touch LCD Screen. It supports 2.4GHz, 5.2GHz and 5.8GHz and is a transceiver solution, which means that it can be used as both transmitter and receiver. It has a complete DMX tester that provides all data in live format directly on the screen. It also has a built in DMX Controller as well as an RGB Fixture to simulate LED fixtures on the

LCD Screen for quick testing. In history mode you can also see over time that you have a stable signal over a certain period.

useful for anyone. The unit is also designed to update with additional features as they become available.

The UglyBox MK2 is geared towards rental and installation companies but

www.wirelessdmx.com

Yamaha’s “Best In Class” TF Series faders along with 32, 24, or 16 rearpanel analog inputs featuring recallable Yamaha D-PRE preamplifiers for the first time in a digital console. There are a total of 48 inputs on the TF5 and TF3, and 40 on the TF1, including dual stereo analog/USB digital inputs and dual returns. Advanced live recording features include up to 34 x 34 channel recording and playback via USB 2.0 and 2 x 2 with a USB storage device.

Promoted as a new “best in class” solution for small to medium scale mixing requirements, Yamaha's TF Series brings state-of-the-art technology to an even wider range of users, with advanced features and renowned

Yamaha reliability at an exceptional price point.

Comprising of three (TF5, TF3, TF 1) digital mixing consoles which respectively feature 33, 25, or 17 motor

TouchFlow Operation is a new approach to console operation that combines elements of Yamaha’s highly regarded user interfaces with an advanced touch panel system, allowing users to respond to the music and artists on stage with speed and freedom. Experienced engineers and newcomers alike will find it easier than ever to achieve the ideal mix.

The TF series is scheduled to begin shipping in Spring 2015. www.yamahaproaudio.com

62

EXHIBITION PREVIEW E-TECH ASIA May - June 2015

CommunicAsia, EnterpriseIT And BroadcastAsia Will Showcase Latest Trends And Progressive Technologies For The HyperConnected World

G

lobal mobile connections have passed the seven billion mark – a figure akin to the global population1. Multi-screen consumption of content has thrown control to the hands of the consumer like never before. Enterprise mobility has become ingrained in consumers’ lives and transformed the workplace where employees not only have choice in devices, but applications too. Once thought to be a thing of the future, driverless cars are to become a reality in everyday lives. The manifestations of megatrends such as IoT, mobility, cloud, social, and big data will be brought to life at CommunicAsia2015, EntepriseIT2015 and BroadcastAsia2015 from 2 - 5 June 2015, at Marina Bay Sands, Singapore.

Mobile explosion has given rise to dramatic changes in the consumption

of technology, data and applications – the hyper-connected consumer and workforce and ease of connectivity proliferated possibilities and realities of Internet of Things (IoT). Forecasted to reach US$59 billion by 20202, Asia Pacific’s total IoT spending points to the opportunities in the areas of digitised landscape monetisation, wearable technology enablement, big data and analytics and even the IT infrastructures in place for greater agility, flexibility and scalability required for business and national growth.

“The trend of IoT continues to impact ways of life on both consumer and business fronts, bringing about opportunities and challenges for businesses in the areas of mobility management, big data analytics, media consumption and more. Aligned with the global phenomenon, 2015’s

CommunicAsia, EnterpriseIT and BroadcastAsia will provide international audiences access to insights, latest technologies and solutions ranging from connected devices, smart living, TV-everywhere realities, satellite applications, enterprise mobility and more,” says Victor Wong, Project Director, from event organiser Singapore Exhibition Services.

At CommunicAsia, EnterpriseIT and BroadcastAsia, visitors can experience latest technologies, obtain insights from business leaders and subject-matter experts, and network with both major and emerging industry players from around the world.

Source: 1 GSMA Intelligence May 2014 2 Frost & Sullivan 2015 Opportunities for Asia Pacific

EXHIBITION PREVIEW E-TECH ASIA May - June 2015

63

see the gathering of over 160 satellitebased companies to address key issues within Asia-Pacific’s mobile ecosystem.

Representatives include Intelsat, Inmarsat, SES, Siemens, ST Electronics, and more from over 20 countries and regions around the world.

CommunicAsia2015 Summit

World business leaders from top tech conglomerates and specialised experts will dish out valuable insights at this year’s CommunicAsia2015 Summit.

Defining content that is shaping the future of today’s global ICT landscape, a suite of C-level speakers and industry experts will be sharing the value IoT brings, digitisation of the media landscape and how they can bring enterprise mobility to the next level.

What can be expected at CommunicAsia2015 and EnterpriseIT2015:

Mobile devices and connectivity are ingrained in consumers’ lives and has become an enabler and a way of life.

Showcasing how innovations has and will impact consumers and businesses, the events provide a deeper look into the entire info-communications ecosystem under the three key thematic clusters: NXT Cities, NXT Enterprises and NXT Connected Lifestyle.

NXT Connected Lifestyle (NEW): The proliferation of mobile devices and ongoing improvements to technologies has resulted in rising convergence of professional and personal lives. The new NXT Connected Lifestyle showcase will provide solutions for the hyperconnected business and consumer.

Feature technologies include, smart home/ living solutions, multi-screen technology, connected devices, sensors, M2M, IoT, connected car applications, wireless technologies and many more.

NXT Cities: To drive sustainable economic growth and improve citizens’ quality of life, governments and private organisations are working more closely than ever to bring about an integrated, connected smart city.

ICT Technologies that are designed to improve city operations in the areas of banking and finance, education, healthcare, hospitality, public safety, retail, transportation and utilities will be on showcase at NXT Cities.

NXT Enterprises: Providing business with innovations to help overcome

What can be expected at BroadcastAsia2015:

challenges in today’s digitised landscape, NXT Enterprises will encompass solutions that help businesses stay relevant in today’s ever-changing connected world.

Technologies in areas of big data and analytics, BYOD, mPayment, cloud, enterprise mobility and security among many others will empower the workforce, increase mobility and efficiency.

Exhibitors to note include Akamai, Dell, CDNetworks, FiberHome, Kaltura, KAONMEDIA, Irdeto, PCCW Global, Soliton Systems and Technicolor.

As part of CommunicAsia2015, SatComm2015, the strategic platform for the satellite communication industry, will

On-demand consumption of media has become the modus operandi for consumers today, bringing about the trend of ‘TV Everywhere’. The broadcasting landscape has changed significantly with the advent of social media and increased mobility of consumers brought about by IoT trends today. More than just the delivery of content, with high-definition and 3D now made readily available in the comfort of consumers’ homes, the TV experience has become critical for the broadcasting industry.

Visitors can expect to see broadcasting technologies and innovations impacting on consumers’ experience of visual, audio and more, in the following arenas:

64

EXHIBITION PREVIEW E-TECH ASIA May - June 2015

CommunicAsia2015 / EnterpriseIT2015 Exhibition

TV Everywhere! Zone (NEW):

From smartphones, tablets or Smart TVs, media and TV consumption are now everywhere. This year’s new TV Everywhere! Zone promises an experiential showcase of solutions from authentication, monetisation, network & device management, OTT, security, storage and more. Exhibitors include major players from across the world and region, such as Accedo, ALi Corp, Arris, Aveco, Brightcove, Ericsson, Limelight, Montage Tech, Quick Play, Rovi, Seachange and Vimond among others.

Professional Audio Technology2015:

The ProfessionalAudioTechnology zone will showcase latest technologies and expertise on pro audio with exhibitors including AEQ, Calrec, CDA, Digigram, Lawo, Mier, Percon, RCS, Roland, Sonifex, Stagetec, Telos Alliance, Winmedia, Wohler, XN3 and Yamaha and more.

The Cinematography/Film/ Production Zone: The thrill of a

movie can be determined by techniques employed by production teams and houses. To stay ahead and provide audiences with a visual feast and unforgettable experience, latest trends, developments and innovative technologies will be shared. Exhibitors include Canon, Cine Equipment, Jebsen, Kino Flo, Matthews, Panther, Red Digital Camera, Rosco, The Media Village and more.

BroadcastAsia2015 International Conference

Incorporating: SatComm2015 Date: 2-5 June 2015, Tuesday - Friday Venue: Marina Bay Sands, Singapore Opening Hours: 2-4 June 2015: 10:30 am - 6:00 pm | 5 June 2015: 10:30 am - 4:00 pm Admission: Business and trade professionals only Website: www.communicasia.com | www.goto-enterpriseit.com

Recognising that non-linear viewing options are eclipsing traditional TV viewing habits, broadcasters, channels and networks need to innovate their services in order to secure their foothold in the new broadcasting environment.

With this in mind, BroadcastAsia2015 International Conference is specially designed to tackle the commercial and technical challenges stakeholders have to overcome to achieve a profitable TV everywhere service. Conference topics include OTT expansion into new territories, innovating TV service with intelligent analytics tools, immersive TV technologies, cloud distribution and network virtualisation, and digital broadcasting standards and technologies.

CommunicAsia2015 Summit

The Creative Content Production Conference will host some of industry’s most creative minds and emerging content developers. Together they will examine the evolving market landscape and discuss effective strategies to succeed in Asia’s film and TV arena.

Conference topics include fostering collaborations and co-productions, monetising a successful transmedia strategy, financing and distribution best practices, and alternative financing options among others.

BroadcastAsia2015 International Conference & Creative Content Production Conference

Date: 2-5 June 2015, Tuesday - Friday Venue: Marina Bay Sands, Singapore Admission: Registered delegates only Website: www.communicasia.com/ conference/conference-highlights/

BroadcastAsia2015 Exhibition Incorporating: ProfessionalAudioTechnology2015 Date: 2-5 June 2015, Tuesday - Friday Venue: Marina Bay Sands, Singapore, Levels 4 & 5 Opening Hours: 2-4 June 2015: 10:30 am - 6:00 pm 5 June 2014: 10:30 am - 4:00 pm Admission: Business and trade professionals only Website: www.broadcast-asia.com/

Venue: Marina Bay Sands, Singapore, Level 4 Admission: Registered delegates only Date: 2-5 June 2015, Tuesday - Friday Venue: Marina Bay Sands, Singapore Admission: Registered delegates only Website: http://www.broadcastasia.com/conference/conferencehighlights/

Check out the best solutions in the non-linear

NEW!

broadcasting value chain at the

Production Hub @ Roselle Room

NEW!

Hear from well-known directors, colourists, visual effects experts and more.

Seats are on first come first service basis. Check for the updated programme schedule online closer to the show.

66

EXHIBITION PREVIEW E-TECH ASIA May - June 2015

INDIAN DJ Expo Advocates Investment Into Expanding Events & Entertainment Market INDIAN DJ Expo, the annual exposition showcasing the latest technology and trends in Music Production, Entertainment and Events technology will make a comeback this year with fresh new ideas and beliefs.

F

rom 2 – 4 July 2015 in Hall No. 7 at Pragati Maidan, New Delhi, India, the INDIAN DJ Expo will bridge together new business opportunities and investments aimed to secure the future of the events and entertainment market in India. With exhibits ranging from DJ mixers to controllers to the latest in DJing software and hardware, the INDIAN DJ Expo will also showcase a wide range of speaker systems for Club Sound and Touring Sound as well as PA. Lighting brands will showcase the latest in stage and entertainment lighting including lasers.

Exhibiting for the first time will be several Truss manufacturers offering sturdy and reliable structures to cater to events and stage setups of any magnitude. LED technology will be

present across the exhibit floor with some of Exhibitors offering state of the art solutions in LED Walls and Screens.

While the Line Array Demo Arena, which was a great success last year, will come alive once again with eight well-known brands in the Indian live sound industry on display.

Organised by Beatroots Expo and Publications LLP, INDIAN DJ Expo is a renewed platform that represents the entertainment business in India. It was built up and, subsequently, strengthened by the support of leading pro audio, lighting and LED display manufacturers and distributors located in India.

INDIAN DJ Expo 2015 is once again geared to encompass on its exhibit

floor the latest in DJ Gear, Studio Gear, Club and Touring Sound, Stage Gear, Entertainment Lighting, Displays, Video and Presentation solutions – covering all environments where today the DJ is omnipresent.

The Indian DJ Expo represents not only “the world of the DJ” but everything that the DJ (the performer, the artist) needs to equip themselves with and to understand the industry and to go out there and put up a good performance.

Additionally, it plays the role of a stimulant to address and reach out to other business verticals and markets that are looking at evaluating the potential possibilities of investing into the entertainment business, which is expanding ten-fold.

EXHIBITION PREVIEW E-TECH ASIA May - June 2015

67

offering competitive pricing and good quality assurance.

Existing exhibitors, some of whom have claimed that the Indian DJ Expo has helped establish and register good business, have pledged their support to the platform and are keen to showcase the latest products and technology by ensuring the new worldwide product releases are available for display at the booth for visitors to evaluate and hear a demo.

Another important mission for the organising team this year is to draw traction for several lucrative market segments and professionals that are adding sound, light and displays to their commercial projects to liven their spaces and hiring the services of a DJ to handle these new “concept spaces”.

recording gear that helps them build and produce their own tracks. Be it remixes or a completely new track, the trend is changing. DJ’s are getting more serious about their sounds and the genres they play. No-one wants to be out of the business, each one is trying to be ahead in the race”.

“This year, the major focus and the real emphasis will be on producing quality seminars and workshops that will be centred around discussions concerning lucrative opportunities of investing into the business. With this initiative introduced, we see some serious organisations and entrepreneurs join the bandwagon. Another important aspect that will be touched upon is the knowledge factor. A series of seminars are being planned to disseminate basic and crucial information on sound and light technology to a market segment that is, day in and day out, utilizing and hiring state-of-the-art AV technology for various events. This effort will bring about a change on how technology can be used and how different situations can be handled using the resources and gears available,” said Manuel Dias, Convenor of the INDIAN DJ Expo.

The INDIAN DJ Expo platform has had a successful run so far. With a genuine visitor footfall of 5530 in 2014, exhibitors have committed their participation with the firm belief that the platform is here to cater to their expectations.

Providing incentive to the growth and posing new competition are several new players that have entered the Events and Entertainment business, selling gear and technology to meet the ever increasing demand in the sector. Visitors to the show will witness several new brands

He added, “The mission this year is to place major emphasis on Music Production Technology, which is once again in the limelight, especially with most of the pro DJs investing into music

Building on its success from last year, the INDIAN DJ Expo once again promises to attract everyone from the trade. Footfalls are expected to grow by 30% with attendance increasing from the North and the North East markets, thus making this year’s theme for the show “Invest into the Future” apt in all respects.

“We are equally enthusiastic in connecting with every single association in the country and are happy to work jointly with each one of them to help develop the market place which will help to grow the business. All efforts are being put together to ensure the association members are communicated with directly and encouraged to attend the show, giving them enough reasons why they cannot afford to miss the show,” affirmed Manuel Dias.

Visitor registrations will open soon. Stay connected to www.indiandjexpo.in for more updates on the topics finalised for the Seminars and Workshop presentations and what's in store at the show in the 2015 edition.

68

SPECIAL FEATURE E-TECH ASIA May - June 2015

A

s many of us know, the art of turning common objects into interactive displays is widely used now in advertising, concerts, theatre and just about anywhere with a surface. Originally known as ‘Spacial Augmented Reality’ or ‘Video Mapping’, today it is simply known as Projection Mapping.

Over in Australia, High Country Legends, a multi-million dollar production uses projection as a main component of the show. Big name brands such as coolux, Clay Paky, Barco and Martin Pro come together to create an immersive experience for guests as they travel through inspiring stories of Australian legends.

According to community resource, Projection Mapping Central, the first instance of projection onto a non-flat surface dates back to the opening of the Haunted Mansion ride in Disneyland, 1969. The ride featured a number of interesting optical illusions, including a disembodied head and 5 busts singing the theme song of the ride. These were accomplished by filming head-shots of the singers (with 16 mm film) and then projecting this film onto busts of their faces.1

These are just some of the examples on how Asia is jumping on the bandwagon of projection, and in no small scale. But where is it going and what do we need to get it there? Elissa Nadine spoke to experts in the field on what can be expected from this burgeoning artform, and here’s what she found out:

Since then, the expectations of clients and the creativity of content creators has grown leaps and bounds. At the end of 2014, one of the largest mapping events in the history of Japan took place using the famous Kanazawa castle in Ishikawa Prefecture as a projection background. Content combined with sound and light created an enchanting digital art fantasy that took countless hours and a three month preparation phase.

Adelaide Festival Of The Arts 2015© Sarah Long, longshot. com.au & © TDC – Technical Direction Company

1

The Illustrated History of Projection Mapping. Retrieved from http://projection-mapping.org/the-history-of-projection-mapping/

SPECIAL FEATURE E-TECH ASIA May - June 2015

PROJECTION MAPPING IS GROWING IN ASIA

80% of respondents agreed that projection mapping is growing globally but a third said that content creators need to become more familiar with the technology before they can use it to their full potential.

As producers and show designers become more familiar with the technology and work flow we are seeing an increase of projection mapping and tracking influencing shows. From light festivals to architectural building projection, high end corporate events to exhibitions to award shows we see a lot of clients now embracing this sort of technology.

- Olin Winton, Technical Manager at TDC - Technical Direction Company

FACTORS THAT FUEL GROWTH

Projection mapping creates many opportunities to turn any piece of architecture, set piece, or object into a canvas which can be "painted" with light. David Bajt, Director Of Video Consulting Studio, BAJT explained “I've been working on mappings on everything from huge buildings, rotating cars, flying cubes, opera sets to 1.5 egg-shapes and human models, and the list goes on. Because you can dynamically create and transform these shapes using projection it opens up huge possibilities regardless if the aim with the projection is for a product launch, a theatre set, or design installation. Being able to transform an object from one state to another can only really be done with projection mapping.

An exciting advancement in show technologies over the last few years has given both designers and engineers a new pallet of tools for conceptualizing and delivering projection mapping. Projectors have been getting brighter, lighter and more power efficient while media servers have streamlined the pre-visualisation and delivery of media. Both make delivering complex projects much easier and more accessible than it has ever been.

- Richard Porter, Owner Of Creative Technology Consultancy, The Hive

The design process is becoming more familiar to producers, designers, content creators and technical teams. This has helped reduce some of the costs that may have made it prohibitive before.

The audience attention spans are short, new methods of grabbing and holding their attention are needed to keep them interested while the story is being told, projection mapping helps keep the interest and breaks out of the more traditional methods.

- Olin Winton, TDC

CONTENT VS TECHNOLOGY

To ensure dynamic projection mapping, Olin Winton of TDC in Australia shared that “having the creative team understand the limitations and benefits of a surface are a must.”

However, the benefits provided by the right technology should not be ignored. “Regardless if you're a traditional "projectionist" or a modern software-oriented person like me there's always a need to truly understand how projectors work and how video signals flow from the source to the projector itself,” said David Bajt. “I work with software technologies which allows you to create a virtual 3D replica of the show you're working on. Using tools such as 3D AutCad, 3dsMax, Cinema4d, the Adobe Suite and d3 the entire show can be pre-simulated and pre-programmed months ahead of the actual show event.

On-site the same 3D system will allow for very accurate mapping quality and the calibration and blending of the projectors will also be executed very quickly. But again, a show relies heavily on the people understanding the video hardware. For the shows I do, most of the content is produced using a combination of Cinema4D, After Effects, Flame, Nuke, Photoshop - the list goes on...Hardware-wise there's probably quite a few d3 servers involved, a big Lightware matrix, Barco/Christie/Panasonic projectors and lots and lots of other boxes that all have their function in the pipeline.

Formed over 30 years ago, TDC – Technical Direction Company is a wholly owned Australian company. Today they are at the forefront of the market as specialists in video equipment solutions. Their impressive resume includes the 2014 ARIA Awards, Sydney Festival 2014 and White Night Melbourne.

69

70

SPECIAL FEATURE E-TECH ASIA May - June 2015

White Night Melbourne 2015 © Juddy Roller & © TDC – Technical Direction Company

SEMI-PERMANENT INSTALLS EMERGE AS WINNER

a huge role in the quality of the final result. Typically I build my models in Cinema 4d, then use the d3 Media Server to simulate the show. The more you can do in advance the better and d3 allows you to foresee potential issues and make design decisions early.

Where the requirement for projection capabilities are seen the most, 80% say that semi-permanent installations (such as shows in Las Vegas) are the jobs to focus on. Though to seems to be an increase in live events and retail.

Obviously the video content is the absolute focus of any projection project and working with a talented studio is as crucial to getting the desired results. When it comes to delivering the project onsite working with skilled technicians, especially a good projectionist can make all the difference.”

80% : Semi-Permanent Install 10% : Live 10% : Others (retail, guerilla advertising, artistic expression)

New projection technologies allow technicians to re-map projectors very quickly in case a projector has lost its alignment. I’d say that that is the biggest problem with a permanent projection mapping and that’s why you don’t see so many of them on a large scale or on a more complex canvas, but I think we will see more and more fixed installations in the future.

- David Bajt, BAJT

THE 3 STAGES OF PROJECTION

According to Richard Porter, there are three stages to every projection project, all as important as each other. Project Set-up, Content Creation and On-site Delivery.

“The foundation of every projection project occurs in the initial setup. Making an accurate model of your projection object, calculating projector locations and lensing and delivering a precise content template to your studio all play

IMPROVEMENTS FOR TECHNOLOGY

David Bajt feels that hardware manufacturers should “reduce the amount of features in their projectors!” A loyal user of d3 Technologies, he cites their d3 platform as an example. “Working with a very sophisticated tool such as d3 there is no need to have a warp card installed on the projectors, the alignment will be 100% done in the software.

If I would put something on my wish list I'd just add even more brightness to the projectors!”

In regards to the media servers, David adds, “I now work a lot with projection onto moving objects while keeping a perfect tracked projection. The new tracking technologies, such as Blacktrax, excite me and I'm hoping that the media servers workflow working with these extremely complicated shows will get even more streamlined.

Richard Porter has been working with complex projection mapping for over 10 years and owns creative technology consultancy The Hive.

SPECIAL FEATURE E-TECH ASIA May - June 2015

David Bajt, is a media-technology engineer and designer specialising in lighting and video applications in a wide range of disciplines including live performance, architecture and sculptural installations. After graduating from his MSc in Mediatechnology & Engineering, David became a specialist in United Visual Artists software suite d3 and has been running his own consulting studio, since 2014.

WHAT DOES THE FUTURE HOLD? I don’t ever see video mapping going away, it can be a big ballsy statement or it can be used more discreetly adding finesse to a lighting look that can not be currently achieved through standard lighting/ LED fixtures.

- Olin Winton, TDC I think it's going to continue to grow for a long time moving forwards. Software and hardware manufaturers constantly come out with new exciting products for projection mapping that makes it cheaper and easier to use. Perhaps you don't have to be a specialist to make an advanced mapping in the future?

- David Bajt, BAJT

The phrase “Projection Mapping” has become a bit of a buzz word with agencies in the last few years, which in so many ways has helped increase its popularity and prevalence in live events.

However I’ve been working on projection projects for around 10 years already and I can’t see any signs of decline. I’ve every confidence that in the next 10 years we will be seeing even more exciting art created using projection.

- Richard Porter, The Hive

Adelaide Festival Of The Arts 2015© Sarah Long, longshot.com.au & © TDC – Technical Direction Company

71

72

SPECIAL FEATURE E-TECH ASIA May - June 2015

Why Should I Buy? Projection is an immersive creative technique that involves a whole lot of skill and creativity coupled with the right technology. Before you rush to make your next purchase, consider these solutions from the leaders in projection technology to help you create stunning visual displays without the technical challenges.

SONY “Apart from the obvious challenges of mapping projections onto buildings or structures, another major constraint would be the positioning and alignment of the projectors involved.

Set-up sites typically have varying ground conditions, space limitations or placement orientations. Sony’s laser projectors, like the VPL-FHZ55 and VPL-FHZ700L, help to overcome these challenges with flexibility of installation.

Due to a tilt-angle-free design, Sony’s laser projector can be installed at any angle – even on its side or upside down.

Other convenient features include built-in edge blending to seamlessly create super-sized displays, geometric correction, quick power on/off, and constant brightness mode for maintaining a consistent visual experience for the audience.”

“Moving Light, Roving Sight” Ikkan Art Gallery Singapore

Connect With A Dealer: http://pro.sony-asia.com/pro/lang/en/hk/section/find-adealer-projectors

GREEN HIPPO SHAPE is a new software component within the Hippotizer V4 that makes 3D mapping easier and faster for content creators and projectionists alike.

By importing a 3D model into the software, it can be viewed, edited and configured using the free SHAPE manager software. SHAPE includes a powerful automatic projector lineup tool which allows line-up of content by selecting key points on a model in real time along with blending, warping and masking tools to ensure perfect projection.

Once the projectors are correct, the SHAPE controllers can be disconnected: Hippotizer V4 handles playback with a suite of tools and effects to create beautifully mapped high-resolution content on the most challenging of surfaces.

Connect With A Distributor: http://v3.green-hippo.com/distributor-map

“The Adventures of Scottie” Avollusion and Laundromatte (AxO) Hong Kong

SPECIAL FEATURE E-TECH ASIA May - June 2015

73

PANASONIC Whilst quality of content is important in projection mapping, the choice of suitable projectors to make an installation come alive is vital as well. Panasonic’s new PT-DZ21K2 is now equipped with DIGITAL LINK single cable connection which eases installation. Its unique four-lamp system eliminates sudden interruption if a lamp fails while being equipped with a lamp replacement cycle of up to 3,000 hours thus ensuring smooth operation throughout a show, even for 24/7 operation.

Besides achieving low total cost of ownership, its low power consumption design is also environmentally-friendly. Besides being able to do 3D mapping and portrait projection, its Geometry Manager Pro software allows easy geometry adjustment for projection surface of irregular shapes and brightness uniformity, enabling creative capabilities of project organisers.

“i Light Marina Bay 2014” Justin Lee + Dorier Asia Pacific Pte Ltd Singapore

Connect With A Distributor: http://www.panasonic.com/sg/business/where-to-buy.html

COOLUX The Pandoras Box QUAD Server System offers a versatile, multi-award winning and highly reliable real-time rendering projection mapping projects that require multiple solution for projectio outputs. It combines the best of both 2D and 3D workflows integrated into interactive set-ups. and can easily be int Since the Pandoras Box product family is completely modular, synchronise and unlimited number of one can add and syn additional systems tto an existing setup. The extensive feature list makes it possible to use the Pandoras Box QUAD Sever’s real-time compositing capability in a vast number real-ti different creative scenarios up to and beyond of diff resolution.

4K res Connect With A Distributor: Conn http://www.coolux.de/contact/ h http:/ /

“i Light Marina Bay 2014” Justin Lee + Dorier Asia Pacific Pte Ltd Singapore

74

SPECIAL FEATURE E-TECH ASIA May - June 2015

EPSON With an equal colour and white brightness level of 11,000 lumens, Epson’s EB-Z series projectors offer superior image quality and geometric correction capabilities that give users the ability to project practically anywhere, including curved surfaces or corner walls.

Flexible installation options mean that users are no longer restricted to projecting in landscape format, as the EB-Z series can project in portrait mode and with seven interchangeable lenses including one short throw lens, greatly increasing installation options. This range of projectors showed their true potential recently at the “Flatlands Project”, an art installation event at Publika Square in Kuala Lumpur, Malaysia.

Connect With A Distributor: http://www.epson.com.sg/sites/epson_ singapore/distributors.page

“Flatlands Project” TerryandTheCuz + The Rubix Cube Malaysia

D3 TECHNOLOGIES Based around a real-time 3D stage simulator, d3 is the single solution needed to design, present, communicate, sequence and playback the most complex projection mapping shows.

Use the software-only d3 Designer on your own laptop to design and sequence your show using d3’s extensive and advanced projection toolkit, including QuickCal, MultiEdit, FootPrints and Dynamic SoftEdge.

Then, transfer your project to our powerful d3 hardware (d3 4x4pro or d3 4x2pro) to deliver the show. d3 Technologies’ flagship server, the d3 4x4pro, will play up to 8 layers of 4K video or 32 layers of HD video (DXV/HAP codecs), and up to eight layers of uncompressed HD video vide (animation codec), all with content up to 16K pixels.

“Super Bowl Halftime Show 2015” Jason Rudolph USA

Connect With C A Rental Partner: http://www. h d3technologies.com/ d get_d3/rental_partners#. g VSV_SnV7h5R V

76

SPECIAL FEATURE E-TECH ASIA May - June 2015

CHRISTIE DIGITAL The Christie Boxer 4K30 is the brightest, lightest, smallest, omni-directional projector in its class for rental staging and fixed installations. It is a combination of the most lumens, the most pixels, and 3DLP quality combined with the smallest, lightest, yet most rugged design available in its class.

The Boxer 4K30 delivers 30,000 center lumens, weighs less than 68 kilograms, and is built to deliver undisputed performance for any rental/staging fleet or permanent installation. With built-in Christie Twist and 6 x 450W mercury lamps, and the ability for users to monitor lamp hours and serial numbers through Near Field Communication (NFC), the Boxer 4K30 is the ultimate combination of power, brightness, performance and durability.

Connect with A Dealer: http://www.christiedigital.com/en-us/business/dealernetwork/dealer-locator/pages/default.aspx

DIGITAL PROJECTION Digital Projection Lightning offers Built-in Warp, which enables geometric correction for non-uniform surfaces as well as artistic effects; Built-in Blend that allows seamless multi-projectors displays on large surfaces and is 3D capable thus having the ability to process emerging consumer standards as well as High Bandwidth professional ones. In addition Lightning produces 30,000 ANSI lumens. The Lightning also has abe ability to rotate 360 degrees, straight up and down, and anywhere inbetween giving products the maximum flexibility when it comes to putting a show together.

St Paul's Cathedral in Macau

BARCO The new Barco Media Server has been developed from the point of view of Video and in particular 3D video mapping.

The new Barco Media Server range brings more power to projection mapping with an end-to-end workflow that will save both time and money for rental companies and fixed installation deployments alike. Starting from the 3D design of the installation, the creation of content, the installation and calibration of equipment on site and the execution of the final show, the whole system is extremely intuitive and with only a four-hour training course a novice user can be up and running Connect with a Regional Office: http://www.barco.com/en/Contact/regional-offices

Connect with a Regional Office: http://www.digitalprojection.com/ emea/global-offices/

78

INSTALL E-TECH ASIA May - June 2015

QATAR

Sheraton Doha Gets Refreshed

W

-DMX by Wireless Solution and lighting fixtures by Griven are now on display at one of Qatar’s premier 5-star hotels – the Sheraton Doha Hotel & Resort. The hotel structure has been a landmark in Doha for more than 30 years, so when it was time for renovation, every detail was considered to bring the building up to the highest technological standards while still maintaining its original look and charm.

In addition to the interior, the upgrade involved the exterior lighting design of the hotel that would not only enhance the waterfront skyline but the unique 3-sided pyramid shape of the hotel as well.

The close Al Majlis Congress Center, a secondary lower building with foursided pyramidal section, needed a complementary lighting scheme. Its

smooth, concrete surface proved to be quite difficult to be evenly lit up as the lighting fixtures could only be installed at a very short 4-metre maximum distances.

In addition, to the need to not disturb hotel guests, both structures required an even colour distribution along with colour changing scenes.

roof of the hotel to sweep the sky of Doha at night. According to different occasions or needs, abstract patterns and various images can be projected on the front side of the concrete arm of the hotel with the help of powerful image projectors, such as GOBOSTORM PLUS MK2 and Zenith.

An assortment of Griven lighting fixtures were used for the exterior. The main façade of the hotel and the waterfront side are now equipped with Griven Powershine MK2 D RGBW, providing a tasteful wash effect. The waterfront side, as well as the lower part of the hotel terrace, have been enhanced by 43 units of Zaphir RGBW with wide and medium optics installed right onto the cornice of the roof.

All the LED fixtures are managed by a Wireless Solution W-DMX system directly from the control room. The DMX signal starts from the control room located on the ground floor of the hotel and is transmitted via 6 x W-DMX WhiteBox F-1 Transceivers to 10 x WhiteBox R-512 receivers, managing a total of more than 6 x DMX universes. 8 x WhiteBox F-2 repeaters are used to connect the fixtures of the Majlis Congress Center and other areas to the central wireless system.

To complete the design, 4 units of Globe MK2 7000 CYM colour changing searchlights have been located on the

INSTALL E-TECH ASIA May - June 2015

With W-DMX & Griven

Signal amplifiers are used to allow the best DMX signal diffusion. Equipment was outfitted with 26 16dBi antennae on a 5.8GHz bandwidth. The entire system is using 5.8GHz per request from the client as the 2.4GHz bandwidth was too heavily saturated and W-DMX is the only company that has the 2.4/5.8GHz Dual Band Function. The entire system was pre-configured at Wireless Solution R&D so the system was basically plug and play for the installation company.

project as it was necessary to manage and control lighting fixtures located in distant places and at a remarkable height. Moreover, the absence of cables and the possibility of controlling more than 5 DMX universes in a comfortable manner was a plus of the W-DMX system. In consideration of the top urgent completion schedule and of the peculiar architectural design of the Sheraton, all of the companies involved in this challenging project did a very good job.”

The user-friendly programming system is endowed with an array of different dynamic colour scenes that can be automatically or manually alternated according to festivities, occasions or daily settings.

Hailed for its reliability and ease of use, Wireless Solution Sweden is a leading manufacturer of wireless lighting control equipment with 350,000 units sold worldwide and over 45 OEM partners.

Danilo Bettinazzi, Director of Sales & Marketing for Griven explained, “A W-DMX system was chosen for this

Wireless Solution’s W-DMX range of products is the consistent choice for top professionals in the lighting industry and

specified with perfect results in highprofile events and installations around the world. www.wirelessdmx.com www.griven.com

IN A NUTSHELL

• Venue: Sheraton Doha Hotel & Resort • Location: Al Corniche St, Qatar • Integrator: Griven Equipment: - Powershine MK2 D RGBW - Zaphir RGBW - Globe MK2 7000 W-DMX Equipment: - WhiteBox F-1 Transceiver - WhiteBox R-512 Receiver - WhiteBox F-2 Repeater

79

80

INSTALL E-TECH ASIA May - June 2015

SINGAPORE

Club kyo Gets Updated Version 2.0 Cranks Up The Watts With EAW And Powersoft

by Thomas Richard Prakasam

changed to give various liquor brands more prominence. There are also now rows of high tables facing the DJ booth for guests to stand and place their drinks. The tables also include space below for guests to place their bags.

A simple gesture but one which is very much appreciated, especially by the ladies. There is an unpolished industrial look to the space which fits in nicely with its basement location. With the elimination of the dining aspect, the club is now able to accommodate up to 400 patrons.

C

lub kyo, a basement club located within the financial district, at Cecil Street, recently celebrated its 2nd anniversary with a refreshed approach. Standing on its own, it can be best described as a “destination venue”, as guests come for the sole purpose of patronising the club, unlike Boat Quay or Clarke Quay where a number of venues are literally beside each other, enabling one to venue hop. This means the owners of Club kyo, Singapore-based lifestyle group, Limited Edition Concepts Pte Ltd (LEC), had to ensure that guests form an indelible impression of the space, the ambience, the staff and other guests.

Adjusting and transforming spaces, especially entertainment venues, is a given. Especially since patron profiles change, tastes change and sometimes you just need to update to keep up with changing demands. That is what Club Kyo has done.

What’s Changed?

Club kyo operates four days a week from Wednesdays to Saturdays.

Version 1.0, had dining options in the evenings with the venue transforming into a dance club as the sun went down.

Version 2.0 sees the venue eliminating the food portion and dedicating early evenings to bar patrons while the later part of the operations sees the club metamorphosing into a fullfledged dance venue. Godwin Pereira, Co-Founder of LEC, commented, “Effectually we have changed the efficiency of the place to cater to more traffic.”

Design wise, the change is subtle. The original bar, which is 29 metres, is three sided thus enabling staff to serve guests with ease. The Bar back design has been

One key and noticeable change is the DJ booth, which has been shifted but still maintains it whopping 7.8m in length.

The booth now accommodates the operator for the visuals (a new element), the lighting operator, as well as the DJ. Godwin, ranked as one of the top DJs in Singapore and who still loves to spin once in a while, maintained the desktop set-up complete with a movable table top to accommodate the consoles. “The idea is to make it easy to plug and play the gears for the DJ.”

Making The Watts Count

The shift in focus also meant that the Club had to crank up its sound. “In

INSTALL E-TECH ASIA May - June 2015

81

units of the EAW JF10 two-way speakers, reinforced with 6 x 15-inch EAW SB150P subwoofers, driven by 2 x Powersoft DIGAM M20D and 1 x DIGAM K2, and 1 x DIGAM M50Q amplifier.

Godwin reinforces the fact that this ensures even distribution and the same dB whether you are in the standing space or seated. In addition, there are now a number of Samsung displays installed on one side of the wall that enables the venue to display announcements, offer graphics and visuals to stimulate the environment.

8 units of EAW SB1001 subwoofers provide the thumping sound at the dance floor

effect we have boosted the sound from 34,000 watts to 62,000 watts now,” said Godwin.

Godwin decided to continue to keep faith with systems integrator and supplier, Electronics and Engineering Pte Ltd who offer EAW and Powersoft solutions. “We have basically complemented the sound system with more power. The EAW speakers and the Powersoft amplifiers have served us well and we knew that the solutions would help us achieve our objectives with ease. The increase in speakers and amplifiers enable us to have a lot more headroom, so that we do not need to drive the system full throttle. What this does is enable us to crank up the audio at the dance floor area but still maintain an even coverage across the space that allows for patrons to communicate without screaming at the top of their lungs.”

The dance floor now vibrates to the tune of 4 x additional EAW SB1001 subwoofers, making a total of 8 x subwoofers. The original 4 x ceiling-

suspended 12-inch EAW QX596i three-way loudspeakers are now complemented with 2 x EAW QX396 full range loudspeakers. All the speakers and subs are driven with additional Powersoft DIGIAM M20D, DIGAM K6 and DIGAM K8 amplifiers complementing those that were already installed.

As part of the upgrade, the 2 x EAW UX3600 digital system processors from the previous installation have been replaced by 3 x EAW UX8800 processors to accommodate the additional outputs.

The DJ Booth now features 2 new units of EAW MW15, Micro-Wedge Stage monitors and 2 new EAW SB184Z single 18-inch subwoofers driven by Powersoft Digam K3 amplifiers. “The microwedges to be honest are delivering way beyond what I had expected,” said Godwin. “When I first saw them I was not convinced that they will be able to deliver but I have become a believer now. I like the volume but more importantly, I like the clarity. It offers the DJs a clear view of what is happening.”

Godwin added, “This booth is not for amateurs. You need to be 100% focused on what you are doing.

We’ve even had international guest DJs who felt slightly intimated by the sheer power and size of the booth.

To put it bluntly, you need to be at a top level to handle the systems here.”

The rest of the space maintains what was already installed, which is 10

The Response

According to Godwin the changes have been well received. “On average, guests stay 3 to 4 hours. Thus, it is important that the sound system does what it is meant to do but at the same time it should not create hearing fatigue for the guests as this would ruin their experience.”

“I believe we have created more of a dance club environment with the dance floor providing the ultimate experience for our guests.” www.clubkyo.com www.enepl.com.sg Photos Credit: warrenwee.com (Warren Wee Photography)

IN A NUTSHELL

• Venue: Club kyo • Location: Cecil Street, Singapore • Integrator/Supplier: Electronics and Engineering Pte Ltd • Upgraded Equipment: Dance Floor - EAW QX 396 loudspeakers - EAW SB1001 subwoofers - Powersoft DIGIAM M20D/ DIGAM K6/DIGAM K8 amplifiers - EAW UX8800 processors DJ Booth - EAW MW15 monitors - EAW SB184Z subs - Powersoft Digam K3 amplifiers

82

INSTALL E-TECH ASIA May - June 2015

SINGAPORE

Electro-Voice Gives Alkaff Mansion A New Lease Of Life A building which has its own rich history has now been brought into the 21st century thanks to an installation of EV speakers and Bosch PLENA matrix system by Bosch Key Partner, Diesel Lee. Elissa Nadine explores the changes.

A

lkaff Mansion is a 19th-century colonial bungalow that became known in the 1930s for hosting high society parties. It has gone through many phases since its construction, serving as the headquarters of the World Buddhist Society for more than a decade before being converted into a restaurant and party venue in the 1990s.

After being returned to the government in 2004, the mansion was left vacant for a number of years. However, it was given a new beginning in 2011 when the Singapore Land Authority took ownership and awarded the LHN Group the tender to convert the building into an authentic Italian restaurant.

Fast forward to 2015, Alkaff Mansion is now a high profile restaurant that also

hosts weddings and corporate events on a regular basis. In order to keep up with the demands of clients and exceed the standards that come with its reputation, the Alkaff Mansion approached Diesel Lee for an intuitive sound upgrade that would enhance the experience of guests, both in design and quality.

As a Bosch key partner, Diesel has trusted in the quality of Electro-Voice (EV) systems for more than 5 years.

Therefore, it was only natural that he’d recommend EV and Bosch equipment to provide the venue with enough bang for their buck. “EV provides a complete range of audio products with excellent sound quality. Its wide range of speakers fit into the building's vibe naturally.”

Alkaff Mansion had an existing sound system which was installed since the opening of the restaurant. But with an increasing need for a good audio system to create the perfect ambience for their patrons, the management at Alkaff Mansion decided to work with professionals in the audio industry to assist them in bringing their sound system to the next level.

To accommodate as many events as possible, Alkaff Mansion's function spaces have been loosely divided into 3 sections: The Gazebo, Grand Marquee and Main Ristorante.

INSTALL E-TECH ASIA May - June 2015

83

providing full-range audio. In addition, the mounting point of the speakers is on a metal plate which can be easily replaced.

The audio for the alfresco dining is covered by 2 x EVID 6.2, for the best dining experience. The sound system is controlled via 1 x Dynacord CMS 1000 mixer and further enhanced by 1 x DCONE 2-in/6-out processor for maximum quality.

Grand Marquee

For weddings or parties that need to accommodate up to 400 guests, the Mansion's Grand Marquee is the place to be. A function room that is used hand in hand with the Gazebo, it is a grand room of about 30ft-long/10ft-wide and was one of the most challenging areas to work with.

“There should not be any speaker located on the ground of the Grand Marquee as the arrangement is very

The Gazebo features 4 units of EV’s elegant EVID 4.2TW Surface Mount Speakers in white

The Gazebo

The Gazebo encompasses the outdoor terrace of the venue and is dotted with vintage rocking chairs, a pair of ornate fountains and a romantic roofed gazebo.

It is the first section to greet guests when they arrive and it is also the most breathtaking as it is surrounded by lush greenery and a background of a 19-hectare park.

The roofed gazebo is the main draw here and it is also a popular spot for couples to say 'I Do'. “We were not allowed to mount anything permanently onto the heritage structure” explained Diesel.

“In fact, that was the most prominent guideline for this project for this area.

Since Alkaff Mansion is a heritage building, there were a lot of restrictions such as, no mounting of speakers in the building, road excavation works for the cabling, etc. We had to explore ways to install the cables and mount the speakers without affecting the building and leaving them out of sight as much as possible.”

In order to match the scenery to the sound and with the other restrictions, Diesel chose 4 units of EV's elegant EVID 4.2TW Surface Mount Speakers.

The white speakers blend in with the gazebo's metal structure while still

2 x EVF-1122S loudspeakers serve as the Marquee’s subs

84

INSTALL E-TECH ASIA May - June 2015

“We aimed to get a balanced SPL across the whole room. Each speaker in the Marquee is individually programmed and specifically EQ’d to meet different frequencies that resonate with the room structure and coverage area.”

- Diesel Lee, Bosch Key Partner dynamic. The speaker must provide the best audio quality for all types of events.

We hope not to see too many cables running around ” explained Diesel.

“In fact, that was the simple minimum guideline for this area.

With the design and audio specifications met, the ZX1s would have been enough for any regular function room. But this was no regular function room.

“Sometimes there are parties held in the Grand Marquee that require that extra punch. The owners wanted the effect of sub-woofers but did not want them to be placed anywhere on the ground as the placement of stage and furniture in the room changes with every event. Most customers also do not like to sit near a subwoofer.”

Working closely with Bosch, the team used their expertise and creativity to their full advantage and chose to mount 2 x EVF-1122S 12'' full-range loudspeakers to serve as the room's subwoofers. “Even though [the EVFs] are not meant to be used as subs, we programmed them so that they could add that extra punch while maintaining some mid and high.”

Weighing nearly 30kg each, the 'subs' are mounted with metal chains to the structure's beams at the furthest point from the entrance of the room. To prevent any mishaps, the SPL of each individual speaker was limited to prevent anyone from driving the system too hard and causing the balance of the sound in the room to shift and high vibration of the structure.

The tuning for the EVFs alone took about 3 hours and “one full day to get the

acoustics of the room to work correctly” as the structure is not “sound-friendly”.

“We aimed to get a balanced SPL across the whole room. Each speaker in the Marquee is individually programmed and specifically EQ'd to meet different frequencies that resonate with the room structure and coverage area. All loudspeakers are strategically placed and aligned to provide an even sound level distribution across the whole of the audience coverage area.” Time delays and output levels were set on the DSP for the distribution of sound to the ZX1 speakers in reference to the Front-Of House EVF speakers as “one sound”.

With this setup, the stage can be placed in any part of the Grand Marquee, with the system providing good sound distribution and audio quality response always.

Driving the system is another Dynacord CMS 1000, chosen for its quick set-up and built-in discrete mic preamps, 1 x EV

Dx46 FIR-Drive system processor, 1 x EV Q1212 + Q99 power amplifiers, RE320 Wireless Microphone.

Main Ristorante

With its sophisticated décor, Alkaff Mansion's Main Ristorante has 2 levels and encompasses 2 main dining halls, 4 private dining rooms, a lobby reception and the exclusive Bar 1918. Here an audio design upgrade was not just a luxury, it was a necessity.

Before the upgrade, the system was running on an audio design from the early 2000s. With 4 private dining rooms, a bar, a lobby reception and 2 levels full of customers with different tastes, staff members were up to their necks in volume control and had never been introduced to multiple zoning. There were only 2 volume controls, 1st level and 2nd level.

Eric Goh, Alkaff Mansion's Assistant Catering and Events Operations Manager, explained, “In the past, we had to run up and down from the top level to the control room on the first level to get the volume right for all the customers.

We communicated via walkie-talkies to ensure the sound was just high or low enough.”

Once he was introduced to the project, Diesel immediately knew that zoning was needed to improve the quality of operations. To cater to so many areas at

INSTALL E-TECH ASIA May - June 2015

85

Diesel Lee together with Alkaff Operations Manager, Jo Yew

once with ease, Diesel chose the Bosch PLENA matrix Digital Sound System that can be controlled remotely or with wallmount controllers.

“The PLENA matrix was the hardest thing to get approval for, as the existing system was still working fine and the multiple zoning control concept was new to the management. Even though the management was nervous at first, they have now seen how much it benefits their day to day operations. During the day of commissioning, the PLENA matrix app brought great excitement to the management team.” said Diesel.

Using either an iPhone/iPad, managers can now adjust the Ristorante's volume and even change music channels, right

in front of customers, ensuring they get it just right. No more trips to the control room!

“With the new PLENA matrix, I can control the volume from anywhere so it has helped operations become a lot smoother and where it took two people before, it now only takes just one of us standing in the private room or at the head of main dining halls to gauge the sound level,” affirmed Eric.

“The new system is much more reliable than the old one. So far, there have been no hiccups. The only time, I thought we had a problem was when I accidentally pressed the mute function on the controller. I called Diesel and he helped me sort it out in no time. We are very

satisfied with the new system and, of course, the service provided by Diesel.”

Looking back on the 2-month long project, Diesel shared, “Migration/ upgrading of systems as well as sound tuning could only be done during the restaurant's small windows of 'low customer rates'. This made it difficult but also rewarding when we got it right.

Overall, this was definitely a challenging yet rewarding project and I look forward to working with them in the future.” www.electrovoice.com www.boschcommunications.com www.alkaff.com.sg

IN A NUTSHELL

• Venue: Alkaff Mansion Ristorante • Location: 10 Telok Blangah Green, Singapore 109178 • Integrator: Diesel Lee • Equipment: Speakers: - EV EVID 4.2TW - EV ZX1 - EV EVF-1122S Controllers/Amps: - Dynacord CMS1000 - EV DC-ONE - EV Dx46 - EV Q1212 - EV Q99 • Zoning: Bosch PLENA matrix

86

INSTALL E-TECH ASIA May - June 2015

AUSTRALIA

EAW Provides Comprehensive Coverage To Integration And Production Company, The P.A. People Tasked Adelaide Oval Local To Cover Venue With A Seating Capacity Of 19,000

T

he Adelaide Oval, home to the South Australian Cricket Association (SACA) and South Australian National Football League (SANFL) as well as one of the premier entertainment venues in the country, recently underwent a major expansion and upgrade that included the installation of a new sound reinforcement system featuring EAW QX Series loudspeakers.

QX564i loudspeakers. Ten clusters, consisting of 2 x QX564i and 1 x QX544i loudspeakers, covered the eastern grandstand seating area. The southern stands had a much higher roof to work with, which required only four clusters to cover the seating area. Two clusters were single QX566i cabinets, while the other two were made up of one QX566i and one QX544i loudspeakers.

“It was a good sized project,” explained Brett Steele, manager installed systems for The P.A. People. “All in all we installed 27 separate clusters of EAW QX 500 Series loudspeakers to cover the majority of the stand seating areas. The objective was to provide comprehensive coverage while keeping the PA as unobtrusive as possible.”

The western grandstand is covered by 11 clusters, each made up of 3 x

The P.A. People created custom metal brackets that were used to fly the clusters from the lip of the overhangs with the assistance of a 150 foot boom.

Managing Director of The P.A. People, Chris Dodds, concluded, “This is an excellent project for South Australia’s premier sporting venue, the iconic Adelaide Oval - and we are proud to have been involved”.

The $575 million reconstruction, which took place from 2008-2014, completely stripped the field and added new south and east stands, increasing seating capacity from 34,000 to 53,583. Minor modifications were also made to the existing west stands.

Located in Sydney, system integration and production company The P.A. People were tasked with installing the new sound reinforcement system designed by Texas-based Wrightson, Johnson, Haddon and Williams (WJHW).

surround the coaxial compression driver symmetrically in both the horizontal and vertical planes creating the perfect point source solution for stadium applications.

eaw.com www.papeople.com.au

IN A NUTSHELL “The QX Series is a nice compact box that has extremely high output and visually looks terrific,” added Steele.

“Each model utilizes the same enclosure but has a choice of coverage patterns.

The aesthetic is quite attractive while the coverage is tailored to what is required.”

EAW’s QX Series loudspeakers provide a high ouput level that make them appropriate for long throws in stadiums like the Adelaide Oval. Each enclosure is loaded with an ultra-efficient mid/ high compression driver with a constant directivity horn. Four Phase Aligned 12-inch low frequency transducers

• Venue: Adelaide Oval • Location: North Adelaide, SA 5006 • Integrator: The P.A. People • Audio Design Provided By: Wrightson, Johnson, Haddon & Williams, Inc. • EAW Equipment: - QX564i loudspeakers (Western Grandstand) - QX564i & QX544i loudspeakers (Eastern Grandstand) - QX566i & QX544i loudspeakers (Southern Grandstand)

INSTALL E-TECH ASIA May - June 2015

CHI NA

Renkus-Heinz Performs For Wuxi Workers Cultural Palace Theatre

W

ith a population of more than six million, the ancient city of Wuxi is one of the birthplaces of China's industrial revolution. In recent years the city has undergone something of a renaissance, with long range development projects transforming the landscape. One of these projects is the New Wuxi Workers Cultural Palace, a $350 million arts and cultural centre housing a sporting complex, activity centres, and a 573-seat multi-use theatre equipped with a Renkus-Heinz point source loudspeaker system.

The system, designed by Zhejiang Institute of Urban Investment and Development Co., Ltd., is based around Renkus-Heinz ST-Series Complex Conic systems. The left-centre-right configuration features a pair of STX7/64 dual three-way 12-inch loudspeakers in the centre, flanked by 3 x STX7/94 boxes, left and right. Supplemental fill duties are handled by 12 x TRX61 two-way systems. Low frequency reinforcement is covered by a pair of DRS18-2B direct radiating subwoofers, ground stacked on either side of the stage.

Performers onstage enjoy a versatile monitoring system including 6 x TRX121

12-inch two-way systems and 4 x TRX151 15-inch two way boxes. QSC amplification powers the system, with a Yamaha PM5D 48 channel digital console at FOH and a 40 channel Midas Verona analog desk handling monitors.

"The theatre is used for a wide variety of programs, from opera and ballet to musicals, symphony, and other performances," explained a spokesperson for CAH Professional Sound, the company providing the equipment for the project. "Versatility was a critical consideration in the audio system design, and the Renkus-Heinz loudspeakers deliver high performance, high reliability, and excellent pattern control.”

Adding, “Utilizing a left-center-right configuration of ST-Series loudspeakers, it was possible to provide consistent coverage across the entire audience.

The compact TR-Series cabinets covered a handful of shaded areas in front and upstairs on the balcony level."

The New Wuxi Cultural Palace Theater opened its doors in 2014, and has since enjoyed a regular schedule of performances and events. CAH's spokesperson reports the venue

has received praise for its excellent sound from attendees and performers alike. "The Renkus-Heinz system has performed well beyond even the most optimistic expectations. The sound in the theatre is clear and articulate, with excellent fidelity to every seat in the house." www.cah.com.hk www.renkus-heinz.com

IN A NUTSHELL

• Venue: Wuxi Workers Cultural Palace Theatre • Location: Wuxi, Jiangsu Province • System Design Provided By: Zhejiang Institute of Urban Investment and Development • Equipment: Renkus-Heinz - STX7/64 & STX7/94 Loudspeakers - TRX61, TRX121 & TRX151 TwoWay Systems - DRS18-2B Direct Radiating Subwoofers - QSC Amplifiers - Yamaha PM5D Console - Midas Verona Console

87

88

INSTALL E-TECH ASIA May - June 2015

MALAYSIA

Kuala Lumpur Convention Centre Upgrades Its Lighting Systems Becomes first venue to house Robert Juliat's latest profile range in Southeast Asia

A winner of numerous awards, the Kuala Lumpur Convention Centre (KLCC) is part of the Kuala Lumpur City Centre precinct and is designed to be Malaysia’s Premier Convention Centre.

Within its five levels, the purposebuilt facility encompasses a total of 22,659sqm of flexible function space. This consists of 2 x auditoria (seating 3,000 and 500 respectively) and 12,310sqm of Exhibition Halls which includes a 2,600sqm standalone marquee, a Grand Ballroom (seats 2,000), a Banquet Hall for 500, a Conference Hall for 1,800 and 20 other meeting rooms.

Malaysia based, Concept Associates (KL) Sdn Bhd, that also operates as Concept Audio, recently supplied and installed Robert Juliat’s latest profiles technologies along with Avolites lighting consoles to cater to the high standards of the audio visual expectations from the venue.

KLCC now features 12 x TIBO LED 533 VW and 24 x ZEP 340LFWW LED profile spots from Robert Juliat, making it the first venue to feature these fixtures in Southeast Asia. These small compact fixtures offer a brighter LED which helps enhance the experience of the audience.

In addition they are cost-effective. The ZEP fixtures offer the venue a variable wash beam with the TIBO offering white LED. In addition 6 x Avolites Titan

Mobile consoles are now housed in the KLCC's inventory that offer lighting designers more creativity in designing their lighting for events or scenes.

Concept Audio spokesperson added, “Our master plan and schematic design for KLCC was to provide smaller, compact lighting fixtures as well as a brighter LED lighting solution to enrich the experiences of the audience. Robert Juliat’s latest profiles provide perfect, cost-effective solutions to match these criteria, and we’re glad to have KLCC's support to become the brand’s first successful buyer of the latest two innovative ranges of profile spots from Robert Juliat TIBO and ZEP LED profile features. Furthermore, the Kuala Lumpur Convention Centre in Malaysia is now marked as the first venue to feature Robert Juliat TIBO and ZEP, across South East Asia.”

To handle a variety of local and international events, the state-of-theart facility makes use of the advantages that come with having an on standby team of highly skilled technicians who are proficient in the fields of lighting, presentation technology, telecommunications and information technology (IT). The Concept Audio team ensured that the KLCC facility team was provided with hands-on technical training so as to ensure a seamless experience for both the technical team and the audience.

“The combined Robert Juliat’s profiles lighting range certainly enhances our inventory system. The lightweight equipment and their ease of operation makes it the best fit for events held at our venue as its superior lighting output offers a variety of solutions to meet the many different customer needs. Overall, we are amazed and happy with Robert Juliat’s exclusive operational features and mechanical and optional quality,” said Norbiha Ismail, AV Manager at Kuala Lumpur Convention Centre.

“We take pride in developing close relationships with our clients so as to ensure lasting benefits for every project that we have supported. For us it is imperative that we enable the optimum operations of the solutions supplied by us. Our education training arm is also actively involved in sharing product training to our customers and continues to educate the market about advanced technologies that enhance efficiency and deliver better performances,” said Andy Tan, Managing Director of Concept Audio. www.conceptaudio.com.my www.robertjuliat.com www.avolites.com

INSTALL E-TECH ASIA May - June 2015

89

INDONESIA

Martin Pro Ups The Ante For The Mirror Lounge & Club

W

ith the opening of The Mirror Lounge & Club late last year, Seminyak, the international vacation hotspot on the west coast of Bali, has become an even more popular tourist destination. With a capacity of 1,000, the club is the latest, and one of the largest, high-profile additions to the Seminyak scene.

To accentuate the club’s distinct layout and features, local integration firm Monalisa Tunggal Jaya (MJT) selected a wide array of HARMAN Martin Professional lighting fixtures, which they’ve been installing across Indonesia since 1996.

Owned by Indonesian entertainment organization All In, Mirror caters to an eclectic mix of both local and foreign clubbers who are drawn to its unique layout design. Panelled mirrors are mounted in the corners of the club, which feature high ceilings and a

rectangular floor plan oriented around the DJ, dispersing the crowd to the sides of the stage.

“Even with Mirror’s high ceilings and extended length, we were able to illuminate the whole area from top to bottom with Martin fixtures,” said MTJ’s Zandy Jong. “All In specifically requested the best products for its sophisticated clientele. Martin was the clear choice.”

Jong considers Mirror one of Seminyak’s “most prestigious” clubs and believes it is unique not only in terms of construction, but also in concept.

“Mirror’s symbol is a mythological owl and we designed the lighting environment around the club’s central massive owl statue, which is perched high above the crowd,” said Jong.

“Together, the owl and the lights, especially the RUSH MH 3 beam, end up presenting a visual spectacle.”

The RUSH MH 3 is a powerful beam moving head that blasts an intense and narrow long-throw beam, capable of creating several effects including a dimmer, strobe effect, 8-facet prism and focus. Jong’s team deployed a comprehensive selection of Martin products not limited purely to lighting fixtures. All the lighting fixtures and the JEM Compact Hazer Pro units are controlled by the Martin Light Jockey lighting controller.

“Martin products are consistently reliable and smooth so we’re always comfortable deploying them in clubs like Mirror,” said Jong. “The MAC 101s get a lot of attention, but it’s the combination of all the Martin gear including the RUSH MH 3s that creates such a visually dynamic atmosphere in Mirror’s distinct space.” www.martin.com

IN A NUTSHELL

• Venue: The Mirror Lounge & Club • Location: Seminyak, Bali • Integrator: Monalisa Tunggal Jaya • Martin Equipment: - RUSH MH 3 - MAC 350 Entour - MAC-101 - Light Jockey Controller - RUSH Strobe 1 5x5 - Atomic Strobe 3000 - JEM Compact Hazer Pro

90

FOOS-4-THOUGHT E-TECH ASIA May - June 2015

Food-4-Thought

Tired of the everyday industry mambo-jambo? Take a break with us and delve into the world around you. A jukebox of ideas and interesting stories – just scan the QR Codes to stay updated on points of interest that could one day affect you in your personal or work life.

Water Man Of India The Stockholm International Water Institute has awarded Rajendra Singh the “Nobel Prize for water” for bringing fresh water villages using the ancient Indian technique of rainwater harvesting. When he first started his mission to solve the water crisis, it was just for drinking water. Now, Singh is aiming higher and has made it his life’s goal not to let our planet run dry. How far would YOU go to water the world?

Activity VS Productivity Are you always slaving away at work but not really getting anywhere? Then this article was tailor-made for you. Aimed at entrepreneurs, this article may just apply to everyone working towards their dream. Just remember, activity does not always mean productivity.

Tablet Market Takes A Hit Despite the initial hype, the tablet sector has suffered its first drop in sales, according to tech consultancy Canalys - down 12% at the end of of 2014 compared with the same period the previous year. Apple may be a market leader but even they have a taken a hit and sold 15% fewer iPads over 2014 as a whole compared with 2013. What does the future hold for this technology?

Pee Powered Urinal Need we say more? A new revolutionary technology now enables you to use your own bodily fluid to create energy. This is aimed to ‘shed light’ on sanitation facilities in refugee camps, making it a little safer and easier for everyone to use the loo in places where electricity is not readily available.

New Ways To Save Lives Researchers from Harvard and MIT are looking to the future for new ways to deliver medical treatment. While the video starts with a remote care bandage, it moves into 3D organs and a device that can tell you if you’ve got AIDS, Ebola or just the common cold. All the they need now is funding to bring these inventions to the market. Is science going too far or is it catering to the needs of the world? You decide.

Technology: Ridiculous + Marvelous From robots that carry you to robots that you carry, are we moving into the world predicted by the movie, Terminator? Despite the ridiculous, technology is put to good use when a man sees his wife for the first time, thanks to a ‘bionic eye’.

LIVE E-TECH ASIA May - June 2015

91

{ SINGAPORE }

UAV Celebrates Precise Sound With L-Acoustics Systems

By Elissa Nadine

U

niversal AV Pte Ltd (UAV) has been helping a Global Top Life insurance company celebrate their staff's achievements for the past 3 years. During the company's recent Awards Night, held at the Marina Bay Sands Grand Ballroom in Singapore, the team from UAV deployed a full L-Acoustics system to provide just the right audio coverage for all 1,700 guests.

Ruben James, Chief Operations Officer at UAV shared, “The client preferred not to have speakers clattered everywhere and the wide coverage of the speakers provided by L-Acoustics' systems were the perfect solution.”

To avoid the clatter, 12 x L-Acoustics K2 loudspeakers were flown with 6 on each side of the stage.

“I have used the V-DOSC system before but I must admit the K2s have a much greater headroom and melodic warmth in them.”

- Mohan, UAV Sound Engineer using the L-Acoustics' SOUNDVISION 2.2 Software which provides 3D acoustic and mechanical simulation. A popular software among users of L-Acoustics systems, SOUNDVISION “gives great flexibility to configure sound” as it allows designers to calculate SPL levels as well as delay coverage. The team used the software with ease and Vinod attributed it to helping the engineer “determine the height of the array to be flown and how the sound dispersion would be since this was an indoor event.”

“Due to the venue and the magnitude of the event, we decided to use LAcoustics K2 system. It’s smaller and more compact as compared to the K1 or V-DOSC. The K2 system is also advanced in its technology,” said Vinod Sivapillai, UAV’s Technical Director . The K2 system is a rescaled 12'' compact version of the K1 that is capable of adjustable horizontal directivity, operating from 35 Hz to 20 kHz.

Sharing his experience with the new system, Mohan said, “I have used the V-DOSC system before but I must admit the K2s have a much greater headroom and melodic warmth in them.”

UAV's Selected Sound Engineer for the night, Mohan, configured the set-up

Attendees for the night were equally impressed with the capabilities of

Completing the audio set-up were 6 x SB28 subs, complemented by PS15 Speakers as front fill and stage monitors.

Control was provided via a Yamaha QL5 Digital Mixer.

the system and the team behind it. A spokesperson commented, “The sound was really comforting to the ears. There was a lot of body in the acoustics and it was just brilliant sound projection and coverage.”

Since its inception, UAV has built a strong reputation based on technical expertise and has an impressive resume that encompasses exhibitions, seminars, conferences and even concerts. A company heavily involved in all aspects of the latest technology, UAV showcases creativity in the most demanding events and feel even more confident now with their new K2 system.

On his experience with the K2s, Ruben James concluded ,“This was a big ballroom set-up and we managed to get top quality, clear and precise sound.

We're already looking forward to using the K2's at our next event!” www.uav.com.sg www.l-acoustics.com

92

LIVE E-TECH ASIA May - June 2015

{ UAE }

E-Tech Asia Exclusive

d&b Creates An Orchestra At Sea

T

he first outing of the d&b Y-Series might easily have passed unnoticed, were it not for audio specialists, eclipse.

the stereo image. At most, I did do some very conservative stereo panning.”

The Dubai-based company was so confident in the quality of d&b systems that they pushed the Y-Series straight into the public eye for the Abu Dhabi Volvo Ocean Yacht Race. A sporting event held at sea and surrounded by a 30-day series of concerts which featured rock, pop and Arabic music, plus prestige performances by the Dubai Orchestra and the Birmingham Symphony Orchestra.

“The stage was mounted directly to the sea floor on the shoreline, hence the distance to the first row,” explained eclipse’s Head of Audio, John Parkhouse.

“Audience area overall was approximately 80m wide and 25 rows deep, so we covered an area some 25m deep front to back.

We chose sound engineer Marc Lewis specifically for his expertise working with orchestras, though he mixed every concert bar the night of Arabic music. He was very focused and did excellent work.

Simply put, from the day of its arrival, the Y-Series never ceased to amaze us on every event on which it was used.”

“In terms of imaging a symphonic performance, normally there are issues with achieving balance because part of the audience is in proximity to the horn section, while others are closer to the strings,” explained Sound Engineer, Marc Lewis, on one of the more unexpected aspects of this event. “But in this instance, the 15m from front of stage to audience worked in our favour. The longer the distance, the more balanced

“An open stage on the water meant it was about as anechoic as it could

be,” continued Lewis. “So I reached for some ‘hall’ EQ, again bleeding that in conservatively, otherwise the sound was too dry. We close mic’d every other instrument: nearly all Neumann. For the soloists, again, because of the throw distances involved, the need to work on localising the sound image to them was moderated.”

Not that Lewis didn’t encounter some difficulties.“James Ehnes, the violinist with the Birmingham Symphony, did step slightly off his mark when he came to the front stage edge to solo. He has a ludicrously expensive violin so I mic’d it much as I would in a studio, using a stand from behind, leaning toward the F hole at about a foot to eighteen inches.

When I saw he was off his mark I did have to request a tech go onstage and shift the mic. I had already instinctively reached for the gain so I didn’t lose

“The constant directive dispersion of the [d&b] M4 combined with its phenomenal SPL and response, allowed me to shoot exactly what I wanted where I wanted with zero to minor processing. It made my experience as enjoyable as mixing for my own ears.”

- Wissam Shaheen, Monitor Engineer

Images Courtesy Of eclipse Staging Services

LIVE E-TECH ASIA May - June 2015

“The Y-Series was the closest I have ever come to mixing a live orchestral show off something that sounded like studio monitors.”

- Marc Lewis, Sound Engineer

him, here I was really helped by the rear rejection off the d&b system, it meant I could really up the gain more than I had expected. In that sense, the combination of the d&b system and that idealised mic position was the perfect combination.”

There were other unexpected benefits from placing the stage at sea. “When John and I first looked at the job we imagined the subs would be a mono bloc on the dockside. So far in front of the flown main PA this was not ideal, and I foresaw all kinds of issues with delay and phase shift. But eclipse indulged us, putting the system in six days ahead of the rehearsals. That meant we had time to experiment. I’ve worked with John Parkhouse before and he and I decided it would be well worth trying the Y-SUBs flown above the main Y8 and Y12 line array. It would mean the whole system would be totally phase and time aligned and the crossover between the different elements within the system would be effectively invisible by the time they had reached the first rows of the audience.”

“We had six or seven hours to play with this configuration, using a variety of program material, but we knew almost immediately it would work, we were just being thorough. And that’s how it proved, completely clear to mix off.

The Y-Series was the closest I have ever come to mixing a live orchestral show off something that sounded like studio monitors.”

Parkhouse also sought out a specialist engineer to handle monitor duties.

“Putting an orchestra on an open stage with no concert hall acoustic to work from meant monitors would be mission critical to performance. I contacted d&b Germany and their Education and Application Support department recommended Wissam Shaheen from Seebeck Audio based in Lebanon.

The Dubai Orchestra, drawn from musicians across the UAE performed

on this occasion as the ‘Blue Planet’ Orchestra. Conducted by composer George Fenton, this was a performance of Fenton’s compositions for the David Attenborough BBC television series of the same name. Fenton has toured and performed this work through Europe and further afield.

Birmingham Symphony Orchestra was conducted by Michael Seal. They performed Benjamin Britten’s Four Sea Interludes, Elgar’s Enigma Variations and Bruch’s Violin Concerto No.1 - lead violinist James Ehnes.

Knowing the impact of the Orchestra would be highly based off audio, Shaheen thought, “My mixes were based exactly on the question: ‘What would that section of the orchestra hear while performing in a concert hall?’ To achieve that, we placed 4 x d&b M4 wedges on the corners of the stage and 2 x M4s in 'house mode', stand mounted, with their horns rotated 90-degrees to get the 50° x 70° dispersion for the choir side fills.

Each of the wedges had a separate mix and both of the side fills were linked together on a single mix.”

“Musicians would typically hear the direct, dry sound of their instruments, mixed with a ‘wet’ mix of the total orchestra, with respect to the different dynamics of the different instruments and to their seating plan on stage,” he continued. “For example, downstage right wedge had a bigger portion of violas, cellos and double basses, a fair amount of the 'firsts’ and a hint of woodwinds. That, mixed with what was acoustically reaching that section, gave the ‘hall’ feel to that area. The constant directive dispersion of the M4 combined with its phenomenal SPL and response, allowed me to shoot exactly what I wanted

93

where I wanted with zero to minor processing. It made my experience as enjoyable as mixing for my own ears.”

Parkhouse reported: “All I saw were musicians smiling and that's always good news for a monitor engineer.” Possibly one reason why Shaheen has recently moved to eclipse to take up a senior audio engineer appointment. “That said, I am still a member of the Seebeck Audio family and I will keep on flying in to work with them during their peak season.

Fortunately it is the opposite of eclipse's peak season.”

The series of concerts has now reached a successful conclusion. Chris Szuberla, the Technical Director for Blue Planet in Concert was impressed, “Our experience of working with eclipse and their team on this event was extremely enjoyable and the show sounded fantastic. Despite being outdoors, with the orchestra floating out on the water, the sound was so natural. Congratulations to John and his crew for making it happen in what was a technically challenging location.”

Lewis was similarly enthused, “The shows were quite an emotional ride, especially the orchestral performances. John and the team he assembled from eclipse did a stunning job. This was my first live concert with the d&b Y-Series. I had used d&b before in corporate events, but not like this. My first time using them was mind blowing, in no small part due to flying the subs. For a concert of this magnitude it was as hi-fi as it’s possible to be.” eclipse.ae www.dbaudio.com

94

LIVE E-TECH ASIA May - June 2015

{ INDIA }

By Elissa Nadine

J Davis Prosound & Lighting Rocks Clay Paky, L-Acoustics, Weifa Truss And Many More Help Bring To Life The First Ever Emerge Music And Arts Festival

C

onceptualized by LIVE Viacom18 in association with Vh1, the inaugural edition of the Emerge Music And Arts Festival (EMERGE) brought together fresh music and art ideas for hungry fans of new experiences. Besides high-profile music acts, the festival showcased some of the best sculptures, art installations and

live art by talented artistes across the country.

Headlining the Bangalore edition were two of UK’s biggest music acts at the moment, alt-J and Rudimental.

In two short years, alt-J have established themselves as one of the UK’s most

innovative new acts, breaking down musical barriers in a manner comparable with the likes of Pink Floyd and Radiohead at their peak. Another group among UK’s finest exports includes Rudimental (who performed a DJ set), who have spectacularly stepped out of their drum and bass cocoon and become

LIVE E-TECH ASIA May - June 2015

95

First Ever Emerge Festival

“We are delighted to be part of the first Emerge Festival in Bangalore, it was truly an amazing experience!”

- Santana Davis, J Davis Prosound & Lighting

one of the best genre-blenders on the globe.

Commenting on the concept of the festival, Jaideep Singh, Sr. Vice President and Business Head – INS, Viacom18 Pvt. Ltd. said, “At LIVE Viacom18, we always aim at going beyond norms and experiment with new forms of music & entertainment. In India, live concerts and dance music have evolved and we can see people’s affinity to art as well.

Greenstone Entertainment headed by Vincent Samuel & Mayur undertook Event Productions while J Davis Prosound & Lighting were chosen to provide Technical Solution (Sound, Lights & Truss) for the Bangalore edition of the festival.

Main lighting for the night consisted of 24 x Clay Paky Alpha Spot HPE 1200 along with 21 x Martin Atomic Strobe 3000s and 24 units of Elation Pro’s Platinum Beam 5R moving heads. All of which were controlled via a grandMA2 light and Avolites Pearl 2010.

Graflex Inc, AV & Truss Division of J Davis, supplied the 66 x 60 x 40ft Roof Truss With 5 Sub Hangs from Weifa.

The Main PA comprised of 20 x V-DOSC tops, with 10 x V-DOSC per Side and 2 x DV-DOSC as downfills. 4 x DV-DOSC were used as infills (L&R), along with 18 x SB 218 subs in cardiod mode and 4 x ARCS as sidefills from none other than acclaimed manufacturer, L-Acoustics. To power the boxes, J Davis used both LA 48A and Lab Gruppen Amps.

The FOH Mixer comprised of Yamaha PM5D RH console & an Avid SC 48 Console with Waves bundle plugins. The MOH Mixer comprised of an Avid SC 48 as well as a Midas M32 for the opening

acts. XTA DS 800 were used to split signals for MOH and FOH. Stage monitor comprised of 8 x Martin Audio LE 1500 and 4 x Martin Audio LE 2100s. While artists mics compriserd of Shure, Sennheiser & AKG. On the success of the event, Managing Director at J Davis, Santana Davis said, “We are delighted to be the part of the first Emerge Festival in Bangalore, it was truly an amazing Experience!” www.jdavisprosound.com

LIVE E-TECH ASIA May - June 2015

{ ISRAEL }

Yehuda Poliker Shines With Robe BMFLs “You can build some very intricate cues [with the BMFLs] and that’s what I like – the ability to be really detailed and precise” - Eyal Tavori, Artist's LD Photos: Louise Stickland

96

P

opular Israeli singer, songwriter and musician Yehuda Poliker played a high profile concert at the 2,500 capacity Charles Bronfman Auditorium in Tel Aviv, a show that came alive with Robe BMFL Spots and a 90 per cent Robe lighting rig supplied by Argaman Systems.

The lighting was designed by Eyal Tavori – the artist’s long term LD and operated by Lighting Director Tsafi Dagan, who has also worked with Poliker for several years. The artist is constantly busy engaging in live performances and reaching out to the many fans and followers of his amazing 30 year entertainment industry career.

A 50 metre semi-circular truss was flown above and around the stage - opening at the front, with lighting rigged on this and on the auditorium’s house bars.

Originally Robe’s ColorSpot 2500E ATs were spec’d on his ongoing tour, however as soon as BMFL Spots became available - part of a delivery of 60 received by Argaman making a very decisive investment in the product - they were replaced with these.

Due to Argaman’s early adoption of the BMFL Spot, many shows in Israel, which has an incredibly rich repertoire of live performances, have benefitted from the power and versatility of this fixture.

At the Charles Bronfman Auditorium, the BMFL Spots were rigged on different house pipes to maximize the perception of depth in the space.

integrated into the show, explained Tsafi.

Approximately 4 metres off the stage was another semi-circle of truss – this one constructed from mini-beam - also arching around the stage and rigged on 10 x floor based stands. On this were 24 x LEDBeam 100s and 8 x MMX Spots.

The challenge in lighting the Yehuda show is always to ensure that Poliker remains the centre of attention onstage, and simultaneously offering the audience plenty of looks and scenes that are ‘easy on the eye’.

Hanging below the curved mini-beam truss were 90 x pixel mapped LED strips also curving around which, together with the truss itself, added a structural feel to the space. The BMFL Spots were used for intense and potent back light, cutting through to light the band, and with gobos added, creating atmosphere and ambience onstage.

From a technical viewpoint Tsafi, who also works as a technician, said he personally likes Robe products because of the light weight and the reliability which consequently means a slicker and more streamlined tool as compared to competitor products.

LD Eyal was delighted with the results and when they did the swap-out and he started using the BMFLs in situ, he realized the extent of its huge potential first hand. Now with several BMFL Spot shows behind them, they are still coming up with new and different ideas to be

He personally loves the BMFL Spot for its power, colour mixing and fast movement. “You can build some very intricate cues and that’s what I like – the ability to be really detailed and precise”.

Tsafi ran this Tel Aviv lightshow using a grandMA2 full size. When they have a full LED screen set up for their gigs, another grandMA2 light is brought to run video content in conjunction with a Green Hippo Hippotizer media server. www.robe.cz

LIVE E-TECH ASIA May - June 2015

97

{ DUBAI }

Delta Sound Delivers Perfect Sound @ RedFest 2015 L-Acoustics Systems Fly High For 2nd Edition Of Middle East's Biggest Music Festival

F

or the inaugural RedFest 2014, rental house, Delta Sound were awarded with the Best Sound Production award. This year, Delta had the same goal, as with any other project - to deliver the best sound production possible. Festival`s highlight were acts such as The Script, Iggy Azalea, Bastille, Kiesza, GRL, Jeremih or KidInk.

to try and keep the sound contained in the bowl. We had other stages in close proximity and Delta also made a conscious attempt to try and reduce the noise off-site. The K1 Subs gave the engineers extra sub in the air thus reducing the amount of sub needed from the floor SB28,” explained Al Woods of Delta Sound.

Contracted by promoters Done Events, Delta Sound were once again the main supplier of the full PA system and full production control for both main stage and the additional ‘Reebok Classic stage.’ RF, IEM and microphone package for the two-day event were supplied as per artists' requirements.

“As I arc the ground subs to widen the horizontal pattern by driving them less it reduced the off-site spill. The Kara outfills stacked on the stage gave me the ability to just fill a small pocket that the K1 main didn’t cover, again, without spilling out of the bowl as much as a large hang of K2 would, for example,” Al added. “Initially, I was concerned by the mix position being off to one side.

But after walking the field I found the horizontal coverage to be very even and a very good representation of the whole system was achieved at FOH. You have to love the K1 for that!”

Due to the amount of control equipment required at FOH the areas had to be larger than usual. So to avoid unnecessary sight line issues the promoter split the positions from centre to 25m stage left for Audio and Stage Right Video and Lighting. “I took a slightly different approach with the system this year, the main system stayed as [L-Acoustics] K1 but I flew K1 Subs behind as an addition and reduced the outfills to Kara and ground stacked them. The reason for these changes was

On stage monitoring consisted of L-Acoustics 115XT speakers for floor monitors, Arcs wide and SB28 subs for side fills and a mixture of SB18 and SB28 subs for DJ fills and drum subs.

The IEM and RF systems consisted of Sennheiser 5000 series and Shure UR4

radio microphones and Sennheiser 2050 and G3 IEM. The Patch for all the stage monitors, side fills and IEM was controlled electronically via 2x BSS Soundweb, a Galileo and LA Network Manager. Devised by Delta`s Engineer Mehdi Khelil it meant that no physical patch changes were needed from any console. At the push of a button, mixes were sent to the right IEM or amplifier input. The speaker preset was also changed to avoid unnecessary stage monitor patches.

Consoles, the generic “flip flop” FOH and Monitor control used 4 x Digi Design Avid Profiles and a 60 way Delta Passive split system. The Script were supplied with a Digico SD7 at FOH and a Soundcraft VI6 at monitors, plus a Delta Sound 72 Way Split .

Mics and stands were also supplied for all but two of the artistes. “It was a long meticulous process sifting through the artists riders, making sure that everything was exactly as per their requirements.

As for our team, on stage we had Mehdi Khelil, Phil Down, Tom Gelissen and Glen The Mod did a fantastic job. Mehdi looking after RF coordination, Tom the consoles, and Phil and GTM running patch and mixing up. It was a long hard few days for all of us but the result was worth all the effort,” closed Al Woods. www.deltasound.ae

“I took a slightly different approach with the system this year, the main system stayed as [L-Acoustics] K1 but I flew K1 Subs behind as an addition..after walking the field I found the horizontal coverage to be very even and a very good representation of the whole system was achieved at FOH. You have to love the K1 for that!”

- Al Woods, Delta Sound

98

Have U Met...?

E-TECH ASIA May - June 2015

Sound Engineer - Philippines 27 years of running on passion is how we can best describe Angelo Rozul's involvement in the sound industry. Well respected and sought after, there is little doubt that Angelo's life revolves around consoles, music and artistes. Currently working as a freelancer, Angelo has also been involved in numerous album recordings. Adding to an already impressive resume, he also does live mixing for three local artists in Manila, Rico Blanco, Aiza Seguerra, and Hale.

What sparked your interest in the audio industry?

Angelo: I’ve been a fan of listening to music in a nice High Fidelity set-up since I was a kid. So when the opportunity to work inside a recording studio came

by I grabbed it instantly. I got into the industry in 1988 or 89, when I was just 19. After almost two years in a studio as an assistant to the engineer, two of the studio’s regular clients gave me a break to mix. Those two songs became a hit. There was a tremendous sense of happiness and satisfaction every time their songs were played in the radio.

I think that was also a strong catalyst where I became more serious with my work.

Did you go through any formal training?

Angelo: No, I did not receive formal training per se, but I had my mentors like Mike Pedero, Owner of Tracks Studios and Jofel Meimban Chief Engineer of Tracks at that time. I consider them as my foundation/core of what I’m doing now. Experience is a big part of how I learned.

How did you first get involved with the industry?

Angelo: I started when I was student of Don Bosco Technical School. On-the-job training was required before graduation

and I asked my mom for help because she worked in a radio station at that time. My mom introduced me to her friend who owned a recording studio.

That’s Mike Pedero and that was the first time I entered the industry, with Tracks studios. After my on-the-job training and graduating from school, I was offered a technical maintenance and assistant post to a sound engineer of Tracks Studios.

And that’s how it all started.

what happened at that time, to make the band sound as great as possible.

What was your first live sound involvement?

If you were not in this industry what would you be doing?

Angelo: That was almost 20 years ago. I can’t quite recall the exact date and year but it was for Rivermaya*, a band and a regular studio client. They asked me to mix front of house for them. It was for the Lotus Eaters concert – the famous English new wave band and Rivermaya was the opening act. (*Rivermaya is one of the most influential and critically acclaimed rock bands in the Philippines).

How was that experience?

Angelo: It was unforgettable. Cause I’m really used to mixing inside the studio and this was the first time I did a live mixing – it was definitely a memorable experience and I learned a lot. I felt nervous at first since it was live and I had to ensure that I did justice to the band's sound. I observed everything I did and

Who is your inspiration or role model?

Angelo: A lot of them are in the recording industry. I like the hearing acuity of Mike Pedero. I also like the works of Bob Clearmountain, Bruce Swedein , Cris Lord Algae & Tom Lord Algae.

Angelo: It wouldn’t be all that different, because I love electronics and I love listening to music. I would probably be involved in something technical.

What advise do you have for those just coming into the industry?

Angelo: Follow your heart and you’ll never go wrong. Every experience is profitable.

What else would you like to achieve or hope to achieve?

Angelo: I’m really happy with what I’m doing now. I really love my work.

And to know that a lot of people trust me is already a big achievement. I’m contented with my life now. I’ll just go with the flow.

Š 2015 Christie Digital Systems USA, Inc. All rights reserved.

4

ESOLUTIO R K 150LBS N

CHRISTIE BOXER UNDISPUTED PERFORMANCE LENNOX LEWIS | Undisputed Heavyweight Champion

3 0,

SINGLE PHASE

000 LU MENS

Introducing Christie Boxer.

Designed from the inside out to punch above its weight class. christiedigital.com/boxer

USA ph: +1 714 236 8610 sales-us@christiedigital.com

CHINA-SHANGHAI ph: +86 21 6278 7708 ask-china@christiedigital.com

INDIA ph: +91 80 6708 9999 ask-india@christiedigital.com

KOREA ph: +82 2 702 1601 ask-korea@christiedigital.com

AUSTRALIA ph: +61 (0) 7 3624 4888 ask-australia@christiedigital.com

CHINA-BEIJING ph: +86 10 6561 0240 ask-china@christiedigital.com

JAPAN ph: +81 3 3599 7481 ask-japan@christiedigital.com

SINGAPORE ph: +65 6877 8737 ask-singapore@christiedigital.com