Step Afrika! NOV 14-15, 2025 | Presented by Performing Arts Houston
THE MIGRATION: REFLECTIONS ON JACOB LAWRENCE
ADMINISTRATIVE TEAM
C. Brian Williams, Founder & Executive Producer
Lamar Lovelace, Executive Director
Pascha Barnwell, Company Manager
Margo Cunningham, Senior Marketing Manager
Chrystal ‘Chrys’ Vaughan, Manager, Events and Special Projects
Milen Matthews, Manager, Arts Education and Community Programs
ARTISTIC TEAM
Mfoniso Akpan, Artistic Director
Jakari Sherman, Director, The Migration: Reflections on Jacob Lawrence and Projection Designer
Conrad R. Kelly II, Assistant Artistic Director
Marianne Meadows*, Lighting Designer, Production Manager, and Stage Manager
Trevion Walker, Assistant Stage Manager
Cory Raynor, Sound Engineer
Harlen Penn, Original Scenic Design
Kenann Quander, Original Costume Design
Patrick Calhoun, Original Sound Design
*Member of the United Scenic Artists Local USA 829
CAST
Jai Bright
Nya Christian
Ariel Dykes
Agyei Edwards
Keomi Givens Jr
Jordin Greene
with SPECIAL GUEST
Ashley Támar
Kamala Hargrove
Terrence Johnson
Conrad Kelly II
Lionel Lyles
Jemeema Montrose
Abdou Muhammad
Isaiah O’Connor
Keanu Powell
Brittny Smith
Ericka Still
Pelham Warner Jr
Robert Warnsley
Learn more about Step Afrika! Share your experience! #StepAfrika stepafrika.org
ABOUT THE SHOW
Step Afrika!’s signature work The Migration: Reflections on Jacob Lawrence charts the story of African Americans moving from the rural South to the industrial North to escape Jim Crow, racial oppression, and lynchings in the early 1900s. Inspired by Jacob Lawrence’s iconic 60-panel “The Migration Series” (1940-41), this signature work from the award-winning dance company uses the images, color palette, and motifs in the painting series to tell this astonishing story through pulsating rhythms and visually stunning movement.
“Must we remain in the South or go elsewhere? Where can we go to feel that security which other people feel?” - A Colored Woman in Alabama, 1902
PROGRAM
DRUM CALL
Choreographed/Composed by Jakari Sherman and W.E. Smith
Original Recording of “African Villages” by W.E. Smith
The drum has always been essential to African culture everywhere and is critical to the rhythm of Migration. Drum Call depicts an African village, the arrival of foreign ships, and the ensuing turmoil.
GO WEST: circa 1720
Choreographed by Makeda Abraham, Mfoniso Akpan and Delaunce Jackson
Drumming by Abdou Muhammed, Agyei Keita-Edwards, and Conrad Kelly II
Flute by Lionel B Lyles II
When Africans arrived in America, their music and dance traditions were ingrained in the culture. Go West explores how West African dance and drum traditions spread and maintained their vitality in the New World.
DRUMFOLK
Choreographed by David Pleasant
Flute by Lionel B Lyles II
Drumfolk is a celebration of the early development of African American percussive traditions including patting juba, hambone, and ring shout – giving way to art forms like tap dance and stepping. While exploring this heritage, Drumfolk reflects on the harsh conditions in the South that coincided with the practice of these transcendent musical forms. The work shows how the progression of such hardships preempted escape and migration, and how the fortitude of the enslaved led to the creation of new traditions like spirituals, field hollers and shouts.
WADE SUITE
Choreographed by Kirsten Ledford, LeeAnet Noble and Paul Woodruff Vocals by Jai Bright, Ariel Dykes, Brittny Smith, and Ashley Támar
Vocal Arrangement by Greg Watkins
Wade shows the continuity in African and African-American percussive dance traditions by blending the South African Gumboot Dance, tap and stepping with the African-American spiritual.
Movement One: THE DEACON’S DANCE
The African American spiritual played a significant role in lifting the spirit in troubled times. In The Deacon’s Dance, two deacons prepare for Sunday services.
Movement Two: WADE
After the abolition of slavery, the church remained a center of refuge and community-building amidst the harsh conditions and served as a primary means of communication for industries recruiting labor during World War I. Wade highlights the importance of the church in helping African Americans survive the South, and its critical role in helping vulnerable people resettle in the North.
INTERMISSION
“I was leaving the South to fling myself into the unknown. I was taking a part of the South to transplant in alien soil, to see if it could grow differently, if it could drink of new and cool rains, bend in strange winds, respond to the warmth of other suns, and, perhaps, to bloom.” - Richard Wright
TRANE SUITE
Original Recording of “Trane” by W. E. Smith
Saxophone by Lionel B. Lyles II
Throughout the Great Migration, the train was an important means of transporting people to the North. The entire railroad industry recruited heavily in the South and thus, economically, became a primary means of African Americans’ “one-way ticket” to a new life. Named in reference to John Coltrane and paying homage to Duke Ellington’s Take the A Train, Trane is a journey in three parts, following the story of the Great Migration.
Movement One: TRANE
Choreographed by Jakari Sherman
Creation of Trane made possible by the DC Jazz Festival.
The opening movement, Trane, establishes the connection between past and present: the rhythm of the train north; Ellington’s classic score; and the Alpha “train,” a time-honored element of stepping practiced by brothers of Alpha Phi Alpha Fraternity, Inc.
Movement Two: OFF THE TRAIN
Choreographed by Jakari Sherman
Three men arrive in the North, luggage in hand…thrilled about the possibilities.
Movement Three: MY MAN’S GONE NOW
Choreographed by Mfoniso Akpan, Aseelah Allen, Dionne Eleby, Kevin Marr and Jakari Sherman
Recording of “My Man’s Gone Now” by Nina Simone
During the migration, it was common for men to journey north without their wives or children because of the high cost of travel. This left many women at home in the South caring for children and struggling to find work. My Man’s Gone Now is the story of three women, each in a different phase of their transition to the North and ready to be reunited with their loved one.
CHICAGO
Choreographed by Jakari Sherman
Between the 1910s and 1920, more than 400,000 African Americans left the South for many Northern and Western cities, including Philadelphia, Minneapolis, Seattle, Los Angeles, and Chicago. By the end of the 1920s, that number exceeded 1.2 million.
Chicago finds the migrant’s new rhythm in everyday situations. It is a percussive symphony using body percussion and vocals to highlight the collective self-transformation of these brave men and women once they arrived “Up North.”
THE STORY OF STEP AFRIKA!
Founded in 1994 by C. Brian Williams, Step Afrika! is the world’s leading authority on the artform of stepping. Under Mr. Williams’ leadership, stepping has evolved into one of America’s cultural exports, touring more than 60 countries across the globe and ranking as one of the top 10 African American Dance Companies in the US.
Step Afrika! blends percussive dance styles practiced by historically African American fraternities and sororities; traditional African dances; and an array of contemporary dance and art forms into a cohesive, compelling artistic experience. Performances are much more than dance shows; they integrate songs, storytelling, humor and audience participation. The blend of technique, agility, and pure energy makes each performance unique and leaves the audience with their hearts pounding.
Step Afrika! promotes stepping as an educational tool for young people, focusing on teamwork, academic achievement and cross-cultural understanding. The Company reaches tens of thousands of Americans each year through a 50-city tour of colleges and theaters and performs globally as Washington, DC’s one and only Cultural Ambassador.
Step Afrika! has earned Mayor’s Arts Awards for Outstanding Contribution to Arts Education, Innovation in the Arts, Excellence in an Artistic Discipline, and was inducted into the National Association of Campus Activities (NACA) Hall of Fame, the first Dance Company to earn this honor. Step Afrika! headlined President Barack Obama’s Black History Month Reception and performed at the first ever Juneteenth Celebration at the White House. The Company is featured prominently at the Smithsonian’s National Museum of African American History & Culture with the world’s first stepping interactive exhibit.
CREATIVE TEAM BIOS
C. BRIAN WILLIAMS (Founder and Executive Producer)
C. Brian Williams is a native of Houston, Texas, and a graduate of Howard University. Brian first learned to step as a member of Alpha Phi Alpha Fraternity, Inc. – Beta Chapter, in the Spring of 1989. While living in Southern Africa, he began to research the percussive dance tradition of stepping, exploring the many sides of this exciting, yet under-recognized American art form, and founded Step Afrika! in 1994. Williams has performed, lectured, and taught in Europe, Central and South America, Africa, Asia, the Middle East, the Caribbean, and throughout the United States. Through Williams’ leadership, stepping has evolved into one of America’s newest cultural exports and inspired the designation of Step Afrika! as Washington, DC’s official “Cultural Ambassador.”
In 2022, the National Endowment of the Arts designated Williams as a National Heritage Fellow, the nation’s highest honor in folk and traditional arts. He is the recipient of numerous Artist Fellowships; the World Alive! Distinguished Artist Award by Arts Emerson; the Mayor’s Arts Award for Visionary Leadership from the DC Commission on the Arts and Humanities; Distinguished Arts Award from the Coalition for African Americans in the Performing Arts; and the Pola Nirenska Award for Contemporary Achievement in Dance. He is also featured in Soulstepping, the first book to document the history of stepping. He also earned the Mayor’s Art Award for Innovation in the Arts and has led the company to multiple Metro DC Dance Awards for “Outstanding New Work,” “Excellence in Stage Design/Multimedia,” and “Outstanding Group Performance.” Williams has been cited as a “civic/community visionary” by NV Magazine, a “nation builder” by the National Black Caucus of State Legislators and a “minority business leader” by the Washington Business Journal. His work is featured prominently at the Smithsonian Museum of African-American History and Culture in Washington, DC.
LAMAR LOVELACE (Executive Director)
As Executive Director for Step Afrika!, Lamar Lovelace is responsible for the organization’s strategy and operations, leading its staff, programs, and the execution of its mission. Working closely with Step Afrika!’s board of directors, he spearheads fundraising, marketing, operations, and long-range planning for the organization. He brings deep expertise from academia and has managed the organization’s humanities-based partnerships.
In July 2017, Lamar joined Step Afrika! as Deputy Executive Director, where he oversaw the dance company’s communications and marketing strategy, fundraising efforts, and financial operations. Previously, Lamar spent 8 years at Columbia University as Assistant Director in the Office of Community Outreach and Education and Director of Public Programs and Events. At the New York City-based campus, he managed community-based partnerships and special events and produced large-scale, humanities-based programming opportunities to engage students, faculty, and staff.
At Broward College in Fort Lauderdale, Florida, Lamar was Director of Cultural Affairs and Student Engagement, where he created arts-based social justice programs and exhibitions. He holds Master’s degrees in Arts Management and Oral History from Carnegie Mellon and Columbia, respectively, and a BA in Speech and Hearing Science from the University of Illinois at Urbana-Champaign. Lovelace is a member of Kappa Alpha Psi Fraternity, Inc.
CREATIVE TEAM BIOS
MFONISO AKPAN (Artistic Director)
Mfoniso Akpan has trained extensively in tap, ballet, jazz, modern, African dance, and step. While attending the State University of New York at Stony Brook, she majored in biochemistry and cultivated her stepping skills as a member of Delta Sigma Theta Sorority, Inc. Mfon began her training at the Bernice Johnson Cultural Arts Center and has performed at Carnegie Hall, Avery Fisher Hall, the Apollo Theater, the Brooklyn Academy of Music, and Lincoln Center. Mfon toured with the offBroadway show Hoofin’ 2 Hittin, where she was a featured stepper and dancer.
JAKARI SHERMAN (Director, The Migration: Reflections on Jacob Lawrence)
is a passionate choreographer, ethnochoreologist, and performer whose experience extends over 20 years. Rooted in the African American tradition of stepping, his work pushes the boundaries of percussive dance using technology, storytelling, and diverse musical scores. Jakari served as Step Afrika!’s Artistic Director for seven years. He directed Drumfolk, Green is the New Black, and Symphony in Step, among others. Jakari received an M.A. in Ethnochoreology from the Irish World Academy of Music and Dance and is undertaking groundbreaking ethnographic work related to structural analysis, teaching methodologies and historical archiving of stepping in the U.S. Jakari has lectured on stepping throughout the world, including Greece, Kazakhstan, the U.K., and Belgium.
is a member of United Scenic Artists local 829 with a BA from Sarah Lawrence College, MFA from the University of Washington with additional training at Lester Polakovs’ Studio and Forum of Stage Design, NYC
JAI BRIGHT, hailing from Washington, D.C., is a distinguished figure in both artistic excellence and spiritual leadership. His resonant voice has captivated audiences around the world, leaving a lasting impact in opera, choral music, and oratory. An alum of the Duke Ellington School of the Arts, Jai honed his singing and conducting skills at Morgan State University and The Boston Conservatory. In 2018, Jai made history as the first African American nominated by the Vatican for the “Medaglia Beato Angelico,” recognizing his exceptional artistry during an international tour of Italy. He also contributes to academia as an adjunct professor at the University of the District of Columbia’s School of Business, focusing on mentorship and education. Jai’s pastoral ministry has deeply influenced lives, serving as an associate pastor and senior pastor. He has performed for dignitaries and collaborated with renowned artists, earning international acclaim for his work in music and ministry.
NYA CHRISTIAN is a native of Cleveland, OH, with a Bachelor of Arts in Political Science, Sociology, and Dance Arts from Howard University. A proud member of Alpha Kappa Alpha Sorority, Incorporated, she has served as the Alpha Chapter Parliamentarian, Step Mistress, and Stroll Captain. Nya has choreographed performances for Taste of Howard, the White House Initiative on HBCUs, Howard University’s 2022 Homecoming Step Show, and Alpha Kappa Alpha’s 2023 North Atlantic Regional Step Show’s winning number. She has represented Howard’s National Panhellenic Council and her Sorority on Good Morning America for the Black History Month segment “The Story of 9 Historically Black Fraternities and Sororities.” Nya also competed in various World of Dance Competitions and earned 1st place nationally with her former dance team, ELEVĀTED Crew. This is Nya’s second season with the Company.
ARIEL DYKES is a native of Gainesville, FL, with an Associate of Arts in Musical Theatre from Santa Fe College and a BFA in Dance from the University of Florida. She was introduced to stepping and strolling as a member of the Iota Lambda Chapter of Alpha Kappa Alpha Sorority, Inc., where she choreographed step routines for her chapter and UF’s National Panhellenic Council. Ariel has trained in Ballet, Jazz, West African, traditional, and post-modern dance, as well as voice and acting. She has worked with notable artists such as Ailey Dancers Nathaniel Hunt and Samantha Barriento, Tony Award winner Scott Coulter, and 2x Grammy Award-winning Gospel artist Smokey Norful. This is Ariel’s third season with the Company.
AGYEI KEITA EDWARDS is a professional drummer and percussionist who made his debut as a performer at the age of three. With a rich history of performances at venues such as the Brooklyn Academy of Music and the Millennium Stage of The Kennedy Center, Agyei has collaborated with celebrated artists like Sheila E. In 2021, as a choreographer, dancer, and drummer, he performed with Busta Rhymes for the MTV Video Music Awards. Agyei has worked in West African percussion for over 20 years and is a sought-after artist, performing nationally and internationally, including as a guest artist with Step Afrika!. He serves as the Musical Director of Farafina Kan Percussion Ensemble and is known for his spiritually grounded approach to music. Agyei’s motto is, “Do it with excellence or don’t do it at all,” a level of dedication he brings to every performance.
COMPANY BIOS
KEOMI GIVENS JR. is a native of Miami, FL, where he trained with Ricardo Dume, Traci YoungByron, Jakari Sherman, Conrad Kelly II, Tanisha Cidel, Maribel Trujillo, and Robert Battle. He has studied at the New World School of the Arts and The Mahogany Dance Theatre, where he served as Rehearsal Director and choreographer. Keomi has danced with Gravity Dance Troupe and Young Contemporary Dance Theatre (YCDT), and he previously toured nationally with Step Afrika! as a guest artist. In addition to his work as a dancer, Keomi has choreographed for The Marching 100 of Florida A&M University, RickyDanco, and the Booker T. Washington Lady Twisters. This is Keomi’s second season with the Company.
JORDIN GREENE is a DMV native and graduate of Howard University, where she earned her BFA in Theatre Arts and Dance from the Chadwick A. Boseman College of Fine Arts. She has trained in tap, ballet, jazz, contemporary, hip-hop, Horton, Dunham, and Graham. Jordin is a company artist with SOLE Defined, touring nationally to stages including The Lincoln Center and The Kennedy Center. She has also performed works by choreographers such as Darrell Moultrie, Hope Boykin, Tommie Waheed, Janice Rosario, Royce Zackery, and Brian Flynn of Roult Dance Company. Jordin is grateful for the opportunities she has had thus far and looks forward to a bright future in theatre and dance.
KAMALA HARGROVE is a native of the Bronx, NY, with a BA in Mathematics, Theater, and Dance from Trinity College. Kamala studied at The Ailey School and Dance Theatre of Harlem and has appeared in various music videos and live performances. She has performed with artists including Estelle, Mr. Vegas, Wizkid, and French Montana. Kamala has also worked as a Teaching Artist in New York City, instructing elementary, middle, and high school students. This is Kamala’s third season with the Company.
LIONEL D. LYLES II, born in Boulder, Colorado, graduated from Morgan State University in 2002 with a major in music education. He founded The Lionel Lyles Quintet, which released its first album, The September Sessions, in 2006. Afterward, Lionel pursued a Master of Music in Jazz Studies with a focus on Saxophone Performance at North Carolina Central University, graduating in 2008. While there, he studied with renowned jazz artists such as Branford Marsalis, Joey Calderazzo, Jimmy Heath, Roy Hargrove, and Brian Horton. The Quintet has since produced three albums: The September Sessions (2006), At The Precipice (2014), and Simplistically Complex (2019). Lionel received multiple honors, including Best Jazz Tenor at the Washington City Paper’s JAZZY Awards in 2015 and Best Performing Artist across all genres in 2016. Lionel is currently the Director of Jazz at Morgan State University, where he continues to perform, teach, and inspire through his dedication to jazz and education.
TERRENCE JOHNSON is a native of Broward County, FL, with a BA in General Studies from the University of Central Florida. Terrence has stepped with ADIMU: Men of Excellence Step Team and is a co-founder, former president, and performer of the Hazard Step Team. He was inducted into the UCF Chapter of Progressive Black Men, Inc. in 2015. This is Terrence’s second season with the Company.
CONRAD R. KELLY II is a native of Fort Lauderdale, FL, who studied Criminal Justice at Florida A&M University. During his time at FAMU, he performed with the Marching 100 and The Strikers. Conrad later became a soloist for The Rolle Project in Las Vegas and a dance instructor at Studio 305, where he taught hip-hop, contemporary, and jazz. He has won numerous awards as a choreographer and dancer, including being a two-time recipient of the DC Commission on Arts and Humanities’ prestigious Arts and Humanities Fellowship Program. A long-standing member of the Company, Conrad serves as Step Afrika!’s Assistant Artistic Director and recently choreographed The Movement, an epic tribute to Black Lives Matter and the wave of activism in 2020. This is Conrad’s eighth season with the Company.
JEMEEMA S. MONTROSE is a native of Brooklyn, NY. She attended ASA College, where she studied Health Information Technology. Jemeema is a proud member of Swing Phi Swing Social Fellowship, Incorporated, and has served as the Chair Facilitator of the National Step and Stroll Committee. She has led performances on numerous college campuses across the country, and Jemeema has also served as a step coach for middle and high school students. This is Jemeema’s second season with the Company.
ABDOU MUHAMMAD, a Washington, D.C. native, began studying West African drumming at the age of two. Known by the stage name “CleanHandz” for his precise and clean drumming sound, Abdou is a dedicated ethnomusicologist committed to preserving music within its cultural context. His expertise spans performance, research, and education, with a focus on West African culture. Abdou has collaborated with numerous African dance companies in the DMV area, including African Heritage Dancers & Drummers, Kankouran West African Dance Company, and Farafina Kan. He has performed at venues such as BAM, The Kennedy Center, Howard University, and the Paramount Theater in Texas (now Stateside Theater), as well as museums and universities across the nation. As the founder of Takes a Village Learning Services, Abdou continues to share his extensive knowledge and skills with learners worldwide COMPANY BIOS
COMPANY BIOS
ISAIAH O’CONNOR is a native of Miami, FL, with a BS in Biology from Florida Agricultural and Mechanical University. A student of hip-hop, modern, and urban soul, Isaiah has previously stepped with the Strikers Dance Troupe under the direction of Shepiro Hardemon. This is Isaiah’s third season with the Company.
KEANU POWELL is a native of Decatur, GA, with a BBA in Management from Howard University. While at Howard, Keanu became an active member of Phi Beta Sigma Fraternity, Inc., serving as 2nd Vice President and Step Master. He is also a member of Kappa Kappa Psi National Honorary Band Fraternity, Inc., through the Eta Omega Chapter, and served as Drum Major for the 2021-2023 seasons. Keanu was prominently featured on Good Morning America representing Howard University. He has also performed nationally with Howard’s band at major events, including Nike Headquarters and the inaugural NBA HBCU Classic. This is Keanu’s second season with the Company.
BRITTNY SMITH is a native of Houston, TX, who began her professional career as a child actor in national television commercials (Shell, Kraft, Hi-C). She went on to perform as a Southern University Dancing Doll and an NBA dancer before signing a major label recording contract with Matthew Knowles. A two-time graduate of Texas Southern University and member of Alpha Kappa Alpha Sorority, Inc., her performance career spans film (Stomp the Yard 2), national and international touring with Step Afrika!, and the Broadway stage. Brittny has toured with Tina: The Tina Turner Musical, Ain’t Too Proud: The Life and Times of The Temptations, and starred as Donna Summer in Summer: The Donna Summer Musical.
ERICKA STILL is a native of St. Petersburg, FL, with a BS in Health Science, Pre-Occupational Therapy, and a Minor in Rehabilitation Management from Florida A&M University. Ericka previously stepped with AKAdemy Exquisite Gems and studied under the direction of Paulette W. Johnson and Shepiro Hardemon as a member and Co-Assistant Artistic Director of Mahogany Dance Theatre. This is Ericka’s third season with the Company.
COMPANY BIOS
SPECIAL GUEST
PELHAM WARNER JR . is a native of the Bronx, NY, and has a BA from Dutchess Community College. Pelham is a member of The Order of the Feather Fraternity, where he served as the team’s Step Master and captain for five years, and has previously danced with The Players Club Steppers. Pelham has worked as a dance instructor in the greater New York City area and recently performed in the a cappella musical The Movement by Kathy D. Harrison at The National Black Theater Festival. This is Pelham’s sixth year with the Company.
ROBERT WARNSLEY is a native of Chicago, IL, with a BS in Information Technology from Illinois State University. A member of the Eta Tau chapter of Alpha Phi Alpha Fraternity, Inc., Robert served as the step and stroll master for four years and has organized, competed in, and placed first in numerous step shows. He partnered with the Boys & Girls Clubs of America, where he routinely taught students how to step, and he actively participates in community service projects in Chicago. Robert also studies, practices, and teaches dancehall and various Afro styles in the Chicagoland, DMV, and NYC areas. This is Robert’s sixth season with the Company.
ASHLEY TÁMAR, known as the muse & protégé of Prince, gained notoriety for co-writing their Grammy-nominated duet “Beautiful, Loved, and Blessed.” A Hollywood Music in Media Award Recipient for Best New Song in New Media, Ms. Davis is a Music Supervisor for various television/ film projects: “Ladies First: The Women in Hip Hop” (NETFLIX),” “Trap Jazz” (HULU), “Three Ways” (HULU), “Cherish the Day,” (Season II/OWN), “That Damn Michael Che,” (HBO MAX) and most recently, a music composer for various television shows, with the title recording on Season III’s “The Proud Family” (Disney). Ashley also performs with the Stewart Copeland Orchestra and is a featured soloist on the “Police Deranged for Orchestra” album. Ashley now adds Professor to her title as an Adjunct Professor teaching Music Publishing at Houston City College. Securing her jaw-dropping artistic career, Ashley has graced the Walt Disney Hall stage with the LA Philharmonic, guest starred in both “Chippendales” (HULU) and “BRUH” (BET+), receiving raved reviews in Broadway classics: “Waitress,” Ain’t Misbehavin,” “Motown the Musical,” and “A Night with Janis Joplin” where she was nominated as Best Featured Actress. Ms. Davis is an alum of University of Southern California’s Thornton School of Music and the author of two edutainment books and workbook: “100 Careers to Know in Film and Television” (August 2024) and “100 Things to Know as an Independent Music Artist.” With four independent albums released, displaying jaw-dropping performances on NBC’s “The Voice,” Ashley is internationally recognized for her tear-jerking performances in numerous Tyler Perry/Lionsgate productions. Though music is a conduit for reaching people through song, Ashley Támar has successfully initiated various community outreach projects: The Syren Arts Academy, the College, Career, and Empowerment Summit, the Támar Talks Podcast and DocFest. Ashley has performed an 11-city national tour “Támar featuring Prince” as well as on Good Morning America, Saturday Night Live, the NAACP Image Awards, the BRIT Awards and has been featured in numerous magazines such as Glamour, Billboard, PEOPLE, and VIBE
