SOPHIA OCAMPO
MY PHILOSOPHY.
Sophia Ocampo is a Savannah College of Art and Design graduate with a BFA in Interior Design with two years of experience as a former Junior Interior Designer at Rees Roberts + Partners in Tribeca, New York City. She enjoys both the creative and analytical process of design to discover innovative design solutions for both residential and hospitality spaces. Her hobby of film photography has played a significant role in her design journey by providing her with a unique perspective to view spaces in a cinematic manner. It has trained her eye to capture the true essence and moments in spaces, which is translated in her body of work where she aims to enhance and elevate mundane experiences and interactions of interior spaces through human-centric and empathic design.
SOPHIA OCAMPO Interior Design Resume CONTACT 0917.179.0431 sophiaaocampo@gmail.com www.linkedin.com/in/ sophiaocampo
EDUCATION Savannah College of Art and Design B.F.A in Interior Design
SKILLS
SOFTWARE AutoCAD Revit Lumion Enscape Adobe Photoshop Adobe InDesign Adobe Illustrator Bluebeam
PROFESSIONAL Critical thinking Active listening Collaboration Conceptualization Time management Open minded Flexible
LANGUAGES English Filipino
DESIGN EXPERIENCE RRP (Rees Roberts + Partners) Junior Interior Designer | New York, New York August 2024 - June 2026 • Oversaw projects from the design phase to installation of high-end projects in Maine and New York City. • Collaborated with Steven Harris Architects and Fogarty Finger across all design phases on separate projects. • Sourced FF&E for client proposals and meetings. • Worked closely with furniture makers to fabricate custom pieces. • Managed procurement operations using Studio Designer for proposals, invoices, and orders. • Utilized AutoCAD to draw and develop furniture plans, elevations, and shop drawings to communicate design intent for millworkers and furniture makers for custom furniture pieces. • Utilized Photoshop for 2D elevation and plan renderings for client presentations. • Utilized InDesign to create room boards for proposed selections during client meetings. • Utilized Bluebeam to redline DFAs (Drawing for Approval). • Assisted with the public relations of the firm by submitting current projects for notable design awards, and created writeups for the firm’s features for Jouffre and 1st Dibs.
Daniel Romualdez Architects Interior Design Intern | New York, New York June - July 2023 • Utilized Photoshop to render floor plans and elevations of a residential project in Maine. • Produced design sheets and material cover sheets using InDesign to communicate creative vision alongside the actual pieces and executional details being proposed for client meetings. • Utilized AutoCAD to revise and update furniture measurements and placements in floor plans for a townhouse in New York and a residential home in the Bahamas. • Created material boards utilizing proposed finishes, fabrics, and inspiration images. • Visited showrooms to drop-off and pick up samples, and assisted the project supervisor in vendor meetings.
Pablo R. Antonio Design Consultancy, Inc. Interior Design Intern | Manila, Philippines January - February 2019 • Collaborated with different warehouses such as Felport International Marketing, Spectrum by Larry’s, and Diamond Concept, Inc. to research on their specialized products and learn how to appropriately apply it in a space. • Created 20+ sample tile boards for Felport International Marketing, Inc. which were sent out to architects and interior designers. • Participated in meetings for both residential and commercial on-site projects to gain a better understanding of the conceptualization and flow of interior design projects.
LICENSES & CERTIFICATIONS • Adobe Certified Professional in Visual Design Using Adobe Photoshop 2022-2027
AWARDS • Summa Cum Laude 2024 • SCAD Academic Scholarship 2019-2024 • SCAD Achievement Scholarship 2019-2024 • SCAD Dean’s List 2019-2024
ACTIVITIES • The Frick Collection Young Fellows Member 2025-2026 • Outstanding Capstone Nominee 2024 • Capstone Research Nominee 2024 • ASID Fellows Senior Thesis Gallery Exhibitionist 2024 • ASID Student Member 2024 • Tau Sigma Delta Honor Society President 2023-2024 • Tau Sigma Delta Honor Society Treasurer 2022-2023 • Parsons School of Design The New School Certificate Program, Introduction to Basic Drafting 2020 • The New York School of Interior Design Pre-College Program,
UPPER EAST SIDE APARTMENT project type
residential
project phase
installed and completed in september 2025
completion time
2 years
softwares used
autocad | adobe photoshop
Site
Upper East Side, New York, USA
Interiors
Rees Roberts + Partners (RRP)
Architecture
Steven Harris Architects
3D Renders
Alden Studios
Project Description The three bedroom apartment is located in the Upper East Side in between Park and Lexington Avenue. The space was designed to showcase the clients’ art collection featuring Alex Katz among other notable artists, while complementing the warm European midcentury interior style.
Involvement in the Project As a Junior Designer at RRP (Rees Roberts + Partners), my role included sourcing FF&E for client proposals, drawing floor plans and elevations in AutoCAD while working collaboratively with Steven Harris Architects and contractors, creating 2D elevation renderings on Photoshop for client presentations, developing client presentations on InDesign, procurement managing on Studio Designer, overseeing on-site installation, and punch listing for post-construction.
AREAS
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LAUNDRY ROOM CLOSET
PBR BATH
T 212.587.3371 www.rrp.nyc
HALLWAY
FURNITURE PLAN 109 E 79th St, New York, NY Scale: 3/16"=1'-0" 08/28/2025
OFFICE
120 Chambers Street New York NY 10007
WORK
ELEVATOR
INTERIORS | LANDSCAPE
SCOPE
KITCHEN
RRP
MMON
OFFICE BATH
FOYER
DINING ROOM
GBR BATH GUEST BEDROOM
POWDER ROOM
LIVING ROOM
PRIMARY BEDROOM
Within the open great room, the custom TV lift console acts as the visual divider between the living and dining spaces. The lift has identical sides with custom ceramic panels by William Greaves adding a layer of texture to the custom piece against the dark wenge wood.
VIEW FROM THE DINING ROOM
VIEW FROM THE LIVING ROOM
LIVING ROOM
Nobilis Shima curtain fabric
Plastered painted wall
Pierre Frey Teddy Mohair in Cyclone
PRIMARY BEDROOM Striking a strong sense of hierarchy, the custom wooden headboard serves as a backdrop to the bed, nightstands, and gold murano lamps. Moreover, the teal mohair fabric on the pair of slipper chairs create rhythm and visual interest by complementing the warm toned color palette on the east wall.
PRIMARY CLOSET Playing with the idea of contrast, the closet doors are clad in beige palm fiber, set against dark wooden frames and a rich rust colored Beauvais area rug. In addition, the irregularly shaped closet hardware and flushmount seamlessly tie the space together showcasing its sculptural quality.
Urban Electric Yves Flushmount
Nanz Hardware Nº 88851 knobs in custom burnished nickel finish
BAS Stone Blue Roma Quartzite
The Caryle Collective Chiaro Scuro Sconce
POWDER ROOM The powder room’s walls and countertop are cladded in BAS Stone’s Blue Roma Quartzite showcasing its light blue tones with white, gray, and rust veins creating movement in the space. The brushed brass finish of The Carlyle Collective’s Chiaro Scuro sconces complements the rust veining of the stone, creating a harmonious dialogue between the warm metallic accents and the natural hues of the quartzite.
OFFICE The Philip Jeffries Manila Hemp wallpaper in graphite and the gray linen sunblinds set a dark moody tone to the interiors, while adding a layer of visual texture. In addition, the light wood quality of the custom JMF inspired desk contrasts the rich colors evident on the walls and the burgundy Beauvais area rug creating visual rhythm and dynamism.
Philip Jeffries Manila Hemp Wallpaper in Graphite
Linen sunblinds
Beauvais custom area rug
HALLWAY
SAINT MARK’S PLACE OFFICE project type
commercial
project phase
construction documents
completion time
1 year - set to install in december 2026
softwares used
autocad | adobe photoshop
Site
East Village, New York, USA
Interiors
Rees Roberts + Partners
Architecture
Fogarty Finger
3D Renders
Alden Studios
Project Description The office space is located in the heart of the East Village occupying the sixth and seventh levels of the commercial building. The client, who is an avid art collector, drew inspiration from the art galleries in Chelsea. He envisioned the office to exude a minimal yet functional atmosphere centered around midcentury modern design while ultimately creating a conducive working environment for his team.
Involvement in the Project As a Junior Designer at RRP (Rees Roberts + Partners), my role included sourcing FF&E for client proposals, drawing floor plans and elevations in AutoCAD while working collaboratively with Fogarty Finger and contractors, developing client presentations on InDesign, and procurement managing on Studio Designer.
LEVEL 6 FURNITURE PLAN
LEVEL 7 FURNITURE PLAN
WC
WC OFFICE A
LOBBY
WC
JANITOR’S CLOSET
LIBRARY & KITCHEN
ADMIINSTRATOR’S OFFICE
WC
KITCHEN & LOUNGE
JANITOR’S CLOSET
OFFICE B STORAGE
MOTHER’S ROOM
PRINTING ROOM WORKSTATIONS
WORKSTATIONS
OWNER’S OFFICE
MEETING ROOM
BOARDROOM
BALCONY
OFFICE C
OFFICE D
BOARDROOM
LOBBY ENTRANCE Upon arrival, a clear hierarchy is established through the arrangement of the lounge seating and reception area, allowing the reception desk to stand out as the focal point. The shared materiality of the reception desk and lounge chairs creates a sense of unity, tying the space together. In contrast, the occasional table by Poul Kjærholm introduces a layer of visual texture through its concrete and steel construction, juxtaposing these industrial materials against the refined wood finishes and plush upholstery.
LEVEL 6 & 7 CONFERENCE ROOM The space demands strong balance as the Pierre Jeanneret inspired rectangular table is centered in the space with mirrored Brno Tubular chairs by Mies van der Rohe on either side. In addition, a play of contrast is evident between the textured woven sisal rug against the smooth wooden table and mohair desk chairs.
LEVEL 6 & 7 WORKSTATIONS The open-concept workstations are flanked by floorto-ceiling windows overlooking the city, allowing natural light to fill the space while black shutters provide control over sunlight and glare. The layout is defined by two parallel rows of inspired Slip Together Plywood Architecture Tables by Donald Judd, which highlight form and functionality with integrated under-desk storage. The workstations are paired with Eames Soft Pad Management Chairs to provide ergonomic comfort.
LEVEL 6 KITCHEN & LIBRARY Balancing form and function, the sixth-level kitchen and library share an open space for meal preparation and lounging. The Derichs Teak Dining Armchair and Saarinen Lounge Table by Knoll provide comfortable seating, while Vitsoe’s shelving displays the book collection and complements the industrial quality of VIPP’s Stainless Steel V4 Kitchen Counter.
LEVEL 7 KITCHEN Playing with contrasts, the inspired wooden La Mansana Table by Donald Judd showcases its warm and organic wood grain texture whereas, the VIPP’s Stainless Steel V4 Kitchen Counter exhibits its cool tone and reflective quality. Unlike the intimate dining nooks on the sixth floor, the seventh floor features a more formal dining setting suited for larger groups.
OWNER’S OFFICE
GREENWICH VILLAGE TOWNHOUSE project type
residential
project phase
installed and completed in july 2026
completion time
5 years
softwares used
autocad | adobe photoshop
Site
Greenwich Village, New York, USA
Interiors
Rees Roberts + Partners
Architecture
Steven Harris Architects
Project Description The four-story townhouse in Greenwich Village reinterprets tradition by blending midcentury modern design with classical French selections. The space exhibits contemporary elements, while preserving the building’s original charm allowing the design to integrate into the historic urban fabric of the downtown neighborhood.
Involvement in the Project As a Junior Designer at RRP (Rees Roberts + Partners), my role included sourcing FF&E for client proposals, drawing floor plans, elevations, and shop drawings in AutoCAD while working collaboratively with Steven Harris Architects and furniture makers, creating 2D elevation renderings on Photoshop for client presentations, developing client presentations on InDesign, and procurement managing on Studio Designer.
3 Third Level
2 Second Level
1 First Level
G Ground Level
B Basement Level
MEDIA ROOM Nestled in the basement floor, the media room creates a cozy and intimate atmosphere with its warm color palette, while exploring different textures on the walls, rug, and sofa fabric. In addition, the built-in bookshelves play with the scale of the space as it utilizes the full height of the wall.
Sofa inspiration
Wallpaper
Area rug
Sofa fabric
LIVING ROOM The space preserves the original charm of the townhouse, while reinventing it with a collection of both old and new pieces creating a layered and lived in feel. The living room is divided by the central Charles Zana Alexandra sofa, creating formal and informal living areas. Above the original fireplace is a mirrored cabinet where the TV is situated thus allowing the TV to be concealed when not in use.
Charles Zana Alexandra sofa and Calanque Table
Area rug
PRIMARY BEDROOM Emphasizing texture and form, the plaster Alexandre Biaggi Loge Bird chandelier blends into the pink plaster walls, creating a sculptural extension of the surface while allowing the brown color palette to stand out. Meanwhile, the Jean Royère inspired sofa divides the space into distinct bedroom and lounge areas.
Jean Royere Sofa inspiration
Area rug
Sofa fabric
HER DRESSING ROOM The light millwork finish and the white plaster on the Nacelle Chandelier by Alexandre Biaggi serve as a neutral backdrop to provide emphasis on the central custom island dresser’s red lacquer and antique mirror finishes.
CHARLOTTE’S BEDROOM Leaning into the traditional French style, Charlotte’s bedroom achieves visual dynamism through the play of textures and patterns from the area rug’s floral motifs, geometric shapes on the desk chair’s linen fabric, and the organic pattern on the custom burl wood desk.
LEASON’S BEDROOM Embracing the midcentury modern style, Leason’s bedroom showcases rigid geometry and silhouettes such as the custom bedframe, nightstands, and the Vintage Jens Risom solid wood desk. Whereas, the area rug and bed fabric softens the overall space focusing on symmetry and hard edged forms.
Jens Risom Solid Wood Desk
Area rug
Custom bed fabric
THE PROBLEM Rural and economically disadvantaged regions, like Barangay Bankerohan 5-A in Davao City, Philippines, lack readily available and free public third spaces. Due to the limited disposable income of informal settlers from Barangay Bankerohan, they often spend their time outdoors, along streets and alleys, as the few accessible third places like cafes and malls require financial purchases.
KATIG project type
civic
square footage
12, 840
completion time
20 weeks
softwares used
revit | adobe photoshop | adobe indesign
Site
Mercado Dos, Barangay Bankerohan, Davao City, Philippines
Client
Project for Public Spaces
Users
Barangay Bankerohan 5-A Informal Settlers
Project Description The community center aims to define a third place for informal settlers by providing free and publicly accessible spaces and services for the community to reach their maximum potential as individuals, thereby allowing them to gain a deeper purpose in life beyond home and work, while equipping them with sufficient skills to become active members of society and gain upward social mobility. Overall, the space aims to foster a sense of community, belongingness, and self-dignity.
PROJECT GOALS To utilize third place theory and the idea of placemaking to define third place for low-income communities.
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Provide free and publicly accessible spaces for the community to reach their maximum potential as individuals.
02
Equip individuals with sufficient skills to become active members of society and gain upward social mobility.
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Foster a sense of community, belongingness, and self-dignity.
04
Provide a space that allows personal and community growth through social interactions and connections.
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Barangay Bankerohan 5-A is one of the largest informal settlement neighborhoods in Davao City. The surroundings of the site includes a neighborhood with wet and dry public markets.
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Mercado Dos, Dato Bagu Drive, Barangay Bankerohan 5-A, D avao Cit y, Davao del Sur, Philippines.
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KATIG (outrigger) // c on c ept Just like how outriggers allow boats to glide and sail, and prevent them from tipping over, the space aims to provide stability and balance; thus, navigating the community to the right course of their life by addressing the community’s daily tides and hurdles through free and accessible services. Clustered double-leveled spaces, layers with rigid geometric boundaries, and traditional Filipino lateral support systems contribute to vertical reinforcement and circulation that encapsulates the idea of stabilization. Ultimately, users are able to claim ownership over the space and inherently gain control over their lives, which would allow them to foster socialization, while gaining a sense of belongingness, security, and self-dignity.
1/ RETAIL 2/ BAMBOO WEAVING WORKSHOP 3/ COMMUNITY GARDEN 4/ OPEN CAFE & LIBRARY 5/ MAIN ENTRANCE
Roof
6/ OPEN KITCHEN 7/ GRAB ‘N’ GO PREP AREA 8/ GRAB ‘N’ GO 9/ GENDER NEUTRAL W.C. 10/ ADA GENDER NEUTRAL W.C. 11/ STORAGE ROOM
Shade sail
12/ PLAYGROUND 13/ LOCKER AREA 14/ JANITOR’S CLOSET
Poles
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Floor plan
NET FROM PARAW
NET FROM PARAW
S MA L L EYEL ET FIS HING NETS WITH L AYER ED NETS
MAIN ENTRANCE The main entrance of the space utilizes draped teal fishnets for the ceiling design, which creates a stark contrast between the monochromatic brown and neutral colors of the space. The idea of utilizing fishing nets was derived from the concept of katig as the paraw boats with bamboo outriggers typically have bamboo frames with nets to allow people to sit on the sides of the boat.
BAMBOO WEAVING WORKSHOP The workshop allows users to gain skills from the local arts and crafts of the Philippines. Funds earned will serve as pocket money to help those who contributed in making the products. Ultimately, the workshop is aimed at creating meaningful connections between members of the community to bond, share ideas, and impart knowledge to create deeper ties within the community.
B A MB O O CEILING PAT TE RN
COMMUNITY GARDEN The community garden aims to allow users to socialize, while gaining free access to food. The community effort to take care of each other and grow crops together creates a sense of belongingness.The community garden applies the idea of placemaking where community members are involved in building their community.
OPEN KITCHEN The open kitchen is aimed at providing a space for families who are in need of a place to cook. The idea of contributing to the free food in the facility for other members will provide the users a sense of community as they are working together towards a common goal.
B U I LT - I N C O O KI N G AREA W I T H T RAD I T I O N AL C O O KI N G C L AY P OT STOV ES F O R M EAL S
B U ILT - IN P R E P A R E A FOR COOKED MEALS, W H IC H C O N N E C T TO G R A B N G O A R E AS IN T H E C O M M U N IT Y GARDEN
Tactile Walls Climbing area
Net
Storage and huddle area
Slide and ball pit Crawl tunnel Huddle space
Storage
Crawl tunnel
Ball pit
PLAYGROUND The clustered and open double stacked spaces in the playground further reinforces the idea of rigid geometry and layers to visually and figuratively exhibit support and stability--katig. The playground aims to provide a safe and secure play environment for children who resort to playing in the streets and alleys.
Crawl tunnel
BA MBO O
C A PI Z SHE LL B A M B OO
C A P I Z SH EL L
MOVEA BL E D IVID ER S
LO C K A BL E WHEEL S HU D D L E S PAC E BO O KS HEL F
O PEN S PAC E FO R D INING TA BL ES
MODULAR LIBRARY WORKIN-PROGRESS RENDER
IND IVID U A L WO R K C U BIC L ES W/ C O MPU TER S
OPEN CAFE & LIBRARY Main spaces in the facility are originally opened with exposed ceilings and no walls. However, the open cafe and computer laboratory spaces are defined by a major modular piece that creates the library bookshelf and computer area. Moreover, the modular furniture which defines the two spaces has the ability to be disassembled and moved around. Its open and transformable quality aids in allowing the large space to be used for other purposes such as community meetings, festivals, and relief & evacuation operations during typhoons, thus, serving as a multi-functional space.
WARBY PARKER HQ project type
workplace
square footage
7, 900
completion time
10 weeks
softwares used
revit | lumion | adobe photoshop
Site
230-240 W. Broughton St., Savannah, Georgia, 31401
Client
Warby Parker
Users
Warby Parker employees
Project Description The project is a two level workplace design for Warby Parker’s new headquarters in Savannah, Georgia. The space aims to provide a conducive workplace for employees to gain optimal focus and productivity through the idea of an ellipsis–steadfast and forward thinking, which is evident throughout the circulation and lighting design of the space.
ELLIPSIS //concept Ellipsis is often used to omit words or phrases, but it is also used to trail off thoughts or to connect sentences-not providing a full stop or closure, which indicates the idea of the future. Warby Parker is an Ellipsis-they are trailblazers, and they are pioneers who opened opportunities for affordable eyewear. Much like an Ellipsis connecting sentences and suggesting the future, the space will connect spaces through unique circulations ard pathways achieved by wayfinding and lighting Thus, this would create a conducive space for collaboration and allow individuals to embody the idea of forward-thinking and innovation.
Nothing behind me, everything ahead of me, as is ever so on the road. - Jack Kerouac
WORKSTATIONS HOTELING STATIONS PRIVATE OFFICE
RETAIL
PRIVATE OFFICE
SMALL CONF.
ACCOUNT MANAGERS
FIRE STAIR 1
FIRE STAIR 1
HUDDLE AREA
FIRE STAIR 2
FIRE STAIR 2 COPY AND PRINT
COPY AND PRINT
LOBBY
ACCOUNT MANAGERS
HUDDLE
HUDDLE
LARGE CONFERENCE GENDER NUETRAL RESTROOM GENERAL STORAGE
PRIVATE OFFICE
GENDER NUETRAL RESTROOM
PRIVATE OFFICE
HR WORKSTATION LOCKERS
BICYCLE STORAGE
FILE ROOM
PRIVACY ROOM
MULTI-PURPOSE AREA OPEN CAFE AND BREAK AREA
COPY AND PRINT
SMALL CONF.
HOTELING STATIONS HUDDLE
PRIVACY ROOM
HUDDLE AREA
LEVEL 2 FURNITURE PLAN
LEVEL 3 FURNITURE PLAN
BREAK AREA AND LOUNGE
MAIN CAFE
LOBBY OFFICE
OPEN CAFE
The floor plan displays a circular circulation with an indication of no end, which ties back to the concept of the future and forward thinking. The cove lighting further reinforces the concept of ellipsis by mirroring the circulation on the ceiling.
LOBBY ENTRANCE The lobby envelopes the entrance of the space through its circular reception, which welcomes employees and guests into the space.
STAIR SECTION The stair section displays the huddle space beneath the stairs for employees to relax, unwind, or even brainstorm with their colleagues. The cartoon wallpaper is used to further exhibit Warby Parker’s fun, quirky, and adventurous traits.
ACCOUNT MANAGERS OFFICE
LOUNGE & MULTI-PURPOSE AREA The lounge offers a homey living room set-up for the employees to provide a comfortable break area. In addition, the multi-purpose area will be used to host company-wide functions, informal meetings, and the like with its moveable projector screen and white boards for ideation and brainstorming.
OPEN CAFE Aside from providing dining options, the space also offers games, and street views of Broughton street. The natural light from the windows aid in creating a conducive space for improved focus and productivity.
HERMAN MILLER ACTION OFFICE DESK
STEELCASE SERIES 1 CHAIR
Private cubicles were utilized for the account managers workstations. This type of workstation includes taller partitions between desks to provide more privacy for the users. Due to the work handled by account managers, private cubicles are appropriate for their everyday tasks in the office. Moreover, the semi-open workstation allows the account managers to oversee the call center employees assigned to them.
LOOM project type
hospitality
square footage
3, 914
completion time
4 weeks
softwares used
revit | lumion | adobe photoshop
Site
Château de Lacoste, Provence-Alpes-Cote D’Azur, France
Client
Celebrity Cruises
Users
Celebrity Cruises guests, Lacoste tourists & locals
Project Description Loom is a port of call destination of Celebrity cruises located on a hill, but deep in a quarry in the proximity of Château de Lacoste. The quarry is cladded in limestone with varying levels and heights, which allows the site to be used for community festivals and gatherings. Moreover, the Luberon Valley is known for its wine, art and textiles.
LOOM //concept Taking inspiration from a Loom, the space fosters meaningful connections between visitors, and local artists and crafts. Provence has a rich and beautiful history of textile art that the space brings to life in an experience that surrounds and guides the guest. Thus, the act of weaving symbolizes and celebrates the seamless immersion in Provence with every user becoming one with the community.
The site functions as the loom that weaves the locals and tourists into the culture of Lacoste, Provence. The idea of creating an immersive loom is incorporated through the structural columns that act as the spool for thread, and the user journey of the visitors. The thread around the columns and throughout the site indicate the different looming stages. Ultimately, this is aimed at imparting knowledge on local textiles, while celebrating it through an immersive installation experience.
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1/ GARDEN MAZE 2/ FABRIC INSTALLATIONS 3/ LOCAL WEAVER 4/ RETAIL 5/ WINE AND WEAVE 6/ DINING EXPERIENCE 7/ BAR & LOUNGE 8/ KITCHEN 9/ W.C.
ENTRANCE
GARDEN MAZE INSTALLATION
ENTRANCE & GARDEN MAZE INSTALLATION Guests are welcomed by the open architecturally-made threads of fabric that guide them through the Garden Maze Installation. The marble spools, which serve as columns, showcase the different looming stages and techniques, and its unique local textiles of Provence. After visiting all stages of the Loom, the users will discover a live local artist weaving at the center; ultimately, to celebrate Provence’s textiles, and to symbolize the immersion of guests becoming one with Lacoste’s tight-knit community as the site figuratively serves as the Loom that brings guests and locals together.
WINE & WEAVE The Wine & Weave workshop allows guests to internalize their journey through the maze by learning looming techniques and methods from local loom weavers to create customized textiles, while enjoying a glass of local wine. The wooden shelves aim to mimic individual thread, and the shelves at the center are meant to case the local provencal wine. Lastly, the ‘X’ design responds to the branding of Celebrity Cruises.
RETAIL The Retail store offers local provencal textiles, fabrics, and colored threads as souvenirs to support the local business. The color palette of the retail shop is inspired by the colors of provence, and the flooring utilizes local terracotta to provide an authentic provencal ambiance for guests.
BAR & LOUNGE The Bar and Lounge area allows users to appreciate views from the top of the Loom, while enjoying local provencal wine. In addition, the custom wine holder at the bar was designed to mimic individual loom threads, which creates an ‘X’ that responds to Celebrity Cruises logo and branding.
DINING EXPERIENCE The Dining Experience transports the intimate dining setting that is commonly found in local provencal homes to the site. Through this, it allows guests to experience the hospitality and authentic provencal family experience while having a meal, and gain a home away from home.
Wallpapers and fabric are inspired by local textile patterns to create an authentic provencal experience for guests.
MY HAND The still life drawings were completed during draw foundation classes using graphite, charcoal, and soft pastels. Ultimately, the drawings achieved the play of dark and light contrast, texture, color, and composition through realistic hand-rendered techniques.
Texture and Contemporary Composition Soft pastel on Canson paper 16.50 inches x 23.40 inches
Theme: Aged Soft pastel on coffee stained watercolor paper 16.50 inches x 23.40 inches
Student-oriented still life Soft pastels and charcoal on Canson paper 16.50 inches x 23.40 inches
Bell Pepper Sections Graphite on Bristol Paper 11 inches x 17 inches
LET’S KEEP IN TOUCH! 0917.179.0341 sophiaaocampo@gmail.com www.linkedin.com/in/ sophiaocampo