445 Collective - IAD Final Major Project

4 4 5 COLLECTIVE 31 G O O S E GAT E - 44 CO LLE CTIVE x F IVE LE AVE S BO O KSHOP

SONYA YIM (N0750140)

CONT EN TS 4

MANIFESTO 44 COLLECTIVE x FIVE LEAVES BOOKSHOP

5

3 1 G O O S E G AT E

6

SITE PLAN

7

S I T E A N A LY S I S

8

ETHNOGRAPHIC STUDY

9

THE CLIENTS

10

WHO IS 44 COLLECTIVE?

11

FIVE LEAVES BOOKSHOP - PUBLISHING PROCESS

12

HYBRID BRAND IDENTITY DEVELOPMENT

13

HYBRID LOGO DEVELOPMENT

14

HYBRID LOGO COLOUR DEVELOPMENT

15

DESIGN DEVELOPMENT

16

MATERIALITY

17

BUILDING USE INITIAL SKETCH

18

BUILDING USE PLANNING

19

BUILDING USE DIAGRAM

20

TECHNICAL STUDY

21-22

PROPOSED DESIGN: STRUCTURAL SYSTEM

23-34

PROPOSED DESIGN: MEZZANINE 1:20 DETAIL STUDY

25

445 COLLECTIVE

PROPOSED DESIGN: PERFORMANCE SPACE

PAG E 2 | CO N T E N TS

CONT EN TS

445 COLLECTIVE

26

ORTHOGRAPHIC DRAWINGS

27

BASEMENT FLOOR PLAN

28

GROUND FLOOR PLAN

29

FIRST FLOOR PLAN

30

SECOND FLOOR PLAN

31

ROOF FLOOR PLAN

32

BRIGHTMOOR STREET ELEVATION

33

GOOSE GATE ELEVATION

34

BRIGHTMOOR STREET SECTION AA

35

GOOSE GATE SECTION BB

36

EXPLODED ISOMETRIC

37

VISUALS

38

EXTERNAL VISUAL - TWO POINT PERSPECTIVE

39

INTERNAL VISUAL - PERFORMANCE

40

INTERNAL VISUAL - ENTRANCE

41

INTERNAL VISUAL - WORKSHOP

42

MODELS

43-46

FINAL 1:100 SITE MODEL

47-48

FINAL 1:20 SECTIONAL MODEL - BASEMENT

PAG E 3 | CO N T E N TS

4 4 CO L L E CT I V E x F I V E L E AV E S B O O KS H O P M A N I F E S T O - SOCIAL AND CREATIVE INTEGRATION

L O C AT E D

IN

THE

HEART

OF

THE

C R E AT I V E

QUARTER

IN

H O C K L E Y,

NOTTINGHAM,

31

GOOSE

G AT E

HOUSES

THE

H Y B R I D I Z AT I O N B E T W E E N T W O L O C A L B U S I N E S S E S : 4 4 C O L L E C T I V E & F I V E L E A V E S B O O K S H O P . W H I L S T 4 4 C O L L E C T I V E AIMS TO SHOWCASE EMERGING ARTISTS THROUGH A MIXED PROGRAMME OF EXHIBITIONS AND EVENTS, FIVE LEAVES B O O K S H O P S E L L S A N D P U B L I S H E S I N D E P E N D E N T W R I T E R S W I T H A F O C U S O N L I T E R A R Y, P O L I T I C A L A N D S O C I A L I S S U E S .

THE

AIM

OF

THIS

DESIGN

IS

TO

C R E AT E

A

INTERACTIVE

SOCIAL

S PA C E ,

HIGHLIGHTING

THE

TWO

BUSINESS

M A N I F E STO ’ S . B R I N G I N G TO G E T H E R A R T I STS A N D W R I T E R S , H O U S I N G A T H O U G H T F U L A N D I N T E R A C T I V E S PA C E F O R C R E AT I V E S T O B E I N S P I R E D B Y T H E C I T Y O F N O T T I N G H A M .

I N T E G R AT I N G A R T A N D L I T E R AT U R E T O G E T H E R ,

AIMING

T O E D U C AT E A N D I N S P I R E M E M B E R S O F T H E P U B L I C T O E N G A G E I N T H E C R E AT I V E C O M M U N I T Y O F N O T T I N G H A M .

445 COLLECTIVE

PAG E 4 | M A N I F E STO

3 1 GO O SE GATE

PAG E 5 | 3 1 G O O S E G AT E

SITE PLAN

SCALE : 1:1250

445 COLLECTIVE - 31 GOOSE GATE

PAG E 6 | S I T E P L A N

SITE A N A LYS IS

KEYS: SITE BUILDING S U N PAT H HOCKLEY

TRANSPORT ROUTES: ACCESS ROUTE BY FOOT PRIMARY ROAD A ROAD B ROAD MINOR ROAD

445 COLLECTIVE - 31 GOOSE GATE

PA G E 7 | S I T E A N A LY S I S

ETHN O G RA PHI C A N A LYSI S W AL K IN G F R OM O L D M A RKET S Q UAR E TO THE SITE I TOOK DOWN ETHNOGRA P H I C RE S E AR C H O F T HE DIFFERENT PEOP LE AND CULTUR ES I C AME AC R OSS IN NOT T IN G H AM. A ST UDY INTO T HE CULTUR E, MATER IALITY, AND AR C HITECTURE O F SN E IN TON M A RKET, LO O KING INTO THE DIFFER ENT TRANSP ORTATION R OUTE S I N A N D AR OU N D 31 GO O S E GAT E. A SER IES OF SK ETC HES AND INFOGRAP HICS W E RE PR O D U C E D I N O RDER TO CA PT URE THE AR C HITECTUR E AND MATER IALITY AS WE L L A S T H E IN T E RACT IO N BET W EEN PEOP LE AND SITE. THR OUGH COLL ATING AN D A N N OTAT IN G T HES E RECO RD INGS , A BETTER UNDERSTANDING AND P ERSONA L I N T E R P R E TAT IO N O F 31 GO O S E GATE IS AB LE TO BE P R ODUC ED.

RKET OLD MA

445 COLLECTIVE - 31 GOOSE GATE

31 GOOS E GATE

SQUARE

PA G E 8 | E T H N O G R A P H I C A N A LY S I S

TH E CLIENTS

PAG E 9 | T H E C L I E N TS

WHO IS 44 COL L E CT I VE ?

01

ACTIVATING SPACE THROUGH ART

44 COLLECTIVE AIMS TO ACTIVATE SPACE THROUGH ART. MAINLY THROUGH PERFORMANCE, AUDIO VISUAL ARTS, VIDEOGRAPHY, INSTALLATIONS AND ARTIST RESIDENCIES.

02

EVENTS

THROUGH TEMPORARY AND PERMANENT EXHIBITIONS FROM NATIONAL ARTISTS, EVENTS ARE HELD AT 44 CONTEMPORARY FOCUSING ON PERFORMANCE AND INSTALLATION BASED ART.

1.1

03

ONLINE PRESENCE

AS A CONTEMPORARY BUSINESS, 44 COLLECTIVE STAYS UP TO DATE AND CONNECTS WITH THEIR AUDIENCE THROUGH AN ONLINE PRESENCE. USING THEIR VARIOUS ONLINE PLATFORMS TO REACH OUT AND RESEARCH ARTISTS. IN PARTICULAR, WITH CURRENT COVID-19 RESTRICTIONS, 44 COLLECTIVE HAS HAD TO RELY ON THEIR WEBSITE TO CONTINUE PROMOTING AND SHOWCASING PERFORMATIVE ART.

PERFORMANCE ART

SPACES ARE PROVIDED TO PERFORMANCE ARTISTS, THAT WISH TO PHYSICALLY EXPRESS THEIR ART. A PHYSICAL PRESENTATION OF ART, ACTING, POETRY, MUSIC & DANCE.

1.2

INSTALLATION

INSTALLATIONS ARE THREE-DIMENSIONAL FORM OF ART, CURATED TO BE SITE-SPECIFIC. INSTALLATIONS ARE OFTEN DESIGNED TO TRANSFORM THE PERCEPTION OF SPACE.

2.1

ARTIST RESIDENCY

ARTIST RESIDENCIES ALLOW ARTISTS TO WORK OUTSIDE OF THEIR NATURAL ENVIRONMENT, EXPANDING THEIR PRACTICE AND CONCEPTUAL THINKING. ALLOWING THE NEW ENVIRONMENT TO INFORM THEIR PRACTICE.

3.1

SOCIAL MEDIA

SOCIAL MEDIA FORMS AN INTEGRAL PART OF 44 COLLECTIVE. THROUGH THEIR SOCIAL MEDIA PLATFORMS THEY ARE ABLE TO RESEARCH GLOBAL ARTISTS TO SHOWCASE THEIR WORK AT 44 COLLECTIVE. SOCIAL MEDIA ALSO PLAYS AN INTEGRAL ROLE IN PROMOTION 44 COLLECTIVE AS WELL AS ENGAGING WITH THE COMMUNITY.

1.3

AUDIO VISUAL

AV ART EXPLORES THE RELATIONSHIP BETWEEN SOUND AND KINETIC ART, INVOLVING A RECORDED OR LIVE AUDIO.

1.4

VIDEOGRAPHY

CAPTURING MOVING IMAGES AND TELLING A STORY THROUGH CINEMATOGRAPHY.

4 4 5 CO L L E CT I V E - T H E C L I E N TS

2.2

EXHIBITIONS

TEMPORARY AND PERMANENT EXHIBITIONS HELP TO DRAW IN VARYING AUDIENCES. ART IS DISPLAYED IN A VARIETY OF FORMATS.

3.2

RETAIL

ALTHOUGH RETAIL IS NOT A PROMINENT PART OF 44 COLLECTIVE, THERE HAVE BEEN INSTANCES WHERE ARTISTS SELL REPRINTS OF THEIR WORK.

PAG E 1 0 | W H O I S 4 4 CO L L E CT I V E ?

FIV E L EAV ES B O O KSH O P - P U B LI SHI NG P R O C E SS 00

01

IDEA DEVELOPMENT

WRITER DEVELOPS AN IDEA FOR A BOOK.

BOOK PROPOSAL & APPRAISAL

WRITER SUBMITS BOOK PROPOSAL TO A LITERARY AGENCY OR DIRECTLY TO PUBLISHER. THE SCRIPT MUST FIRST BE APPRAISED BY THE PUBLISHER

02

COPY EDITING

THE SCRIPT IS REVISED AND EDITED TO IMPROVE READABILITY, GRAMMER, SPELLING AND FACTUAL ERRORS.

03

ILLUSTRATION

I L LU ST R AT I O N S IN THE BOOK HELP TO SET THE SCENE AND BRING THE BOOK TO LIFE.

TYPESETTING

TEXT IS STYLIZED AND SET INTO TYPE FOR PRINTING.

04

MARKETING & SALES

THE BOOK IS MARKETED AND DISTRIBUTED TO VARIOUS RETAILERS. MARKETING THE BOOK GAINS EXPOSURE AND HELPS THE SALE OF THE BOOK.

PROOF READING

WRITER AND PROFESSIONAL PROOFREADERS CHECK THE SCRIPT FOR ANY FINAL ERRORS.

INDEXING

INDEX’S HELP TO CREATE A ROADMAP TO THE BOOK.

!

PUBLICATION

FINAL PRINT PUBLICATION IS RELEASED AND DISTRIBUTED TO VARIOUS STORE TO BE SOLD.

4 4 5 CO L L E CT I V E - T H E C L I E N TS

05

PROOF CORRECTION

07

PRINTING

ONCE THE SCRIPT AND ALL ILLUSTRATIONS ARE APPROVED BY THE PUBLISHER, PRINTING IS ABLE TO BEGIN.

06

FINAL CORRECTIONS ARE MADE, AND THE SCRIPT IS FINALISED READY FOR PRINT.

COVER DESIGN

VISUALS ARE CREATED FOR THE COVER. THIS HELPS TO MARKET AND SALE THE FINAL PUBLISHED BOOK. THE COVER ART IS OFTEN THE FIRST IMPRESSION OF A BOOK, AND IS THEREFORE INTEGRAL TO THE PROCESS.

PAG E 1 1 | F I V E L E AV E S B O O K S H O P - P U B L I S H I N G P R O C E SS

H Y B RI D B RAN D ID E NTITY DEVELOPM ENT

PAG E 1 2 | H Y B R I D B R A N D I D E N T I TY D E V E LO P M E N T

HY BRID LO G O D E VE LO P M E N T AS PART OF HYBRIDISING THE TWO BUSI NESSES TOGETHER, I FIRST LOOKED AT 44 COLLECTIVE AND 5 LEAVES BOOK SHOP’S EXISTING LOGO’S INDIVIDUALLY. TAKING IN THE STRONGEST PART’S OF EACH LOGO, I DE CONSTRUCTED THEN RECONSTRUCTED EACH ASPECT. AFTER RECREATED EACH LOGO FOR THE INDIVIDUAL BRANDS, I THEN LOOKED AT COMBINING THE TWO NEW LOGOS I HAD CREATED. I WANTED TO CREATE SOMETHING QUITE BOLD YET SIMPLE, EMBODYING THE BRAND IDENTITY OF ALLOWING THE ART AND BOOKS TO COME THROUGH.

OFFICIAL 44 COLLECTIVE LOGO

OFFICIAL 44 COLLECTIVE LOGO ON INSTAGRAM

5 LEAVES BOOKSHOP + PUBLICATION

REIMAGINATION OF LOGO, CREATING A MORE ABSTRACT + MODERN FORMAT

HYBRID 44 COLLECTIVE + 5 LEAVES BOOKSHOP FINAL LOGO

OFFICIAL 5 LEAVES BOOKSHOP LOGO

OFFICIAL 5 LEAVES PUBLICATION LOGO

REIMAGINATION OF 5 LEAVES LOGO, MODERNISED & SIMPLISTIC

44 COLLECTIVE + 5 LEAVES BOOKSHOP HYBRID

COMBINING THE 44 COLLECTIVE TEXT WITH THE REIMAGINED LOGO FOR 5 LEAVES BOOKSHOP

445 COLLECTIVE - HYBRID BRAND IDENTITY DEVELOPMENT

TURNING THE LEAVES INTO PAGES OF THE BOOK ALONG WITH THE 44 COLLECTIVE TEXT LOGO

PAG E 1 3 |

HYBRID LOGO DEVELOPMENT

HY BRID LO G O CO LO U R D E VE LO PM E NT RE BRANDING THE HYBRID BUSINESS AS “445 COLLECTIVE”. AS PART OF MY RESEARCH I LOOKED AT COLOUR THEORY TO DETERMINE THE PSYCHOLOGICAL EFFECTS OF COLOUR USED AND HOW IT CAN AFFECT PEOPLES EMOTIONS/MOODS. BY CHOOSING A CORE COLOUR IT ALLOWS UNITY THROUGHOUT THE DESIGN SCHEME AS WELL AS FACILITATES UTILISING EMOTIONAL ARCHITECTURE & COLOUR PSYCHOLOGY THROUGHOUT THE DESIGN. ANALYSING THE PSYCHOLOGICAL ASSOCIATIONS WITH EACH COLOUR, I HAVE DECIDED THAT BLUE WOULD BE THE BEST COLOUR TO CHOOSE AS IT EVOKES A CALM AND TRUSTING ENVIRONMENT, MAKING PEOPLE FEEL COMFORTABLE TO EXPRESS THEIR CREATIVITY AND TO SOCIALISE WITH OTHERS. RESEARCH HAS ALSO SHOWN BLUE IS THE MOST UNIVERSALLY FAVOURED COLOUR BY ALL, IT IS THE MOST APPEALING COLOUR TO THE MASS PUBLIC, MAKING PEOPLE FEEL WELCOMED WHEN COMING INTO THE SPACE. A DARKER BLUE CONNOTES MATURITY, CONSER VATIVE THEREFORE A LIGHTER MORE MUTED SHADES OF BLUE WOULD BE IDEAL.

EXCITEMENT STRENGTH LOVE ENERGY

COMPASSION SINCERITY SOPHISTICATION LOV E

CONFIDENCE

CREATIVITY

NATURE

STABILITY

SUCCESS

HAPPINESS

HEALING

PEACE

BRAVERY

WARMTH

FRESHNESS

CONFIDENCE

SOCIABILITY

CHEER

QUALITY

CALM

ROYALTY

DEPENDABLE

FORMALITY

CLEAN

LUXU R Y

TRUSTWORTHY

DRAMATIC

SIMPLICITY

WISDOM

RUGGED

SOPHISTICATION

INNOCENCE

AMBITION

SIMPLE

SECURITY

HONEST

445 COLLECTIVE - HYBRID BRAND IDENTITY DEVELOPMENT

FINAL LOGO CHOSEN

PAG E 1 4 | H Y B R I D LO G O CO LO U R D E V E LO P M E N T

DE S I GN D EV ELOPM ENT

PAG E 1 5 | D E S I G N D E V E LO P M E N T

MATE RIA L ITY KEEPING MOST OF THE EXISTING MATERIALITY OF THE ORIGINAL BUILDING TO MAINTAIN IT’S AUTHENTICITY. THE MATERIALITY CHOSEN IS COMPLIMENTARY TO THE ORIGINAL BRICK STRUCTURE, USING RECL AIMED ASH AND OAK TO ADD WARMTH TO THE SPACE. THE ACCENT BLUE COLOUR IS USED THROUGHOUT THE SCHEME TO MAINTAIN UNITY THROUGHOUT THE BUILDING, AND TO CREATE A CALM AND WELCOMING ENVIRONMENT. L ARGE WINDOWS ALLOW FOR LOTS OF NATURAL LIGHT TO FLOOD INTO THE SPACE, WHILST THE BRASS ELEMENTS ADD A TOUCH OF MODERNITY TO THE SCHEME. THE CHOSEN MATERIALITY IS KE PT RATHER SIMPLE IN ORDER TO ALLOW THE ART AND LITERATURE IN THE SPACE TO STAND OUT.

R E C L A I M E D A S H C L I C K O N T I M B E R B AT T E N S ACCENT COLOURS PA I N T E D W H I T E O V E R E X I S T I N G B R I C K W A L L F E AT U R E D A R T BRANDED HYBRID LOGO

ORIGINAL DOUBLE FLEMISH BOND BRICK WALL S USTA I N A B L E U P H O LST E R Y FA B R I C M A D E FROM 98% RECYCLED PLASTIC

RECLAIMED ASH TIMBER CLADDING BRUSH BRASS TRIM F I LT E R E D N AT U R A L L I G H T S USTA I N A B L E T E R R AZZO F LO O R S L A B CONCRETE FLOOR SLAB R E C L A I M E D O A K W O O D PA R T I T I O N PA N E L S 445 COLLECTIVE - DESIGN DEVELOPMENT

PAG E 1 6 | M AT E R I A L I TY

BUILD IN G US E I N I T I A L SK E TC H

F E AT U R E S P I R A L S T A I R C A S E S H O W C A S I N G B O T H A R T A N D F E AT U R E D P U B L I S H E D B O O K S . T H E I D E A I S F O R T H E S T A I R C A S E TO B E CO M E A N I N T E G R A L PA R T O F T H E D E S I G N , B R I N G I N G TOGETHER THE TWO COMMUNITIES AND UNITING THE D I F F E R E N T S PA C E S .

T H E S T A I R C A S E C O U L D F E AT U R E A N D A C T A S T H E M A I N I N S T A L L AT I O N S P A C E , W I T H I N T E G R AT E D S E AT I N G AT T H E GROUND LEVEL TO ALLOWING SOCIALIZING. AS YOU ASCEND UP T H E STA I R C A S E YO U C A N B R O W S E T H E D I F F E R E N T AVA I L A B L E BOOKS PUBLISHED BY FIVE LEAVES BOOKSHOP AND ART F E AT U R E D B Y 4 4 C O L L E C T I V E .

T H E I N S T A L L AT I O N A N D D O U B L E H E I G H T S P A C E AT T H E T O P F E AT U R E D S T A I R C A S E W I T H I N T E G R AT E D S E AT I N G A N D I N S T A L L AT I O N 445 COLLECTIVE - DESIGN DEVELOPMENT

B R I N G S AT T E N T I O N T O U P P E R L E V E L S O F T H E S P A C E .

PAG E 1 7 | B U I L D I N G US E I N I T I A L S K E TC H

BUILD IN G US E P LA N N I N G

A S PA R T O F T H E I N I T I A L D E S I G N D E V E LO P M E N T P R O C E SS , I T W A S I M P O RTA N T TO P L A N H O W E A C H O F T H E S PA C E S W O U L D BE BEST UTILIZED WITHIN THE EXISTING BUILDING.

T H I S D E S I G N E X P L O R E S C R E AT I N G A C O R E V E R T I C A L C I R C U L AT I O N / S O C I A L S P A C E T H AT W O U L D C O M B I N E B O T H T H E

BUILDING USE PLANNING DIAGRAM

B U S I N E S S E S W H I LST T H E OT H E R S PA C E S A R E R O T AT E D A R O U N D T H E C O R E F E AT U R E , A L L O W I N G T H E C O N T R O L O F N AT U R A L A N D ARTIFICIAL LIGHTING. KEYS: FIVE LEAVES BOOKSHOP 44 COLLECTIVE S H A R E D / F L E X I B L E S PA C E AMENITIES V E R T I C A L C I R C U L AT I O N

BUILDING USE PLANNING SECTION 445 COLLECTIVE - DESIGN DEVELOPMENT

BUILDING USE PLANNING EXPLODED PLANS PAG E 1 8 | B U I L D I N G US E P L A N N I N G

BUILD IN G US E D I AGRA M

DEVELOPING FROM THE INITIAL BUILDING USE PLAN, MEZZANINE

A INFOGRAPHIC BUILDING USE D I A G R A M W A S C R E AT E D T O FURTHER EXPLORE THE DESIGN

SECOND FLOOR

IDEA. THIS BUILDING USE DIAGRAM HAS LEAD TO THE FINAL D E S I G N O F T H I S P R O J E C T.

FIRST FLOOR KEYS: FIVE LEAVES BOOKSHOP

GROUND FLOOR

44 COLLECTIVE S H A R E D / F L E X I B L E S PA C E AMENITIES

BASEMENT

BUILDING USE DIAGRAM 445 COLLECTIVE - DESIGN DEVELOPMENT

V E R T I C A L C I R C U L AT I O N

BUILDING USE DIAGRAM EXPLODED PAG E 1 9 | B U I L D I N G US E D I AG R A M

TECHNICAL STUDY

PAG E 2 0 | T E C H N I C A L ST U DY

PROPO S ED DE SI GN : ST R U CT U RAL SYSTE M

Hip Roof with Slate Roof Tiles

200x50mm Timber Beam Roof Structure

Floor Supporting 600x220mm Galvanized Steel I-Beam

A

150mm Structural Concrete Floor 285mm Mezzanine Composite Structural Holorib Floor 250mm Diameter Concrete Columns with internal Rebar Support Structure 20mm Concrete Floor Finish Timber Floor Structure 20mm Concrete Floor Finish 300mm First Floor With Timber Structure 20mm Concrete Floor Finish 20mm Limestone Floor Slab 300mm Ground Floor With Timber Structure

445 COLLECTIVE - TECHNICAL STUDY

PAG E 2 1 | P R O P O S E D D E S I G N : ST R U CT U R A L SYST E M

PROPO S ED DE SI GN : ST R U CT U RAL SYSTE M 1

Keys:

1 - Structural Concrete floor Slab (150mm above Holorib Steel Decking) 2 - 8mm Anti-Crack Slab Reinforcement Steel Mesh

2

(200mm from center to center) 3 - 356x171mm UB45 Steel Floor I Beam

4 - Low Carbon 25x205mm Shear Studs Welded onto I Beam 5 - Galvanised Steel 200mm Holorib Deck 6 - 12.5mm OSB Ceiling Plaster Board 3

7 - 600x220mm Glavanized Steel I-Beam

4

5

6

7

DETAIL A - composite structural floor

445 COLLECTIVE - TECHNICAL STUDY

PAG E 2 2 | P R O P O S E D D E S I G N : ST R U CT U R A L SYST E M

PROPO S ED DE SI GN : M E ZZ A N I N E 1 :2 0 DE TAI L STUDY A

Keys:

1 - Half Round 100mm Gutter

2 - Original Sandstone Fascia 1

4

5

6

7

8

3 - Existing Sandstone Soffit

9

4 - 2mm Waterproof Membrane

2

5 - 170mm Double Layered

3

Celotex Rigid Insulation Board 6 - 20mm Plywood Decking

10

7 - 0.25mm 100 Gauge

Polythene Vapour Control Layer 8 - 12.5mm OSB Ceiling Plaster Board 9 - 115x30mm Timber Joists

10 - 330mm Double Flemish Bond Brick Wall 11 - Galvanised Steel Ledger Angle Plate 12 - M16x145mm Throughbolts Grouted in Drilled Holes 13 - Structural Concrete floor Slab (150mm above Holorib Steel Decking) 14 - Low Carbon 25x205mm Shear Studs Welded onto I Beam 15 - 8mm Anti-Crack Slab Reinforcement Steel Mesh 13 14 15

16

17

8

11

B

18

19

(200mm from center to center) 16 - Galvanised Steel 200mm Holorib Deck 17 - Concrete Floor Beam Profile

12

18 - Diameter Concrete Columns with internal Rebar Support Structure 19 - Floor Supporting 600x220mm Glavanized Steel I-Beam

DETAIL A - composite mezzanine structural floor and partial flat roof 445 COLLECTIVE - TECHNICAL STUDY

PAG E 2 3 | P R O P O S E D D E S I G N : M E ZZA N I N E 1 : 2 0 D E TA I L ST U DY

PROPO S ED DE SI GN : M E ZZ A N I N E 1 :2 0 DE TAI L STUDY Keys:

2 - Half Round 100mm Gutter

Holorib Steel Decking)

1 - Flashing Strip Overhang into Gutter

1 2 3 4 5

Keys:

3 - Original Sandstone Fascia

13 - 356x171mm UB45 Steel Floor I Beam

5 - 330mm Double Flemish Bond Brick Wall

15 - Low Carbon 25x205mm Shear Studs Welded onto

4 - Existing Sandstone Soffit 6

7

8

9

10

8

11

12 - Structural Concrete floor Slab (150mm above

6 - 2mm Waterproof Membrane hot welded to flashing strip 7 - 170mm Double Layered Celotex Rigid

14 - Galvanised Steel 200mm Holorib Deck I Beam

16 - 8mm Anti-Crack Slab Reinforcement Steel Mesh (200mm from center to center)

Insulation Board 8 - 0.25mm 100 Gauge Polythene Vapour Control Layer 9 - 20mm Plywood Decking

10 - 115x30mm Timber Joists

11 - 12.5mm OSB Ceiling Plaster Board Detail A (Not to Scale)

31 Goose Gate Flat Roof With Masonary Detail Fig.55. Sectional 1:20 Detail A (Yim, S. 2021)

12 15 15

16

12

13

13

16

14 14

Section B (Not to Scale)

Detail A Axonometric Perspective (Not to Scale)

Fig.56. Sectional 1:20 Detail B (Yim, S. 2021)

Fig.57. Sectional 1:20 Detail A Axonometric Perspective (Yim, S. 2021)

Composite Structural Floor

445 COLLECTIVE - TECHNICAL STUDY

Composite Structural Floor

PAG E 2 4 | P R O P O S E D D E S I G N : M E ZZA N I N E 1 : 2 0 D E TA I L ST U DY

PROPO S ED DE SI GN : P E R FO R M A NC E SPAC E L O O K I N G F U R T H E R I N T O T H E C O N S T R U C T I O N O F T H E C U R V E D PA R T I T I O N S T U D W A L L S E P A R AT I N G T H E R E A D I N G A N D P E R F O R M A N C E S PA C E . E X A M I N I N G H O W T H E C L I C K O N B AT T E N S F I X T O T H E C U R V E D S T U D W A L L . T H E C L I C K O N B AT T E N S A L L O W F O R F L E X I B I L I T Y A N D M O V E M E N T A R O U N D T H E C U R V E O F T H E W A L L . T H E B AT T E N S F I T I N W I T H T H E V E R T I C A L I T Y O F T H E S C H E M E , W H I L S T PROVIDING A MORE PRACTICAL ACOUSTIC ELEMENT TO THE PERFORMANCE R O O M . T H E S O F T C U R V E S U S E D F O R T H E PA R T I T I O N W A L L R E I N F O R C E T H E C U R V E S U S E D T H R O U G H O U T T H E S C H E M E , W H I L S T T H E AT T A C H E D S E AT I N G ECHO’S THE CURVES.

1

3

mock render of performance seating

4 5 6

A

11

1 2 3

Detail A Plan (Scale 1:5)

Click-on Timber Batten Plan Detail mock render of performance seating exploded

Keys:

4

1 - 50x100mm Real White Oak Veneer Click-on Timber Batten

1 5

11 4 5

2 - 50x100mm Timber Top Plate 6

3 - 50x100mm Timber Studwork 4 - 45Wx17Dmm Curving Track 5 - 12mm Curved Gypsum Plaster with acoustic backing

6 7 8

8 10 12 9 13 14

Click-on Timber Batten Perspective Detail 445 COLLECTIVE - TECHNICAL STUDY

7 - 50x100mm Timber Noggin

8 - 12mm Skirting Gypsum Plaster 9 - 100mm Galvanized Steel Flexible Bottom Track 10 - 40x50mm Strengthening Timber Batten 11 - 8.0x300mm PZ Construction Screw 12 - 10mm Countersunk Tek Screw

8

Detail A (Not to Scale)

6 - Sliding Galvanised Steel Clip

Detail A Section (Scale 1:5)

Click on Timber Batten Sectional Detail

13 - 10mm Countersunk Tek Screw 14 - M12x140mm Anchor Bolt

PAG E 2 5 | P R O P O S E D D E S I G N : P E R FO R M A N C E S PAC E

O RTHOGRAPHIC DRAWING S

PAG E 2 6 | O RT H O G R A P H I C D R A W I N G S

BASEMEN T F LO O R P LA N Bb

1

2

7 6

5 Aa

Aa

3 4

KEY: 1. STAIRCASE TO G/F 2. READING NOOK Bb

3. PERFORMANCE AREA 4. KITCHENETTE 5. LIFT 6. BATHROOM 7. DISABLED BATHROOM

SCALE : 1:100

445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS

PAG E 2 7 | B A S E M E N T F LO O R P L A N

GROU N D F LO O R P LA N Bb

16 19

15

18

14

17

13

9

Aa

Aa

KEY: 8. MAIN ENTRANCE

12

9. CAFE COUNTER

10

10. CAFE SEATING 11. FIRE ESCAPE

11 8

12. DUMBWAITER 13. LIFT 14. BATHROOM

Bb

15. DISABLED BATHROOM 16. STAIRCASE TO BASEMENT 17. EXHIBITION STAIRCASE 18. SEATING/READING AREA 19. RETAIL SPACE

SCALE : 1:100

445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS

PAG E 2 8 | G R O U N D F LO O R P L A N

FIRST F LO O R P LA N Bb

22 21

23

20 24

29

Aa

Aa

25

KEY: 27

28

26

20. EXHIBITION STAIRCASE 21. FLEXIBLE GALLERY/EXHIBITION SPACE 22. DISABLED BATHROOM 23. STAIRCASE TO SECOND FLOOR 24. LIFT

Bb

25. WORKSHOP BATHROOM 26. FIRE ESCAPE 27. BOOK-BINDING WORKSHOP 28. FLEXIBLE TEACHING/EQUIPMENT SPACE 29. DOUBLE HEIGHT INSTALLATION SPACE

SCALE : 1:100

445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS

PAG E 2 9 | F I RST F LO O R P L A N

SECO N D F LO OR P LA N Bb

34

33

32

35 30

KEY: 30. STAIRCASE

31

31. SOCIAL CO-WORKING SPACE

36

32. DISABLED BATHROOM 33. KITCHENETTE

44 Aa

Aa

34. STORAGE/SHELFING 35. PRIVATE WORKING HUB 1 36. PRIVATE WORKING HUB 2

37

43 42

37. LARGE MEETING ROOM 38. MEETING SPACE 1

41 40

39

38

39. MEETING SPACE 2 40. MEETING SPACE 3 41. BATHROOM

Bb

42. DISABLED BATHROOM 43. FIRE ESCAPE 44. LIFT

SCALE : 1:100

445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS

PAG E 3 0 | S E CO N D F LO O R P L A N

R OOF F LO O R P LA N Bb

47

45

46

48 Aa

Aa 49

KEY: Bb

45. STAIRCASE 46. CO-WORKING SOCIAL SPACE 47. SKYLIGHT 48. LIFT 49. FIRE ESCAPE

SCALE : 1:100

445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS

PAG E 3 1 | R O O F F LO O R P L A N

BRIGH T MO O R ST R E E T E L E VAT I ON

SCALE : 1:100

445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS

PAG E 3 2 | B R I G H T M O O R ST R E E T E L E VAT I O N

GOOS E GATE E L E VAT I O N

SCALE : 1:100

445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS

PAG E 3 3 | G O O S E G AT E E L E VAT I O N

BRIGH T MO O R ST R E E T SE CT I O N A a

Aa

Aa

SCALE : 1:100

445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS

PAG E 3 4 | B R I G H T M O O R ST R E E T S E CT I O N AA

GOOS E GATE SE CT I O N B b

Bb

Bb

SCALE : 1:100

445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS

PAG E 3 5 | G O O S E G AT E S E CT I O N B B

EXPLO D ED IS OM E T R I C ROOF

MEZZANINE

SECOND FLOOR

FIRST FLOOR

GROUND FLOOR

3 1 G O O S E G AT E

BASEMENT

445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS

PAG E 3 6 | E X P LO D E D I S O M E T R I C

V ISUALS

PAG E 3 7 | V I S UA LS

EXTERN A L V ISUA L - T W O P O I N T P E RSP E CTI V E

ENTRANCE VISUAL - TWO POINT PERSPECTIVE 445 COLLECTIVE - VISUALS

EXTERNAL POINT OF VIEW PAG E 3 8 | E XT E R N A L V I S UA L - T WO P O I N T P E RS P E CT I V E

INTE R N A L V ISUA L - P E R FO R M A NC E STAG E

E N T R A N C E V I S UA L - S H O W I N G E X H I B I T I O N STA I R C A S E , C A F E & R E TA I L 445 COLLECTIVE - VISUALS

BASEMENT POINT OF VIEW PAG E 3 9 | I N T E R N A L V I S UA L - P E R FO R M A N C E STAG E

INTE R N A L V ISUA L - E N T RA N C E

E N T R A N C E V I S UA L - S H O W I N G E X H I B I T I O N STA I R C A S E , C A F E & R E TA I L 445 COLLECTIVE - VISUALS

GROUND FLOOR POINT OF VIEW PAG E 4 0 | I N T E R N A L V I S UA L - E N T R A N C E

INTE R N A L V ISUA L - W O R KSH O P

E N T R A N C E V I S UA L - S H O W I N G E X H I B I T I O N STA I R C A S E , C A F E & R E TA I L 445 COLLECTIVE - VISUALS

FIRST FLOOR POINT OF VIEW PAG E 4 1 | I N T E R N A L V I S UA L - WO R K S H O P

F IN AL MODEL

PAG E 4 2 | F I N A L M O D E LS

FINAL 1 : 10 0 SI T E M O D E L

FINAL 1:100 SITE MODEL

445 COLLECTIVE - FINAL MODEL

PAG E 4 3 | F I N A L 1 : 1 0 0 S I T E M O D E L

FINAL 1 : 10 0 SI T E M O D E L

FINAL 1:100 BASEMENT SITE MODEL

445 COLLECTIVE - FINAL MODEL

FINAL 1:100 GROUND FLOOR SITE MODEL

PAG E 4 4 | F I N A L 1 : 1 0 0 S I T E M O D E L

FINAL 1 : 10 0 SI T E M O D E L

FINAL 1:100 FIRST FLOOR SITE MODEL

445 COLLECTIVE - FINAL MODEL

FINAL 1:100 SECOND FLOOR SITE MODEL

PAG E 4 5 | F I N A L 1 : 1 0 0 S I T E M O D E L

FINAL 1 : 10 0 SI T E M O D E L

FINAL 1:100 ROOF SITE MODEL

445 COLLECTIVE - FINAL MODEL

FINAL 1:100 ROOF SITE MODEL

PAG E 4 6 | F I N A L 1 : 1 0 0 S I T E M O D E L

FINAL 1 : 20 S E CT I O N A L M O D E L - B ASE M E NT

1:20 SECTIONAL MODEL - BASEMENT 445 COLLECTIVE - FINAL MODEL

PAG E 4 7 | F I N A L 1 : 2 0 S E CT I O N A L M O D E L - B A S E M E N T

FINAL 1 : 20 S E CT I O N A L M O D E L - B ASE M E NT

F I N A L 1 : 2 0 P E R F O R M A N C E S PA C E M O D E L

445 COLLECTIVE - FINAL MODEL

F I N A L 1 : 2 0 R E A D I N G S PA C E M O D E L

PAG E 4 8 | F I N A L 1 : 2 0 S E CT I O N A L M O D E L - B A S E M E N T

THANK YOU. 3 1 G O O S E GAT E - 44 COLLE CTIVE x F IVE LE AVE S BO O KS HOP

SONYA YIM (N0750140)