sonali debas portfolio

SONALI DEBAS Architecture Portfolio

CONTENT 01

WILLOW WAY

02

PROXIMITY

03

SANATORIUM

04

PANELLED VIEW

05

ARTIST GALLERY

06

OFFICE SECRETARIAT

07

URBAN DESIGN

08

RESIDENCE

Spring 2020

Fall 2020

Fall 2020

Spring 2020

Work 2019

Fall 2019

Fall 2015

Spring 2019

01

WILLOW WAY

Academic : University at Buffalo Semester : Spring 2020 Studio : Ecological Practices Project : Group Professor : Joyce Hwang Location : Silo city, Buffalo

NEW NATURE This studio explores the design of a Willow way as a means to investigate the incorporation of various technologies. A project collaborated with regidized metals for silo city.

An intervention at silo city showcasing coalescence of architecture and landscaping on the structure. To work proactively and cooperatively through different design- build phases of a project to produce ecological interventions at silo city.

Initially, the project was designed by a team in fall 2019 and was hoped to get constructed by the 2020 spring semester, but when the design got finalized, there were still some challenges regarding the construction.

The project has an apparent morphology, but still left certain unanswered this studio gave us the chance to explore and critical analysis about the project.

In the 2020 Spring, In the guidance of professor Joyce Hwang being part of the studio allowed me to explore testing materials, assemblies, site analysis, and shop drawings. Volunteering in 2020 summer and as well as fall in guidance of professor Nick Rajkovich, I worked as a volunteer in assisting the construction of willow way.

Process of Hugelkultur

Team Fall 2019

Step 1: Initial Planning

Team Fall 2019

Step 2: Early Growth

Team Fall 2019

Step 3: Complete Growth Team Spring 2020

N

Site Plan

Locating the Exterior End Points

Team Fall 2020 Sonali, yukta, sneha, katie and Christa

An axonometric diagram illustrates the location of exterior end points of the three different funnels.

To confirm the exterior points of the structure of Funnel A, B, and C. As we know, the center point of the plan and the center of interior foundations i.e the center of the funnel, exterior end points are marked using the triangulation method.

The slide shows the marking drawings of all the exterior end points of Funnel A. Team Fall 2020 Sonali

Lateral Bracing

To prevent the structure from bending or deforming, our next motive was to focus on lateral bracing. By eliminating horizontal members, we were able to achieve the amount of triangulation that the lateral bracing does create some diamonds shapes, but they are surrounded by triangles on all sides, providing adequate strength and support to the structure.

Lateral Bracing Plan Team Fall 2020 Sonali and Yukta

Mechanical connection - 58 joints Lashing connection - 1267 joints 3/4” x 12’ 5/8” x 20’ 5/8” x 12’ + 5/8” x 20’

Moving forward about thestructure from the perspective of joineries, we worked on the lateral bracing and considering three different joineries, mechanical or welded and lashing tried to resolve it accordingly on the basis of the required strength.

Documentation of Bending

The machine seen in the picture is a Conduit Bender which is used to bend angles for tubes.

Demonstrating Mockup of Arches

Demonstration of Connection

Mechanical Connection

Welding Connection

Lashing Connection

Construction Process

Team Spring 2020

Volunteer Summer 2020

Volunteer Fall 2020

Volunteer Fall 2020

Constructed Willow Way

02

PROXIMITY

Academic : University at Buffalo Semester : Fall 2020 Studio : Situated Technology Project : Social Distancing Device Professor : Mark Shepard

AREA OF INTERVENTION In 2020, the entire world was hit by the pandemic and many uncontrollable situations were formed. This is not the first time we are facing such a pandemic. We have experienced a similar situation before, so why COVID 19 is different, only because of the rapid state of spreading and no cure till now. We have two areas of intervention. One is controlling the rate of spreading, and another is the invention of a cure. As a designer, our preference is to contribute in a wise way for the community.

There is one effective way of prevention, that is social distancing or proximity. This is effective but difficult to maintain everywhere. Through this project, an approach has been made to cater to this problem. In situated technology studio, our motive was to explore alternative ways for controlling the rate of spreading with the help of using Arduino and implementing different sensors to create a virtual boundary around the user.

Death worldwide till Sept 2020

Four zones of Interpersonal Distances 8 feet - Public Distance 6 feet - Social Distance 5 feet - Personal Distance 3 feet - Intimate Distance Green - Public Distance Yellow - Social Distance Orange - Personal Distance Red - Intimate Distance

Sound alert Visual alert Contact alert system Minium distance 6 feet Alerts wearer & approacher

Portable Social Distancing Device

Accessory 24/7 usage Battery operated Suitable for every age group

Device Convence

Buzzer Ultrasonic sensor Arduino Uno Led Indicator Breadboard

No it’s not a Box It’s a wearable accessory that you can carry as a bag or attach to your bag. A device that will alert the user to create a virtual boundary around. If there is a probability of violating someone’s boundary or if the user is entering a crowded place, it will light up when a person enters on the interpersonal zones.

Scgematic Diagram Gnd

Negative side of breadboard

Vcc (Ultrasonic sensor)

Connecting Jumper wire at the end to arduino 8 to 2 pin respectively Negative pin is connect to negative side of breadboard Resistor to the Leds positive

Echo (Ultrasonic sensor) Trig (Ultrasonic sensor) Buzzer

Device Efficiency The device defines Interpersonal zones. If the user has the device and another person approaches and enters into one of the zones, the device lights up it shows different color of light based on defined zones. As the person crosses the personal zone, the sound alert activates.

Max light + sound intensity curve

Min

8 ft As the distance decreases the intensity of the light+sound increases

Min

Wearability of Device

Interation with Device

Pliable Alert It’s smart to make the social distance work in a public space, taking the project further.I explored the product designing of the device. Indicate the device’s feature elements and demonstrate how to use it on any bag. Hence, I named it pliable alert.

Pliable alert

Speaker Main body Gradient light

Display light

Speaker

Demonstration on bag

On/Off switch

Main body

Speaker

On/Off switch

03

SANATORIUM

Academic : University at Buffalo Semester : Spring 2020 Studio : Optional Studio Project : Outlook Towards 2020 Professor : Mustafa Faruki

TWENTY RESTORATIVE ACTS OF ARCHITECTURE The studio focused on architectural representation creating drawing and model making as a strategy that can effectively convince the audience about the new possibilities in the future that doesn’t exist.

Reflecting the year 2020 in different ways and then creating our own idea for a project that will be located in UB south campus which is inspired by our own thoughts from the past year and vision which lies ahead.

Recalling events of 2020 in various different ways and analysising and channeling them to create a drawing.Through this studio I explore how to express emotions, experience in abstract way.

The studio helped me focused and challanged my idea towards more creative and abstract ideas. Using lines and shapes to make something feel the way you want it to, it does not need to look like something realistic.

?

Eagerness Scared

Powerlessness Warrior

Courage Doubt

Lockdown

Happiness

Spirit

Well-being

Optimism

Hopefulness

Anxiety

My Highlighted Emotions If someone will ask me, how was my 2020? I would say quite conflicting with all the roller coaster ride of emotions.I represented my feelings in a short story where my enjoyment turned into boredom.

Twenty Twenty It felt like a perfect year in the beginning of twenty twenty.

I stayed at my aunt’s place for twenty days..

Boy! I ate twenty Indian dishes after being away from home for twenty weeks.

I went to the largest aquarium in the world watched a twenty minute dolphin show.

It felt like a perfect year for having fun in twenty twenty.

Celebrated my friend birthday on twentieth January with twenty friends.

That night was the only night when we were happy and free.. the freedom only lasted for twenty seven days in the year of twenty twenty ..

Twenty twenty went on a fast-track mode… aha ah!!

Yeah, we were safe, confused, and lonely at some time.

It was miserable, we sanitized and washed our hands twenty times a day forgot about our normal lives.

Now, it was time to adapt the new normal after twenty weeks.. ah ah!!

I don’t know about you but I’m feeling twenty twenty introduced us to normal new.

It felt like a perfect year in the beginning of twenty twenty.

2020

Confusion

Perplexity

Clutter

Bewildwerment

Jumble

Fickleness Emotional Rollercoster Ride

Score Representing my feeling in the form of the score where the high and lows of my emotions were taking place during the course of 2020, and at one point all the feelings that got jumbled with each other.

The Amalgamation Process Representation of Score via model, experimenting with making L shape brackets and trying different compositions

The Look During 2020, I felt like a warrior, and I guess everybody did. Upcoming through all the emotions which were taking place. Getting inspired by thoughts and feelings made me wonder if I wanted to look for myself. It will be something that speaks for the courage conflicting and perplexing feelings.

The look represents a different interpretation for every aesthetic. The crown on the head as the Survivor, the overlaying of geometric shapes represent the merging of the feelings, slit speaks for the courage, claws for warrior and, at last, the wings for an escape.

The World 2020 felt like an endless level. This is looking inside the mind of the wearer where there are different levels In Figure 1, it shows how can confidently she is looking down and the world and understands it In the Figure 2, when she looks up at the same world, it’s confusing like a maze.

1

2

Research The final step was to introduce a proposal for the south campus, University at Buffalo.Moving further with the same thread confusion and attempt to bring two different , while striving for the proposal various projects inspired me.

James wines, Best stores

Lebbeus woods

Proposal Concept of hybridization, alliance and fusion

Concept 1

Concept 2

Concept 3

Concept 4

Final Design In my design, Hayes Hall space inhabits a chaotic environment by giving a feel of something new and old at the same place. Exhibiting the amalgamation of different components in the surrounding.

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2

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4

04

PANELLED VIEW

Academic : University at Buffalo Semester : Spring 2020 Studio : Ecological practices Location : Silo City, Buffalo Professor : Joyce Hwang

BIRD BLIND In Fall 2019, after lockdown due to covid-19 class turned online and the construction of willow way was suspended and this project was reappraised again. Rigidized Metals asked for proposals to incorporate a design strategy to replace the plywood box that now covers the pond water circulation pump.

A structure for observation situated over the pump, which worked with the topography of the existing berms and allowed the path to run through the structure.

The structure’s proximity to the water led to its intended purpose to be a bird blind, allowing photographers to take shots of birds with the silos in the background for a truly unique shot.

A large quantity of out of commission grain scoops used at one time in the machinery housed by the silos were provided to us, to find a way to reuse them in building a bird blind in the site of silo city.

Salvaged Materials

Paying homage to Silo City’s history as a site of grain processing, Panelled Views seeks to r epurpose the large amount of grain scoops to the fullest extent possible as construction materials.

Organization

Step 1

Site

Step 2

Step 3

Step 4

Aesthetics

1- The scoops are interlocked with other pieces and thereby yield open spaces are provided 2- Opting for a simple geometric strusture made the formation of the panel through the scoops interesting

Usage of scoops

1- The scoops serve as a permeable partition between the observer and the flora and fauna of the site.

2- The contrasting color add value to the aesthetic of the structure.

3- Use of climbers and vegetation on the surface will help to attract the birds.

4- This may also help them with their nesting.

05

ARTIST GALLERY

Academic : University at Buffalo Semester : Fall 2019 Studio : Comprehensive Studio Project : Cultural Professor : Kenneth Mackay

GALLERY SPACE This studio explore the design of a Gallery Complex as a means to investigate the incorportation of various technologies into the integrated design of a builindg. The contemporary builing includes a vast array of system: structural, heating, ventilating, plumbing, electrical, fire protection, envelope and enclosure. In a public each of these systems contributes to the creation of an artifical environment which facilates human comfort, social interaction and life safety.

The same design intent reflects in the planning. The gallery blocks are overlooking the canal outside thereby creating an ambience which lets the visitors feel the nature outside.

The outside view helps break the monotony of the solid space that the visitors feel in a gallery, ultimately enhancing the viewer experience.

Orchitecture Origami, an ancient japenese technique, uses folds, creases and; geomertical forms to create a visual art form. Drawing inspiration from the same, the roof structure has been developed rationally to enhance the visual experience of the visitors.

Origami has been increasingly used in other aspects of design like structure in many upcoming projects around the world.

1. Flat unit cell

2. Half molded cell

The main theme of the design is to enhance the human experience of viewing in an art gallery.

Taking a cue from the same, the wall surface and ceiling is given as unconvential form based on Origami technique.

3. Standard molded cell Oriagmi Roof- This projects attempts to take the defining elements of origami folding and implement them on as a structural aproach to create roof design as well as used on the builing.

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2 3

6

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10

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First Floor Plan 1. Mechanical room 2. Electrical room 3. Janitor room

4. Courtyard 5. Office space 6. Meeting room

1

7. Conference room 8. Storage room 9. Cafe

10. Meeting spaces

2 12

3

5

4

11 13

14

2

1

13

Second Floor Plan 11. Restaurant 12. Kitchen

13. Terrace 14. Workshop area 1

2

4 16

1 2 17

Third Floor Plan 16. Gallery 17. Theater

Gallery roof model

Structure model

Interior of gallery

06

OFFICE SECRETARIAT

Professional : 10 Decimal Design studio Project Type : Office Space Location : Greater Noida Year : 2018

PUBLIC SPACE The project focused on the proposal received from the client for having a separate registration and office secretariat block for the newly constructed halls in the Indian Expo Mart Limited campus. To minimize the footprint on the first floor and more spill-over areas, the roof of an existing s ervice block near the site was also integrated with the new block area.

The inspiration for the design of the fort court of the building is taken from the ghats of Varanasi. It is envisioned to be an interactive community space for the project.

The series of pavillions takes the visitor from first to Second-floor level, appreciating the a ctivities on each level and building a sub-conscious interaction with brands, products, and technologies displayed on the pavillions.

The walls with the pavillions acts as backdrops for various activities and can be suitably used for the branding or advertisement. A structure providing shade to the spaces below, and a space for installing solar PV panels and solar geysers.

Development Process

A

A

B

Site: Existing building

Block B: Designing block B to an adjacent plot of land to maximize the area D

C C

A B

A

B

Connection: Uniting A, B, and C block to have connectivity

Block C and D: Maximising vertical space by introducing floors

Mass Subtraction: To provide terrace and green space as a feature for the builidng

Natural Light and Ventilation: Glass walls are provided in North to receive natural sunlight

Aesthetic: A huge canopy at the top most level to procide a crown for the building

1. Main entry 2. Entrance plaza 3. Registration area 4. Staircase 5. Lift 6. Toilet 7. Pantry 8. Lounge 9. Service passage 10. Existing building

First Floor

1. Multipurpose hall 2. Lobby 3. Office area 4. Staircase 5. Lift 6. Toilet 7. Registeration below 8. Vaulted skylight 9. Terrace

Second Floor

1. Kitchen and Pantry 2. Cafeteria 3. Outdoor cafeteria 4. Staircase 5. Lift 6.Toilet 7. Vaulted skylight

Third Floor

Different Perspectives of Building

07

URBAN DESIGN

Academic : Sharda University Semester : Fall 2016 Team : Sonali & Sai Location : Greater Noida Professor : Dr. Deepti Parashar

COMMERCIAL, RESIDENTIAL, OFFICE DESIGN The Urban Design problem was to design a mixed use that included commercial residential and office spaces. As per the design instructions a larger portion of F.A.R is dedicated for commercial spaces followed by the residential and then the office spaces.

Mixed-use developments are pedestrian-friendly complexes or buildings athat blend two or nore residential, commercial, cultural, institutional and industrial uses.

Four benefits of mixed- use developments 1- Urban Renewal 2- Placemaking 3- Reactivating underutilized space 4- Reduction of traffic, parking needs and pollution

Development Process Unified core

Site

Circulation

Residential

Commercial

Semi- public space

Zoning

Massing

Analysis

Site

60 mtr road

Public accessibility

30 mtr road

Private zone

E

F

A B

MASTER PLAN

A: Semi public space B: Commercial sector C: Office sector D: Hospitality space E: Residential sector F: Educational sector

C

D C

Road Section

Aerial 3D view

View of the housing zone from the central core

08

RESIDENTIAL

Freelance Work Year : Fall 2018 - Fall 2019 Team : Sonali & Suahil Location : Delhi Client : Saksham Gandhi

HOME FOR FAMILY The project is a private residence designed for a family of 6 includes a middle-aged couple with a young couple and a girl in her teenage.

The project focused on increasing the space of the existing house by not demolishing the whole structure and preserving it as per client requirements.

The demolishing was done to give large spaces in comparison to earlier planning. The planning was done while keeping Vastu shastra in mind (Hindu feng shui).

The project gave me a chance to enhance my knowledge about structure modifications and different concept building throughout the project.

The project was completed in November 2019 with further modifications in the planning and structure.

Development Process

Site: Existing building

Adding volume in the existing building to increase the space

Adding another floor for Terrace and storage

Providing windows for entering light into the building

Existing Plan

8 9 1

7 9

4 5 8

11

7

3 10 6

2

1. Main entry 2. Living area 3. Dining area 4. Kitchen 5. Staircase 6. Pooja room 7. Bedroom 8. Dresser 9. Toilet 10. Front Poarch 11. Backyard

First Floor

8

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7 9

13 8 7

5

14

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15

15

5. Staircase 7. Bedroom 8. Dresser 9. Toilet 12. Infromal living area 13. Workout space 14. Study space 15. Balcony

Second Floor

16 5

17

Third Floor

5. Staircase 16. Storage 17. Terrace

09

Proffesional : 10 Decimal Design studio Year : 2018 - 2019 Project : Commercial and Residential Location : Delhi, India

WORKING DRAWINGS The following drawings illustrate skills in working drawings of spaces and building constructions.

Working Drawing for Office Space The drawing illustrates planning, designing and execution of Interior fit out works in the office space of Energy DESCRIPTION

SYM

DB-1

QTY

1WAY LIGHT SWITCH

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EMERGENCY LIGHT SWITCH 18W LED LIGHT-1

SYM 6A

16A

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CABIN 2 (3.8M X 3.1M)

DATA POINT

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TELEPHONE POINT

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STORAGE

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ENERGY EFFICIENCY SERVICES LIMITED

MV RACEWAY

DB-4

DB-2

CABIN 16 (4.4M X 3.6M)

UPS

CCTV

UPS

6A

DB-3

PANT ENERGY SOLUTIONS LLP A-119,Sahini Tower,Sector-5 Rajendra Nagar, Sahibabad, Ghaziabad, U.P.(201005) Mob. No. : 09313576095 ,08802087096 e-mail : pant.energysolutions@gmail.com website : www.pantenergysolutions@gmail.com

SERVER

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40 WORKSTATIONS

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SITE LOCATON: 4TH FLOOR, CORE-5, SCOPE COMPLEX, LODHI ROAD, NEW DELHI-110003

DRAWING TITLE - ELECTRICAL LAYOUT FOR CCTV

REVISIONS

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16A

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CABIN 12 (3.8M X 3.8M)

CABIN 14 (2.4M X 3.8M) 16A

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CABIN 13 (2.4M X 3.8M)

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PLANNING, DESIGNING AND EXECUTION OF INTERIOR FIT OUT WORKS IN THE OFFICE SPACE OF EESL

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CONFERENCE ROOM E (11.8M X 6.1M)

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CABIN 15 (3.9M X 3.8M)

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DEALT BY:-

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HARSHIT PANT

DATE: 23/03/2020

SCALE:

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SHEET NO- 10D/EESL/DL/EL/E-01

ISSUED FOR

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10 DECIMAL DESIGN STUDIO

ELECTRICAL CONSULTANT

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MEETING ROOM 2 (3.3M X 4.3M)

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CABIN FEMALE E TOILET18 (4.4M X 2.8M) (3.5M X 4.2M) 16A

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LIFT (1.7M X 1.6M)

16A

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ELEC SHAFT (1.7M X 2.6M)

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CABIN 10 (5.3M X 2.8M)

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TECHNICAL

ENERGY EFFICIENCY SERVICES LIMITED

PRINTS

Details for Residential Project 1- Typical Longitudinal section of Continuous Beam, two or more spans

TYPICAL LONGITUDINAL SECTION OF

TYPICAL LONGITUDINAL SECTION OF 2- TypicalCONTINUOUS Detail of LONGITUDINAL Cantilever BEAM,Slab TWO OR MORE TYPICAL SECTION OFSPANS

CONTINUOUS BEAM, TWO OR MORE SPANS CONTINUOUS BEAM, TWO OR MORE SPANS LL L L

1.5L OR OR 0.3 0.3 L1 L1 1.5L 1.5L OR 0.3 L1 1.5L OR 0.3 L1

L1 L1 L1 L1

3- Typical detail of

TYPICAL DETAIL OF CANTILEVER SLAB TYPICAL DETAIL OF CANTILEVER SLAB TYPICALprojecting DETAIL OF from CANTILEVER SLAB Cantilever Beam a Column

D D DD

= = === = === = ==

O.5 L1 L1 O.5 O.5 L1 O.5 L1

STIRRUPS AS AS PER PER SCHEDULE. SCHEDULE. STIRRUPS STIRRUPS AS PER SCHEDULE. L1 L1 STIRRUPS AS PER SCHEDULE. L1 L1

TYPICAL DETAIL OF CANTILEVER BEAM TYPICAL DETAIL OF CANTILEVER BEAM TYPICAL DETAIL OF ACANTILEVER PROJECTING FROM COLUMN BEAM PROJECTING FROM A COLUMN PROJECTING FROM A COLUMN

30mm CLEAR 30mm CLEAR

30mm CLEAR

30mm CLEAR

WIDTH WIDTH

WIDTH

WIDTH

TYPICAL BEAM BEAM SECTION SECTION (A) (A) AA -- TYPICAL A - TYPICAL BEAM SECTION (A) A - TYPICAL BEAM SECTION (A)

DEPTH

DEPTH

DEPTH DEPTH

T

T

T T

4- Typical Beam Section

10

DOME Academic : University at Buffalo Semester : Fall 2019 Subject : Structures Project : Group Topic : Study of Dome Professor : Christophar Romano

MOUNDS The class explores to understand the material and a structure that they aee intrinsically linked. it develop am intuitive understanding and deep respect for the physical laws of nature such as balance, density, mass, weight, gravity, and compression. The motive was to develop a tacit understanding of material properties through didactic and empirical experimentation.

The project requirement was to design a minimally reinforced dome structure that fits the given criteria 38”L x 38”W x 12-22”H. The motive was to build up an intutive understand of why structures work and why things break, to learn through failure.

Formwork Process 1/8” Steel rods

18 gauge almunium wire

44”x 44” ply board 1.5” steel plate

Geometric Description: The ribs are generated by providing tension at the ends and supported with the help of ply planks. Multiple ribs are overlapped on each other and an elliptical dome is produced.

The formwork for doubly curvature dome is stiffened with the help of 18 gauge aluminum wire and the ribs are drilled to the base of the plywood.

Material Data: Dimensional Data: 1. Portland cement : 4 liters 1. Dimensions: 38” diameter 2. Coarse sand: 8 litres 2. Thickness: 0,25” 3. Expanded glass (aggregate): 4 liters 3. Volume (in3): 14940 4. Water: 5.5 liters 4. Weight (lbs): 30947 5. Burlap 5. Surface area (Sq. ft): 214

Formwork Description: Length- 38 Inches Breadth- 38 Inches Height- 16 Inches

Sequence of photos of form assembly, casting and pouring 1. Temperature (F): 41 degree F 2. Time: 1.00 pm

3. Humidity (%): 49% 4. Cure time (Hours): 48 hrs

Sequence of photops of testing and deformation 1. Weight of shell: 43.4 lbs 2. Weight supported: uniform distributed

3. Human weight - 190 +190+ 190 lbs 4. Weight to first crack: 900+190+190 lbs

INTERIOR STYLING Freelance Work Photo, 2019 Collaboration : Saba Design Group

Logo Design

Illustration

A peek into my workplace through Illustration Thank you!

(716) 275-2166 Sonalidebas06@gmail.com