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So Young Issue Thirty-Six

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It’s the first issue of 2022 and it’s one which sees us

In London, Blue Bendy are getting excited to finally

blend exciting brand new artists with established, and

release a body of work beyond a single. In a journey

now potentially, household names. The fastest rising of

that began back in 2019, debut EP ‘Motorbike’ is out

course are our cover stars, Wet Leg. The Isle of Wight

in February and we reached out to hear more about it.

newbies are preparing to release their debut via Domino

Staying in the city, newcomers, Teeth Machine have just

Records and we squeezed into their now hectic schedule

shared their debut single ‘Drive By DK’ via Slow Dance.

to confront the “industry plant” allegations and escaping

Excited for what’s to come, we caught up before a show

the island.

to discuss releasing books and how their songs are like animals. Heading to Galway, Ireland, four-piece, NewDad

Jockstrap have signed to Rough Trade, and in their first

are about to release their second EP, ‘Banshee’ following

interview for two years, Georgia Ellery and Taylor Skye

a much hyped 12 months which included their debut (and

tell us all about the thrill of giving something personal

Sold Out) London shows. Ahead of its release, we Zoom’d

to the world, and how their music is never a joke - ever.

to get an insight into the alternative scene in Ireland as

Hopping over to Georgia’s other project, Black Country,

well as their route towards poppier songs.

New Road, it’s the opposite. As the band prepare for the release of sophomore album, ‘Ants From Up There’,

We tie up the new issue with a flurry of conversations in

members, Charlie Wayne and Tyler Hyde, tell us how the

the United States. New York stalwarts, BODEGA, kick

majority of their music starts as a joke, as well as how

us off with an in depth look into their Heidegger inspired

they nearly made an accessible album.

new album, before the new breed of Catcher and Been Stellar give us a first glimpse into their world. To see us

Whilst quarantining in Paris, Metronomy’s Joseph Mount

out, it’s over to the Pacific Northwest where we find the

takes our call. Following the recent release of their EP

much hyped, Enumclaw. The band share their experiences

‘Posse EP Volume 1’ (which saw collaborations with

of not having any black role models in the world of guitar

Sorry, Folly Group and more), the band are gearing up for

bands, tell us how wrestling inspired their name and

the release of their new album ‘Small World’. We caught

discuss the influence of the nineties.

up to discuss the inevitability of Radio 2, influencing a new generation and finding out where the band now lie in the world.

3 Black Country, New Road Ants From Up There

32 Ramon Keimig Self-Sampling

8 BODEGA Doers

37 Catcher The Fat of A Broken Heart

11 Wet Leg Oh No

42 NewDad Say It

17 Teeth Machine Drive By

45 Blue Bendy Motorbike

21 Been Stellar NYC

50 Metronomy Small World

25 Jockstrap 50/50

53 Enumclaw Jimbo Demo


“The explosion of all the Windmill bands a couple years ago really galvanized us”. Probably not a statement we are used to hearing from New York’s fast rising bands, but it’s clear that the UK has re-established itself as a breeding ground for exciting, alternative music and everyone is listening. Brooklyn’s Been Stellar have existed since founding members, Skyler Knapp and Sam Slocum were childhood friends, releasing sporadic singles since as early as 2014; but it’s only now that the NYU graduates have completed their full time line up, and moved into their Apartment and Basement Studio set up, that they’re ready to make their impact properly. Unafraid to reference The Velvet Underground and Oasis, but considered enough to know “it’d be incredibly cringey to hop on the same bandwagon and try to be the American Shame”, Been Stellar are preparing to unleash their New York story via their debut EP.


Hey Been Stellar, how’s it going? Could you tell us a bit

We also have a great live-in super too, Luis, who feels like

about how you found yourselves together as a group of

a father to us, he helps us with the floods and will make us

people?

Puerto Rican food from time to time.

Laila: Doing well. Sam and Sky knew each other first, but

With that set up, it feels like ideas can come to life

the way we all came together as a band was freshman year

pretty quickly. Did that help you keep your foot on the

of college. We all went to NYU, and Sam, Sky, Nando and

pedal during lockdowns when things must’ve felt very

Nico all happened to live in the same dorm. I met Sam

slow for most bands…

and Sky one night during welcome week and we got to talking about music. That’s when they told me they had a

L: During the lockdown we were here in the city. That

band called Been Stellar and I told them that I played the

was also around the time when we decided to rent our

drums. They had a gig scheduled but for some reason the

first practice space in Ridgewood. I think having our own

drummer couldn’t make it so Sky remembered I played

space allowed us to really foster new ideas, many of which

and reached out and we just continued on from then.

became the bare bones of the songs on the EP. Eventually Sam, Sky and Nando moved to their new place, where we

We know that Sam and Skyler were the starting point

now have our current studio / practice set up. I think this

of the group. What was it about your relationship that

is where we really have been able to come together and

led you to make music together and then want to share

flesh out the songs that we had started over quarantine.

it with the world?

I think the convenience of the space allows us to get our ideas out as they come to us. Since we like to write as

Sam: When I met Sky we were 13 or 14. At that age,

a full band, having a place to jam on new ideas became

when you meet someone new who really understands you,

really key for us in building our sound.

there’s that excitement. We both loved music, granted our tastes were pretty different. But we both knew that we

You’ve spoken before about your passion for New York

had to start making something together. It was never a

City. How do you channel that into your music and

conversation though, I don’t think. Doing music together

art whilst maintaining your status as more than a New

wasn’t something we thought about or decided to do.

York band? Is that important to you?

Thinking back, sharing it with the world was something I was drawn to, more so than Sky. I would always want to

Skyler: New York is definitely the most important guiding

play the tracks we came up with for friends or my parents.

light in our creative process. We all moved here inspired by the legend of it all, as cliche as that may sound. I don’t

As a group, you have a pretty special set up and

think we really realized how important the city was until

opportunity living and working within a pretty unique

we got to experience it during lockdown, however. It sort

space. Could you tell us a bit about your apartment/

of temporarily filtered out all the over romanticized BS

studio and how it allowed you to be creative?

that’s rife in NYC and forced you to see it in its most real sense. I think for us, it caused us to realize that it

Nando: Yeah for sure, Sam, Sky and I just moved in from

isn’t just a city for white kids to move to to pretend like

a tiny apartment in the L.E.S, one of the old tenement

they’re Patti Smith or Henry Miller (not excluding some

houses, to a bigger apartment in Bushwick. We got this

of ourselves), but a very troubled and delicate ecosystem

place because our friend Steele was leaving the spot so we

that’s really struggling at the moment. It was all we could

just took the lease right after him, no broker fee. They had

really think about, so naturally it became a main point of

a studio in the basement and would practice there. They

creative inquiry. We think there is a lot of the NYC story

even had a deal with the neighbours where they could

left to tell, and we’re lucky enough to have the outlet to

make noise from 10am to 9pm, and did that for about 7

add to it.

years, so when he offered it to us it felt like a no-brainer, he even left us some amps and a PA System.

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Words by Sam Ford, illustration by Josh Whettingsteel


Regarding music specifically, however, we’ve always

I think when we start jamming or writing a song out, and

felt a desire to not simply exist as another new Brooklyn

it feels too one dimensional, where the song only feels like

band on the pile. We never really felt like we sounded

1 mood or evokes 1 feeling, we usually end up scrapping

like what most other folks are doing here at the moment,

it or trying to find a new route for it. I wouldn’t say we’re

so naturally we felt more kinship with what was going on

necessarily trying to defy genre, so much as we’re trying

across the pond.

to just simply make something we’re proud of.

We’ve been pretty lucky to hear a little of the exciting

In the UK, we’ve seen the massive influence of New

music that you’re soon to release. Could you tell us

York and the sound of the city on guitar bands,

about the development of your sound and why that was

however you cite Europe and the progress of bands

important to you?

here as a bigger influence on you. What is it that’s happening here that feels so exciting?

Nico: This new batch of songs is the first time we’ve truly collaborated as a band. Covid gave us a time to rethink

Sk: The explosion of all the Windmill bands a couple

our sonic identity and jam on little ideas. A song may start

years ago really galvanized us. I think at the time we

with a bassline, and once everyone starts jumping in, I end

were really disheartened by the fact that it didn’t seem

up changing my part entirely to better fit what everyone

like there were many kindred spirits in our city. NYC

else is doing. That process then goes on for everyone until

bands tended to veer towards the older, clique-y, 80s

it finally starts to resemble a strong foundation for a song.

nostalgia side of things, so to see younger kids playing

I think we’re entering a place trying to find the balance

really fantastic music and talking about real concerns

between melody and dissonance. We’re obsessed with the

really got us excited. This being said, we also thought it’d

screeching chaos of ‘Venus In Furs’ but also how catchy

be incredibly cringey to hop on the same bandwagon and

‘Live Forever’ is.

try to be the American Shame, so we didn’t want to veer off the musical path we were already on. The passion of that scene just solidified that there was still interest in the music we enjoyed.

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Now there’s a tough one. I’d say that things are going to

Any fans we’ve had in the US have always been so

work out If they’re meant to. If you’re having to give too

lovely and I expect the shows will be unlike anything that

much of your time to someone who’s not reciprocating

we’ve ever played before, so I’m really looking forward

the same level of effort, then it’s probably not worth it.

to it! Texas is obviously very well known for their food,

If you’re spending any time worrying over someone who

particularly the BBQ’s but unfortunately on that note I’m

doesn’t like you, then you have to come to terms with the

a vegan… still I’m sure there’ll be good vegan options

fact that that’s sadly their prerogative and you need to

over there - or at least better than in Galway!

move on. Failing that, the liquid lunch diet it is! Which new Solid advice there, thank you on behalf of any of our

bands will be joining you?

out of love readers. Whilst a mother should not have favourites…is there a track that you most enjoyed

I know there’s a few great Irish artists that have been

making on the record?

added like Smoothboi Ezra. I think Just Mustard are playing there as well, so hopefully we’ll get to catch a few

Probably ‘Banshee’ – we had more time to experiment

of them!

with it in the studio and I love how it turned out. Thankfully for us there’s also a UK tour – are there Speaking of the studio, let’s get into the recording

any new cities you’ll be ticking off the list or places

process. Spending a healthy amount of time creating

that you’re excited to return to?

the EP with producer Chris W Ryan (subsequently the EP was mixed by John Congleton - Lana Del Rey,

I’m really psyched to go back to London! We got through

Phoebe Bridgers) - can you share any of his secrets?

two dates there on the last tour. It’s so different to anywhere else and when we first played in the city we

It was really nice and relaxed in the studio with Chris.

were still just getting a handle on things, so I’m really

Because we had more time to play with for these sessions,

looking forward to going back with our new material.

there was a lot of messing around, but we still got there in

Also, Brighton - it’s so beautiful!

the end. I’m not so sure about secrets, but Chris is an allround technological whizz and the process is so seamless

I for one can’t wait for the London date! Last but not

with him. It was such a fun experience. We also had the

least, All Points East – does this feel like a milestone?

time to sit with the tracks which we didn’t on the last EP, which was – for the most part – a good thing.

Definitely! There’s such a backlog of artists wanting to play festivals from the last few years, so we weren’t even

Exactly, and what a beautiful EP you all produced.

sure that we would get to play any. To be offered a slot at

It’s also great to hear that you’re going to the states

such a good festival, with so many cool artists that we’ve

for your first US headline shows and SXSW! Have you

looked up to for years is just magic.

ever experienced an American crowd before? Any local delicacies you’re looking forward to?

A jam packed year ahead! Now to the all-important question from the Magic 8 Ball – what’s the best track

I’ve been to America in the past, but we’ve barely played

to go out to on your deathbed?

outside of Ireland, so it’ll be very interesting to see what the atmosphere’s like. We’re going to be there for

Pixies – ‘Monkey Gone To Heaven’

St. Paddy’s Day as well which should be an amazing experience.

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NewDad


Editors Sam Ford

Josh Whettingsteel

Writers Sam Ford

Poppy Richler

Elvis Thirlwell Al Mills

Dan Pare

Josh Whettingsteel Ali Grice

Laura Pegler

Callum Gray

Reuben Cross

Artists

Josh Whettingsteel Pat Thomas

Nando von Arb Ian Moore

Cameron JL West Ramon Keimig REN

Clara Girke

Inkee Wang

Judith Weber

Gabriel Hollington

Cover Photo Maxwell Granger

Rhys Buchanan

Photos for Collage

Printed By

Bart Price

Ex Why Zed

Email

info@soyoungmagazine.com

Website

www.soyoungmagazine.com

News

@soyoungmagazine (Twitter)

SoYoungMagazine (Facebook) soyoungmagazine (Instagram)

Pooneh Ghana

Maxwell Granger Drake Li

Hollie Fernando

Art Direction

www.joshwhettingsteel.com

Special Thanks Al Mills

Jamie Ford

Cameron JL West Jack Reynolds


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