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So Young Issue Forty-Three

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Issue Forty-Three

THE GOA EXPRESS

Also inside: Do Nothing Miss Tiny bar italia Slow Fiction cumgirl8 Island of Love Water From Your Eyes feeble little horse Model/Actriz Hot Face Geese


‘Cream’ by GG Skips Marco Pini


Issue Forty-Three welcomes the spring sunshine in with it. The brighter weather has us thinking of outdoor stages, so why not have a band on the cover who only write future festival anthems? Burnley’s The Goa Express are on the front and their string of singles will soon amount to something bigger. Ahead of imminent big news, we discuss the decision to sink a bottle of whiskey on the flight to SXSW, mixing with the village locals during a recording trip and not over complicating it. Over in New York, Geese are preparing for the release of their much anticipated second album, ‘3D Country’. Via Zoom, we explore the band’s growth since their debut, discuss how they nearly called it a day, and dig into their ambition to break out of the post punk bubble. Staying in the big apple, cumgirl8 have just signed to 4AD. With their new “sex positive” music now being shared with the world, we touch on new single inspiration, Cicciolina, her importance to the band and more. Brooklyn’s Water From Your Eyes have quickly become new favourites. Their recent singing to Matador Records seemed the perfect moment to reach out. They take our call to undergo one of their less chaotic interviews. Model/Actriz are quickly becoming one of the most talked about bands from across the pond. Their London headline debut sold out in a day (maybe less) and they’re the band that everyone took home from SXSW this year. We catch up following the release of their debut album and ahead of a debut trip to the UK. Wrapping up this issue’s love affair with New York are Slow Fiction. The band have recently shared their debut EP and we were keen to hear all about it.

4 Geese 3D Country 8 Do Nothing Snake Sideways 11 The Goa Express Good Luck Charm 18 Miss Tiny The Sound 22 Model/Actriz Dogsbody 25 Hot Face Monster House 33 Water From Your Eyes True Life

The five-piece kindly took our call to chat about what they got up to at SXSW and their hopes to play The Windmill! Heading home again, bar italia have been a long time favourite. Whilst sitting behind a no interview policy, the band have announced a new album. We dig into everything the band have done to date and tell you exactly why you should be excited for them. London’s Hot Face are a new noisy favourite. The band will be releasing their debut single very soon and the 3-piece gave us the early details to get a feel of what’s to come. Monster masks are just the start. Staying in the capital, Miss Tiny is the exciting new project from Dan Carey (Speedy Wunderground) and Ben Romans-Hopcraft (Childhood, Warmduscher). Ahead of the release of their debut EP, two familiar names tell us about their less familiar new music, salad recipes and the personal impact of living in London. Preparing themselves for the release of their debut album are Island of Love. The Third Man signings are doing things their way, and who are we to question that? Vocalist, Karim, takes our call from a packed out train carriage to talk about the new record and their distaste for the world of post punk bands that surround them. Nottingham’s Do Nothing also have a new album on its way. It’ll be the band’s first release outside of a lockdown! Overthinking, ‘Happy Feet’ and trying not to be whiny, are all on the agenda. Finishing off this issue, we speak to Pittsburgh’s most exciting new band, feeble little horse and preview Brighton’s The Great Escape Festival. We can’t wait to be back on the beach for the So Young stage!

37 Slow Fiction Madman 41 The Great Escape The Festival For New Music 44 Island of Love Fed Rock 47 cumgirl8 cicciolina 51 feeble little horse Steamroller 55 bar italia Punkt


I knew nothing about the music industry three years ago;

I have a lot of vocal inspirations like Linda Sharrock,

it was just this distant, fickle thing. We’ve come in with a

Robbie Basho and Tim Buckley.

lot of optimism and wanting to work hard, but we’ve also introduced money and stakes to our friendship, which is

Is there a particular point in your past that was your

really poisonous and scary in a lot of ways. Back when

‘eureka moment’ for wanting to be in a band?

we were in high school, I used to see successful bands breaking up and fighting - like you’re one of the biggest

I’ve been thinking about this actually, there have been

bands to exist, why would you ever give that up and stop

a few moments that clued me into different things. I

fighting for your creative vision? I couldn’t understand it

remember being in eighth grade being driven to school

as a 16-year-old, but I totally get it now (laughs). It’s a lot,

and my dad put on the song ‘International Feel’ by Todd

and it’s not the life some people want. The ups and downs

Rundgren. It starts with all these bleeps and bloops, but

are very extreme, but at the end of the day, we’re learning

when it got to the chorus, it modulated down in a way

so much musically and that’s the most exciting part. What

that sounded so crazy to me that I never would have

we do have is this blind and foolish musical ambition to

anticipated. It literally blew my mind, so I listened to

make it really good and keep moving away from what

everything he had ever done in a week after that.

we’ve already done. Was music always a big thing around the house? Did the process of making ‘3D Country’ feel more free than ‘Projector’ did?

It wasn’t the be all and end all of life, but my dad would show me music when we were driving. There’s a part of

Yes and no - they both felt free. ‘Projector’ was super free

him that finds it kind of pretentious to make music similar

because we didn’t have to answer to anyone at all, so we

to what we make, but he does like it. During ‘Projector’

were free to make mistakes I guess. This record felt better

he was a real help because I’d take him early demos, and

in that we had definitely progressed a lot musically. Since

the ones that were bad he’d be really honest with me about

getting signed and going in, we got to a point where we

them. He’s helped me grow, but he’s always been good as

could make what we wanted to. We had an idea in our

a resource to tell me when something’s shit.

heads that we couldn’t really accomplish immediately. That was more freeing in a way. We also had people

Are there any people external from your family or the

helping us - we could hire backing singers and a string

band that gave you that extra push?

section. We were in an after-school programme that put a bunch of I’ve noticed that you’ve grown a lot more comfortable

kids with rock equipment in a room learning covers, and

in your voice and sticking to a more consistent style

we had an instructor called Bob Jones. He’s now in the

too, why did you choose to move away from the variety

bands Pill and P.E. from New York. He was a huge help,

of voices you used on ‘Projector’?

especially when labels came knocking as he could give a lot of great advice. He’s been with us since we were 10.

I just feel like there’s a lot of talk-singing at the moment,

We took him out for dinner with our first advance.

and while a lot of it is great, I get mad at it because it really doesn’t suit some bands like they might think

How do you hope people will react to the developments

it does. I got mad at the trend, and I wanted to do the

in sound on the new record, and what do you think

opposite of that and sing way too hard. Now the singing

their takeaways will be?

parts are really overblown and exaggerated. I really like vocal affectation too - I know it doesn’t sit well with a lot

I think it’s going to be positive, but I can never tell.

of people, but I find when it’s done right it can be really

People have responded better than I thought to the singles.

beautiful.

There’s a few people who think it sucks, but I disagree. It’s a more representative direction and I just hope people like it. We tried our best.

5

Geese


HAZEL ENGLISH TUE 2 MAYSOLD OUT FOLKLORE NURIA GRAHAM WED 3 MAY ST PANCRAS OLD CHURCH ALICE GLASS WED 5 MAYSOLD OUT MOTH CLUB CUMGIRL8 TUE 9 MAY MOTH CLUB MAY TUE 9 MAY THE WAITING ROOM HAWA WED 10 MAY CORSICA STUDIOS

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A lot of my neighbours are big hippies from the sixties

We’d come into college wearing fucking kaftan’s and that.

and seventies, funnily enough Bill from across the road

We’d be in flares and boots in Burnley running about. We

has just given me 150 of his old records to sift through.

just like listening to whatever we can get our hands on.

Some are fucked and super damaged but there’s some gold in there like Frank Zappa and some classical stuff. There’s

Finally, is there an element of pride behind that for you

a lot of good music here, obviously The Lounge Society,

all especially as you head into such a bright future?

Working Men’s Club, I don’t know if it’s a coincidence but it’s strange how vibrant it is for such a small place.

Joey: I think we’re all proud of where we come from.

There’s a lot of magic mushrooms around here as well so

The whole reason we started this band is because there

maybe that has something to do with it.

was so little going on in Burnley. It’s weird to see but it’s good, especially when it’s always been so London-centric

Joey: Those psych influences run pretty deep with us as

historically, it’s refreshing to see, it’s beautiful.

well, we’d spend hours going down YouTube rabbit holes of wild psych music.

15

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16


As we begin to enter that craved festival season again, the

First up is a string of acts from the renowned indie scene

sun is starting to shine and Brighton’s ready to get brighter

of Glasgow, featuring the rising quartet Spyres as they set

for the welcome of The Great Escape 2023.

out to teach the beach about the life of a Scottish teenager, and soloist Dylan John Thomas, appearing with his trusty

Spread across 30+ walkable venues between 10th - 13th

acoustic and some of the most infectious head-bopping

May, the seaside leaves behind its bucket and spade to

tunes.

embrace some of the world’s most anticipated upcoming artists, as well as the return of some crowd favourites. The

Across the waters comes Ireland’s post-punk five-piece,

shore is prepped and decorated with over 500 musically

The Murder Capital, once they’ve ‘returned their head’

gifted talents, making it the perfect location to kick off

from a recent Coachella debut. From Leeds, we’re excited

2023’s summer celebrations.

to hear the synth-y guitars of So Young favourites, English Teacher and the poetic sounds of Liverpool’s female-led

Claiming the Spotlight Shows this year are two of the

Picture Parlour. Yet closer to home there’s a dangerously

UK’s most dynamic, female, contemporary singers, Arlo

good lineup from some of London’s most notorious bands

Parks, and Maisie Peters, and also the chart-topping

like Sorry, Heartworms, FEET and Deadletter.

British rapper Unknown T. Parks, 22, and already a Mercury Prize winner, delivers a particular angst message

With what already promises to be a real party in the sun

within her music as she sings about substance abuse, being

(fingers crossed), we’re thrilled to announce our return

in love, and trying to navigate your 20s in today’s society.

to the shore with a stage on the beach. Kicking us off on

Indeed, not an act to miss as we expect to see tunes from

the Friday are Teeth Machine as they infiltrate the earlier

her upcoming album ‘My Soft Machine’ before its release

hours with a melancholy style of grunge, easing us nicely

on 26th May.

into the night ahead. Next up is Oscar Browne, a seamless contrast from the previous act as he brings along a unique,

Peters, 22, a previous TikTok sensation, known for her

ethereal sound of experimental folk and hazed indie,

love letter of songs, grabs the attention of a similar

creating a superior feeling for a day in the sun.

audience as she sings about dealing with troubled relationships and getting over breakups. Her music

As we reach the middle, Nottingham’s quartet Divorce

compiles the deep sadness of a well-deserved cry and the

joins the team, sharing an alternative view on country

beautiful realisation that everything will be okay. A feel-

music, with a twist of filth hidden amongst cynical lyrics.

good moment of the weekend is ensured.

Their discography contributes as a story to the band, exploring the vulnerability within their juvenile selves and

Unknown T, 23, grabs the last spot of the headline

also showcasing a great sense of humour to foot-stomping

shows with his versatile drill style, channelling personal

tunes. Dear friends Humour follow, throwing some

anecdotes from his upbringing and his dalliance with

menacing screams from the Glaswegian punk crew across

crime. His music is easily one of the most influential

the sea, sure to draw the attention of the heavy-hitting riot

sounds of rap to come out of East London today and is an

listeners. Then finally we close with London’s Fat Dog,

excellent showcase of the genre’s evolution.

fuelling the stage until the very last second with ultimately classic rock ‘n’ roll melodies and rapture.

Although the roster for the weekend is well and truly packed to the brim with flair, there are a few that have

So if it’s a chance to see one of your favourites out in

already caught our eye that we’ll undoubtedly be in

action, or you’re looking for an excuse to hear some good

amongst the crowd for.

new music, then a trip to The Great Escape 2023 isn’t one to ignore.

41

Words by Alicia Tomkinson


Artists

Gavin Shepherdson Josh Whettingsteel Marco Pini

Editors Sam Ford

Josh Whettingsteel

Writers Sam Ford

Reuben Cross

Eve Boothroyd

Rhys Buchanan Poppy Richler

Natalia Quiros Edmonds Amber Lashley Elvis Thirlwell Will Macnab

Line Hachem Shunny Kim

Rozalina Burkova Mamo Kawakami Estée Preda Oyow

AYAKA FUKANO Lucie Lučanská

Hannah Robinson Yue Zhang REN

Cover Photo Harvey Pearson

Alicia Tomkinson

Photos for Collage

Leo Lawton

Dana Boulos

Charlie Brown

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Holly Whitaker Kyle Berger Ariel Fisher

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Lily Frances

Special Thanks Al Mills

Jamie Ford

Cameron JL West Jack Reynolds


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