CATALOG 2025 SPRING Auction

SANTA MONICA

A U Cest.T1984I O N S

310-315-1937 INFO@SMAUCTIONS.COM WWW.SMAUCTIONS.COM Scan to see the catalog online now!

LIVE OUTDOOR , ONLINE, PHONE & ABSENTEE BIDDING

SUNDAY 1PM PST

MAY 18th 2025

at Bergamot Station Arts Center 2525 Michigan Ave A5, Santa Monica, 90404 V. 1.01

Andy Warhol Portrait of Luella Maslon, 1973 LOT 81

LOT 79

Andy Warhol (1928-1987) Mick Jagger, 1975 Screenprint Signed in pencil on recto by Mick Jagger and Andy Warhol Printed by Alexander Heinrici New York on Arches Aquarelle paper, from the numbered edition of 250, publisher stamp verso Dimensions: 43.5 x 29 in; Framed: 54.25 x 39 in ESTIMATE: $200,000-$300,000

Andy Warhol Bald Eagle, 1983 LOT 82

Alex Prager LOT 54 William Klein LOT 76

William Klein LOT 77

Nobuyoshi Araki LOT 38

LOT 1

Laddie John Dill (1943) Untitled, 2010 Mixed media, cement, glass; signed/dated on side Dimensions: 30 x 60 in ESTIMATE: $1,000-$2,000

LOT 2

Peter Alexander (1939-2002) Boccacio, 1995 Acrylic and oil on canvas; signed/dated/titled on verso Dimensions: 33 x 36 in ESTIMATE: $4,000-$5,000

LOT 3

Joe Goode (1937-2025) Trees #3, 1987 Oil on paper; signed with stamped date on Joe Goode Studio Gallery tag on verso Provenance: LA Louver, Venice; The Oklahoma Art Center; Orlando Museum of Art gallery tag Dimensions: 29 x 22 in ESTIMATE: $2,500-$3,000

LOT 4

Joe Goode (1937) Untitled, 1986 Oil on board Provenance: James Corcoran Gallery, Los Angeles tag on verso Image: 41.25 x 92.25 in; Framed: 49 x 94.25 in ESTIMATE: $15,000-$25,000

1

LOT 5

Joe Goode(1937) Torn Sky, 1971 Lithograph; signed/numbered/dated on recto, from the numbered edition of 50 Image: 18 x 24 in; Framed: 19 x 24.5 in ESTIMATE: $1,200-$1,800

LOT 6

Joe Goode (1937-2025) Untitled #4 from the X-ray series, 1977 Etching; signed/dated/numbered on recto, from the numbered edition of 25 Image: 7.75 x 11.75 in; Framed: 15.5 x 19 in ESTIMATE: $800-$1,300

LOT 7

Ed Moses (1926-2018) NY Trace #5, 1975 Oil and acrylic on canvas on panel; signed/dated on recto, also signed/dated/inscribed on verso Provenance: LA Louver, Venice (tag on verso) Dimensions: 72 x 60 in ESTIMATE: $25,000-$35,000

LOT 8

Ed Moses (1926-2018) Glow 7, 1988 Acrylic on mylar; dated verso Provenance: Riva Yares Gallery tag verso Dimensions: 26.5 x 32 in ESTIMATE: $3,000-$4,000

2

LOT 9

Ed Moses (1926-2018) Ikuru Speak-No, 1990 Screenprint on both wove and Japanese hand-made Seikishi rice paper; signed/dated/numbered on recto, from the numbered edition of 250, printed by Jeff Wasserman with a blind stamp and published by LACMA Image: 31.125 x 23.125 in; Framed: 39.375 x 27.625 in ESTIMATE: $1,500-$2,000

LOT 10

Tom Wudl (1948) Study for Vincent Violin III, 1999 Mixed media on paper Provenance: LA Louver Gallery; OTA House tag on verso Imafe: 29 x 36 in; Framed: 39 x 33.5 in ESTIMATE: $2,000-$3,000

LOT 11

DJ Hall (1951)- LOT OF 2 Here’s To The Ladies Who Lunch, 1984 Oil on canvas; signed/titled on verso comes with original sketch in plexi frame Provenance: Palm Springs Art Museum tag on verso Dimensions: 40 x 52 in ESTIMATE: $10,000-$15,000

3

LOT 12 - LOT OF 5

Robert Graham (1938-2008) (1-5) Untitled, 2001 Graphite on paper; initialed/dated on recto Sheet, each: 15 x 11 in ESTIMATE: $6,000-$8,000

LOT 13

Robert Graham (1938-2008) Untitled, 1994 Print; signed/dated on recto Image: 14.75 x 10.75 in; Framed: 17.25 x 14.25 in ESTIMATE: $800-$1,500

LOT 14 - LOT OF 3

Dennis Hollingsworth (1956) (1) Untitled XXII, 1998 (2) Untitled XXIII, 1998 (3) Untitled XXVIII, 1998 Unique monotype Provenance, each: Roberts & Tilton Gallery tag on verso Image, each: 26 x 20 in; Framed: 32.625 x 28 in ESTIMATE: $4,000-$6,000

4

LOT 15

Delia Brown (1969) Untitled (Toilet), 2001 Watercolor on paper Provenance: Margo Levin Gallery tag on verso Image: 9 x 14 in; Framed: 16 x 21 in ESTIMATE: $3,000-$5,000

LOT 16 - LOT OF 2

Neil Farber (1975) Things Jeffreys Have Invented, 1998 Ink and watercolor on paper; signed/dated on recto Provenance: Richard Heller Gallery, Santa Monica Image: 8.5 x 10.75 in; Framed: 12.125 x 15.125 in Things That Will Cause Death, 2000 Ink and watercolor on paper; signed/dated on recto Provenance: Richard Heller Gallery, Santa Monica Image 14 x 16.75 in; Framed: 17.875 x 20.75 in ESTIMATE: $2,000-$3,000

LOT 17

Louise Nevelson (1899-1988) Untitled (Solitude), 1986 Color screenprint and collage on wove paper signed/dated/numbered from the numbered edition of 125, published by Pace Editions, New York Image: 41 x 28.25 in; Framed: 42.5 x 29.75 in ESTIMATE: $2,000-$3,000

5

MARC RICHARDS Marc Richards, a longtime presence in the Los Angeles art scene, ran the influential Marc Richards Gallery in the 1980s and ’90s before expanding his gallery work in New York. A dedicated traveler, he has sought out art in remote regions around the world.

On an early trip to China, Marc recognized its rising role in the global art market and began collecting important works and becoming an expert in Chinese art, later expanding his focus to artists from Pakistan, Iran, and Africa.

Now shifting toward a more personal artistic path, Marc has contributed pieces from his private collection—including two bodies of his own work, which were featured in a 2022 exhibition at Blum & Poe in Los Angeles.

Image: Los Angeles Portraits, Installation view, Blum & Poe Los Angeles © Marc Richards - Photo: Josh Schaedel, Courtesy Blum & Poe

LOT 18 - LOT OF 5

Marc Richards (1) Ai Weiwei, 2018 Pastel on paper; initialed/dated on recto Image: 16.75 x 13.5 in; Framed: 19.75 x 16.75 in (2) Mary Boone, 2019 Pastel on paper; initialed/dated on recto Image: 16.75 x 13.5 in; Framed: 19.75 x 16.75 in (3) Robert Rauschenberg, 2020 Pastel on paper; initialed/dated on recto Image: 16.75 x 13.5 in; Framed: 19.75 x 16.75 in (4) Quincey Jones, 2019 Pastel on paper; initialed/dated on recto Image: 16.75 x 13.5 in; Framed: 20 x 17 in (5) Miles Davis, 2019 Pastel on paper; initialed/dated on recto Image: 16.75 x 13.5 in; Framed: 20 x 17 in Provenance, each: Exhibited at Blum & Poe 2022; From the private collection of Marc Richards ESTIMATE: $4,000-$6,000

LOT 19 - LOT OF 3

Marc Richards (1) Untitled, 2021 Pastel on paper; initialed/dated on recto (2) Untitled, 2020 Pastel on paper; initialed/dated on recto (3) Untitled, 2021 Pastel on paper; initialed/dated on recto Provenance, each: Exhibited at Blum & Poe; From the private collection of Marc Richards Dimensions, each: 19.625 x 16.625 in ESTIMATE: $3,000-$5,000

6

LOT 20

Lou Quanmu (1965) Untitled, 2003 Oil and acrylic on canvas; signed/dated on recto Provenance: From the private collection of Marc Richards; Marc Richards gallery tag on verso Dimensions: 57 x 51 in ESTIMATE: $2,000-$4,000

LOT 21

Matías Paradela (1989) Niño Grande, 2022 Oil on canvas; signed/dated/titled on verso Provenance: From the private collection of Marc Richards Dimensions: 66 x 56 in ESTIMATE: $5,000-$8,000

LOT 22 - LOT OF 2

Mia Scarpa (1997) (1) Untitled, 2023 Acrylic on canvas; signed/dated on verso Dimensions: 20 x 16 in (2) Nothin’ Song 2023 Oil, acrylic, and mixed media on canvas; signed/dated on verso Dimensions: 16 x 16 in Provenance, each: From the private collection of Marc Richards; ESTIMATE: $2,500-$3,500

7

LOT 23

Mia Scarpa (1997) Chin Up High, 2023 Acrylic and collage on wood panel; signed/dated on verso Provenance: From the private collection of Marc Richards; Thinkspace Gallery Dimensions: 20 x 16 in ESTIMATE: $2,000-$3,000

LOT 24

Negar Ahkami (1971) Harem, 2008 Acrylic on gessoed panel; signed/dated on verso Provenance: From the private collection of Marc Richards; Marc Richards Gallery tag on verso Dimensions: 35 x 23 in ESTIMATE: $2,000-$3,000

LOT 25

Yukine Yanagi (1998) Twilight Vigil, 2020-21 Oil on canvas; signed/dated/titled on verso Provenance: From the private collection of Marc Richards; Latitude Gallery Dimensions: 34 x 48 in ESTIMATE: $1,500-$2,500

LOT 26

Jamaal Peterman (1990) We Unite , 2020 Oil, sand, and vinyl on canvas; signed/dated/title on verso Provenance: From the private collection of Marc Richards; Vigo Gallery Dimensions: 40 x 28 in ESTIMATE: $1,000-$1,500

8

LOT 27

Zhang Dun (1979) Street Scene No. 2, 2011 Graphite on 2 sheets of paper Provenance: From the private collection of Marc Richards Dimensions: 10.75 x 29.125 in; Framed: 14.75 x 33 in ESTIMATE: $800-$1,200

LOT 28

Riyas Komu (1971) Shooting at a Flag (diptych), 2004 Oil on canvas; signed/dated/titled on verso Provenance: From the private collection of Marc Richards Dimensions: 24 x 72 in ESTIMATE: $2,500-$3,500

LOT 29

Shirin Aliabadi & Farhad Moshiri Families Ask Why, 2006 C-Print; signed/numbered on recto, from the edition of 10 Provenance: From the private collection of Marc Richards; Marc Richards Gallery Tag on verso; Farhad Moshiri (The Third Concept), comes with Certificate of Authenticity.

Image: 40 x 30 in; Framed: 36.5 x 46.5 in ESTIMATE: $4,000-$6,000

LOT 30

He Yunchang (1967) Golden Sunshine-B, 1999 C-Print; signed/numbered on recto, from the edition of 8 Provenance: From the private collection of Marc Richards; Marc Richards Gallery Tag on verso Image: 34 x 49 in; Framed: 43.875 x 57.75 in ESTIMATE: $4,000-$6,000

9

LOT 31

Ed Templeton (1972) Untitled (Meandering, Meaningless, Nothingness), 2003 Color photograph with acrylic and marker, unique Provenance: From the private collection of Marc Richards; Roberts & Tilton gallery tag on verso Image: 10.5 x 13.5 in ; Framed: 12 x 15 in ESTIMATE: $700-$900

LOT 32

Ed Templeton (1972) Party Trick #2, Tempe Arizona, 1998 Photograph; signed/titled on verso Image: 10 x 8 in; Framed: 10.25 x 8.25 in ESTIMATE: $600-$800

LOT 33

Robert Mapplethorpe (1946-1989) Rose, 1987 Dye transfer print, mounted; signed/dated/numbered in the margin, from the numbered edition of 7 Dimensions: 19 x 18.75 in; Framed: 28.25 x 27.75 in ESTIMATE: $35,000-$40,000

LOT 34

Nan Goldin (1953) CZ and Max on the Beach, Truro, MA, 1976 Cibachrome print, mounted on board signed/titled/dated/numbered in ink on verso, from the numbered edition of 25 Provenance: Jablonka Galerie, Lindenstraße, Germany Image: 41 x 28 in; Framed: 41 x 28 in ESTIMATE: $45,000-$50,000

10

LOT 35

Thomas Ruff (1958) Portrait, 1988 Dye transfer print; signed/numbered on verso, from the numbered edition of 12, from a portfolio of 5 images published by Edition Schellmann Provenance: Gitterman Gallery, NY tag on verso Image: 9.5 x 7 in; Framed: 16 x 13 in ESTIMATE: $4,000-$6,000 LOT 36

Gregory Crewdson (1962) Windows from the Early Work series, 1987, printed in 1987 C-print Signature has faded on bottom right recto Image: 18.75 x 23 in; Framed: 23 x 27 in ESTIMATE: $2,500-$3,500

LOT 37 - LOT OF 2

Tierney Gearon (1963) Untitled (Man with Mask), 2000 C-print Image: 19.25 x 23.5 in; Framed: 20.25 x 24.25 in Untitled, 2010 Chromogenic photographic print; A Jen Beckman Project tag on verso Image: 8 x 10 in; Framed: 15.25 x 19.25 in ESTIMATE: $2,000-$3,000

LOT 38

Nobuyoshi Araki (1940) Colourscapes (Watermelon), 1991 Ilfochrome color print; signed/dated on verso Dimensions: 40 x 26 in; Framed: 33.875 x 25.25 ESTIMATE: $20,000-$25,000

11

LOT 39

Miles Aldridge (1964) Bold Gold #2, 2006 Lambda print; signed on verso, from the numbered edition of 10, Miles Aldridge Studio tag on verso Image: 2.875 x 29.75 in; Framed: 30.875 x 41.75 in ESTIMATE: $6,000-$8,000

LOT 41

Todd Hido (1968) Untitled #3285, 2003 C-print; signed/dated/numbered on verso, from the numbered edition of 25 Image: 14 x 11 in; Framed: 16.25 x 13.25 in ESTIMATE: $3,000-$4,000

LOT 42

Catherine Opie (1961) Sunset #6 from the Twelve Miles To The Horizon series, 2009 C-print; signed/numbered, from the numbered edition of 50, published by Hatje Cantz, Berlin, Germany Provenance: Paddle8, New York Image: 13.5 x 10.125 in; Framed: 17.125 x 13.125 in ESTIMATE: $2,000-$3,000

12

LOT 43

Helmut Newton (1920-2004) Untitled (Lisa Lyon), c. 1980 Contact print; signed by Lisa Lyon Image: 2.25 x 2.125; Framed: 5 x 5 in ESTIMATE: $800-$1,200

LOT 44

Helmut Newton (1920-2004) Nude in Seaweed, negative 1976, printed c. 1984 Gelatin silver print Image: 15.625 x 11.75 in; Framed: 25.25 x 19.25 in ESTIMATE: $12,000-$15,000

LOT 45

Charlie Bidwell (1962) Tucson, 2001 Selenium-toned gelatin silver print signed/titled/dated/numbered with Artist stamp, printed 2002 under direct supervision of photographer Provenance: Jan Kesner Gallery tag on verso Image: 36.875 x 37 in; Framed: 52.375 x 45.5 in ESTIMATE: $2,000-$4,000

LOT 46

Charlie Bidwell (1962) 5 Spot, 2001 Selenium-toned gelatin silver print Image: 36.875 x 37in; Framed: 52.375 x 43.375 in ESTIMATE: $2,000-$4,000

13

LOT 47

Peter Beard (1938-2020) Loliondo Lion Charge, 1964, Printed later Toned gelatin silver print; signed/titled/dated/inscribed in ink, comes with Certificate of Authenticity Image: 8 x 10 in; Framed: 19.875 x 16.375 in ESTIMATE: $15,000-$20,000

LOT 48

Peter Beard (1938-2020) Orphaned Cheetah Cub in Mweiga National Park Headquarters, for The End of The Game, 1968 Gelatin silver print; signed/titled/dated on recto Image: 6.5 x 9.5 in; Framed: 19.875 x 16.375 in ESTIMATE: $25,000-$30,000

LOT 49

Diane Arbus (1923-1971) Woman at a Counter Smoking, N.Y.C., 1962 Gelatin silver print; signed in ink by Doon Arbus, for the Estate of Diane Arbus, stamp verso, from the numbered edition of 75 Provenance: Diane Arbus: Revelations (Random House); Edward Hopper & Company (Fraenkel Gallery tag on verso) Image: 15 x 15 in; Framed: 27 x 25.625 in ESTIMATE: $35,000-$40,000

LOT 50

Diane Arbus (1923-1971) Mia Villiers - Farrow on a Bed, 1964 Gelatin silver print; signed in ink by Doon Arbus, stamp verso, from the numbered edition of 75 Image: 15.25 x 15.5 in; Framed: 27 x 25.625 in ESTIMATE: $12,000-$15,000

14

LOT 51

Bill Owens (1938) Untitled (Pool Party from Suburbia), c. 1973 Gelatin silver print; signed/titled on verso, artist stamp and annotations on verso Image: 8 x 10 in; Framed: 9.5 x 11.75 in ESTIMATE: $4,000-$5,000

LOT 52

Larry Clark (1943) Tulsa #6, 1960-70 Gelatin silver print, individual plate from Tulsa Portfolio published in 1980; signed on verso, from the numbered edition of 100 Image: 8.5 x 12.625 in; Framed: 15.125 x 18.5 in ESTIMATE: $2,000-$3,000

LOT 53

Hiroshi Sugimoto (1948) Ionian Sea, Santa Cesarea, 1990 Tri-toned offset lithographic print Blindstamped recto with location, year, and image number Image: 13.875 x 18.25 in; Framed: 18 x 22.25 in ESTIMATE: $2,500-$3,000

LOT 54

Alex Prager (1979) 2pm, Interstate 110, from Compulsion, 2012 Archival pigment print; signed/dated/titled/numbered on verso, AP outside of the numbered edition of 9, M+B Gallery tag on verso Image: 48 x 40.25 in; Framed: 48.125 x 41.625 in ESTIMATE: $20,000-$25,000

15

LOT 55

Kim Dingle (1951) Miss Lowengrim, 1991-92 Oil on photograph; signed/dated on recto, Otis Gallery College tag on verso Provenance: Collection Trace and Steve Berson, Agoura Hills Image: 6.5 x 4.25 in; Framed: 12.625 x 9.625 in ESTIMATE: $800-$1,500

LOT 56

Mark Seliger (1959) Heidi Klum, printed 2007 Platinum polladium on Arches Paper Artist stamp on verso with date and edition, from the numbered edition of 20 Image: 12.25 x 10 in; Framed: 27.75 x 22.375 in ESTIMATE: $2,000-$3,000

LOT 57

Ed Templeton (1972) Untitled (Far Along The Road Crossing), New Mexico, 2004 Photograph with marker, unique Image: 16 x 20 in ; Framed: 17 x 21 in ESTIMATE: $700-$900

LOT 58

Ed Templeton (1972) The Brutal Life, 2003 Photograph with marker, unique; signed/dated on recto Provenance: Roberts & Tilton gallery tag on verso Image: 11 x 14 in ; Framed: 13.625 x 16.65 in ESTIMATE: $700-$900

16

LOT 59

Man Ray (1890-1976) Harlequin (Berenice Abbott), 1922 Gelatin silver print; signature with credit/date/annotation, photographer stamp on reverse Provenance: From the estate of Dr. Stanley Kogan Dimensions: 8 x 6 in; Framed: 19 x 15 in ESTIMATE: $20,000-$30,000

LOT 60

Jacques Henri Lartigue (1984-1986) Paris, Renée, 1931 (Printed Later) Gelatin silver print; signed on recto, from the numbered edition of 35 Image: 10.375 x 14 in; Framed: 18.75 x 22.75 in ESTIMATE: $6,000-$8,000

LOT 62

Julius Shulman (1910-2009) Case Study House #22, 1960, Pierre Keonig, Los Angeles, California, 1960 (printed later) Gelatin silver print; signed/dated in pencil on verso, Jackson Fine Art Gallery tag on verso Image 19.625 x 15.5 in; Framed: 27.75 x 23.625 in ESTIMATE: $10,000-$15,000

17

LOT 63

Ed Templeton (1972) Jamie Thomas, c. 1994-95 Photograph with marker, unique Image: 13.75 x 10.5 in; Framed: 17.25 x 14.25 in ESTIMATE: $500-$600

LOT 64

Ed Templeton (1972) Untitled, 2002 Scanned color photograph Provenance: Stephen Cohen Gallery tag on verso Image: 19.25 x 21.75 in ; Framed: 20.75 x 24.75 in ESTIMATE: $800-$1,200

LOT 65

Jonathan Tillman Windward Avenue, 2006 Giclée print on fine art paper by Duganne Ateliers signed/titled/dated on recto Image : 11 x 11 in; Framed: 20 x 16 in ESTIMATE: $600-$800

LOT 66

Ed Templeton (1972) Kissing Kids - Joiner, 1996 Color photograph with marker and thread, unique Provenance: Roberts & Tilton gallery tag on verso Image: 13 x 10.875 in ; Framed: 15.75 x 12.5 in ESTIMATE: $800-$1,200

18

LOT 67

Sue De Beer (1973) Untitled, Film Still-Hans Und Grete (Pipe Bomb), 2002 C-print mounted with aluminum, from the numbered edition of 6 Provenance: Sandroni Rey Gallery Tag on verso Dimensions: 40 x 31 in ESTIMATE: $3,000-$4,000

LOT 68

Henri Cartier-Bresson (1908-2004) Rue Mouffetard, Paris, 1954, printed later Gelatin silver print Signed on recto Image: 15.5 x 11 in; Framed: 25.5 x 21.5 in ESTIMATE: $25,000-$30,000

LOT 69

Robert Frank (1924-2019) Picnic in a Car Park, Fourth of July, 1979 Gelatin silver print, signed/stamped on verso Image: 8.5 x 13 in; Framed: 21.75 x 17 in ESTIMATE: $10,000-$12,000

LOT 70

Ed Templeton (1972) The Sword Dildo, 2003 Photograph with marker, unique Provenance: Roberts & Tilton gallery tag on verso Image: 14 x 11 in ; Framed: 14.75 x 11.75 in ESTIMATE: $800-$1,200

19

LOT 71

Max Yavno (1911-1985) Untitled, from the Los Angeles Documentary Project, 1979-80 Gelatin silver print; signed on recto Image: 15 x 19 in; Framed: 22.25 x 28.25 in ESTIMATE: $2,000-$3,000

LOT 72

Max Yavno (1911-1985) San Cristobal Church Interior, Mexico, 1981 Gelatin silver print, signed on verso Image: 16 x 19.75 in; Framed: 19.625 x 25.625 in ESTIMATE: $2,000-$3,000

LOT 73

Terry Richardson Kate Moss, c. 1990s Photograph; signed/numbered on verso, from the numbered edition of 10 Image: 20 x 16 in; Frame: 26.125 x 19.75 in ESTIMATE: $2,000-$3,000

LOT 74

Gordon Parks (1912-2006) Street Image of Boys, c. 1969 Gelatin silver print; signed “to Puffy” on recto Howard Greenberg Gallery tag on verso, S.K Josefsberg Studio tag on verso Image: 20 x 24 in; Framed: 29 x 25 in ESTIMATE: $40,000-$50,000

20

LOT 75

Sally Mann (1951) Jessie Bites, 1985 Gelatin silver print; signed/titled/dated/editioned on verso from the numbered edition of 25, printed by the photographer from the original negative in 1998, Edwynn Houk Gallery tag on verso Illustrated: Immediate Family (New York: Aperture, 1992) Image: 7.5 x 9.5 in; Framed: 15.875 x 17.375 in ESTIMATE: $28,000-$34,000 LOT 76

William Klein (1926-2022) Dolores Wants a Taxi, New York (Vogue), 1958, printed in 2021 Chromogenic print; signed/dated/titled/editioned on verso artist label, from the numbered edition of 30 Provenance: Vogue, juillet 1958, pp. 26-27. Catalogue d’exposition, William + Klein, Galerie Polka, Éditions Textuels, Paris, 2019; Nathalie Herschdorfer, Coming into Fashion: A Century of Photography at Condé Nast, Prestel, NY 2012 Dimensions: 68 x 50 in; Framed: 69.5 x 56.5 in ESTIMATE: $30,000-$35,000 LOT 77

William Klein (1926-2022) Anne St. Marie + Cruiser in Traffic (Vogue), 1962, printed in 2012 Chromogenic print, mounted on aluminum signed/dated/titled/editioned on verso artist label, from the numbered edition of 30 Dimensions: 41.25 x 29.25 in; Framed: 42.5 x 30.5 in ESTIMATE: $25,000-$30,000

LOT 78

Horst P. Horst (1906-1999) Lisa on Silk, 1940 Gelatin silver print; signed/titled/dated on verso Image: 23 x 17.5 in; Framed: 35.5 x 31.5 in ESTIMATE: $8,000-$12,000

21

LOT 79

Andy Warhol (1928-1987) Mick Jagger, 1975 Screenprint, signed by Warhol & Jagger on recto, from the numbered edition of 250, printed by Alexander Heinrici New York on Arches Aquarelle paper, publisher stamp verso; Signed in pencil on recto by Mick Jagger and Andy Warhol Dimensions: 43.5 x 29 in; Framed: 54.25 x 39 in ESTIMATE: $200,000-$300,000

LOT 80

Andy Warhol (1928-1987) Lips from One Cent Life, 1964 Lithograph Dimensions: 16 x 11.25 in ESTIMATE: $2,500-$3,000 LOT 81

Andy Warhol (1928-1987) Portrait of Luella Maslon, 1973 Acrylic and silkscreen on canvas, original Portrait of Luella Maslon dedicated to her sister Pat Maslon by the artist, signature verso with dedication, Many of her art collector friends considered her to be the Gertrude Stein of her time.

Canvas: 40 x 40 in; Framed: 42.625 x 42.625 x 3 in ESTIMATE: $180,000-$220,000 LOT 82

Andy Warhol (1928-1987) Bald Eagle, 1983 Screenprint, A.P. from the numbered edition of 30 outside of the numbered edition of 150, signed/numbered on recto Image: 38 x 38 in; Framed: 45.875 x 45.875 in Condition: Slight creases on bottom left and right recto, slight scratching bottom middle recto; Has had professional restoration

ESTIMATE: $60,000-$90,000

22

LOT 83

Tom Wesslemann (1931-2004) Country Bouquet for Tammy, 1989 Screenprint on Arches paper, from the numbered edition of 82, signed/numbered on recto, embossed seals from Screened Images and International Images Dimensions: 38 x 29 in ESTIMATE: $2,000-$3,000

LOT 84

Ross Bleckner (1949) Dream and Do III, 1997 17-color screenprint; signed/numbered in pencil, printer’ proof, from the numbered edition of 75 Publisher: Lococo Fine Art Publisher, St. Louis, Missouri Provenance: Jim Kempner Fine Art, New York, NY Sheet: 32.5 x 41.5 in; Framed: 35.375 x 44.5 in ESTIMATE: $3,000-$4,000 LOT 85

Frederick Hammersley (1919-2009) Night Time #7, 1964 Oil on panel in artist frame, Frederick Hammersley tag on verso, LA Louver Gallery tag on verso Image: 10 x 12 in; Framed: 15 x 17.5 in ESTIMATE: $25,000-$35,000 LOT 86 Keith Haring (1958-1990) International Youth Year, 1985 Lithograph on handmade Arches paper; signed/numbered on recto, from the numbered edition of 1000, embossed seals of Federation and Emiliano Sorini Studio, with certificates from The United Nations Associations Dimensions: 11 x 8.5 in ESTIMATE: $8,000-$15,000 23

LOT 87

Ed Ruscha (1937) Coyote, 1989 Lithograph on wove paper; signed/dated/numbered in pencil on recto, from the numbered edition of 50 outside of 9 artist's proofs; published by the artist, with the blindstamp of the printer, Hamilton Press, Venice Provenance: The Works Gallery, Costa Mesa Sheet: 36 x 27 in; Framed: 45.875 x 36.875 in ESTIMATE: $18,000-$25,000

LOT 88

Robert Blue (1946-1998) A Model Spank with Betty Page No. 3, 1979 Acrylic on canvas; signed/titled/dated in ink on verso Dimensions: 61 x 48 in ESTIMATE: $30,000-$40,000

LOT 89

Patrick Nagel (1945-1984) Untitled (Pomo Tierra), c. Late 1970s Silkscreen; signed on recto An ad created for Pomo Tierra orchard company Image: 10.75 x 10.75 in; Framed: 16.5 x 16.5 in ESTIMATE: $10,000-$14,000

LOT 90

Raymond Pettibon (1957) Untitled (Poor Thing), c. 1990s Ink and graphite on paper; signed/dated on verso Provenance: Regen Projects Image: 22 x 30 in; Framed: 28.5 x 36 in ESTIMATE: $20,000-$30,000

24

LOT 91

Raymond Pettibon (1957) Untitled (A Girl Named Yoko), 1992 Etching with hand coloring; signed/numbered on recto From the numbered edition of 75 Dimensions: 26.25 x 19.875 in ESTIMATE: $2,000-$3,000

LOT 92

Robert Rauschenberg (1925-2008) Arcade, 1975 Offset lithograph with collage and embossing on handmade paper; signed/dated/numbered on recto, from the numbered edition of 100 Image: 30.75 x 23.25 in; Framed: 28 x 30 in ESTIMATE: $1,000-$1,500

LOT 93

Robert Rauschenberg (1925-2008) People For The American Way, 1991 Lithograph and screenprint on Arches Cover Paper Hand-signed and printed signature on recto Image: 31.375 x 24 in; Framed: 35.625 x 28.25 in ESTIMATE: $800-$1,500

LOT 94

Ed Ruscha (1937) and Robert Rauschenberg (19252008) Stay Safe, 1978 Color offset lithograph on wove paper; signed on recto by both artists, open edition, Alan Printing & Litho Los Angeles Provenance: Gitterman Gallery, NY tag on verso Dimensions: 31.125 x 23.125 in ESTIMATE: $1,000-$2,000 25

LOT 95

Leonard Koscianski (1952) Back Alley, 1987 Oil on canvas, signed, dated, and titled on verso Dimensions: 48 x 72 in ESTIMATE: $6,000-$10,000

LOT 96

Henri Matisse (1869-1854) Society Man, 1926 Lithograph on Japon paper; signed with the artist's stamp and numbered on recto, from the numbered edition of 50 plus 7 proofs (3 copies on Japon, 3 copies on Chine, 1 copy on Arches) plus 10 artist's proofs, Leslie Sacks Fine Art tag on verso Image: 15 x 12 in; Framed: 25.5 x 31 in ESTIMATE: $4,000-$6,000

LOT 97

Bruce Nauman (1941) D - Pulled Neck from Studies for Holograms, 1970 Screenprint, Leo Castelli; signed/dated/numbered on recto, from the edition of 150, from the series of 5 “Studies for Holograms” Provenance: Newport Harbor Art Museum tag on verso; Castelli Graphics Image: 26 x 26 in; Framed: 26.625 x 26.625 in ESTIMATE: $2,000-$2,500

LOT 98

Bruce Nauman (1941) Normal Desires, 1973 Lithograph; singed/dated/numbered on recto, from the edition of 50, Cirrus Editions Ltd. Image: 35.5 x 24.5 in; Framed: 37.125 x 26 in ESTIMATE: $4,000-$5,000

26

LOT 99

Francis Newton Souza (1924-2002) Untitled (Cityspace), 1995 Acrylic on paper; signed/dated on recto Provenance: Exhibited Miami Dade College Hialeah Campus Art Gallery Program Dimensions: 20 x 26 in; Framed: 22.5 x 26.5 in ESTIMATE: $20,000-$25,000

LOT 100

Robert Motherwell (1915-1991) America-La France Variation IX (Engberg/Banach 337, Belknap 305), 1983-1984 Lithograph in color on Arches paper with collage on Australian Bemboka handmade paper signed/numbered/stamped on recto, from the numbered edition of of 60, Tyler Graphics Ltd., New York Dimensions: 28.75 x 21.625; Framed: 35.5 x 28.5 in ESTIMATE: $3,000-$4,000

LOT 101

Robert Motherwell (1915-1991) Trial, 1971 Etching; signed/titled and embossed seal on recto, printed by ULAE Image: 10.5 x 14.125 in; Framed: 16.125 x 19.625 in ESTIMATE: $2,000-$3,000

LOT 102

Alex Katz (1927) Purple Tulips 1, 2021 Print; signed on recto, from the numbered edition of 100, archival pigment inks on Innova 315 paper Image: 32 x 47 in; Framed: measurements pending ESTIMATE: $12,000-$14,000

27

LOT 103

Bill Barminski (1962) Untitled, 2001 Collage on wood panel Signed/dated/inscribed on verso Dimensions: 48 x 48 in ESTIMATE: $ 3,000 - $4,000

LOT 105 - LOT OF 2

Bill Barminski (1962) Immutable Flickering Form, 1996 Enamel on canvas, diptych; signed/dated on verso Dimensions: 28 x 24 in Land of The Pygmies, 1996 Enamel on canvas, diptych; signed/dated on verso Dimensions: 28 x 24 in ESTIMATE: $4,000 - $5,000

LOT 106 - LOT OF 2

Bill Barminski (1962) Culture Industry Number 31 or The Future That Was , 1992 Enamel on canvas; signed on recto Dimensions: 36 x 36 in Utopia, 1992 Enamel on canvas; signed on recto Dimensions: 36 x 36 in ESTIMATE: $4,000 - $5,000

LOT 107

Bill Barminski (1962) - LOT OF 3 Untitled, c. 1990s Enamel on canvas Each signed on verso Dimensions: Each 12 x 12 in ESTIMATE: $800 - $1,200

28

LOT 108

Chiho Aoshima (1974) Japanese Apricot 2, 2005 Offset lithograph on wove paper; signed/dated on recto, from the numbered edition of 50, published by Kaikai Kiki Tokyo Image: 22 x 31.125 in; Framed: 31.5 x 41.25 in ESTIMATE: $2,000-$2,500

LOT 109

Ron Davis (1937) Twin Wave, 1979 Color screenprint and lithograph; signed/dated/numbered on recto, from the numbered edition of 50 Image: 32 x 41.75 in; Framed: 35.25 x 45.75 in ESTIMATE: $2,000-$2,500

LOT 110

T.J. Dixon & James Nelson Crouching Figure, 1986 Terracotta sculpture Provenance: From the Stuart Lampert & Stephen Tomar Collection Figure: 16.5 x 36 x 19.5 in Condition: Has had slight restoration

ESTIMATE: $500-$800

LOT 111

Otto Duecker (1948) Eight Ties, 1986 Oil on masonite with metal wire Signed/dated on verso Provenance: The Elaine Horwitch Galleries Dimensions: 44 x 17 in ESTIMATE: $1,800-$2,500

29

LOT 112

Francesco Clemente (1928) Peso, 1983 Color lithograph printed on both sides signed/dated/numbered, from the numbered edition of 50 Image: 55.5 x 34 in; Framed: 66.125 x 43.625 in ESTIMATE: $2,000-$3,000

LOT 113

Judy Chicago (1939) Driving The World To Destruction, 1988 Silkscreen; signed/titled/dated/numbered on recto, from the numbered edition of 50 Image: 25 x 35.5 in; Framed: 34.5 x 44.5 in ESTIMATE: $4,000-$6,000

LOT 14

Erwin Binder (1934-1993) Issaiha, 1978 Bronze sculpture, inscribed “A.P.” signed/dated/numbered Provenance: from the collection of Dr. Robert Smith Figure: 10.5 x 9.5 x 8 in; Overall: 12.5 x 9.5 x 8 in ESTIMATE: $600-$800

LOT 115

Diane Gamboa (1957) Untitled, 1986 Pastel on paper Signed, dated on recto Image: 36 x 24 in; Framed: 40 x 27.5 in ESTIMATE: $1,500-2,500

30

LOT 116

Llyn Foulkes (1934) Untitled (Abstract), 1960 Acrylic on paper, signed/dated on recto Image: 8.75 x 6.75 in; Framed: 11 x 9 in ESTIMATE: $800-$1,500 LOT 117

Camille Rose Garcia (1970) All Hail the Reindeer Army, 2004 Giclée, silkscreen and glitter on Somerset Velvet Enhanced paper, signed/numbered on recto with blindstamp, from the numbered edition of 40, published by Modern Multiples Los Angeles Image: 20 x 41.75; Framed: 25 x 47 in ESTIMATE: $800-$1,500 LOT 118

Carlos Almaraz (1941-1989) Beach Scene, 1984 Pastel; signed/dated on recto Image: 25.375 x 19.625 in; Framed: 32.625 x 26.875 in ESTIMATE: $6,000-$10,000

LOT 119

Salomón Huerta (1965) Untitled, c. 2010's Original watercolor on paper; signed on recto Image: 12 x 9 in ; Framed: 15.5 x 12.5 in ESTIMATE: $1,500-$2,500

LOT 120

Salomón Huerta (1965) Untitled (Basquiat Portrait), c. 2010's Original watercolor on paper; signed on recto Image: 24 x 17.75 in ; Framed: 29.125 x 24.125 in ESTIMATE: $4,000-$5,000

31

LOT 121 William Pope L. (1955-2023) White People Are The Flavor of The Mouth, 2012 Acrylic on canvas board Provenance: Mitchell Innes and Nash Gallery Image: 11.875 x 8.875 in Framed: 13.25 x 10.25 in ESTIMATE: $8,000-$10,000

LOT 122 - LOT OF 3 Shepard Fairey (1970) John & Yoko, 2010 Screenprint; signed/dated/numbered on recto, AP outside of the numbered edition of 450 Paul McCartney, The Joint (Las Vegas), 2009 Screenprint; signed/dated/numbered on recto, AP outside of the numbered edition of 500, Basquiat Canvas , 2010 Screenprint; signed/dated/numbered on recto, AP outside the numbered edition of 450 Image, each: 24 x 18 in; Framed, each: 29.125 x 23.125 in ESTIMATE: $2,000-$3,000

LOT 123 - LOT OF 3 Shepard Fairey (1970) Lift Every Vote, 2024 Screenprint, signed/dated/numbered on verso, from the numbered edition of 500 Uplift Democracy, 2024 Screenprint, signed/dated/numbered on verso, from the numbered edition of 500 Defend, 2024 Screenprint, signed/dated/numbered on verso, from the numbered edition of 500 Image, each: 24 x 18 in;Framed, each: 28.25 x 22.125 in ESTIMATE: $2,000-$3,000

32

LOT 124

Jose Lozano (1959) Mujer Maravilla, 1991 Pastel, acrylic, oil pastel on paper Artist painted frame, signed/dated on verso and frame, Bess Culter Gallery tag on verso Dimensions: 21.5 x 17.5 in ESTIMATE: $800-$1,200

LOT 125 - LOT OF 2

Robert Longo (1953) Men in the Cities - Gretchen, 1991 Offset lithograph; signed recto, unnumbered from the numbered edition of 100; Published by Amnesty International and Act-Up Image: 43.5 x 23.5 in; Framed: measurements pending Men in the Cities - Eric, 1991 Offset lithograph; signed recto, unnumbered from the numbered edition of 100; Published by Amnesty International and Act-Up Image: 43.5 x 23.5 in; Framed: measurements pending ESTIMATE: $1,500-$2,500

LOT 126

Malcom Morely (1931-2018) Untitled (Fisherman), 1983 Watercolor on paper Provenance: The PACE Gallery; Flanders Contemporary Art; James Corcoran Gallery tag verso Image: 19.25 x 13.5 in; Framed: 28.78 x 22.75 in ESTIMATE: $5,000-$8,000

33

LOT 127

Alexandra Nechita (1985) Untitled, 1995 Drawing done at 10 years old Signed/dated on recto Image: 16.5 x 10.75 in; Framed: 23.125 x 17.5 in ESTIMATE: $800-$1,200

LOT 128

Manuel Ocampo (1965) Deus, 1991 Monoprint, tag on verso The Printworks Gallery tag on verso Image: 19.75 x 15.5 in; Framed 29.5 x 25 in ESTIMATE: $800-$1,500

LOT 129

Carl Ostendarp (1961) Untitled, 1989 Airbrush on paper Signed/dated on verso Image; 30 x 22.125 in ; Framed: 38.50 x 29.875 in ESTIMATE: $800-$1,500

34

LOT 130 - LOT OF 2

Marion Peck (1963) A Girl With A Kitten, 2007 Print, signed/numbered on recto, from the numbered edition of 100 Image: 9.875 x 8 in; Framed: 12.375 x 10.5 in A Boy With A Puppy, 2007 Print, signed/numbered on recto, from the numbered edition of 100 Image: 9.875 x 8 in; Framed: 12.375 x 10.5 in ESTIMATE: $1,500-$2,500

LOT 131

Ken Price (1935-2012) Kauai Crab Cup, 1972 Lithograph, Cirrus Editions Signed/titled/dated on recto, AP outside of the edition of 60 Image: 24 x 20 in; Framed: 21.625 x 25.625 in ESTIMATE: $1,200-$1,800

LOT 132

Louis Renzoni (1952) Untitled (Lady in the Mirror), c. 2004 Oil on canvas Dimensions: 70 x 50.125 in ESTIMATE: $4,000-$6,000

35

LOT 133

Erika Rothenberg (1950) Secret Penis Package, 1986 Part of the installation Secret Penis, 1986 Washington Project for Rosamund Felsen, LA, PPOW, NY signed/titled/dated on verso Dimensions: 14.25 x 11.25 in ESTIMATE: $500-$800

LOT 134

Collier Schorr (1963) Untitled, 1993 Pencil, acrylic, flash and watercolor on paper; 303 Gallery New York tag on verso Image: 9.75 x 8 in; Framed: 17.25 x 15.25 in ESTIMATE: $2,000-$3,000

LOT 135

Judy Stabile (1948) Untitled from the Cylinder series, 2005 Sprayed enamel on glass, initialed/dated on verso Dimensions: 22 x 15 x 1.25 in ESTIMATE: $800-$1,200

LOT 136

James Strombotne (1934) Mans and Woman, 1995 Pastel water colors; signed/dated on recto Dimensions: 20 x 17 in; Framed: 20 x 17.5 in ESTIMATE: $500-$800

36

LOT 137

Kara Walker (1969) Freedom: A Fable, 1997 Bound volume of offset lithographs, pop-up silhouettes Designer: David Eisen Binder: Roswell Book Binder Publisher: Peter Norton Family Foundation Dimensions: 9.5 x 8.25 in ESTIMATE: $2,500-$3,000

LOT 138

Simon Willems (1971) Don’t Go Weird On Me, c. 2010's Oil and enamel on canvas, signed/titled on verso Dimensions: 10 x 12 in ESTIMATE: $800-$1,200

LOT 139

Sue Williams (1954) More Choices, 1992 Collage on paper Provenance: Regen Projects, Los Angeles Image: 13.5 x 11 in; Framed: 16.25 x 13 in ESTIMATE: $1,200-$1,800

LOT 140

Christopher Wool (1955) Celebrity (page from Black Book), 1989 Ink on wove paper Originally from the Black Book, the Black Book is from the edition of 350 Image: 22.5 x 15.125 in; Framed: 27.875 x 18.875 in ESTIMATE: $2,000-$2,500

37

LOT 141

Robbie Conal (1944) Bugger Off, 2011 Paint and oil stick on paper; signed/dated on recto Image: 29 x 23 in; Framed: 34.125 x 28.125 in ESTIMATE: $2,500-$3,500

LOT 142

Bob Zoell (1940) Sunflowers for Gauguin, 1983 Silkscreen; signed/dated/numbered on recto Image: 21.5 x 32 in; Framed: 29.375 x 39 in ESTIMATE: $1,200-$1,800

LOT 143

Chris Finley (1971) Untitled, 1999 Graphite on paper, signed/dated on recto Provenance: From the private collection of Marc Richards Image: 16.875 x 16.875 in; Framed: 21 x 21 in ESTIMATE: $300-$500

LOT 144 - LOT OF 2

Kim Dingle (1951) Untitled (Boxers), 1992 Untitled (Boxers TKO), 1992 Each: Ink on Polaroid photograph, signed/dated on recto Provenance, each: Kim Light, Los Angeles Image, each: 4.75 x 3.75 in; Framed, each: 10.75 x 8.625 in ESTIMATE: $1,400-$2,000

38 1

LOT 145

Hans Gustav Burkhardt (1904-1994) Peace on Earth, 1966 Print, signed/dated/annotated on recto Image: 7.375 x 12.25 in; Framed: 11.25 x 16 in ESTIMATE: $300-$400

LOT 146

Wayne Thiebaud(1920-2021) Pied Piper, 1951 Lithograph on Strathmore paper; signed/titled/dated on recto Image: 9 x 11.5 in; Sheet 11.5 x 14 in; Framed: 17 x 19.25 in ESTIMATE: $1,000-$1,500

LOT 147 - LOT OF 3

Peter Alexander (1939-2020) All 3, Each: Locus, 1992 Lithograph on paper; initialed on recto, from the numbered edition of 100, each Image: 30 x 31 in ESTIMATE: $1,800-$2,500

LOT 148

Wade Guyton (1972) X Poster (Untitled, 2008, Epson UltraChrome inkjet on linen, 84 x 69 inches), 2016 Hand folded digital print with archival UV curable inks From the numbered edition of 100 Signed/numbered on original box from Print Matter Inc. Image: 84 x 69 in ESTIMATE: $1,200-$1,800

39

LOT 149

Charming Baker (1964) Love is Never Thinking It Might End Before We Do, 2011 Giclée print, signed/numbered AP with embossed studio stamp Image: 21 x 21 in; Framed: 25.5 x 25.5 in ESTIMATE: $800-$1,500

40

BOND#69339314

SANTA MONICA

A U Cest.T1984I O N S

Terms & Conditions of Sale Annual Spring Auction 2025 Live Sale Date: Sunday, May 18, 2025 AT 1PM PST

The Auction is conducted under these Terms & Conditions of Sale and applicable state and local law. Announcements and corrections from the podium and those made through the Terms and Conditions of Sale appearing on the Internet Catalog at SMAuctions.com supersede those in this printed catalog.

The catalogue, as amended by any posted notices or oral announcements during the sale, is the entire agreement by and between SANTA MONICA AUCTIONS, the Consignor, and the Purchaser relative to the property listed herein. The following Conditions of Sale are the complete and only terms and conditions on which all property is offered for sale. We will offer some of the property as an agent for the Consignor. All registered bidders are required to acknowledge and sign the Terms & Conditions of Sale prior to The Auction.

SANTA MONICA AUCTIONS uses the following bidding increments: $50-$200 by $10 $200-$500 by $25 $500-$1,000 by $50 $1,000-$2,000 by $100 $2,000-$5,000 by $250 $5,000-$10,000 by $500 $10,000-$20,000 by $1,000 $20,000-$50,000 by $2,500 $50,000-$100,000 by $5,000 $100,000-$500,000 by $10,000 1. All property is sold “AS IS” and neither we nor the Consignor may make any warranties of representations of the correctness of the catalogue or the other description of the physical condition, size, quality, rarity, importance, medium, provenance, exhibitions, literature or historical relevance of the property and no statement anywhere, whether oral or written, shall be deemed such a warranty or representation. Prospective bidders should inspect the property before bidding to determine its condition, size and whether or not it has been repaired or restored.

Neither SANTA MONICA AUCTIONS nor the Consignor make representations or warranties as to whether the purchaser acquires any copyrights, including but not limited to, reproduction rights in the property. If the proposed purchaser acquires any copyrights, including but not limited to, reproduction rights in the property. If the proposed purchaser cannot attend the preview in person, please discuss individual items with the auction staff to ascertain conditions of sale, etc. We will do our best to answer your inquiry, though we highly suggest you visit our properties to review the said items in person.

2. A Buyer’s Premium will be added to the successful bid price and is payable by the purchaser as part of the total purchase price. For absentee bidding, phone bidding and live bidding on the auction floor, the buyer’s premium on all auction items will be 27% of the successful bid price per lot. The buyer’s premium for purchases made via online platforms, LiveAuctioneers and Invaluable will be 32% of the successful bid price per lot.

3. Payment may be made with Cash, Credit/Debit Card, Cashier’s Check, & Wire/Bank Transfer. We do not accept credit card payments for transactions over $15,000. Payments made with credit or debit card will incur additional payment processing fees. American Express cards will incur a 4.5% processing fee, all other credit/ debit cards will incur a 3% processing fee. Personal checks will be accepted only with prior approval. Purchases made via online platforms such as LiveAuctioneers and Invaluable will follow payment processing terms and fees as outlined by the online platform.

4. The authenticity of the Authorship of the property is listed in this catalogue is guaranteed by SANTA MONICA AUCTIONS for one year from the sale date.

If within one year’s time the purchaser returns the lot in the same condition as when purchased and gives us written proof from a recognized impartial expert which establishes beyond a reasonable doubt that the returned lot is in fact a counterfeit or a forgery intended to deceive and that this was not indicated by a fair reading of the catalogue or the auctioneer’s comments at the time of sale, then we and the consignor will rescind the sale and refund the purchase price.

This non-assignable guarantee is applicable only to the receipt-bearing original purchaser. The guarantee does not apply to (a) lot with a heading or description which includes the word or words “after” or “attributed” or “ manor” or “style” or “school” or “circle” or “collection” or “signed” (b) lots with a low estimate of $500 or less, (c) lots offered without an estimate.

5. We reserve the right to withdraw any property before the sale and shall have no liability whatsoever for such withdrawal.

6. We ACCEPT absentee bids in person, or phone (with a signature). (See Absentee Bid Form for description of terms). We are able to accept bids throughout the actual auction and do our best to represent the buyer per our absentee bid rules.

7. We reserve the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the purchaser. In the event of any dispute between bidders, or in the event of doubt on our part as to the validity of any bid, the auctioneer will have the final discretion either to determine the successful bidder or to re-offer and resell the article in dispute.

If any dispute arises after the sale, our sale record is conclusive. Although at our discretion we will execute order bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. Please note some pieces will be sold unframed, as noted in catalogue.

8. If the auctioneer decides that any opening bid is below the reserve of the article offered, he may reject the same and withdraw the article from sale, and if, having acknowledged an opening bid he decides that any advance thereafter is insufficient, he may reject the advance.

9. On the fall of the auctioneer’s hammer, title to the offered lot will pass to the highest bidder acknowledged by the auctioneer, subject to fulfillment by such bidder of all the conditions set forth herein. Such bidder thereupon (a) assumes full risk and responsibility and therefore, (b) will pay the full purchase price with buyer’s premium and applicable taxes upon notification that client is the successful bidder. In addition to other remedies available to us by law, we reserve the right to impose a late charge of 1.5% of the total purchase price per week if the payment is not made within 5 business days following the sale. The purchaser at his/her expense must also remove all property from our premises, not later than 10 business days following the sale. If property is not so removed, (i) a handling charge or 1% of the total purchase price per month until its removal, will be payable to us by the purchaser, with a minimum of 5% for any property not so removed within 60 days after the sale, and (ii) we may send the purchased property to a public warehouse at the risk and expense of the purchaser. If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the Consignor by law, including without limitation, the right to hold the purchaser liable for the total purchase price, we at our option may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or (b) resell the property at public auction without reserve and the purchaser will be liable for any deficiency costs including handling charges, the expenses of both sales and our commission on both sales at our regular rates. If successful bids are not paid in full within 60 days, the credit card on file will be automatically charged along with applicable late and handling fees. All other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest and we may retain as collateral security for such purchasers obligations to us any property in our possession owned by such a purchase. In the event a purchaser pays a portion of the total purchase price, we may apply payment in our sole discretion to the lot we deem appropriate. We shall have all of the rights accorded a secured party under the California Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us, or due from us, to the account of the purchaser. At our option, payment will not be deemed to have been made in full until we have collected good funds represented by checks, or, in the case of bank checks, cashier’s checks, or wire tansfers, we have confirmed their authenticity.

10. Some lots are offered subject to a reserve, which is the confidential minimum price below which such a lot will not be sold. We may implement such reserves by bidding, on behalf of the Consignor.

11. Unless exempted by law, the purchaser will be required to pay the California State and local sales tax or any applicable compensating use tax of another state on the total purchase price. The local and state tax combined is 10.25% 12. These Conditions of Sale, as well as the purchaser’s and our respective rights and obligations hereunder, shall be governed by, construed and enforced in accordance with the laws of the State of California. By bidding at auction, whether present in person, by agent, or by other bid, the purchaser shall be deemed to have consented to the exclusive jurisdiction of the state courts and federal courts sitting in the State of California.

13. SANTA MONICA AUCTIONS IS NOT responsible for packing, shipping or providing insurance for sold artwork. Successful bidders are responsible for making ALL shipping arrangements. SANTA MONICA AUCTIONS can suggest qualified shippers, if necessary.

14. We, SANTA MONICA AUCTIONS are not responsible for the facts or omissions in our packing or shipping of purchased lots, whether or not recommended by us. Packing and handling of purchased lots is at the entire risk of the purchaser.

15. In no event will our liability to a purchaser exceed the purchase price actually paid.

16. During the auction, we will do our best to stay in the order of this catalogue, which for the most part per lot. However, we are not strictly adhering to numbers or a specific order in this catalogue. These are to be used as references and the auctioneer will announce them as they come up on the auction block.

Gordon Parks LOT 74

Helmut Newton LOT 44

Peter Beard LOT 48

Ed Ruscha LOT 87

Julius Shulman LOT 62

Jacques Henri Lartigue LOT 60

Diane Arbus LOT 49

Miles Aldridge LOT 39 Robert Blue LOT 88

DJ Hall LOT 11

Robert Mapplethorpe LOT 33 Nan Goldin LOT 34

Shirin Aliabadi & Farhad Moshiri LOT 29

Patrick Nagel LOT 89

Ed Moses LOT 7

Raymond Pettibon LOT 90 Carlos Almaraz LOT 118

LOT 59

LOT 68

Man Ray (1890-1976) Harlequin (Berenice Abbott), 1922 Gelatin silver print; signature with credit/date/annotation, photographer stamp on reverse Provenance: From the estate of Dr. Stanley Kogan Dimensions: 8 x 6 in; Framed: 19 x 15 in

Henri Cartier-Bresson (1908-2004) Rue Mouffetard, Paris, 1954, printed later Gelatin silver print; signed on recto Image: 15.5 x 11 in; Framed: 25.5 x 21.5 in ESTIMATE: $25,000-$30,000

ESTIMATE: $20,000-$30,000

SANTA MONICA

A U Cest.T1984I O N S BOND#69339314