SANTA MONICA
A U Cest.T1984I O N S
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Andy Warhol Portrait of Luella Maslon, 1973 LOT 81
LOT 79
Andy Warhol (1928-1987) Mick Jagger, 1975 Screenprint Signed in pencil on recto by Mick Jagger and Andy Warhol Printed by Alexander Heinrici New York on Arches Aquarelle paper, from the numbered edition of 250, publisher stamp verso Dimensions: 43.5 x 29 in; Framed: 54.25 x 39 in ESTIMATE: $200,000-$300,000
Andy Warhol Bald Eagle, 1983 LOT 82
Alex Prager LOT 54 William Klein LOT 76
William Klein LOT 77
Nobuyoshi Araki LOT 38
LOT 1
Laddie John Dill (1943) Untitled, 2010 Mixed media, cement, glass; signed/dated on side Dimensions: 30 x 60 in ESTIMATE: $1,000-$2,000
LOT 2
Peter Alexander (1939-2002) Boccacio, 1995 Acrylic and oil on canvas; signed/dated/titled on verso Dimensions: 33 x 36 in ESTIMATE: $4,000-$5,000
LOT 3
Joe Goode (1937-2025) Trees #3, 1987 Oil on paper; signed with stamped date on Joe Goode Studio Gallery tag on verso Provenance: LA Louver, Venice; The Oklahoma Art Center; Orlando Museum of Art gallery tag Dimensions: 29 x 22 in ESTIMATE: $2,500-$3,000
LOT 4
Joe Goode (1937) Untitled, 1986 Oil on board Provenance: James Corcoran Gallery, Los Angeles tag on verso Image: 41.25 x 92.25 in; Framed: 49 x 94.25 in ESTIMATE: $15,000-$25,000
1
LOT 5
Joe Goode(1937) Torn Sky, 1971 Lithograph; signed/numbered/dated on recto, from the numbered edition of 50 Image: 18 x 24 in; Framed: 19 x 24.5 in ESTIMATE: $1,200-$1,800
LOT 6
Joe Goode (1937-2025) Untitled #4 from the X-ray series, 1977 Etching; signed/dated/numbered on recto, from the numbered edition of 25 Image: 7.75 x 11.75 in; Framed: 15.5 x 19 in ESTIMATE: $800-$1,300
LOT 7
Ed Moses (1926-2018) NY Trace #5, 1975 Oil and acrylic on canvas on panel; signed/dated on recto, also signed/dated/inscribed on verso Provenance: LA Louver, Venice (tag on verso) Dimensions: 72 x 60 in ESTIMATE: $25,000-$35,000
LOT 8
Ed Moses (1926-2018) Glow 7, 1988 Acrylic on mylar; dated verso Provenance: Riva Yares Gallery tag verso Dimensions: 26.5 x 32 in ESTIMATE: $3,000-$4,000
2
LOT 9
Ed Moses (1926-2018) Ikuru Speak-No, 1990 Screenprint on both wove and Japanese hand-made Seikishi rice paper; signed/dated/numbered on recto, from the numbered edition of 250, printed by Jeff Wasserman with a blind stamp and published by LACMA Image: 31.125 x 23.125 in; Framed: 39.375 x 27.625 in ESTIMATE: $1,500-$2,000
LOT 10
Tom Wudl (1948) Study for Vincent Violin III, 1999 Mixed media on paper Provenance: LA Louver Gallery; OTA House tag on verso Imafe: 29 x 36 in; Framed: 39 x 33.5 in ESTIMATE: $2,000-$3,000
LOT 11
DJ Hall (1951)- LOT OF 2 Here’s To The Ladies Who Lunch, 1984 Oil on canvas; signed/titled on verso comes with original sketch in plexi frame Provenance: Palm Springs Art Museum tag on verso Dimensions: 40 x 52 in ESTIMATE: $10,000-$15,000
3
LOT 12 - LOT OF 5
Robert Graham (1938-2008) (1-5) Untitled, 2001 Graphite on paper; initialed/dated on recto Sheet, each: 15 x 11 in ESTIMATE: $6,000-$8,000
LOT 13
Robert Graham (1938-2008) Untitled, 1994 Print; signed/dated on recto Image: 14.75 x 10.75 in; Framed: 17.25 x 14.25 in ESTIMATE: $800-$1,500
LOT 14 - LOT OF 3
Dennis Hollingsworth (1956) (1) Untitled XXII, 1998 (2) Untitled XXIII, 1998 (3) Untitled XXVIII, 1998 Unique monotype Provenance, each: Roberts & Tilton Gallery tag on verso Image, each: 26 x 20 in; Framed: 32.625 x 28 in ESTIMATE: $4,000-$6,000
4
LOT 15
Delia Brown (1969) Untitled (Toilet), 2001 Watercolor on paper Provenance: Margo Levin Gallery tag on verso Image: 9 x 14 in; Framed: 16 x 21 in ESTIMATE: $3,000-$5,000
LOT 16 - LOT OF 2
Neil Farber (1975) Things Jeffreys Have Invented, 1998 Ink and watercolor on paper; signed/dated on recto Provenance: Richard Heller Gallery, Santa Monica Image: 8.5 x 10.75 in; Framed: 12.125 x 15.125 in Things That Will Cause Death, 2000 Ink and watercolor on paper; signed/dated on recto Provenance: Richard Heller Gallery, Santa Monica Image 14 x 16.75 in; Framed: 17.875 x 20.75 in ESTIMATE: $2,000-$3,000
LOT 17
Louise Nevelson (1899-1988) Untitled (Solitude), 1986 Color screenprint and collage on wove paper signed/dated/numbered from the numbered edition of 125, published by Pace Editions, New York Image: 41 x 28.25 in; Framed: 42.5 x 29.75 in ESTIMATE: $2,000-$3,000
5
MARC RICHARDS Marc Richards, a longtime presence in the Los Angeles art scene, ran the influential Marc Richards Gallery in the 1980s and ’90s before expanding his gallery work in New York. A dedicated traveler, he has sought out art in remote regions around the world. On an early trip to China, Marc recognized its rising role in the global art market and began collecting important works and becoming an expert in Chinese art, later expanding his focus to artists from Pakistan, Iran, and Africa. Now shifting toward a more personal artistic path, Marc has contributed pieces from his private collection—including two bodies of his own work, which were featured in a 2022 exhibition at Blum & Poe in Los Angeles.
Image: Los Angeles Portraits, Installation view, Blum & Poe Los Angeles © Marc Richards - Photo: Josh Schaedel, Courtesy Blum & Poe
LOT 18 - LOT OF 5
Marc Richards (1) Ai Weiwei, 2018 Pastel on paper; initialed/dated on recto Image: 16.75 x 13.5 in; Framed: 19.75 x 16.75 in (2) Mary Boone, 2019 Pastel on paper; initialed/dated on recto Image: 16.75 x 13.5 in; Framed: 19.75 x 16.75 in (3) Robert Rauschenberg, 2020 Pastel on paper; initialed/dated on recto Image: 16.75 x 13.5 in; Framed: 19.75 x 16.75 in (4) Quincey Jones, 2019 Pastel on paper; initialed/dated on recto Image: 16.75 x 13.5 in; Framed: 20 x 17 in (5) Miles Davis, 2019 Pastel on paper; initialed/dated on recto Image: 16.75 x 13.5 in; Framed: 20 x 17 in Provenance, each: Exhibited at Blum & Poe 2022; From the private collection of Marc Richards ESTIMATE: $4,000-$6,000
LOT 19 - LOT OF 3
Marc Richards (1) Untitled, 2021 Pastel on paper; initialed/dated on recto (2) Untitled, 2020 Pastel on paper; initialed/dated on recto (3) Untitled, 2021 Pastel on paper; initialed/dated on recto Provenance, each: Exhibited at Blum & Poe; From the private collection of Marc Richards Dimensions, each: 19.625 x 16.625 in ESTIMATE: $3,000-$5,000
6
LOT 20
Lou Quanmu (1965) Untitled, 2003 Oil and acrylic on canvas; signed/dated on recto Provenance: From the private collection of Marc Richards; Marc Richards gallery tag on verso Dimensions: 57 x 51 in ESTIMATE: $2,000-$4,000
LOT 21
Matías Paradela (1989) Niño Grande, 2022 Oil on canvas; signed/dated/titled on verso Provenance: From the private collection of Marc Richards Dimensions: 66 x 56 in ESTIMATE: $5,000-$8,000
LOT 22 - LOT OF 2
Mia Scarpa (1997) (1) Untitled, 2023 Acrylic on canvas; signed/dated on verso Dimensions: 20 x 16 in (2) Nothin’ Song 2023 Oil, acrylic, and mixed media on canvas; signed/dated on verso Dimensions: 16 x 16 in Provenance, each: From the private collection of Marc Richards; ESTIMATE: $2,500-$3,500
7
LOT 23
Mia Scarpa (1997) Chin Up High, 2023 Acrylic and collage on wood panel; signed/dated on verso Provenance: From the private collection of Marc Richards; Thinkspace Gallery Dimensions: 20 x 16 in ESTIMATE: $2,000-$3,000
LOT 24
Negar Ahkami (1971) Harem, 2008 Acrylic on gessoed panel; signed/dated on verso Provenance: From the private collection of Marc Richards; Marc Richards Gallery tag on verso Dimensions: 35 x 23 in ESTIMATE: $2,000-$3,000
LOT 25
Yukine Yanagi (1998) Twilight Vigil, 2020-21 Oil on canvas; signed/dated/titled on verso Provenance: From the private collection of Marc Richards; Latitude Gallery Dimensions: 34 x 48 in ESTIMATE: $1,500-$2,500
LOT 26
Jamaal Peterman (1990) We Unite , 2020 Oil, sand, and vinyl on canvas; signed/dated/title on verso Provenance: From the private collection of Marc Richards; Vigo Gallery Dimensions: 40 x 28 in ESTIMATE: $1,000-$1,500
8
LOT 27
Zhang Dun (1979) Street Scene No. 2, 2011 Graphite on 2 sheets of paper Provenance: From the private collection of Marc Richards Dimensions: 10.75 x 29.125 in; Framed: 14.75 x 33 in ESTIMATE: $800-$1,200
LOT 28
Riyas Komu (1971) Shooting at a Flag (diptych), 2004 Oil on canvas; signed/dated/titled on verso Provenance: From the private collection of Marc Richards Dimensions: 24 x 72 in ESTIMATE: $2,500-$3,500
LOT 29
Shirin Aliabadi & Farhad Moshiri Families Ask Why, 2006 C-Print; signed/numbered on recto, from the edition of 10 Provenance: From the private collection of Marc Richards; Marc Richards Gallery Tag on verso; Farhad Moshiri (The Third Concept), comes with Certificate of Authenticity. Image: 40 x 30 in; Framed: 36.5 x 46.5 in ESTIMATE: $4,000-$6,000
LOT 30
He Yunchang (1967) Golden Sunshine-B, 1999 C-Print; signed/numbered on recto, from the edition of 8 Provenance: From the private collection of Marc Richards; Marc Richards Gallery Tag on verso Image: 34 x 49 in; Framed: 43.875 x 57.75 in ESTIMATE: $4,000-$6,000
9
LOT 31
Ed Templeton (1972) Untitled (Meandering, Meaningless, Nothingness), 2003 Color photograph with acrylic and marker, unique Provenance: From the private collection of Marc Richards; Roberts & Tilton gallery tag on verso Image: 10.5 x 13.5 in ; Framed: 12 x 15 in ESTIMATE: $700-$900
LOT 32
Ed Templeton (1972) Party Trick #2, Tempe Arizona, 1998 Photograph; signed/titled on verso Image: 10 x 8 in; Framed: 10.25 x 8.25 in ESTIMATE: $600-$800
LOT 33
Robert Mapplethorpe (1946-1989) Rose, 1987 Dye transfer print, mounted; signed/dated/numbered in the margin, from the numbered edition of 7 Dimensions: 19 x 18.75 in; Framed: 28.25 x 27.75 in ESTIMATE: $35,000-$40,000
LOT 34
Nan Goldin (1953) CZ and Max on the Beach, Truro, MA, 1976 Cibachrome print, mounted on board signed/titled/dated/numbered in ink on verso, from the numbered edition of 25 Provenance: Jablonka Galerie, Lindenstraße, Germany Image: 41 x 28 in; Framed: 41 x 28 in ESTIMATE: $45,000-$50,000
10
LOT 35
Thomas Ruff (1958) Portrait, 1988 Dye transfer print; signed/numbered on verso, from the numbered edition of 12, from a portfolio of 5 images published by Edition Schellmann Provenance: Gitterman Gallery, NY tag on verso Image: 9.5 x 7 in; Framed: 16 x 13 in ESTIMATE: $4,000-$6,000 LOT 36
Gregory Crewdson (1962) Windows from the Early Work series, 1987, printed in 1987 C-print Signature has faded on bottom right recto Image: 18.75 x 23 in; Framed: 23 x 27 in ESTIMATE: $2,500-$3,500
LOT 37 - LOT OF 2
Tierney Gearon (1963) Untitled (Man with Mask), 2000 C-print Image: 19.25 x 23.5 in; Framed: 20.25 x 24.25 in Untitled, 2010 Chromogenic photographic print; A Jen Beckman Project tag on verso Image: 8 x 10 in; Framed: 15.25 x 19.25 in ESTIMATE: $2,000-$3,000
LOT 38
Nobuyoshi Araki (1940) Colourscapes (Watermelon), 1991 Ilfochrome color print; signed/dated on verso Dimensions: 40 x 26 in; Framed: 33.875 x 25.25 ESTIMATE: $20,000-$25,000
11
LOT 39
Miles Aldridge (1964) Bold Gold #2, 2006 Lambda print; signed on verso, from the numbered edition of 10, Miles Aldridge Studio tag on verso Image: 2.875 x 29.75 in; Framed: 30.875 x 41.75 in ESTIMATE: $6,000-$8,000
LOT 41
Todd Hido (1968) Untitled #3285, 2003 C-print; signed/dated/numbered on verso, from the numbered edition of 25 Image: 14 x 11 in; Framed: 16.25 x 13.25 in ESTIMATE: $3,000-$4,000
LOT 42
Catherine Opie (1961) Sunset #6 from the Twelve Miles To The Horizon series, 2009 C-print; signed/numbered, from the numbered edition of 50, published by Hatje Cantz, Berlin, Germany Provenance: Paddle8, New York Image: 13.5 x 10.125 in; Framed: 17.125 x 13.125 in ESTIMATE: $2,000-$3,000
12
LOT 43
Helmut Newton (1920-2004) Untitled (Lisa Lyon), c. 1980 Contact print; signed by Lisa Lyon Image: 2.25 x 2.125; Framed: 5 x 5 in ESTIMATE: $800-$1,200
LOT 44
Helmut Newton (1920-2004) Nude in Seaweed, negative 1976, printed c. 1984 Gelatin silver print Image: 15.625 x 11.75 in; Framed: 25.25 x 19.25 in ESTIMATE: $12,000-$15,000
LOT 45
Charlie Bidwell (1962) Tucson, 2001 Selenium-toned gelatin silver print signed/titled/dated/numbered with Artist stamp, printed 2002 under direct supervision of photographer Provenance: Jan Kesner Gallery tag on verso Image: 36.875 x 37 in; Framed: 52.375 x 45.5 in ESTIMATE: $2,000-$4,000
LOT 46
Charlie Bidwell (1962) 5 Spot, 2001 Selenium-toned gelatin silver print Image: 36.875 x 37in; Framed: 52.375 x 43.375 in ESTIMATE: $2,000-$4,000
13
LOT 47
Peter Beard (1938-2020) Loliondo Lion Charge, 1964, Printed later Toned gelatin silver print; signed/titled/dated/inscribed in ink, comes with Certificate of Authenticity Image: 8 x 10 in; Framed: 19.875 x 16.375 in ESTIMATE: $15,000-$20,000
LOT 48
Peter Beard (1938-2020) Orphaned Cheetah Cub in Mweiga National Park Headquarters, for The End of The Game, 1968 Gelatin silver print; signed/titled/dated on recto Image: 6.5 x 9.5 in; Framed: 19.875 x 16.375 in ESTIMATE: $25,000-$30,000
LOT 49
Diane Arbus (1923-1971) Woman at a Counter Smoking, N.Y.C., 1962 Gelatin silver print; signed in ink by Doon Arbus, for the Estate of Diane Arbus, stamp verso, from the numbered edition of 75 Provenance: Diane Arbus: Revelations (Random House); Edward Hopper & Company (Fraenkel Gallery tag on verso) Image: 15 x 15 in; Framed: 27 x 25.625 in ESTIMATE: $35,000-$40,000
LOT 50
Diane Arbus (1923-1971) Mia Villiers - Farrow on a Bed, 1964 Gelatin silver print; signed in ink by Doon Arbus, stamp verso, from the numbered edition of 75 Image: 15.25 x 15.5 in; Framed: 27 x 25.625 in ESTIMATE: $12,000-$15,000
14
LOT 51
Bill Owens (1938) Untitled (Pool Party from Suburbia), c. 1973 Gelatin silver print; signed/titled on verso, artist stamp and annotations on verso Image: 8 x 10 in; Framed: 9.5 x 11.75 in ESTIMATE: $4,000-$5,000
LOT 52
Larry Clark (1943) Tulsa #6, 1960-70 Gelatin silver print, individual plate from Tulsa Portfolio published in 1980; signed on verso, from the numbered edition of 100 Image: 8.5 x 12.625 in; Framed: 15.125 x 18.5 in ESTIMATE: $2,000-$3,000
LOT 53
Hiroshi Sugimoto (1948) Ionian Sea, Santa Cesarea, 1990 Tri-toned offset lithographic print Blindstamped recto with location, year, and image number Image: 13.875 x 18.25 in; Framed: 18 x 22.25 in ESTIMATE: $2,500-$3,000
LOT 54
Alex Prager (1979) 2pm, Interstate 110, from Compulsion, 2012 Archival pigment print; signed/dated/titled/numbered on verso, AP outside of the numbered edition of 9, M+B Gallery tag on verso Image: 48 x 40.25 in; Framed: 48.125 x 41.625 in ESTIMATE: $20,000-$25,000
15
LOT 55
Kim Dingle (1951) Miss Lowengrim, 1991-92 Oil on photograph; signed/dated on recto, Otis Gallery College tag on verso Provenance: Collection Trace and Steve Berson, Agoura Hills Image: 6.5 x 4.25 in; Framed: 12.625 x 9.625 in ESTIMATE: $800-$1,500
LOT 56
Mark Seliger (1959) Heidi Klum, printed 2007 Platinum polladium on Arches Paper Artist stamp on verso with date and edition, from the numbered edition of 20 Image: 12.25 x 10 in; Framed: 27.75 x 22.375 in ESTIMATE: $2,000-$3,000
LOT 57
Ed Templeton (1972) Untitled (Far Along The Road Crossing), New Mexico, 2004 Photograph with marker, unique Image: 16 x 20 in ; Framed: 17 x 21 in ESTIMATE: $700-$900
LOT 58
Ed Templeton (1972) The Brutal Life, 2003 Photograph with marker, unique; signed/dated on recto Provenance: Roberts & Tilton gallery tag on verso Image: 11 x 14 in ; Framed: 13.625 x 16.65 in ESTIMATE: $700-$900
16
LOT 59
Man Ray (1890-1976) Harlequin (Berenice Abbott), 1922 Gelatin silver print; signature with credit/date/annotation, photographer stamp on reverse Provenance: From the estate of Dr. Stanley Kogan Dimensions: 8 x 6 in; Framed: 19 x 15 in ESTIMATE: $20,000-$30,000
LOT 60
Jacques Henri Lartigue (1984-1986) Paris, Renée, 1931 (Printed Later) Gelatin silver print; signed on recto, from the numbered edition of 35 Image: 10.375 x 14 in; Framed: 18.75 x 22.75 in ESTIMATE: $6,000-$8,000
LOT 62
Julius Shulman (1910-2009) Case Study House #22, 1960, Pierre Keonig, Los Angeles, California, 1960 (printed later) Gelatin silver print; signed/dated in pencil on verso, Jackson Fine Art Gallery tag on verso Image 19.625 x 15.5 in; Framed: 27.75 x 23.625 in ESTIMATE: $10,000-$15,000
17
LOT 63
Ed Templeton (1972) Jamie Thomas, c. 1994-95 Photograph with marker, unique Image: 13.75 x 10.5 in; Framed: 17.25 x 14.25 in ESTIMATE: $500-$600
LOT 64
Ed Templeton (1972) Untitled, 2002 Scanned color photograph Provenance: Stephen Cohen Gallery tag on verso Image: 19.25 x 21.75 in ; Framed: 20.75 x 24.75 in ESTIMATE: $800-$1,200
LOT 65
Jonathan Tillman Windward Avenue, 2006 Giclée print on fine art paper by Duganne Ateliers signed/titled/dated on recto Image : 11 x 11 in; Framed: 20 x 16 in ESTIMATE: $600-$800
LOT 66
Ed Templeton (1972) Kissing Kids - Joiner, 1996 Color photograph with marker and thread, unique Provenance: Roberts & Tilton gallery tag on verso Image: 13 x 10.875 in ; Framed: 15.75 x 12.5 in ESTIMATE: $800-$1,200
18
LOT 67
Sue De Beer (1973) Untitled, Film Still-Hans Und Grete (Pipe Bomb), 2002 C-print mounted with aluminum, from the numbered edition of 6 Provenance: Sandroni Rey Gallery Tag on verso Dimensions: 40 x 31 in ESTIMATE: $3,000-$4,000
LOT 68
Henri Cartier-Bresson (1908-2004) Rue Mouffetard, Paris, 1954, printed later Gelatin silver print Signed on recto Image: 15.5 x 11 in; Framed: 25.5 x 21.5 in ESTIMATE: $25,000-$30,000
LOT 69
Robert Frank (1924-2019) Picnic in a Car Park, Fourth of July, 1979 Gelatin silver print, signed/stamped on verso Image: 8.5 x 13 in; Framed: 21.75 x 17 in ESTIMATE: $10,000-$12,000
LOT 70
Ed Templeton (1972) The Sword Dildo, 2003 Photograph with marker, unique Provenance: Roberts & Tilton gallery tag on verso Image: 14 x 11 in ; Framed: 14.75 x 11.75 in ESTIMATE: $800-$1,200
19
LOT 71
Max Yavno (1911-1985) Untitled, from the Los Angeles Documentary Project, 1979-80 Gelatin silver print; signed on recto Image: 15 x 19 in; Framed: 22.25 x 28.25 in ESTIMATE: $2,000-$3,000
LOT 72
Max Yavno (1911-1985) San Cristobal Church Interior, Mexico, 1981 Gelatin silver print, signed on verso Image: 16 x 19.75 in; Framed: 19.625 x 25.625 in ESTIMATE: $2,000-$3,000
LOT 73
Terry Richardson Kate Moss, c. 1990s Photograph; signed/numbered on verso, from the numbered edition of 10 Image: 20 x 16 in; Frame: 26.125 x 19.75 in ESTIMATE: $2,000-$3,000
LOT 74
Gordon Parks (1912-2006) Street Image of Boys, c. 1969 Gelatin silver print; signed “to Puffy” on recto Howard Greenberg Gallery tag on verso, S.K Josefsberg Studio tag on verso Image: 20 x 24 in; Framed: 29 x 25 in ESTIMATE: $40,000-$50,000
20
LOT 75
Sally Mann (1951) Jessie Bites, 1985 Gelatin silver print; signed/titled/dated/editioned on verso from the numbered edition of 25, printed by the photographer from the original negative in 1998, Edwynn Houk Gallery tag on verso Illustrated: Immediate Family (New York: Aperture, 1992) Image: 7.5 x 9.5 in; Framed: 15.875 x 17.375 in ESTIMATE: $28,000-$34,000 LOT 76
William Klein (1926-2022) Dolores Wants a Taxi, New York (Vogue), 1958, printed in 2021 Chromogenic print; signed/dated/titled/editioned on verso artist label, from the numbered edition of 30 Provenance: Vogue, juillet 1958, pp. 26-27. Catalogue d’exposition, William + Klein, Galerie Polka, Éditions Textuels, Paris, 2019; Nathalie Herschdorfer, Coming into Fashion: A Century of Photography at Condé Nast, Prestel, NY 2012 Dimensions: 68 x 50 in; Framed: 69.5 x 56.5 in ESTIMATE: $30,000-$35,000 LOT 77
William Klein (1926-2022) Anne St. Marie + Cruiser in Traffic (Vogue), 1962, printed in 2012 Chromogenic print, mounted on aluminum signed/dated/titled/editioned on verso artist label, from the numbered edition of 30 Dimensions: 41.25 x 29.25 in; Framed: 42.5 x 30.5 in ESTIMATE: $25,000-$30,000
LOT 78
Horst P. Horst (1906-1999) Lisa on Silk, 1940 Gelatin silver print; signed/titled/dated on verso Image: 23 x 17.5 in; Framed: 35.5 x 31.5 in ESTIMATE: $8,000-$12,000
21
LOT 79
Andy Warhol (1928-1987) Mick Jagger, 1975 Screenprint, signed by Warhol & Jagger on recto, from the numbered edition of 250, printed by Alexander Heinrici New York on Arches Aquarelle paper, publisher stamp verso; Signed in pencil on recto by Mick Jagger and Andy Warhol Dimensions: 43.5 x 29 in; Framed: 54.25 x 39 in ESTIMATE: $200,000-$300,000
LOT 80
Andy Warhol (1928-1987) Lips from One Cent Life, 1964 Lithograph Dimensions: 16 x 11.25 in ESTIMATE: $2,500-$3,000 LOT 81
Andy Warhol (1928-1987) Portrait of Luella Maslon, 1973 Acrylic and silkscreen on canvas, original Portrait of Luella Maslon dedicated to her sister Pat Maslon by the artist, signature verso with dedication, Many of her art collector friends considered her to be the Gertrude Stein of her time. Canvas: 40 x 40 in; Framed: 42.625 x 42.625 x 3 in ESTIMATE: $180,000-$220,000 LOT 82
Andy Warhol (1928-1987) Bald Eagle, 1983 Screenprint, A.P. from the numbered edition of 30 outside of the numbered edition of 150, signed/numbered on recto Image: 38 x 38 in; Framed: 45.875 x 45.875 in Condition: Slight creases on bottom left and right recto, slight scratching bottom middle recto; Has had professional restoration
ESTIMATE: $60,000-$90,000
22
LOT 83
Tom Wesslemann (1931-2004) Country Bouquet for Tammy, 1989 Screenprint on Arches paper, from the numbered edition of 82, signed/numbered on recto, embossed seals from Screened Images and International Images Dimensions: 38 x 29 in ESTIMATE: $2,000-$3,000
LOT 84
Ross Bleckner (1949) Dream and Do III, 1997 17-color screenprint; signed/numbered in pencil, printer’ proof, from the numbered edition of 75 Publisher: Lococo Fine Art Publisher, St. Louis, Missouri Provenance: Jim Kempner Fine Art, New York, NY Sheet: 32.5 x 41.5 in; Framed: 35.375 x 44.5 in ESTIMATE: $3,000-$4,000 LOT 85
Frederick Hammersley (1919-2009) Night Time #7, 1964 Oil on panel in artist frame, Frederick Hammersley tag on verso, LA Louver Gallery tag on verso Image: 10 x 12 in; Framed: 15 x 17.5 in ESTIMATE: $25,000-$35,000 LOT 86 Keith Haring (1958-1990) International Youth Year, 1985 Lithograph on handmade Arches paper; signed/numbered on recto, from the numbered edition of 1000, embossed seals of Federation and Emiliano Sorini Studio, with certificates from The United Nations Associations Dimensions: 11 x 8.5 in ESTIMATE: $8,000-$15,000 23
LOT 87
Ed Ruscha (1937) Coyote, 1989 Lithograph on wove paper; signed/dated/numbered in pencil on recto, from the numbered edition of 50 outside of 9 artist's proofs; published by the artist, with the blindstamp of the printer, Hamilton Press, Venice Provenance: The Works Gallery, Costa Mesa Sheet: 36 x 27 in; Framed: 45.875 x 36.875 in ESTIMATE: $18,000-$25,000
LOT 88
Robert Blue (1946-1998) A Model Spank with Betty Page No. 3, 1979 Acrylic on canvas; signed/titled/dated in ink on verso Dimensions: 61 x 48 in ESTIMATE: $30,000-$40,000
LOT 89
Patrick Nagel (1945-1984) Untitled (Pomo Tierra), c. Late 1970s Silkscreen; signed on recto An ad created for Pomo Tierra orchard company Image: 10.75 x 10.75 in; Framed: 16.5 x 16.5 in ESTIMATE: $10,000-$14,000
LOT 90
Raymond Pettibon (1957) Untitled (Poor Thing), c. 1990s Ink and graphite on paper; signed/dated on verso Provenance: Regen Projects Image: 22 x 30 in; Framed: 28.5 x 36 in ESTIMATE: $20,000-$30,000
24
LOT 91
Raymond Pettibon (1957) Untitled (A Girl Named Yoko), 1992 Etching with hand coloring; signed/numbered on recto From the numbered edition of 75 Dimensions: 26.25 x 19.875 in ESTIMATE: $2,000-$3,000
LOT 92
Robert Rauschenberg (1925-2008) Arcade, 1975 Offset lithograph with collage and embossing on handmade paper; signed/dated/numbered on recto, from the numbered edition of 100 Image: 30.75 x 23.25 in; Framed: 28 x 30 in ESTIMATE: $1,000-$1,500
LOT 93
Robert Rauschenberg (1925-2008) People For The American Way, 1991 Lithograph and screenprint on Arches Cover Paper Hand-signed and printed signature on recto Image: 31.375 x 24 in; Framed: 35.625 x 28.25 in ESTIMATE: $800-$1,500
LOT 94
Ed Ruscha (1937) and Robert Rauschenberg (19252008) Stay Safe, 1978 Color offset lithograph on wove paper; signed on recto by both artists, open edition, Alan Printing & Litho Los Angeles Provenance: Gitterman Gallery, NY tag on verso Dimensions: 31.125 x 23.125 in ESTIMATE: $1,000-$2,000 25
LOT 95
Leonard Koscianski (1952) Back Alley, 1987 Oil on canvas, signed, dated, and titled on verso Dimensions: 48 x 72 in ESTIMATE: $6,000-$10,000
LOT 96
Henri Matisse (1869-1854) Society Man, 1926 Lithograph on Japon paper; signed with the artist's stamp and numbered on recto, from the numbered edition of 50 plus 7 proofs (3 copies on Japon, 3 copies on Chine, 1 copy on Arches) plus 10 artist's proofs, Leslie Sacks Fine Art tag on verso Image: 15 x 12 in; Framed: 25.5 x 31 in ESTIMATE: $4,000-$6,000
LOT 97
Bruce Nauman (1941) D - Pulled Neck from Studies for Holograms, 1970 Screenprint, Leo Castelli; signed/dated/numbered on recto, from the edition of 150, from the series of 5 “Studies for Holograms” Provenance: Newport Harbor Art Museum tag on verso; Castelli Graphics Image: 26 x 26 in; Framed: 26.625 x 26.625 in ESTIMATE: $2,000-$2,500
LOT 98
Bruce Nauman (1941) Normal Desires, 1973 Lithograph; singed/dated/numbered on recto, from the edition of 50, Cirrus Editions Ltd. Image: 35.5 x 24.5 in; Framed: 37.125 x 26 in ESTIMATE: $4,000-$5,000
26
LOT 99
Francis Newton Souza (1924-2002) Untitled (Cityspace), 1995 Acrylic on paper; signed/dated on recto Provenance: Exhibited Miami Dade College Hialeah Campus Art Gallery Program Dimensions: 20 x 26 in; Framed: 22.5 x 26.5 in ESTIMATE: $20,000-$25,000
LOT 100
Robert Motherwell (1915-1991) America-La France Variation IX (Engberg/Banach 337, Belknap 305), 1983-1984 Lithograph in color on Arches paper with collage on Australian Bemboka handmade paper signed/numbered/stamped on recto, from the numbered edition of of 60, Tyler Graphics Ltd., New York Dimensions: 28.75 x 21.625; Framed: 35.5 x 28.5 in ESTIMATE: $3,000-$4,000
LOT 101
Robert Motherwell (1915-1991) Trial, 1971 Etching; signed/titled and embossed seal on recto, printed by ULAE Image: 10.5 x 14.125 in; Framed: 16.125 x 19.625 in ESTIMATE: $2,000-$3,000
LOT 102
Alex Katz (1927) Purple Tulips 1, 2021 Print; signed on recto, from the numbered edition of 100, archival pigment inks on Innova 315 paper Image: 32 x 47 in; Framed: measurements pending ESTIMATE: $12,000-$14,000
27
LOT 103
Bill Barminski (1962) Untitled, 2001 Collage on wood panel Signed/dated/inscribed on verso Dimensions: 48 x 48 in ESTIMATE: $ 3,000 - $4,000
LOT 105 - LOT OF 2
Bill Barminski (1962) Immutable Flickering Form, 1996 Enamel on canvas, diptych; signed/dated on verso Dimensions: 28 x 24 in Land of The Pygmies, 1996 Enamel on canvas, diptych; signed/dated on verso Dimensions: 28 x 24 in ESTIMATE: $4,000 - $5,000
LOT 106 - LOT OF 2
Bill Barminski (1962) Culture Industry Number 31 or The Future That Was , 1992 Enamel on canvas; signed on recto Dimensions: 36 x 36 in Utopia, 1992 Enamel on canvas; signed on recto Dimensions: 36 x 36 in ESTIMATE: $4,000 - $5,000
LOT 107
Bill Barminski (1962) - LOT OF 3 Untitled, c. 1990s Enamel on canvas Each signed on verso Dimensions: Each 12 x 12 in ESTIMATE: $800 - $1,200
28
LOT 108
Chiho Aoshima (1974) Japanese Apricot 2, 2005 Offset lithograph on wove paper; signed/dated on recto, from the numbered edition of 50, published by Kaikai Kiki Tokyo Image: 22 x 31.125 in; Framed: 31.5 x 41.25 in ESTIMATE: $2,000-$2,500
LOT 109
Ron Davis (1937) Twin Wave, 1979 Color screenprint and lithograph; signed/dated/numbered on recto, from the numbered edition of 50 Image: 32 x 41.75 in; Framed: 35.25 x 45.75 in ESTIMATE: $2,000-$2,500
LOT 110
T.J. Dixon & James Nelson Crouching Figure, 1986 Terracotta sculpture Provenance: From the Stuart Lampert & Stephen Tomar Collection Figure: 16.5 x 36 x 19.5 in Condition: Has had slight restoration
ESTIMATE: $500-$800
LOT 111
Otto Duecker (1948) Eight Ties, 1986 Oil on masonite with metal wire Signed/dated on verso Provenance: The Elaine Horwitch Galleries Dimensions: 44 x 17 in ESTIMATE: $1,800-$2,500
29
LOT 112
Francesco Clemente (1928) Peso, 1983 Color lithograph printed on both sides signed/dated/numbered, from the numbered edition of 50 Image: 55.5 x 34 in; Framed: 66.125 x 43.625 in ESTIMATE: $2,000-$3,000
LOT 113
Judy Chicago (1939) Driving The World To Destruction, 1988 Silkscreen; signed/titled/dated/numbered on recto, from the numbered edition of 50 Image: 25 x 35.5 in; Framed: 34.5 x 44.5 in ESTIMATE: $4,000-$6,000
LOT 14
Erwin Binder (1934-1993) Issaiha, 1978 Bronze sculpture, inscribed “A.P.” signed/dated/numbered Provenance: from the collection of Dr. Robert Smith Figure: 10.5 x 9.5 x 8 in; Overall: 12.5 x 9.5 x 8 in ESTIMATE: $600-$800
LOT 115
Diane Gamboa (1957) Untitled, 1986 Pastel on paper Signed, dated on recto Image: 36 x 24 in; Framed: 40 x 27.5 in ESTIMATE: $1,500-2,500
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LOT 116
Llyn Foulkes (1934) Untitled (Abstract), 1960 Acrylic on paper, signed/dated on recto Image: 8.75 x 6.75 in; Framed: 11 x 9 in ESTIMATE: $800-$1,500 LOT 117
Camille Rose Garcia (1970) All Hail the Reindeer Army, 2004 Giclée, silkscreen and glitter on Somerset Velvet Enhanced paper, signed/numbered on recto with blindstamp, from the numbered edition of 40, published by Modern Multiples Los Angeles Image: 20 x 41.75; Framed: 25 x 47 in ESTIMATE: $800-$1,500 LOT 118
Carlos Almaraz (1941-1989) Beach Scene, 1984 Pastel; signed/dated on recto Image: 25.375 x 19.625 in; Framed: 32.625 x 26.875 in ESTIMATE: $6,000-$10,000
LOT 119
Salomón Huerta (1965) Untitled, c. 2010's Original watercolor on paper; signed on recto Image: 12 x 9 in ; Framed: 15.5 x 12.5 in ESTIMATE: $1,500-$2,500
LOT 120
Salomón Huerta (1965) Untitled (Basquiat Portrait), c. 2010's Original watercolor on paper; signed on recto Image: 24 x 17.75 in ; Framed: 29.125 x 24.125 in ESTIMATE: $4,000-$5,000
31
LOT 121 William Pope L. (1955-2023) White People Are The Flavor of The Mouth, 2012 Acrylic on canvas board Provenance: Mitchell Innes and Nash Gallery Image: 11.875 x 8.875 in Framed: 13.25 x 10.25 in ESTIMATE: $8,000-$10,000
LOT 122 - LOT OF 3 Shepard Fairey (1970) John & Yoko, 2010 Screenprint; signed/dated/numbered on recto, AP outside of the numbered edition of 450 Paul McCartney, The Joint (Las Vegas), 2009 Screenprint; signed/dated/numbered on recto, AP outside of the numbered edition of 500, Basquiat Canvas , 2010 Screenprint; signed/dated/numbered on recto, AP outside the numbered edition of 450 Image, each: 24 x 18 in; Framed, each: 29.125 x 23.125 in ESTIMATE: $2,000-$3,000
LOT 123 - LOT OF 3 Shepard Fairey (1970) Lift Every Vote, 2024 Screenprint, signed/dated/numbered on verso, from the numbered edition of 500 Uplift Democracy, 2024 Screenprint, signed/dated/numbered on verso, from the numbered edition of 500 Defend, 2024 Screenprint, signed/dated/numbered on verso, from the numbered edition of 500 Image, each: 24 x 18 in;Framed, each: 28.25 x 22.125 in ESTIMATE: $2,000-$3,000
32
LOT 124
Jose Lozano (1959) Mujer Maravilla, 1991 Pastel, acrylic, oil pastel on paper Artist painted frame, signed/dated on verso and frame, Bess Culter Gallery tag on verso Dimensions: 21.5 x 17.5 in ESTIMATE: $800-$1,200
LOT 125 - LOT OF 2
Robert Longo (1953) Men in the Cities - Gretchen, 1991 Offset lithograph; signed recto, unnumbered from the numbered edition of 100; Published by Amnesty International and Act-Up Image: 43.5 x 23.5 in; Framed: measurements pending Men in the Cities - Eric, 1991 Offset lithograph; signed recto, unnumbered from the numbered edition of 100; Published by Amnesty International and Act-Up Image: 43.5 x 23.5 in; Framed: measurements pending ESTIMATE: $1,500-$2,500
LOT 126
Malcom Morely (1931-2018) Untitled (Fisherman), 1983 Watercolor on paper Provenance: The PACE Gallery; Flanders Contemporary Art; James Corcoran Gallery tag verso Image: 19.25 x 13.5 in; Framed: 28.78 x 22.75 in ESTIMATE: $5,000-$8,000
33
LOT 127
Alexandra Nechita (1985) Untitled, 1995 Drawing done at 10 years old Signed/dated on recto Image: 16.5 x 10.75 in; Framed: 23.125 x 17.5 in ESTIMATE: $800-$1,200
LOT 128
Manuel Ocampo (1965) Deus, 1991 Monoprint, tag on verso The Printworks Gallery tag on verso Image: 19.75 x 15.5 in; Framed 29.5 x 25 in ESTIMATE: $800-$1,500
LOT 129
Carl Ostendarp (1961) Untitled, 1989 Airbrush on paper Signed/dated on verso Image; 30 x 22.125 in ; Framed: 38.50 x 29.875 in ESTIMATE: $800-$1,500
34
LOT 130 - LOT OF 2
Marion Peck (1963) A Girl With A Kitten, 2007 Print, signed/numbered on recto, from the numbered edition of 100 Image: 9.875 x 8 in; Framed: 12.375 x 10.5 in A Boy With A Puppy, 2007 Print, signed/numbered on recto, from the numbered edition of 100 Image: 9.875 x 8 in; Framed: 12.375 x 10.5 in ESTIMATE: $1,500-$2,500
LOT 131
Ken Price (1935-2012) Kauai Crab Cup, 1972 Lithograph, Cirrus Editions Signed/titled/dated on recto, AP outside of the edition of 60 Image: 24 x 20 in; Framed: 21.625 x 25.625 in ESTIMATE: $1,200-$1,800
LOT 132
Louis Renzoni (1952) Untitled (Lady in the Mirror), c. 2004 Oil on canvas Dimensions: 70 x 50.125 in ESTIMATE: $4,000-$6,000
35
LOT 133
Erika Rothenberg (1950) Secret Penis Package, 1986 Part of the installation Secret Penis, 1986 Washington Project for Rosamund Felsen, LA, PPOW, NY signed/titled/dated on verso Dimensions: 14.25 x 11.25 in ESTIMATE: $500-$800
LOT 134
Collier Schorr (1963) Untitled, 1993 Pencil, acrylic, flash and watercolor on paper; 303 Gallery New York tag on verso Image: 9.75 x 8 in; Framed: 17.25 x 15.25 in ESTIMATE: $2,000-$3,000
LOT 135
Judy Stabile (1948) Untitled from the Cylinder series, 2005 Sprayed enamel on glass, initialed/dated on verso Dimensions: 22 x 15 x 1.25 in ESTIMATE: $800-$1,200
LOT 136
James Strombotne (1934) Mans and Woman, 1995 Pastel water colors; signed/dated on recto Dimensions: 20 x 17 in; Framed: 20 x 17.5 in ESTIMATE: $500-$800
36
LOT 137
Kara Walker (1969) Freedom: A Fable, 1997 Bound volume of offset lithographs, pop-up silhouettes Designer: David Eisen Binder: Roswell Book Binder Publisher: Peter Norton Family Foundation Dimensions: 9.5 x 8.25 in ESTIMATE: $2,500-$3,000
LOT 138
Simon Willems (1971) Don’t Go Weird On Me, c. 2010's Oil and enamel on canvas, signed/titled on verso Dimensions: 10 x 12 in ESTIMATE: $800-$1,200
LOT 139
Sue Williams (1954) More Choices, 1992 Collage on paper Provenance: Regen Projects, Los Angeles Image: 13.5 x 11 in; Framed: 16.25 x 13 in ESTIMATE: $1,200-$1,800
LOT 140
Christopher Wool (1955) Celebrity (page from Black Book), 1989 Ink on wove paper Originally from the Black Book, the Black Book is from the edition of 350 Image: 22.5 x 15.125 in; Framed: 27.875 x 18.875 in ESTIMATE: $2,000-$2,500
37
LOT 141
Robbie Conal (1944) Bugger Off, 2011 Paint and oil stick on paper; signed/dated on recto Image: 29 x 23 in; Framed: 34.125 x 28.125 in ESTIMATE: $2,500-$3,500
LOT 142
Bob Zoell (1940) Sunflowers for Gauguin, 1983 Silkscreen; signed/dated/numbered on recto Image: 21.5 x 32 in; Framed: 29.375 x 39 in ESTIMATE: $1,200-$1,800
LOT 143
Chris Finley (1971) Untitled, 1999 Graphite on paper, signed/dated on recto Provenance: From the private collection of Marc Richards Image: 16.875 x 16.875 in; Framed: 21 x 21 in ESTIMATE: $300-$500
LOT 144 - LOT OF 2
Kim Dingle (1951) Untitled (Boxers), 1992 Untitled (Boxers TKO), 1992 Each: Ink on Polaroid photograph, signed/dated on recto Provenance, each: Kim Light, Los Angeles Image, each: 4.75 x 3.75 in; Framed, each: 10.75 x 8.625 in ESTIMATE: $1,400-$2,000
38 1
LOT 145
Hans Gustav Burkhardt (1904-1994) Peace on Earth, 1966 Print, signed/dated/annotated on recto Image: 7.375 x 12.25 in; Framed: 11.25 x 16 in ESTIMATE: $300-$400
LOT 146
Wayne Thiebaud(1920-2021) Pied Piper, 1951 Lithograph on Strathmore paper; signed/titled/dated on recto Image: 9 x 11.5 in; Sheet 11.5 x 14 in; Framed: 17 x 19.25 in ESTIMATE: $1,000-$1,500
LOT 147 - LOT OF 3
Peter Alexander (1939-2020) All 3, Each: Locus, 1992 Lithograph on paper; initialed on recto, from the numbered edition of 100, each Image: 30 x 31 in ESTIMATE: $1,800-$2,500
LOT 148
Wade Guyton (1972) X Poster (Untitled, 2008, Epson UltraChrome inkjet on linen, 84 x 69 inches), 2016 Hand folded digital print with archival UV curable inks From the numbered edition of 100 Signed/numbered on original box from Print Matter Inc. Image: 84 x 69 in ESTIMATE: $1,200-$1,800
39
LOT 149
Charming Baker (1964) Love is Never Thinking It Might End Before We Do, 2011 Giclée print, signed/numbered AP with embossed studio stamp Image: 21 x 21 in; Framed: 25.5 x 25.5 in ESTIMATE: $800-$1,500
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BOND#69339314
SANTA MONICA
A U Cest.T1984I O N S
Terms & Conditions of Sale Annual Spring Auction 2025 Live Sale Date: Sunday, May 18, 2025 AT 1PM PST
The Auction is conducted under these Terms & Conditions of Sale and applicable state and local law. Announcements and corrections from the podium and those made through the Terms and Conditions of Sale appearing on the Internet Catalog at SMAuctions.com supersede those in this printed catalog. The catalogue, as amended by any posted notices or oral announcements during the sale, is the entire agreement by and between SANTA MONICA AUCTIONS, the Consignor, and the Purchaser relative to the property listed herein. The following Conditions of Sale are the complete and only terms and conditions on which all property is offered for sale. We will offer some of the property as an agent for the Consignor. All registered bidders are required to acknowledge and sign the Terms & Conditions of Sale prior to The Auction. SANTA MONICA AUCTIONS uses the following bidding increments: $50-$200 by $10 $200-$500 by $25 $500-$1,000 by $50 $1,000-$2,000 by $100 $2,000-$5,000 by $250 $5,000-$10,000 by $500 $10,000-$20,000 by $1,000 $20,000-$50,000 by $2,500 $50,000-$100,000 by $5,000 $100,000-$500,000 by $10,000 1. All property is sold “AS IS” and neither we nor the Consignor may make any warranties of representations of the correctness of the catalogue or the other description of the physical condition, size, quality, rarity, importance, medium, provenance, exhibitions, literature or historical relevance of the property and no statement anywhere, whether oral or written, shall be deemed such a warranty or representation. Prospective bidders should inspect the property before bidding to determine its condition, size and whether or not it has been repaired or restored. Neither SANTA MONICA AUCTIONS nor the Consignor make representations or warranties as to whether the purchaser acquires any copyrights, including but not limited to, reproduction rights in the property. If the proposed purchaser acquires any copyrights, including but not limited to, reproduction rights in the property. If the proposed purchaser cannot attend the preview in person, please discuss individual items with the auction staff to ascertain conditions of sale, etc. We will do our best to answer your inquiry, though we highly suggest you visit our properties to review the said items in person. 2. A Buyer’s Premium will be added to the successful bid price and is payable by the purchaser as part of the total purchase price. For absentee bidding, phone bidding and live bidding on the auction floor, the buyer’s premium on all auction items will be 27% of the successful bid price per lot. The buyer’s premium for purchases made via online platforms, LiveAuctioneers and Invaluable will be 32% of the successful bid price per lot. 3. Payment may be made with Cash, Credit/Debit Card, Cashier’s Check, & Wire/Bank Transfer. We do not accept credit card payments for transactions over $15,000. Payments made with credit or debit card will incur additional payment processing fees. American Express cards will incur a 4.5% processing fee, all other credit/ debit cards will incur a 3% processing fee. Personal checks will be accepted only with prior approval. Purchases made via online platforms such as LiveAuctioneers and Invaluable will follow payment processing terms and fees as outlined by the online platform. 4. The authenticity of the Authorship of the property is listed in this catalogue is guaranteed by SANTA MONICA AUCTIONS for one year from the sale date. If within one year’s time the purchaser returns the lot in the same condition as when purchased and gives us written proof from a recognized impartial expert which establishes beyond a reasonable doubt that the returned lot is in fact a counterfeit or a forgery intended to deceive and that this was not indicated by a fair reading of the catalogue or the auctioneer’s comments at the time of sale, then we and the consignor will rescind the sale and refund the purchase price. This non-assignable guarantee is applicable only to the receipt-bearing original purchaser. The guarantee does not apply to (a) lot with a heading or description which includes the word or words “after” or “attributed” or “ manor” or “style” or “school” or “circle” or “collection” or “signed” (b) lots with a low estimate of $500 or less, (c) lots offered without an estimate. 5. We reserve the right to withdraw any property before the sale and shall have no liability whatsoever for such withdrawal. 6. We ACCEPT absentee bids in person, or phone (with a signature). (See Absentee Bid Form for description of terms). We are able to accept bids throughout the actual auction and do our best to represent the buyer per our absentee bid rules. 7. We reserve the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the purchaser. In the event of any dispute between bidders, or in the event of doubt on our part as to the validity of any bid, the auctioneer will have the final discretion either to determine the successful bidder or to re-offer and resell the article in dispute.
If any dispute arises after the sale, our sale record is conclusive. Although at our discretion we will execute order bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. Please note some pieces will be sold unframed, as noted in catalogue. 8. If the auctioneer decides that any opening bid is below the reserve of the article offered, he may reject the same and withdraw the article from sale, and if, having acknowledged an opening bid he decides that any advance thereafter is insufficient, he may reject the advance. 9. On the fall of the auctioneer’s hammer, title to the offered lot will pass to the highest bidder acknowledged by the auctioneer, subject to fulfillment by such bidder of all the conditions set forth herein. Such bidder thereupon (a) assumes full risk and responsibility and therefore, (b) will pay the full purchase price with buyer’s premium and applicable taxes upon notification that client is the successful bidder. In addition to other remedies available to us by law, we reserve the right to impose a late charge of 1.5% of the total purchase price per week if the payment is not made within 5 business days following the sale. The purchaser at his/her expense must also remove all property from our premises, not later than 10 business days following the sale. If property is not so removed, (i) a handling charge or 1% of the total purchase price per month until its removal, will be payable to us by the purchaser, with a minimum of 5% for any property not so removed within 60 days after the sale, and (ii) we may send the purchased property to a public warehouse at the risk and expense of the purchaser. If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the Consignor by law, including without limitation, the right to hold the purchaser liable for the total purchase price, we at our option may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or (b) resell the property at public auction without reserve and the purchaser will be liable for any deficiency costs including handling charges, the expenses of both sales and our commission on both sales at our regular rates. If successful bids are not paid in full within 60 days, the credit card on file will be automatically charged along with applicable late and handling fees. All other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest and we may retain as collateral security for such purchasers obligations to us any property in our possession owned by such a purchase. In the event a purchaser pays a portion of the total purchase price, we may apply payment in our sole discretion to the lot we deem appropriate. We shall have all of the rights accorded a secured party under the California Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us, or due from us, to the account of the purchaser. At our option, payment will not be deemed to have been made in full until we have collected good funds represented by checks, or, in the case of bank checks, cashier’s checks, or wire tansfers, we have confirmed their authenticity. 10. Some lots are offered subject to a reserve, which is the confidential minimum price below which such a lot will not be sold. We may implement such reserves by bidding, on behalf of the Consignor. 11. Unless exempted by law, the purchaser will be required to pay the California State and local sales tax or any applicable compensating use tax of another state on the total purchase price. The local and state tax combined is 10.25% 12. These Conditions of Sale, as well as the purchaser’s and our respective rights and obligations hereunder, shall be governed by, construed and enforced in accordance with the laws of the State of California. By bidding at auction, whether present in person, by agent, or by other bid, the purchaser shall be deemed to have consented to the exclusive jurisdiction of the state courts and federal courts sitting in the State of California. 13. SANTA MONICA AUCTIONS IS NOT responsible for packing, shipping or providing insurance for sold artwork. Successful bidders are responsible for making ALL shipping arrangements. SANTA MONICA AUCTIONS can suggest qualified shippers, if necessary. 14. We, SANTA MONICA AUCTIONS are not responsible for the facts or omissions in our packing or shipping of purchased lots, whether or not recommended by us. Packing and handling of purchased lots is at the entire risk of the purchaser. 15. In no event will our liability to a purchaser exceed the purchase price actually paid. 16. During the auction, we will do our best to stay in the order of this catalogue, which for the most part per lot. However, we are not strictly adhering to numbers or a specific order in this catalogue. These are to be used as references and the auctioneer will announce them as they come up on the auction block.
Gordon Parks LOT 74
Helmut Newton LOT 44
Peter Beard LOT 48
Ed Ruscha LOT 87
Julius Shulman LOT 62
Jacques Henri Lartigue LOT 60
Diane Arbus LOT 49
Miles Aldridge LOT 39 Robert Blue LOT 88
DJ Hall LOT 11
Robert Mapplethorpe LOT 33 Nan Goldin LOT 34
Shirin Aliabadi & Farhad Moshiri LOT 29
Patrick Nagel LOT 89
Ed Moses LOT 7
Raymond Pettibon LOT 90 Carlos Almaraz LOT 118
LOT 59
LOT 68
Man Ray (1890-1976) Harlequin (Berenice Abbott), 1922 Gelatin silver print; signature with credit/date/annotation, photographer stamp on reverse Provenance: From the estate of Dr. Stanley Kogan Dimensions: 8 x 6 in; Framed: 19 x 15 in
Henri Cartier-Bresson (1908-2004) Rue Mouffetard, Paris, 1954, printed later Gelatin silver print; signed on recto Image: 15.5 x 11 in; Framed: 25.5 x 21.5 in ESTIMATE: $25,000-$30,000
ESTIMATE: $20,000-$30,000
SANTA MONICA
A U Cest.T1984I O N S BOND#69339314