Provenance: James Corcoran Gallery, Los Angeles tag on verso Image: 41.25 x 92.25 in; Framed: 49 x 94.25 in
LOT9
Ed Moses (1926-2018)
Ikuru Speak-No, 1990
Screenprint on both wove and Japanese hand-made Seikishi rice paper; signed/dated/numbered on recto, from the numbered edition of 250, printed by Jeff Wasserman with a blind stamp and published by LACMA Image: 31 125 x 23 125 in; Framed: 39 375 x 27 625 in
LOT10
Tom Wudl (1948)
Study for Vincent Violin III, 1999
Mixed media on paper
Provenance: LA Louver Gallery; OTA House tag on verso
Imafe: 29 x 36 in; Framed: 39 x 33 5 in
SOLD
1 all (1951)- LOT OF 2
s To The Ladies Who Lunch, 1984 canvas; signed/titled on verso s with original sketch in plexi frame nance: Palm Springs Art Museum tag on verso nsions: 40 x 52 in
Print; signed/dated on recto Image: 14 75 x 10 75 in; Framed: 17 25 x 14 25 in
LOT13
Robert Graham (1938-2008)
Untitled, 1994
LOT14-LOTOF3
Dennis Hollingsworth (1956)
(1) Untitled XXII, 1998
(2) Untitled XXIII, 1998
(3) Untitled XXVIII, 1998
Unique monotype
Provenance, each: Roberts & Tilton Gallery tag on verso Image, each: 26 x 20 in; Framed: 32 625 x 28 in
ON HOLD
LOT15
Delia Brown (1969)
Untitled (Toilet), 2001 Watercolor on paper
Provenance: Margo Levin Gallery tag verso Image: 9 x 14 in; Framed: 16 x 21 in
LOT18-LOTOF5
MarcRichards
(1) Ai Weiwei, 2018
Pastel on paper; initialed/dated on recto
Image: 16 75 x 13 5 in; Framed: 19 75 x 16 75 in
(2) Mary Boone, 2019
Pastel on paper; initialed/dated on recto
Image: 16.75 x 13.5 in; Framed: 19.75 x 16.75 in
(3) Robert Rauschenberg, 2020
Pastel on paper; initialed/dated on recto
Image: 16 75 x 13 5 in; Framed: 19 75 x 16 75 in
(4) Quincey Jones, 2019
Pastel on paper; initialed/dated on recto
Image: 16 75 x 13 5 in; Framed: 20 x 17 in
SOLD
(5) Miles Davis, 2019
Pastel on paper; initialed/dated on recto Image: 16 75 x 13 5 in; Framed: 20 x 17 in
SOLD
Provenance, each: Exhibited at Blum & Poe 2022; From the private collection of Marc Richards
LOT19-LOTOF3
MarcRichards
(1) Untitled, 2021
Pastel on paper; initialed/dated on recto
(2) Untitled, 2020
Pastel on paper; initialed/dated on recto
(3) Untitled, 2021
Pastel on paper; initialed/dated on recto
Provenance, each: Exhibited at Blum & Poe; From the private collection of Marc Richards
Dimensions, each: 19.625 x 16.625 in
LOT22-LOTOF2
Mia Scarpa (1997)
(1) Untitled, 2023
Acrylic on canvas; signed/dated on verso Dimensions: 20 x 16 in
(2) Nothin’ Song 2023
Oil, acrylic, and mixed media on canvas signed/dated on verso Dimensions: 16 x 16 in
Provenance, each: From the private collection of Marc Richards;
LOT23
Mia Scarpa (1997)
Chin Up High, 2023
Acrylic and collage on wood panel; signed/dated on verso Provenance: From the private collection of Marc Richards; Thinkspace Gallery
Dimensions: 20 x 16 in
LOT24
Negar Ahkami (1971)
Harem, 2008
Acrylic on gessoed panel; signed/dated on verso
Provenance: Marc Richards Gallery tag on verso
Dimensions: 35 x 23 in
LOT25
Yukine Yanagi (1998)
Twilight Vigil, 2020-21
Oil on canvas; signed/dated/titled on verso
Provenance: From the private collection of Marc Richards; Latitude Gallery
Dimensions: 34 x 48 in
LOT26
Jamaal Peterman (1990)
We Unite , 2020
Oil, sand, and vinyl on canvas; signed/dated/title on verso
Provenance: From the private collection of Marc Richards; Vigo Gallery
Dimensions: 40 x 28 in
LOT30
He Yunchang (1967)
Golden Sunshine-B, 1999; C-Print; signed/numbered on recto, from the edition of 8
Provenance: From the private collection of Marc Richards; Marc Richards Gallery tag on verso Image: 34 x 49 in; Framed: 43 875 x 57 75 in
LOT33
Robert Mapplethorpe (1946-1989) Rose, 1987
Dye transfer print, mounted; signed/dated/numbered in the margin, from the numbered edition of 7
Dimensions: 19 x 18 75 in; Framed: 28 25 x 27 75 in
LOT36
Gregory Crewdson (1962)
Windows from the Early Work series, 1987 C-print
Signature has faded on bottom right recto
Image: 18 75 x 23 in; Framed: 23 x 27 in
LOT37-LOTOF2
Tierney Gearon (1963)
Untitled (Man with Mask), 2000; C-print
Image: 19 25 x 23 5 in; Framed: 20 25 x 24 25 in
Untitled, 2010
Chromogenic photographic print; A Jen Beckman Project tag on verso
Image: 8 x 10 in; Framed: 15 25 x 19 25 in
LOT38
Nobuyoshi Araki (1940)
Colourscapes (Watermelon), 1991
Ilfochrome color print; signed/dated on verso
Dimensions: 40 x 26 in; Framed: 33 875 x 25 25
LOT44
Helmut Newton (1920-2004)
Nude in Seaweed, negative 1976, printed c 1984
Gelatin silver print
Image: 15 625 x 11 75 in
LOT47
Peter Beard (1938-2020)
Loliondo Lion Charge, 1964, Printed later
Toned gelatin silver print; signed/titled/dated/inscribed in ink, comes with Certificate of Authenticity Image: 8 x 10 in; Framed: 19 875 x 16.375 in
LOT48
Peter Beard (1938-2020)
Orphaned Cheetah Cub in Mweiga National Park Headquarters, for The End of The Game, 1968
Gelatin silver print; signed/titled/dated on recto Image: 6 5 x 9 5 in; Framed: 19 875 x 16 375 in
LOT49
Diane Arbus (1923-1971)
Woman at a Counter Smoking, N Y C , 1962
Gelatin silver print; signed in ink by Doon Arbus, for the Estate of Diane Arbus, stamp verso, from the numbered edition of 75
Provenance: Diane Arbus: Revelations (Random House); Edward Hopper & Company (Fraenkel Gallery tag verso) Image: 15 x 15 in; Framed: 27 x 25 625 in
LOT50
Diane Arbus (1923-1971)
Mia Villiers - Farrow on a Bed, 1964
Gelatin silver print; signed in ink by Doon Arbus, stamp verso, from the numbered edition of 75 Image: 15 25 x 15 5 in; Framed: 27 x 25 625 in
LOT51
Bill Owens (1938)
Untitled (Pool Party from Suburbia), c 1973
Gelatin silver print; signed/titled on verso, artist stamp and annotations verso Image: 8 x 10 in; Framed: 9 5 x 11 75 in
LOT53
Hiroshi Sugimoto(1948)
Ionian Sea, Santa Cesarea, 1990
Tri-toned offset lithographic print
Blindstamped recto with location, year, and image number Image: 13.875 x 18.25 in Framed: 18 x 22.25 in
LOT54
Alex Prager (1979)
2pm, Interstate 110, from Compulsion, 2012
Archival pigment print; signed/dated/titled/numbered on verso, AP outside of the numbered edition of 9, M+B Gallery tag on verso Image: 48 x 40 25 in; Framed: 48 125 x 41 625 in
LOT59
Man Ray (1890-1976)
Harlequin (Berenice Abbott), 1922
Gelatin silver print; signature with credit/date/annotation, photographer stamp on reverse
Provenance: From the estate of Dr Stanley Kogan
Dimensions: 8 x 6 in; Framed: 19 x 15 in
ONHOLD
LOT60
Jacques Henri Lartigue (1894-1986)
Paris, Renée, 1931 (Printed Later)
Gelatin silver print; signed on recto, from the numbered edition of 35 Image: 10 375 x 14 in; Framed: 18 75 x 22 75 in
LOT66
Ed Templeton (1972)
Kissing Kids - Joiner, 1996
Color photograph with marker and thread, unique
Provenance: Roberts & Tilton gallery tag on verso Image: 13 x 10 875 in ; Framed: 15 75 x 12 5 in
LOT67
Sue De Beer(1973)
Untitled, Film Still-Hans Und Grete (Pipe Bomb), 2002
C-print mounted with aluminum, from the numbered edition of 6
Provenance: Sandroni Rey Gallery Tag on verso
Dimensions: 40 x 31 in
LOT69
Robert Frank (1924-2019)
Picnic in a Car Park, Fourth of July, 1979
Gelatin silver print, signed/stamped on verso
Image: 8 5 x 13 in; Framed: 21 75 x 17 in
LOT71
Max Yavno (1911-1985)
Untitled, from the Los Angeles Documentary Project, 1979-80
Gelatin silver print; signed on recto Image: 15 x 19 in; Framed: 22.25 x 28.25 in
LOT72
Max Yavno (1911-1985)
San Cristobal Church Interior, Mexico, 1981
Gelatin silver print, signed on verso Image: 16 x 19 75 in Framed: 19 625 x 25 625 in
LOT74
Gordon Parks (1912-2006)
Street Image of Boys, c 1969
Gelatin silver print; signed “to Puffy” on recto; Howard Greenberg Gallery tag on verso, S K Josefsberg Studio tag on verso; Image: 20 x 24 in; Framed: 29 x 25 in
LOT75
Sally Mann (1951)
Jessie Bites, 1985; Gelatin silver print; signed/titled/dated/editioned on verso from the numbered edition of 25, printed by the photographer from the original negative in 1998, Edwynn Houk Gallery tag on verso; Illustrated: Immediate Family (New York: Aperture, 1992) Image: 7 5 x 9 5 in; Framed: 15 875 x 17 375 in
LOT76
William Klein (1926-2022)
Dolores Wants a Taxi, New York (Vogue), 1958, printed in 2021
Chromogenic print; signed/dated/titled/editioned on verso artist label, from the numbered edition of 30
Provenance: Vogue, juillet 1958, pp 26-27 Catalogue d’exposition, William + Klein, Galerie Polka, Éditions Textuels, Paris, 2019; Nathalie Herschdorfer, Coming into Fashion: A Century of Photography at Condé Nast, Prestel, NY 2012
Dimensions: 68 x 50 in; Framed: 69.5 x 56.5 in
LOT77
William Klein (1926-2022)
Anne St Marie + Cruiser in Traffic (Vogue), 1962, printed in 2012
Chromogenic print, mounted on aluminum signed/dated/titled/editioned on verso artist label, from the numbered edition of 30
Dimensions: 41 25 x 29 25 in; Framed: 42 5 x 30 5 in
LOT78
Gelatin silver print; signed/titled/dated on verso
Image: 23 x 17 5 in; Framed: 35 5 x 31 5 in
Horst P. Horst (1906-1999)
Lisa on Silk, 1940
LOT79
Andy Warhol
(1928-1987)
Mick Jagger, 1975
Screenprint, signed by Warhol & Jagger on recto, from the numbered edition of 250, printed by Alexander Heinrici New York on Arches Aquarelle paper, publisher stamp verso; Signed in pencil on recto by Mick Jagger and Andy Warhol
Dimensions: 43 5 x 29 in; Framed: 54 25 x 39 in
LOT81
Andy
Warhol
(1928-1987)
Portrait of Luella Maslon, 1973
Acrylic and silkscreen on canvas, original Portrait of Luella Maslon dedicated to her sister Pat Maslon by the artist, signature verso with dedication, Many of her art collector friends considered her to be the Gertrude Stein of her time
Canvas: 40 x 40 in; Framed: 42 625 x 42 625 x 3 in
LOT88
Robert Blue (1946-1998)
A Model Spank with Betty Page No. 3, 1979
Acrylic on canvas; signed/titled/dated in ink verso
Dimensions: 61 x 48 in
LOT89
Patrick Nagel(1945-1984)
Untitled (Pomo Tierra), c Late 1970s
Painting on wood board; signed on recto
An ad created for Pomo Tierra orchard company Image: 10 75 x 10 75 in; Framed: 16 5 x 16 5 in
LOT90
Raymond Pettibon (1957)
Untitled (Poor Thing), 2006, Ink and graphite on paper; signed/dated on verso Provenance: Regen Projects Image: 22 x 30 in; Framed: 28 5 x 36 in
LOT95
Leonard Koscianski (1952)
Back Alley, 1987
Oil on canvas, signed, dated, and titled on verso Dimensions: 48 x 72 in
LOT97
Bruce Nauman (1941)
D - Pulled Neck from Studies for Holograms, 1970
Screenprint, Leo Castelli; signed/dated/numbered on recto, from the edition of 150, from the series of 5 “Studies for Holograms”; Provenance: Newport Harbor Art Museum tag on verso; Castelli Graphics
Image: 26 x 26 in; Framed: 26 625 x 26 625 in
LOT98
Bruce Nauman (1941)
Normal Desires, 1973
Lithograph; singed/dated/numbered recto, from the edition of 50 Cirrus Editions Ltd.
Image: 35.5 x 24.5 in Framed: 37.125 x 26 in
LOT99
Francis Newton Souza (1924-2002)
Untitled (Cityspace), 1995
Acrylic on paper; signed/dated on recto
Provenance: Exhibited Miami Dade College Hialeah Campus Art Gallery Program
Dimensions: 12.5 x 19.5 in; Framed: 22.5 x 26.5 in
LOT100
Robert Motherwell (1915-1991)
America-La France Variation IX (Engberg/Banach 337, Belknap 305), 1983-1984
Lithograph in color on Arches paper with collage on Australian Bemboka handmade paper signed/numbered/stamped on recto, from the numbered edition of of 60, Tyler Graphics Ltd., New York Dimensions: 28.75 x 21.625; Framed: 35.5 x 28.5 in
LOT101
Robert Motherwell (1915-1991)
Trial, 1971
Etching; signed/titled and embossed seal on recto, printed by ULAE Image: 10 5 x 14 125 in; Framed: 16 125 x 19 625 in
LOT105-LOTOF2
Bill Barminski (1962)
Immutable Flickering Form, 1996
Enamel on canvas, diptych; signed/dated on verso Dimensions: 28 x 24 in
Land of The Pygmies, 1996
Enamel on canvas, diptych; signed/dated on verso
Dimensions: 28 x 24 in
SOLD
LOT106-LOTOF2
Bill Barminski (1962)
Culture Industry Number 31 or The Future That Was , 1992
Enamel on canvas; signed on recto
Dimensions: 36 x 36 in
Utopia, 1992
Enamel on canvas; signed on recto
Dimensions: 36 x 36 in
LOT107
Bill Barminski (1962) - LOT OF 3
Untitled, c 1990s
Enamel on canvas
Each signed on verso
Dimensions: Each 12 x 12 in
LOT109
Ron Davis (1937)
Twin Wave, 1979
Color screenprint and lithograph; signed/dated/numbered on recto, from the numbered edition of 50 Image: 32 x 41.75 in; Framed: 35.25 x 45.75 in
LOT113
Judy Chicago (1939)
Driving The World To Destruction, 1988
Silkscreen; signed/titled/dated/numbered on recto, from the numbered edition of 50
Image: 25 x 35 5 in; Framed: 34 5 x 44 5 in
LOT14
Erwin Binder (1934-1993)
Issaiha, 1978
Bronze sculpture, inscribed “A.P.”
signed/dated/numbered
Provenance: from the collection of Dr. Robert Smith
Figure: 10.5 x 9.5 x 8 in; Overall: 12.5 x 9.5 x 8 in
LOT116
Llyn Foulkes (1934)
Untitled (Abstract), 1960
Acrylic on paper, signed/dated on recto Image: 8 75 x 6 75 in; Framed: 11 x 9 in
LOT117
Camille Rose Garcia (1970)
All Hail the Reindeer Army, 2004
Giclée, silkscreen and glitter on Somerset Velvet Enhanced paper, signed/numbered on recto with blindstamp, from the numbered edition of 40, published by Modern Multiples Los Angeles; Image: 20 x 41 75; Framed: 25 x 47 in
LOT119
Salomón Huerta (1965)
Untitled, c 2010's
Original watercolor on paper; signed on recto Image: 12 x 9 in ; Framed: 15 5 x 12 5 in
LOT120
Salomón Huerta (1965)
Untitled (Basquiat Portrait), c. 2010's
Original watercolor on paper; signed on recto Image: 24 x 17 75 in ; Framed: 29 125 x 24 125 in
LOT121
WilliamPopeL.(1955-2023)
White People Are The Flavor of The Mouth, 2012
Acrylic on canvas board
Provenance: Mitchell Innes and Nash Gallery
Image: 11 875 x 8 875 in
Framed: 13 25 x 10 25 in
LOT122-LOTOF3
ShepardFairey(1970)
John & Yoko, 2010
Screenprint; signed/dated/numbered on recto, AP outside of the numbered edition of 450
Paul McCartney, The Joint (Las Vegas), 2009
Screenprint; signed/dated/numbered on recto, AP outside of the numbered edition of 500,
Basquiat, 2010
Screenprint; signed/dated/numbered on recto, AP outside the numbered edition of 450
Image, each: 24 x 18 in; Framed, each: 29.125 x
in
LOT123-LOTOF3
ShepardFairey(1970)
Lift Every Vote, 2024
Screenprint, signed/dated/numbered on verso, from the numbered edition of 500
Uplift Democracy, 2024
Screenprint, signed/dated/numbered on verso, from the numbered edition of 500
Defend, 2024
Screenprint, signed/dated/numbered on verso, from the numbered edition of 500
Image, each: 24 x 18 in;Framed, each: 28 25 x 22 125 in
LOT126
Malcom Morely (1931-2018)
Untitled (Fisherman), 1983
Watercolor on paper
Provenance: The PACE Gallery; Flanders
Contemporary Art; James Corcoran Gallery tag verso Image: 19 25 x 13 5 in; Framed: 28 78 x 22 75 in
LOT127
Alexandra Nechita (1985)
Untitled, 1995
Drawing done at 10 years old
Signed/dated on recto Image: 16.5 x 10.75 in; Framed: 23.125 x 17.5 in
LOT129
Carl Ostendarp (1961)
Untitled, 1989
Airbrush on paper
Signed/dated on verso Image; 30 x 22 125 in ; Framed: 38 50 x 29 875 in
LOT131
Ken Price (1935-2012)
Kauai Crab Cup, 1972
Lithograph, Cirrus Editions
Signed/titled/dated on recto, AP outside of the edition of 60
Image: 24 x 20 in; Framed: 21 625 x 25 625 in
LOT133
LOT132
Louis Renzoni (1952)
Untitled (Lady in the Mirror), c 2004
Oil on canvas
Dimensions: 70 x 50 125 in
Erika Rothenberg (1950)
Secret Penis Package, 1986
Part of the installation Secret Penis, 1986 Washington Project for Rosamund Felsen, LA, PPOW, NY
signed/titled/dated on verso
Dimensions: 14 25 x 11 25 in
LOT138
Simon Willems(1971)
Don’t Go Weird On Me, c. 2010's Oil and enamel on canvas, signed/titled on verso
Dimensions: 10 x 12 in
LOT140
ChristopherWool(1955)
Celebrity (page from Black Book), 1989 Ink on wove paper
Originally from the Black Book, the Black Book is from the edition of 350
Image: 22.5 x 15.125 in; Framed: 27.875 x 18.875 in
LOT141
Robbie Conal (1944)
Bugger Off, 2011
Paint and oil stick on paper; signed/dated on recto Image: 29 x 23 in; Framed: 34 125 x 28 125 in
LOT142
Bob Zoell (1940)
Sunflowers for Gauguin, 1983
Silkscreen; signed/dated/numbered on recto Image: 21 5 x 32 in; Framed: 29 375 x 39 in
LOT143
ChrisFinley (1971)
Untitled, 1999
Graphite on paper, signed/dated on recto
Provenance: From the private collection of Marc Richards Image: 16.875 x 16.875 in; Framed: 21 x 21 in
LOT145
HansGustav Burkhardt(1904-1994)
Peace on Earth, 1966
Print
signed/dated/annotated recto Image: 7 375 x 12 25 in; Framed: 11 25 x 16 in
LOT147-LOTOF3
PeterAlexander(1939-2020)
All 3, Each: Locus, 1992
Lithograph on paper; initialed on recto, from the numbered edition of 100, each Image: 30 x 31 in
