2026 FALL AUCTION CATALOG

santa monica auctions

est.

1984

AT BERGAMOT STATION ARTS CENTER LIVE, ONLINE, PHONE & ABSENTEE BIDDING

Fall Auction Fall Auction

12PM PDT SUNDAY th

OCTOBER 18 2026

Images left to right: Alex Prager LOT 6, David Hockney LOT 61, Roy Lichenstein LOT 36, Mark Bradford LOT 68, Alex Katz LOT 46, Miles Davis LOT 69 Dennis Mukai LOT 47, Keith Haring LOT 55, Joan Miró LOT 42

310-315-1937 INFO@SMAUCTIONS.COM WWW.SMAUCTIONS.COM

at Bergamot Station Arts Center 2525 Michigan Ave A5, Santa Monica, 90404 BOND#69339314

V. 1.03

David Hockney (attributed to) LOT 61

Keith Haring LOT 54

Carlos Almaraz LOT 105A

Richard C. Miller LOT 13

Roy Lichtenstein LOT 36

Sebastião Salgado LOT 16

David Hockney LOT 59

Arthur Leipzig LOT 11

Daido Moriyama LOT 17A

Dennis Mukai LOT 47

FALL AUCTION TH

OCTOBER 18 NOON 12PM PDT

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LOT 1 Peter Alexander (1939-2020) Tinsel, 2003 Archival Pigment Print From the numbered edition of 10 Provenance: Peter Alexander Studio, Santa Monica, CA (tag verso)

Image: 12.5 x 31 in

ESTIMATE: $2,000-$3,000

LOT 2 Catherine Opie (1961) Bravo, 2011 Dye coupler print From the numbered edition of 100 Signed and numbered on verso Image: 12 x 14.375 in; Framed: 17 x 20 in

ESTIMATE: $2,000-$3,000

LOT 3 Alex Prager (1979) Four Girls, 2007 C-Print From the numbered edition of 7 Signed, dated, titled, and numbered on verso Image: 35.375 x x 41 in; Framed: 37 x 42.625 in

ESTIMATE: $18,000-$30,000

LOT 4 Alex Prager (1979) Alexandra, 2007 C-Print From the numbered edition of 9 Signed, dated, and numbered on verso Image: 23.25 x 31.25 in; Framed: 27 x 34.5 in

ESTIMATE: $15,000-$25,000

1

LOT 5 Alex Prager (1979) Pride, 2007 C-Print From the numbered edition of 7 Signed, dated, titled, and numbered on verso Image: 41.25 x 28.875 in; Framed: 42.25 x 30 in

ESTIMATE: $15,000-$20,000

LOT 6 Alex Prager (1979) Cindy, 2007 Chromogenic Print From the numbered edition of 9 Signed, titled, dated and numbered on verso From the private collection of Kevin Reagan (three-time Grammy Award-winning graphic designer/art director) Image: 24 x 49 in; Framed: 25.5 x 50.25 in

ESTIMATE: $15,000-$20,000 LOT 7 Keith Boadwee (1961) Olive Oyl Swami, 1992 Unique duraflex print Signed, numbered and dated in white ink on verso (back has not been opened) Provenance: Kim Light Gallery, Los Angeles, CA (tag verso) Image: 61 x 49 in; Framed: 61.25 x 49 in

ESTIMATE: $6,000-$8,000

LOT 8 Willy Ronis (1910-2009) Le nu provençal, 1949/Printed Later Gelatin silver print Signed in ink on recto; titled/dated with photographer's stamp verso; Provenance: Peter Fetterman Gallery, Santa Monica, CA (tag verso) Sheet: 20 x 16 in; Framed: 16.125 x 13.125 in

ESTIMATE: $8,000-$10,000 2

LOT 9 Albert Watson (1942) Untitled (Laird Hamilton), 2004 Gelatin Silver Print Signed/dated on recto Image: 24 x 18 in; Framed: 32.75 x 25.75 in

ESTIMATE: $3,000-$5,000

LOT 10 William Wegman (1943) Elephant Dog, 1988 Screenprint on paper From the numbered edition of 96 Signed, dated, and numbered on recto Image: 26 x 32.825 in; Framed: 28.825 x 35.825 in

ESTIMATE: $4,000-$5,000

LOT 11 Arthur Leipzig (1918-2014) Stickball, New York City, 1950/Printed Later Gelatin silver print Signed with photographer's stamp/reproduction stamp on verso Provenance: Peter Feterman Gallery, Santa Monica, CA (tag verso) Image: 11 x 14 in; Framed: 17 x 20.75 in

ESTIMATE: $4,000-$6,000

LOT 11A Diane Arbus (1923-1971) Teenage Boy, N.Y.C., 1961 Gelatin silver print; From the numbered edition of 75 Stamped 'A Diane Arbus photograph' Signed, titled and dated by Doon Arbus, Administrator, in ink Provenance: Robert Miller Gallery, New York Estate copyright credit reproduction limitation stamps on verso Image: 9.375 x 6.125 in; Sheet: 24 x 20 in

ESTIMATE: $7,000-$9,000 3

LOT 13 - SET Richard C. Miller (1912-2010) Norma Jeane Dougherty in Wedding Dress, 1946 Vintage Carbro print (unique) Signed in ink on recto, signed and annotated on verso Image: 15 x 12.5 inches Carbro negatives for Norma Jeane Dougherty (Marilyn Monroe) in Wedding Dress with Prayer Book, 1946 Model release signed by Norma Jeane Dougherty with her Nebraska Avenue, West LA address, March 26, 1946 Image: 4.24 x 5.5 inches Norma Jeane Portfolio A linen clamshell box containing 12 archival pigment prints of Norma Jeane Dougherty, all images from 1946 Each image 19.5 x 15 inches, edition of 50, signed by Miller in pencil on recto Provenance: Estate of Richard C. Miller and Craig Krull Gallery Exhibited: J. Paul Getty Museum

ESTIMATE: $30,000-$50,000 4

LOT 14 Horace Bristol (1908-1997) Untitled (From Ballet Russe), 1935/Printed later Gelatin silver print Signed/dated on mat on recto Signed on verso Image: 13.375 x 11.25 in; Sheet: 10.875 x 13.375 in; Framed: 17 x 21 in

ESTIMATE: $600-$800

LOT 15 Sebastião Salgado (1944-2025) The Gold Mine, Serra Pelada, State of Para, Brazil (backs), 1986 Gelatin silver print Signed, titled & dated in pencil on verso with the photographer’s blindstamp on recto Provenance: Peter Feterman Gallery, Santa Monica, CA Image: 24 x 20 in; Framed: 34.5 x 28.25 in

ESTIMATE: $9,000-$15,000

LOT 16 Sebastião Salgado (1944-2025) Mountain Zebra (they are confined to hilly country), 2005 Gelatin silver print Signed, titled & dated in pencil on verso; photographer’s blindstamp on recto Provenance: Peter Fetterman Gallery, Santa Monica, CA Image: 14 x 20 in; Framed: 34.5 x 28.25 in ESTIMATE: $10,000-$16,000

LOT 17 Dennis Hopper (1936-2010) Untitled, 1988 Unique Photo Silkscreen by Modern Multiples Signed/numbered by artist on recto Printer's Proof 1/1 Image: 39.5 x 57.5 in; Framed: 49.5 x 66.75 in

ESTIMATE: $18,000-$25,000 5

LOT 17A Daido Moriyama (1938) Stray Dog, Misawa, 1971/Printed 2006 Gelatin silver print Signed on verso (#1) Dimensions: 41.5 x 52 in

ESTIMATE: $8,000-$12,000

LOT 18 Joel Peter Witkin (1939) Journeys of the Mask: The History of Commercial Photography in Jaurez, 1984 Toned gelatin silver print on Agfa paper From the numbered edition of 15 Signed, dated, titled and numbered on verso Image: 14.5 x 14.5 in; Framed: 30 x 24 in

ESTIMATE: $5,000-$7,000

LOT 18 Joel Peter Witkin (1939) Nude with Mask, Los Angeles, 1988 Gelatin silver print From the numbered edition of 15 Signed Image: 14.5 x 15 in; Framed: 25.25 x 21.375 in

ESTIMATE: $5,000-$7,000

6

LOT 20 Man Ray (1890-1976) Insulator, c. 1935 Gelatin Silver Print Signed by artist in pencil, signed and annotated 'before 1940' in pencil, titled in ink on the reverse From the private collection of Dr. Stanley Kogan Literature: Man Ray: Vintage Photographs, Solarizations, and Rayographs (New York: Kimmel/Cohn Photography Arts, 1977), no. 58 (likely this print) Comes with catalog Image: 11.625 x 9 in; Framed: 20.25 x 16.25 in

ESTIMATE: $15,000-$25,000 LOT 21 Ed Ruscha (1937) Standard, Beverly Boulevard, 1962 Gelatin silver print From the numbered edition of 20 Signed, dated and numbered in pencil on the verso Image: 7 x 7 in; Framed: 7.625 x 7.75 in

ESTIMATE: $10,000-$14,000

LOT 21A Gerhard Richter (1932) Seestück I (Seascape I), 1969 Offset lithograph From the numbered edition of 150 Signed, dated, and numbered on recto Image: 16.5 x 15.75; Framed: 24 x 23 in

ESTIMATE: $7,000-$10,000

LOT 22 Kurt Markus (1947) Boxer, Dublin, Ireland, 1922 Vintage Gelatin Silver Print Signed, titled, dated by artist in pencil on verso, signed on recto Print number 1 made in 1993 Provenance: From the collection of the artist; ROSEGALLERY, Santa Monica, CA (tag on verso) Image: 11 x 14 in; Framed: 26 x 21.25 in

ESTIMATE: $3,000-$4,000 7

LOT 23 Kurt Markus (1947) John Bailey, Ireland, 1992 Gelatin Silver Print Signed in pencil on recto Provenance: Gallery of Contemporary Photography, Santa Monica, CA (tag on verso) Image: 9.25 x 7.5 in; Frame: 20.5 x 16.5 in

ESTIMATE: $3,000-$4,000

LOT 24 - COMPLETE PORTFOLIO

r Harold Edgerton (1903-1990) Harold Edgerton: Ten Dye Transfer Photographs, 1985 (10) Dye-transfer Photographs, printed by Palm Press, Inc. Littleton, MA. From the numbered edition of 150 Each signed on verso and each numbered on recto From the collection of Harriett Lake & Shelley Lake Portfolio Dimensions: 25.5 x 21.125 x 2.25 in; Images (each): 18 x 14.5 in. or the reverse ESTIMATE: $14,000-$18,000

LOT 25 Slim Aarons (1916-2006) Sunbathing On Capri, Catherine Wilke, Capri, Italy, 1980 Archival C-type print From the numbered edition of 150 Estate stamped and numbered on recto Image: 38.375 x 25.375 in; Framed: 44.5 x 31.5 in

ESTIMATE: $6,000-$8,000

8

LOT 26 Barbara Morgan (1900-1992) Corn Stalk, 1945/Printed Later Bromide photograph Inscribed and dated on recto Image: 18.25 x 14.25 in; Framed: 25.625 x 21.125 in

ESTIMATE: $3,000-$4,000

LOT 27 Mike Kelley Goethe Quote, 1992 Photograph with screenprinted text on mount From the numbered edition of 20 Signed ‘M. Kelley’/numbered on verso tag Provenance: Patrick Painter, Santa Monica, CA (tag on verso) Publisher: Parkett Editions, New York, NY Image: 7.75 x 5.25 in; Framed: 25 x 17.625 in

ESTIMATE: $3,000-$4,000

LOT 28 Edward Weston (1886-1958) Nude, 1933 Gelatin silver print Signed and dated on recto From the collection of Bruce Brown Image: 4.5 x 3.5 in; Frame: 20.625 x 16.625 in

ESTIMATE: $15,000-$25,000

LOT 29 Brett Weston (1911–1993) Guatemala Landscape, 1968 Gelatin silver print Signed on recto From the collection of Bruce Brown Image: 15.5 x 19.378 in; Frame: 26 x 28.75 in

ESTIMATE: $1,800-$2,500 9

LOT 30 - LOT OF 4 Edward Chandler Weston (b. 1910) Edward Weston at Oceano Dunes, 1947 Gelatin silver print, signed/dated on recto Image: 7.75 x 9.75 in; Framed: 15.5 x 18.5 in Brett Weston (1911–1993) Untitled, 1929 Gelatin silver print From the series “portrait of my father”, Vintage photograph Signed/dated on recto Provenance: From the collection of Bruce Brown Image: 9.625 x 7.625 in; Framed: 20.5 x 16.5 in Laurence Neil Weston (1914–1998) Dad, 1945 Gelatin silver print, signed/dated on recto Image: 9.625 x 7.625 in; Framed: 20.5 x 16.5 in Cole Weston (1919–2003) Dad, Point Lobos, 1942 Gelatin silver print, signed/dated on recto Image: 9.75 x 7 in; Framed: 20.5 x 16.5 in Provenance: From the collection of Bruce Brown

ESTIMATE: $4,000-$8,000

LOT 31 John McCracken (1934-2011) Untitled, 1983 Polyester resin, fiberglass and plywood mounted to oil on masonite in artist's frame Signed/dated on recto Painting: 30.25 x 22.5 in; Overall: 31.75 x 24 x 2 in

ESTIMATE: $18,000-$25,000

10

LOT 32 Salvador Dalí (1904-1989) (attributed to) L’Ange, 1968 Original drawing heightened with gold Signed on recto Comes with COA documentation; Issuer: Musée du Surréalisme, Château de Vaux-le-Pénil, France; Certified by: Pierre Argillet, identified as curator of the Musée du Surréalisme; Original recipient: Michael Hadley Epstein, Los Angeles, CA; Accompanying dealer letter of authenticity: Pierre Argillet; Purchased from the Gallery of Surrealism; Christine Argillet Gallery, West Hollywood, California Image: 11.4 x 7.1 in

ESTIMATE: $15,000-$25,000 LOT 33 Richard Lindner (1921-1978) Untitled, 1964 Watercolor and colored crayon Signed/dated on recto Provenance: Cordeier & Ekstrom Inc, New York, NY (tag on verso) Image: 30 x 40 in; Framed: 30.5 x 40.375 in

ESTIMATE: $15,000-20,000 LOT 34 John Baldessari (1931-2020) Object (with Flaw) (Hurowitz 40, Cirrus p. 189), 1988 Lithograph with hand-coloring (one with collage) on four sheets of wove paper (as issued), one sheet signed by artist in pencil, a working proof aside from the numbered edition of 35 plus 15 artist's proofs, co-published by Multiples Inc., New York, co-published/printed by Cirrus Editions, Los Angeles Overall Dimensions: 52 x 109 in; Framed: 58.875 x 111 in

ESTIMATE: $8,000-$10,000 LOT 35 - LOT OF 3 John Baldessari (1931-2020) Raw Prints (Hurowitz 3-8, Cirrus p.185-187), 1976 Three lithographs in colors with hand-tipped color photographs and embossing on Arches paper Each from the numbered edition of 50, along side 12 artist's proofs Each signed, dated, and numbered on recto Each with the blindstamp of the publisher/printer, Cirrus Editions, Los Angeles Each Sheet: 18.625 x 24.5 in (Comes in plexi frames)

ESTIMATE: $3,000-$4,000 11

LOT 36 Roy Lichtenstein (1923-1997) Brushstrokes, 1967 Screenprint in colors From the numbered edition of 300 Signed/numbered on recto Sheet: 22 x 30 in; Framed: 31 x 38 in

ESTIMATE: $18,000-$25,000

LOT 37 Peter Alexander (1939-2020) Chula Vista I, (Cirrus p.163), 1981 Lithograph on Arches 88 paper Signed, dated, titled, and annotated 'A.P.' one of 11 artist's proof outside the numbered edition of 30; With the blindstamp of the publisher/printer, Cirrus Editions, Los Angeles, CA Image: 30.425 x 35.25 in; Framed: 28 x 35 in

ESTIMATE: $1,200-$1,800

LOT 38 Peter Alexander (1939-2020) Panocha Cirrus XXVIII, 1983 Unique Monoprint in colors on wove pape Initialed, dated, and titled on recto; With the blindstamp of the publisher/printer, Cirrus Editions, Los Angeles, CA Sheet: 21 x 27 in; Framed: 28 x 35 in ESTIMATE: $3,000-$5,000

LOT 39 Peter Alexander (1939-2020) Untitled, 1982 Etching From the numbered edition of 5 Signed, dated, and numbered in pencil on recto with blindstamp Publisher/Printer: Central Press Image: 17.5 x 19.75 in; Sheet: 22.25 x 25.75 in; Framed: 27.25 x 30.5 in

ESTIMATE: $1,000-$1,500 12

LOT 40 Billy Al Bengston (1934-2022) Turkey Dracula, 1973 Lithograph in colors with hand-coloring Signed, dated, and annotated 'Cirrus Proof', outside the numbered edition of 24 With blindstamp of the publisher/printer, Cirrus Editions, LA Sheet: 22.25 x 22.25 in; Framed: 26.125 x 26.125 in

ESTIMATE: $2,000-$3,000 LOT 41 Jean St. Pierre (1947-1991) Untitled, 1980 Mixed media collage Signed/dated on recto Provenance: Angles Gallery, Los Angeles, CA; From the collection of Ernie Bacca Image: 13.5 x 20 in; Framed: 20.75 x 17.25 in

ESTIMATE: $1,200-$1,600

LOT 42 Joan Miró (1893-1983) L'Oiseau Mongol (Mongolian Bird), 1969 Etching, aquatint in colors From the numbered edition of 75 Signed/numbered on recto Image: 40.5 x 27 in; Framed: 49.5 x 36.25 in ESTIMATE: $10,000-$15,000

LOT 43 Rufino Tamayo (1899-1991) Mano Negra (Black Hand), 1977 Mixografia in colors on Arches paper From the numbered edition of 100 Signed/numbered on recto Accompanied by a copy of the COA issued by Taller de Gráfica Mexicana, S.A., Mexico City Image: 46 x 30.5 in; Framed: 57.25 x 41.125 in

ESTIMATE: $4,000-$5,000 13

LOT 44 Rufino Tamayo (1899-1991) Personaje con Red (Personage with Net), 1982 Mixografia in colors on Arches paper From the numbered edition of 100, plus 20 artist proofs and 10 handling copies Signed/numbered on recto Image: 35 x 27.5 in; Framed: 42.75 x 35.5 in

ESTIMATE: $3,000-$5,000

LOT 44A Ed Ruscha (1937) Fruit-Metrecal Hollywood, 1971 Screenprint (grape & apricot jam with Metrecal soda/Copper Deluxe paper; Co-published by the artist and Bernard Jacobson Ltd., London, printed by Cirrus Editions, Los Angeles, CA From the numbered edition of 85 + 15 APs Signed ‘E.Ruscha’, dated, and numbered on recto Image: 14.5 x 42 in; Framed: 16.75 x 44.5 in

ESTIMATE: $5,000-$6,000 LOT 45 Ed Rushca (1937) Egg, from Domestic Tranquility (Engberg 76, Cirrus p. 347), 1974 Lithograph in colors on wove paper, initialed in pencil and annotated 'B.A.T.' (a bon à tirer, aside from the edition of 65 plus 24 artist's proofs), with the inkstamp of the publishers verso, Multiples Inc./Castelli Graphics, New York, with the blindstamp of the printer, Cirrus Editions, LA Image: 16.25 x 25 13.75 in; Framed: 29.25 x 39.5 in

ESTIMATE: $5,000-$7,000 LOT 46 Alex Katz (1927) Night: William Dunas Dance 4 (Pamela), 1983 Lithograph on Arches, signed and numbered in pencil From the numbered edition of 125, 17 APs Printer: Christopher Erikson and Joseph Petruzelli at Sienna Studios, Inc., New York, NY Publisher: Jackie Fine Arts, New York, NY Image: 25 x 31 in; Framed: 39.75 x 36 in

ESTIMATE: $4,000-$5,000 14

LOT 47 Dennis Mukai (1956) Hommage á Magritte, 2016 Acrylic on varnish on masonite, sandpaper abraided Signed on recto Provenance: Acquired directly from artist Image: 56 x 44 in; Framed: 63.5 x 51.5 in

ESTIMATE: $15,000-$20,000

LOT 48 Jim Dine (1935) Fu-Dog and Shellac, 1989 Charcoal, watercolor, pencil and shellac on paper Signed/dated on recto Provenance: The Pace Gallery, New York, NY (tags on verso) Image: 47 x 36 in; Framed: 52 x 42 in

ESTIMATE: $30,000-$40,000

LOT 49 Sam Francis (1923-1994) Untitled (SF-088), 1993 Aquatint etching in colors From the numbered edition of 22 Signed/numbered on recto Image: 31.75 x 43 in; Framed: 40 x 51.125 in

ESTIMATE: $5,000-$7,000 LOT 50 Sam Francis (1923-1994) Untitled (SF. 353), 1992 Lithograph on Rives BFK paper ( A/P from edition of 50 +64 artist proofs + 1 B.A.T) Certificate of Authenticity from International Art Resources, LTD. Signed/numbered in pencil on recto Dimensions: 22 x 30 in; Framed: 30 x 38 x 2.5 in ESTIMATE: $800-$1,200

15

LOT 50 Sam Francis (1923-1994) Untitled (SFE. 094), 1993 Etching on Rives BFK paper From the numbered edition of 27 Annotated “A/P”, Signed and inscribed on recto Certificate of Authenticity from International Art Resources Image: 18 x 16.25 in; Framed: 29 x 27 x 1.5 in

ESTIMATE: $1,500-$2,000

LOT 52 Alexander Calder (1898-1976) Fronton, 1965 Lithograph From the numbered edition of 90 Signed/dated on recto Image: 22 x 29.5 in; Framed: 32.75 x 40.375 in

ESTIMATE: $3,000-$4,000

LOT 53 Sonia Delaunay (1885-1979) Composition with Rectangles, Circles and Semicircles (Composition Ploychrome), 1970 From the numbered edition of 125 Etching and aquatint in colors on Arches paper, signed in pencil and numbered on recto Publisher: Jacques Damase, Paris Image: 21.5 x 17 in; Framed: 29.25 x 24.75 in

ESTIMATE: $3,000-$3,500

LOT 54 Keith Haring (1958-1990) Andy Mouse, Keith Haring's Homage to Andy Warhol, 1986 Silkscreen Signed by Keith Haring in marker Image: 26 x 20 in; Framed: 34.25 x 28.325 in Rare poster done by Richard Duardo

ESTIMATE: $3,000-$3,500

16

LOT 55 Keith Haring (1958-1990) The Valley (Complete Suite), 1989 The complete suite of 15 etchings by Keith Haring with text by William S. Burroughs From the numbered edition of 80 (with thirteen Artist Proofs, four Hors Commerce and one Bon a Tirer) Each signed/numbered on recto Publisher: George Mulder Fine Arts, New York Exhibited at Los Angeles Museum of Art (LACMA), Ports of Entry: William S. Burroughs and the Arts, July 18-October 6, 1996 Each Sheet: 14 x 12.5 in ESTIMATE: $30,000-$35,000 LOT 56 David Hockney (1937-2026) It Picks Its Way, from The Blue Guitar, 1976-77, Published 1977 Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) From the numbered edition of 200 Signed/numbered on recto Image: 18 x 20.5 in; Framed: 25.75 x 28.375 in ESTIMATE: $5,000-$7,000

LOT 57 David Hockney (1937-2026) A Picture of Ourselves, from the Blue Guitar, 1976-77, Published ‘77 Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) From the numbered edition of 200 Signed and numbered on recto Image: 15 x 17.875 in; Framed: 27.875 x 30.5 in ESTIMATE: $5,000-$7,000

LOT 58 David Hockney (1937-2026) A Picture of Ourselves, from the Blue Guitar, 1976-77, Published ‘77 Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) From the numbered edition of 200 Signed and numbered on recto Image: 15 x 17.875 in; Framed: 27.875 x 30.5 in ESTIMATE: $4,000-$5,000

17

LOT 59 David Hockney (1937-2026) Nicholas Wilder, 1976 Lithograph on Rives BFK From the numbered edition of 95 Signed, numbered and dated in pencil on recto Provenance: LA Louver, Venice, CA (tag on verso) Publisher: GEMINI G.E.L. Dimensions: Sheet: 33 x 24.5 in; Framed: 37.75 x 29.75 in ESTIMATE: $5,000-$8,000

LOT 60 David Hockney (1937-2026) A Picture of the Sea at the Malibu, 1989 Fax print of a facsimile drawing Printed title and signature on recto Image: 8.5 x 14 in; Framed: 18.325 x 23.75 in ESTIMATE: $2,000-$3,000

LOT 61 David Hockney (1937-2026) (attributed to) Untitled (Study of the Interior of Hollywood Home), 1985 Pastel crayons on artist paper Image: 13.5 x 19.5 in Provenance: Vintage Animation Gallery, Santa Monica, California (later Robert Berman Gallery); acquired in the early 1990s from "Glenne," identified by the previous owner as David Hockney's longtime personal assistant and household employee. According to the previous owner, Glenne received the present work directly from Hockney circa 1985 while the artist was preparing an interior drawing of his Hollywood Hills residence for a Vogue magazine feature. The work was described as an unfinished study retained after Hockney abandoned it following an accidental coffee stain. It has remained in the gallery's collection through its transition to Robert Berman Gallery.

The previous owner further noted that the composition closely relates to Hockney's completed Vogue interior drawing of the same period, depicting the same interior elements and executed on comparable artist's paper bearing a watermark.

ESTIMATE: $30,000-$40,000 18

LOT 62 - LOT OF 2 David Hockney (1937-2026) Untitled (A Supper for Celia and Elizabeth-Henry), 1987 Dinner Place Card from a a dinner that was prepared by Gleene in 1987, the name on the Dinner Place Card "Henry" is hand-written

by Hockney Image: 6.75 x 4.75 in; Framed: 7.75 x 5.75 in Untitled, 1984 Hand-painted ceramic tray Created for the opening of “Hockney Paints the Stage” exhibition at Museo Tamayo, Mexico City in 1984, on verso, text reads “David Hockney, Museo Tamayo, 1984, Pintado a Mano por Alfredo Guzman [hand-painted by Alfredo Guzman]” with the artist's initials printed in ink on recto Dimensions: 5.125 x 3.5 in ESTIMATE: $1,800-$2,500

LOT 63 David Hockney (1937-2026) (attributed to) Untitled (Study of Large Little Stanley), c. 1986-87 Pen on paper, annotated "Celia" on recto Provenance: From the collection of Vintage Animation Gallery; provenance verbiage via Vintage Animation Gallery: From the private collection of Glenne. The drawing of Hockney's dog, Stanley, appears to be a study of Hockney's 1987 painting, ‘Large Little Stanley’.” On the same paper, Hockney wrote the name of his good friend, Celia, along with her phone number.

Dimensions: 11 x 8.5 in

ESTIMATE: $15,000-$20,000

19

LOT 64 David Hockney (1937-2026) Swimming Pool Poster for Los Angeles 1984 Olympic Games, 1982 Offset lithograph poster printed in colours on thin wove paper From the edition of an unknown size Hand-signed by artist with artist’s printed initials Publisher: Knapp Communicatons Inc., Los Angeles, CA Image: 36 x 24 in; Framed: 37.5 x 25.375 in

ESTIMATE: $5,000-$8,000

LOT 65 David Hockney (1937-2026) Mulholland Drive, The Road to the Studio, 1980 Collotype Continuous Tone Lithograph Poster Dedicated "for Glenne" and signed in marker by artist Provenance: From the collection of Vintage Animation Gallery, Los Angeles, CA Image: 16.25 x 37.625 in; Framed: 18.875 x 40.25 in

ESTIMATE: $600-$900

LOT 67 RETNA (1979) American Revolutionaries, 2009 Screenprint 4-color serigraph, signed/titled on recto, one of 8 trial prints, outside of the numbered edition of 50 Provenance: Acquired directly from the artist Image: 43.75 x 30 in; Framed: 48.5 x 34.5 in

ESTIMATE: $2,400-$3,000

20

LOT 68 Mark Bradford (1960) Untitled, 2003 Lithograph in colors on heavy wove paper Initialed, dated, and annotated 'B.A.T' (a bon à tirer, aside from the numbered edition of 45) on recto Image: 32.5 x 32.5 in; Framed: 39.5 x 39.5 in

ESTIMATE: $4,000-$6,000

LOT 69 Miles Davis (1926-1991) Blue World, c. 1990 Colored marker, pen and ink, watercolor on Arches paper Signed on recto Provenance: From the collection of Scott Hann/Fine Art Productions Image: 24 x 18 in; Framed: 31.875 x 25.875 in

ESTIMATE: $12,000-$16,000

LOT 71 Rico Lebrun (1900-1964) Untitled, 1962 Mixed media on paper Signed/dated on recto Provenance: From the estate of Mr. Guy (LA Coutierer) Image: 39.5 x 27.5 in; Framed: 44 x 32 in

ESTIMATE: $6,000-$8,000

21

LOT 72 Rico Lebrun (1900-1964) Untitled (7-31), ca. 1961 Pen and ink on paper Provenance: Koplin Gallery, Los Angeles, CA, (tag on verso); MB Modern, New York, NY, (tag on verso) Image: 14.75 x 14.25 in; Framed: 19.625 x 19 in

ESTIMATE: $1,800-$2,200

LOT 73 - LOT OF 2 Llyn Foulkes (1934-2025) In Memory of F.G. Hough #1, 1974 Lithograph, photolithograph, and opaque watercolor From the numbered edition of 50 Signed, dated, and numbered on recto Dimensions: 19.3125 x 24.5 in Untitled (Abstract), 1960 Acrylic on paper Signed/dated on recto Image: 8.75 x 6.75 in; Framed: 11 x 9 in

ESTIMATE: $1,800-$2,500

22

LOT 74 - LOT OF 4 Hans Burkhardt (1904-1994) Untitled, 1935 Graphite on paper Signed/dated on recto Image: 20 x 15.5 in; Framed: 24 x 18.5 in Untitled, 1951 Charcoal on paper Initaled/dated on recto Image: 18 x 23 in; Framed: 23.25 x 28 in Untitled, 1971 Linocut From the numbered edition of 30 Signed, dated, and numbered in pencil on recto Image: 10.5 x 6.5 in; Framed: 24.5 x 17.5 in Untitled, 1984 Monotype Signed/dated on recto Provenance: Jack Rutberg Fine Arts, Los Angeles: From the collection of Ernie Bacca Image: 13 x 10 in; Framed: 16.75 x 13.75 in

ESTIMATE: $2,000-$3,000

LOT 75 Ken Price (1935-2012) Club Romance, 1988 Photoengraving in block on Toyoshi wove paper Annotated "AP VIII" aside the numbered edition of 100 (18 Artist Proofs) Signed on recto Publisher: GEMINI G.E.L, Los Angeles, CA Image: 9 x 9.75 in; Framed: 10.625 x 11.0625 in

ESTIMATE: $600-$800

23

LOT 76 Ken Price (1935-2012) Lunk, 2004 Cast bronze painted in gold From the numbered edition of 200 (there were also 13 artist's proofs; Cast in 2005 Signed/numbered on the underside Publisher: Frostig Collection, Pasadena, CA Dimensions: 4 x 4.75 x 4.875 in

ESTIMATE: $3,500-$4,500

LOT 77 Ed Moses (1926-2018) Untitled, 1997 Acrylic on canvas Signed on verso Provenance: Gifted to present owner by the artist Dimensions: 60 x 60 in

ESTIMATE: $25,000-$35,000

LOT 78 Ed Moses (1926-2018) Untitled, 1989 Lithograph on Guarro paper From the numbered edition of 25 Signed, dated, and numbered on recto Editor/Printer: Poligrafia, Barcelona Image: 27.625 x 22 in; Framed: 37.5 x 31.325 in

ESTIMATE: $2,000-$3,000

23

LOT 79 Corey Pemberton (1990) I Love Us, 2023 Acrylic, inkjets, and graphite on canvas Signed/dated on verso Dimensions: 72.5 x 60 in

ESTIMATE: $12,000-$15,000

LOT 79A Allen Stringfellow (1923-2005) Jute Joint, c. 1990's Collage on paper Signed/titled on recto Comes with artist COA, original painted mat and frame Image: 20.75 x 24.75 in; Framed: 14 x 18 in

ESTIMATE: $2,000-$3,000 LOT 80 Kerry James Marshall (1955) THAT WAS SOME REAL GOOD EATIN', 2008 Glazes porcelain plate with printed decoration from the Santa Monica Museum of Art 20th Anniversary Plate; Printed initials/date on recto Inscribed AP, aside the numbered edition of 125 on verso Diameter: 12.5 in

ESTIMATE: $600-$800

LOT 81 Kent Twitchell (1942) Lita Albuquerque, Monument 7th Street Altarpiece, 1983 Graphite on paper Signed, titled, and dated on recto Dimensions: 22.5 x 29.5 in

ESTIMATE: $4,000-$5,000

24

LOT 82 - LOT OF 2 Kent Twitchell (1942) Julie Gigante, Study for Mural, Study for Mural, 1992 Graphite on paper Signed, titled, and dated on recto Image: 7.75 x 5.625 in; Framed: 16.5 x 14.5 in Edie Hill, Study for LA Marathon Mural, 1989 Graphite in paper Signed, titled, and dated on recto Image: 17 x 14 in; Framed: 26 x 22.5 in

ESTIMATE: $4,000-$5,000

LOT 83 Wayne Thiebaud (1929-2021) Shoe Rows, from Recent Etchings I, 1979-80 Color etching, aquatint, and spit-bite aquatint on wove Somerset paper Color Trial Proof (aside the numbered edition of 50, plus 10 Artist Proofs), signed, dated, and numbered on recto Printer: Stephen Thomas at Crown Point Press, San Francisco, CA; Publisher: Parasol Press, Ltd., New York, NY Image: 18 x 25 in; Framed: 25.125 x 32.125 in

ESTIMATE: $6,000-$8,000

LOT 84 Morton Wayne Thiebaud (1929-2021) Paint Cans, 1990 Lithograph in colors on Arches Paper From the numbered edition of 100 Signed, dated, and numbered on recto Printer: Trillium Graphics, Brisbane, CA Publisher: Chicago Art Expo, Chicago, IL Image: 31.75 x 25.5 in; Framed: 42.25 x 35.375 in

ESTIMATE: $8,000-$10,000

25

LOT 85 - LOT OF 2 Joe Goode (1937-2025) Floating Card, 1967 Lithograph Signed/dated on recto Sheet: 22 x 29.5 in; Framed: 23.75 x 31.5 in Untitled (Cirrus p. 239), 1973 Lithograph in colors on wove paper From the numbered edition of 75 Signed, dated, and numbered on recto With blindstamp of the printer, Cirrus Editions, Los Angeles Sheet: 18 x 24 in

ESTIMATE: $2,600-$3,000

LOT 86 - SET OF 3 Bruce Nauman (1941) Perfect Door; Perfect Odor; Perfect Rodo (Cirrus p.321-322), 1973 The complete set, three lithographs on wove paper Each signed, dated, and annotated '1 A/P', one of 10 artist's proofs, outside the numbered edition of 50, with the blindstamp Publisher/Printer: Cirrus Editions, Los Angeles, CA LACMA tags on verso Each sheet: 32 x 26 in

ESTIMATE: $4,000-$6,000

24

LOT 87 Bruce Cohen (1953) Untitled (Black and White Florals) (Cirrus p. 209), 1987-88 Lithograph in colors on wove paper Signed, dated, and annotated 'Trial Proof II' outside the numbered edition of 43 Publisher/Printer: Cirrus Editions, Los Angeles, CA (tag on verso) Image: 43.75 x 30.825 in; Framed: 42 x 29 in

ESTIMATE: $2,000-$3,000

LOT 88 Bruce Cohen (1953) Interior with 3 Lemons, 1998 Lithograph in colors on wove paper An AP aside the numbered edition of 60 Signed, dated, and annotated with blindstamp on recto Publisher/Printer: Cirrus Editions, Los Angeles, CA Sheet: 18 x 27 in; Framed: 24 x 33 in

ESTIMATE: $2,800-$3,000

LOT 89 Robert Rauschenberg (1925-2008) Monkey Chow (Chow Bags), 1977 Screenprint on paper with plastic thread From the numbered edition of 100 Signed, dated, and numbered on recto Publisher: Styria Studio, New York, NY

ESTIMATE: $3,500-$4,500

26

LOT 89A Robert Rauschenberg (1925-2008) Rotary Drive (Ground Rules), 1997 Photogravure, intaglio paper From the numbered edition of 44 Signed, dated, numbered on recto Sheet: 22.5 x 30 in; Framed: 25.125 x 32.625 in

ESTIMATE: $2,000-$3,000

LOT 90 After Banksy/Thierry Guetta Storm Trooper, c. 2011 Glued print on wood board Ephemera featured in Banksy Oscar mural with storm troopers for Academy Awards in honor of the documentary Exit Through the Gift Shop Dimensions: 78 x 40 x 2 in

ESTIMATE: $800-$1,200

LOT 91 Jean-Michel Basquiat (1960-1988) Leg of the Dog, 1983 Screenprint on Okawara paper Unsigned proof (aside from the edition of 20), with the blindstamp Publisher/Printer: New City Editions, Venice, CA Sheet: 40 x 31 in; Framed: 46.5 x 37.5 in

ESTIMATE: $18,000-$25,000

27

LOT 93 Raymond Pettibon (1957) Untitled (Purity of Line and Form), c. 1990's Silkscreen Signed/annotated "AP" on recto Image: 21.875 x 15.25 in

ESTIMATE: $2,600-$3,000

LOT 94 William Brice (1921-2008) Window, 1962 Charcoal on paper Signed/dated on recto Provenance: The Alan Gallery, New York, NY, (tag on verso) Image: 18.125 x 23.425 in; Framed: 25.75 x 32 in

ESTIMATE: $2,000-$3,000

LOT 95 - LOT OF 2 Lee Mullican (1919-1998) Untitled, 1955 Wash on paper Signed/dated on recto Image: 18.5 x 23.5 in; Framed: 24.5 x 30 in Untitled, 1959 Mixed media on paper Signed/dated on recto Image: 23.5 x 18 in; Framed: 30.25 x 25.5 in

ESTIMATE: $5,000-$6,000

28

LOT 96 William A. Gaw (1891-1973) Manual Control, 1945 Acrylic on canvas Signed on recto Provenance: Maxwell Galleries, San Francisco, CA (tag on verso) Image: 18.75 x 26.825 in; Framed: 26.25 x 34.25 in

ESTIMATE: $4,000-$5,000

LOT 97 Richard Duardo (1952-2014) James Dean, 1991 Silkscreen on canvas Signed on recto Dimensions: 36 x 36 in

ESTIMATE: $3,000-$5,000

LOT 98 Jonas Wood (1977) Untitled, 2015 Screenprint in colors on wove paper Signed in pencil, dated and annotated 'A.P. 19/26' (an artist's proof, aside from the edition of 100), with the blindstamp Publisher/Printer: Cirrus Editions, Los Angeles, CA Sheet: 24 x 20 in; Framed: 33.5 x 27 in

ESTIMATE: $4,000-$5,000

29

LOT 99 Marc Chagall (1887-1985) L’Atelier de Nuit (The Studio at Night), 1980 Color lithograph From the numbered edition of 50 Signed/numbered on recto Sheet: 25.6 x 18.7 in; Framed: 34 x 28.5 in

ESTIMATE: $4,000-$6,000

LOT 100 Jim Waid (1942) Passion Flower, 1993 Acrylic on canvas on stretcher bars Signed on recto/signed, dated, and titled on verso Provenance: Riva Yares Gallery, Scottsdale, AZ (tag on verso) Dimensions: 60 x 72 x 2 in

ESTIMATE: $8,000-$12,000 LOT 101 Shepard Fairey (1970) Marcos Collage, 2003 Hand-painted multiple From the numbered edition of 63 Signed, dated, and numbered on recto Most proceeds from the sale of this edition when first released went to The Chiapas Media Project Image: 48 x 36 in; Framed: 35.375 in

ESTIMATE: $4,500-$5,500 LOT 102 Shepard Fairey (1970) Rose Shackle, 2022 Stencil painting with unique variations in painting and relief texture From the numbered variable stencil edition of 20 Signed, dated, and numbered on verso The rose represnts the archetype of an individual or society who has endured oppression but perseveres and rises above; Produced

by Shepard Fairey and Ernesto Yerena; Publisher: Hecho Con Ganas, Los Angeles, CA (chopmark on recto) Image: 26.5 x 20.5 in

ESTIMATE: $4,500-$5,500 30

LOT 103 Salomón Huerta (1965) Picasso, 2016 Mixed media on paper Signed, titled, dated in pencil on verso Sheet: 9 x 12 in; Framed: 19.5 x 23.5 in

ESTIMATE: $500-$800

LOT 104 - LOT OF 2 GRONK (1954) Untitled, c. 1990 Paint, oil stick on paper Image: 13.75 x 10.625 in; Frame: 20.125 x 17.25 in Untitled, c. 1990 Paint, oil stick on paper Image: 9.375 x 7.375 in ; Frame: 20.75 x 18.625 in Provenance: From the collection of Sondra Kasden

ESTIMATE: $2,000-$3,000

LOT 105 GRONK (1954) Untitled, 2012 Mixed media on wood panel Signed/dated on verso Provenance: From the collection of Surito Echeverria Dimensions: 84 x 48 in

ESTIMATE: $15,000-$25,000

31

LOT 105A Carlos Almaraz Moonlight Theater, 1989 Sugarlift etching and intaglio in colors From the numbered edition of 60 Signed, dated, and numbered on recto Comes with Catalog from UCLA (Cover photo) Image: 9.75 x 12.875 in; Framed: 23.675 x 26 in

ESTIMATE: $2,600-$3,000

LOT 106 Frank Romero (1941) Nude Woman, 1991 Color pastel on paper Signed and dated on recto Image: 30 x 44 in; Framed: 42 x 56 in

ESTIMATE: $3,000-$4,000

LOT 107 Frank Romero (1941) Untitled (Trailer), c. 1990 Hand-carved wooden sculpture finished with oil paint The depicted trailer is constructed with four wheels Signed on the bottom of the sculpture Dimensions: 9.125 x 17.5 x 1 in

ESTIMATE: $800-$1,200

LOT 108 Frank Romero (1941) Untitled, c. 1990 Unique monoprint on paper Signed with chopmark on recto Provenance: From the collection of Sondra Kasden Image: 16 x 22 in; Framed: 21 x 27.125 in

ESTIMATE: $800-$1,200

32

LOT 108A Roberto Chavez (1932-2024) (attributed to) Untitled, c. 1959-61 Acrylic on canvas Signed on recto Dimensions: 36 x 17.625 in

ESTIMATE: $6,000-$8,000

LOT 109 - LOT OF 2 Emmanuel Galvez Diecisiete Ninos Envueltos, 2015 Oil on canvas Signed, dated, and titled on verso Provenance: Craig Krull Gallery, Santa Monica, CA (tag on verso) Dimensions: 24.5 x 19.75 in Esperansas-HOPE, 2012 Oil on canvas Signed, dated, and titled on verso Dimensions: 30.5 x 22.5 in

ESTIMATE: $4,000-$5,000 LOT 110 Chaz Bojorquez (1949) Somos Locos (We're Crazy), 1990 Screenprint in colors on Fine Art paper Signed/numbered on recto From the numbered edition of 120 Image: 32.5 x 41 in; Framed: 38.25 x 46.875 in

ESTIMATE: $800-$1,200

LOT 110A Roberto Gil De Montes (1950) Poet-Skeleton, 2025 4 color lithograph on woven paper From the numbered edition of 30 Signed, dated, and numbered on recto Image: 16.375 x 15.375 in; Framed: 24.25 x 24.25 in

ESTIMATE: $500-$600 33

LOT 110B Roberto Gil De Montes (1950) Untitled, 2005 Aquatint etching From the numbered edition of 40 Signed/numbered on recto Image: 18.5 x 15.5 in; Framed: 25.75 x 22.5 in

ESTIMATE: $1,200-$1,800

LOT 111 John Valadez (1951) Untitled Nude Drawing, 1987 Charcoal on paper Signed/dated on recto Image: 22.5 x 15 in; Framed: 26.5 x 19 in

ESTIMATE: $2,600-$3,000

LOT 112 Fred Tomaselli 16 X 14 A higher Tower, 1998 Color etching, aquatint on wove paper Signed, numbered and dated Provenance: Hunsaker Schlesigner Gallery Private Collection, Los Angeles Sheet: 40.75 x 36.25 in; Framed: 28.5 x 23 in

ESTIMATE: $2,600-$3,000

LOT 113 Guy Girard Dill (1946) Triple Black, 1990 Unique monoprint on paper Signed/dated on recto Dimensions: 68.5 x 57.825 in

ESTIMATE: $3,000-$4,000

34

LOT 114 Jon Krawczyk (1970) From Russia With Love, 2017 Unique bronze sculpture Signed/dated on base Provenance: California collector acquired directly from the artist in 2017 Dimensions Including Base: 38.75 x 10 x 4 in

ESTIMATE: $3,000-$3,500

LOT 115 Ed Ruscha (1937) Every Building on the Sunset Strip, 1966 Offset lithograph, silver Mylar Signed by artist on recto Dimensions: 7.25 x 5.625 in (closed); Full length: approximately 27 ft

ESTIMATE: $3,000-$4,000

LOT 116 Peter Beard (1938-2020) The End of the Game, 1965 First edition artist book with original hand drawing and real snake skin; Dedicated "Warm Salaams and Millennium Greetings, For Marissa" and draw in in what is believed to be a mixture of blood and dirt Provenance: From the private collection of Marissa Roth Dimensions: 11.25 x 8.5 in

ESTIMATE: $5,000-$8,000

35

LOT 117 Richard Avedon (1923-2004) Photographs, 1947-1977, 1979 Hand-signed artist book Hand-signed, dated "79", and dedicated "For Marissa" inside cover Provenance: From the private collection of Marissa Roth Dimensions: 14.25 x 11 in

ESTIMATE: $400-$500

LOT 118 George Hurrell (1904-1992) Greta Garbo, 1930 Gelatin silver print From the numbered of 250 Signed and numbered on recto Image: 19 x 15.5 in; Framed: 26.375 x 22.75 in

ESTIMATE: $800-$1,200

LOT 119 Sid Avery (1918-2002) Marlon Brando, c. 1955/Printed Later Gelatin Silver Print From the numbered edition of 30 Signed, stamped and numbered on verso Provenance: Focus on Aids 1991, documentation sheet on verso Image: 9.75 x 9.75 in; Framed: 16 x 16 in

ESTIMATE: $800-$1,200 LOT 120 Martin Kersels (1960-1995) Pestering (Party), 1999 Fujicolor crystal archival print From the numbered edition of 250, signed on verso Provenance: From the MOCA Photography portfolio: Celebrating the Museum of Contemporary Art’s 20th Anniversary curated by Cindy Sherman Sheet: 13.25 x 19.25 in; Framed: 20 x 24 in

ESTIMATE: $400-$600 36

LOT 121 Phil Stern (1919-2014) John Wayne in Patio of his Hotel in Acapulco, Mexico, printed 1970 Gelatin silver print Signed, titled and dated on verso, Artist’s stamp on verso Provenance: From the collection of the artist; ROSEGALLERY, Santa Monica, CA (tag verso) Illustrated in: Phil Stern's Hollywood, Photographs, 1940-1979, p. 10 Image: 18 x 12.5 in; Sheet: 19.75 x 16 in

ESTIMATE: $1,200-$1,600

LOT 122 Susan Steffy Squash on Black, 1979 Gelatin silver print Signed recto on mat Image: 6.75 x 5.5 in; Framed: 15.75 x 12.75 in

ESTIMATE: $800-$1,200

LOT 123 James Fee (1949-2006) Untitled (St. Louis Arch) Gelatin silver print Artist proof Signed and annotated “A.P.” in pencil on verso Image: 8 x 11.75 in; Framed: 16.25 x 20 in

ESTIMATE: $800-$1,200

37

LOT 124 - LOT OF 4 James Fee (1949-2006) Untitled, c. 1990s Gelatin silver prints Each signed on the mat; Three of the four works are signed on the sheet Each Image: 7.25 x 7.75 in; Each Sheet: 20 x 16 in

ESTIMATE: $1,000-$1,500

LOT 125 David Levinthal (1949) Untitled, c. 1974-76 Gelatin Silver print on Kodalith paper From the numbered edition of 10, From the Hitler Moves East Series, print made at the same time as the negative Provenance: Jan Kesner Gallery, Los Angeles, CA, (tag on verso) Illustrated: Cover Hitler Moves East: A Graphic Chronicle, 1941-43 Image: 11 x 8.5 in; Framed: 20.5 x 16.5 in

ESTIMATE: $1,200-$1,800

LOT 126 Lynn Geesaman (1938-2020) Bernheim Arboretum, KY, 1994 Fuji Crystal Archive Print Signed, titled, and dated on verso From the numbered edition of 15 Provenance: Stephen Cohen Gallery, Los Angeles, CA (tag verso) Image: 40 x 40 in; Framed: 49.425 x 48.75 in

ESTIMATE: $2,000-$3,000

38

LOT 127 David Ireland (1930) Untitled, 1985 Photograph collage printed paper in artist's name Dated on recto; Signed/dated on verso with artist stamp Image: 4.75 x 6.75 in; Framed: 5.625 x 7.625 in

ESTIMATE: $500-$800

LOT 128 Ed Templeton (1972) Jamie Thomas, c. 1994-95 Unique black and white photograph with writing in marker Image: 13.75 x 10.5 in Framed: 17.25 x 14.25 in

ESTIMATE: $600-$900

LOT 129 Ed Templeton (1972) Untitled, 2002 Scanned color photograph Provenance: Stephen Cohen Gallery, Los Angeles, CA (tag on verso) Image: 19.25 x 21.75 in; Framed: 20.75 x 24.75 in

ESTIMATE: $600-$900

LOT 130 Alfred Eisenstaedt (1898-1995) Couple In Front of Old Faithful, Yellowstone National Park, 1946/ Printed Later Photograph Signed on recto with title, Time-Life provenance stamp and photographer's stamp on verso; Featured on the cover of LIFE Magazine (Issue: August 19, 1946) Image: 17.75 x 13.75 in; Framed: 23.5 x 18.75 in

ESTIMATE: $1,200-$1,600 39

LOT 131 Yaacov Agam (1928-2026) End to End (Bout a Bout) Serigraph and plexiglass Signed/numbered on recto Provenance: From the collection of Vintage Animation Image: 19 x 15.5 in; Framed: 26.375 x 22.75 in

ESTIMATE: $600-$800

LOT 132 Nicol Allan (1931-2019) Untitled, 1965 Lithograph; From the numbered edition of 5 Signed/numbered on recto Provenance: Silvan Simon Gallery, Los Angeles, CA; From the collection of Ernie Bacca Image: 10.25 x 12 in; Framed: 17.5 x 19.5 in

ESTIMATE: $800-$1,200

LOT 133 Karel Appel (1921-2006) Composition With Face, 1970 Color lithograph From the numbered edition of 100 Signed, dated, and numbered with blindstamp on recto Image: 20 x 26 in; Framed: 26.25 x 34 in

ESTIMATE: $600-$800

LOT 134 Deanne Belinoff Diptych Study 4, 1989 Ink on paper Signed/dated on recto Provenance: C.G. Jung Institute, Los Angeles, CA Image: 12 x 16 in; Framed: 13.75 x 17.5 in

ESTIMATE: $400-$600 40

LOT 135 Nayland Blake (1960) Hybrid, 1991 Mixed Media Provenance: Mincher/Wilcox Gallery, San Francisco, CA Acquired directly from the above by the present owner in 1991 Dimensions: 5 x 9 in

ESTIMATE: $800-$1,200

LOT 136 David Bungay (1933) Two Antelopes, 1989 Watercolor on paper Signed/dated on recto Provenance: Jan Turner Gallery, Los Angeles, CA (tag verso) Image: 14 x 20 in; Framed: 16.825 x 22.75 in

ESTIMATE: $1,200-$1,600

LOT 136A Georges Braque (1882-1963) La Moisson, 1963 Color lithograph on Arches wove paper From the numbered roman numeral edition of 15 Signed/numbered on recto Image: 8 x 8 in; Framed: 18.75 x 16.5 in

ESTIMATE: $400-$600

LOT 137 Walter Burger (1923-2010) Untitled, 1969 Lithograph From the numbered edition of 200 Signed, dated and numbered on recto Image: 30.5 x 22 in; Framed: 36 x 27 in

ESTIMATE: $400-$600

41

LOT 138 Tim Burton (1958) The Pin Cushion Queen, c. 1990's Color lithograph from "The Melancholy Death of Oyster Boy" series Trial proof aside the numbered edition of 125 Inscribed with chopmark on recto Image: 12 x 15 in; Framed: 14.125 x 17 in

ESTIMATE: $800-$1,200

LOT 139 Felice Canonico (1922-1997) Untitled, 1964 Watercolor on paper Signed/dated on recto Provenance: Sarita Simone, Los Angeles, CA; From the collection of Ernie Bacca Dimensions: 7.5 x 8 in; Framed: 16.24 x 16.625 in

ESTIMATE: $800-$1,200

LOT 140 Michael Carson (1972) Unwind, c. 2000's Oil on panel Signed on recto Provenance: Bonner David Galleries in Scottsdale, AZ Dimensions: 20 x 16 in

ESTIMATE: $800-$1,200

LOT 141 Stanley Weksler Casselman (1963) Old and wise, 1988 Acrylic on canvas Signed, dated, and titled on verso 'STANLEY WEKSLER CASSELMAN / "OLD AND WISE" 1988 ©' Dimensions: 51.50 x 58.50 in

ESTIMATE: $2,000-$3,000 42

LOT 142 Judy Chicago (1939) Driving the World to Destruction, 1988 Silkscreen From the numbered edition of 50 Signed, dated, and titled on recto Image: 40.25 x 30 in; Framed: 44.75 x 35 in

ESTIMATE: $2,000-$3,000

LOT 143 - LOT OF 2 Jeff Colson (1957) Untitled 4 & 5, 1989 Enamel and gesso on wood 'Untitled 5' signed/dated on verso Provenance: Angles Gallery, Los Angeles, CA; From the collection of Ernie Bacca Overall Dimension: 8.25 x 16.5 in

ESTIMATE: $800-$1,200

LOT 144 Greg Constantine (1938) Untitled (Best of Edward Hopper), c. 1987 Acrylic on canvas Signed on verso Provenance: OK Harris Gallery, New York, NY Dimensions: 66 x 81 in

ESTIMATE: $3,000-$5,000

43

LOT 146 Ford Crull (1954) Relic #43, 1991 Oil, wax, wood, and steel Provenance: Gloria Luria Gallery, Bay Harbor Islands, FL; Jan Baum Gallery, Los Angeles, CA (tag on verso); Provenance: From the collection of Sondra Kasden Image: 16.5 x 12.5 in; Framed: 18.625 x 15 in

ESTIMATE: $2,000-$2,500

LOT 147 Steve DeGroodt (1948) Untitled #442, Ghazal series, 2000 Paper, acrylic, and cloth Provenance: From the collection of Ernie Bacca Image: 18 x 18 x .25 in; Framed: 22.375 x 22.5 in

ESTIMATE: $800-$1,200

LOT 148 Laddie John Dill (1943) Untitled, c. 1990's Cement wash and oil canvas Dimensions: 36 x 60 in

ESTIMATE: $2,000-$3,000 44

LOT 149 Stephen Douglas (1949-2024) Untitled, 1986 Pastel on paper Signed/dated on recto Image: 23.825 x 17.75 in; Framed: 24.375 x 18.5 in

ESTIMATE: $800-$1,200

LOT 150 Roy Dowell (1951) Untitled #530, 1991 Acrylic and collage on paper Provenance: From the private collection of Roger and Suzanne Merians; Rosamund Felsen Gallery, Los Angeles, CA Image: 9 x 6.875 in; Framed: 18.625 x 16.5 in

ESTIMATE: $1,000-$1,500

LOT 151 Ed Gilliam (1941-2020) Untitled, 1988 Watercolor and ink on paper Signed/dated on recto Sheet: 22.25 x 30 in; Framed: 24.75 x 32.25 in

ESTIMATE: $1,200-$1,800

LOT 152 Daniel Gluck (1931) Untitled, c. 1970s Oil on board Signed on recto Dimensions: 49 x 43 in

ESTIMATE: $800-$1,200

45

LOT 153 Robert Graham (1938-2008) Moca Torso, 1992-1995 Patinated Bronze sculpture Unknown edition Hand-signed by artist, Signed "R. Graham". 'J.G. Munoz' on the underside Dimensions: 11 × 4.75 × 4.75 in

ESTIMATE: $2,000-$4,000

LOT 154 - LOT OF 2 Robert Graham Untitled, April, 1994 Untitled, May, 1994 Lithograph on wove paper Each annotated "P.P" Each image: 15 x 10.5 in; Framed: 20.25 x 16.25 in

ESTIMATE: $800-$1,200

LOT 155 - LOT OF 2 Erik Gronborg (1931) Ceramic Plate with Dome Cover, 1978 Glazed ceramic Signed 'GRONBORG' on bottom Diameter: 9 in Ceramic Lidded Vessel, 1978 Glazed ceramic Stamped 'ERIK GRONBORG' Dimensions: 14 x 3.5 in Provenance: From the collection of Ernie Bacca

ESTIMATE: $1,800-$2,500

46

LOT 156 - LOT OF 2 Erik Gonborg (1931) Untitled, Female Torso, c. 1978 Patinated bronze with wood base Incised 'Erik' Dimensions: 5 x 2.25 x 5.75 in Bos Gronborgi, c. 1978 Patinated bronze with wood base Title plate on reverse Dimensions: 10 x 9 x 5.25 in Provenance, each: From the collection of Ernie Bacca

ESTIMATE: $1,800-$2,500 LOT 157 Henry Guerriero Listen Closely, 1977 Cast bronze sculpture on base Initialed/dated on side From the numbered edition of 9 Provenance: Silvan Simone Gallery, Los Angeles, CA; From the collection of Ernie Bacca Information tag on bottom of base, detached from base Dimensions: 7.25 x 9.5 x 3.25 in

ESTIMATE: $500-$800 LOT 158 Allen Harrison (1911-1988) Nnamrak, 1984 Oil on wood diptych Signed, dated, and titled on verso Provenance: OK Harris Gallery, New York, NY (tag on verso) Dimensions: 60 x 72 in

ESTIMATE: $4,000-$6,000

LOT 159 William Hemmerdinger (1951) Steamers, 1984 Oil on canvas Signed, dated, and titled on verso Provenance: From the collection of Jean Milant Dimensions: 60.125 x 36 in

ESTIMATE: $1,000-$1,500 47

LOT 160 Charles Christopher Hill (1948) Wee Wankler, 1978 Paper and fabric Provenance: Joyce Hunsaker and Associates, Los Angeles, CA (tag verso) Dimensions: 16 x 24 in

ESTIMATE: $800-$1,200

LOT 161 Tom Holland (1936) Girard, 1988 Epoxy paint on fiberglass Signed, dated, and titled on verso Dimensions: 60 x 45.5 x 2.5 in

ESTIMATE: $1,200-$1,800

LOT 162 - LOT OF 3 Dennis Hollingsworth (1956) Untitled XXII, 1998 (top left) Monotype Signed, dated, and numbered on recto Untitled XXIII, 1998 (top right) Monotype Untitled XXVIII, 1998 (bottom) Monotype Signed, dated, and numbered on recto Each: Roberts & Tilton Gallery, Los Angeles, CA (tag on verso)] Each Image: 26 x 20 in; Each Framed: 32.625 x 28 in

ESTIMATE: $4,000-$5,000

48

LOT 163 Dennis Hollingsworth (1956) And He Was Driven on By Hunger Too (Wanderlust), 1995 Oil and acrylic on paper Signed on verso Provenance: Bennett Roberts Fine Art, Los Angeles, CA; From the collection of Ernie Bacca Image: 21 x 15 in; Framed: 27.375 x 20.625 in

ESTIMATE: $1,200-$1,800

LOT 164 Donald Judd (1928-1994) Untitled (From the New York Collection for Stockholm), 1973 One lithograph from the portfolio on seventeen screenprints, nine lithographs, two lithographs with screenprint, one photocopy, and one photograph; From the numbered edition of 300 Signed/numbered on recto Printer: Styria Studio, Inc. New York, NY Image: 8.125 x 11.875 in; Framed: 21.5 x 23.5 in

ESTIMATE: $1,200-$1,800 LOT 165 Wassily Kandinsky (1866-1944) Le Bord Vert (Green Edge), 1919 Lithograph in colors From the numbered edition of 300 Provenance: From the collection of Sondra Kasden Image: 13.25 x 17.75 in

ESTIMATE: $300-$500

LOT 166 Mike Kelly, Anita Pace, Stephen Prina Beat Of The Traps, c. 1992 Poster Signed by all artists on recto Image: 16.5 x 12.25 in; Framed: 17.25 x 12.75 in

ESTIMATE: $800-$1,200

48

LOT 167 Michael Kenny (1941-1999) Strong Meat V, 1986 Mixed media on paper Signed, titled and dated in pencil on recto Provenance: Juda Rowan gallery, London (tag on verso) Sheet: 12 x 16 in; Framed: 14.25 x 18.5 in

ESTIMATE: $600-$800

LOT 168 R.B Kitaj (1932-2007) I’ve Balled Every Waitress in This Club, 1967 Silkscreen and collage From the numbered edition of 70 Signed and numbered in pencil on recto Dimensions: 23 x 33 in

ESTIMATE: $600-$800

LOT 169 - LOT OF 2 Vitalii Komar (1943) & Aleksandr Melamid (1945-2001) Washington Lives, c. 1999 Screenprint From the numbered edition of 45 Signed/numbered on recto Image: 49.75 x 40.125 in; Framed: 66.24 x 40.125 in The Wings Will Grow, c. 1999 Screenprint Artist Proof, outside the numbered edition of 46 Signed/numbered on recto Image: 41 x 24.25 in; Framed: 53.25 x 35.5 in Comes with catalog, "Komar & Melamid's: American Dreams, September 16-November 11, 2007"

ESTIMATE: $3,000-$5,000 49

LOT 171 Hyunmee Lee (1968) Dimensional Poetics (No. 6), 2008 Acrylic on canvas Signed, dated, titled on verso Dimensions: 48 x 48 in

ESTIMATE: $2,000-$3,000

LOT 172 Clyde Lynds (1936) Stele XXXVI, 1987 Cement and fiber optics Signed/dated Provenance: OK Harris Gallery, New York, NY (1988) Dimensions: 84 x 15 x 14 in

ESTIMATE: $3,000-$5,000

LOT 173 Roberto Matta (1911-2002) Les Helvements, 1970 Etching, aquatint in colors, gilt trim wood frame with linen slip and glazing Signed and inscribed ‘E/A’ on recto Outside the numbered edition of 100 Image: 16.125 x 21.75 in; Framed: 25.25 x 31.25 in

ESTIMATE: $800-$1,200

LOT 174 Lienhard Von Monkiewitsch (1941) Wure 30, 1988 Oil and pigment on paper Signed, dated, titled on recto Provenance: Angles Gallery, Santa Monica, CA; From the collection of Ernie Bacca Image: 14.25 x 10.75 in; Framed: 13 x 9.5 in

ESTIMATE: $800-$1,200 50

LOT 175 Jim Morphesis (1948) Untitled, 1987 Oil, magna, enamel, charcoal, pastel, gold leaf and collage on wood panel Signed on recto Provenance: From the collection of Ernie Bacca Dimensions: 29.125 x 20.75 in

ESTIMATE: $800-$1,200

LOT 176 Robert Motherwell (1915-1991) Whitney Museum Poster, 1968 Lithographic poster From the numbered edition of 110 Initialed and numbered on recto Image: 29 x 21.375 in; Framed: 36.25 x 28.75 in

ESTIMATE: $800-$1,200

LOT 177 Takashi Murakami (1962) Architect of the Heart, 2010 Offset lithograph Signed/numbered (from the numbered edition of 300) Comes with COA from Martin Lawrence Galleries, Los Angeles, CA Publisher: Takashi Murakami/Kaikai Kiki CO, LTD, Tokyo Printer: Toppan Printing Co. and Chuo Printing Co., Tokyo Image: 28 x 28 in; Framed: 31 x 31 in

ESTIMATE: $1,800-$2,500

LOT 178 Claes Oldenberg (1929-2022) Cigarette Butt (Axsom & Platzker 230), 1991 Lithograph in colors on Arches paper From the numbered edition of 250 Initialed/numbered on recto Image: 19 x 18.25 in; Framed: 24 x 24 in

ESTIMATE: $1,000-$1,500 51

LOT 179 Mimmo Paladino (1948) Between the Wind and Fire (Tra II Vento Fuoco), 1982 Etching and linocut From the numbered edition of 35 Signed/numbered on recto Sheet: 30.5 x 22.5 in; Framed: 33 x 24.5 x 1.5 in

ESTIMATE: $200-$300

LOT 180 Mimmo Paladino (1948) Untitled, 1985 Linocut block print From the numbered edition of 44 Signed/numbered on recto Image: 27.5 x 39 in; Framed: 30.75 x 46.5 x 2 in

ESTIMATE: $400-$600

LOT 181 Gary Palmer (1968) Untitled, 2010 Acrylic on canvas Signed on verso Dimensions: 48 x 48 in

ESTIMATE: $2,000-$3,000

52

LOT 183 A.R. Penck (Ralf Winkler) 1939-2017 KOMPOSITION MIT ROTEM AKT (Composition with Red Nude), 1979 Lithograph, from the numbered edition of 3 Signed, dated, numbered and annotated in pencil on recto Sheet: 13,75 x 20.25 in; Framed: 19.25 x 25.5 in

ESTIMATE: $800-$1,200

LOT 184 Lari Pittman (1952) This recipe, beloved and despised, continues regardless, 1989 Lithograph From the numbered edition of 45 Signed, dated, and numbered on recto Image: 38 x 44 in; Framed: 43.875 x 49.75 in

ESTIMATE: $2,000-$3,000

LOT 185 Nalini 'Deedee' Cheriel The Family Experience, c. 2010s Acrylic on wood panel Initialed on recto Dimensions: 27 x 39 in

ESTIMATE: $600-$800

LOT 186 Bruce Richards (1948) Dance of Life, 1982 Watermedia on paper Initialed on recto Image: 8.75 x 21.75 in; Framed: 10.75 x 23.625 in

ESTIMATE: $800-$1,200 53

LOT 187 Walter Robinson (1950-2025) Bebe, 1984 Paint on canvas Signed, dated, and titled on verso Dimensions: 24 x 24 in

ESTIMATE: $6,000-$8,000

LOT 188 Craig Roper (1955) Blood, Photo bundle, c. 1990 Mixed Media Signed lower right on verso (faded) Provenance: From the collection of Ernie Bacca Dimensions: 4 x 6 x 7 in

ESTIMATE: $500-$800

LOT 189 Erika Rothenberg (1950) Traditional American Families, 1988 Acrylic on paper Signed on recto Provenance: Rosamund Felsen Gallery, Los Angeles, CA (tag on verso) Dimensions: 37.875 x 49.5 in; Framed: 39.5 x 51.125 in

ESTIMATE: $1,200-$1,800

LOT 190 Beyte Saar (1926-2026) Fragments, 1976 Lithograph on wove paper From the numbered edition of 250 Signed, dated and numbered with blindstamp of the publisher & printer, Cirrus Editions, Los Angeles, CA Sheet: 13.825 x 18.125 in

ESTIMATE: $1,500-$2,000 54

LOT 191 Peter Saul (1934) Golden Gate Bridge, 1968 Color lithograph on paper From the numbered edition of 50 Signed/numbered on recto Publisher: Collector's Lithography Press, San Francisco, CA Image: 22.5 x 29.5 in

ESTIMATE: $1,200-$1,800

LOT 192 Peter Saul (1934) Angela Davis, 1972 Color lithograph on special Ariomori paper From the numbered edition of 100 Signed/numbered on recto Image: 37.5 x 30 in

ESTIMATE: $1,400-$1,800

LOT 193 Peter Saul (1934) Amboosh, 1972 Lithograph on paper From the numbered edition of 50 Signed/numbered on recto Image: 30 x 40 in

ESTIMATE: $1,400-$1,800

LOT 194 Jonathan Seliger (1955) Fresh News, 1995 Oil, alkyd, acrylic, molding paste on cotton with wood backing Provenance: Thomas Solomon's Garage, Los Angeles, CA; From the collection of Ernie Bacca Dimensions: 3 x 3.25 x 1.75 in

ESTIMATE: $1,200-$1,800 55

LOT 195 Jim Shaw (1952) My Mirage, 1986 Lithograph in colors From the numbered edition of 50 Signed/numbered on recto Image: 17 x 14 in; Framed: 18.5 x 15.5 in

ESTIMATE: $1,400-$1,800

LOT 196 - LOT OF 2 Joyce Treiman (1922-1991) Joker, Geometry, and Me, 1987 Oil on canvas Signed and dated 'TREIMAN 87' on recto Provenance: Schmidt.Bingham Gallery, New York, NY (tag on verso) Framed: 50 x 40 in Seated Man, 1965 Crayon on paper Signed by artist on recto Provenance: Forum Gallery, New York, NY; Tortue Gallery, Santa Monica, CA (tags on verso) Image: 11.5 x 8.75 in; Framed: 17.625 x 14.375 in

ESTIMATE: $1,500-$2,000

LOT 197 June Wayne (1918-2011) Untitled, 1986 Color lithograph From the numbered edition of 200 Signed/numbered on recto Image: 22 x 22 in; Framed: 25.625 x 25.625 in

ESTIMATE: $800-$1,200

56

LOT 198 Jonathan White (1960) Untitled, 1990 Peanut oil, canvas, and wood Signed, dated, and titled on verso Provenance: Thomas Solomon's Garage, Los Angeles, CA; From the collection of Ernie Bacca Dimensions: 12.5 x 9.5 x 1.5 in

ESTIMATE: $800-$1,200

LOT 199 Jonathan White (1960) Portrait of E. Siegel, 1991 Footprints, canvas, varnish, and wood Signed, dated, and titled on verso Provenance: Thomas Solomon's Garage, Los Angeles, CA; From the collection of Ernie Bacca Dimensions: 66 x 66 x 2 in

ESTIMATE: $2,000-$3,000

LOT 200 - LOT OF 2 Jonathan White (1960) Untitled, 1993-94 Canvas, rabbit skin glue Signed/dated on verso Comes with signed/dated framed photograph of canvas in natural setting when created Provenance: Angles Gallery, Los Angeles, CA; From the collection of Ernie Bacca Image: 5.625 x 8.75 in; Framed: 12.875 x 15.5 in Dimensions: 63 x 101 in

ESTIMATE: $4,000-$6,000

57

LOT 201 Jonathan White (1960) Untitled, 1994 Paper, plants, glass, and wood Signed/dated on verso Provenance: Angles Gallery, Los Angeles, CA; From the collection of Ernie Bacca Dimensions: 19 x 21.25 in

ESTIMATE: $1,500-$1,800

LOT 202 Jonathan White (1960) Wildflower Painting (Sallal), 1993 Canvas, Glass, Plywood Signed on verso Provenance: Margo Leavin Gallery, Los Angeles, CA (tag on verso); From the collection of Ernie Bacca Dimensions: 23.5 x 28 x 1 in

ESTIMATE: $1,400-$1,800

LOT 203 Klaus Dieter Zimmer (1960) Abstract #5, c. 1980s Watercolor on paper Signed/dated on recto Image: 34 x 24 in; Framed: 43 x 33 in

ESTIMATE: $1,200-$1,800

58

SANTA MONICA

A U Cest.T1984I O N S

Terms & Conditions of Sale Fall Auction 2026

Live Sale Date: Sunday, OCTOBER 18th at 12PM PT

The Auction is conducted under these Terms & Conditions of Sale and applicable state and local laws. Announcements and corrections from the podium and those made through the Terms and Conditions of Sale appearing on the Internet Catalog at SMAuctions.com supersede those in this printed catalog. the article in dispute. If any dispute arises after the sale, our sale record The catalogue, as amended by any posted notices or oral announcements during the sale, is the entire agreement by and between SANTA MONICA AUCTIONS, the Consignor, and the Purchaser relative to the property listed herein. The following Conditions of Sale are the complete and only terms and conditions on which all property is offered for sale. We will offer some of the property as an agent for the Consignor. All registered bidders are required to acknowledge and sign the Terms & Conditions of Sale prior to The Auction.

SANTA MONICA AUCTIONS uses the following bidding increments: $50-$200 by $10 $200-$500 by $25 $500-$1,000 by $50 $1,000-$2,000 by $100 $2,000-$5,000 by $250 $5,000-$10,000 by $500 $10,000-$20,000 by $1,000 $20,000-$50,000 by $2,500 $50,000-$100,000 by $5,000 $100,000-$500,000 by $10,000 1. All property is sold “AS IS” and neither we nor the Consignor may make any warranties of representations of the correctness of the catalogue or the other description of the physical condition, size, quality, rarity, importance, medium, provenance, exhibitions, literature or historical relevance of the property and no statement anywhere, whether oral or written, shall be deemed such a warranty or representation. Prospective bidders should inspect the property before bidding to determine its condition, size and whether or not it has been repaired or restored.

Neither SANTA MONICA AUCTIONS nor the Consignor make representations or warranties as to whether the Purchaser acquires any copyrights, including but not limited to, reproduction rights in the property. If the proposed Purchaser acquires any copyrights, including but not limited to, reproduction rights in the property. If the proposed Purchaser cannot attend the preview in person, please discuss individual items with the auction staff to ascertain conditions of sale, etc. We will do our best to answer your inquiry, though we highly suggest you visit our properties to review the said items in person.

2. A Buyer’s Premium will be added to the successful bid price and is payable by the Purchaser as part of the total purchase price. For absentee bidding, phone bidding and live bidding on the auction floor, the buyer’s premium on all auction items will be 27% of the successful bid price per lot. The buyer’s premium for purchases made via online platforms, LiveAuctioneers and Invaluable will be 32% of the successful bid price per lot.

3. Payments may be made with Cash, Check, Cashier’s Check, Credit Card, & Wire/Bank/Zelle transfer. SMA does not accept Credit Card Payments on premises, only through our electronic invoice system. Payments made via credit card (no AMEX) will incur an additional 2.9% fee. Artwork and purchases will not be released to the Purchaser until all checks and/or transfers have successfully cleared the bank. Purchases made via online platforms such as LiveAuctioneers and Invaluable will follow payment processing terms and fees as outlined by the online platform.

4. The authenticity of the Authorship of the property is listed in this catalogue is guaranteed by SANTA MONICA AUCTIONS for one year from the sale date. If within one year’s time the Purchaser returns the lot in the same condition as when purchased and gives us written proof from a recognized impartial expert which establishes beyond a reasonable doubt that the returned lot is in fact a counterfeit or a forgery intended to deceive and that this was not indicated by a fair reading of the catalogue or the auctioneer’s comments at the time of sale, then we and the Consignor will rescind the sale and refund the purchase price. This non-assignable guarantee is applicable only to the receipt-bearing original Purchaser. The guarantee does not apply to (a) lot with a heading or description which includes the word or words “after” or “attributed” or “ manor” or “style” or “school” or “circle” or “collection” or “signed” (b) lots with a low estimate of $500 or less, (c) lots offered without an estimate.

5. We reserve the right to withdraw any property before the sale and shall have no liability whatsoever for such withdrawal.

6. We ACCEPT absentee bids in person, or phone (with a signature). (See Absentee Bid Form for description of terms). We are able to accept bids throughout the actual auction and do our best to represent the buyer per our absentee bid rules.

7. We reserve the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the Purchaser. In the event of any dispute between bidders, or in the event of doubt on our part as to the validity of any bid, the auctioneer will have the final discretion either to determine the successful bidder or to re-offer and resell

is conclusive. Although at our discretion we will execute order bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. Please note some pieces will be sold unframed, as noted in catalogue.

8. If the auctioneer decides that any opening bid is below the reserve of the article offered, he may reject the same and withdraw the article from sale, and if, having acknowledged an opening bid he decides that any advance thereafter is insufficient, he may reject the advance.

9. On the fall of the auctioneer’s hammer, title to the offered lot will pass to the highest bidder acknowledged by the auctioneer, subject to fulfillment by such bidder of all the conditions set forth herein. Such bidder thereupon (a) assumes full risk and responsibility and therefore, (b) will pay the full purchase price with buyer’s premium and applicable taxes upon notification that client is the successful bidder. In addition to other remedies available to us by law, we reserve the right to impose a late charge of 1.5% of the total purchase price per week if the payment is not made within 5 business days following the sale. The Purchaser at his/her expense must also remove all property from our premises, not later than 10 business days following the sale. If property is not so removed, (i) a handling charge or 1% of the total purchase price per month until its removal, will be payable to us by the Purchaser, with a minimum of 5% for any property not so removed within 60 days after the sale, and (ii) we may send the purchased property to a public warehouse at the risk and expense of the Purchaser. If any applicable conditions herein are not complied with by the Purchaser, in addition to other remedies available to us and the Consignor by law, including without limitation, the right to hold the Purchaser liable for the total purchase price, we at our option may either (a) cancel the sale, retaining as liquidated damages all payments made by the Purchaser or (b) resell the property at public auction without reserve and the Purchaser will be liable for any deficiency costs including handling charges, the expenses of both sales and our commission on both sales at our regular rates. If successful bids are not paid in full within 60 days, the credit card on file will be automatically charged along with applicable late and handling fees. All other charges due hereunder and incidental damages. In addition, a defaulting Purchaser will be deemed to have granted us a security interest and we may retain as collateral security for such purchasers obligations to us any property in our possession owned by such a purchase. In the event a Purchaser pays a portion of the total purchase price, we may apply payment in our sole discretion to the lot we deem appropriate. We shall have all of the rights accorded a secured party under the California Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us, or due from us, to the account of the Purchaser. At our option, payment will not be deemed to have been made in full until we have collected good funds represented by checks, or, in the case of bank checks, cashier’s checks, or wire transfers, we have confirmed their authenticity.

10. Some lots are offered subject to a reserve, which is the confidential minimum price below which such a lot will not be sold. We may implement such reserves by bidding, on behalf of the Consignor.

11. Unless exempted by law, the Purchaser will be required to pay the California State and local sales tax or any applicable compensating use tax of another state on the total purchase price. The local and state tax combined is 10.75%. Resale licenses must be listed under the name of the bidder and up-to-date.

12. These Conditions of Sale, as well as the Purchaser’s and our respective rights and obligations hereunder, shall be governed by, construed and enforced in accordance with the laws of the State of California. By bidding at auction, whether present in person, by agent, or by other bid, the Purchaser shall be deemed to have consented to the exclusive jurisdiction of the state courts and federal courts sitting in the State of California.

13. SANTA MONICA AUCTIONS IS NOT responsible for packing, shipping or providing insurance for sold artwork. Successful bidders are responsible for making ALL shipping arrangements. SANTA MONICA AUCTIONS can suggest qualified shippers, if necessary.

14. We, SANTA MONICA AUCTIONS are not responsible for the facts or omissions in our packing or shipping of purchased lots, whether or not recommended by us. Packing and handling of purchased lots is at the entire risk of the Purchaser.

15. In no event will our liability to a Purchaser exceed the purchase price actually paid.

16. During the auction, we will do our best to stay in the order of this catalogue, which for the most part per lot. However, we are not strictly adhering to numbers or a specific order in this catalogue. These are to be used as references and the auctioneer will announce them as they come up on the auction block.

SANTA MONICA AUCTIONS at Bergamot Station Arts Center• 2525 Michigan Avenue A5, Santa Monica, CA 90404 tel: 310.315.1937 • www.SMAUCTIONS.com • INFO@SMAUCTIONS.com • BOND#69339314

Jim Dine LOT 48

Slim Aarons LOT 25

Joan Miró LOT 42

GRONK LOT 105

Sam Francis LOT 49

Marc Chagall LOT 99

Alexander Calder LOT 52

Jim Waid LOT 100

SANTA MONICA

A U Cest.T1984I O N S

Emmanuel Galvez LOT 109

Vitalii Komar & Aleksandr Melamid LOT 169