September 2026

W E ST E R N

AU T U M N A L

FLAIR

TA B L E

FA S H I O N

DESIGN

GrAnd EntrAncEs 405MAGAZINE.COM

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300 W Wilshire Blvd., Oklahoma City, OK 73116

CLOSING SEPTEMBER 20 AT OKCMOA.COM/THESENSEOFBEAUTY This exhibition has been organized by the Museo de Arte de Ponce in collaboration with the Oklahoma City Museum of Art.

This project was supported in part by the National Endowment for the Arts.

Frederic, Lord Leighton (England, 1830-1896), Flaming June (detail), 1895, oil on canvas, 46 7/8 x 46 7/8 in. (119.1 x 119.1 cm), Museo de Arte de Ponce. The Luis A. Ferré Foundation, Inc.

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VO LUME 12 ISSUE 0 9

F E AT U R E

32 Grand Entrances "Oh, hello there." From front porch to foyer, we admire the charm and character presented by five distinct residential entries throughout the metro.

Volume 12 / Number 9, September 2026, 405 Magazine (ISSN 2578-2990, periodicals 21350) is published monthly, 12 times a year, by Hilltop Media Group, 4801 Gaillardia Pkwy, Ste. 200, Oklahoma City, OK 73142.

Periodicals postage paid at Oklahoma City, OK and additional mailing offices. POSTMASTER: Send address changes to 405 Magazine, P.O. Box 3065, Williamsport, PA 17701.

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First American Fine Art & Gifts ExhibitCGallery.com 645 First Americans Blvd. | Oklahoma City | (405) 767-8900 Wednesday–Monday (closed Tuesdays) 10 a.m.-6 p.m.

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D E PA R T M E N T S

VOLUME 1 2 I SSU E 9

Dining 48 GOOD TASTE Kaizume fuses Japanese and French flavors 50 THE DRINK Transformative beverages at Alchemy

Culture 56 ARTS The OKC Philharmonic’s stellar new season

Trending

60 IN CONVO WITH Oklahoma couturier Armando Ortiz

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PERSON OF INTEREST OCU’s future with Dr. Kenneth Evans

62 LOOKING BACK Meet Land Run legend Nannita Daisey

16

STYLE Ensembles to command attention

18

SOCIAL HOUR People and events in the 405

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FROM THE EDITOR

64 ONLINE

20 HEALTH When the body overreacts to infection

Home 26 MOODBOARD Decor inspiration through a Western frame 28 GATHERINGS Bringing autumn warmth to the table 4

SEPTEMBER 2026

ON THE COVER

A dramatic welcome to a Heritage Hills home. Photo

by Wilder Ruth

Furniture & design for sophisticated living. henryinteriors.com | Brookhaven Village • 3720 W Robinson St • Norman, OK | 405.321.1000 | @HenryHomeInteriors

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S E P T E M B E R 2 0 2 6 • VO LU M E 1 2 • I S S U E 9

PUBLISHER

Kendall Morgan Hammack

DIRECTOR OF B U S I N E S S D E V E LO P M E N T

PHOTOGRAPHY

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Emily Hart Braden Jarvis Rachel Maucieri Charlie Neuenschwander Amy Rau Wilder Ruth Sara Stewart

HOME SECTION EDITOR

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Evie Klopp Holzer

CONTRIBUTORS

D I G I TA L D I R E C T O R

COPY EDITOR

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EDITOR IN CHIEF

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ART DIRECTOR

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405 Magazine Volume 12, Number 9, September 2026. 405 Magazine is published monthly by Hilltop Media Group at 4801 Gaillardia Pkwy, Ste. 200, Oklahoma City, OK 73142. 405.806.0672. ©Copyright 2026 Hilltop Media Group. All rights reserved. Reproduction of 405 Magazine content, in whole or part by any means, without the express written consent of the publisher is strictly prohibited. 405 Magazine is not responsible for the care of and/or return of unsolicited materials. 405 Magazine reserves the right to refuse advertising deemed detrimental to the community’s best interest or in questionable taste. Opinions expressed in this magazine are those of the author and do not necessarily reflect those of ownership or management. Basic annual subscription rate is $14.95. U.S. single-copy price is $4.95. Back issues are $9.50 each

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F R O M

T H E

E D I T O R

Love is an Open Door My husband doesn’t love when I tell this story because he thinks it is weird, but I had a dream about our first house before we ever saw it. In it, I couldn’t see much of the house—but I did see white French doors. We toured over 40 houses during our hunt (our poor Realtor!), and while I liked several, we didn’t make any offers. Then one day we walked into a cozy ranch-style house in need of updating that didn’t even have internal listing photos.

Within 30 seconds of entering I saw them: the white French doors leading into the sunroom! I turned to my husband wideeyed. “What do you think?” he asked.

“What do you think I think?” I replied. We both knew we were home. Our family lived in that house for some of the best years of my life. While we eventually outgrew it and had to move on, I still drive by every once in a while and reminisce.

Homes are so deeply sentimental.

Just this morning we stood on our front porch and took our first day of school photos. Entire lives are lived in the front entrance to people’s houses—welcoming of neighbors, embraces of friends and family, meal deliveries in times of convalescence, extended Southern goodbyes where the conversation lingers on and on.

While the front door is an entryway into your life, it is also often the exit. For half a century, my Grandma Eleanor would

BEHIND THE SCENES

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stand on her patio when her family was leaving and wave goodbye with the ASL sign for “I love you.” It meant so much to all of us that we chose to put that symbol on her headstone. And this morning, like every morning, I gave the same sign to my children as they left for school.

For our cover story this month, Home Editor Evie Klopp Holzer rounded up five of the metro’s most beautiful home entrances. From curb appeal to breathtaking entryways, these stunning designs welcome guests with “Wow!” factor. We collaborated with four of OKC’s top architecture and real estate photographers to capture the beautiful concepts (pg. 33). The Home team put together another breathtaking Extended Home Section with an autumn-inspired table setting (pg. 28) and moodboard (pg.

26).

Also in this issue we are thrilled to introduce you to the man at the helm of one of OKC’s proudest education institutions (pg. 14) and a local fashion designer making all the colors of the rainbow pop (pg.60).

Additionally, we are excited to highlight a bold sushi spot on 23rd Street (pg. 48) and daring new cocktail lounge in downtown Edmond (pg. 50).

I hope this lovely season of harvest welcomes you and yours with open arms!

Julie Partin EDITOR IN CHIEF

S I G N U P AT 4 0 5 M A G A Z I N E . C O M / N E W S L E T T E R S

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PROMOTION

The Trust Factor A trust offers the ultimate peace of mind, making it essential for families to prioritize now and protect their family’s future.

Trust services provided by Arvest Bank.

Arvest and its associates do not provide tax or legal advice.

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In

a country where the average American family’s net worth has nearly doubled since 2000, fewer adults have been preparing for the future. According to Trust & Will’s 2026 Estate Planning Report, 56% of U.S. adults have no estate planning documents, with Gen X (those born between 1965 and 1980) being the most underserved at 62%.

“Many families hesitate to begin estate planning because it feels like confronting mortality, but it is truly an act of stewardship,” says Kendra Barnes, senior vice president and Regional Trust Manager with Arvest in Central Oklahoma. “Delays often result from the complexities of busy schedules and concerns that today’s plan may not suit future needs.”

The report shows a significant preparedness gap that could leave assets temporarily frozen and loved ones in limbo. And while wills have long been the standard for estate planning, those with complex assets or long-term goals often find that a trust provides a clearer roadmap.

Understanding which one to use and when is a common question, she explains.

Understanding the Basics A will is a legal document that directs how your assets should be distributed after your death. It can name guardians for minor children and designate an executor to carry out your wishes.

“For anyone with dependents or basic assets, a will is typically the starting point,” says Barnes.

A trust is a legal arrangement where a trustee manages assets for designated beneficiaries. “Trusts are often used by individuals with more complex financial situations who seek greater control over asset management and distribution,” she explains. “The most common type is a revocable living trust, which operates during your lifetime and continues after your death.”

Limitations of Wills Many believe a last will and testament is sufficient. While foundational, Barnes notes that wills have a significant drawback: Probate. The average probate process takes 20 months to complete, according to a 2024 Trust & Will study. Probate fees typically run 3% to 7% of an estate’s total value, and the executor spends an average of 570 hours navigating the process.

And if you value discretion, a will alone may not be enough.

56%

of U.S. adults have no estate planning documents

“In Oklahoma, a will must be validated by a court,” says Barnes. “This process is not only time-consuming and costly, but it also becomes part of the public record.” This means your assets, debts and beneficiaries become accessible to anyone with the curiosity to look. If you wish to keep your financial affairs out of the public eye, relying solely on a will is often an insufficient strategy.

Versatility of Trusts “For those who value maximum control and privacy, a living revocable trust is often the preferred option,” says Barnes. “While they require more initial setup and ongoing administration, trusts offer greater control of how assets are distributed to beneficiaries.”

Unlike a will, a trust enables immediate and seamless transfer of assets outside of the courtroom and the public eye.

While a will is effective only after death, a trust can also manage your affairs if you become incapacitated, providing a level of continuity that a will cannot.

Designating a Trustee Central to the success of a trust is the trustee’s fiduciary role. The trustee must always act in the best interests of the beneficiaries, notes Barnes. For example, the trustee must preserve, protect and invest the trust assets for the benefit of the beneficiaries. The trustee must also keep complete and accurate records, exercise reasonable care and skill when managing the trust, and avoid commingling trust assets with any other assets, especially his or her own.

“It is important who you consider when naming your trustee. Whether you name a trusted family member or a professional corporate trustee, such as a bank, your instructions must be followed precisely,” says Barnes.

“The trustee should have the expertise to provide the necessary oversight to manage complex portfolios and navigate the legal requirements of trust maintenance.”

In the end, having the right trust structure, backed by a dedicated fiduciary team, is the most profound gift you can leave behind.

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TRENDING PERSON OF INTEREST 14

STYLE 16

SOCIAL HOUR 18

H E A LT H 2 0

At the Helm

CHARLIE NEUENSCHWANDER

Dr. Kenneth Evans is leading OCU into an exciting era for the university P. 14

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T R E N D I N G

Leading Oklahoma City’s University A look at the future with Dr. Kenneth R. Evans, OCU president

BY K R I S T E N G R AC E P H OTO S BY C H A R L I E N E U E N S C H WA N D E R

D

r. Kenneth Evans is the 19th president of Oklahoma City University, a position he assumed in 2021. He is a nationally recognized academic leader with extensive experience in higher education, administration and marketing, and his years of experience have made him a dynamic leader for a university that has been a pillar of the Oklahoma City community for 120 years.

OCU is one of Oklahoma’s brightest gems: a world-renowned talent hub, featuring notable alumni in entertainment, politics, sports and business. If you ask Evans why OCU alumni shine so brightly, he immediately credits the outstanding faculty. “One of my highest responsibilities is cultivating the most excellent faculty possible and making OCU an incredible place to work,” he said.

Two recent developments have made it clear that Evans is succeeding in his endeavors 14

SEPTEMBER 2026

to enrich the campus and the community of Oklahoma City: In May, a $25 million Kirkpatrick Fine Arts Center renovation and modernization campaign began, funded in part by a $13 million lead gift from Kirkpatrick Philanthropic Partners.

“The facility is about 100 years old,” Evans said.

“I am so excited about what this means for the students and for the community; the university’s performing arts students will have a facility that matches their level of excellence. We expect to have performances there by fall of 2028. The project will completely renovate and upgrade the historic performing arts facility, including improvements to the stage system, acoustics, backstage areas and patron experience.”

Oklahoma City University was also selected to serve as the Satellite Village for the LA28 Olympic Softball and Canoe Slalom competitions. More than 170 athletes and officials from all over the

world will call the OCU campus home while athletes compete in the summer of 2028.

Evans said, “We are honored to be able to support the LA28 Games and Team OKC. We’ll be providing support staff and volunteer opportunities as well, which will be fun.” He also added that OCU officials look forward to working closely with Team OKC and LA28 officials in the coming months.

The Oklahoma Department of Commerce has announced a more than $100 million investment in Oklahoma City’s LA28 Olympic venue preparations through the state’s Business Expansion Incentive Program. The investment will support major improvements at three key Olympic-related sites in Oklahoma City. OCU’s planned improvements include fitness center renovations, residence hall upgrades, road improvements, cafeteria enhancements and campus beautification projects. The upgrades

P E R S O N

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I N T E R E S T

will help prepare the campus to welcome international athletes and officials during the Games.

“We are excited to collaborate with state leaders and receive funding so that we can ensure athletes and visiting officials enjoy the best experience possible as they compete and stay in Oklahoma City,” said Evans. “This is a historic moment, and we are ready to show the welcoming spirit that Oklahoma is famous for.”

The Opening Ceremony for the LA28 Games is set for July 14, 2028. Additional information about community engagement opportunities, volunteer initiatives and event-related activities will be shared as the countdown to 2028 continues.

We are thankful that OCU is in the hands of Dr. Kenneth Evans and continues to shine brightly in Oklahoma. We watch in joyful anticipation for the preparation of good things to come in 2028.

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T R E N D I N G

S T Y L E

Stop and Stare

1.

Making an eye-catching entrance

BY B E N N E T T H I L L

Picture it: a grand staircase, a red carpet or palatial double doors opening to reveal a stunning figure dressed to the nines.

Confidence permeates the air, creating a vacuum seal of attention. It’s a scene played out time and time again, yet it never loses the chokehold it has on romantics and pragmatists alike. More often than not, the moment is amplified by the garments adorning the main character. Gwyneth Paltrow in her pink Ralph Lauren gown for the 71st Academy Awards (the year she took an Oscar). Audrey Hepburn in Givenchy for Sabrina. Julia Roberts in the red mermaid dress in Pretty Woman. Each of these moments brought a collective holding of breath; a brief moment of admiration for the beauty before us. The right look turns the entrance into the event itself, a scene you star in, played back in the minds of those lucky enough to witness it.

1. Marco Bicego, 18K Yellow Gold Amethyst and Pink Tourmaline Bracelet: BC Clark 2. Luster Publishing, Grand Interiors by Geoffroy Van Hulle: Commonplace Books 3. Staud, Larissa Dress: Gretta Sloane 4. Sydnie Banks, Sylvie Evening Bag Hand Painted

by Sharon Lee Clark: Sydnie Banks 5. Lizzie Fortunato, Gold Pool Earrings in Green Amethyst & Diamonds: m. DRATTELL 6. Studio Amelia, Matrix Mule: Edit & Co.

5.

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T R E N D I N G

S O C I A L

H O U R

OKLAHOMA CONTEMPORARY'S

CHAD MOUNT: FREQUENCY AND PERSPECTIVE

SHELDON EDMOND

Oklahoma Contemporary recently marked the opening of Chad Mount: Frequency and Perspective with a reception. The exhibition invites viewers into an immersive environment shaped by geometry, light and movement.

Guests enjoyed refreshments, including bar service and catering by Kam’s Kookery.

DEADCENTER

FILM C E L E B R AT I O N

MICHAEL KINNEY

Supporters and staff of deadCenter Film gathered for an evening of updates, connection and appreciation at the Scaramucci residence. The deadCenter Film Festival is Oklahoma’s largest and only Oscar-qualifying fest whose mission is to inspire, promote and celebrate creativity and community through film.

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T R E N D I N G

S O C I A L

H O U R

OKLAHOMA INSTITUTE FOR CHILD ADVOCACY

H E RO E S B A L L

F R A N K OZ A K O W S K I

More than 400 people attended to celebrate the champions for children honored at the 10th annual Oklahoma Institute for Child Advocacy Heroes Ball event. Honorees included Leslie Osborn, Carmelita Skeeter and Trisha Koelsch.

PA R L O R : A LIVING GA L L E RY

E L L I S B L AY K E

Stylemedia and Parlor collaborated on a unique Creator Cocktail Hour experience at the Parlor featuring over 30 Oklahoma City creators. Vendors included makers from the event and planning, food and catering, apparel, styling and design, production, fashion and media, and hair and makeup spaces.

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T R E N D I N G

H E A LT H

Spotlight on Sepsis Understanding the body’s infection response

BY L AV I N I A C R E S WA

A

ccording to the Centers for Disease Control, sepsis is the leading cause of hospital deaths in the United States, responsible for an adult death roughly every two minutes. We may know terms like “going septic” or “septic shock”—but what do these even mean, and why is sepsis so dangerous?

Sepsis is the body’s extreme response to infection, in which it overreacts and causes lifethreatening side effects. It’s classified into three stages, with the initial stage being characterized by inflammation throughout the body.

Symptoms of this initial stage include fever, chills, rapid breathing and an elevated heart rate. The second stage is severe sepsis, which involves organ dysfunction and symptoms that may include confusion, difficulty breathing or low urine output. The most serious and final stage is septic shock, which includes extremely low blood pressure. Septic shock leads to organ failure; the National Institutes of Health report a 30-50% mortality rate, even with emergency intervention.

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Any infection can lead to sepsis and requires medical attention as soon as possible, with patients often being admitted into the Intensive Care Unit (ICU). The NIH reports that bacterial infections are the primary cause of sepsis, responsible for an estimated 60-70% of documented cases.

Sepsis from a viral infection represents 1-15% of cases and typically depends on outbreaks of diseases like COVID or the flu. Fungal infections account for 5-20% of sepsis cases but carry the highest mortality rate at above 50%. Dr. Douglas Drevets, the Chief of Infectious Diseases at OU Health, said “penetrating injuries such as gunshot wounds to the abdomen, severe trauma to the chest, abdomen, pelvis and long bones are often accompanied by sepsis. Burns that cover a high percentage of the body are a higher risk factor. Emergency surgeries that involve the gut or different parts of the bowel are also considered high risk, particularly if the gut developed a hole in it such as a ruptured appendix.”

Other factors may put someone at higher risk for sepsis, according to Drevets, including “a suppressed immune system, like those [who are] on chemotherapy and have extremely low blood counts, or if they have an autoimmune disease which requires suppression of the immune system.”

Drevets said the typical treatment of sepsis is individualized to the patient’s specific symptoms and organs involved. “If the sepsis is following a gunshot wound or severe abdominal or pelvic trauma with a gut injury, you need excellent surgical care and then to receive supportive care and antibiotics as needed in the ICU. If the sepsis is caused by pneumonia or by an infection in someone with extremely low blood counts, then treatment consists of antibiotics along with medications that support the blood pressure. In either case, sometimes respiratory support in the form of a ventilator or emergency hemodialysis is required in the ICU.” With prompt, appropriate care, many patients who become septic make a full recovery.

Drevets noted that long-term effects also depend on each patient and “the specific organ systems that were impacted and the severity of sepsis. Many describe a sort of brain fog after getting out of the hospital that tends to lessen over the next year.” It is important if you have any signs of sepsis after an infection that you seek immediate medical attention—awareness and swift action could be lifesavers.

DON'T RISK IT While any infection has the possibility to cause sepsis, Dr. Drevets noted that there are a few ways to help lessen your risk: “Keeping up to date with vaccines to prevent pneumonia and influenza helps. Also, taking care of chronic medical conditions such as diabetes is important and a good way to help yourself out.”

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T W E N T Y- F I V E Y E A R S O F T R U ST. A LIFETIME OF BEAUTIFUL HOMES.

Design-Build Remodeling Interior Design for New Construction Fine Custom Cabinetry

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Young Brothers

Quality Natural Stone, Quartz & Tile 405.272.0821 | 100 N. Classen Blvd, OKC Builder: Tim Hughes Custom Homes and Development 24

SEPTEMBER 2026

Designer: Molly Cooke Interiors

Photographer: Kennon Bryce

HOME M O O D B OA R D 2 6

G AT H E R I N G S 2 8

Natural Beauty

SARA STEWART

This fall table celebrates the season's earthy textures and tones P. 28

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H O M E

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M O O D B OA R D

Heading West Fine design aligns with treasured antiques and Western culture in this framed display

BY E V I E K LO P P H O L Z E R P H O TO S BY S A R A S T E WA R T D E S I G N E D BY A N N A C OV I N G T O N

T

his fall, we head west with Anna Covington’s collection of heirlooms, antiques and luxurious textiles. The interior designer pulls together favorite items and memories, drawing heavily from her upbringing surrounded by Western culture and talented designers.

Layered textures and colors are introduced through select fabrics and florals. Covington especially appreciates dahlias, which grow in all shapes and sizes. Pink and fuchsia dahlias are grouped here with orange garden roses, tiny white chamomile buds and ilex berry twigs. The botanicals pair nicely with a Scalamandre blue bullion fringe.

A large frame from Pirates Alley encompasses various fabrics in fall tones, including a Ralph Lauren plaid, a handembroidered Chinoiserie in a soft green silk, a red-and-white floral, a raw silk from Kelly Wearstler by Cravit and leopard cut velvet. Raw hem silk ribbons add a feminine flair, along with a spectacularly jeweled necklace.

Covington grew up with an appreciation for collectibles— her mother, Barbara Duncan Covington, owned Covington Antique Market—and often features found objects in her designs. The decorative dog head wall sculpture is a curious work of art, sourced from France; it reminds Covington of a beloved family dog, Timmy. Mixed metals appear in the vintage brass golfer statue (a nod to the fall golf season), an iron potted plant and miniature pewter trays. The patina enhances the charm, always.

One especially meaningful antique in this display is her mother’s fusee clock, dating back to 1780. It folds up easily for travel. Makes you wonder: On how many adventures did it tag along? Covington’s family embraces adventure, especially outdoors. They own Silver Oak winery in Napa Valley and Alexander Valley, California, among others. (Hence the branded cork.)

Many among Covington’s family—grandmother, mom, aunt and cousin—enjoyed riding and showing horses. In fact, her grandmother is noted in the National Saddlebred Hall of Fame. The small spurs in this mood board are from Covington’s own cherished riding days. Celebrating Western culture, this mood board includes a bolo fashioned by an Oklahoma artist, cast from iron into bronze. The framed original cowboy profile sketch is a prized Paseo purchase. All together, this collection frames into a pretty picture, where stories overlap about adventure, discovery, design and the great American West.

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H O M E

Refined Rustic Charm A walnut wood table inspires a naturally textured design

BY E V I E K LO P P H O L Z E R P H O TO S BY S A R A S T E WA R T

I

nside John and Rachael Lippe’s Nichols Hills Suburban home, the dining room table is a standout. Not only does its live edge design highlight the wood’s natural beauty, but also the table is a family treasure. John Lippe’s father is a skilled carpenter; this table was a special gift, personally crafted by him.

Even better: His wood source was a walnut tree cut from the family’s ranch.

This season, we showcase an autumn table setting designed

by Ashlee Freeman with Mood Events and Jaykob Janes with Beauregard’s Floral. The beautiful wooden table—as well as the dining room’s natural and neutral aesthetics—inspired their final design.

“The dining room already had so much warmth and character, so we focused on layering pieces that complemented the space rather than competing with it,” Freeman said. “Our coupe goldrim dinner plates added just the right touch of elegance, while the Eleanor green salad plates and fern velvet napkins brought in color and texture. We finished the table with gold-rim chargers and glassware along with brushed gold flatware to tie everything together. Every piece was chosen because it felt right for the home.”

Glowing votives play well with the glimmering flatware, plates and Melodia Collection goblets and wine glasses within the placesettings.

Down the length of the table, which generously seats eight, unique stems from Dutch growers and farms complement the place settings. Janes selected tillandsia, brunia, kale, anthurium and celosia (cockscomb) to add unexpected textures among the amaryllis, mini calla lilies and Vanda orchids.

Janes cited the warm wood tones of the table as his design springboard, in addition to the textures of the jade and cactus plants in the room. He said he also considered the stylish Wishbone chairs.

“Based on these items alone, I could tell the homeowner was more interesting than most,” he said. “I chose the green and gray stems for interest and texture, as they differ from what most people would gravitate toward. The white blooms of amaryllis, calla lilies and orchids bring a clean, crisp look to any centerpiece or home.”

The nearby buffet also displays impressive blooms, pulled together in a large green-and-white Chinoiserie vase. Cake and champagne stand nearby, primed for a fall party—with matching plates and flutes, of course.

Freeman and Janes often partner during special events. (For example, this table setting was organized and displayed at the Alliance Kitchen Tour last October.) They enjoy working together and combining talents to create stunning scenes. This natureinspired fall table is no exception.

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G AT H E R I N G S

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Every Purchase Makes an Impact

NOV. 5-8, 2026 B e n n e t t Eve n t Ce n te r - O KC Fa i r Pa r k

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GRAND ENTRANCES

BY EVIE KLOPP HOLZER

Imagine that your home could greet guests on your behalf. In those first moments—when someone approaches the front door, presses the doorbell or lightly knocks, and enters through the doorway—what would your home say?

For this feature, we visit five homes around the 405 that are full of personality. Each reflects a unique blend of the owner’s

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style, the home’s architecture and the neighborhood’s sense of place. Each beautiful design seems to speak volumes.

Some designs spur curiosity. Others cause us to pause, in awe. All make us want to kick off our shoes and stay a while. Ready to come by and see for yourself? These grand entrances beckon us inside.

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EFFORTLESSLY INVITING P H OTO S BY W I L D E R R U T H

“A Warm Welcome” W

ith fond memories of traveling abroad, Zach and Shay Woods wanted their home to portray a sense of awe and adventure, like “being on vacation,” as Shay Woods described it.

“We wanted the entrance to feel inviting, timeless and a little unexpected, giving guests a sense that they’re stepping into a special place from the moment they arrive,” she said.

Architect Ford Duncan of Bradford Concepts, builder Tip Graham of Bluff Creek Properties and designer Paul Bullard collaborated on the Woods’ family home, which was built in 2024 with Mediterranean details. The rock arch entry provides a striking focal point, while the terracotta tile adds warmth and authentic Mediterranean character. The painted tile surrounding the front door is a favorite feature.

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“It’s such a unique detail that you don’t see every day, and it immediately sets the tone for the home. It makes welcoming guests feel extra special,” Woods said.

The Woods family enjoys hosting family and friends, and the entry is a beautiful place to greet all guests. Favorite traditions include birthdays, Easter, Thanksgiving and Christmas gatherings, as well as an annual Valentine’s Day mahjong party with girlfriends.

“We know this home will continue to be the backdrop for many more special memories and gatherings for years to come.”

Woods said. “Our entry reflects our family’s love for creating a warm, welcoming home where people immediately feel comfortable. At the same time, it showcases our appreciation for thoughtful design and unique architectural details.”

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VIBRANT COMMUNITY P H OTO S BY E M I LY H A RT

“Hello, Everyone” I

nside the Kelly Hollow meeting house, interior designer Sara Kate Little wanted to create a space where residents could truly settle in.

“Apartment living often asks people to sacrifice comfort, privacy, storage or a sense of permanence in exchange for convenience. Kelly Hollow was designed to challenge that idea by pairing apartment homes with thoughtful amenities, layered interiors, generous outdoor spaces and practical conveniences that support everyday life,” Little said. “Inspired by the English countryside, the community feels warm, timeless and rooted. More than anything, it’s a place designed to feel like home.”

Little’s design company, Pastiche Studios, worked alongside architect Humphreys and Partners and NE Construction on the Kelly Hollow space. For the entry, she encouraged developers to embrace color—and they did. The entry’s color combinations

grew from William Morris wallpapers, along with a contemporary interpretation of Ben Pentreath’s collaboration with Morris & Co. The colors certainly create a memorable sense of place … and then you see the lights.

“We wanted the entry to feel like a surprise,” said Little. “The lighting installation began with a conversation about creating an unforgettable first impression … The fixture is made from a collection of English and American ironstone and antique Delft plates, each one with its own history and imperfections.”

Decorative pieces were sourced from Little’s travels to England and France, purchased at flea markets, brocantes and antique shops.

“Home, to me, is a collection of experiences. It’s layered over time with meaningful objects, color, books, art and pieces that tell stories. We wanted the entry to capture that feeling,” Little said.

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IMPRESSIVE FIRST IMPRESSION P H OTO S BY B RA D E N J A R V I S

“The More, the Merrier” W

hen Donald and Candi Bullard reimagined this 1952 home (originally built by G. A. Nichols), they ensured it was primed to party. Architect Alisa Weatherman and contractor CTC Construction helped them bring their design dreams to fruition.

The covered front porch walkway includes special niches that hold four antique Indian stone shrine pieces. Dating back to the 19th century, these hand-carved sandstone alcoves create an extra-special atmosphere when lined and lit by candles. Such was the scene when the Bullards hosted their daughter’s wedding at their home, shortly after renovations were complete.

The custom-made arched door opens to an array of colors and textures inside, all selected by Candi Bullard. Elements include a hand-blocked grass cloth wallpaper in beige with a black floral motif, sourced from Dallas. Molten Rock marble appears on the

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surrounds to the den, living room and dining room. Antiques center the space: a hand-carved table of bleached wood is aligned under a sparkling crystal chandelier. The front door was also designed by Candi Bullard.

“We embraced an eclectic Mediterranean design aesthetic for the entire home,” she said. “Our goal in the construction was to provide a welcoming approach. The entry foyer is very intentionally dark, moody and dramatic, resulting from added features to the original home.”

Hidden speakers built into the entry walls allow good tunes to instantly set the mood when friends and family arrive. Donald Bullard worked with Jonathon Vasquez of AVS Concepts to install nine zones for the sound. The Bullards enjoy hosting gamedays and holidays; this home is most accommodating.

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SOFT AND SOOTHING P H OTO S BY A MY RA U

“Lovely to See You” palette establishes a soft and soothing tone as you A pastel enter Heather and Mike Beckham’s home in Norman.

The overall design blends traditional styles with modern, minimalist touches. However, it is the intricate woodwork that defines their lovely entry space.

The light and bright area features striking custom double doors and a herringbone-patterned floor, positioned like a rug to anchor the room’s design. The masterfully crafted woodwork adds cohesion through repeating patterns on walls and doors, introduced in the entry and then carried farther into the home.

“The [entry] wall paneling is actually what we used throughout … it’s just a really clean, simple, beautiful beveled edge,” said interior designer Marissa Adler.

As another example, the diamond pattern adorning the front doors reappears on the back patio doors. The doors' thoughtful

window placement provides the perfect balance of light and privacy. The home is full of intentional designs.

Along with Adler, the Beckhams enlisted builder Curtis McCarty and close friend Zach Stevens, who works in real estate, to guide the construction of their new home.

With their previous home in the same neighborhood, the Beckhams watched their new home being built. Mike Beckham remembers walking to the new property and noticing the meticulous installation of the woodwork.

“It’s not just like a template; it’s like hundreds and hundreds of individual pieces of wood that are cut and put together and in layers,” Beckham said. “That was fun for me, being able to not just see the details and the beauty of the finished product, but also be able to see all the workmanship that went into it.”

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WELL ROUNDED P H OTO S BY W I L D E R R U T H

“Good Greetings” A

ccording to the National Register of Historic Places, this Heritage Hills home (known as the Barnett House) was completed in 1925 by Benjamin Barnett. His appreciation for Moorish design appears in the home’s horseshoe-arched doorway with ringed wrought iron details.

Like so many passersby, Beth and Matt Boeckman were impressed by the home’s architectural magnificence. They purchased the Barnett House as their family residence earlier this year.

“You don’t see a lot of entries like that in Oklahoma, or at least that we’re aware of, and so it really catches your attention,” Matt Boeckman said. “It kind of looks like a place where you’d want to come have your graduation photos taken, with how it stands out so much.”

The Boeckmans took ownership in April, and they’ve been settling into their new home and neighborhood ever since. They

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appreciate the central location (they moved from northeast Edmond) as well as the strong sense of community in Heritage Hills.

“These old homes—you’re more of a steward of the home. It’s a home that hopefully lives on beyond you, and so you’re passing it on to the next person, and then the next person, rather than just living in a cookie-cutter home,” he said. “Being in an area where there’s a bunch of people that have a similar mindset—just trying to carry this forward—is something that I think spoke to us a little bit.”

Inside, the open Victorian staircase accommodates all of the family’s coming-and-going activity. The four Boeckman children are busy with soccer and scootering, infusing youthful energy into the historic home.

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D I N I N G

Kaizume Sets Sail Chef Richard Ly’s bold, delicious new experiment

BY M AT T K I R O UAC

A

few years ago, Awaji Izakaya ignited a Japanese dining renaissance in OKC. Today, that restaurant’s chef is setting sail on his sophomore effort, and casting a wider net. While Awaji offers an authentic taste of Tokyo pub culture, Kaizume — newly opened in the former Syrup space on NW 23rd Street — takes those Japanese stylings and filters them with French finesse.

Richard Ly, whose work at Awaji has yielded some of the best sushi this city has seen, strikes again with a restaurant modestly billed as “neighborhood seafood dining.” But beneath its nautical surface, clad with dark wood paneling and pelican portraits reminiscent of a seaside yacht, there’s something deeper at Kaizume.

For his anticipated follow-up, which brings his meticulous maki and show-stopping sashimi closer to downtown, Ly partnered with Chris McKenna—himself a pedigreed local legend, known for his work at Packard’s New American

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P H OTO S BY R AC H E L M AU C I E R I

Kitchen. Together, they’ve created something wholly original, once again elevating OKC’s Japanese dining scene with a novel approach to fresh seafood.

“We created a menu that’s more like Japanese-French fusion,” Ly explained, citing items like sushi rolls with goat cheese instead of cream cheese; parmesan togarashi fries with truffle aïoli; and kampachi with pomegranate ponzu. “We wanted it to be different. We wanted this to be more of a new test kitchen.”

Describing the cuisine as “upper scale casual dining,” accessible for both a mid-week bite and a full-blown date night, the menu matches the seafaring decor—where spicy smoked hamachi noodles, tuna tartare and scallop tiradito fit right in with a polished dining room that feels like the hull of a ship.

“I wanted to start with sashimi, oysters and all different types of things,” added Ly. “But we wanted to test this new menu out first.”

That new menu reads like a choose-yourown-adventure of fusion and experimentation, like whole pompano that gets filleted, cut into nuggets and fried, then served in the fried skeleton like a crispy bouquet. And grilled salmon with buttery Robuchon potatoes, haricots verts and kabayaki butter. And neoteric sushi rolls, like Pear Pressure, with spicy tuna, pear, balsamic glaze and chive oil.

“I still have my gyoza and chicken karaage,” he noted, highlighting some timeless staples, along with traditional sushi rolls and steak (“because we’re in Oklahoma”). But along with grilled beef tenderloin and flat-iron steak frites, guests can level up with his “Wagyu on the Rock,” which lets guests grill their own A5 Wagyu on a sizzling stone. “Most restaurants do $60 per ounce, with a minimum of 3 ounces,” he said. “I’m cutting it into three pieces, and people can experience that without having to spend a lot of money.” It’s just $35, by the way.

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TA S T E

LEFT TO RIGHT: DRUNKEN NOODLES, COCKTAILS AT THE BAR, SASHIMI, AND SPREAD OF OF SUSHI, NOODLES, AND CRISPY POMPANO AT KAIZUME

Along with a drink list of sakes, ice-cold martinis and signature cocktails (try the yuzukissed Tokyo Negroni), the rest of Ly’s dexterous menu impresses with dishes—like housemade tamago (sweet Japanese egg omelette) and house-smoked yellowtail—that are rarely, if ever, made from scratch in OKC. And perhaps nothing punctuates this point like the bone-in pork chop tonkatsu. A feast for both the eyes and the palate, it’s a spectacle of a dish that swaps the standard sliced-and-fried pork cutlets for a dino-sized chop where everything—even the bone—is breaded and fried to a gilded crisp.

If Awaji Izakaya was Ly’s breakthrough sensation, Kaizume is setting sail with even grander ambitions. And a menu unlike anything else in OKC.

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D R I N K

The Mystique of Transformation Alchemy Cocktail Lounge shakes things up in Edmond

BY M AT T K I R O UAC

P H OTO S BY R AC H E L M AU C I E R I

LEFT TO RIGHT: SEAFOAM, WHITE ROSES, AUREUM COCKTAILS

W

hen I walked into Alchemy Cocktail Lounge, in the heart of Edmond’s historic downtown, I was almost blinded by darkness. Moody and dimly lit, a reprieve from the glaring sun, the lounge conjures an immediate sense of intrigue.

Once I removed my sunglasses, I discovered a captivating brick-lined parlor filled with chandeliers, candelabras, vintage furniture and Mia Goth horror movie posters. A lone disco ball sent rogue shimmers along the swanky bar and intimate booths, only adding to the mystique.

It’s all part of the allure of Alchemy Cocktail Lounge, which opened in June from Mical George and Liz Warren, partners in life and business who wanted to open the perfect

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cocktail bar near their home. After going out to other spots, and traveling to places like New York and San Francisco for inspiration, they honed in on a concept—equal parts transformational and transportive—that checked all their boxes.

“There’s been so much growth in OKC, and it’s coming up into Edmond as well,” Warren explained of the metro’s fast-diversifying bar scene. “We’re seeing touches of that here; something that feels like you might find in New York City. So we wanted to bring a touch of that here in Edmond.”

Influenced by other bars they love, George and Warren designed Alchemy Cocktail Lounge to be curated and intentional, from the enchanting decor to the name.

“The name was almost immediate,” George recalled. “The idea of transforming something into something else, and creating things. Not just with drinks, but the decor, and taking our love of movies and music and art, and throwing it into a space.”

The name inspired the aesthetic, which opts for a vintage antique vibe over ultramodernity, reflected in its gothic and Victorianstyle furnishings. It also inspired the tone of the space, which the pair described as “good music where you can still sit and have a conversation without having to yell at each other across the table.”

And of course, that alchemist approach wove its way through the cocktail menu, riffing on classics that feel familiar yet new. There’s The Rubus, a blackberry old fashioned using some of the 100-plus bottles of bourbon behind the bar. And The Afterglow, a Taylor Swift homage with pisco, gin, vermouth, grapefruit and pink dragonfruit. And The Seafoam, a margaritaesque medley of pasilla pepper liqueur, passion fruit salt foam and acid-adjusted aloe vera gel.

And the Stephenson Park, a summer quencher named after a nearby park, made with rum, lime, sugar, pineapple, bitters, clove, cumin, fresh mint and crushed ice. And of course, it wouldn’t be a mixology menu without an espresso martini variation—the White Roses, capped with a plume of silken cream. There are even jewel-toned Jell-O shots in elaborate designs and flavors, from Solid Wiggles in Brooklyn.

The food takes the same approach.

Developed by Robert Black, the mastermind behind other Edmond hits like La Loba Cantina + Grill, it’s an eight-item selection of elevated bar snacks, like truffle grilled cheese and deviled eggs.

And after transforming the decor, the drinks, and the food, the last—and most important—ingredient was the hospitality.

“Our biggest thing when we created this was hospitality,” George said. “We wanted it to be table service, like you’re greeted when you come through the door. People come in and feel like they’re part of something.”

MENU SPOTLIGHT

Showcasing noteworthy signature dishes or seasonal menu items in our menu spotlight special section.

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THE OKLAHOMA CITY MUSEUM OF ART PRESENTS

Late Night FRIDAY, OCTOBER 2 | 9 PM-MIDNIGHT

OPEN BAR | LIGHT BITES | DANCING | COCKTAIL ATTIRE

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405-842-5387 | www.okcphil.org *PROGRAMS, ARTISTS, AND DATES ARE SUBJECT TO CHANGE

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405-842-5387 | www.okcphil.org *PROGRAMS, ARTISTS, AND DATES ARE SUBJECT TO CHANGE

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C U LT U R E

Orchestrating Passion Plan for a sublime OKC Philharmonic season

PHOTOS PROVIDED

BY L AV I N I A C R E S WA

T

he Oklahoma City Philharmonic employs some of the hardestworking musicians in the city. From September to May, the orchestra has 15 individual shows being performed at the Civic Center Music Hall—typically led by Maestro Alexander Mickelthwate as conductor, with several guest conductors throughout the year. The season, entitled “Orchestrating Passion,” is separated into Classics and Pops concert types that each provide a wide variety of performances, offering something for all music lovers.

The Classics concerts include what most would think of as “traditional” orchestral music—including symphonies, concertos and other classical pieces by some of the greatest composers of all time—and often feature an internationally recognized guest musician to play a solo movement with the orchestra. The season opens on Saturday, Sept. 19, with the Classics concert “America the Beautiful: A 250 Celebration”

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featuring music from American composers George Gershwin and John Adams, finishing with Rachmaninoff’s Symphonic Dances. Up next is “Worlds of Wonder” on Oct. 10, which is an “immersive journey through shadow and light” and will even feature “Stairway to Heaven” by Led Zeppelin. On Nov. 21, jazz, Broadway and orchestral music unite for an unforgettable evening which will conclude with Leonard Bernstein’s classic Symphonic Dances from West Side Story.

The first concert of 2027 will be “Fairytales: Stories in Sound” on Jan. 9. The evening will be filled with vibrant music telling familiar, enchanted stories. On Feb. 6, the OKC Phil will perform “Fate, Fire & Fantasy” where the magic of the screen is brought to life with works from Studio Ghibli composer Joe Hisaishi, Debussy and Tchaikovsky. March 13, witness “Enigmas of Life,” which includes three powerful movements from Garrop, Beethoven and Elgar. April 10, romantic and timeless music

A R T S

by Mozart and Bruckner will be performed in “A Night in Vienna.” The Classics season closes with “Voices of Triumph: Symphonic Masterpieces” on May 15, featuring incredible, recognizable works from John Williams, Aaron Copland and Beethoven.

The Pops concerts feature music from just about anything outside the classical realm. Anything from movie soundtracks, Broadway, pop or rock may be presented, sometimes featuring renowned vocalists.

The first Pops concert is Halloween weekend, with “Music to Die For: Songs from the Shadows” on stage both Friday and Saturday evening, full of hauntingly beautiful and spooky selections. Dec. 4 and 5, the OKC Phil brings the popular annual concert “A Very Merry Pops” to the stage featuring beloved holiday music and incredible guest singers. There will also be a special daytime performance called “A Tinsel Tradition: Songs of Christmas,” which is a great way to bring the whole family out to see

Santa and of course, the orchestra play live.

Jan. 15 and 16, watch the DreamWorks film How to Train Your Dragon with the soundtrack performed live. On Feb. 19 and 20, the concert “Ebony and Ivory” will feature super-talented pianist and vocalist Campbell Walker Fields as he performs with the OKC Phil. The following month, on March 19 and 20, the orchestra will perform iconic rock in “The Music of the Rolling Stones.” The Pops season ends on April 23 and 24 with the family-friendly performance “Bugs Bunny at the Symphony,” showing 17 Looney Tunes classics projected on the big screen.

This is shaping up to be an excellent season, with performance options for the whole family. For more information on the Oklahoma City Philharmonic or to purchase tickets, visit okcphil.org.

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C U LT U R E

Inspired Originals Armando Ortiz celebrates fashion through sublime designs

BY K R I S T E N G R AC E P H OTO S BY C H A R L I E N E U E N S C H WA N D E R

A

rmando Ortiz has become one of Oklahoma’s most luminous talents in high fashion, whether it’s bridal wear, pageant couture or tailored looks for special occasions. Most of his bespoke creations never get credited online, but he is frequently booked out months in advance by a fiercely loyal clientele. Ortiz is at work almost every day turning his clients’ dreams into reality.

How did you get started in this industry?

My mother sews. And some of her family members have sewn all their lives. In the late ’90s, I was working with a local theater, and they needed alterations in garments and costumes.

That’s when I got started. Over the years, I worked in retail and cosmetics, so I had limited time for sewing. But in 2016, I decided to make a change. Friends who knew what I was capable

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of came over to my house and encouraged me to find my own space. From 2014 to 2024, I had a shop in the Paseo. Over the years, I have built a repeat client base. Now I’m a full-time designer; I create clothes and jewelry and I’m a painter. I use all three of those elements to create art for my clients. I can create graphic designs and print them onto fabrics.

I’ve been sewing since 1997, and in 2017 I started offering these services to everyone. And now I sew every day.

Tell us more about the type of clothes that you create for your clients.

I can create any type of garment, from undergarments to formal wear. I build everyday clothing for some of my clients—whether that be skirts, pants, a shirt or blouse. I also create special occasion clothing. I create designs for the

client using my own patterns after a consultation where we talk about the look, pattern and the materials. I draw up the look and we go over every textile needed for the garment.

This summer, I have been in bridal season.

Some brides want something simple and classic; others may want something unusual in pattern and material. I see all textiles the same, but you must know how to use them. That can be an interactive process for the client as well. Many of them are using Chat GPT, and they aren’t always coming in with accurate information. But I do love that they’re coming in with inspiration! I’m a very creative person, so I can usually bring us to a design that is similar or inspired by their dream.

How do the seasons affect your business?

I just finished pageant season, which is January

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through May. I create talent outfits, interview suits, evening gowns. Dresses for luncheons or brunch events. I have a lot of work for clients that are in bodybuilding competitions, as well.

Fall and winter are costuming for Halloween, and then a lot of formal wear for the holidays.

Do you have any employees? Have you thought about expanding your business?

At this point, I love having full control of my business. Working alone allows me to guarantee 100% of what I do. But the downside is that I have to turn away customers. And at this point, it has all been word of mouth and a slight social media presence. But I am inspired by everything I see and everything I hear. I could look at a rock and find inspiration there.

C U LT U R E

LO O K I N G

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Leap of Faith Oklahoma pioneer Nannita Daisey had self-confidence in spades P H O T O C O U R T E S Y T H E O K L A H O M A J O U R N A L I S M H A L L O F FA M E

“LEAPING INTO HISTORY,” A BRONZE STATUE OF NANNITA DAISEY IN EDMOND.

BY L I N DA M I L L E R

W

ith one jump, Nannita “Kentucky” Daisey cemented her name in Oklahoma history.

More than 130 years ago, she leapt from a moving train to stake a land claim during the Oklahoma Land Run of 1889. Even more astounding, she was able to jump back on the train before it passed her by.

Bold choices weren’t new to her. Years earlier in Kentucky, she took a predictable path as a schoolteacher and later became a candidate for state librarian. But the classroom was too confining and too conventional for the young woman who seemed destined to champion women’s rights.

Later, as a newspaper reporter in a male-dominated field, she shared her thoughts and opinions without hesitation, though they weren’t always appreciated.

While working as a correspondent for the Dallas Morning News and the Fort Worth Gazette, Daisey was assigned to cover the opening of the Unassigned Lands, also known as Oklahoma Lands.

That one assignment would unlock substantial opportunities for career and personal growth.

Eager to get started, she caught a train to her destination the day before the Land Run of 1889, but the conductor wouldn’t let her disembark early at Guthrie Station. She then went to Purcell and boarded a crowded train that at high noon would cross into Oklahoma Lands.

One popular story, though unproven, is that the engineer allowed her to ride on the cowcatcher 62

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at the front of the train, which would have been extremely dangerous. He then slowed on the upgrade near the land she had previously scouted near Edmond.

What is documented is that she did indeed jump off the train and plant a stake to claim the property. Some stories, whether embellished or fact, contend she marked the land with her petticoat or cloak, then fired a shot and shouted, “I salute Kentucky Daisey’s claim!” She then tucked the gun back into her skirt’s waistband and raced back to the train just in time for a male passenger to pull her into the caboose.

She is thought to be the first unaccompanied women to file a land claim in the Oklahoma Land Run of ’89. Her experience ignited a fascination in others as she encouraged women to participate and claim homesteads.

She joined at least three more runs, all while submitting stories to various newspapers.

Daisey settled in Guthrie, fell in love, and married Andreas E.J. Unland Svegeborg, a U.S. soldier. The couple eventually separated and he filed for divorce.

Daisey was born in Pennsylvania in 1855 and moved to St. Louis, Missouri, with her parents. After their deaths, she lived with the Sisters of the Good Shepherd Convent before beginning her journalism career and relocating to Oklahoma Territory.

At that time, there was discrimination against women who wanted professional careers. That didn’t deter Daisey. She also assisted other women in claiming homesteads and was instrumental in establishing public schools in new towns. Her name has been linked to helping organize a likely mythical, all-female settlement named Bathsheba between Enid and Perry. No males, not even bulls or roosters, were allowed.

Daisey, whose first and last names are often spelled different ways, died in 1903. A bronze statue of her jumping off a train can be found at 30 W. 1st Street in Edmond in the Festival Market Place Plaza.

She was known to enhance many parts of her life in the telling, maybe because it made for better tales or was how she liked to remember her accomplishments. Some of those accomplishments, at least in part, have been proven untrue—but a good story is just that.

And she is a good story.

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OVERHEARD It is good news for Oklahoma City that the OKC Downtown street car is permanently free.

This is a big win for downtown visitors and businesses, and it will decrease congestion and pollution a little bit as well.”

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Not only should he have his jersey retired in Oklahoma City, but he should have a statue out there as well. Because after SGA, Russ, in my eyes, is the 2ndgreatest Thunder of all time.”

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SEPTEMBER 2026

Our new $1 billion arena is raising our city’s standard for design in every way.

Included in the budget is of course 1% for public art, part of which we are applying to the 80,000-square-foot concourse floor. Recently, we have selected local artist Matt Goad to design this floor. You may know Matt from his recent work at the new entrance to the OKC Will Rogers International Airport.

His piece at our arena will be known as ‘One Voice. One OKC.’” - MAYOR DAVI D HO LT

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