
1 minute read
Samantha Nochimson
Noodle Bowls
Linocut print on cloth
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Vi Kreifels
“I EAT THE RASPBERRIES OFF OF MY FINGERS SO THEY FEEL LOVED”
Acrylic on canvas, 24x30 inches

Maria Cecconello
Saudade
My best friend splits me a peach with her thumb as a parting gift, sits me In the bathtub and washes my hair, Divides it into two braids and I sleep with damp skin, Coddles me to sleep one last time.
Know my love is a bird splattered across a windshield, Hollow bones splintered and shattered But she lets me talk and talk over song bridges and party games, Finds beauty even where most everything is ugly and twisted and fragile
Drove us around the sunlit late afternoon before I left Past the landfill that used to be our school and the tidepool that used to be ocean, Sea withdrawing with warming
She walks around my room after I go and splits my things up in boxes Stakes claim on records and lace trims and coalesced nail polish
I listen to the song she loves, that she first showed to me On my living room floor while we tore into yellowtail and cuttlefish Then rewatch the movie that makes her cry every time, Makes her think of endings and tenderness
I cry in my college library like I’m watching it with her, She watches it alone in a different hemisphere.
At home we’d sleep in the same bed
Open windows letting in the bugs and the moist summer air Here, with my boots I sweep in the cold and crushed leaves, mud, ice Spend my time in cold brick hallways and spiral staircases, Unwinding every pattern I’ve fallen into
The word for this feeling only exists in our language and That makes it all hurt more, somehow.
We migrate apart under changing weather
Patchwork of songs on the radio that we loved at thirteen
Words now blurry and scattered
Sprout into different trees in separate states
The couch where we loved and laughed and cried collects
Dust at the crossroads down the street, Home is a building up in smoke
All my memories are buried in debris, makeshift stages and bleachers that don’t exist Soot clings to my skin like a souvenir
Shiny rental offices and artisanal coffee shops grow tall over a carcass
Nothing but concrete the grasslands we grew up in
Georgianna Besse
SIMPLE MATTER OF DEATH Micron and ink pens
