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ARCH I TECTURAL PORTFOLIO M O SHA N TOVA A

CONTENTS CV 01

MEDICAL CENTRE

5-8

HOUSING DEVELOPMENT

9-11

COMMUNE

12-14

PAINTINGS

PHYSICAL MODELS

UNDERWATER WORLD

Simona Shantova EDUCATION 2020 - Present

University of Bath BSc of Architecture Bath, United Kingdom

+44 7879167272 sss224@bath.ac.uk /simonashantovabath

EXTRACURRICULAR ACTIVITIES 2021- 2022 9 Months

Key Modules: Design Studio / Environmental Design / Detail Design / Digital Illustration / Practice, Management & Law / History and Theory 2015 - 2020

2018 - 2020

o Learned how to draw a plaster capital with precise proportions by using gradation of tone. o Solved color problems and created abstract compositions with geometric elements.

EXPERIENCE Historic England | RIBA Mentoring Scheme Bath, United Kingdom

o Gained practical advice on working as an architect in the UK o Actively engaged in conversations about contemporary design schemes and their impact on the future of High Street architecture. o Was introduced to the RIBA Plan of work and the conservation work of Historic England. 2017 -2020

Avon Representative | Avon Plovdiv, Bulgaria

o Strengthened my listening skills during conversations with customers and assisted them in choosing appropriate products. o Reached the maximum purchase limit on my first sale. o Made sure when the package arrives that the contents are not damaged or that it needs to be replaced. o Placed orders using the Avon website.

INTERESTS Italian Language & Culture o I’ve visited many Italian cities and was fascinated by the architecture. Currently living in Turin and actively learning the language.

Yin Yoga o I’ve been practicing this type of yoga for two years now. It helps me release stress and tension and I find it easier to work and focus after practice.

Drawing Lessons | Chaushev School Plovdiv, Bulgaria

Diploma of Secondary Education: 5.94/6.00 Achieved the highest score 5 years in a row.

2021 3 Months

Bath, United Kingdom

o Mentored architecture students throughout year 1 of architecture. o Provided practical advice and assisted with issues of any kind. o Directed the mentees to the right center’s facilities when required.

Ivan Vazov Language High School Plovdiv, Bulgaria

Architecture Peer Mentor | University of Bath

2019 2 Months

Language Course | Discovery Language School Plovdiv, Bulgaria

o Finished a language course in preparation for IELTS exam, where I strengthened my writing skills and public speaking by regular discussions with other students.

DIGITAL SKILLS Proficient

Capable

Learning

Enscape Sketchup AutoCAD Photoshop InDesign Office

Illustrator Lightroom Procreate

3DS Max

LANGUAGES Bulgarian Native

English

Professional Fluecy

2nd Year Project

MEDICAL CENTER In this short six weeks project, I was asked to design a Medical Center suitable for 3 general practitioners and their supporting staff within a very challenging site. Situated in Castle Park, Bristol, the project follows the master plan we created in a previous Housing Development project. To escape from the institutional feeling medical centers are often associated with, careful consideration is given to the materials palette. To ensure the confidentiality of the patients, the medical rooms are separated from the main reception and waiting area by distance. This is realized by the introduction of a contemplative courtyard and doubleglazed corridor connecting the two main wings. In terms of orientation, most of the services are located on the North. The main waiting area and circulation are located on the South to create comfortable and sunny spaces. The medical and staff rooms are located on West and East. This approach promotes good well-being for both patients and staff members.

Softwares Used: Enscape, Sketchup, AutoCAD, Photoshop, Procreate 5

PLANS & FORM DEVELOPMENT FORM DEVELOPMENT The initial concept was to have two main blocks divided by a courtyard to act as a buffer between the medical and reception zone. Later on, an external entrance was added to act as a threshold. Due to the rainy climate, an internal corridor connecting the two blocks was introduced. Further improvements were made in terms of scale and roof forms. PLANS The building is divided into three functional zones - reception, staff, and clinical. This approach was adopted to provide confidentiality for the patients as well as private space for the staff members.

MASTERPLAN 6

GROUND FLOOR PLAN

CONCEPT DIAGRAMS, SECTIONS&ELEVATIONS LANDSCAPE Introduction to soft edges for the creation of more organic shapes. Half of the green space is utilized in carefully shaped courtyards.

ACCESSIBILITY

SECTION THROUGH EAST WING

The public can only access the reception and clinical area, as well as the courtyards. From the reception area, a patient can choose whether to go east to the public area or west to the medical & treatment rooms.

SLOPE In response to the challenging slopping site, a change level is introduced in the West wing. The purpose of this is to keep the circulation area big and spacious and to preserve human scale in the medical rooms.

SECTION THROUGH COURTYARD

ROOF FORMS The two main wings have opposite slopping roofs. This decision was made to create more dynamic forms, to address the sloping site, and to align with existing housing nearby.

SOUTH ELEVATION 7

DETAIL DESIGN & PERSPECTIVES

DETAIL SECTION & ELEVATION

STRUCTURAL GRID & MODEL 8

2nd Year Project

HOUSING DEVELOPMENT As a group of five architecture students we were asked to design a Housing Development in Castle Park, Bristol. The scheme consists of two main residential blocks with retail units on the ground floors. The design is shaped under the lens of postcovid reality, using landscape techniques to control crowd flow, whilst creating an inviting outdoor space that instills a sense of civic pride and community. The slope of the roof on the South pushes residents out towards the river while the ones on the North invite them into the carefully landscaped public space.

My main task was developing the North block. It consists of three apartment types designed to accommodate people with different needs. All of them are carefully considered in terms of orientation. Living rooms are usually located on the South to take advantage of the sunlight, while kitchens and service rooms are positioned on the North.

Softwares Used: AutoCAD, Photoshop, Procreate, Illustrator 9

MASSING DEVELOPMENT OF NORTH BLOCK

First, the block was cut to harmonize with the South block in section. Furthermore, it creates a sense of compression towards the shared garden space, promoting togetherness.

Protruding widows, inspired by Allison Brooks Architects, were added to create more comfortable spaces as well as to provide a better view of the communal garden.

The height of the floors was reduced to 2.5m and the protruding windows were separated to create a sense of privacy between separate units.

An additional retail unit was added on the west end to lead people into the garden. Arches were introduced to differentiate the retail from the residential.

DUPLEXES PLANS

FIRST FLOOR PLAN 10

SECOND FLOOR PLAN

SHORT SECTION

LONG SECTION

retail circulation 1-bedroom apartments

SOUTH ELEVATION

2-bedroom apartments duplexes

1st Year Project

COMMUNE The Brief for this project was to design a retreat centre where people can escape from their everyday lives and/or traumatic experiences through specific activities or therapeutic practices. My chosen theme was Buddhism. Centered around the concept of the “three jewels of Buddhism”, the plan layout consists of three main segments, each representing the meaning of a specific “jewel”. The geometry is certainly not left to chance. It is dictated by the rule of the Golden Section. As the ratio can be found both in nature and many ancient buildings, it is believed to bring harmony to the spaces.

The scheme consists of the main accommodation block, three Zen Gardens and a Shrine. It is intended to provoke emotion and to help visitors grow and evolve.

Softwares Used: Sketchup, AutoCAD, Photoshop, Illustrator 12

GROUND FLOOR PLAN

FIRST FLOOR PLAN

ROOF PLAN

The position of the main entrance is designed so that there is a direct view of the Buddha statue in the Shrine room when you first enter the building.

The bedrooms are minimalistic with a view towards the distant mountains. There is a big panoramic window providing a view towards the gardens and the distant sea.

An external covered pathway is introduced due to the rainy UK weather and the strong SW winds. Pitched zinc roofs help drain the rainwater away.

The scheme accommodates three Zen Gardens. The first two, positioned in the Sangha courtyard are meant to be raked by the visitors of the retreat centre. This encourages meditation and concentration.

The third Zen Garden represents the Dharma courtyard. It is where a statue of Buddha is positioned in the middle, allowing people to sit around it and meditate or contemplate.

LONG SECTION

3D ISO The 1st floor extends over the ground floor to create a covered external walkway. Glass sliding doors open directly into the gardens to create a connection between man and nature.

SOUTH ELEVATION

Timber Slats Sketch There is a big landscape window on the 1st floor facing the garden. In order to keep the privacy of the Dharma courtyard, timber slats were added in front of the window to limit the view down to the garden and to focus it in front to the seashore in the distance.

SHORT SECTION

04 PAINTINGS

05 PHYSICAL MODELS This is a collection of three physical models I made during my first year at the University of Bath. The first one uses balsa strips and sheets. The project (Solus) asked for the design of a small retreat space intended for 4-5 hours stay. The main objective was to feel close to nature. With our given site being a riverbank, we (a group of 4 architecture and engineering students) decided to design a fishing hut. The second one was made during a lockdown and therefore uses improvised materials such as cardboard and grill sticks. It is a design for an exhibition space in Bristol dedicated to the removal of Edward Colston’s Plinth as a sign of protest against slavery. The third and final one also uses cardboard, styrofoam, and this time - sugar! The brief was to design a retreat center. My decision to make Buddhism the main theme led me to the creation of three beautiful Zen gardens. Sugar is used to represent sand and to shape different shapes within the gardens. A thin wire is also used for the creation of a Buddha statue to sit in the middle of one of the courtyards.

Editing Softwares: Photoshop, Lightroom 16

06 UNDERWATER WORLD This project represents the typical architecture of the Old Town in Plovdiv, Bulgaria. But instead of standing on the street, you’re looking at the city from underwater! It is true that Plovdiv is far away from the sea, but this project reimagines it as if it was the lost city of Atlantide. Amongst the colourful fish and starfish one can see the typical features of old Bulgarian architecture. The houses consist of two to three floors and the accent is on the human scale, nature and simplicity. The narrow streets fell homely and if one climbs on the first floor and reaches his hand out towards the opposite house, he could almost physiclaly reach his neighbors. This emphasis on sensitivity and humanity in all proportions is a feature of authentic Balkan architecture. In this fairytale interpretation of an ancient city, my main goal was to explore different media and how they could be combined.

MANY THANKS +44 7879167272 sss224@bath.ac.uk /simonashantovabath