Körper by Sasha Waltz & Hans Peter Kuhn (Germany)

KÖRPER Sasha Waltz & Hans Peter Kuhn

(Germany)

31 May & 1 Jun Fri & Sat, 8pm Esplanade Theatre

Photo by Bernd Uhlig

1h 30m, no intermission

MESSAGE FROM THE FESTIVAL DIRECTOR When I was appointed as the new Festival Director for Singapore International Festival of Arts (SIFA) last year, one of the central tenets of the curation process we put in place was to present work by game-changing artists.

From the outset of my three-year tenure, it was important to me that SIFA challenges audiences intellectually, emotionally and artistically, allowing them to experience works they would not normally have a chance to see in Singapore.

Last year, I found myself huddled amid the sand dunes and pine forests of Terschelling Island off the north coast of The Netherlands, to watch Bedtime Stories, a brilliant one-man show which we are bringing to SIFA this year.

It reminds us that powerful stories can be told with the simplest of tools - in this case, the actor’s voice. Or through elaborate work such as the cross-cultural, multi-faceted Dionysus

by Tadashi Suzuki. Game-changing artists and work exist everywhere – it is our mission to find them and bring them to you.

This season, SIFA 2019 is proud to present provocative and challenging works by artists from Singapore and abroad. Our local Festival commissions explore contemporary issues and daringly bring to the spotlight lesser-known facets of Asian history and culture. Toy Factory will realise its innovative re-interpretation of a beloved Ming play. Checkpoint Theatre delves into the realities of the humanitarian aid industry, while Singaporean artist Ho Tzu Nyen investigates some of Southeast Asia’s most shadowy historical figures.

On the international front, SIFA is delighted to welcome to our shores works by worldrenowned theatre directors Tadashi Suzuki and Simon McBurney, legendary musicians Ryuichi Sakamoto and Bill Frisell, and groundbreaking choreographers Gisèle Vienne and Sasha Waltz.

SIFA 2019 audiences can also expect to see a greater range of multidisciplinary work that defies easy classification, from pushing boundaries between theatre and dance in ST/LL by Japanese artist Shiro Takatani, to the use of virtual reality and binaural sound in Frogman by UK company curious directive.

SIFA will also present Silo Theatre’s Peter and the Wolf for families, as well as free outdoor performances in non-traditional venues for audiences of all ages.

Festival House will be back this year, as the epicentre of SIFA 2019. Here, audiences and artistes can extend their engagement with the Festival beyond the performance, as well as engage with each other, through a range of talks, workshops and master-classes to delve deeper into the themes and perspectives of each show.

SIFA 2019 would not have been possible without the support of CEO Sarah Martin; our three extraordinary producers – Junmin, Rydwan and Sara; and the phenomenal team at Arts House Limited. I would like to thank each of them for their dedication and passion.

Finally, I would like to warmly welcome you, our audience, to SIFA 2019. We look forward to taking you on this exciting journey with us.

Gaurav Kripalani Festival Director

MESSAGE FROM THE CEO What does the Singapore International Festival of Arts (SIFA) mean to you? A doorway to the world’s performances out there? An escape from the routine of everyday life?

An opportunity to indulge your curiosity? Or something more?

It would not be unusual for each of you to take away something different from the Festival.

When I look back at my years attending the Festival, what stands out in my memory are thrilling moments of discovering a work or artist that slowly built my own love for festival making.

In everything we do, SIFA brings audiences and artists on a personal journey, creating a shared experience across different touch-points with a wider community of art lovers, international and local artists.

Every edition of the Festival is also unique and contributes to the development of Singapore’s cultural landscape. 2018 was an encouraging year, with SIFA seeing heartening growth in the number of new – and especially – younger audiences. I believe this is a testament to the success of Festival Director Gaurav Kripalani’s balanced curatorial approach, emphasising diverse works with multiple levels of accessibility.

In 2019, the 42nd Singapore International Festival of Arts will continue to enrich the spectrum of audience experiences with a diversity of artistic genres and innovative platforms. Over 17 days, SIFA will showcase a spectrum of world-class performances by game-changing artists, alongside a range of distinctive multi-disciplinary works.

As one of the cultural peaks of Singapore’s arts calendar, the Festival will allow audiences to engage with a fascinating range of contemporary issues and create avenues for critical dialogue. The Arts House will once again transform into our Festival House, a unique gathering point to share ideas and viewpoints and to engage with the artists on a more intimate level.

Working behind the scenes at SIFA are many passionate individuals who have been critical to the Festival’s success over the years. I would like to take this opportunity to thank everyone who has played their part in shaping SIFA, and to Gaurav for leading the Festival to new artistic heights.

I hope you leave this year with a fresh perspective of what the Festival means to you, and with wonderful memories of your own personal discoveries.

Sarah Martin CEO, Arts House Limited

SASHA WALTZ & GUESTS Sasha Waltz & Guests was founded by Sasha Waltz and Jochen Sandig in Berlin in 1993. To date, more than 300 artists and ensembles – architects, visual artists, choreographers, filmmakers, designers, musicians, singers and dancers – from 30 countries have collaborated as Guests on over 80 productions, Dialoge projects and films. The company works with an international and constantly evolving network of production and guest performance partners, showing parts of its current repertoire of 20 pieces in about 70 performances around the globe each year. In Berlin, the company cooperates with a wide range of institutions such as municipal theatres, opera houses and museums and has contributed to the establishing of innovative production sites for artistic dialogue such as Sophiensaele (1997) and Radialsystem V, Space for Arts & Ideas (2006). In 2013, the company was named European Cultural Ambassador by the European Union. In 2014 Sasha Waltz & Guests was awarded the george tabori ehrenpreis by the Fonds Darstellende Künste.

In 2018, the company Sasha Waltz & Guests celebrated its 25th anniversary. The prelude to this special year included the restaging of the company’s repertoire such as Allee der Kosmonauten (1996) in Berlin as well as abroad. Besides the artistic direction of her own company, Sasha Waltz will take over the artistic direction of the Berlin State Ballet in 2019 together with co-director Johannes Öhman.

Apart from her leading role in Berlin productions and international guest performances, Sasha Waltz has been increasingly committed to educational and social projects. In 2007, she founded the Children’s Dance Company (Kindertanzcompany) in Berlin and in 2016, the interdisciplinary and open exchange platform ZUHÖREN which serves as a third space for art and politics. Alongside these initiatives, Sasha Waltz continues to propose diverse offers for professional dancers.

Sasha Waltz & Guests is funded by the Senate Department for Culture and Europe and the Capital Cultural Fund.

MESSAGE FROM SASHA WALTZ Our company Sasha Waltz & Guests is delighted to be invited to perform at the Singapore International Festival of Arts 2019. The last time we were here in Singapore was almost 20 years ago in 2000 with Allee der Kosmonauten.

19 years ago, Kรถrper marked a new step in my career, and it fills me with joy to see that it has not lost its relevance even after all these years. Kรถrper is a study of timeless issues and questions that are not dependent on a certain fashion or style. In that sense, it truly is a classical piece. In another sense, nine of the dancers from the original cast in 2000 will still be performing for you today. This is very special to me. It adds to the depth of the characters on stage, and it also brings new dimensions to the original performance, for example, the aging body.

It is always exciting to bring a contemporary dance piece to a new place and audience. For me, dance is one of the most vivid and contemporary art forms that directly mirrors and reflects our present time. It has the power to communicate with the audience beyond the use of words and I am always interested in how different audiences connect to a piece I am very much looking forward to meeting you in Singapore.

Photo by Bernd Uhlig

Sasha Waltz

CAST & CREATIVE TEAM TEAM SW&G

Direction/ Choreography Music Stage

Costumes Light

Dance/ Choreography

Sasha Waltz Hans Peter Kuhn Thomas Schenk Heike Schuppelius Sasha Waltz Bernd Skodzig Valentin Gallé Martin Hauk Davide Camplani Clémentine Deluy* Lisa Densem Juan Kruz Diaz de Garaio Esnaola Luc Dunberry Nicola Mascia Grayson Millwood Michal Mualem* Virgis Puodziunas Claudia de Serpa Soares Xuan Shi* Takako Suzuki Niannian Zhou* * replacement

Repetition

Juan Kruz Diaz de Garaio Esnaola

Assistance Direction Technical Direction Assistance Technical Direction Assistance Light Stage Technic

Sound Props Assistance Costume Wardrobe Hair & Make-up Tour Management Direction Administration and Finances Managing Direction

Francesca Noia Reinhard Wizisla Leonardo Bucalossi Olaf Danilsen Daniel Herrmann Salvatore Guiseppe Judica Lutz Nerger Brad Hwang Sandra Tiersch Manja Beneke Stefanie Kinzel Karsten Liske Stephan Schmidt

Jochen Sandig Sasha Waltz Bärbel Kern

A production of Schaubühne am Lehniner Platz Berlin presented by Sasha Waltz & Guests, a coproduction with Théâtre de la Ville, Paris. Sasha Waltz & Guests is funded by the Senate for Culture and Europe and the Capital Cultural Fund.

Photo by Bernd Uhlig

CAST

ABOUT KÖRPER Berlin dance-maker Sasha Waltz’s provocative signature work, Körper, investigates the structure of the body against the mortality of human existence. Since its debut in 2000, Körper has been hailed as one of the most iconic works from Berlin dance-maker Sasha Waltz’s career.

Celebrated for her groundbreaking choreography, rich theatricality and technical precision, her company Sasha Waltz & Guests has collaborated with over 300 artists and ensembles on over 80 productions.

Combining dance, body-focused imagery with intimate personal monologues, Körper asks the question: what is the body and how is it constructed?

Together with 13 dancers in Körper, Waltz creates a series of spectacular living tableaux. The dancers are weighed and measured; bodies are stacked akin to human walls; the performers writhe and squirm, celebrating the body in all its stark corporeality.

Photo by Bernd Uhlig

Drawing unexpected links between the body with architecture, science and history, Waltz’s masterful and incisive analysis of the body makes Körper an intellectual tour-de-force. With the world accelerating into the age of genetic manipulation, Körper’s clinical investigation of the body speaks with extraordinary relevance for our times.

Programme Partner:

Supported by:

Venue Supporter:

BIOGRAPHIES SASHA WALTZ Direction, Choreography, Stage Design Sasha Waltz studied dance and choreography in Amsterdam and New York. In 1993, she co-founded her company Sasha Waltz & Guests with Jochen Sandig in Berlin. From 2000 to 2005, Waltz was named one of the artistic directors of Berlin’s Schaubühne am Lehniner Platz.

During this first decade in Berlin, she created several internationallyrenowned and influential dance pieces such as the trilogies Travelogue, Körper as well as the immersive dance installation insideout.

The development of innovative forms of performance and creation in choreographic musical theatre has become the most significant focus of Waltz’s work. She has applied the language and strategies of contemporary dance to vitalise and explore historical and new operas and ballets. With Dido & Aeneas, Medea and Matsukaze, she realised three pieces about women and established the genre of the choreographic opera. In 2007, she directed Romeo et Juliette, interpreting the dramatic symphony of Hector Berlioz for the Opéra national de Paris. From this followed Sacre in 2013 set to the music of Stravinsky commissioned by the Mariinsky Theatre in St. Petersburg, and in 2014 Tannhäuser at the Staatsoper Berlin.

With her company today, she cooperates with a wide range of institutions such as municipal theatres, opera houses and museums. In her present choreographic work, Waltz is focusing on the intensification of collaborative processes, such as the synchronic development of choreography and music. In March 2019, Waltz’s new project rauschen premiered at the Volksbühne Berlin. In parallel with the artistic direction of her dance company, Waltz will take over the direction of the Berlin State Ballet in 2019/20 together with co-director Johannes Öhman.

Waltz has received numerous honours including the French Cultural Fraternity’s Officier de l’Ordre des Arts et des Lettres in 2010 and the Order of Merit of the Federal Republic of Germany in 2011. Since June 2013, Sasha Waltz has been a member of the Academy of Arts, Berlin.

HANS PETER KUHN Music Hans Peter Kuhn, composer and artist, lives and works in Berlin and Kyoto. His light and sound installations have been exhibited in museums, galleries and public sites worldwide, including the Museum of Fine Arts Boston, Centre Pompidou Paris, Neue Nationalgalerie Berlin, Seattle Art Museum, Tokushima Modern Art Museum, The Pier (New York), A Light and Sound Transit (Leeds), Vertical Lightfield (Singapore), Acupuncture (Pittsburgh) and Martin Gropius Bau (Berlin).

His installation Memory Loss with Robert Wilson was awarded the Golden Lion in Venice 1993. Alongside his long-term collaboration with Robert Wilson in theatre, he has worked with directors such as Luc Bondy, Claus Peyman, Peter Zadek and Peter Stein and composed for choreographers Laurie Booth, Dana Reitz, Suzushi Hanayagim and Junko Wada. For Sasha Waltz, he has created the sound installation for Körper, noBody and other productions. He was awarded the Bessie Award New York and the Suzukinu Hanayagi Award Osaka. Since 2012, he has been a guest professor for Sound Studies at the Universität der Künste Berlin.

THOMAS SCHENK Stage Design Thomas Schenk studied architecture in Mainz. He has collaborated with Sasha Waltz to develop the stage design for her works since 1995, including Travelogue III – All Ways Six Steps, Allee der Kosmonauten, Zweiland, Na Zemlje, Körper, noBody, insideout (which was awarded the OPUS Prize 2004 for Stage Design of the Year), Dido & Aeneas, Gezeiten, Medea and Continu. He also developed the stage design for anything else and Don’t we by Luc Dunberry and d’avant by the collective Diaz de Garaio Esnaola, Cherkaoui, Dunberry and Jalet.

Together with Pia Maier Schriever, Schenk developed the stage design for Sasha Waltz´s Romeo et Juliette for the Paris Opera in 2007. He was significantly involved in the scenography of the exhibition Sasha Waltz – Installationen. Objekte. Performances 2013/14 at the ZKM Karlsruhe. Most recently, he worked on the stage design for Sasha Waltz & Guests’ most recent project rauschen (2019).

HEIKE SCHUPPELIUS Stage Design Heike Schuppelius studied architecture and set design at the Universität der Künste Berlin, the Architectural Association as well as the Central Saint Martins School in London. Schuppelius’ recent set designs and installations have been presented at the Warschauer Herbst, Athens Festival, Maxim Gorki Theater in Berlin and at the Naturkundemuseum Berlin. In 2012-13, she was the artist in residence at the Berliner Festspiele. In collaboration with Sasha Waltz, she has developed set designs and video works for Körper, S, Medea and Exodos. In 2016, she collaborated with the video artist Omer Fast to design the exhibition Reden ist nicht immer die Lösung at the Gropius Bau in Berlin. Schuppelius is currently teaching at the Athens School of Fine Arts and the University of the Arts in Offenbach, Frankfurt.

BERND SKODZIG Costume Design Bernd Skodzig is a German costume designer who lives and works in Berlin and London. He has created costumes for many theatre, dance and opera productions in Berlin (Deutsches Theater, Schaubühne am Lehniner Platz and Staatsoper Unter den Linden Berlin), across Germany (Oper Dortmund, Düsseldorfer Schauspielhaus, Staatsschauspiel Stuttgart, Schauspiel Frankfurt and Bayreuther Festspiele) and in collaboration with directors such as Thomas Ostermeier, Falk Richter, Ulrich Rasche, Oliver Reese and Peter Mussbach. Skodzig has collaborated with Sasha Waltz & Guests since 1999 and has designed the costumes for several Dialoge-projects as well as Körper, Roméo et Juliette, Tannhäuser, and rauschen. He was a guest professor at the Berlin Art Academy and founded his own exclusive silk label Thadeusz Fine Silks in 2016. Since 2016, Skodzig has designed costumes for Xin Peng Wang at the Opera House Dortmund for Faust I, Faust II, Göttliche Komödie and Inferno – Purgatory – Heaven.

VALENTIN GALLÉ Light Design Valentin Gallé was born in Dresden, and gained his first experiences with lighting design for theatre at the Dresden State Theatre. From 1988 to 2001, he worked as a light designer at the Schaubühne am Lehniner Platz Berlin with directors such as Peter Stein, Luc Bondy, Andrea Breth, Yoshi Oida and Sasha Waltz. Since 2001, he has worked as a freelance light and web designer. Since 2009, he has ventured into arts marketing and worked as an artist’s agent. He was involved in the Bayreuther Festspiele from 2012 to 2015.

MARTIN HAUK Light Design Martin Hauk was born in Berlin and studied Theatre and Event Technology. After working for Art Lab Studios, Berlin, he went on to create lighting designs for Cora Frost, Gayle Tufts, Tim Fischer and Alex B. He has worked with Sasha Waltz since 1996 on productions such as Zweiland, Körper, S, noBody, insideout, Impromptus, Gezeiten, Jagden und Formen (Zustand 2008), Continu, Métamorphoses, MusicTANZ - Carmen, Matsukaze, Dialoge 2013 - Kolkata, Orfeo and Figure humaine.

JOCHEN SANDIG Jochen Sandig was born in Esslingen, Germany. In 1990 he moved to Berlin to study psychology and philosophy. Following the founding of the Tacheles Art Centre in 1990, he founded together with Sasha Waltz Sasha Waltz & Guests in 1993. In 1996 he co-founded Sophiensaele, an independent venue for dance and theatre productions in BerlinMitte, which he directed until 1999. From 2000 to 2005 Jochen Sandig was a member of the artistic direction as well as a dramaturge at the Schaubühne am Lehniner Platz. Since 2004 he has been the director of the independent Sasha Waltz & Guests GmbH. In 2006, together with Folkert Uhde, Jochen Sandig founded Radialsystem V. In February 2012 he celebrated his first direction work with human requiem, a staging of Johannes Brahms’ Ein Deutsches Requiem in cooperation with the Rundfunkchor in Berlin and Sir Simon Halsey.

Since its premiere the production travelled among others to Hamburg, Amsterdam, Adelaide, Paris, Granada, Rotterdam, Athens, Hong-Kong and New York. The production was awarded with the Classical Next Innovation Award 2016. As a social and political activist he became the co-founder of World Human Forum in Delphi, Greece. In 2020, Jochen Sandig will become artistic and executive director of the Ludwigsburg Festival (Ludwigsburger Schlossfestspiele) in South-West of Germany.

Photo by Bernd Uhlig

TICKET HOLDER PRIVILEGES

FLASH YOUR SIFA 2019 TICKET

TO ENJOY SPECIAL DEALS AT OUR PARTNER OUTLETS Empress

Kuro Izakaya

1 Empress Place, #01-03, Asian Cilivilisation Museum, S179555

3 Temasek Boulevard, #01-604/605, Suntec City Tower 3, S038983

10% off dine-in ala carte food and drinks purchased at EMPRESS.

Enjoy 15% off total food bill.

Esplanade Mall

OTC Café

Esplanade – Theatre on the Bay, 8 Raffles Avenue, S039802 Beware of Pity, ST/LL, Körper and Ryuichi Sakamoto ticket holders are entitled up to 15% savings on dining and shopping at Esplanade Mall on the day of performance. Visit www. esplanade.com for details.

House Pour @ Festival House

The Arts House, 1 Old Parliament Lane, S179429 Chill out and soak in the festival buzz at House Pour. Enjoy a glass of signature Housepour cocktail or a serving of ancho chicken tacos at only $4.20nett and all other items at 15% off.

In addition, complimentary premium ice cream in assorted flavours will be given out daily.

(Limited to the first 30 guests each day)

JW Marriott Singapore South Beach 30 Beach Road, S189763

Enjoy 25% off at Beach Road Kitchen and 15% at Akira Back.

100 Victoria Street, #03-01 National Library Building S188064 15% off food and beverages.

Privé ACM

1 Empress Place, #01-02 S179555 10% off dine-in ala carte food and drinks purchased at Privé ACM.

Paulaner Bräuhaus

9 Raffles Boulevard, #01-01, Millania Walk, S039596 SIFA 2019 ticket holders enjoy 20% off total bill when you dine in at Paulaner Bräuhaus.

The NCO Club

32 Beach Road, S189764 Enjoy 15% off dine-in ala carte food and beverage (Cool Cats, Madame Fan, Stags Room & Fish Pool)

Kith Café

Bras Basah: 51 Bras Basah Rd, #01-03A Manulife Centre, S189554 Marina Square: 6 Raffles Blvd, #02-49 S039594 Enjoy 10% off dine-in ala carte items purchased at KITH CAFÉ (Bras Basah, Marina Square).

Capital Zouk

3C River Valley Road The Cannery, #02-02, S179022 Enjoy free entry into Capital Zouk before midnight.

For more Festival deals, visit sifa.sg.

Unless otherwise stated, all promotions are valid till 2 June, Sunday. Not applicable with other promotions, discounts, vouchers and offers by credit or privilege cards. Ticket stubs presented must be in its original condition and e-tickets must be shown via electronic devices clearly. Management reserves the right to amend any promotional terms and conditions without prior notice. Merchants’ terms and conditions apply.

ABOUT SINGAPORE INTERNATIONAL FESTIVAL OF ARTS As Singapore’s annual pinnacle arts festival, the Singapore International Festival of Arts (SIFA) presents captivating and diverse works across theatre, music, dance, film and visual arts. First launched as the Singapore Festival of Arts in 1977, the festival has gone through several evolutions and inspired generations of arts lovers and practitioners.

Today, the highly-anticipated festival is a high-point on Singapore’s arts and cultural calendar.

Under the helm of Festival Director Gaurav Kripalani from 2018–2020, SIFA continues its festival mission to champion the creation and presentation of Singaporean and international works.

ARTS HOUSE LIMITED BOARD Chairperson Christine Ong Members Chong Yuan Chien Deborah Ho Eduardo Ramos-Gómez Kelvin Ang Kenneth Kwok Lynette Pang Madeleine Lee Maniza Jumabhoy Mok Wei Wei Ong Chao Choon Ong Choon Fah Sarah Martin (Ex-Officio)

SINGAPORE INTERNATIONAL FESTIVAL OF ARTS MANAGEMENT

Chief Executive Officer Sarah Martin Festival Director Gaurav Kripalani Chief Financial Officer Ng Soon Lee Head, Production Cindy Yeong Head, Marketing Jasmine Gan Assistant Head, Event Services Management Emma Izzabella Tagoe

PROGRAMMING Producers Sara Joan Fang Rydwan Anwar Ye Junmin Senior Manager Lisa Lip Manager Shridar Mani Assistant Manager Alicia Chong Festival Assistant Chong Xinyi

PRODUCTION

Production Manager Chan Silei Yo Shao Ann Production Co-ordinators Celestine Wong Melissa Chin Technical Co-ordinators Huang Xiangbin Ian Tan

Assistant Technical Co-ordinator Muhammed Muzzamier Bin Abu Bakar Production Assistants Chong Wee Nee Alexis Ho

MARKETING & TICKETING Senior Managers Elizabeth Wong Winnie Chan Managers Allison Lai Fiona Chua Senior Designers Hakim bin Rahim Md Firdaus bin Wari Executives Juliana Tan Shariffah Natasha Dinah Eriqah Azman Intern Chew Ying Ying

COMMUNICATIONS Manager Khairi Johann Jasmin Intern Jamie Buitelaar

PARTNERSHIP DEVELOPMENT Manager Norita Senin Executive Tan Yanru

EVENT SERVICES MANAGEMENT

Managers, Artist Logistics Carine Lee Syafiq Zulkepli Managers, Front-of-House Nura Osman Germaine Leow Manager, Back-of-House Hospitality Esther Goh Manager, Event Services Johnson Kee Manager, Special Projects and Operations Zalikha Mis’ari Executive, Front-of-House Kitty Kwan

FINANCE

Managers Vivian Gan Executives Aileen Ong Izyan Nooraini Bte Ramlee

HUMAN RESOURCE Manager Noraliza Ramli Senior Executive Elaine Neo

ADMINISTRATION

Centre Manager Lucas Chiew Executive Nor Limah Binte Ja’ffa

DON’T MISS

THESE OTHER PRODUCTIONS IN THE FESTIVAL

Curated by Asian Film Archive 18 May - 2 Jun Screening Room, Festival House & Oldham Theatre

A DREAM UNDER THE SOUTHERN BOUGH: REVERIE

CROWD

南柯一梦 之 如梦

by Gisèle Vienne (France)

by Toy Factory Productions Ltd (Singapore)

1 & 2 Jun, Sat & Sun Victoria Theatre

31 May - 2 Jun, Fri - Sun Drama Centre Theatre Performed in Mandarin with English and Chinese surtitles.

Photo by Barbara Braun/MuTphoto

FREE PROGRAMMES AND MORE DE RELAXERETTE

WE CAN DANCE

12 – 20 May & 22 May – 2 Jun, Daily, Various timings The Plaza, National Library Building

10 May - 2 Jun 2019 Daily, Various Timings The Plaza, National Library Building

Daily tous les jours, featuring ScRach MarcS (Canada/Singapore)

Arjan Kruidhof and Explore-the-North (The Netherlands)

FESTIVAL CLOSING CONCERT

with Singapore Symphony Orchestra Conducted by Joshua Tan Featuring Elena Wang, Julia Abueva and Sean Ghazi 2 Jun, Sun, 6pm The Shaw Foundation Symphony Stage

FOR FULL FESTIVAL LINE-UP, VISIT SIFA.SG Organised By

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