Shu Ting Chen Portfolio in 2022
    
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    of the small stores in the market use manual calculation of wages and paper to clock in and schedule shifts.
    
    
    
    must prevent employees from punching in or forgetting to punch in, requiring manual follow-up data modification.
and employees can see the daily attendance records and correct mistakes as soon as they are found.
It is necessary to manually confirm whether the attendance of employees is regular every month.
    
    
    
    
    
    Dozens of employees’ salaries and remittances need to be calculated every month.
Every time you need to schedule shifts manually, sometimes it will be wrong.
The salary calculation is cumber some and always takes time.
Design the best information architecture after analyzing all the research information obtained
    Most of the time is spent creating wireframes and prototypes, as they help make user-friendly products and design the best user experience.
    Roboto is a set of sans-serif fonts by Google that are more comfortable and easy to read on screens of all sizes and further reflect the main idea of this software - simple, straightforward, direct
    
    
    The overall idea is to make this software simple, friendly, and give it a modern tech vibe. Use rounded corners and blue-green colors to create a tech-friendly vibe
    
    
    
    
    
    
    無論管理者或是一般使用者皆是使用臉部辨識的方式登入系統,具備最佳的防偽 效果,可以有效的防止代打卡以及最佳的個人資料保密效果。
Both administrators and general users login to the system through facial recognition, which has the best anti-counterfeiting effect, effectively preventing punch-in, and the best personal data confidential
    
    This page has all the ad ministrator’s permissions and can add, modify, export reports, etc.
設定 在此可以修改登入
管理員的 PIN 碼及 軟體的 Config
    Here you can modify the PIN code of the login administrator and the Config of the software.
    
    
    
    
    
    This case is a beautification operation for the staff rest area of Wanfang Hospital. We need to renovate the initially flat staff rest area into a style that can make employees feel relaxed and happy, and we hope to have mosaic walls, art wall painting walls, and unadorned walls. Three totems.
Hu Ciaoyin was in charge of the main design of the art painting Qiang, and I was in charge of the main design of the mosaic Qiang. This whole is a substantial design. The mosaic wall alone is four square meters in size. The entire designer made it. It is a big project.
    A total of two drafts were designed for it, and finally, the sun of the heart was chosen.
    
    Everyone has a world in their hearts, Holding the sun high on every inch of the ground, colorful plains, As beautiful as the heart of every nurse, Everlasting life, illuminating all the darkness.
The center of the world is the sun, The more two envelop the sun and illuminate the whole earth, The sun rises and the moon sets, never resting, Continuous pursuit of a better tomorrow.
    I was working on the design concept, I thought there must be a beautiful place in the heart of each medical staff, and there would be a bright sun shining on all the darkness. They can feel happy and relaxed in this area, so they use multiple colors to design, which makes people feel lively.
    
    
    The entire painting wall is composed of eight 150*80 cm canvases. The principal design director of the painting wall is Hu Ciaoyin, and I am the painting staff. When talking about large-scale paintings, we should consider the overall coordination moreover whether it is visually correct. In this cooperation, I learned how to use rich colors to achieve the consistency of the picture and how to complete a very large-scale artistic creation in a limited time, the sequence of colors, the stacking and mixing of colors, and how to cooperate with others. Completing a complete painting is the result of learning in this case.
    
    In the end, I spent a day on-site erection and draw ing the totem on the low wall next to it. The way of drawing the totem is just like a foundry. Everyone is responsible for the same pattern and draws it all the time instead of drawing a complete totem like a regular painting. It took more than a month to redesign the case for the final assembly. Everyone spared time in class and worked to complete the entire field beautification homework. Although it took a lot of time and energy, when I saw the final product rushed to my heart and made me happy, from an empty and lifeless field to a result full of vitality, I felt that all the efforts were worth it that moment.·
    
    
    
    
    Taking Yushan as the theme, we will share the artistic creativity and imagination of the world of nature, mythology, ethnic groups, and animals surrounding this holy mountain. Among them is the illusion of Teacher Lin’s incarnation.
The fantasy knight Don Quixote is still busy on a treasure hunt, so he has a story to tell. The many large-scale paintings presented, using surreal and abstract techniques, com bined with the change of color, show the rhythm of the mountain shape and the power and beauty of the steep mountains, which are pretty spectacular. (must be seen in per son)
One of the creative ideas of Lin Shixiong: Yushan is like a mother embracing the moun tains, animals, and tribal people and guarding nature. It is not only the spiritual pillar of Taiwanese people but also symbolizes the power of coexistence between integrated eth nic groups.
One of the creative ideas Chen Shuting: The life forms of the aborigines and the faces of the mountains that I painted combine humanities, nature, and especially the relationship between the mountains and the aborigines. I want to express my admiration for them in my way.
One of the creative ideas Chen Yijun: I painted the series “Animals in the Forest” because I want to express the quiet side of animals, so I use soft colors and delicate brushstrokes to present their leisure.
The artist hopes that the art studio will be the central planning unit for this time, and I am one of them, helping to plan the entire exhibition location and participating in this exhibition.
In the arrangement of the entire space planning, it is necessary to calculate how much each artist has to do, how much space is required, and how to plan to make the most of the space. These are all things that need to be considered in space planning. In addition, it is necessary to consider the relationship between each painting and the painting and how to guide the viewers to experience the situation and feel the feelings when we paint.
    In addition to the pre-planning of the exhibition space, the final exhibition layout was carried out on-site, from packaging to Nantou and finally placing it in the right place. There were various difficulties during this period, such as the large number of It is enor mous, and we do not have enough staff, or how the paintings in the large baskets hang and how they fix them in place.
Afterward, we also carried out related marketing operations, such as inviting relevant media personnel to write and issue press releases and making a physical album of this exhibition. These are the experiences learned from participating in the curation from beginning to end.
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    True and false, false and true, Holding a goblet in hand, The sun falls into the wine glass, A cup in a cup, layer upon layer, Confused in the eyes.
    The origin of this creation is the feeling after getting drunk. “Drunk” will make people addicted and addicted. Once you taste it once, you will linger and forget to return, and you want to stay immersed in the reality.
When you are drunk, looking at objects seems to be covered with a layer of fog, hazy and layered, just like a cup in a painting, false hands, and layers of scenery, false and false, false and true, Everything appeared like a phantom.
    
    false people, Trading in masks, exchange heart and blood for money and power, a seemingly normal transaction, But he didn’t know the danger was beside him.
    
    
    
    People are always greedy, Behind the endless mountains of gold and silver, What you enjoy on the table is not food, but gold and silver jewels, As if more were never enough.
    inspiration for this painting is always greed, always with the pattern of money, and people’s desire for money is endless; the central benevolence and western background are in black and white, and the gold and silver jewelry at the front are gold coins The agreed pur pose can be used.
    
    Life has a time limit, The countdown starts from birth, People always try to stop the passage of time, But it always backfires, Time is still advancing unknowingly.
The origin of this creation is that time passes too fast, and I want to stop the passage of time, but it always backfires and cannot stop the progress of time. Even if all methods are used, time will still move forward. This is because it cannot be allowed to stay at a certain point in time forever.