Portfolio 2023

PORTFOLIO Shravan Suresh Iyer Master of Architecture Student Taubman College of Architecture and Urban Planning University of Michigan Selected works 2014-2023 shrav@umich.edu

Contents University of Michigan Master of Architecture

University of Mumbai Bachelor of Architecture

1

Competition and Exhibition Pandemic

7

Displacement // six feet under

Post-Pandemic Performance

Washinton DC, United States Institutions | ARCH-552 - Architectural Design (2G) 3

A New Normal | Public gathering in a post-pandemic world Competition Entry | Non-Architecture & Project Platypus 28

2

8

Toolkits

Site Temple

A Camera Cleaning Toolkit ARCH -537 - Fabrication 8

A Loop of Life Competition Entry | Site Temple ArkXSite 32

3

9

Re-Imagining the Urban Crematorium

Farmer

Marine Lines, Mumbai, India Design Dissertation 11

A Collective Farm | Re: Produce Design Dissertation 35

4

10

Public Library in the Hill

Virtual Gods

Mazgaon, Mumbai, India Architectural Design and Town Planning studio

Online Group Art Exhibit Lockdown

19

5

Professional Practice Mumbai & Tokyo

37

11

Islands of Resistance

_Opolis Architects

Pali Hill, Mumbai, India Architectural Design studio & Resarch Documentation

Mumbai, India Professional Practice

22

41

6

12

Extension - Center for the Development Studies and Activities

junya.ishigami+associates

Bavdhan Khurd, Pune, India Architectural Design studio

Tokyo, Japan Professional Practice

24

45

1 Displacement // six feet under Washinton DC, United States Institutions | ARCH-552 - Architectural Design (2G) Taubman College of Architecture and Urban Planning University of Michigan | Semester 01| December 2022 Studio instructor : Prof. Steven Mankouche

This studio project focuses on designing an embassy for nations facing displacement due to the rise in ocean levels and coastal erosion. The project will take place on a site along the Potomac River in Washington DC/ Georgetown that is expected to be underwater in the coming decades. The current Swedish and Icelandic Embassies are located on this site, and these two nations will be added to the list of possible embassies that students can select. The project encourages students to interpret, translate, and develop an architectural vocabulary based on their understanding of the nation’s culture and building practices, even if they are not nationals of the state they are designing for. As the site is expected to flood, the proposed building must adapt to changing flood levels either by resisting water or being movable.

Depending on funding and student and college administration disposition, the studio might travel to Washington DC to visit the site. The project aims to address the issue of displacement due to climate change, which is affecting nations globally, and to provide a solution for nations that cannot afford an embassy in the capital.

3

1

3 1 2

Section | Public toilet and stepped library

0

5

1. Embassy building 2. Fabric Pavilion 3. Potomac River

Master Plan | Island Nation Embassy

Section | Fabric Pavilion 01 and Ambassador’s Residence

Section | Office spaces, Exhibition and Ambassador’s residence

0

5

0

5

View | Island Nation Embassy 4

0

0

20

10

2 1

6

2 4

11

Section | Linear through elevated walkway

7 3

5

8

9

Section | Fabric Pavilion 01 and Ambassador’s Residence

1. Fabric Pavilion 01 2. Embassy building - Public Office Counters 3. Embassy building - Private Office Counters 4. Chancery (office) 5. Island Nation Exhibition 6. Ambassador’s Residence 7. Ambassador’s Residence 8. Fabric Pavilion 02 9. Fabric Pavilion 03 - Exhibition 10. Elevated walkway

Drawings | Plan at +2250 (left) and Plan at +3750 (right)

Section | Office spaces, Exhibition and Ambassador’s residence 5

Exploded Isometric | Fabric Pavilion 01

Exploded Isometric | Fabric Pavilion 03 6

Plan | Cut plan at +3250mm (top), Sectional Isometric (bottom)

Exploded Isometric | Fabric Pavilion 02 - Exhibition 7

2 Toolkits A Camera Cleaning Toolkit | ARCH-537 - Fabrication Taubman College of Architecture and Urban Planning University of Michigan | Semester 01| December 2022 Studio instructors : Tsz Yan Ng (coordinator), Rachel Henry, Mark Meier.

GSI: Zaid Marji, Yi-Chin Lee, Christopher Voltl

In this assignment, students in the Fabrication class were tasked with designing and creating their own personal toolkits for a specific activity or scenario of use.

Toolkits are functional containers that cater to an individual’s preferences and are usually activity-based, containing small hand instruments that aid in work and leisure activities. They are often personal and belong to the owner, allowing them to use their own tools at the ready. The toolkit should be transportable, have an open and closed position, and fit into a backpack.

If it is stationary, such as a desk organizer, it should account for different arrangements of tools and objects ready for use and display. The toolkit should also allow easy access to tools unencumbered.

Students could even consider creating customized tools within the kit, but must highlight techniques developed in the workshop rather than unrelated processes. The assignment emphasizes the importance of designing and crafting a personalized toolkit that enhances one’s skills and fits their unique needs and preferences.

8

Foam 2mm cut - Zund

Foam 2mm cut - Zund Metal Hinge

Metal Hinge

CNC Plywood layer 2 Foam 2mm cut - Zund

Foam 2mm cut - Zund

CNC Plywood layer 1

Exploded Isometric | Toolkit 9

EQUAL

80.0

EQUAL

10.0

129.6 7.7

Hinge

2.9

32.0

10.0

24.0

85.0

5.0

32.0

58.5

5.0

175.0

155.0

115.0

26.0

15.0

2.5

367mm

130.0

110.1

110.0

44.0

28.0

28.0

10.0

58.5

2.5

62.5

Straps to keep component in place

62.5

110.0

175 mm

24.0

62.5

Foam layer above ply

15.0

175.0

155.0

10.0

7.7

10.0

3.0

Magnetic closure

15.0

367.0 347.0

367.0 204.0

25.0

56.5

15.0

25.0

7.7

56.5

44.8

10.0

15.0

7.7

175.0

129.6

3.0

38.8 143.5

80.0

143.5

10

15.0

80.0

Plan | Toolkit 10.0

Drawings | Concept drawing (top), Sections (bottom)

EQUAL

EQUAL

10.0 7.7

10.0

3.0

367.0 347.0

3 Re-Imagining the Urban Crematorium Marine Lines, Mumbai, India Design Dissertation Semester 10 | April 2019 Studio mentor : Prof. Samir Bagdadi

Crematorium and cemetery planning have been influenced by society and

Publication Unbuilt 2.0 : Architecture of Future Collectives

its cultural beliefs where the idea of a sacred space is partially lost. This could be due to rapid increase in population and increase in demand for

Honors & Awards Tamayouz Excellence Award 2020 | Top 20 Shortlist - International Graduation Project Award DNA Paris Design Awards 2020 | Emerging Architect (Public Architecture) - Winner UnIATA’20 | Architecture Graduation Project Awards - Top Shortlisted Entry Re-thinking the Future (RTF) Awards 2020 | Category : Education Awards - Runner-Up

land, which invariably doesn’t leave much scope for such public spaces in the urban context. The lack of sensitivity in planning has led to unpleasant yet functional architecture, that also happens to be perceived as a taboo.

The project looks to re-imagine crematoriums in the city as a module where a secular approach is undertaken to understand the psychology of the primary user (mourner) without any religious bias. By segregating the public and making provisions for a public park and a contemplative park; the proposal looks at making such public spaces approachable, inviting, experiential and viable.

11

Journey - preparation (threshold) Existing trees

6

Movement of specific set of people (mourners, family members) to contemplate, reflect and come to terms with the inevitability of death. The urban fabric and noise in the most purest sense sets the tone for an uncomfortable environment diluting the sentiment of the user.

1. Marine Lines Railway Station

3 4

2. Site - Chandanwadi Crematorium 1

7

2

3. Chandanwadi Electric

9

Crematorium 4. Gymkhana 5. Gymkhana 6. BMC ‘C’ Ward Office

5

Spirit of a space

7. Maharshi Karve Road 8. Shrikant Palekar Marg 8

Site plan | Chandanwadi crematorium and burial ground

10

What makes a space sacred and defines its spirit.The patio from a single volume narrow container into an open yet enclosed area. Architecture to create subconscious effects on the mind and studying the metaphysical aspect of us beings; including the relationship between mind and matter.

9. Chandanwadi Road 10. Marine Lines Flyover

Mourner

Mourner

Intersection (secular)

General public

General public

Crowding

Addition and segregation Bringing one more set of people, which means catering to another secondary program; questioning the generic psyche and perception towards such sacred spaces.

The sanctity of such spaces is questioned through ways of compartmentalizing different needs of different programs by secular means and understanding of the basic idea of a specific program. The basic idea gives an idea of oneness in thought and lack of prejudice.

Two sets of people - public and mourner

Landscape – atmosphere - segregation Trees to segregate and create zones to define the spirit of the place. Level play as a means of segregation of different sets of users drawn into particular programs.

Contemplative and reflective nature of a set of people as compared to different users balancing each other and creating a sense of unforced harmony. sequence . order . logic | Process models and drawings in a sequence to define logical solutions

sequence . order . logic | Process models and drawings in a sequence to define logical solutions 12

Contemplative Area 0.5m x 0.5m Gabion iteration -3m

Contemplative Area 1m x 1m Gabion iteration -6m

Journey - preparation through threshold play

Scale test through modelling | 6m and 3m iterations for contemplative area Public Area Public park 0.0

Spirit of a space Secular Area Contemplative Park -4m

Public Area

Mourner Area

Public park & crossing Ritual areas and prayer

Secular Area Contemplative park and pavilion Mourner Area Ritual -2m

Addition and segregation Scale test through modelling | 6m and 3m iterations for contemplative area

Models in isolation | Context and proposal 13

Pavilion 3 7

8

Islamic burial Contemplative Park

16

6

Child burial

2 5

4

5

15 17

Islamic burial 1

3

6

4

Cemetery building

1. Marine Lines Railway Station 2. Electric Crematorium

Crematorium building

2

3. BMC ‘C’ Ward Office 4. Maharshi Karve Road

1

9

14

5 4

13 12 11 10 9 7 8

3 6 2 1

5. Shrikant Palekar Marg 6. Chandanwadi Road 6

7. Marine Lines Flyover

Master Plan | Proposal and surrounding context

7

0

20

10

The tree is planted in gardens and near temples. Different religious groups plant it in their graveyards too so that the fragrant flowers fall on the graves throughout the year. It is also

Pagoda Tree

known as the dead man’s flower for the same reason.

It is one of the most beautiful of all tropical trees when it sheds its leaves and is perceived as yellow gold

1. Cemetery building

1. Washing/Shrouding

11. Meeting/Waiting area

2. Crematorium building

2. Meeting Area

12. Prayer room

3. Iron Pyre furnace

3. Patio

13. Wood/Ash storage area

4. Gas furnace

4. Prayer room/Mosque

14. Iron pyre furnace

5. Islamic grave

5. Ablution area

15. Gas furnace

6. Hindu burial

6. Public Toilet

16. Pavillion

7. Contemplative mourner park

7. Office/Admin

17. Public canteen

8. Pavillion joining the two areas

8. Public Toilet

9. Islamic grave

9. Internal Courtyard

10. Parking

10. Internal courtyard

Plans | Roof plan (left) & Floor plan (right)

flowers. These flowers are attractive

0

20

0

20

to bees and butterflies. The flowers are pollinated by insects.

Indian Laburnam

These are most commonly found with red or orange flowers. The flowers have their own distinct smell and are pollinated by birds. When in full bloom they’re also seen to attract

Gulmohar

white-browed wagtails, rose-ringed parakeets, bulbuls and others.

Vegetation Plan | Existing and proposed vegetation

Parallel projection | Birds eye view 14

Plan | Plan at -4m level

Section AA | Office and framed courtyard towards waiting area and cremation

Section BB | Courtyard and waiting area (initial rituals)

0

5

0

5

Section DD | Stand alone wood cremation and burial

Exploded parallel projection | Iron pyre

Exploded parallel projection | Internal framed courtyard (Pagoda tree) and adjoining waiting area with pedestal to place the deceased

Exploded parallel projection | Crematorium building

D

C

Section CC | Wood & ash storage for stand alone crematorium and prayer

0

5

Exploded parallel projection | Prayer 15

D

C

B

B

A

A

0.6m

1.2m

-1.2m

0.0

0.6m

-2m

-2m

Section II | Marine Lines station (context), crematorium and cemetery separated by public park in the middle

0

Exploded parallel projection | Mosque

5

Exploded parallel projection | Cemetery building

E

Section EE | Mosque (prayer for the deceased)

5

0

F

Section FF | Islamic burial and adjoining courtyard

0

5

Parallel projection | Internal framed courtyard 16

E

-2m

F

0.6m

1.2m

-1.2m

0.0

0.6m

-2m

-2m

-2m

Section JJ | Contemplative Park and child burial through gas crematorium, stand-alone crematorium and initial ritual areas overlooking the public park

0

Public Park The public access through the crematorium is altered by segregating public entry and mourner entry.

The public, entering to cross to the other end of Chandanwadi is drawn to the public park questioning society’s perception towards such spaces as taboo. The public park ends with the eating area and connects the public to the mosque and prayer room without disturbing the mourners.

Section GG | Pathway into pavilion along contemplative park

0

Parallel projection | Public Park

5

Contemplative Park and Pavilion The park caters to the primary user (mourner). The pavilion acts as a midway connection between the Islamic burial ground and the park, stressing on the secular nature of such a H

G

H

light entering alternate openings draws the user to multiple

G

program. The gradual decend sloping onto the pathway with smaller areas to contemplate and reflect. The Gabion walls (retaining walls) create a sense of separation from the urban context, making it subtly introverted in nature.

Section HH | Pavilion

0

5

Exploded Parallel projection | Contemplative park and pavilion 17

5

Models in isolation | Context and proposal

Models in isolation | Prayer and Mosque 18

4 Public Library in the Hill Mazgaon, Mumbai, India Architectural Design and Town Planning studio Semester 09 | November 2018 Studio mentor(s) : Dr. Martina Spies and Ar. Vivek Pai

Lying above a water reservoir, the Joseph Baptista garden, locally known as Mazgaon garden, is a 1.5 acre park in Mazgaon. Overlooking the Dockyard station and bustling arterial roads, the park offers a panoramic view of the city catering to neighbourhood residents, students, couples and senior citizens.

The park has adequate security due to the fact that it lies above the oldest working water reservoirs. Efforts by the BMC to beautify the garden has led to uprooting of trees and restrictions in the park upsetting the local residents. The schools in the vicinity lack public spaces especially at times when the park is usually shut.

Considering the context of the park and its unique placement, the program(s) proposed would cater to providing a secluded, quiet, naturally well lit and ventilated space in a noisy and crowded city like Mumbai.

19

1 2

4

Section | Public toilet and stepped library

0

5

3

5

1. Dockyard Station 2. Ramp (1:15) 3. Public Library 4. Joseph Baptista Garden 5. Water reservoir

Master Plan | Public library

Section | Informal seating (open to sky)

Section | Ramp to terrace and 1.5m mound

0

5

0

5

Plans | Terrace plan (left), Ground plan at 25m (centre), Upper level plan at 29m (right) 20

0

0

20

10

Site model Birds eye view

Ramp connecting Dockyard station to the park and library

Detail | Curtain wall

Detail | Ramp platform

Ramp intervals - integrated seating

Detail | Terrace slab

Sectional models | Break up to show different parts of the library

Views 21

5 Islands of Resistance Pali Village, Mumbai, India Architectural Design studio & Research documentation Semester 05 | October 2016 Studio mentor(s) : Ar. Suprio Bhattacharjee, Ar. Wasim Noorani, Ar. Sailee Gosavi, Ar. Asif Syed, Ar. Aameer Chauhan

The project focuses on the formation of a building program that echoes nuances of community, congregation and society; thus becoming the trigger to envisage an urban marker or a series of markers.

Triggers such as needs, limitations and desires were analysed within social, cultural, economic aspects of each living community.

Programs based on analysis of different village communities were formulated i.e. a mix of housing, community archive, etc.

22

Problems Lack of community spaces for people to gather and interact.

Most of the lanes in pali are extremely narrow (space constraint).

Narrow by-lanes causing excessive crowding in those areas leading to increased noise levels.

Footfall during peak hours can be around 100-150 which indirectly causes increased noise levels in a particular area at a given time.

Disputes different communities.

High rise and commercial establishments have sprouted over the last decade, bringing with them crowds, traffic and other annoyances.

Considerations and observations Architecture of the old structures at pali are largely portuguese influenced.

Big windows with stained glass patterns.

Sloping mangalore tile roofs.

Houses characterized by a verandah for people to engage in dialogue and communicate with their local residents.

Large wooden porches, external staircases, pointed roofs, and sometimes a touch of neoclassical elements to keep up with changing times.

Numbering of houses in pali starts from the abandoned house which is left untouched for reasons unknown.

Section dd

Section aa

Section cc

Section bb

Section dd 23

Plan | Plan at +5250

Sections

Plan | Plan at + 1250

Detail | Tensile roof

6 Extension - Center for the Development Studies and Activities Bavdhan Khurd, Pune, India Architectural Design studio Semester 02 | April 2015 Studio mentor : Ar. Margi Gohil

The Center for Development Studies and Activities (CDSA) at Pune is located on a hill two hundred metres about sea level, along the Western Ghats.

Architect Christopher Benninger uses materials like stone, incorporating glass panels and roofs sloping more westwards along with verandahs shading the courtyards. This avoids the need for electric fans, and providing lighting during the day.

The project looks to revive and re-think CDSA as a more interactive block addressing the students and faculty frequenting the campus. The proposal of an extension, from open landscaped framed courtyards and pathways to a more public yet quiet outing makes it a comfortable situation for the users, emphasizing the rustic and private nature of the space.

24

Office

Administration Classroom

E

Guest dormitory

Library

Canteen

Site Model | Dormitory block and academic block

Exploded parallel projection | Entry stepped with alternate seating

Landscape | Steps and cuts in the ground making the experience more cave-like and as if it were carved-out naturally

Section EE | Extension and surrounding context 25

E

2

3 4

1 5 5

6

Section AA

9

5

0

Legend 1. Courtyard entrance 2. Administration 3. Office 8

4. Library

8

5. Classroom 6. Clubhouse - Eating area 8

7. Wet core 8. Guest Dormitory 9. Courtyard 10. Extension

Section BB

Master Plan | Extension and CDSA

5

0

0

20

0.0 0.0 -0.3 -0.5

Section CC

5

0

-1.0

-0.8 -1.3 -1.5 -1.8 -2.0

B

C

D

A

A

C B

Section DD

0

D 5

Plan | Floor plan and immediate context 26

0

5

Isometric parallel projection | Section BB

Isometric parallel projection | Section CC

B

C

D

A

A

C B

D

Isometric parallel projection | Section DD 27

7 Post-Pandemic Performance A new normal | Public gathering in a post pandemic world Competition entry (Project Platypus, Non-Architecture) Lockdown | June 2020 Virtual studio mentor : Ar. Shahveer Irani

A set of isotropic grids (2m x 2m) are formulated complimenting the urban public life. The grid initiates logical solutions by following a set of rules. A public park and two typologies of performance are understood via a linear pattern of planning.

Post-pandemic planning will call for a very different understanding of public life and culture with respect to social-distancing norms. Fabric separators, minimum infrastructure and seating modules ensure entry restriction preventing contamination and direct contact in each module. Sanitation pits located at regular intervals help in maintaining public space sanitation.

The proposed park, visually frames multiple smaller gardens, giving one a sense of being in a park without actually being in one. Private gardens and hammocks are separated by fabric restricting interaction and crowding.

The performance space and the park together as repeating modules ensure strict gathering of people by enforcing a set of rules to be followed stressing on the relationship between the built and the unbuilt in the most efficient and humane manner.

Publication Non-Architecture Journal Honors & Awards Non-Architecture | Healing - Finalist

28

3

2

1

Legend 1. Public Park 2. Private Performance 3. Public Performance

Diagram mapping | Repeating isotropic grids

Plan | Roof Plan 29

0

10

x=2m

Public Performance | Isolated drawings

Public Performance | Seating modules | fabric separator initiating social-distancing

Private Performance | Isolated drawings

Private Performance | Seating modules | fabric separator initiating social-distancing

x=2m

x=2m

Public Park | Isolated drawings

Private Performance | Hammock park and private gardens with fabric to initiate social-distancing 30

x

x=2m

31

8 Site Temple A Loop of Life Site Temple | ArkXsite Competition entry Lockdown | October 2020 Collaborators: Shravan Suresh, Anuj Modi

A temple with an inner space and a set of multiple sequence of spaces are

Site Temple | ArkXsite Competition entry

realised with the existing ruins as means of memory and outdoor spaces.

The temple is located at the intersection of the existing ruins and the pathway along the steep contour. Located at the intersection of the existing ruins and the pathway along the steep contour; the intervention, is deliberately muted in expression downplaying the built form by means of in-situ excavation and forms replicating cliff surfaces constantly eroded by the wind and water. The meandering pathways through the landscape are planned with the thought of utilising the views onto the Atlantic Ocean; with a public Bath signifying the purpose of cleansing the mind, body and soul before entering a place of spiritual significance. The simple act of giving back inspires the thought behind the Water Catcher which draws water from the atmosphere, giving it back to the ocean.

32

Plan | Site

0

Section | Along Site

50

5.

4.

1.

3.

1.

2.

2.

3.

1. Pathway to site 1. Pathway to site

2. Bath

2. Bath

3. Temple

3. Temple

4. Water Catcher

4. Ruins

5. Ruins

Plan | +12.50m

0

10

Parallel projection | Isometric view 33

Temple with Water Catcher

The pathway to the Bath and the Temple.

Bath

Radiative Cooling

Rainwater Antennas

AirFlow

LIFE

Dew Condensation Humidity & Condensation

Supporting Cables

34

9 Farmer A Collective Farm | Re: Produce Ideas Forward 24 hour competition | 35th edition Farmer Lockdown | September 2020 Collaborators: Shravan Suresh, Anuj Modi

Increased awareness of the idea of urban farming, from an early age is not Honors & Awards Ideas Forward 24 hour Competition | 35th edition Farmer - Honorable Mention

a sustainable approach to living, but also mildly grounding and refreshing.

Production for the entire country in the given context is stressful and unfair on the farmers. With the advent of urbanization, and an increasing population, sutainable agriculture and access to organic food are becoming desperately important.

A vertical farm module, comprising of varying produce as per community requirement and initiatives, use methods of hydroponics, aquaponics and aeroponics along with ways of educating through exposure help developing a sustainable community.

35

Children are encouraged to print their own modules and grow their own foods 36

10 Virtual Gods Online Group Art Exhibit Lockdown | September 2020 Collaborators : Shravan Suresh, Kuldeep Jangid, Ishita Parmar, Sneha Desai, Nayan Mote, Devarsh Sheth, Janhavi Shinde, Yash Pradhan, Advaita Kelkar, Sohil Soni, Jinal Wadgama

In a time as challenging as that of a global pandemic, there is an insistence to

Online Publications Homegrown India | Virtual Gods: A 3D Art Collaboration Capturing Post-Lockdown Deja Vu KooZA/rch | Virtual Gods Digital Exhibition Mash India | Virtual Gods: An Online Virtual Group Art Exhibi Paper Planes | Visual Media Meets Architecture In This Online Exhibit The Curator Mag | Virtual Gods by ARC.HV Platform magazine, India | Virtual Gods by ARC.HV Supari.in | Virtual Gods: A 3-D Art Collaboration For A Post COVID World

negate the magnitude of it. As designers, we feel a grounding sense of calm in community and inspiration.

VIRTUAL GODS was created to investigate new methods of effective collaborations and exhibitions. This experimental exercise was initiated to facilitate an essence of togetherness during the 2020 COVID-19 lockdown.

During an exchange that spanned across 3 weeks, various multi-disciplinary participants connected to trade new tools and design languages while discovering new processes & theories. The goal was to traverse a beautiful dialogue while manifesting unique 3D Virtual Worlds. These 3D creations and their formation have been documented in an Online Group Art Exhibit.

37

Process | John Hejduk for Scarpin’ 38

Process | Illustration exchange initiating collaboration

John Hejduk

Carlo Scarpa

Tadao Ando

Hejduk x Scarpa

SANAA

Ando x SANAA 39

Process | Kit of parts 40

11

TERRACE LVL. +9795

SECOND FLOOR

_Opolis Architects

LVL. +6480

Mumbai, India Professional Practice FIRST FLOOR LVL. +3240

Screen elevation | West

5550 X 5025

Mumbai, India _Opolis Architects Project Architect : Shravan Suresh

LIVING AREA

TERRACE LVL. +9795

Sankhe Residence

LIVING AREA 5550 X 5025

DINING AREA 3060 X 5850

SECOND FLOOR LVL. +6480

POWDER ROOM 2350 X 2050

SWING

BALCONY

BALCONY

FIRST FLOOR LVL. +3240

MASTER BED ROOM

NO.:

Screen elevation | North

No.

SANKHE RESIDENCE

DATE

WO

150 65

REVISION

DRAWN BY :

NOTES:

COMPASS :

DRAWING TITLE :

SHRAVAN

5721 X 5270 CLIENT

CHECKED BY : RG

SCREEN - WEST ELEVATION

BALCONY

AGAMI ENGINEERING

MASTER BED ROOM 5721 X 5270

TERRACE

TERRACE

LVL. +9795

LVL. +9795

TERRACE LVL. +9795

LIVING AREA 5550 X 5025 SWING BALCONY

SWING

BALCONY

BALCONY

ROOF ABOVE BALCONY

ROOF ABOVE

MASTER BED ROOM MASTER BED ROOM

MASTER BEDROOM SECOND FLOOR

SECOND FLOOR

LVL. +6480

LVL. +6480

BALCONY

BALCONY

Plan | First floor - Screen

SECOND FLOOR LVL. +6480

NO.:

MASTER BED ROOM

No.

SANKHE RESIDENCE

5721 X 5270

DATE

REVISION

DRAWN BY :

NOTES:

COMPASS :

DRAWING TITLE :

SHRAVAN

CLIENT

CHECKED BY : RG

AGAMI ENGINEERING

SCREEN - NORTH ELEVATI

MASTER BED ROOM 5721 X 5270

LIVING AREA

Plan | Second floor - Screen No.

RESIDENCE CLIENT AGAMI ENGINEERING

No.

DATE

DATE

REVISION

REVISION

DRAWN BY :

NOTES:

COMPASS :

SHRAVAN

CHECKED BY : DRAWN BY : NOTES: RG

COMPASS :

NO.: DRAWING TITLE :

FIRST FLOOR

FIRST FLOOR

FIRST FLOOR

LVL. +3240

LVL. +3240

LVL. +3240

SANKHE RESIDENCE

41 FLOOR SCREEN - SECOND

DRAWING TITLE :

Screen details | Sections No.

DATE : 22.09.2021 CLIENT

SCALE : 1:50 @ A2

AGAMI ENGINEERING

DATE : 22.09.2021 SHEET : A3-05

DATE

REVISION

DRAWN BY : SHRAVAN

CHECKED BY : RG

NOTES:

COMPASS :

DRAWING TITLE :

SCREEN DETAILS - SECTIONS

DATE : 22.09.2021 SCALE : 1:30 @ A2 SHEET : A12-02

NO.:

No.

SANKHE RESIDENCE

DATE

REVISION

NOTES:

COMPASS :

No.

SANKHE RESIDENCE

DATE

REVISION

DRAWN BY : SHRAVAN

CLIENT AGAMI ENGINEERING

DRAWING TITLE :

SCREEN DETAILS

CHECKED BY : RG

AGAMI ENGINEERING

NO.:

DRAWN BY : SHRAVAN

CLIENT

CHECKED BY : RG

Screen details | Construction drawings 42

DATE : 23.09.2021 SCALE : SCALE @ A2 SHEET : A12-01

NOTES:

COMPASS :

DRAWING TITLE :

SCREEN DETAILS

DATE : 23.09.2021 SCALE : SCALE @ A2 SHEET : A12-01

Pawna House Pawna Lake, India _Opolis Architects Project Architect : Shravan Suresh

Elevation

Section

Site

Plan | Site

Section

Model | Contour study

Plan | Ground level 43

Plan | Roof

Rathi House

House in Pune

Kamshet, India _Opolis Architects Project Architect(s) : Maria Talib, Shravan Suresh

Pune, India _Opolis Architects Project Architect : Aravindan Arunagiri

44

12 junya.ishigami+associates Tokyo, Japan Professional Work

Ishizaka Industry Saitama, Japan junya.ishigami+associates Project Manager(s) : Masayuki Asami, Kei Sato

junya.ishigami+associates

保育室

研修室

junya.ishigami+associates

エントランス

junya.ishigami+associates

Presentation | Models, Drawings and Views

Truss | Warren truss trials through models

南北断面図

45

junya.ishigami+associates

S=1/300