Jul. 6, 2017 Print Edition

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MONEYSMARTS:: SPONSORED CONTENT / ASK KIM

START UP SMARTS Dear Kim,

I have been saving to start a business. If I find I need some capital, what are some things I need to know?

-Financing My Dream Dear Financing My Dream,

I am so glad you asked. As the CEO of the credit union that works with many small business owners and has provided more Small Business Administration (SBA) loans in the state of Wisconsin than any other credit union for six years in a row,* I am excited to address this.

Congratulations on your business and on saving to start it! Keep saving as you develop your idea and business plan.

As part of the process, entrepreneurs often share their ideas with family or friends willing to provide funds from crowd-sourcing or directly; most start-ups are initially funded this way. These funds are important because lenders want to know that you have a financial stake in your business’s success. Not having enough capital is the number one reason businesses fail. It’s key to have a couple years of savings to cover cash flow, so you can make the right spending decisions along the way.

Other key points to remember when approaching your financial institution:

• Show that you can become profitable fairly quickly (usually within about 6 months) • Show your ability to pay off your loan as part of your long-term strategy. If the business takes longer than six months to show a profit, it may be too risky for some lenders or for the SBA. This doesn’t mean you shouldn’t start your business, but it might mean your business is not the right fit for a certain financial institution.

• Have a good personal credit history • Demonstrate what your business does differently that will make it successful Key elements of your business plan should include: • Executive summary—Overview of entire plan, written last • Personal background—Profile of skills, experience and how they relate to the business • Business concept—Description, goals, industry information and how your business fits in the industry • Description of your organization—Ownership, key employees, technology • Marketing plan—Market analysis, competitive analysis, strategies, promotional/marketing materials, etc.

• Financial plan—Sources and uses of funds, three years of financial projections with supporting assumptions • Attachments such as letters of intent and published articles in which your business has been discussed or you have been cited as an industry expert • Personal federal tax returns—Though not always required, keep them handy. At Summit Credit Union, for a startup business loan application, we’ll look for your last

three years of personal federal tax returns and a personal financial statement. And there may be a few SBA forms as well.

I strongly recommend working with groups like the UW Small Business Development Center, Wisconsin Women’s Business Initiative Corporation (WWBIC) or SCORE. These organizations provide technical assistance, and offer classes and consultants/mentors whose focus is to support business planning and startup business success. They’re good at what they do, and they will help you prepare a complete business plan to have available for your visit with a lender.

Summit can help you prepare for your business launch and give you the knowledge and tools you need before, during and after you make your business dream a reality.

Best wishes in your business venture! *

SBA Lender of the Year for Credit Unions as awarded by the Small Business Administration of Wisconsin in May, 2017.

-Kim Kim Sponem is CEO & President, since 2002, of Summit Credit Union, a $2.7 billion, member-owned financial cooperative with more than 162,000 members. Kim has a passion for empowering people to improve their financial well-being for a richer life.

Ask Kim your money questions by emailing: moneysmarts@summitcreditunion.com

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JULY 6, 2017 | 5

::NEWS&VIEWS FEATURES | POLLS | TAKING LIBERTIES | ISSUE OF THE WEEK

Scott Walker’s Gift to the One Percent HOW TAX CREDITS ARE COSTING WISCONSIN MORE THAN A BILLION DOLLARS ::LBY ELIZABETH ELVING

n 2011, at the tail end of deliberations on the first budget of Scott Walker’s administration, lawmakers added something new: a credit that would minimize income taxes in two of the state’s biggest industries. The Manufacturing and Agriculture Credit (MAC) was passed without receiving a public hearing and phased in over the next several years, reaching its top rate of 7.5% in 2016. Now fully in effect, it all but eliminates tax liability on qualifying income for individuals and corporations in those sectors. The MAC is expected to cost the state more than $1.4 billion by the middle of 2019.

In theory, this credit stimulates economic growth by encouraging businesses to build in Wisconsin. In practice, it depends who you ask.

Supporters like the business lobby Wisconsin Manufacturers & Commerce (WMC) have long touted the credit as a powerful investment, citing the 34,000 manufacturing jobs added since 2011 as evidence of its success. By contrast, a 2016 report from the Wisconsin Budget Project frames it mainly as a tax giveaway for millionaires with a negligible impact on employment.

As the Wisconsin Budget Project’s report explains, businesses do not need to create jobs to claim this credit. They can, in fact, outsource jobs or close facilities and still receive it. Individual claimants might invest the money back into their companies, but they don’t have to. This lack of accountability, combined with the high cost, has led some to wonder whether the MAC is easing the state’s economic woes or adding to them.

“As we’re debating the state budget, it’s important to look at why we don’t have enough revenue to do a lot of the things that the governor wants to be committed to,” says Rep. Gordon Hintz (D-Oshkosh). “One of the big reasons we don’t is because of decisions like this tax credit.”

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The Question of Jobs In April 2017, UW-Madison professor Noah Williams released a report called “The Impact of the Manufacturing and Agriculture Credit in Wisconsin.” The study compared the rate of job growth in Wisconsin border counties with that of neighboring counties in other states. Williams, a former adviser for Walker and Marco Rubio, found that manufacturing employment had, on average, grown faster in Wisconsin than in the other counties. Applying these results statewide, he concluded that more than 20,000 manufacturing jobs had been created because of the credit.

The MAC’s most vocal critics were unconvinced. Rep. Chris Taylor (D-Madison) put out a press release describing the study as “severely flawed.” Hintz says the report mistakenly attributes all job growth to the credit, stating that more manufacturing jobs were gained in the two years before it was implemented than in the four years after.

Nevertheless, Williams’ study adds substance to a narrative that MAC supporters have promoted for years: The tax credit gives Wisconsin a competitive edge by making it a more attractive place for businesses to be. Reduce the tax burden and established manufacturers expand. Outof-state companies relocate. Start-ups start up. Once all that happens, they argue, the jobs will come.

There are examples of this happening. In a report on the MAC from Wisconsin Public Television, Belmark president Karl Schmidt describes how the credit motivated the packing company to expand facilities in De Pere. “That’s about 240 jobs that we added here that would not have been here. That would have been in another state,” Schmidt declares in the segment.

Is Belmark one of a few isolated cases or part of a large-scale change?

It’s hard to answer that, because it’s hard to know how big of an incentive taxes really are. Andrew Reschovsky, professor at UW-Madison’s La Follette School of Public Affairs, says research indicates that taxes are among the many factors that businesses consider when deciding

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where to expand, but not necessarily one of the main ones.

“Generally the conclusion is that taxes are on the list, but nowhere near the top,” says Reschovsky. He lists access to things like raw materials, a customer base and a skilled labor force as a few of the bigger motivators.

More opportunities have emerged over the last few years as the country climbs out of recession. Still, Wisconsin’s rate of job creation has lagged behind the national average. Recent data from the Bureau of Labor Statistics (BLS) reveals that in 2016, the rate of private sector employment growth slowed to 0.5%, and that nearly 3,800 manufacturing jobs were lost.

In an email, Williams writes that this most recent release does not affect the conclusions of his study, which included data through the third quarter of 2016.

“The MAC helped to increase growth in manufacturing employment over what it would have been in the absence of the credit,” he writes.

“Wisconsin would have lost more manufacturing jobs in 2016 if the credit were not in place.”

Unequal Distribution While the MAC’s effect on job growth remains debatable, one thing is clear: The credit has cost a lot more than intended. According to the Wisconsin Budget Project, the credit was initially projected to cost $129 million in reduced income tax collections in 2017 after it was fully phased in. The Legislative Fiscal Bureau now estimates that it will cost more than twice that much this fiscal year and $320 million in 2018.

Some degree of miscalculation was to be expected: Estimates are based on a business’ future profits, making their eventual cost hard to predict. Still, for those who oppose the MAC, the inflated price tag makes a damaging decision even worse.

“If we had a spending program that cost twoand-a-half times the amount it was budgeted for, there would be outrage,” Hintz says. “There’d probably be public hearings. Somebody would be in trouble.”

The frustration is not just about the amount of money, but where the money goes. A 2016 memo from the Legislative Fiscal Bureau showed 88% of the credit going to people who make more than $500,000 a year. It also estimated that 11 individuals with annual incomes of more than $30 million would each receive nearly $2 million in 2017.

“This is the most tilted credit I have ever seen in Wisconsin,” says Wisconsin Budget Project research analyst Tamarine Cornelius.

In March 2017, Taylor and several other Democrats proposed an alternative: legislation that would cut taxes for middle class families instead. Under this plan, a family of four with an income of $45,000 would get a roughly $600 credit. They proposed paying for it in part by repealing the MAC, which Rep. Chris Taylor calls “a total scam on the

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working people of this state.”

The middle class pays the highest percentage of their income in state and local taxes, according to the Institute on Taxation and Economic Policy, and although unemployment in Wisconsin has returned to pre-recession lows (an estimated 3.2% in April), wages have stagnated, making it harder for working families to get by.

“These massive tax giveaways are not trickling down,” Taylor says. “When you don’t have a vibrant middle class, you’re not going to have a vibrant economy; end of story.”

The 2017-’19 budget includes one proposed change, closing a loophole that allowed some to essentially claim the MAC and credits paid to other states on the same income. Cornelius describes this change as a “minor tweak” that does not signal a fundamental shift in lawmakers’ thinking.

Investing in Communities At the same time that the MAC has phased in, many public services have been slashed. Spending on transportation, K-12 schools and the UW system has been drastically reduced. Reschovsky connects these decisions to “the mythology that taxes are the only thing that matters.” Part of the trouble with this mindset is that these same services are important for attracting businesses and driving economic growth. “The rationale that’s often used is that these tax credits will attract people to our communities and help us grow economically,” says Heather Bourenane, director of the Wisconsin Public Education Network. “But when you ask someone why they’re moving to a community, the first thing they say is the schools,” Walker’s 2011-’13 budget cut public school funding by nearly $800 million. Since then, districts have increasingly relied on referendums, voting to raise taxes to make up for the loss of state support. Bourenane describes schools going to referendum for “the most heartbreaking of basic maintenance,” and says that increasing funding is “an economic question as much as a moral one,” given the importance of schools to communities.

Cornelius regards investments in these services as a way to support not just one or two industries, but business in general. “Businesses need a lot of things to thrive. They need a solid transportation network, healthy, well-educated workers, communities that people want to live in,” she says. “So, to have this narrow focus on tax cuts as the only way to help Wisconsin businesses is short-sighted.”

Hintz cites long-term investment in priorities like education as the most important thing that state governments can do to stimulate economic growth. Tax policy can also play a role, he says, provided it meets certain standards.

“Fairness, accountability, effectiveness,” he says. “Any tax policy should have to pass that test.”

Comment at shepehrdexpress.com.

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J U LY 6 , 2 0 1 7 | 7

NEWS&VIEWS::FEATURE

What’s on Tap at the App Brewery?

A NEW SMARTPHONE APP SAVES YOUNG LIVES ::BY MARY SUSSMAN

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two-year-old girl who accidentally swallowed an adult dose of an opioid medication has just been picked up by an ambulance and is on her way to the emergency department at Children’s Hospital of Wisconsin. Her respirations are depressed and, without proper medical care, she is in danger of dying. The paramedic has called the emergency pediatric team to let it know that a poisoned child is on the way. The paramedic doesn’t know much about the child’s medical history, but he does know that she just turned two.

This scenario is one of many that the pediatric team at Children’s Hospital encounters regularly. A child might require resuscitation because of a poisoning, a drowning, a house fire or because of Sudden Infant Death Syndrome (SIDS). In all cases, the doctors must work quickly, knowing that delivering timely and effective treatment may make the difference between a good and poor outcome for their young patients.

A child’s life may be at stake.

With the help of a Smartphone app recently developed though collaboration between the Medical College of Wisconsin (MCW), Children’s Hospital and the UW-Milwaukee App Brewery Lab, the pediatric team prepares carefully for the threatened toddler to arrive.

By entering the child’s age into the app, the doctors are quickly able to obtain the correct dose of medicine needed to save the child’s life. Once the app determines the correct dose, based upon the child’s age and weight, the emergency department nurses and pharmacists can prepare the medication for the patient before she even arrives in the emergency department. Once she is there, the doctors can calmly and confidently give the child the proper dose of the lifesaving medication.

It Wasn’t Always So Straightforward

Before the development of the app, physicians were required to do manual calculations while attending to the patient. In resuscitation scenarios, every second counts, and physicians have only one chance to get it right. Dr. Amy Drendel, a pediatric emergency physician at Children’s Hospital, along with her colleagues—physicians Michael Meyer and Danny Thomas and nurse Robin Saxe, saw the need for such an app and proposed it to MCW Dean Joseph E. Kerschner, who was running a competition among physicians from different fields for the best proposal. The winners would be funded to have their proposal developed by the App Brewery. Dr. Drendel’s team was one of the winners. The App Brewery is a lab at UWM that provides hands-on training for students who develop useful apps for the commu8 | J U LY 6 , 2 0 1 7

nity and for researchers at the university.

“We were interested because we perform resuscitations on babies and young children, and much of what we do in terms of choosing the right dose or the right size equipment requires you to do calculations or remember proper sizes because a child’s physical size changes so much between birth and 18 years,” Drendel says. “In a stressful resuscitation scenario, that is not an easy thing to do.” She believes that the app has resulted in better care for her young patients. “It definitely makes care more standardized and efficient,” she says. “It takes away a lot of stress because doing those calculations can be stressful in an already stressful environment.”

Dustin Hahn, project manager of the App Brewery, says working on the app for Children’s Hospital has been one of the most rewarding experiences he has had since joining the lab in 2015. “It is one of the most simple, most impactful and most widely talked about apps that we’ve done,” Hahn says. “When can you come in at the end of the day as a computer scientist or as someone in computer technology and say, ‘Wow, without this app, who knows what would have happened?’”

Drendel says negotiations are ongoing regarding the app’s future, but hopes that it will eventually be available to other hospitals for free at the App Store, once negotiations are complete. “Our hope is that this app will make a difference in advancing the health and well being of all children and really provide high quality care and make a difference in their outcomes,” Drendel says. Because of its simplicity, she hopes that, one day, it might be used by paramedics when they come to the rescue of a child requiring resuscitation.

She also is hopeful that it may be used in non-pediatric emergency rooms, where resuscitations are not common. “At Children’s, we’re used to handling kids, and we commonly do these calculations; but in an adult emergency room, 10-20% of the population is pediatric, and it is much more rare to have to face these resuscitations,” Drendel says. “The adult emergency rooms could also use this app and be prepared to take the best and safest care of kids.”

Hahn believes that, in addition to serving the community and local businesses by developing helpful technology, the App Brewery also gives students like Evan Timmerman real-world experience that helps him build his soft skills. (Timmerman, a paid student intern at the App Brewery, took about 3 to 4 months build the resuscitation app.) As an App Brewery intern, Timmerman learned to interact with an employer or client and also how to navigate and negotiate—skills that might not be taught in the lecture hall. Timmerman agrees.

“It was a fantastic experience for me when I first started at the App Brewery,” he says.

After having switched his major from physics to computer science the semester before, Timmerman discovered a new mindset and outlook in the world of industrial app development. “The App Brewery gave me more scope into this whole huge world of development in computer science and software engineering.” He likes the fact that the internship helps prepare students for graduate school or employment. In his case, he wants to get a job in the field.

“There’s very high demand for the computer science field,” he says. “My ideal job market would be in the health care field. Working here at the App Brewery, I got a huge appreciation for technology in the health care area in hospitals. Looking for different opportunities in that area would be my highest interest.” Timmerman graduated from UWM in May. The App Brewery has developed a number of other apps, including one that self-guides visitors through the Streets of Old Milwaukee at the Milwaukee Public Museum, as well as one that helps parents track the books they have read to their children in the 1000 Books Before Kindergarten program. It has also worked with the Sojourner Family Peace Center to develop an app that leaves no browsing history—useful to women living in fear in abusive home situations whose spouses might retaliate if they found out about an association with the Sojourner Family Peace Center.

Another app helps coaches and parents track and evaluate concussion symptoms for athletes using the SCAT3 checklist from the 2012 Consensus Statement on Concussion in Sport.

The App Brewery typically employs five paid interns and four full-time staff people.

Their funding comes from UWM, as well as from the fee the Brewery charges its clients for app development. Clients like MCW often receive National Institutes of Health grants for the projects they work on with the App Brewery. Since its inception in 2013, the App Brewery has worked on some 15 projects for the college.

The App Brewery, now housed on the fourth floor of the Physics Building at UWM, began life at the Zilber School of Public Health, which was once part of Pabst Brewery (hence the “brewery” nomenclature). The App Brewery actively seeks proposals from the community, which are carefully evaluated. Some considerations include whether the proposed projects would be good résumé builders for students and if they would be sound investments for the university.

Comment at shepehrdexpress.com.

SHEPHERD EXPRESS

::SAVINGOURDEMOCRACY ( JULY 6 - 12, 2017 )

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ach week, the Shepherd Express will serve as a clearinghouse for any and all activities in the greater Milwaukee area that peacefully push back against discriminatory, reactionary or authoritarian actions and policies of the Trump administration and other activities that promote social justice. We will publicize and promote actions, demonstrations, planning meetings, teach-ins, party-building meetings, drinking/discussion gettogethers or any other actions that are directed toward fighting back to preserve our liberal democratic system.

25, 50 or 100 mile route options Saturday, July 29, in the Milwaukee area!

Thursday, July 6

Rid Racism MKE @ Nonprofit Center of Milwaukee (2819 W. Highland Blvd.), 7-8:30 p.m.

Rid Racism Milwaukee is holding an event at the Nonprofit Center of Milwaukee that will feature Anna Dvorak, lead organizer of Citizen Action Organizing Cooperative (CAOC), sharing information about the ongoing struggle for fair elections, health care, economic justice and media accountability.

Can You Become Radio-Active? @ Camp Bar Shorewood (4044 N. Oakland Ave.), 6:30-8:30 p.m.

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The Radio-Active campaign seeks to restore balance to Southeastern Wisconsin’s airwaves. The Radio-Active team and Resistance Radio’s Dom Salvia will be on hand to let you know how you can help get more progressive voices on the radio.

Saturday, July 8

Peace Action Wisconsin: Stand for Peace @ The corner of 92nd Street and North Avenue, noon-1 p.m.

Every Saturday from noon-1 p.m., concerned citizens join with Peace Action Wisconsin to protest war. Signs will be provided for those who need them. Protesters are encouraged to stick around for conversation and coffee afterwards.

Fired Up for Tammy! @ Humboldt Park Pavilion (3000 S. Howell Ave.), noon

This picnic will also serve as an opportunity to learn more about voter registration drives, canvassing and phone banking. Local and state representatives, as well as Sen. Tammy Baldwin’s local campaign organizer, will speak.

Monday, July 10

Our Wisconsin Revolution—Milwaukee Chapter Meeting @ International Association of Machinists (2609 W. Oklahoma Ave.), 6-8 p.m.

Our Wisconsin Revolution’s Milwaukee Chapter, whose mission is to “fundamentally transform through popular power a system rigged by the political, social and economic establishment to realize the promise of just, equitable, sustainable and democratic society,” will hold their monthly meeting.

Support a Fair and Welcoming Shorewood @ Shorewood Village Hall (3930 N. Murray Ave.), 6:30-8:30 p.m.

The Shorewood Solidarity Network aims to build a “safe, inclusive and just Shorewood” and is taking to the Shorewood Public Safety Committee to support the village as a “safe and welcoming place for everyone.”

Wednesday, July 12

Refuel the Resistance @ Bounce Milwaukee (2801 S. Fifth Court), 5-8 p.m.

Every Wednesday, Bounce Milwaukee offers a space to organize, as well as a free drink to anyone who brings evidence of resistance in the past week, including protest signs, an email to an elected official or a selfie at the capital.

Solidarity March @ Corner of Spring and Graham Streets (Racine), 6-7 p.m.

The Racine Interfaith Coalition’s Immigration Task Force is hosting a march in solidarity with undocumented immigrants as a call to stop the profiling and deportation of undocumented immigrants in the country.

To submit to this column, please send a brief description of your action, including date and time, to savingourdemocracy@shepex.com. Together, we can fight to minimize the damage that this administration has planned for our great country.

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JULY 28–30 Madison to Milwaukee to Madison REGISTER TODAY!

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J U LY 6 , 2 0 1 7 | 9 6/21/17 2:01 PM

NEWS&VIEWS::POLL

You don’t believe a singlepayer system is a likely Obamacare replacement The debate over replacing Obamacare has exposed some of the problems and difficulties with America’s current health care system. Last week, we asked whether this debate has made the country more likely to adopt a single-payer system. You said: n Yes: 46% n No: 54%

What do you say?

Are Donald Trump’s tweets strategically calculated to distract the media from other stories or are they a manifestation of his immaturity? n They are calculated n They are manifestations of his immaturity Vote online at shepherdexpress.com. We’ll publish the results of this poll in next week’s issue.

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NEWS&VIEWS::TAKINGLIBERTIES

Ron Johnson’s Profile in Ugliness ::BY JOEL MCNALLY

E

ver since Republicans controlling the presidency and both houses of Congress embarked on their mission to give hundreds of billions of dollars in tax cuts to the wealthy by destroying health care for more than 20 million Americans including the sickest, the most disabled and those least able to pay, we’ve been waiting for that first authentic Republican Profile in Courage.

Profiles in Courage, the 1957 Pulitzer Prizewinning bestseller by rising political star John F. Kennedy, celebrated politicians throughout American history with enough principles to publicly stand up against egregious wrongs in times of moral crisis. There’s no such Republican in sight.

Sure, House Speaker Paul Ryan of Wisconsin and now Senate Majority Leader Mitch McConnell have had a fight on their hands passing the truly ugly transfer of nearly $800 billion dollars funding health care for people who need it into the already bulging pockets of the ultra-wealthy who don’t. Such appalling political acts should never be easy.

But even among House Republicans, who dragged their feet before voting to destroy health care for millions, and now among grousing Republican senators, representing those enormous numbers of Americans whose lives they’re putting at risk, not a single Re-

publican has had the courage to stand up and state the obvious—Republican destruction of public health care for tens of millions to make their richest supporters richer is immoral and indefensible.

Instead, both extreme right-wingers and slightly less extreme right-wingers (the only kinds of Republicans there are these days) are happy to negotiate, nudging McConnell’s vicious, inhumane destruction of health care to make it slightly less appalling in some ways and more appalling in others. That provides both groups of Republicans with excuses to vote for a truly appalling law, claiming they somehow made it better in ways too small to be seen with the naked eye.

Do-Nothing Senator Does the Wrong Thing One of the most surprising Republican senators to pretend to take a stand, sort of, against the health care bill was Wisconsin’s Sen. Ron Johnson. Surprising, of course, since Johnson never bothered to do much of anything in Washington during his first term as far as anyone in Wisconsin could tell.

Well, Johnson still hasn’t. Johnson raised one legitimate objection against McConnell’s attempt to bum rush the law through the Senate within days to prevent the overwhelming U.S. opposition that rose up against the House bill when Americans found out about its horrific provisions.

But that wasn’t why Johnson attacked McConnell. His reasons were more petty and personal. Johnson was still seething because McConnell wrote off his chances of winning reelection against former Sen. Russ Feingold (as did many other observers who saw the polls) and refused to allocate any substantial Senate Republican campaign funds to Johnson’s race.

Johnson’s twisted, ideological reasons for opposing the Senate health care bill were spelled out in an op-ed column Johnson wrote for The New York Times. It wasn’t ugly

enough. Johnson’s basic objection to the Affordable Care Act is, get this, the government is helping to provide affordable health care to people with pre-existing conditions and little income who otherwise wouldn’t be able to afford it. “As a result, patients neither know nor care what things cost,� Johnson wrote. “We have virtually eliminated the power of consumerdriven, free-market discipline from one-sixth of our economy.�

Health Care for Those Who Need It People are actually getting access to health care they otherwise wouldn’t be able to afford thanks to government subsidies under Obamacare as well as Medicaid, which has provided health care for poor Americans for more than half a century. Johnson wants to restore the free market not only by destroying Obamacare for more than 20 million Americans, but begin destroying Medicaid as well for another 70 million Americans.

Those 70 million, by the way, now include about half of all births taking place in the U.S. and nearly two-thirds of the nation’s elderly nursing home residents after they have

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exhausted their life savings. And, oh yeah, Medicaid also covers all disabled adults and children.

To Johnson, “a simple solution is obvious.

Loosen up regulations and mandates, so that Americans can choose to purchase insurance that suits their needs and that they can afford.�

If that last sentence makes sense to you, like Johnson you have a serious thinking problem.

For those with lifelong disabilities, expensive pre-existing conditions or facing years of end-of-life nursing home care, all with few resources, the insurance that suits their needs often bears little resemblance to the insurance they can afford.

That’s why tens of millions of Americans will still need access to the affordable care Republicans want to destroy. Those hundreds of billions of dollars in tax breaks for the wealthy aren’t going to buy them eternal life anyway, just a fancier box.

Even if Republicans like Johnson never have any hope of qualifying as profiles in courage, they should at least have the decency to stop showing us their backsides so often.

Comment at shepherdexpress.com. n

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For more information: Visit matc.edu and search Medical Assistant program. Or contact Jessika Bragg at 414-297-7041 | Wisconsin Relay System 711 The U.S. Department of Labor’s Employment and Training Administration has awarded $19,999,991 under the TAACCCT grant program to be shared among the 16 colleges within the Wisconsin Technical College System (WTCS). The project is financed 100% with federal money totaling $1,668,205. This is an equal opportunity program.

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Four Campus Locations Downtown Milwaukee, Mequon, Oak Creek and West Allis MATC is an Affirmative Action/Equal Opportunity Institution and complies with all requirements of the Americans With Disabilities Act. MATC is accredited by the Higher Learning Commission, Commission on Institutions of Higher Education, the national standard in accrediting colleges and schools for distinction in academics and student services.

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NEWS&VIEWS::ISSUEOFTHEWEEK Issue of the Week reflects the Shepherd Express’ opinions on important issues in the news. It is usually written by the Shepherd’s editor, but at times we invite individuals outside of the paper who are either working in the field or have some other level of expertise. Their names and affiliations will be listed at the end of the column.

The Health Plan that Just Won’t Die

I

f you’re someone who is upset about what you have been hearing about the current debate on health care, you’re not alone. According to a USA Today poll, only 12% of the American public currently supports Congress’ current health plan. So, you could be forgiven for celebrating last week when the Senate announced they did not have the votes and would delay a fasttracked attempt to repeal the Affordable Care Act. The problem is that the GOP health plan refuses to die.

The Congressional Budget Office, the very well-respected nonpartisan agency tasked with presenting the repeal bill’s impact, has received a lot of attention this week for the number of people they estimate will be forced off their coverage. But there are many more CBO revelations on this bill that bear consideration as we remember this Independence Day how our very health care freedom is being challenged.

Here are three parts of the Senate health bill you may not have heard about yet.

Tax credits—84% of Wisconsinites who use healthcare.gov currently receive tax credits to reduce out-of-pocket costs and monthly premiums, often to purchase a mid-level “Silver” plan. The Senate repeal bill makes three big changes to them. First, it pushes people into riskier “Bronze” plans with thousands of dollars in higher deductibles, exposing us more in emergency situations. Second, it completely ends any out-of-pocket cost reductions for moderate-income consumers. Someone at the poverty line would have to pay half their annual income in deductibles before their insurance company would pay a dime for their care. And, lastly, it suddenly cuts off middleincome families and older Americans in a substantial way from any tax help. A family of four earning $88,000 a year with two kids in college would see their tax credits to reduce premiums drop from $7,500 a year to $0, leaving them to make up the difference.

Discrimination—the Senate health bill doesn’t allow outright discrimination in the same way Paul Ryan’s House repeal did, where insurers could charge people with preexisting conditions like cancer more upfront.

Instead, it allows for a back-door style of discrimination where insurers can’t tell a cancer patient to pay more in premiums, but could decide not to cover their cancer drugs. The same is true for diabetes, childbirth, mental health, opioid treatment, basically anything insurers would consider “preexisting.” It was prevalent before the Affordable Care Act; many insurance companies would not cover vital health, services. Maternity, ambulance use, substance abuse treatment, prescription drugs and far more. In the world that the Senate health bill would create, you’d have to either prepare for diseases you don’t know if you’d get, or weigh the potential damage of delaying certain treatments just to save a little money now.

Medicaid—but the worst part is saved for the poor, which both Senate and House bills go out of the way to sabotage. Medicaid covers one out of every five Wisconsinites, from seniors in nursing homes to children in BadgerCare and people with disabilities. The differences between the two chambers’ bills are not huge, but they both represent a major restructuring that effectively ends Medicaid as we know it. The short explanation is that every year federal funds for Medicaid will be short of what’s needed, leaving states to make up the difference or, more realistically, make drastic cuts. And there isn’t a way to shield certain groups of consumers. Everyone, from children with disabilities to grandparents in long-term care, will be at risk.

22 million Americans are at risk of losing their coverage. Four million are people who have employer coverage and don’t even use healthcare.gov. The rest of us get to look forward to higher deductibles, fewer consumer protections on annual out-of-pocket costs, and nothing done to rein in pharmaceutical costs or for-profit medicine. We cannot allow ourselves to develop a false sense of security about the fate of health care repeal just because the Senate delayed the vote; it isn’t dead yet.

Let’s be clear: This is the moment when the very American promise of life, liberty and pursuit of happiness is put to the test.

You cannot be free when for-profit insurance companies decide your fate. Lives truly hang in the balance. At this point, only by building on top of the Affordable Care Act can we provide freedom from preexisting condition discrimination, freedom from outrageous medical bills and freedom from those who want to decide who’s “worthy” of health coverage.

Essentially these changes will determine who can afford to live and who will die.

Kevin Kane is organizing director of Citizen Action of Wisconsin.

Comment at shepehrdexpress.com.

SHEPHERD EXPRESS

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For more Dining, log onto shepherdexpress.com

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Ardent

Ardent Serves a One-of-a-Kind Dining Experience ::BY FRANKLIN K.R. CLINE

t’s weird to write—or talk with my friends—about Ardent without feeling Ah, but the food! The food at Ardent is so absurd. It plays around with Midcompelled to attach a ton of qualifiers. I’m not ritzy! I’m not hoity-toity! I’ll western notions of giant portions by giving you tiny, delicious portions: Beer still shoot that rail whiskey with you! And so on. cheese soup in a pretzel bowl becomes a bite; egg salad becomes a two-bite Ardent’s reputation precedes itself. It’s a relatively unassuming spot—adjacent dish—which I didn’t take enough notes on ’cause I just wrote, verbatim, “wow to Zaffiro’s and next-door north to owner and chef Justin Carlisle’s other thing, the egg salad dish.” (Actually most of my notes were not helpful for this because Red Light Ramen—and it has a sort of oh-wow ineffableness to it. Deservedly they just said stuff like “clever,”“dope” and “bravura,” which is a word I have literso. For the Milwaukee dining and eating experience, it’s one of a kind. And, most ally never used any other time in my life.) importantly for the kind of space Ardent cultivates, it’s not stuffy. It’s not pompous.

Like most tasting-pairing menus, Ardent’s builds carefully to a climax of It’s accessible, with the exception of its wow-but-only-once-in-a-while price tag, density, but not necessarily in complication, which I appreciated—the openwhich is earned. I had a blast there, sitting at the end of the bar on my own and ing “snacks” (not amuse-bouches, for what it’s worth) were every bit as fun and watching couples and groups of folks talk about dishes in the way most folks hunstrange as the closing mignardises (OK, you got me on that one). But the staff grily (pun intended) consider a new record or book of poems. seemed to be actually having fun serving each dish—each Ardent works like this: A tasting menu is set for each seatworker will bring you out something here or there and be ing. What you get varies based on what’s available seasonally happy to thoroughly answer your (maybe dumb; mine were) Ardent and from local farms (meat from Carlisle’s dad’s beef farm had questions about it—and generally seemed to like it there.

1751 N. Farwell Ave. a couple appearances at my sitting). When you roll into Ardent, Laughter in a kitchen is always a good sign.

414-897-7022 all you know is you’re going to get full-on tasty food. I suggest Ardent is one of the finest dining experiences Milwaukee $$$$ when you eat there that you go for it and choose the pairing has to offer; something every Milwaukeean should put on ardentmke.com menu in which a beverage (beer, wine or champagne in my extheir bucket list. You go there and it’s beautiful; two hours Handicap access: Yes perience) is tied with each dish. Although the food is killer—see later it’s over and there you are—on Farwell Ave., looking CC, FB, RS the subsequent paragraph—the pairings, which heavily skewed around—all the world’s problems whooshing back. But for French and were all tasty, did complement and converse with two hours, Ardent, like some kind of magic trick, makes them W, Th, F, Sa the dishes in ways that gave them an extra dimension. all disappear.

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mily Ware, who has owned and operated The Green Kitchen (inside Milwaukee Public Market, 400 N. Water St.) since 2008 with her husband, Peter Engel, realized that a city that traditionally embraces sausage, fish frys and cheese is also ready for healthy and vegan options. Ware’s new venture, On the Bus will soon be located at the south end of the Milwaukee Public Market, near the Water Street entrance where FORM Fine Goods & Floral was located.

The Green Kitchen is known for its immense salad bar, along with artisan sandwiches and juices made with some locally sourced and organic plant-based ingredients that, Ware noticed, were a hit with Milwaukee Public Market patrons. “Over the years, I’ve noticed Milwaukee becoming more and more ready to embrace a vegan restaurant, just by what people are ordering,” Ware said.

Ware has been a vegetarian since she was 10 years old. She transitioned from vegetarian to vegan over the years, and she also raises

her kids as vegan. As an entrepreneur, she had long wanted to offer an eatery with a vegan menu, and when she learned that space would be available at the Milwaukee Public Market, Ware presented the idea to market management, and they went for it.

In addition to offering scratch-made vegan food, On the Bus literally lives up to its name; the serving counter is fashioned from Ware’s own 1971 Volkswagen Bus, which was her very first auto. She’s owned it for about 20 years and found her new venture a great way to repurpose the vehicle. “We’ll be making smoothies and ice cream right out on the bus,” she said. “We’re bringing a little bit of the food truck idea inside, with our own little twist.”

On the Bus will feature Ware’s own recipes, and one of the highlights will be fresh almond milk made daily. The almond milk will be used in their smoothies, ice cream, cheese and açaí bowls—the latter of which are becoming popular in trendy big-city juice and smoothie bars. The bowls are made with açaí berries, known for their powerful antioxidant and immune-boosting properties.

Homemade kale chips made on site are another specialty, and a grab-and-go cooler features items such as vegan cheesecake.

The sandwich category on the broad menu consists of “veganized” versions of comfort food sandwiches that people are familiar with, such as Rueben and grilled cheese.

Whether one wants a savory sandwich for breakfast or an ice cream cone, smoothie or açaí bowl for dinner, all menu items are available all day long.

Ware said she’s heard good feedback prior to opening—a sign that Milwaukeeans are eager to embrace good food, and that the term “vegan” is no longer a scary word.

“Whether people go vegan for health or dietary restrictions or because of animal rights, people are more interested in the idea of eating vegan, even if it’s just one meal a week,” she said. “Words aren’t necessarily the way to somebody’s heart, but a great ice cream cone is. They way to win people over is with food.”

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::ASKTHEEXPERTS ALL MY FRIENDS ARE GRILLING OUT THIS SUMMER— WHAT CAN I GRILL THAT’S VEGAN? TWIN LAKES WI

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free and has 25g of protein! Find them at natural food stores, but many major grocery chain stores also carry many options.

You also might want to try making your own veggie burgers. You can find a wide variety of recipes on the Internet or cookbooks, recipes with ingredients including beans, textured vegetable protein (TVP), wheat gluten, rice, quinoa, oats and much more. With a little experimentation you can find a go-to recipe that you’ll use for years to come! My tip: freeze your burgers before grilling to prevent them falling apart.

Don’t forget the vegetables. They’re delicious on the grill. Corn on the cob is a classic. Portabella mushrooms marinated with care can impress even the pickiest meat eater. Grill up zucchini, asparagus,

potatoes and sweet potatoes, eggplant or cauliflower—the char adds so much flavor!

Shish kabobs work great, too, with peppers, onions, cherry tomatoes, Brussel sprouts, tofu, or nearly anything else you can put on a skewer.

Finish off your meal with some delicious grilled fruit. Some of my favorites include sliced pineapple and peaches. The grill caramelizes the sugars, which adds a lovely smoky and sweet dimension and delightful texture. Top them with some berry compote or your favorite vegan ice cream to make it an extra special treat!

Since you’ve got the fire going, don’t forget the s’mores! Look for graham crackers from Nabisco brand or Keebler brand Original. For chocolate, you can track down a vegan brand or read the ingredients

on dark chocolate bars; they often don’t have any milk in them. Vegan marshmallows can be more challenging to find, but we’re lucky in the Milwaukee area where you can pick up Dandies at Whole Foods or other natural food stores. Trader Joe’s also has their storebrand vegan marshmallows. Your friends won’t know the difference!

Remember—grilling, tailgating and campfires are lots of fun when you’re vegan!

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-I WANT TO GRILL Dear I want to grill, Don’t worry! You’ll find tons of amazing vegan foods you can prepare on the grill! There are incredible faux meats, including burgers and sausages that cook up perfectly on the grill or you can pick out your favorite vegetables and fruit and give them the grill treatment.

Let’s start with the easy, one-for-one meat replacements. Field Roast and Tofurky make great vegan grilling sausages. Field Roast is wheat-based; Smoked Apple Sage sausage is my favorite, but they also have other flavors.

Tofurky is soy-based and offer texture and taste close to the real thing. They have a variety of options from which to choose.

Vegan burgers are also lots of fun to grill. Beyond Meat has a new burger that’s realistic and tastes like a hamburger, but is soy and gluten-free. They are sold in packs of two and are a little pricey, but worth trying. You can prepare these like you would ground beef and add the type of seasonings you prefer. There are tons of frozen veggie burgers to choose from, including the everpresent Boca Burger or Gardein patties, or try options from Amy’s, Hillary’s, Tofurky, Dr. Praeger’s, Sunshine and more. My favorite at the moment is the Field Roast Hand-Formed Burger—it’s delicious, soy18 | J U LY 6 , 2 0 1 7

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::SPORTS The 1996 Brewers Scored Runs (and Lost Games) at a Historic Clip ::BY MATTHEW J. PRIGGE

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t the mid-way point in the 2017 season, the Brewers held first place with a 42-39 record. This marks the fifth time they have been in first place at the mid-way point of the season and, oddly enough, all five of those seasons have occurred since 2007. A big reason for the Brewers success has been their high-powered offense. They tallied 391 runs in the first half—good enough for the seventh-best total in baseball—and slugged an NL-leading 121 homers. This puts them on pace for their best offensive output since 2007 and on pace to top the single-season franchise home run record set the same year.

The list of the highest-scoring Brewers teams includes some of the best in franchise history. The pennant-winning 1982 club scored 891 runs, the highest total of any Major League team between 1952 and 1986. The 1987 “team streak” club tallied 862 runs, second in the league to the Detroit Tigers. During their first streak of contending teams, the Brewers topped 800 runs in 1978, ’79, and ’80—the only team in baseball to do so. But, the highest-scoring year in team history will surprise many fans and stands out as a bit of an anomaly among similarly potent teams: the Phil Garner-led 1996 Brewers.

There was no doubt in the mid-’90s that the Brewers could score runs. In the strike-shortened 1995 season, the team averaged 5.14 runs per game, third-best in team history. But their opponents scored at roughly the same pace, averaging 5.19 runs per game—the worst runs allowed mark ever for a Brewers

team. During the offseason, the Crew made a minor splash by signing free agent pitcher Ben McDonald to an $11 million contract.

Even with the loss of outfielder Darryl Hamilton, the club retained a decent core of talent, including John Jaha, Jeff Cirillo, Greg Vaughn and Kevin Seitzer. A seven-game winning streak in mid-April briefly put the team in first place, but, even with help from McDonald, the Brewers faded and lingered around the .500 mark for most of the season—well behind the front-running Cleveland Indians and always a handful of games out of the wild card spot. A 14-11 finish to the season put them at 80-82 on the year, their best record between 1993 and 2004.

’96 Was a Good Year The 894 runs the Brewers scored in 1996 was the 11th-highest total in a single season for any team since 1950 and is a mark only two teams have topped in the past decade.

Even in the homer-happy ’90s, the ’96 team was a fairly well-balanced attack. Finishing in the middle of league rankings in home runs, they registered the highest walk total and OPS in team history. The Crew was led by steady hitters like Jaha, who slashed .300/.398/.543; Cirillo, who led the team with a .325 average; and Greg Vaughn, who slugged 31 homers in just over 100 games before being traded.

Pitching, however, kept the ’96 Crew from being anything greater than a mediocre club.

They allowed 899 runs—still a team record and 80-plus runs more than the team had ever allowed in a season before. While the pitching problems relegated the ’96 team to a minor chapter in franchise history, they also put it into a rather unique historical class: The 1996 Brewers were just the fourth team in history to score so many runs and finish the season with a losing record (two of the other teams being the 1929 and 1930 Phillies, who played in the notoriously batter-friendly Baker Bowl). Since 1996, only four more teams have scored as often and lost as often, two of those being Colorado Rockies teams, whose home park was also a stat-slanting launching pad.

Scoring nearly 900 runs in a season is a very difficult thing to do. Scoring nearly 900 runs and giving them all back with a lousy pitching staff is an almost impossible feat. In 1996, the Brewers managed the almost impossible, giving the club a dubious distinction in baseball history.

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SURPRISE! BREWERS ON THE RISE ::BY FRANK CLINES AND ART KUMBALEK

heir opening-day starting pitcher was injured in the third inning and missed seven weeks. Their biggest name played only 33 games in the first half of the season. A rising star of 2016 missed much of June and has struggled otherwise. Another member of the rotation pitched himself into the bullpen, and the expected closer pitched himself off the roster.

Does this sound like a first-place baseball team—especially if the team is already in rebuilding mode? But as the Brewers approach the All-Star break, they’re right in the National League Central race with the not-so-invincible Cubs.

Can the stunning story last? The Fairly Detached Observers talked it over just after the season’s halfway point.

Frank: As we meet the Brewers are 43-39 thanks to an exciting comeback win over Miami on the last day of June.

Artie: And two games up on the alleged super team to our south. Nobody saw this coming!

F: No predictions I know of ventured above .500.

But as we speak, the Brewers are on pace for 85 wins; 12 more than last year.

A: And good for a post-season spot, the way the division is going.

F: The Cubs’ many woes are shocking, but the Brewers have produced plenty of surprises on their own.

A: Guys stepping up to challenges all over.

F: Like Chase Anderson and Jimmy Nelson stabilizing the rotation while Junior Guerra was hurt and Wily Peralta flopped. And Corey Knebel stabilizing the closer spot when everyone got tired of Neftali Feliz giving up homers.

A: Eric Sogard, summoned from the minors, reminding Jonathan Villar how an offensive sparkplug performs. And lots of guys compensating for Ryan Braun and his aching calf.

F: And Travis Shaw, a winter arrival from Boston, putting up the most consistent numbers among Milwaukee’s many home-run hitters.

A: What a steal, getting Shaw and three prospects for Tyler Thornburg, who’s got big-time shoulder trouble now.

F: That and other moves have David Stearns looking like a bona fide “boy genius” general manager.

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He said goodbye to a 41-homer guy, Chris Carter, and signed the more versatile Eric Thames from the Korean league. And Thames carried the team in April, although he’s cooled off.

A: But Stearns also grabbed Jesus Aguilar from Cleveland off waivers, and he’s come on strong after a slow start. Stearns is getting a national rep for finding solid players.

F: Like Sogard and another refugee from Oakland, catcher Stephen Vogt, whose two homers Friday night provided the 3-2 margin over Miami.

A: Imagine that, all the Crew’s runs scoring via the long ball.

F: You jest, of course. Major League Baseball has become a big-swing, all-or-nothing game, and nobody does the extremes of whaling and whiffing better than the Brewers.

A: An all-time strikeout record last year, and they’re on pace to break it. But also plenty of big blasts.

F: The team’s offensive statistics—pitching too, for that matter—generally match last year’s in terms of the rankings in the NL. They’re batting a few points higher and on-base percentage is almost identical, though the slugging percentage is up about 40 points.

A: They’ll keep striking out a ton and hitting tons of homers. MLB is en route to records in both departments.

F: Alas, this slugging game is also a slogging game. As Tom Verducci reported in Sports Illus-

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trated, things have slowed so much that there’s almost two hours of “dead minutes” per game—just between pitches. Bring on the pitch clock!

A: But if we can stay awake, the Crew is giving us some thrills. And they seem to be ahead of the rebuilding pace the Astros and Cubs followed, which included 100-loss seasons.

F: Now the key question is whether the Brewers can sustain this climb. A lot rides on the 11 games left with the Cubs, starting with the Thursday, July 6, makeup of May’s “rainless rainout.” That precedes a weekend at Yankee Stadium, where I’ll be Saturday.

A: Rooting for the wrong team.

F: Um...maybe.

A: You might see double-digit dingers the way both clubs are slugging. After the break the Crew has a real opportunity, ain’a?

F: Ten games against Philly, Pittsburgh and Philly again. Might build a nice cushion going into their first games with Washington; then three with the Cubs.

A: There are always new challenges, though. Now Anderson is out for several weeks with an “oblique” muscle strain. And if Shaw went down for a while, or Sogard, or Nelson, it could really hurt.

F: But if Braun stays healthy they’ll have even more firepower.

A: One good sign is that the team hasn’t been swept in any series over two games.

F: In the first half they had one three-game losing streak and one five-gamer, more than balanced by three “W-3s” and three “W-4s.” So they’re less mercurial than you’d expect for a team with lots of youngsters, lots of new faces...

A: And lots of unexpected adjustments.

F: The high point has been seven games over .500 in May (25-18). Since then, they’ve been bobbing up and down.

A: But so have the Cubs—and the Cardinals! It’s been mighty enjoyable.

F: If it stays that way, we’ll see something else that was unexpected: Discussion about whether to go “all in” on this season even if it means easing back on developing the youngsters who are the future.

A: No one will “blow up” the long-term strategy.

But you know the Cubs and Cardinals will make moves if they think it’ll get them to the playoffs.

F: And who knows when the next chance to dance in October will be?

A: Especially for a franchise that’s danced only four times in almost five decades.

Frank Clines covered sports for The Milwaukee Journal and the Journal Sentinel. Art Kumbalek knows all about strikeouts.

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FREE OUTDOOR ENTERTAINMENT: JULY 6 - AUGUST 26 MUCH ADO ABOUT NOTHING by OPTIMIST THEATRE July 6-9, July 13-16, July 18, July 20-22. All Shows 8pm except July 18 @ noon.

Much Ado About Nothing is one of the Bard’s most beloved comedies. Witness the brilliant battle of the sexes with immortal characters Beatrice and Benedick. Heroes (literally) and villains take you to heights of hilarity, heartbreak and romance.

T RU E S KOOL 2 017 BL O C K PA R T Y S AT, J U LY 29 1-7 PM Live performances, live art, children’s area, Circulate Market, BBoy Battle, Skate Jam, MKE Photographer Meetup and more!

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::THISWEEKINMILWAUKEE FRIDAY, JULY 7 Michelle Branch @ Summerfest’s U.S. Cellular Connection Stage, 8 p.m.

Grammy Award-winning artist Michelle Branch was only 17 when her 2001 major-label debut album, The Spirit Room, made her the pop star many young girls dream of becoming. The Spirit Room was certified gold, its songs “Everywhere,”“All You Wanted” and “Goodbye to You” all Billboard Top 40 hits, made even more impressive by the fact she wrote them herself. That was only the start of a career that hasn’t peaked yet. Branch is currently on tour in support of her new album, Hopeless Romantic, which features on-brand powerhouse vocals and songs about relationships, but with a grown-up twist. She’s not a teenager anymore, and her new songs reflect the messiness of adulthood.

Julieta Venegas @ The Rave / Eagles Club, 9 p.m.

Singer-songwriter Julieta Venegas sings entirely in Spanish, but one needn’t speak the language to understand her music. She has six Latin Grammy Awards, one Grammy Award, and a fan base that spans the globe. Venegas dappled in alternative Latin music in the ’90s, but with a switch in direction for her third album, Si, she found her calling in pop/rock. Her current tour brings her back to her roots to perform stripped down versions of hits spanning her repertoire, like “Andar Conmigo,”“Lento” and “Limón y Sal.” This is the first time Venegas has performed in Milwaukee.

SATURDAY, JULY 8

Future w/ Big Sean and Migos @ American Family Insurance Amphitheater, 8 p.m.

Tegan and Sara

THURSDAY, JULY 6

Tegan and Sara @ Miller Lite Oasis, Summerfest, 10 p.m.

In some circles, “going pop” has a bad connotation. But what if performers were born to do pop music? The sister/sister indie-rock duo Tegan and Sara had been dabbling in pop music for years before they fully embraced the synth-heavy spirit of modern Top 40 music with their 2013 reinvention Heartthrob. It was a natural fit: The more danceable sounds didn’t come at the expense of the confessional lyrics and dry wit that the sisters have brought to all of their records. Last year they released a similarly infectious sequel to that album, Love You to Death.

After a long, prolific stretch that’s seen him release a new album or mixtape every few months, this winter Future made history when he became the first ever to debut albums at number one on the Billboard albums chart in consecutive weeks. Just a week after his menacing self-titled album topped the charts, it was replaced by the more R&B-minded HENDRXX, an album that showcased his gifts as both a rapper and a singer. He’ll be joined on this bill by two other modern rap acts that are coming off of recent career highs. Big Sean scored his own number one record this year with I Decided, which features the biggest hit of his career, the rally anthem “Bounce Back.” Internet icons Migos, meanwhile, scored the first number one hit of their short but influential career this winter with their Lil Uzi Vert collaboration “Bad and Boujee.” It’s not often you’ll find a rap bill with three artists all at the peak of their commercial and creative powers.

AWOLNATION @ Uline Warehouse, Summerfest, 10 p.m.

You have to admire the audacity of AWOLNATION. At a time when prog-rock was deeply out of fashion, the Los Angeles electronic-rock band looked to the spirit of Styx on their breakout anthem “Sail.” The group’s 2011 debut album, Megalithic Symphony, ran with that more-is-more mentality, bounding from cocky pop songs like “People” to opulent, Muse-esque arena-rockers like “Soul Wars.” They followed that record up with a characteristically bombastic sophomore effort, 2015’s Run, a heavy, rowdy album driven by the group’s bulldozer guitars and synths.

BJ The Chicago Kid @ Johnson Controls World Sound Stage, Summerfest, 10 p.m.

For much of his career Chicago soul singer BJ The Chicago Kid has been a proverbial bridesmaid, lending his suave voice to tracks by rappers like Kendrick Lamar, Kanye West, Freddie Gibbs and Schoolboy Q (on his hit “Studio”), without finding much traction for his own solo projects. That finally changed last year, though, when Motown Records released his sophomore album, In My Mind, a forward-looking record that earned him a Grammy nomination for Best R&B Album. It features guest raps from some of BJ’s usual collaborators, including Chance The Rapper, Big K.R.I.T and Kendrick Lamar.

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Future

SHEPHERD EXPRESS

TUESDAY, JULY 11

Read our daily events guide, Today in Milwaukee, on shepherdexpress.com

Angelica Garcia @ The Back Room at Colectivo, 8 p.m.

Angelica Garcia

WEDNESDAY, JULY 12

Whitney

Southern Culture on the Skids w/ The Exotics @ Turner Hall Ballroom, 8 p.m.

SATURDAY, JULY 8

Southern Culture on the Skids don’t take anything about their act too seriously. Their eccentric mélange of rockabilly, surf and country is packaged as both a parody and an homage to white-trash, trailer-park culture, and their live shows are even wilder than their records—they’ve been known to bring some fans on stage to dance, and to pelt others with fried chicken and banana pudding (or, as they pronounce it on one of their signature songs, “banana puddin’.”) Their act has changed little over the years, though on their most recent album, last year’s The Electric Pinecones, they dialed back the hillbilly antics a little bit in favor of richly layered psychedelic folk-rock.

Whitney @ Johnson Controls World Stage, Summerfest, 8 p.m.

The Shins @ BMO Harris Pavilion, Summerfest, 9:45 p.m.

Blame Zach Braff, not James Mercer, for that notoriously awful line of dialogue in Garden State about how The Shins will “change your life.” The band themselves never made any such claims, nor did they ever set out to make that kind of impact. Instead Mercer has been content to The Shins record dreamy, intimate pop songs about romance and social phobias. On the group’s latest record, the typically radiant Heartworms, Mercer once again proves himself one of indie-rock’s most incisive songwriters, penning tunes about anxiety, feminism and his own childhood. More than two decades into the band’s run, his knack of weightless melodies remains undiminished. These songs may not change your life, but they will brighten your day.

MARISA KULA MERCER

While frontman Cullen Omori set off on a solo career after the breakup of the late, beloved Chicago power-pop ensemble Smith Westerns, his former bandmates Max Kakacek and Julien Ehrlich started their own new group called Whitney. It didn’t take long for the indie-pop group to find an audience: Their debut album Light Upon the Lake thrust them into the limelight last year, thanks to infectious summer jams like “The Falls” and “Golden Days,” which offset the group’s lush instrumentals with breezy vocals and a lighthearted, feel-good air. The record raked in rave reviews from publications like Paste and Pitchfork, and earned the band a vocal fan in Sir Elton John, who was so enthusiastic about the record that he interviewed the group for a New York Times magazine feature last fall.

SUNDAY, JULY 9

General Attractions 8:00AM 10:00AM

TUESDAY, JULY 11 Poetry in the Park @ Juneau Park, 6:30 p.m.

Music isn’t the only attraction in Milwaukee County Parks during the summer. Once a month through September, Juneau Park hosts this free Poetry in the Park event, where wordsmiths read their work against the inspiring backdrop of Lake Michigan. July’s lineup features four poets: Ed Werstein, Tiffany Miller, Pete Burzynski and the recently crowned Wisconsin Poet Laureate Karla Huston, an Appleton resident who won a Pushcart Prize for her 2013 collection A Theory of Lipstick. Guests are invited to bring chairs and blankets to sit on and food and refreshments to snack on.

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The first word that comes to mind when listening to Angelica Garcia’s music is right in her name: angelic.

The 17-year-old singer underlines those heavenly sounds with some chillingly undercurrents. “Tell my mother to not come after me … Her little bird grew big wings / Dangerous things,” she sings sweetly, and menacingly, on the opening track of her debut album, Medicine for Birds. Her bluestinged hooks, mysterious storytelling and expressive voice make for a beguiling combination.

8k Run & 2 Mile Fun Run/Walk Free Shuttle Bus Service Begins Festival Grounds Open Gigantic Parade Starts Fish & Chips Stands Open Information Booth Opens Classic Car show (until 6:00pm) Arts & Crafts Show (until 6:00pm) Carnival Opens Helicopter Rides Start

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What a Crock!

Memories Ballroom prepares ‘A Crock of Schnitzel’::BY JOHN JAHN A dinner theater production named A Crock of Schnitzel is a strong indicator of what might be on the menu. Indeed, Memories Ballroom in Port Washington doesn’t upset your expectations. Along with Barbara Pease Weber’s German family-centered comedy comes a plated dinner (buffet on Tuesday, July 25) of Wienerschnitzel, herbed spätzle, salad with warm bacon dressing, apfel kuchen and more.

A Crock of Schnitzel involves a young couple, skittish in-laws and… a family heirloom cuckoo clock that winds up being a time machine! As we all know from various time-travel stories, all sorts of weird things can happen; in this case, the newlywed Greg finds his wife, Ashley, transported back through time, where she meets—and weds—Klaus, her husband’s father!

July 11-26 at Memories Ballroom, 1077 Lake Drive, Port Washington. For tickets, call 262-284-6850 or visit memoriesballroom.com.

Julius Caesar The Tragedy of Julius Caesar (to give the play its full name) is one of William Shakespeare’s most famous plays, and that’s saying plenty. Likely written in 1599 and alongside such classics of the stage as Coriolanus and Antony and Cleopatra, it stands at the center of his great dramas of ancient Rome. The relationship between the tragic title character and Brutus (who actually utters more than four times as many lines as Caesar) presents a powerful psychological drama immersed in themes of honor, patriotism and friendship.

In the hands of Boozy Bard and their “Shakespeare Raw”-take of scant familiarity and imbibing, one can only image what this interplay will be like.

July10-12 at Best Place at the Historic Pabst Brewery, 901 W. Juneau Ave. Tickets are $10 ($5 if you arrive in a toga). Visit facebook.com/boozybard for more information.

MUSIC

MYSO Bon Voyage Concert “Touring is transformative for our students,” comments Milwaukee Youth Symphony Orchestra’s Ron Oshima, “many of whom have never been out of the area, on an airplane, let alone out of the country. It opens their eyes to a broader world beyond Wisconsin where they get to see life through the lens of a different culture.” Add to all that the fact that these talented youngsters will be performing three concerts in three different cities in Argentina and Uruguay—not to mention the actual works they’ll be performing—and you realize this will be both highly rewarding and remarkably challenging. Thankfully, we locals can get a preview: The MYSO performs their entire tour program twice before they go way south of the border. Both concerts are free.

7 p.m., July 6 at Bayshore Town Center, 5800 N. Bayshore Drive and 6:30 p.m., July 7 at Gerlach/Haack Outdoor Theater, 19805 W. Capitol Drive.

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‘Bare: A Pop Opera’ Addresses Comingof-Age with Poise and Purpose

FOR YOUR CHANCE TO RECEIVE ADVANCE SCREENING PASSES FOR MONDAY, JULY 10, LOG ONTO

::BY MORGAN HUGHES

P

laid skirts and polo shirts line rows of church pews during a Mass at St. Cecelia’s Boarding School. As you might expect, the students are dozing off.

One among them, a high school senior struggling with his sexuality, is having a vivid nightmare where his teachers, his classmates and his god condemn him for his sins. This is the opening scene of Bare: A Pop Opera, presented by Outskirts Theatre Company.

The story follows a group of high school seniors through issues of self-image, unrequited love, the pressure of parental expectations, faith and sexuality. As both the director and the male lead, Ryan Albrechtson gives a compelling performance as Peter, a gay boy who isn’t sure how to reconcile his sexuality with his faith or with his mother. He and a popular boy named Jason, played by Clayton Irwin, fall in love and begin a relationship but disagree on whether to go public with the affair. Add to these personal struggles a student production of Romeo and Juliet, the original tale of forbidden love, and the story comes full circle.

Albrechtson and Irwin’s performances are brilliant and emotional, but they don’t stand alone. The entire cast delivered remarkable performances, chief among them though, was Francesca Steitz in the role of Jason’s sister, Nadia. Nadia struggles with her body image as well as being Jason’s overshadowed sister. I imagine that voices like Stetiz’s are why people go to the theater in the first place. She could have sung about calculus, and it would not have been any less intoxicating.

The show cuts seamlessly between witty banter and poignant inner monologues, and each character is allowed a chance to feel conflict and embrace struggle. In a lot of ways, Bare captures perfectly what it felt like to be a high schooler: confused, lonely, anxious and alive. But in addition to all of that, it adds the two largely forgotten elements of faith and sexuality.

Just like high school, this show is goofy, fun, intimate and emotional.

Bare runs through July 9 at Tenth Street Theatre, 628 N. 10th St. For tickets, visit outskirtstheatre.org.

BROADGREEN SCREENINGS.COM AND INPUT THE FOLLOWING CODE: WISHUPONSHEPEX *No purchase necessary. Void where prohibited or restricted by law. Once all passes have been redeemed, this giveaway will be closed. Seating is on a first come, first served basis. Please refer to screening passes for all other restrictions. Employees of all promotional partners, their agencies and those who have received a pass within the last 90 days are not eligible. This film is rated PG-13.

IN THEATERS JULY 14

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Baby Driver R This action flick, directed and written by Shaun of the Dead’s Edgar Wright, features a young savant of a car driver known as Baby (Ansel Elgort). Hired by ambitious crime boss Doc (Kevin Spacey) to pilot the getaway car for Doc’s heists, Baby continuously plays music that soothes him as he drives. His choices, an eclectic assortment of songs, lend the film emotional heft while controlling its tone. Heart-stopping car chases give way to love when socially awkward Baby falls for diner waitress Carla. Hoping to start a life with her, Baby agrees to one final heist.

With Doc bringing on board crazed criminal Bats (Jamie Fox), a difficult caper soon becomes ultra-dangerous. (Lisa Miller)

The House R ‘The Beguiled’

Sofia Coppola’s Captivating Remake of Civil War Drama ‘The Beguiled’ ::BY DAVID LUHRSSEN

T

he unseen cicadas hiss from the twisted branches in the woods where a girl carefully gathers mushrooms. The thunder of cannons can also be heard from the far distance.

Virginia, 1864, is a shifting battlefield in the final phase of the Civil War. Perhaps it’s not shocking that the girl, a pupil in the “seminary for young ladies” tucked into the woods, should find a man in blue against a tree trunk—a Union corporal separated from his regiment and bleeding badly.

Thus begins Sofia Coppola’s elegant and morally ambiguous remake of the 1971 film The Beguiled. The original starred Clint Eastwood as the wounded Union soldier fallen into a nest of Confederate women. In the retelling, Colin Farrell plays Corporal John McBurney, a charming if increasingly roguish Irishman a long way from his adopted home in New York. Nicole Kidman is Miss Farnsworth, the seminary’s no-nonsense headmistress charged with conjugating French verbs, teaching the rudiments of musicianship and endowing the daughters of good Southern families with a suitable education. Kirsten Dunst is Edwina, the last remaining teacher among the handful of girls left stranded when battle lines isolated them from their families.

The women in Coppola’s rendition of The Be28 | J U LY 6 , 2 0 1 7

guiled transcend the stereotype of fan-fluttering Southern belles, while remaining plausible in their time and place. They are plucky and possess complete agency within their school; they grow their own food, carefully ration their provisions, deal with Confederate authorities and, when an injured enemy soldier stumbles into their lap, they carry him into the music room of their Corinthian-columned mansion. Miss F sterilizes his leg wounds with whiskey, gingerly removes the shrapnel and sews him shut as if mending a torn garment. Some of the girls huff over helping a Yankee, but religion is at the heart of the curriculum, and Farnsworth understands her actions as Christian charity.

But then what? For reasons unexplained, Miss F surprises the girls, watching with faces pressed against the window, by not turning the corporal over to the Confederate patrol at their gate. Will he be surrendered to Southern forces once his leg heals? Will he be allowed to rejoin his side?

Soon enough, the corporal makes himself useful—chopping wood and letting it be known that he’d like to stay on. It’s not his war, really.

From the onset, the presence of a man changes the school’s temperature. The girls begin to primp. Guarded smiles are exchanged, especially between the corporal and the sheltered Emily (Emma Howard)—but not only them. Even Miss The Beguiled Farnsworth’s eyes Colin Farrell momentarily glint in apparent fasciNicole Kidman nation. Sexuality Directed by heats up in the conSofia Coppola fined space of the Rated R seminary, driving hearts to beat faster and triggering the possibility of emotional manipulation on all sides. And then things get ugly.

Coppola directs her captivatingly suspenseful film with an eye toward Southern Gothic. Mist crawls through the woods; the seminary’s manor house is framed like a tintype in the half oval of a bent tree. The interior is curtained against the sun and lit at night by pale candles. Outside, the corporal catches a glimpse of a spider’s web, gossamer threads glistening in strands of sunlight.

Is he caught in a web or is he the spider? The Beguiled leaves you to wonder.

After squandering their daughter’s college fund, Scott (Will Ferrell) and Kate (Amy Poehler) help their neighbors start an illegal “pop-up” casino in the neighbor’s basement. Their neighbor assures the couple that their share of just one month operating the casino will fund four years of college. However, the pair is flabbergasted by the negative effect on their friends who gamble away savings, or become obsessed with the strip club and fight club, also on the premises. What makes a Will Ferrell movie funny is when the doughy comedian strips down to his tighty whities and runs amok. If that’s not in there, demand a refund! (L.M.)

Spider-Man: Homecoming PG-13 In yet another reboot of Spider-Man, Tom Holland appears as teen Peter Parker, transformed into the superhero after being bitten by a radioactive arachnid. Parker clumsily attempts to perfect his newfound powers while keeping his alter-ego secret from all but his best friend (Jacob Batalon) and his mentor, Ironman-Tony Stark (Robert Downey Jr., who pops in and out of the story-line). Parented by his Aunt May (Marisa Tomei), Parker juggles school, home life and battling a flying villain known as Vulture (Michael Keaton). Director Jon Watts doesn’t recreate Sam Raimi’s stylish noir, but he does deliver an anxious, likeable, young superhero we root for, along with a villain we hope he will defeat. (L.M.)

[HOME MOVIES/OUT ON DIGITAL] Wichita

Jeb (Trevor Peterson) is a boy-man “creative” in the puerile world of cable TV production. He’s the director of a failing go-girl sci-fi series for YAs, and is ordered by his bosses to bring a team of writers to a remote ski lodge where they will map out screenplays for the next season. It’s make or break—and Jeb’s eager but unstable mind begins to break.

Directed by Matthew Ward and Justyn Ah Chong, Wichita is a brilliantly conceived and executed study of madness and the pervasive links between voyeurism and what can be seen on screens. Wichita includes quietly bravura cinematography, including tracking shots that snake through the labyrinth of the lodge as if mirroring the twisted paths of Jeb’s mind. And then, it gets really strange. Built from the roots of Psycho and Frenzy, Wichita is a film Alfred Hitchcock might make if he were a young director today.

Brannigan

John Wayne was off the range in this 1975 action flick as Chicago Police Lieut. Jim Brannigan on special mission in London. Speaking tersely and waving a big revolver, Brannigan is chasing a Windy City mobster who disappears when kidnapped by rival criminals. Richard Attenborough, his Scotland Yard counterpart, arches his brow at barbaric Yankee police procedures. The London car chases are fun. Signature Duke line: “I wouldn’t try it unless you want to sing soprano.”

Anton Chekhov’s Three Sisters

Shakespearean and Hollywood star Laurence Olivier enjoyed a side career directing at London’s Old Vic and, occasionally, on screen. In this 1970 rendition of Anton Chekhov’s Three Sisters, Olivier directed a rendition of the Russian classic that was more theatrical than cinematic.

The cast, drawn from the Royal National Theatre, gives a meticulous realization to Chekhov’s melancholic reflections on the frustrated longings of provincial gentry, poised between an unrecoverable past and intimations of a catastrophic future.

—David Luhrssen SHEPHERD EXPRESS

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TROG = DIY Custom Cars, Bikes at HarleyDavidson Museum ::BY DAVID LUHRSSEN

I

n 2012, a new hot rod-custom bike event debuted on the New Jersey shore, but the event, held every year since, has long roots in custom car culture. “The Race of Gentlemen” (affectionately known as “TROG”) honors the mid-century endeavors of backyard mechanics, linking them to the DIY and Maker Faire ethos of today. Like the revival of vinyl LPs, TROG is a pushback against the digitalization of our world. And yes, despite the deliberately retro affectation of “Gentlemen,” women are also getting their hands dirty, building, restoring and racing hot rod cars and custom bikes.

This summer, a Harley-Davidson Museum exhibition, “The Race of Gentlemen,” examines the people as well as the machines they ride. Huge color panels display the varied faces of the driver-builders in portraits by photographer Cory Piehowicz. Most of the faces are young, including Sushi, a Tokyo, Japan resident in a Harley-Davidson cap, and Andy Wood, clad like a circa-1920 Harley rider complete with English racing cap and bowtie. TROG’s principal founder, Mel Stultz, is a bearded artist who makes TROG’s retro-looking signage and props. Tom Row, 79, is a wizened veteran from the post-World War II drag races, a living link to the past TROG seeks to invoke.

Also on display are smaller black-and-white action photos by David Carlo that capture the splatter of

sand under bike tires as well as pensive moments in the cockpits of race cars. Videos from TROG show the vehicles and their owners as they race along the Wildwood, N.J., beach at low tide on tightly packed sand.

Of course, much of the space in the exhibit, spread across the Harley-Davidson Garage, is devoted to the handiwork of the ladies and gentlemen of TROG. As described by the exhibit’s curator, Kristen Jones, the vehicles culled for the exhibit from recent TROGs “are a throwback to a time of ingenuity when people had to figure it out without the resources of the Internet at their fingertips.”

Most TROG participants work within a set of boundaries, using only pre-1932 auto bodies, no motorcycles built after 1947 and no parts introduced after 1950 or so. Aside from combing scrapyards and warehouses for vintage components, some TROGers make their own parts or seek out boutique companies that fabricate them according to old-time specifications.

Every vehicle in “The Race of Gentlemen” has its own story. Some were handed down as family heirlooms from previous generations of dragsters and bikers. Some were recovered from scrapheaps and lovingly resuscitated with parts scrounged from here and there. Some were built from scratch and assembled from remnants. A 1942 Harley-Davidson Model WLA, designed for the U.S. military, was assembled from spare parts donated by collectors. Text panels tell those stories.

Unlike traditional car and motorcycle collectors who paint and polish their vehicles to the bright gleam they wore on the day they rolled from the assembly line, most TROGers prefer to maintain the patina of age.

Typical is the exhibit’s 1946 Harley-Davidson Knucklehead with exhaust pipes coated in rust and saddle seat worn from many rides.

Through a shared love of gritty technology from the Industrial Age, a loose community has been born.

The annual gathering in Wildwood has grown rapidly.

According to Jones, 15 motorcars and 15 motorcycles participated in the 2008 TROG. This year’s run drew 150 vehicles along with over 25,000 spectators. Mark your calendars for June 2018 if you like, but meanwhile, catch the spirit at Harley-Davidson.

Through Sept. 4 at the Harley-Davidson Museum, 400 W. Canal St. There will be many special events over the summer, including the July 8 “Wild Ones: Vintage Motorcycle Rally” featuring an antique motorcycle ride-in show, slow races, plank rides and stunts. For more information, visit harley-davidson.com.

Tune in at 8 a.m. every Wednesday for “Arts Express”

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VISUALART|PREVIEWS

State of Contemporary Midwestern Art in Tory Folliard’s ‘Salon Show’ ::BY TYLER FRIEDMAN

T

he English term “salon” derives from the Italian salone, denoting a large hall. It’s also the origin of the term “saloon,” which might seem a far cry from the refined atmosphere of the salons organized by the matrons of the Italian Renaissance. But the difference is not so great after all. Salons and saloons alike are gathering places for political debate, intellectual exchange, artistic exhibition and, of course, good-natured revelry.

Tory Folliard’s second biannual “Salon Show” gathers the gallery’s stable of 43 contemporary artists for its largest exhibition of the year. “I really enjoy gathering so many talented artists together to exhibit their work in one large show,” says Tory Folliard. “The gallery will be hung with more than 100 works of art. Many of these artists have been with the gallery since it began 29 years ago.”

The “Salon Show” is on display from July 7 through Sept. 9. An artists’ reception will be held on Gallery Night, Friday, July 21, 5-9 p.m., followed artists’ talks during Gallery Day, Saturday, July 22 at 2 p.m.

“Katy Cowan: reflected-intothemselves-into-reflected” Lynden Sculpture Garden | 2145 W. Brown Deer Rd. Lynden Sculpture Garden boasts 50 monumental sculptures situated across 40 acres of Grade A Wisconsin landscape. Such fast company so beautifully installed must strike fear in the hearts of visiting exhibiting artists. With “reflected,” Wisconsin native Katy Cowan suppresses her creative equivalent of a fight-or-flight instinct, electing instead to engage Lynden’s permanent collection with her new sculptures. “Katy Cowan: reflected-into-themselves-into-reflected” opens with a reception from 3-5 p.m. on July 9 and is on display through Oct. 29.

“Art Bites: Social Conversation Over Food and Art”

Walker’s Point Center for the Arts | 839 S. Fifth St. Join the artists of the Walker’s Point Center for the Arts’ current exhibition, “Transplant Eyes,” for brunch and conversation on Saturday, July 8, 12-2 p.m. The discussion—“Art Bites: Social Conversation Over Food and Art”—picks up where the exhibition leaves off, with reflections on being a “transplant” in an adopted city and the benefits of building an inclusive and diverse arts community. The food will be provided by Antigua Latin Inspired Kitchen. Tickets are $30 for WPCA members and $45 for non-members.

‘The Race of Gentlemen’ exhibition at Harley-Davidon Museum SHEPHERD EXPRESS

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A&E::BOOKS BOOK |REVIEWS

BOOK |PREVIEW

Margaret Thatcher: A Life and Legacy

Milwaukee RapperPoet Returns to Woodland Pattern ::BY JENNI HERRICK

(OXFORD UNIVERSITY PRESS),

BY DAVID CANNADINE Humorless but hardworking, Margaret Thatcher leaped boundaries of class and sexism to become the U.K.’s first female prime minister. In his sensibly reasoned account, British historian David Cannadine describes her as an unpopular populist whose floundering political fortunes were reversed early on when she defeated Argentina’s fascist regime in the Falklands War. Single-mindedly devoted to free market ideology, she denied any connection between social unrest and economic deprivation. As the wrecking ball that smashed Britain’s quasisocialism, Thatcher swam in the rightward tide that swept the democratic world in the 1980s. She encouraged a culture of self-interested greed, was on the history’s wrong side by backing apartheid but on the right side by supporting change in the Soviet Bloc. Her legacy continues to overshadow the U.K. as the kingdom grapples with its future. (David Luhrssen)

Fun: Spies, Puzzle Solvers, and a Century of Crosswords (SELFMADEHERO),

BY PAOLO BACILIERI

With Fun, Italian comic book artist Paolo Bacilieri undertakes an imaginative pop culture archeological dig: the hardcover graphic work investigates the origin and spread of the world’s most ubiquitous word game, the crossword puzzle. In lavishly sketched panels, Bacilieri identifies the crossword’s beginnings in a 1913 edition of the New York World’s Sunday supplement, a section titled “Fun.” His narrative hopscotches through time, detailing the crossword’s viral spread following World War I and a fictional contemporary story concerning an esteemed professor who enjoys crosswords and explores their connection with comic strips in conversations with a young admirer. Fun is informative, entertaining and, yes, a fun read. (David Luhrssen)

30 | J U LY 6 , 2 0 1 7

M

ilwaukee native Derrick Harriell’s contemporary poems echo with stanzas both emotionally raw and lyrically moving, taking inspiration from his time in the hip-hop group Black Elephant in the early 2000s. Since his days as the wordsmith behind a popular local rap group, Harriell has completed his doctorate in English at UW-Milwaukee, worked as the poetry editor for The Cream City Review literary magazine and currently serves as director of the Master of Fine Arts-Creative Writing Program and assistant professor of English and African American Studies at the University of Mississippi.

His poetry has twice been nominated for a Pushcart Prize, and in his third complete collection, Stripper in Wonderland, the poems pulse with a musical energy as they explore complex topics (including death, racism and religion) by employing a heavy funk influence. Each dynamic poem is filled with surprising imagery and a strong musical cadence, revealing personal memories of Harriell’s childhood in Milwaukee and his current life in the Deep South.

Harriell’s second book of poetry, Ropes, which was awarded the 2014 Poetry Award by the Mississippi Institute of Arts and Letters, took inspiration from the lives of black boxers in a fascinating and fluid ode to pugilism. In his new compilation, the accomplished poet again uses bewitching and at times graphic imagery to summon the ghosts of his past and confront the harsh realities of the present day. In Stripper in Wonderland, this locally raised writer beautifully ponders multi-layered questions of gender, addiction and reality through the lens of a whimsical wonderland.

Derrick Harriell returns to Milwaukee to perform a free live reading at Woodland Pattern Book Center, 720 E. Locust St., at 7 p.m. on Thursday, July 6.

- music - theater - dance - visual arts - museums - tours - classes -

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::OFFTHECUFF

‘MILWAUKEE TAKES IT’ Off the Cuff with Wisconsin Avenue artist Mauricio Ramirez ::BY JENNIFER WALTER

O

n the corner of Sixth Street and Wisconsin Avenue, Mauricio Ramirez stands in the hot sun with two large crates of spray paint at his feet. He’s covering a utility box—once an industrial gray—with shaded triangles that will form an image of Vel Phillips when he is finished. The current Wisconsin Avenue artist in residence is a Chicago native, but spent childhood summers growing up in Milwaukee attending his cousins’ birthday parties.

Now, Ramirez is transforming 10 utility boxes along Wisconsin Avenue to honor important icons and events in Milwaukee’s wide-spanning history. From the settling of Native American tribes to the days of Milwaukee founding father Byron Kilbourn and the 1960s fair housing marches, Ramirez renders eye-catching images that make Downtown prettier.

Learning about Milwaukee’s history, as well as exploring a bit of his own, has been an exciting experience for Ramirez. Of all the places he’s worked, “Milwaukee takes it,” Ramirez said.

What personal ties do you have to the city?

My mom passed away about two and a half years ago and I have this weird thought in my head that it’s kind of like she wanted me to come back and do research about where she grew up.

We were really close but she rarely talked about Milwaukee because we were in Chicago, so I think this is a cool way to see what type of environment she grew up in and some of the things she got to experience.

How did you get on board with this project?

I was lucky enough to get selected for it. It was a dream come true

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because I’ve always wanted to live and work in Milwaukee so I couldn’t ask for a better opportunity to do both. I’m literally just soaking it all in, doing all the Milwaukee stuff like Summerfest, Summer Solstice and getting my haircut at Mr. V’s.

You’ve done projects for big companies. Do you prefer corporate projects or working on street art like you’re doing for the city of Milwaukee?

Anything goes, really. At the end of the day I just want to create art, whether it be for corporate entities or fine art. I’m a worker first and an artist second, so I just really want to work.

What’s your history in doing art as work and how do you approach it as a career?

I’ve been doing it for a strong seven years. I was an English teacher/education major (in college) but started sneaking into art studios and secretly doing work there because I was always interested in painting and graffiti. It was really weird because these art teachers would see me and say, “Hey, you’re not a student here but you’re spending a ton of time here.”

I kind of approach it from the entrepreneurial standpoint as opposed to the traditional route where you go to school for it. I kind of just wanted to do it, present it to people and showcase it so I hustled it.

What does the Wisconsin Avenue project mean to you?

There are a lot of aspects to this project. It’s something professional to me to be able to showcase work to the public and have it relate directly to the public in that sense. And also, being a worker and learning the trade of painting and doing industrial painting on something metal that’s going to be outside, I take pride in that and I’m super enthusiastic about painting that.

What have you learned from living here so far?

The history, for sure. Just all the different projects, site-specific boxes I’ve done, learning a lot about the important figures that shaped Milwaukee to this day, starting from the Native Americans to Byron Kilbourn … I’m starting to understand a lot of the geographical landscape here that kind of dictates why people live in certain areas.

It’s awesome.

Mauricio Ramirez

A brief program and ribbon-cutting ceremony for the project will take place next Tuesday, July 11 at noon inside the lobby of 411 East Wisconsin Center (and then outside on the corner of Wisconsin and Jefferson) to celebrate the 10 finished murals.

J U LY 6 , 2 0 1 7 | 31

::HEARMEOUT YOUR MILWAUKEE DENTAL PRACTICE

ASK RUTHIE | UPCOMING EVENTS | PAUL MASTERSON

swer your question. Happy now? You got me.

That said, I thought I’d reach out to Milwaukee’s booty specialist, Billy Lewis. Fully certified in core conditioning and body sculpting, Billy has been involved in the fitness arena for more than seven years. I asked Billy for his secrets to firming up the tush.

“Squats are an excellent way to improve your gluteus maximus,” says Billy. “Varying the width of your feet will change the emphasis of the exercise; as you move your feet further apart, you’ll feel it in your hips and butt.”

Billy also suggests an exercise called Butterfly Bridges. (How cute!) “They’re a great way to tighten and shape your rear, and they can be done anywhere,” he explains. “Laying on

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Ruthie Gets a Booty Call

your back, press the bottoms of your feet together, bringing your feet close to your bum.

Slowly raise your hips, simultaneously bringing your knees together with a squeeze. Lower the hips; opening the knees—simulating butterfly wings.”

The butt expert says that the more you elevate your hips and the closer the heels of your feet are to your keester, you’ll increase the burn. “Give a squeeze at the end of every set for a minimum of 10 seconds,” adds Billy.

When all else fails, talk to a trainer in person. Want to work out with Billy yourself?

Want to schedule a consultation? Contact this Cream City fitness pro at billlewis73@hotmail.com!

::RUTHIE’SSOCALCALENDAR July 5: Star-Spangled Spectacular at Hamburger Mary’s (730 S. Fifth St.): Milwaukee’s latest drag sensation, Pagan Holladay, hosts this red, white and blue celebration. Grab your Uncle Sam’s best and enjoy the 8 p.m. fun featuring the naughty Gluttoni Sinn, lovely Nova D’Vine and way-sexy Tod Alan. Call the burger haven at 414-488-2555 for reservations to the one-night-only event.

Dear Ruthie,

Let’s see if you can answer this, Ruthie.

Middle-age guy here who needs to firm up his ass. I’m getting that droopy, silky-feeling ass that old guys get, and I hate it. Any tips to firm things up?

—Droopy Drawers

Dear Droopy,

As anyone who has ever seen me in a bikini can attest, I’m not into physical fitness. I don’t work out, stretch, twist, turn, bike, hike, nada.

After all, if God wanted me to bend over and touch the floor, he would have put diamonds, cigarettes and little bottles of vodka on the ground. Needless to say, I’m not the girl to an-

Know your status.

Get tested!

Free HIV and STD testing at 6pm on Monday and Tuesday nights.

No appointment needed.

BESTD

July 8: New Pride Alive at Joannes Park (Doty St. and S. Baird St., Green Bay): Keep the pride love flowing with this Northeast Wisconsin festival. Party with the boys and girls from Green Bay with live entertainment, food, beverages and more.

What a great reason for a road trip! Explore the social scene in Green Bay, meet new friends and celebrate! For a lineup of entertainers, volunteer opportunities, maps and more, see newpridealive.com. The fest runs noon to 10 p.m.

July 9: Show Tune Sunday at Club Charlie’s (320 E. Menomonee St.): Life is a cabaret and this Sunday Funday proves it! In addition to the music, hilarious videos and cute bartenders, you’ll find great food and beverages to whet your whistle. The mingling, laughing and dancing are all free during this 2-7 p.m. singa-along.

July 10: Full Moon Hike at the Ice Age Trail at Holy Hill (via UWM University Recreation-Outdoor Pursuits, 3409 N. Downer Ave.): A “full moon” stroll in the woods might sound naughty to some of you, but this exciting outdoor adventure is actually a great way for all ages to experience nature! The moon illuminates this incredible hike, hosted by the team at UW-Milwaukee’s Outdoor Pursuits. For more on the 9 p.m. excursion, see uwm.edu. There you’ll find more on the $10 ticket, which includes transportation to the Ice Age Trail, headlamps and more.

July 11: Testing Tuesday at This Is It (418 E. Wells St.): Knowledge is power so know your HIV/AIDS status with free testing at this popular Cathedral Square bar.

You’ll also find complimentary STD tests, information on PEP and PrEP, safe-sex kits and more starting at 9 p.m.

Want to share an event with Ruthie? Need her advice on a situation? Email dearruthie@shepex.com.

C·L·I·N·I·C

1240 E. Brady Street 32 | J U LY 6 , 2 0 1 7

bestd.org SHEPHERD EXPRESS

::MYLGBTQPoint of View

Remembering Wisconsin’s Forgotten Gay Artist, Dudley Huppler ::BY PAUL MASTERSON

I

once interviewed a museum curator, who was gay, about an exhibit of African American art. Because several of the show’s artists, notably Kehinde Wiley, were LGBTQ, I asked how being both black and gay influenced their art.

With an eye-rolling rebuff he replied, “They were over it.” The follow-up got us no further.

Maybe he was concerned about the effect of the “gay stuff ” on the exhibit’s attendance or the institution’s future funding. I moved on to easier questions.

It’s odd. By contrast, straight celebrities’ lives are often measured by their marriages, affairs and lovers. Take Marilyn Monroe or artists like Pablo Picasso or Jackson Pollock whose bios are chronicled in periods of evolving styles that reflect their serial intimacies. Some gay ones, like Rudolfo Valentino, Bessie Smith and Andy Warhol, are as well, but only when there’s something particularly titillating or scandalous about them.

Speaking of Warhol and Smith, I have a pair of 1945-dated pen-and-ink drawings by Dudley Huppler (1917-1988). Who? Yes, I know. I hadn’t heard of him either until a local art picker sold me the drawings a decade ago. Beyond their eccentric style, the selling point was the Wisconsin artist who drew them and his impeccably gay credentials including an association

OFFICIAL AIRLINE OF CREAM CITY FOUNDATION:

Come celebrate with us! with Warhol. The sales pitch also mentioned Huppler as Karl Priebe’s lover; in fact, the drawings once belonged to Priebe—according to the notation scribbled on their paper backing.

(Priebe was, himself, a well-known mid-20thcentury Milwaukee artist.)

Priebe aficionados flutter on about his “birds.” He painted lots of them. But he really should be recognized for his paintings of black cultural personalities like Bessie Smith; something which would hardly have been typical of the era. And, looking through his works, a recurring black male in a baseball cap appears. His name is Berto, according to one painting’s title.

Perhaps Berto was just a model… But, like his relationship with Huppler, this gets rare mention when the ladies come and go speaking of Karl Priebe.

Anyway, according to Robert Cozzolino’s book, Dudley Huppler: Drawings, Huppler was born in Muscoda, Wis. A precocious, self-taught artist, he studied English at UW-Madison in the late 1930s and joined Marshall Glasier’s salon of artsy black, white, gay and straight “brilliant misfits.” He also met his “best boyfriend,” Karl Priebe, shuttling frequently to Milwaukee to be with him.

Around 1949, he moved to New York City.

There, through his art, ambition and natural gifts, Huppler penetrated the innermost circles of gay aristocracy. His work found its way into the hands of W.H. Auden and Ezra Pound. Befriended by renowned photographer George Platt Lynes, the young parvenu was social gold.

In 1955, he became a member of Warhol’s entourage, collaborating with the famed artist on various projects, while, in letters to Priebe, cattily referring to him as “Warthole.” All this (and much more) transpired during the infamous Red and Lavender Scares under another Wisconsinite, Sen. Joseph McCarthy.

Eventually, Huppler returned to Wisconsin to teach English. His drawings, meanwhile, focused on male nudes. “Few deny that Huppler was a powerful, almost devastating, personality in their lives,” writes Cozzolino. Yet, few know him as an important gay Wisconsin artist or Priebe’s lover. Well, now you know.

Our 35th Anniversary Summer Social

(formerly My Best Friend is Straight)

Wednesday, July 26th 2017 5:30 to 8:30 p.m.

Pritzlaff, 333 N. Plankinton To purchase sponsorship and tickets go to: SummerSocial.fasttransact.net

Cream City Foundation, founded in 1982, celebrates 35 years of service in 2017. The Foundation began with only $500 in seed money and since granted more than $1.5 million to life-affirming, life-sustaining and life-celebrating programs for the LGBTQ+ communities in southeastern Wisconsin.

759 N. Milwaukee St., # 522, Milwaukee, WI 53202 • 414.225.0244

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THURSDAY, AUGUST 10 5:30-8 PM THE WHEREHOUSE 818 S. WATER ST., MILWAUKEE

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J U LY 6 , 2 0 1 7 | 33

::MUSIC

For more MUSIC, log onto shepherdexpress.com

BEN COLEN

FEATURE | ALBUM REVIEWS | CONCERT REVIEWS | LOCAL MUSIC

Aesop Rock Confronts Life after 40 ::BY ALAN SCULLEY

s Aesop Rock tours behind his latest album, The Impossible Kid, he realizes that as a rapper who is now 40 years old, he doesn’t have much company in pursuing his goal to stay relevant, grow his audience and continue to progress musically.

“I have very few role models in rap that are still not only going, but really trying to push what they’ve done somewhere new,” said Aseop (real name: Ian Bavitz) in a recent email interview.

“It’s actually pretty disheartening. Sure, you could name me a handful of older rappers that still do it. Fine. But there’s no real precedent for continued progress to be the norm. People hang it up, or fall off or just get involved in other endeavors. It’s also difficult to pop my head up and attempt to compete for promo space with the newest 20-year-old who is out there killing it. It’s much harder to say, ‘Hey, I’m still here,’ no matter what the product sounds like.”

What might work in Aesop’s favor is he is still a fairly fresh face, at least when it comes to the hip-hop mainstream. He didn’t just burst onto the scene with a major label deal and an initial breakout hit or two. Instead, Aesop spent much of his career proving himself in indie-underground rap circles.

A graduate of Boston University, he self-released a full-length album and EP before getting signed by Mush Records and releasing his full-fledged debut, Float, in 2000. He then signed to El-P’s Def Jux label, releasing five full-length albums (the last of which, 2007’s None Shall Pass, debuted at No. 50 on Billboard’s all-genre Top 200 album chart). By that time, Aesop had begun to emerge from the underground scene and was making his presence felt in the mainstream hip-hop/rap world. His deal with Def Jux ended when the label was put on “hiatus” in 2010.

Aesop then surfaced on the Rhymesayers label in 2011, collaborating with producer, rapper and former Def Jux label mate Rob Sonic in the group Hail Mary Mallon before his next solo album, Skelethon, arrived a year later. That album debuted and No. 21 on the Top 200 album chart and at number one on Billboard’s Independent Albums chart, and found Aesop gaining more of a mainstream music audience.

34 | J U LY 6 , 2 0 1 7

Aesop Rock

As an artist who says he didn’t really seek the spotlight, Aesop said he was fine with the way his career has developed. “The path I took is just me taking baby steps in an attempt to stay comfortable,” Aseop said. “Being underground, or less popular, etc., it’s just a side effect of what I did, anyway. I liked a scene that wasn’t really that popular to begin with. This is all niche shit. As I got older, I attempted to twist it into a job, which so far has maintained. But this is the only path I’ve really known. I always just do my thing and assume people will seek it out if they’re that interested.”

Now with The Impossible Kid, Aesop appears poised to further expand his audience. The album has received strong reviews and opened at number two on the Independent Albums chart and at number three on Billboard’s Top R&B/Hip-Hop Albums chart. As on past albums, The Impossible Kid doesn’t go for the kind of big, poppy hooks that are common on Top 40 hip-hop hits, but instead concentrates on a more angular, synthy sound that has melody but works more as a backdrop for Aesop’s rapping and the beats than as a Aesop Rock focal point for the tracks.

Friday, July 7 The reality of reaching age 40 was a major source Harley-Davidson for inspiration for the record as Aesop examines his Roadhouse life—looking back all the way to his childhood—as he attempts to figure out who he is as a person and how he got to where he is now. Some of the lyrics are fairly straight-forward, a surprise considering Aesop has had a long-running reputation for being cryptic in his lyrics. “That’s pretty much what the Impossible Kid is largely about; just kinda staring at 40 and thinking, ‘OK, what now?’” he said.

“It’s a lot of reflective songs, and some are even an attempt to regather and not let old baggage hold me back,” he continues. “I do have this desire as of late to diversify and really attempt to get involved in as much as possible. My skill set is so niche that it starts getting a little scary at my age. I don’t know what I want it to be. I just want to learn to be happy.”

Aesop Rock performs with Rob Sonic on Friday, July 7 at Summerfest’s Harley-Davidson Roadhouse as part of an evening of music that also includes Rhymesayers-affiliated acts Soul Position (Blueprint and RJD2), Grieves, Brother Ali and Atmosphere.

SHEPHERD EXPRESS

MUSIC::LOCAL

Blonder Race Against the Clock on ‘Blender’ ::BY EVAN RYTLEWSKI

E

INGREDIENTS:

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CRAIG RISSER

ventually almost all bands reach a point where they have to admit that it just isn’t going to happen.

The time commitment it takes to make a band anything other than a hobby is utterly daunting, and without the ability to tour and the resources to promote themselves, a band’s odds of making an impact—or their odds of even being heard on any real scale—are next to nil.

The scrappy Milwaukee indie-rock quintet Blonder came to terms with that reality years ago. Day jobs (or, given some members’ odd work hours, night jobs) had eaten away at whatever little time they’d had to dedicate to the band to begin with, and they were finding it ever more to even coordinate practice time, let alone play shows. If band members’ increasingly busy work schedules were the writing on the wall, then the decision of co-leads Mina Mirhoseini and Matt Nordness to move to Nashville, Tenn., was the nail in the coffin.

The band made the most of those final months together, however, buckling down to finish one last album, Blender. They worked on it down to the wire, tracking it in drummer Eric Risser’s basement even as Mirhoseini and Nordness were in the process of packing.

“We just want to do this album and feel good about it, and that’s that,” says Risser. “It was hard. While we were recording, we figured we couldn’t even play shows together because we

needed to be concentrating on finishing this if we were only going to get one chance a week to meet up. A big part of recording it was being a secretary, just trying to get everybody together.”

In some ways, maybe it’s for the best that Blonder came to an early end, because they’re not really the kind of band you’d want to hear get old, anyway. Blender’s mix of lopsided, Pavement-esque lo-fi and shouty coed singalongs are the kinds of things that bands can only really pull off when they’re young—as bands age, those rough edges almost always get sanded away. A handful of prettier songs, like the violin-kissed “Heat and Secrete,” tease some of the directions the band might have pursued had they lasted longer, but for the most part, the band was uninterested in polishing their sound.

They were always drawn to rawer recordings.

“There’s something magic about those first recordings from bands—when they aren’t really sure about what they’re doing,” Risser says. “We always enjoyed listening to demos of bands we like, since they capture the rawer end of things, and they show where all the ideas come from.”

Given their inability to tour or promote the record in any meaningful way, Risser knows it’s unlikely Blender will ever find much of an audience. Adding insult to injury, a few years ago, a New York artist also adopted the name “Blonder” and trademarked it, and he seems to be gaining some traction. Because of the name confusion, his tour dates sometimes display on the Milwaukee Blonder’s Bandcamp page, so “it looks like we’re constantly on a nationwide tour,” Risser say. It must be odd, watching another artist with the same name gradually erase your own online presence.

Ultimately, though, Blonder’s legacy will be greater than any of the scattered recordings they left behind on their Bandcamp page.

“Matt and Mina actually met because of us starting this band and are getting married next year,” Risser says. “So, even if only a few people hear the album, there’s still a lot of good that came out of the band.”

You can stream Blender at blonder.bandcamp.com.

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MUSIC::LISTINGS THURSDAY, JULY 6

Amelia’s, Jackson Dordel Jazz Quintet (4pm) Angelo’s Piano Lounge, Acoustic Guitar Night County Clare Irish Inn & Pub, Acoustic Irish Folk w/Barry Dodd Harry’s Bar & Grill, Kyle Feerick (6pm) Jazz in the Park (Cathedral Square Park), The Blues Disciples (6pm) Kelly’s Bleachers (Big Bend), Thursday Night Acoustic Open Jam w/host Michael Sean Mason Street Grill, Mark Thierfelder Jazz Trio (5:30pm) Nines American Bistro of Mequon, ninesLive!

O’Donoghues Irish Pub (Elm Grove), The All-Star SUPERband (6pm) Osthoff Lake Resort, Joe Kadlec (6pm) Packing House, Barbara Stephan & Peter Mac (6pm) Potawatomi Hotel & Casino, In Bar 360: Wait for Morningo (8pm), In the Fire Pit: Logan’s Run (8:30pm) Shaker’s Cigar Bar, Prof. Pinkerton & the Magnificents Shank Hall, Selwyn Birchwood Shully’s Cuisine and Events (Thiensville), Shully’s River Sounds: Whiskey Farm (6:30pm) Stoneridge Inn (Hales Corners), Julie Nelson (6pm) The Bay Restaurant, Gabriel Harris Group The Corners of Brookfield, Concert at The Corners: WhiskeyBelles (6pm) Transfer Pizzeria Cafe, Cecilio Negron Jr. w/CNJ Latin Jazz & Alverto Rivera

FRIDAY, JULY 7

American Legion Post #449 (Brookfield), Larry Lynne Band (6:30pm) Angelo’s Piano Lounge, Piano Night Cactus Club, A Giant Dog w/Platinum Boys, WHIPS & Sweet La La Cafe Carpe (Fort Atkinson), Mark Dvorak, Bill Camplin & Rick Harris Caroline’s Jazz Club, The Bob Monagle Jazz Quartet Clarke Hotel (Waukesha), Dick Eliot Jazz Guitar (6pm) Company Brewing, Sleeping Jesus & Waldemar w/Cabin Essence County Clare Irish Inn & Pub, Traditional Irish Ceilidh Session Frank’s Power Plant, Symptoms w/Size 5’s, The Jims, Secondhand Souls & Mud Dog House of Guinness (Waukesha), Burgundy Ties Iron Horse Hotel, The B Side Band (5:30pm) Iron Mike’s (Franklin), Jam Session w/Steve Nitros & Friends Jokerz Comedy Club, Mike Marvell Lakefront Brewery Beer Hall, Brewhaus Polka Kings (5:30pm) Mamie’s, Stokes & The Old Blues Boys Mason Street Grill, Phil Seed Trio (6pm) Mia’s (Waukesha), The B Side Band Milwaukee Ale House, Big Al Dorn and the Blues Howlers Miramar Theatre, Dead Man’s Carnival w/Prof. Pinkerton & The Magnificents Packing House, Chanel le Meaux & the Dapper Cads w/Jeff Stoll (6:30pm) Potawatomi Hotel & Casino, In Bar 360: Joe Hite (9pm), In the Fire Pit: Lucky Tubb & The Modern Day Troubadors w/Three in a Tree (9pm) Potbelly Sandwich Shop (East Side), Texas Dave (noon) Rave / Eagles Club, Julieta Venegas (all-ages, 9pm) Site 1A, Savoy St. Lucy Catholic Church (Racine), Eddie Butts Band (6:30pm) The Bay Restaurant, Rick Aaron w/The Men in Black Trio Trinity Three Irish Pubs, Dan Harvey w/DJ Richie Rich Up & Under Pub, The Zimmer Effect

SATURDAY, JULY 8

Every week, our DJs seek out emerging artists and revisit favorites from the archives. And song-by-song, we independently create our own playlists.

We believe music brings people together and that positive stories can change the way you see our city.

36 | J U LY 6 , 2 0 1 7

Angelo’s Piano Lounge, Piano Night Bootz Saloon, Stateline Cactus Club, Melkbelly w/Fox Face & Clementine Cafe Carpe (Fort Atkinson), Krause Family Band Caroline’s Jazz Club, The Paul Spencer Band w/James Sodke, Larry Tresp, Mike Miller & Dave “Smitty� Smith Company Brewing, Strangelander w/The Joshua Catania Trio & Etherium Ensemble Fly By Saloon, Rockabilly Rebels Fox Point Farmers Market, Jaems Murphy & Kenesha Armon (10am) Fox & Hounds Restaurant, Larry Lynne Solo (6pm) Frank’s Power Plant, The Mound Builders w/The Dead Morticians, VexNation & Satan’s Dealer Hilton Milwaukee City Center, Vocals & Keys Jokerz Comedy Club, Mike Marvell Mason Street Grill, Jonathan Wade Trio (6pm) Milwaukee Ale House, Coyote Packing House, Donna Woodall Trio (6:30pm) Pillars Pub (West Bend), Vinyl Road Pizzeria Piccola, Texas Dave (6pm)

Potawatomi Hotel & Casino, In Bar 360: Mirage III (9pm), In the Fire Pit: Lucky Tubb & The Modern Day Troubadors (10:30pm) The Rock Sports Complex, Summer Concert Series in Umbrella Bar: Joe Hite Up & Under Pub, Entropy w/Arch Funk & Conundrum West Racine Farmers Market, Jack & Jill Jazz: Jack Grassel & Jill Jensen (8:30am) Yardarm Bar and Grill (Racine), The Blues Disciples (6:30pm)

SUNDAY, JULY 9

Angelo’s Piano Lounge, Live Karaoke w/Julie Brandenburg Cactus Club, Stargazer Lilies w/Brief Candles & Panda Riot Fire On Water, Burgundy Ties Frank’s Power Plant, Mary Rodgers Showcase & guests (2pm), Nevalra w/Order of Unukalhai, Magnetic Minds & Black Frost (8pm) Iron Mike’s (Franklin), Jammin’ Jimmy Open Jam (3pm) Lions Legend Park (Franklin), Floor It! (2pm) Newport Shores (Port Washington), Joe Kadlec (1pm) Rounding Third Bar and Grill, The Dangerously Strong Comedy Open Mic Route 20 Outhouse (Sturtevant), Devour the Day w/Sons Of Texas & Year Of The Locust

MONDAY, JULY 10

Cactus Club, Bethlehem Steel w/Haunter, Sundial Mottos & Apollo Vermouth Italian Community Center, Frank Demiles & Friends (6:30pm) Linneman’s Riverwest Inn, Poet’s Monday w/host Timothy Kloss & featured reader Tom Jones (7:30-10:30pm) Mason Street Grill, Joel Burt Duo (5:30pm) Paulie’s Pub and Eatery, Open Jam w/Christopher John Up & Under Pub, Marshall McGhee and the Wanderers Open Mic

TUESDAY, JULY 11

C Notes Upscale Sports Lounge, Another Night-Another Mic Open Mic w/Darryl Hill Cactus Club, General B and the Wiz album release tour w/ Pretty Beggar & Morangutangs Chill On the Hill (Humboldt Park), Abby Jeanne w/Fainting Room & Bryn Lorraine Johnson (6pm) Colectivo Coffee On Prospect, Angelica Garcia Frank’s Power Plant, Duck and Cover Comedy Open Mic Highbury Pub, Sweet Sheiks Italian Community Center, Tweed Funk (6:30pm) Kilbourn-Kadish Park, Skyline Music Concerts: De La Buena (5:30pm) Linneman’s Riverwest Inn, Mystery Loves Company Mamie’s, Open Blues Jam w/Stokes Mason Street Grill, Jamie Breiwick Group (5:30pm) Miramar Theatre, Tuesday Open Mic w/host Sandy Weisto (sign-up 7:30pm) Saloon on Calhoun, CP & Stoll w/Chris Peppas & Jeff Stoll The Jazz Gallery Center for the Arts, Jazz Jam Session Transfer Pizzeria Cafe, Transfer House Band w/Dennis Fermenich

WEDNESDAY, JULY 12

Caroline’s Jazz Club, Harvey Westmoreland w/Knee Deep Blues Jam Conway’s Smokin’ Bar & Grill, Open Jam w/Big Wisconsin Johnson District 14 Brewery & Pub, Wednesday Open Mic Golden Mast Inn, Joe Kadlec (6pm) Hot Water Wherehouse, The Ricochettes Iron Mike’s (Franklin), Danny Wendt Open Jam (6pm) Kochanski’s Concertina Beer Hall, Polka Open Jam Linneman’s Riverwest Inn, Acoustic Open Stage w/feature Seth Hoffman (sign-up 8:30pm, start 9pm) Mason Street Grill, Jamie Breiwick Group (5:30pm) Miramar Theatre, Stage Right Pub: JP Spencer Nomad World Pub, Locals Only Oak Creek Community Center, Outdoor Summer Concert Series: Streetlife w/Warren Wiegratz Packing House, Carmen Nickerson & Kostia Efimov (6pm) Paulie’s Field Trip, Humpday Jam w/Dave Wacker & Mitch Cooper Pere Marquette Park, River Rhythms: Chicken Wire Empire (6:30pm) Pewaukee Lakefront Park, Waterfront Wednesdays: Geoff Landon & Friends (6pm) Potbelly Sandwich Shop (East Side), Texas Dave (noon) Tally’s Tap & Eatery (Waukesha), Tomm Lehnigk w/Red Deacon & Gary Fiedler (3pm) Turner Hall Ballroom, Southern Culture on the Skids w/The Exotics Washington Park, Summer Concert Series: Cigarette Break w/ DJ Bizzon (6pm) Zeidler Union Square, Westown Farmers’ Market: Claire Kelly (11:45am) SHEPHERD EXPRESS

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MUSIC::CONCERTREVIEW

Ludacris @ Miller Lite Oasis, Summerfest July 2, 2017 ::BY EVAN RYTLEWSKI

I

f you’re at all familiar with Ludacris’s “Thong Song”-sampling latest single “Vitamin D,” it’s probably not because you heard it on the radio. Released early this spring, the track never charted, but it did find a little infamy online— thanks to some horrendous CGI that gave the rapper the lusty abs of a bodybuilder. The internet had a long laugh at Ludacris’s expense, snickering at the notion that the diminutive, nearly 40-year-old rapper would be delusional enough to cast himself as a sex symbol. The idea that maybe those superimposed muscles were supposed to look ridiculous never even crossed most people’s minds.

In his heyday, nobody would have doubted that Ludacris was in on his own joke. For years, the Atlanta wild card was one of the funniest, most creative and entertaining rappers on the radio, and his videos distorted his body in all manner of grotesquely comical ways. But that was the early 2000s, before Lil Wayne invented himself as a Martian and before Atlanta’s rap scene had fully actualized into the avant-garde mecca that it is today.

Like nearly every rapper before him, with age, Ludacris has tamed and fallen behind the times. Whatever sense of danger and combustibility he brought to the radio was gone by the time he started doing Fast and Furious movies.

Ludacris did slip “Vitamin D” into his set during his latest return to Summerfest Sunday night, but mostly he stuck to the hits, pumping them out one after another: “Southern

D

s with a kick rink

Hospitality,” “Area Codes,” “Roll Out (My Business),” “What’s Your Fantasy,” “Pimping All Over The World” and “How Low” among them, along with his verses from Usher’s “Yeah!” and DJ Khaled’s “All I Do Is When.”

That’s one of the most unimpeachable singles runs of the 2000s, and mostly the material sold itself, each song firing up the young, tightly packed crowd.

The crowd often seemed more animated than Ludacris himself, who slowed the show’s momentum with rehearsed stage banter between nearly every song. He talked about his 18 years in the music industry and the “people supporting me since day one,” complemented the beautiful women in the crowd and repeatedly commented on how the crowd was inspiring him to “do a little something extra tonight,” though for all that talk there was little evidence of going above and beyond.

When, midway through the set, he said “we were supposed to be off stage like 10 minutes ago,” usually a surefire applause line, nobody seemed to believe him.

He also shouted out a few times to the real Ludacris fans in the crowd, but as best I could tell they don’t exist. Even at peak stardom, Ludacris never had a dedicated following the way an Eminem or a Jay-Z did; listeners saw him more as a singles bot than an artist. His gracious but halfhearted Summerfest show reaffirmed that impression. The songs have held up amazingly well; most felt as fresh and exhilarating as they did a decade ago. It’s Ludacris himself who seemed past his prime.

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38 | J U LY 6 , 2 0 1 7

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BAD TIMING

THEME CROSSWORD

By James Barrick

PSYCHO SUDOKU! “Greater-Than Sudoku”

For this ‘Greater-Than Sudoku,’ I’m not giving you ANY numbers to start off with!

Adjoining squares in the grid’s 3x3 boxes have a greater-than sign (>) telling you which of the two numbers in those squares is larger. Fill in every square with a number from 1-9 using the greater-than signs as a guide. When you’re done, as in a normal Sudoku, every row, column, and 3x3 box will contain the numbers 1-9 exactly one time. (Solving hint: try to look for the 1’s and 9’s in each box first, then move on to the 2’s and 8’s, and so on). psychosudoku@gmail.com

72. Cisterns 73. Child’s wheels 74. Descendant 75. Backtalk 76. Like a churl 77. Simple song 78. Rouses 79. Printer’s measure 80. — de la Cite 81. Excavations 82. Watery porridge 83. Plait 84. Topping for spaghetti 86. Onion roll 87. “Wuthering Heights” author 88. A cable network 89. Louver 90. Part of Q.E.D. 91. End of the quip: 6 wds.

99. Diplomacy 100. Instruct 101. — acid (a B vitamin) 102. Chela 104. Caliber 105. Alleviated 106. Being of service 107. River in England 108. Aspersion 109. Pee Wee of baseball 110. Loads up 111. Latvian

10. Decelerated 11. Ricochet 12. Car-for-hire app 13. Feather scarves 14. French department 15. Persian sun god 16. Celebes buffalo 17. Shock 18. Radioactive 28. Unmixed, as liquor 29. Kind of British gun 30. Toddlers 34. Prison guard 35. “— Will Be Blood” 36. Distance-measuring device 37. Abridge 38. Affirm 39. Summer Olympics game: 2 wds.

40. ABA mem.

41. Dissolute 42. Not fresh at all 43. Fathers 45. A joint 46. Further down 49. Word in a palindrome 50. Kitchen mishaps 51. Mendes or Michaels 53. Septs 54. False alarm 55. Kind of store

57. Duck 58. Like a backroom meeting 62. Blue-pencils 63. Bay window 65. Anchor position 66. Deen or Abdul 69. John — Passos 70. Lawful 71. Pip on a card 73. Fey or Turner 74. First king of Israel 77. Calamity 78. Irate 79. Standard of conduct 81. Jumble 82. — Carlo Menotti 83. Laugh loudly 85. Grumble 86. Fair-haired girl 87. Supports 89. Wild blue yonder 90. Roman official: Var. 91. British lockup 92. Beige 93. Dies — 94. Instance 95. Least tiny bit 96. Went effortlessly 97. Conduit for gases 98. Eat nothing 99. Cable channel 103. Dank

Solution to last week’s puzzle

DOWN 1. PC component 2. GUI item 3. Get out!

4. Fuel for lamps 5. Decorate 6. Skyward 7. Muses’ number 8. “— With the Wind” 9. Not realistic, artistically

A X I S M C O O S E N N B Y G O O K X M E N X F H T E R R E L A P S E C C C T I O N

6/29 Solution

WORD FIND This is a theme puzzle with the subject stated below. Find the listed words in the grid. (They may run in any direction but always in a straight line. Some letters are used more than once.) Ring each word as you find it and when you have completed the puzzle, there will be 22 letters left over. They spell out the alternative theme of the puzzle.

Games We Play Solution: 22 Letters

© 2017 Australian Word Games Dist. by Creators Syndicate Inc.

© 2017 United Feature Syndicate, Dist. by Andrews McMeel Syndication

ACROSS 1. Concern of underwriters 5. Bowl cut feature 10. — diver 15. Make pulpy 19. Soreness 20. George or T.S. 21. Part of NLRB 22. Dividing 23. Peaty region 24. Osmond or Hathaway 25. Nymph in Greek mythology 26. Ballyhoo 27. Start of a quip by anonymous: 5 wds.

31. Faction 32. Particular 33. Part of Scand.

34. Long mark 37. Daunted 39. Visionary ones 44. Intone 45. Like most fabrics 46. Mouthfuls 47. — Ben Canaan 48. Descartes or Coty 49. Miscalculated 50. Borscht ingredient 51. To-do 52. Work unit 53. Town — 54. Besmirch 55. Water park attraction 56. Well-tended, as a garden 58. Haddock 59. Leverets 60. Monk’s title 61. Part 2 of quip: 3 wds.

64. Arista 65. Relating to bees 67. Bouquets 68. First, second and third, e.g.

S A N D W I C H V E D O R E S C U E L N I A I G O B B L E D E E A C L E R G Y C E P R I Z E F I G O E E E Q U A S A R E C T E S W H E Y E J E

AFL Badminton Basketball Bat Bats Competition Crew Equestrian Exercise Fast Final Fish Fly

Gala Games Goal Grit Gymnastics Indoor Judo Kick League Motor racing Mountaineering NRL Oval

Performance Pole vault Polo Rowing Run Ski Squash Swim Title Train Try Union Win

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6/29 Solution: Take them by the hand and sweep them off their feet SHEPHERD EXPRESS

Solution: Having fun and keeping fit

Creators Syndicate 737 3rd Street • Hermosa Beach, CA 90254

Date: 7/6/17

::FREEWILLASTROLOGY ::BY ROB BREZSNY CANCER (June 21-July 22): It’s prime time for you to break through any inhibitions you might have about accessing and expressing your passion. To help you in this righteous cause, I’ve assembled a batch of words you should be ready to use with frequency and sweet abandon.

Consider writing at least part of this list on your forearm with a felt-tip pen every morning so it’s always close at hand: enamored, piqued, enchanted, stirred, roused, enthused, delighted, animated, elevated, thrilled, captivated, turned-on, enthralled, exuberant, fired up and awakened.

LEO (July 23-Aug. 22): Matt Groening, creator of the cartoon series The Simpsons, says that a great turning point in his early years came when his scoutmaster told him he was the worst Boy Scout in history. While this might have demoralized other teenagers, it energized Groening.

“Well, somebody’s got to be the worst,” he triumphantly told the scoutmaster. And then, “instead of the Earth opening up and swallowing me, instead of the flames of hellfire licking at my knees, nothing happened, and I was free.” I suspect you may soon be blessed with a comparable liberation, Leo. Maybe you’ll be released from having to live up to an expectation you shouldn’t even live up to. Or maybe you’ll be criticized in a way that will motivate your drive for excellence for years to come.

VIRGO (Aug. 23-Sept. 22): Nineteen of my readers who work in the advertising industry signed a petition requesting that I stop badmouthing their field. “Without advertising,” they testified, “life itself would be impossible.” In response, I agreed to attend their re-education seminar. There, under their tutelage, I came to acknowledge that everything we do can be construed as a kind of advertising. Each of us is engaged in a mostly unconscious campaign to promote our unique way of looking at and being in the world. Realizing the truth, I now feel no reservations about urging you Virgos to take advantage of the current astrological omens. They suggest that you can and should be aggressive and ingenious about marketing yourself, your ideas and your products.

LIBRA (Sept. 23-Oct. 22): In 2003, the American Film Institute announced the creation of a new prize to honor acting talent. Dubbed the Charlton Heston Award, it was designed to be handed out periodically to luminaries who have distinguished themselves over the course of long careers. The first recipient of the award was, oddly enough, Charlton Heston himself, born under the sign of Libra. I hope you’re inspired by this story to wipe away any false modesty you might be suffering from. The astrological omens suggest it’s a favorable moment to create a big new award named after you and bestow it upon yourself. As part of the festivities, tell yourself about what makes you special, amazing and valuable.

SCORPIO (Oct. 23-Nov. 21): Here’s your riddle: What unscratchable itch drives you half-crazy? But you’re secretly glad it drives you half-crazy, because you know your half-craziness will eventually lead you to an experience or resource that will relieve the itch. Here’s your prophecy: Sometime soon, scratching the unscratchable itch will lead you to the experience or resource that will finally relieve the itch. Here’s your homework: Prepare yourself emotionally to fully receive and welcome the new experience or resource. Make sure you’re not so addicted to scratching the unscratchable itch that you fail to take advantage of the healing it’s bringing you.

SAGITTARIUS (Nov. 22-Dec. 21): The best way to go forward is to go backward; the path to the bright future requires a shadowy regression. Put another way, you should return to the roots of a triumph in order to find a hidden flaw that might eventually threaten to undo your success.

Correct that flaw now and you’ll make it unnecessary for karmic repercussions to undermine you later. But please don’t get all solemn-faced and anxious about this assignment. Approach it with humorous self-correction, and you’ll ensure that all goes well.

CAPRICORN (Dec. 22-Jan. 19): Are you familiar with the psychological concepts of anima and animus? You’re in the midst of being intoxicated by one of those creatures from

SHEPHERD EXPRESS

inner space. Though you may not be fully conscious of it, you women are experiencing a mystical marriage with an imaginal character that personifies all that’s masculine in your psyche. You men are going through the analogous process with a female figure within you. I believe this is true no matter what your sexual orientation is. While this awesome psychological event may be fun, educational and even ecstatic, it could also be confusing to your relationships with real people. Don’t expect them to act like or live up to the very real fantasy you’re communing with.

AQUARIUS (Jan. 20-Feb. 18): As a recovering save-the-world addict, I have felt compassionate skepticism toward my fellow junkies who are still in the throes of their obsession.

But recently I’ve discovered that just as a small minority of alcoholics can safely take a drink now and then; so can a few save-the-world-aholics actually save the world a little bit at a time without getting strung-out.

With that as a disclaimer, Aquarius, I’m letting you know that the Cosmos has authorized you to pursue your own brand of fanatical idealism in the coming weeks. To keep yourself honest, make fun of your zealotry every now and then.

PISCES (Feb. 19-March 20): The potential breakthrough I foresee for you is a rare species of joy. It’s a gritty, hard-earned pleasure that will spawn beautiful questions you’ll be glad to have awakened. It’s a surprising departure from your usual approach to feeling good that will expand your understanding of what happiness means.

Here’s one way to ensure that it will visit you in all of its glory: Situate yourself between the fabulous contradictions in your life and say, “Squeeze me, tease me, please me.”

ARIES (March 21-April 19): Unless you were raised by a pack of feral raccoons or a fundamentalist cult, now is a perfect time to dive into your second childhood. Is there a toy you wanted as a kid but never got? Buy it for yourself now! What were the delicious foods you craved back then? Eat them! Where were the special places you loved? Go there, or to spots that remind you of them. Who were the people you were excited to be with? Talk with them. Actions like these will get you geared up for a full-scale immersion in innocent eagerness. And that would be just the right medicine for your soul.

NOTICE: News of the Weird

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TAURUS (April 20-May 20): What I wish for you, Taurus, is toasted ice cream and secrets in plain sight and a sacred twist of humorous purity. I would love for you to experience a powerful surrender and a calm climax and a sweeping vision of a small but pithy clue. I very much hope that you will get to take a big trip to an intimate turning point that’s not too far away. I pray you will find or create a barrier that draws people together instead of keeping them apart.

GEMINI (May 21-June 20): In the Dr. Seuss book Horton Hatches an Egg, an elephant assumes the duty of sitting on a bird’s egg, committed to keeping it warm until hatching time.

The nest is located high in a tree, which makes the undertaking even more incongruous. By the climax of the tale, Horton has had to persist in his loyal service through a number of challenges. But all ends well, and there’s an added bonus: The creature that’s born is miraculously part-bird, part-elephant. I see similarities between this story and your life right now, Gemini. The duty you’re carrying out doesn’t come naturally, and you’re not even sure you’re doing it right. But if you keep at it till it’s completed, you’ll earn a surprising reward.

Homework: What was the pain that healed you most? What was the pleasure that hurt you the worst? Testify at freewillastrology.com.

Go to RealAstrology.com to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone at 1-877-873-4888 or 1-900-950-7700.

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