portfolio

PORTFOLIO 2020

SINA SHAFIEYARI ARCHITECT

PROFILE

EDUCATION ARCHITECT SINA SHAFIEYARI 20133, MILAN, ITALY sinashafiyari92@gmail.com www.instagram.com/sinashelter issuu.com/shelters/docs/portfolio +393913303486

EXPERIENCES

BIO

POLITECNICO DI MILANO, MILAN 2017-2020 “2 years of full-time architectural work MSC in Architecture Built Environment Interiors experiences and almost 5 years of partial relevant part-time activities with diierent AZAD UNIVERSITY, HAMEDAN 2010-2014 International teams. 3d illustrator and giver of Bachelor in Architectural Engeering the sense of reality to ideas and concepts. A profile of fine art and drawing collection and seeking to find the meaning of light, darkness and color.”

CAREER

COMPETITIONS

COMUNE DI SESTO SAN GIOVANNI, MILAN ITALY (June 2019 - October 2019) Architectural compulsory internship, part time GOLAMINI OFFICE, TEHRAN IRAN (2014-2017) Architect intern and co-designer, full time A-NIM publication and modeling studio, HAMEDAN IRAN (2013-2016) Digital and physical model making, architectural publication, part time ALKAWOOD interiors, HAMEDAN IRAN (2011-2013) Computer aided designer, interior designer, more than 50 projects (cabinets), part time

Ideas forward, 24h architecture 2019 Appreciated project International Architecture Competition of Islamic Revolution and Sacred Defence Museum 2016 Appreciated project, design team member National Architectural Sketch Competition 2014 4th place National Architectural Sketch Competition 2013 1th place

EXHIBITIONS

Venice bienale of architecture 2018 Interior design and modeling performance Politecnico di Milano

PROJECTS Villa Kordan — golamini office, Member of design team (2014-2015) Yazd Habitat Complex — golamini office, Member of design team (2015) Alma Mall Tabriz — golamini office, Member of design team (2015) Pardis Habitat Complex — golamini office, Member of design team (2015) Akbari Habitat Complex— golamini office, Member of design team (2015) Akbari Office— golamini office, Member of design team (2014-2015)

SKILLS

SOFTWARES

Hand drawing Science base Art base Group work presentation Arch detail development Temporary Arch Parametric Arch Adoptive reuse Arch Preservation Multi media

AutoCAD Autodesk Revit Rhino Sketchup V-ray rendering Adobe Photoshop Adobe Indesign Adobe Premiere Microsoft OOice Hand drawing Arch. detail development

Parand mall — golamini office, Member of design team (2016) Shahrvand chainstores— golamini office, Member of design team (2017) Parand sport complex — golamini office, Member of design team (2017) La Biennale di Venezia — POLIMI, Exihibition performer (2018) P.E.B.A: PLANS FOR ELIMINATING ARCHITECTURAL BARRIERS— Municipality of Sesto San Giovanni, Ilustration and survey (2019)

LANGUAGES Persian English Italian Arabic French

SELECTED WORKS 2015-2020

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METRO, BOULOT, DUDU 2020 PARIS, FRANCE master thesis on connection spaces and temporary structures Polimi

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GALLO ROMANO 2019 SUSA, ITALY Reuse of a Gallo-Roman historical site Polimi

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WELCOME TO THE MACHINE 2018 MADRID, SPAIN Reuse of Plaza de Castilla, Amazon urban warehouse, diagonal garden Polimi

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DELLA TENEBRE ALLA LUCE 2018 SAVIGNONE, ITALY Renovation and representation of colony of Renesso Polimi

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AZZURRO 2017 TEHRAN, IRAN Prayer space public architectural competition Individual

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INTO THE VOID 2016 TEHRAN, IRAN Holy defence Museum Competition Golamini

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VILLA KORDAN 2015 KORDAN, IRAN Holiday cottage, culture of harmony between form and space Golamini

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METRO, BOULOT, DUDU 2020 Function: Reuse and development of “La Petite ceinture”, abandoned railway in paris Professor: Marta Averna Individual Polimi

As the daily needs of humans As Parisian people say: In 1852 when Napoleon III was the “Metro, In 1852Boulot, when Napoleon III was the are changing very fast and there dodo” (subway, is not as much spacethe left for us sleep) is left our emperor of France, order waswork, emperor ofwhat France, thefrom order was on the earth as before, we need spaces but the infrastructure and given to his Prefect of Seine, given to his Prefect of Seine, to think differently. We need to connections?

“Haussman” to build a new belt “Haussman” to build a new belt use our space in multiple ways to Maybe connection spaces are of railway around Paris, just is the ofsolution. railway around Paris, satisfy these needs.

Flexibility They can be just there insidethe thespace city tocan for insidethe walls of theto city to needed in walls a wayof that us to rest, to think, meet be converted as fast as possible and to communicate.

In other connect the mainstations of the connect the mainstations of the for otherrailway uses. Innetwork anotherinhand, we live in the connections, national the words, national railway network in the human of 21st century is always let us live the connections. city, bring construction material to each. on the run.

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CONCEPTS

MADE IN CONNECTIONS: A corridor, staircase, railway, entrance, and exit or any other sort of connection in an architectural or urban space, can be the base of different activities.

In other words, a connection point can be presented as an architectural multi-functional complex. In today’s society we spend a big amount of our daily time in infrastructures and connections.

A modern human no longer hides stairs and corridors in dark corners but it is to be shown and done appreciated because of the value which it has got.

Let us take another step further, let us be friends with them, have a stop, enjoy and use the best of them as a city is a connection between individuals.

COMPLEXITY AND FUNCTIONAL EFFICIENCY: There are cities all around the world which their citizens and visitors suffer from lack of free space and everyone is looking for a way to broaden his/her activities and ownership of space.

Paris is a very good example. In these places one of the most important architectural aspects to consider is not only to increase comfort but also to solve as many functions and needs as possible.

This is a feature that one can not name it with routine single words for spaces.

DIAGRAM NO.1

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GENERAL DESIGN 0

The general design of the master plan is made based on dividing the length to 5 different elements considering the context capacity and needed functions and connections. The elements are 2 staircases, a bar, planting maintenance, indoor performance hall and urban agriculture units.

Main elements are 2 staircases that connect urban fabric level to the underground railway to expose better public accessibility.

Also the other parts are explained in their section briefly.

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SITE PLAN

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The first and the most important element of the project is mainly made of a staircase bringing the users to the access level of the existing historical railway. Diagonally arranged seats are available from the main staircase, viewpoints, table area that serves La Recyclerie, energy saver roofs, and access to the indoor performance hall, are the main space qualities in this part.

PERSPECTIVE NO.1 SECTION A-A

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The second element of the project is a staircase as well and it is accessible from Rue de Ruisseau, facing the first part. these two units, follow almost the same functions, apart from the fact that this place does not serve the bar (La Recyclerie) anymore and it is not a busy entrance as the first one but it is cozier and serving the neighborhood, the existing garden ( Les Jardins du Ruisseau) and the urban agricultural units (explained in part V).

PERSPECTIVE NO.2 SECTION A-A

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DIAGRAM NO.3

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In the existing situation, there is a bar under the narrow staircase and it almost does not make sense since it is very close to the main bar (La Recyclerie). in the design phase, a bar has been made to serve equally to both endings of the project (in the center). also the mid-height green area which is not accessible at the moment is considered to be maintained, so a staircase with a small equipment room on the mid-height has been added for the keepers of Jordin du Ruisseau.

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PERSPECTIVE NO.4 SECTION A-A

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As a tunnel is a space that almost does not receive any natural light, it can be the base of artificial light control for indoor performances and exhibitions. In this project the existing tunnel has been equipped with light rejecter walls, air ventilation system and public toilet for longterm, flexible, temporary mentioned uses.

PERSPECTIVE NO.5 SECTION A-A

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The railways are usually on a lower level from platforms, which makes it a perfect space to be filled by soil and be used for the agricultural uses. In this case, agricultural units have been designed as modular boxes that can be extended on any points of the railway that faces the opposite to the public space and has the same considered width. These units can be used for outdoor farming or in case of a greenhouse, they can be covered by light air-filled recycled plastic domes.

PERSPECTIVE NO.6 SECTION A-A

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DIAGRAM NO.4

PLAN part V

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GALLO ROMANO 2019 Function: Reuse and developement of Gallo-Roman historical site Professors: Alessandro Rocca and Andrea Rolando Team members: Nazanin Nazari Moghaddam, Atena mahzoun, Sina Shafieyari

The project located inIIIawas GalloIn 1852 whenisNapoleon the Roman historical site in Val di emperor of France, the order was Susa, Italy. This valley makes the given to Prefect of Seine, border ofhis Italy and France and it is “Haussman” to build a new belt a sign of the mixture of cultures from ancient time.Paris, The site of railway around just contains so many archaeological insidethe walls of the city to element such as an amphitheater, connect the mainstations of the an arch, walls of a palace, which all national railwayto network into the of them belong 100 B.C. 200 city, bring construction material AC.

The concentration of this design In 1852 when Napoleon III was the is on the amphitheater which emperor of France, the order is was the smallest Roman amphitheater given toIthis Prefect of Seine, in Italy. is not as well preserved, “Haussman” to build a new belt meanwhile it has the potential of becoming a public space railway around Paris, just that attracts people of susa around insidethe walls of the city to and several cultural events can connect the mainstations of the happen in it. The purpose is not national railway the to change but tonetwork developin the to each. functionality and respect.

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AXONOMETRIC VIEW DIAGRAM NO.1

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GALLO ROMANO 2019 CONNECTIONS: One of the main STRUCTURAL BEHAVIOR: in Function: Reuse and concentrations on the design is order show the contrast and not Gallo-Roman to design a path that connect developement to touch theof archeology-natural two parts of Susa which is now historical paths site and structures in the site, separated because of isolation and exposedAlessandro steel (for the Rocca path) Professors: crossing difficulty of this site. and Andrea and concrete (for the roofed Rolando In order to solve this problem, the buildings) are considered. There Team members: Nazanin Nazari pass ways are carefully designed is a journey with different choices Atena needs mahzoun, and in case of need are covered,Moghaddam, in case of various such as Sina Shafieyari paved or framed which you can see hiking, gathering, archaeological in Diagram No.2. visiting and daily passages for people of the valley.

DIAGRAM NO.1

In 1852 when Napoleon III was the emperor of France, the order was given to his Prefect of Seine, “Haussman” to build a new belt of railway around Paris, just insidethe walls of the city to connect the mainstations of the national railway network in the city, bring construction material

In 1852 when Napoleon III was emperor of France, the order given to his Prefect of Seine, “Haussman” to build a new be of railway around Paris, just insidethe walls of the city to connect the mainstations of t national railway network in th to each.

DIAGRAM NO.2

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WELCOME TO THE MACHINE 2018 Function: Reuse of Plaza de Castilla, Amazon urban warehouse, diagonal garden Professors: Héctor Fernández Elorza, Jacobo Leveratto Team members: Julia Gladisheva, Albert Karam, Vitoria Luppi, Sina Shafieyari Polimi

After revolution In 1852industrial when Napoleon III was the factories and big companies emperor of France, the order was started to make their giant given to his Prefect Seine,In warehouses in urbanof spaces.

20th centuryto industry “Haussman” build astarted new belt to grow at very high and of railway around Paris, just uncontrollable pace that their insidethe could walls of the to buildings not fitcity in urban society with causes connectany themore mainstations of the such as noise/air pollution, smell, national railway network in the polluting ricers and drinking city, bring material water.

Thisconstruction is why industrial zones

Appeared around the whole In 1852 when Napoleon III was the world multiple kilometers away emperor of France, the order was from the cities to have enough given to Prefect of Seine,and space forhis huge mechanisms warehouses, now,ainnew 21stbelt “Haussman” but to build century peoples need are more of railway around Paris, just temporary, fast, and unstable. insidetheiswalls to Amazon, one of of the the city pioneering companies satisfy peoples connect thetomainstations of the need in the age of technology. national railway network in the to each.

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Now its the time for a new step further, robots are taking over our world, people expect their needs to be satisfied by one click, but these needs are mostly made of goods and objects. How a company with such a wide category of services can serve people its best?

Amazon needs to live inside their cities, knock their doors and deliver in some moments whatever are their needs.

Madrid Norte is a new generation of the urban fabric of Madrid. It is identified as a business center with different daily activities and in it. Plaza Castilla contains a high density of connections to the city with a center for public transportation. A powerful design can consist of a system that not only joins all the existing functions, but also creates an enjoyable place for the people.

DIAGRAM NO.1

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GALLO ROMANO 2019 MODULAR DESIGN The general functional The project is made of cubic Function: Reuse and modules, which has been designed division of the project is, developement of Gallo-Roman AMAZON warehouse and its with different functions to make and public space the structure easy to be reusedhistorical (as embranchments site it is the purpose of the client) and which diagonally passes through Professors: Alessandro Rocca get configured since in this century the warehouse and uses the space and Andrea Rolando as an exhibition of its own. Since because of the fast development warehouseNazanin is fully covered by of technology functions changeTeam or the members: Nazari disappears. Any module that is not transparency of the glass even Moghaddam, Atena mahzoun, going to be used during the future, for the sealing and the floor of Sina it, Shafieyari the exhibiting process with its can be replaced with sitting areas, robotic control has became much green areas or needed activities with the help of light modular steel attractive. structure.

In 1852 when Napoleon III was the emperor of France, the order was given to his Prefect of Seine, “Haussman” to build a new belt of railway around Paris, just insidethe walls of the city to connect the mainstations of the national railway network in the city, bring construction material

DIAGRAM NO.2

In 1852 when Napoleon III was emperor of France, the order given to his Prefect of Seine, “Haussman” to build a new be of railway around Paris, just insidethe walls of the city to connect the mainstations of t national railway network in th to each.

DIAGRAM NO.3

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GALLO ROMANO 2019 One of the main considerationsand of Function: Reuse the modular design is the robotic developement of Gallo-Roman control of the warehouse. The historical site robots which are considered to be used in this complex are arranged Professors: Alessandro Rocca to bring the goods to be delivered and Andrea Rolando or served in the flagship store in Team members: Nazanin Nazari less than 2 minutes.

These robots are considered to Moghaddam, Atena mahzoun, be the future of time taking labor Sina ShaďŹ eyari work of such industrial spaces, and they fit much more to cities.

DIAGRAM NO.4

DIAGRAM NO.5

PERSPECTIVE NO.1

PERSPECTIVE NO.2

In em gi “H of in co na ci

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DELLA TENEBRE ALLA LUCE 2018 Function: Renovation and representation of colony of Renesso Professors: Marta Averna Team members: Ziyaolrahman Jamshidzehi, Sepide Roumizadeh, Atena Mahzoun, Sina Shafieyari, Larissa Gerges Polimi

the heart Liguria, there In 1852 whenof Napoleon III wasisthe a small valley called Savignone. emperor of France, the order was On the top of the valley, you given to his Prefect of Seine, see a concrete giant, Colony di “Haussman” build a new belt Renesso. Thistobuilding is one of of aroundin Paris, just and therailway two colonies the area it was made during thecity fascism insidethe walls of the to era (1933) as a summer camp connect the mainstations of the for students to be trained with national railway network in the different physical and cultural to each.corner let the citizens activities. travel the fastest way around The buildings of course are bringing memories of the Paris. This belt is named “La difficult time of The Petite Ceinture” (theWorld little war belt) to the people of Italy, and these and it kept helping the flashbacks of how a country can transportation of the city until grow and get from darkness to 1930 the metro of Paris light when are the points that we found the most interesting.

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The current situation of the building is abandoned without maintenance and after the fascism era this building had only been used officially for temporary exhibitions. Looking through its architectural style and the heavy historical atmosphere of the place is easily recognizable and interesting to carve. The interior as well is not in a very good situation but most of the furnitures are still there. This features gave us the idea that it can be a museum of its own which can represent the building as an abstract message. The visitors are going to follow a path through the deepest memories carried by the building.

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The first floor of the building is divided into three different parts. The entrance, the exit and Cafeteria.

The whole building is a considered to work as a single path. So if one enters the building, there is only one way to enter which is in front of him/her. Passing through the entrance there is the existing staircase which brings its visitors to the next level of the representation of colony of Renesso.

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Cafeteria: Previously had been used as a Dining area. It has the same function of the existing apart from the existing benches which are being hanged from sealing.

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The entrance: A simple steel elements after the existing entrance which provides welcoming secises and division of three parts.

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The exit: Previously had been used as bedrooms. It is the end of the jurney as a dark room, showing the light path. and brings the visitors the conclusion.

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Arriving on the first floor, The doors of the different rooms with original furniture are locked. There is only one room, the room of light that is the way to continue the trip. Meanwhile, at the end of the corridor, the echoes of a 3-floor void attract you, there is a balcony that has a view through this epic ramp that will be explained later on sections. The outdoor ramp on the west is the destination to the last floor.

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The journey continues arriving from the outdoor ramp. Remembering the locked rooms on the previous floor, here is a new perspective through them. Looking as a third person to the past with the help of the glass floor and the existing furniture mentioned before. But this is not the end.

Now it is time to ride the snake and go through the 3-floor ramp and make the way to the conclusion room on the ground floor.

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Using the existing features, and adding new spaces to complete and explain the history and the journey is what had been tried to do. In this longitudinal section, different qualities of spaces can be seen. Apart from the sealing of all floors on the eastern part which contains the interior ramp, all of the other structural and architectural elements are preserved and presented.

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The interior ramp is the connection of the last floor to the exit of the complex. This ramp has a quality of the closed space but also there are openings through the walls, the roof, the windows, and so on. This openings with complex path of the ramp help the visitor to think and carve into the building and its belongings.

The structural support of this ramp is completely independent of the building’s structure deep through the foundation of it. There would be a monumental element made out of destroyed furniture which has been considered to be.

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SECTION A-A

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The exterior ramp is structurally the same as the interior one, supported separately with a new steel structure. This ramp connects the first and the second floor and it looks through the beautiful nature of Savignone. This element is the only exterior change happening during this restoration which makes the additional parts visible from distance.

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NORTH ELEVATION

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AZZURRO 2017 AZZURRO 2017 Function: Prayer space public Function: Prayer space public architectural competition architectural competition Individual Individual

Abbasabad located Right according In 1852 whenhills, Napoleon IIIin was the In 1852orientation when Napoleon III wastothe In 1852 when Napoleon III was the In 1852 when Napoleon IIIthe was the the northof ofFrance, Tehran, the is recently the Islamic emperor order was emperor of regulations France, the of order was emperor many of France, the order was mosque emperor France,room. the order was attracting attentions orof a praying given to his Prefect of Seine, given to his Prefect of Seine, because itsPrefect location The light, given toofhis ofand Seine, given to Orientation, his Prefect ofseparation, Seine, “Haussman” to buildfeatures. a new belt “Haussman” tominimalism build a new are belt natural monumental The simplicity and “Haussman” to build a new belt “Haussman” to build a new belt of railway around Paris, just aroundelements Paris, just competition is to design a praying of therailway main design of this of railway around Paris,complex, just of railway around Paris, just room for the Abo Atash project.

Surfaces play the most insidethe walls of the city to insidethe walls of the city to insidethe walls ofrequirements the city to insidetherule walls the city to located there.

The important inof shaping these connect the mainstations of the connect the mainstations of the for this competition is a praying connect the mainstations of the ideas. connect the mainstations of the national railway network in the national railway network in the room with toilets, both separated national railway network in the national railway network in the city, bring construction to each. for men and women and material the city, bring construction material to each.

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Passing through a bridge on a shallow blue colored pool, the way to get through the praying room and the toilets gets separated as it can be seen.

The praying room changes the atmosphere with the help of steps to elevate it from the surrounding. Fortunately the Islamic orientation helps a lot with the view and design of the openings since its up on the hill in the middle of the city.

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Mehrab, is the ancient world for the place of light to pass in a worshiping place, coming from mitraism and continued being used in so many religions such as Islam. This space is always located in front of the prayers and shoes the orientation to them.

In this project with the help of exposed blue columns, the surfaces tear apart to bring the light to the space.

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INTO THE VOID 2016 Function: Holy defence Museum Competition C ompany: Golamini Team members: Shahram Golamini, Nima Entesari, Sina Shafieyari

After 30when years,Napoleon people ofIIIIran In 1852 wasare the still living with the after effects, emperor of France, the order was memories and loss of the war givenchanged to his Prefect of Seine, which their life.

An 8 “Haussman” to war build a new years long daily with thebelt neighbor In the memory of railwayIraq. around Paris, just of this war (as client calls it insidethe walls of the cityThe to Holy Defense) there gathered connect the mainstations of the an architectural competition to national railway network in the design a complex of exhibition city,museum. bring construction material and

Therefore, with the strict In 1852 when Napoleon III was the regulation of this competition, emperor of France, the order was here is a floating sea of concrete given to his Prefect ofThis Seine, designed by our team.

“Haussman” to build a new belt complex contains 4parts, museum, offices of railwaycultural aroundcenter, Paris, just and the landscape. insidethe walls of the city to connect the mainstations of the national railway network in the to each.

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CONCEPTS

PERSIAN COURTYARD: in order to bring the natural light to the exhibition parts and create different qualities of the space, there has been considered courtyard. Meanwhile it also creates multiple connections through these different spaces.

FLOATINESS: going back through most of the successful museums in the world, the ones that one is slightly passes from different levels without a sudden change of felling but to make them float in the space were their concept and main consideration. This project, with having 3 different flat levels. Does not force the visitors to consume huge tiring changes, but slowly bring them to the world of history and memories.

PYRAMID: the simple idea of having higher levels which retreat from the lower one, not only brings the sight and an overview from top to both ground and first level, but also can bring indirect natural light which is the best way of showing objects to the visitors.

DIAGRAM NO.1

DIAGRAM NO.1 PERSPECTIVE NO.1

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The simplicity and lightness of the material helps the space to float and be flexible for temporary and permanent exhibitions.

Meanwhile, the use of oak wood in some part as architectural beams. Shows the orientation and the direction of the space to the visitor and controls the amount of light input to the museum,

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VILLA KORDAN 2015 My firstwhen architectural experience Function: Holiday cottage, In 1852 Napoleon III was the in a design studio which was the culture of harmony between form emperor of France, the order was most interesting and challenging. and space given to his Prefect of Seine, VILLA KORDAN is a weekend C ompany: Golamini “Haussman” to build a new belt cottage in Kordan, Karaj, Iran and it has been ordered to have Team members: Shahram of railway around Paris, just 3 floors with 2 bedrooms. guest Golamini, Nima Entesari, Sina insidethe walls of the city1to bedroom, a billiard pool room, Shafieyari connect the mainstations of the and a master bedroom which national in the should berailway safest network from guests and city, bring construction material children.

The ground is the public In 1852 whenfloor Napoleon III was the area of the house, first floor for emperor of France, the orderiswas the bedrooms, guest rooms and given to his Prefect offloor, Seine, TV room.

And the last with “Haussman” to build a new belt 4 balconies and beautiful view of is the master of Alborz railwaymountain around Paris, just bedroom for Mr Akbari, the insidethe walls of the city toclient. connect the mainstations of the national railway network in the to each.

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CONCEPTS

The main concept of the project is to follow the traditional houses of mountainous area around Alborz which helps the design with fitting in the context, functional satisfaction and thermodynamical efficiency.

These typical houses of the north of Iran, are built on a one meter pilotis, with two entrances slightly oriented with the corridor around the house, a double hight space which presents the concept of privacy of the household in the first sight to the guest, a single surreal slope roof and the balcony around it protected from the rain.

The other consideration of the design is the cemetery with no feeling of it. So using the proportions of cemetery in order to bring the harmony to the configuration of the functions and the sense of relativity of every element in a residential, specially since it is made for weekends and vacations of the family.

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10 135

10

10

180 W-W

T-5

W-W

T-3

135

W-D

335

20

160

10

T-1

25

135

135

T-1

W-W

T-7

35

T

- D3 W -

815

35

315

0

350

24

2020

W-W

T-8

20 20

315

350

850

310

35

160

1520

320

35

20

20

295

640

W-W

T-2

315

W-W

T - 6a

910

910

-1.90

+1.50

W-W

20

T-9

5

23 W-W

20

WALL SECTION 1 see A -15

5

71

WALL SECTION 1 see A -15 155

5

23

35

T - 6a W-W

T-1

160

30 30 30 30 30 30 30 30 30 30 30

350

20 W-D

W-D

T-1

T-1

30 30 30 30 30 30 30 30 30 30 30

W-D

T-1

W-D

60

20

20

20

15

200

200

200

-1.90

160

30 30 30 30 30 30 30 30 30 200

30 30 30

-1.90

850

20

350

±0.00

B

PLAN -1

B

PLAN 0

53

10

0

20

30

40

50

B 350

B

850

350

350

850

-1.90

350

125

-1.90

35

320

10

225

10

245

35

475

65

330

350

W-W

T - 11

60

0

St leyout no3 see A 14 25

280

275

25 25 25

52

W-W

590

W-W

0

T - 12

215

280

425

850 85

90

A

+1.90

360

20

+10.30

A

135

A

W-D

T-2

305

270

1175

10

695

20

120

23

360 30 30 30

280

260

190

T - 12

850

30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30

10

W-D

T-1

385

570

A

20

10

W-D

T - 2a

T-1

200

120

25 2 5

135

15

10 10

W-D

52

25 2

30 30 30 30

W-D

260

10 60

100

T - 2a

+5.90

30 135

25

5

W-D T -2

30 30 30 30

125

25 2

25

5

230

30

100

10

25

25 55

290

25

10

10

135

145

20

25 25 25

25

10

25

25

135

5

2

T - 12a

5

325

255

W-W

330

2

25

25

275

20

280

25

2

25

225

5

10 45 10

155

260

5

290

20

2

135

W-D

T-2

325

25

275

55

10

10

0

12

25

115

23

W-D T -1a

20

W-W

20

260

T - 12

20

270

20

280

20

630

760

275

+10.30 WALL SECTION 2 see A -15 350

350

415

330

W-D

T-2

350

165

T - 11

330

W-W

10

215

130

475

+5.90

+5.90

20

+5.90

W-W

T - 11

+5.90

+5.90

+1.50

B

PLAN +1

B

PLAN +2

54

10

0

A

B

20

C

30

D

+18.00

40

1

2

50

3

4

+18.00

+10.30

+10.30

+5.90

+5.90

+1.50

+1.50

±0.00

±0.00

-1.90

-1.90

+0.80

A_A

SECTION A-A

SECTION B-B

55