Shelby Henneberger - Graphic Design Portfolio

PORT//

//FOLIO SHELBY HENNEBERGER [2021 - 2023]

PROFILE Not satisfied unless I’m creating and problem-solving. Lover of Adobe Illustrator, canned green beans, public benches, and hiking in old growth forests.

Ready to collaborate and meet my new team.

NAME: SHELBY HENNEBERGER PHONE: +1 916 388 4731 EMAIL: shelbyhenneberger@gmail.com LOCATION: DAVIS, CA

EDUCATION UNIVERSITY OF CALIFORNIA, DAVIS B.S. SUSTAINABLE ENVIRONMENTAL DESIGN CITY COLLEGE OF SAN FRANCISCO A.S. MATHEMATICS

GRAPHICS & DESIGN XP 2017

LENDING CLUB company sweatshirts

2017

OPERA SAN JOSE wardrobe crew

2016 - 2020

THE HARKER SCHOOL scenic painting theater set & costume design

2018

CASTLE ROCK FARM vegetable labels

2022 - 2023

HTTP.KIDFRIDAY content creation

2021 - 2023

ART MARKET art prints stickers zines

2023

SED CLUB tshirt design

2023

UC DAVIS HUMAN ECOLOGY DEPT. 2023 graduation stickers

TABLE OF CONTENTS

BRANDING 5-8

ART

MARKET 9-12

URBAN DESIGN 13-16

TATTOOS 17-18

DEMON BOREDZ

SRATEGIES Creating the beginnings of an alternative skate brand aimed towards gender neutrality started with a color palette and thematic elements. Inspired by Toy Machine, Girl, and Spitfire.

DATE: 2022 - 2023

PRODUCTS: logos branding skateboard art paperdoll mascot WORDMARK LOGO

LETTERMARK LOGO

GOALS Creating cohesive wordmark and lettermark logos.

PAPERDOLL MASCOT

Crafting a mascot for stop-motion use in animations and social media.

Product art that conveys danger and rebellion.

5

DECK ART - HORNZ

DECK ART - CAVEZ

DECK ART - SKULLZ

GRIPTAPE VARIATION 1

GRIPTAPE VARIATION 2

6

APPAREL DESIGNS DATE: 2022 - 2023

PRODUCTS: designs mockups

SKATEWEAR These abstract shapes and colorway are inspired by early 2000s skatewear.

Bold shapes and shading combined with soft browns create a worn in aesthetic.

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SED CLUB My goals were to encompass the major and the animals found on UC Davis campus. This project taught me the importance of communication with clients, creating design deliverables, and graphics sizing for merchandise.

IGNITE The main goal for this design was a graphic tee that would feel hectic, but clean. Focusing on the word “ignite” produced clear and cohesive visuals. The designs are hand drawn and hand-inked to add a personal touch.

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SKETCH SKETCH

POSTERS Born out of a love for both metal band tees and motivational posters, I look to incorporate morbid aesthetics with stereotypically feminine motifs. The pink color palette is utilized throughout all the designs.

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BUSINESS CARDS

ART MARKET

Reminiscent of a tarot card, incorporated imagery fom a best selling print within my business card creates a sense of unity and branding.

DATE: 2021 - 2023

PRODUCTS: posters stickers business card

STICKERS

THUMBNAIL

THUMBNAIL

SKETCH

SKETCH

FINAL

FINAL

Originally designed to be prints, these stickers work as a trio of “mottos” to incorporate feelings of death with positivity and femininity.

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CEMETERY PRINTS Much of my inspiration for being a designer comes from the way we design death.

Morbid to some, the designation of design during tragedy and heartbreak makes cemeteries an art gallery of love and appreciation.

ZINE STRATEGIES As I walked through the sites I was patient to notice the aspects of each park, open space, or front yard that made it welcome or unwel- come. These aspects included territoriality, boundaries, seating, signage/wayfinding, shade, buildings, and accessibility.

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ART MARKET DATE: 2021 - 2023

PRODUCTS: prints stickers zines

ZINE GOALS Inspired by “Be Seated” by Laurie Olin, zines were made to promote park usage and the importance of accesibility in public seating. Zines were sold at the local farmers market and prompted a “scaven- ger hunt” of sorts between customers. Copies of these zines now live in the Landscape Architecture & Environmental Design library on campus.

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SPACEMAKING DATE: 2022

PRODUCTS: landscape design models sections perspectives

SCULPTURE

SITE ANALYSIS

PARTI MODELS

SRATEGIES Themes and motifs are extrapolated from the sculpture “Bird in Space” by Constantin Brâncuși. Partis are derived from shape and material of sculpture, flight, unity, freedom, wingspan, nests, and migration. Plan view concept sketch (top right) was constructed as a bird in a tree from partis and its form is referenced from the Cedar Waxwing illustration (left).

PARTI SKETCHES

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SECTIONS

SITE PLAN

GOALS Redesign a campus courtyard as a space for students to congregate for outdoor lectures, community events, and for relaxation.

Utilize fruiting trees to support local birds, give shade, and provide free produce to students.

PERSPECTIVE

CHIPBOARD MODEL 1” = 16’-0”

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CURRENT

SITE RENDERING (CURRENT SEATING) N

SRATEGIES

SOCIAL AREAS

The negative spaces in the concrete divider were based on shapes within a sketch. This parti reflects the energy and user traffic of community events.

Over time, these negative spaces could be a host to the vines of a California Grape.

SEATING SHADE A

BLEACHERS & PLATFORM FOR SPEAKERS

B

ADAPTABLE SEATING AREA

C

SECLUDED SEATING IN IRRIGATION DITCH

Adaptable and interactive seating gives ownership over the space and allows users autonomy.

REDESIGN

GOALS

C

A

B

SEATING STUDIES

SOCIAL AREA A

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N

Craft purposeful social areas with adequate seating arrangements suited for everyone including children and elderly users.

New seating should mimic the curves found in the plan view.

Create an art piece from the divider.

Redesign should not utilize too many new resources or GHGs.

SOCIAL AREA B

SOCIAL AREA C

INTERACTIVE SEATING

CURRENT

ART GARDEN REDESIGN

A N

DATE:

A 0

REDESIGN

15

2022

30

B

PRODUCTS:

N

landscape design sections sketches analysis

B 0

15

30

PROCESS SKETCHES TREES ALONG SIDEWALK

NATIVE PLANTS

CONCRETE DIVIDER

VINE GROWTH IN DIVIDER SOIL

CONCRETE SIDEWALK

SECTION A-A

MULCH

DECOMPOSED GRANITE

TREES ALONG SIDEWALK

0

10

20

SECTION B-B

PARTI OF SITE (REDESIGN) NATIVE PLANTS

CONCRETE DIVIDER

CONCRETE DIVIDER AS CENTRAL ART PIECE

BLEACHERS SOIL

CONCRETE SIDEWALK

DECOMPOSED GRANITE

MULCH

0

10

20

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HANDPOKE TATTOOS DATE: 2022 - 2023

PRODUCTS: tattoos flash designs

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R

PATIENCE Learning the patience and focus to complete a traditional handpoked tattoo without a machine is grounding and humbling. Additionally, being able to give others a way to empower themselves through design is something I look forward to as I continue in my career.

ROLL A DAGGER PO MM EL

GR

IP

CR GU O S AR S D SH OU

LD

ER

PO IN T

DE CO R

FOCUS Being a novice tattoo artist has given me so much appreciation for artforms that transcend paper. Similar to landscape design, tattooing is a process that requires analysis, skill, and results in very permanent consequences.

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